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This programme contains strong language | 0:00:02 | 0:00:06 | |
K to the U to the R, U to the P to the T! Kurupt family! | 0:00:06 | 0:00:08 | |
Then it's like you can spell things out, you... | 0:00:08 | 0:00:11 | |
It's... You use your mouth, predominantly. | 0:00:11 | 0:00:13 | |
-DIRECTOR: -What are the hand things? | 0:00:13 | 0:00:15 | |
Er, just Kurupt FM. K is like... | 0:00:15 | 0:00:18 | |
Just throw your Ks up. | 0:00:18 | 0:00:20 | |
Kurupt FM, innit, the rest are irrelevant, like. | 0:00:20 | 0:00:23 | |
-That's a slogan. -It is. | 0:00:23 | 0:00:24 | |
Don't need to say it's the slogan, just let them hear us | 0:00:24 | 0:00:28 | |
saying it all the time, then they'll get it. | 0:00:28 | 0:00:30 | |
We used to say Kurupt FM, like it or just lump it, basically. | 0:00:30 | 0:00:33 | |
Yeah, but then I came up with a more... | 0:00:33 | 0:00:35 | |
One that rhymes, you know what I mean? | 0:00:35 | 0:00:37 | |
Rolls off the tongue better. | 0:00:37 | 0:00:39 | |
Aerodynamic. | 0:00:39 | 0:00:40 | |
# I said it's time for action Boom, boom, boom, shake, shake... # | 0:00:42 | 0:00:45 | |
What is Kurupt FM? | 0:00:45 | 0:00:48 | |
Simple, it's an urban powerhouse/ radio station/family unit, | 0:00:48 | 0:00:52 | |
do you know what I mean? | 0:00:52 | 0:00:54 | |
The biggest and baddest pirate radio station in the land, | 0:00:54 | 0:00:57 | |
AKA Kurupt, like, best believe, 180.9 in your dial, yeah? | 0:00:57 | 0:01:02 | |
The phone line is popping off right now. | 0:01:02 | 0:01:04 | |
Big out to 384. Isleworth Mercy! | 0:01:04 | 0:01:08 | |
We transmit throughout the whole of West London. | 0:01:08 | 0:01:10 | |
Obviously, once you get to Shepherd's Bush it... | 0:01:10 | 0:01:14 | |
-It gets a bit... -It gets a bit, yeah, | 0:01:14 | 0:01:15 | |
white-noisy, but we've still got a lot of fans down Bush, White City. | 0:01:15 | 0:01:18 | |
I reckon there's quite a lot of people that drive | 0:01:18 | 0:01:21 | |
closer to the transmitter in the car... | 0:01:21 | 0:01:23 | |
-Yeah, yeah. -..and maybe set up a recording. -Bring a picnic. | 0:01:23 | 0:01:26 | |
-Yeah, so. -Let's show 'em round, innit, like? | 0:01:28 | 0:01:30 | |
Yeah, show 'em round the manor, like. | 0:01:30 | 0:01:32 | |
Obviously, you've got the blocks there and that. | 0:01:32 | 0:01:34 | |
And you see here we've got the garage, yeah, | 0:01:34 | 0:01:36 | |
-if you need Rizla any time of day, bosh. -Boom, like. | 0:01:36 | 0:01:39 | |
'My philosophy on life, yeah,' | 0:01:39 | 0:01:41 | |
is just, like, sort of just do whatever, basically. | 0:01:41 | 0:01:45 | |
Bring up a lot of problems, money issues and that, | 0:01:45 | 0:01:48 | |
but it's better that way, innit? | 0:01:48 | 0:01:50 | |
Yeah. | 0:01:50 | 0:01:52 | |
Over there we've got the world-famous Crack D's. | 0:01:52 | 0:01:55 | |
Cracka Demus & Pliers! | 0:01:55 | 0:01:57 | |
Beautiful little burgers, actually, they do there, don't they? | 0:01:57 | 0:02:00 | |
-Yeah, whoa. -What else? | 0:02:00 | 0:02:01 | |
And then just up here you've got the station. | 0:02:03 | 0:02:05 | |
Yeah.... No, don't show them the... | 0:02:05 | 0:02:07 | |
No, it's not the station, we're just... | 0:02:07 | 0:02:09 | |
You're not meant to know where... where it all is and all that, so. | 0:02:09 | 0:02:13 | |
Maybe I shouldn't... | 0:02:13 | 0:02:14 | |
We shouldn't have taken them on a tour of Brentford. | 0:02:14 | 0:02:16 | |
-Yeah, well, just don't fucking... -It's kind of ... | 0:02:16 | 0:02:19 | |
Sh! It's, er... We're not actually... | 0:02:19 | 0:02:21 | |
Just cos we're going round Brentford | 0:02:21 | 0:02:23 | |
doesn't mean we're actually... the station's in Brentford. | 0:02:23 | 0:02:26 | |
It's a... It's a little radio trick | 0:02:26 | 0:02:28 | |
we call throwing them off the scent, so... | 0:02:28 | 0:02:30 | |
Yeah, we could be anywhere right now, | 0:02:30 | 0:02:31 | |
-we could actually be in Brentlee. -Exactly. | 0:02:31 | 0:02:34 | |
-DIRECTOR: -So, is this all illegal, then? | 0:02:35 | 0:02:37 | |
Course it's illegal, mate, it's part of the beauty of it. | 0:02:37 | 0:02:40 | |
'If you keep a secret location, | 0:02:40 | 0:02:42 | |
'you don't have to do any moving around, | 0:02:42 | 0:02:44 | |
'it's just like the dotty Babylon, the filth, | 0:02:44 | 0:02:47 | |
'do you know what I mean? And the DTI | 0:02:47 | 0:02:49 | |
'that have to do all the running about, like, | 0:02:49 | 0:02:51 | |
'do you know what I mean? And never find us.' | 0:02:51 | 0:02:53 | |
-Stop filming! -'They don't know that we're down here,' | 0:02:53 | 0:02:55 | |
dropping the finest in UK garage and drum 'n' bass, like. | 0:02:55 | 0:02:58 | |
Fucking amateurs. | 0:03:00 | 0:03:01 | |
Come on, mate, keep it down now. | 0:03:01 | 0:03:03 | |
Hurry up, Decoy, I need a piss. | 0:03:03 | 0:03:05 | |
Just hold it down, though, yeah, just keep it literally... | 0:03:05 | 0:03:07 | |
-Yeah, hold that shit down. -Don't get the faces. | 0:03:07 | 0:03:10 | |
Here we are, boys. Do you want to...? You can take that off now, yeah? | 0:03:10 | 0:03:14 | |
So, just whack it up there. | 0:03:16 | 0:03:18 | |
-Welcome to Kurupt FM! -Welcome. | 0:03:18 | 0:03:20 | |
Yeah. Mu casa su casa. | 0:03:20 | 0:03:22 | |
Sorry about all the hoods and all that, but, er, it's just like | 0:03:22 | 0:03:24 | |
something you have to do in pirate radio, secret location and all that. | 0:03:24 | 0:03:27 | |
Yeah, we even took the number off the door, | 0:03:27 | 0:03:29 | |
so we don't even know what number it is. | 0:03:29 | 0:03:31 | |
-Come through, come through. -Enter. | 0:03:31 | 0:03:33 | |
So, this is...the main studio area, yeah, got the... | 0:03:33 | 0:03:38 | |
the main hub, yeah, that keeps everything going, this does. | 0:03:38 | 0:03:42 | |
Er, got Steves over there... | 0:03:42 | 0:03:44 | |
-Yeah. -..doing a little morning clean-up and that. | 0:03:44 | 0:03:46 | |
Yeah, Steves spruces up the studio for us, | 0:03:46 | 0:03:49 | |
we let him keep any little zoot ends or coins and that. | 0:03:49 | 0:03:51 | |
Steves. Steves, mate, listen. Clean your bedding, please, mate, | 0:03:51 | 0:03:56 | |
-cos we've got the BBC here, do you know what I mean? -Sorry. | 0:03:56 | 0:03:59 | |
Grindah as an MC? I don't know how to describe him. | 0:04:00 | 0:04:03 | |
We'll put the mic inside the arena | 0:04:03 | 0:04:04 | |
A bad boy for the business similar | 0:04:04 | 0:04:06 | |
With the BBC crew inside it every year! | 0:04:06 | 0:04:08 | |
-Ha-ha! Freestyle as well, mate. -That sort of thing really. | 0:04:08 | 0:04:11 | |
Ah, he's nuts. | 0:04:11 | 0:04:13 | |
Right, er, it's actually better with the music, | 0:04:13 | 0:04:15 | |
so let's talk you through the equipment. | 0:04:15 | 0:04:17 | |
So, you've got the... So... So you've got the... | 0:04:17 | 0:04:19 | |
Right, this is your amp, yeah. | 0:04:19 | 0:04:21 | |
-Yeah, amp, that's the amp. -Connected to the speakers. | 0:04:21 | 0:04:23 | |
-Yeah. -Your transmitter here, be careful with that. | 0:04:23 | 0:04:26 | |
-Listen... -Two mics. -..never mind all that. | 0:04:26 | 0:04:27 | |
Do you want to whack it on, we'll show him how it's done? | 0:04:27 | 0:04:30 | |
Oh, yeah, yeah, yeah. | 0:04:30 | 0:04:31 | |
So, this goes, one, two! One, two! | 0:04:31 | 0:04:33 | |
E-Even better with the mic, innit? Mental, like. | 0:04:33 | 0:04:36 | |
All right, let's go. | 0:04:36 | 0:04:37 | |
Who's ready? Who's ready? | 0:04:37 | 0:04:39 | |
Who's ready? Who's ready? Who's ready? | 0:04:39 | 0:04:42 | |
Who's ready? | 0:04:42 | 0:04:43 | |
One, two, three, four, five | 0:04:43 | 0:04:45 | |
Once I caught the fish alive | 0:04:45 | 0:04:46 | |
One, two, three, four, five | 0:04:46 | 0:04:48 | |
Once I picked up with the garage vibe | 0:04:48 | 0:04:50 | |
My side, their side | 0:04:50 | 0:04:52 | |
And you get a side like inside | 0:04:52 | 0:04:54 | |
Step on the microphone Ready to ride... | 0:04:54 | 0:04:56 | |
I've been with Grindah for about six years now. | 0:04:58 | 0:05:00 | |
Like, when we first got together we used to do a lot of, you know, | 0:05:00 | 0:05:03 | |
sort of romantic sort of things, like he'd buy me clothes | 0:05:03 | 0:05:07 | |
and that, just, you know, cos he didn't like what I wore. | 0:05:07 | 0:05:10 | |
-DIRECTOR: -So, how did you two meet? | 0:05:10 | 0:05:12 | |
It was actually really sweet, like, it was in a car park. | 0:05:12 | 0:05:15 | |
I was just sort of, you know, walking along | 0:05:15 | 0:05:17 | |
and he shouted something at me from a van and, yeah, | 0:05:17 | 0:05:20 | |
it just all went from there really. | 0:05:20 | 0:05:22 | |
So, what was Miche like when you first met her? | 0:05:22 | 0:05:24 | |
Ah, she was beautiful when I first met her. | 0:05:24 | 0:05:27 | |
It's mad to think, like. | 0:05:27 | 0:05:29 | |
But, yeah, I still like her and that, so... | 0:05:32 | 0:05:34 | |
So, has he ever been in trouble with the law? | 0:05:34 | 0:05:37 | |
Yeah, he's been in trouble a few times, | 0:05:37 | 0:05:38 | |
but it's always been like, you know, silly little things | 0:05:38 | 0:05:41 | |
like, I don't know, dealing, GBH, hate crimes, you know, | 0:05:41 | 0:05:44 | |
just silly little things like that. | 0:05:44 | 0:05:45 | |
No, I think we've spent enough now. | 0:05:47 | 0:05:50 | |
Who's on the mic and ready to ride? | 0:05:50 | 0:05:52 | |
Inside, at their side... | 0:05:52 | 0:05:54 | |
-BANGING AT DOOR -Grindah. Grindah. | 0:05:54 | 0:05:56 | |
-What?! -Someone banging on the door, bruv. | 0:05:56 | 0:05:58 | |
Oh, is it? Oh, turn everything off. | 0:05:58 | 0:06:00 | |
Turn it off, turn it off, turn it off. | 0:06:00 | 0:06:02 | |
Sh. Steves, shut up. | 0:06:02 | 0:06:04 | |
BANGING CONTINUES | 0:06:04 | 0:06:07 | |
-Hello, mate. -How many times have I told you, bruv? | 0:06:09 | 0:06:12 | |
-Huh? I know. -This is turning into a joke. -I... I'm sorry, mate. | 0:06:12 | 0:06:15 | |
-I've asked you nicely... -I know. | 0:06:15 | 0:06:16 | |
I've written letters, yeah? You lot are mugging me off, man. | 0:06:16 | 0:06:19 | |
No, I... I can assure you we're not, mate, please, like... | 0:06:19 | 0:06:21 | |
-Just turn it down. -I keep telling 'em, | 0:06:21 | 0:06:23 | |
but we've got problems with the volume thing. | 0:06:23 | 0:06:26 | |
Mate, I don't give a shit, just turn it down. | 0:06:26 | 0:06:27 | |
Well, just... All right, I'm sorry. | 0:06:27 | 0:06:29 | |
That's what I'm trying to say, though, yeah, | 0:06:29 | 0:06:31 | |
cos if it was in the streets, yeah, | 0:06:31 | 0:06:33 | |
it'd be a different story, do you know what I mean? | 0:06:33 | 0:06:35 | |
-Be the end of his story. -End of his story, that's right, | 0:06:35 | 0:06:37 | |
cos I'd just be like, bang, upwards, you know what I mean? | 0:06:37 | 0:06:40 | |
He's on the floor, like, feeling dizzy, | 0:06:40 | 0:06:42 | |
do you know what I mean? At the time and that, like. | 0:06:42 | 0:06:44 | |
But the thing is, yeah, when you do run an illegal radio station, | 0:06:44 | 0:06:47 | |
yeah, you cannot run the risk of DTI coming through, innit? | 0:06:47 | 0:06:50 | |
-No. -He's like, "I sent a letter," do you know what I mean? A letter. | 0:06:50 | 0:06:53 | |
Who's in charge of post? | 0:06:53 | 0:06:55 | |
Huh? | 0:06:55 | 0:06:56 | |
I was doing recycling. | 0:06:56 | 0:06:58 | |
-Me, I... I sometimes... -Yeah, well... | 0:07:01 | 0:07:03 | |
I just put them over here, like, cos... | 0:07:03 | 0:07:05 | |
I didn't think people would send us letters | 0:07:05 | 0:07:07 | |
-cos of the door number and that. -Just... | 0:07:07 | 0:07:09 | |
"To WHOM it may concern..." | 0:07:12 | 0:07:14 | |
He hasn't even spelled "who" right for a start, like. | 0:07:14 | 0:07:18 | |
"Whawm!" | 0:07:18 | 0:07:19 | |
-Meh! "Your music's so loud!" -Meh! | 0:07:19 | 0:07:22 | |
Meh! "I've got kids that need to sleep..." | 0:07:22 | 0:07:24 | |
Meh! | 0:07:24 | 0:07:25 | |
"..and I need to get up early for work." | 0:07:25 | 0:07:28 | |
Meh! "If you don't keep it down, | 0:07:28 | 0:07:31 | |
"I will be forced to involve the council," like, meh! | 0:07:31 | 0:07:35 | |
What? "If you do keep it...then I'll be forced to involve the council?" | 0:07:35 | 0:07:40 | |
Call the council out, man, don't give a fuck, bruv! | 0:07:40 | 0:07:42 | |
No, dude, we do give a fuck. Don't put that, cos... | 0:07:42 | 0:07:44 | |
No, cos the government work for the council, | 0:07:44 | 0:07:47 | |
then we're going to have the government on our case. | 0:07:47 | 0:07:49 | |
Oh, is it? | 0:07:49 | 0:07:50 | |
Oh, for f... That's what I... That's all I need! | 0:07:50 | 0:07:52 | |
That's all I need. | 0:07:52 | 0:07:53 | |
We cannot run the risk of the government | 0:07:53 | 0:07:56 | |
booting our doors off, bruv. | 0:07:56 | 0:07:58 | |
So, what shall we do? | 0:07:58 | 0:08:00 | |
"What shall we do?" | 0:08:00 | 0:08:01 | |
If you weren't the one constantly turning it up, yeah, | 0:08:01 | 0:08:04 | |
-we wouldn't be in this mess, so you sort it out, yeah? -Yeah. | 0:08:04 | 0:08:08 | |
'I think when, like, Grindah's at the station,' | 0:08:08 | 0:08:10 | |
he has to be quite tough cos obviously he's in charge, but, like, | 0:08:10 | 0:08:14 | |
when he's with me, he definitely has a more, like, softer side. | 0:08:14 | 0:08:17 | |
Like, these are some pictures of him actually before he was famous. | 0:08:17 | 0:08:20 | |
This one's, erm, of him at a petting zoo holding a rabbit, | 0:08:20 | 0:08:24 | |
like they... they're doing the same expression. | 0:08:24 | 0:08:26 | |
Actually, this one's a good one. | 0:08:26 | 0:08:29 | |
This was taken when I was pregnant. | 0:08:29 | 0:08:32 | |
Like, obviously we've both lost a bit of weight since then, | 0:08:32 | 0:08:35 | |
like Grindah went on Slim-Fast. | 0:08:35 | 0:08:37 | |
The kind of concept behind it was that we're in heaven because, like, | 0:08:38 | 0:08:42 | |
that's just what it felt like at that time, like, | 0:08:42 | 0:08:45 | |
but the cloud's not actually there, | 0:08:45 | 0:08:46 | |
that's just like, you know, like camera trickery. | 0:08:46 | 0:08:49 | |
What if we gave the neighbour a knock and just gave him | 0:08:49 | 0:08:52 | |
some headphones or earplugs, or even took requests? | 0:08:52 | 0:08:55 | |
-Requests? -Yeah. | 0:08:55 | 0:08:57 | |
Right, you lot are a joke, I've got to call Chabuds, mate, | 0:08:57 | 0:09:01 | |
-sort this out. -Yeah, call Chabuds. | 0:09:01 | 0:09:03 | |
Chabsy! | 0:09:03 | 0:09:04 | |
My name's Chabuddy G, AKA Chabuds, | 0:09:06 | 0:09:09 | |
AKA The Rig Doctor, AKA the Mayor of Hounslow. | 0:09:09 | 0:09:12 | |
I'm not actually a doctor or a mayor, | 0:09:12 | 0:09:14 | |
but I can get you the certificates | 0:09:14 | 0:09:16 | |
as part of a 36-month T-Mobile contract | 0:09:16 | 0:09:19 | |
that you will not be able to get out of. | 0:09:19 | 0:09:21 | |
This is my internet cafe. Come through, come through. | 0:09:21 | 0:09:24 | |
And here she is, in all her wonder, | 0:09:24 | 0:09:27 | |
Chabuddy's Worldwide Internet Cabin Cafe. | 0:09:27 | 0:09:30 | |
That's Abdi, a bloody regular. | 0:09:31 | 0:09:33 | |
So, come through here, come through, I'll show you everything. | 0:09:33 | 0:09:36 | |
So, this is also my home, which I share with my lovely wife, Aldona. | 0:09:36 | 0:09:41 | |
Aldona, say hello, darling, we've got a camera crew here, look. | 0:09:41 | 0:09:44 | |
BBC and that, camera crew. | 0:09:44 | 0:09:46 | |
This is the bed where we do our "sleeping", if you can call it that. | 0:09:47 | 0:09:50 | |
IN HER OWN LANGUAGE: | 0:09:50 | 0:09:53 | |
Actually, Aldona, can you give us a minute? See that? | 0:09:53 | 0:09:55 | |
She walked out instantly. Obedience, very sexy in a woman. | 0:09:55 | 0:09:59 | |
You see that? Look at that mirror. | 0:09:59 | 0:10:01 | |
CHABUDDY LAUGHS | 0:10:01 | 0:10:04 | |
I like to watch. | 0:10:04 | 0:10:06 | |
'Chabuds!' | 0:10:06 | 0:10:07 | |
He's one of them ultra-preneur characters, | 0:10:07 | 0:10:09 | |
like, he can literally get you anything. | 0:10:09 | 0:10:12 | |
Not drugs, though, cos we get them from Decoy's uncle. | 0:10:12 | 0:10:15 | |
Can you...? Can we start that again? | 0:10:18 | 0:10:21 | |
Don't put that bit in because... | 0:10:21 | 0:10:23 | |
That's probably 90 degrees, I'd say. | 0:10:23 | 0:10:25 | |
I don't have to do all of it, just run it across there. | 0:10:28 | 0:10:31 | |
I'm just waiting for the echo, it actually indicates the densities. | 0:10:35 | 0:10:38 | |
Er, don't, don't bang, come on, just get down, | 0:10:40 | 0:10:42 | |
don't bang on the wall, mate. | 0:10:42 | 0:10:44 | |
So, as I thought, er, no echo, so... | 0:10:44 | 0:10:47 | |
Do you need it soundproofed today, boss? | 0:10:49 | 0:10:51 | |
We've got a set at 8pm, yeah, | 0:10:51 | 0:10:53 | |
-so we need it done before 8pm, ASAP, innit? -Yeah. | 0:10:53 | 0:10:57 | |
Yeah, cos the last time we missed a set, | 0:10:57 | 0:10:59 | |
the London riots happened, didn't it? | 0:10:59 | 0:11:00 | |
-Yeah. Well... -Exactly. | 0:11:00 | 0:11:02 | |
So, it's not something you really want on your mind, is it, mate? | 0:11:02 | 0:11:05 | |
-I don't want that. -It's quite heavy, do you know what I mean? | 0:11:05 | 0:11:07 | |
Mm. OK, what we're going to have to do, boss, | 0:11:07 | 0:11:09 | |
this wall, I'm going to have to rip it down, yeah? | 0:11:09 | 0:11:12 | |
We're looking at a full studio revamp here, boss. | 0:11:12 | 0:11:15 | |
Probably going to cost you about a grand, I'd say. | 0:11:16 | 0:11:19 | |
Don't like the sound of that, do not like the sound of that. | 0:11:19 | 0:11:22 | |
Right, OK, well, if you wanted the cheaper option... | 0:11:22 | 0:11:25 | |
Er, what's...? Which is? | 0:11:25 | 0:11:26 | |
Egg boxes. | 0:11:27 | 0:11:29 | |
-DIRECTOR: -Have you ever soundproofed anything before? | 0:11:30 | 0:11:33 | |
I tell you what, I was actually going to soundproof this place up | 0:11:33 | 0:11:36 | |
because sometimes me and Aldona... | 0:11:36 | 0:11:38 | |
It's fucking loud, man - screaming, crying. | 0:11:38 | 0:11:42 | |
No crying, screaming. Um... | 0:11:42 | 0:11:45 | |
Let me do some equations quickly. | 0:11:45 | 0:11:46 | |
So we've got to do the... Obviously carry that three... | 0:11:46 | 0:11:49 | |
The decibel sound is up at 70db. | 0:11:49 | 0:11:52 | |
Add the power of the A to the Z... Betamax... | 0:11:52 | 0:11:55 | |
-You're looking at about 200 boxes. -200, isn't it? Yeah. -200, I'd say. | 0:11:55 | 0:11:57 | |
What I'll do, I can do the technical part... | 0:11:57 | 0:11:59 | |
-Yeah. -I'll do installation. -Yeah. -No problem. | 0:11:59 | 0:12:02 | |
Um, I'll need you fellas to get me | 0:12:02 | 0:12:03 | |
the actual egg boxes themselves cos I need to get my tools. | 0:12:03 | 0:12:05 | |
-So, like the muscles of the operation. -Yeah. -Yeah, yeah. | 0:12:05 | 0:12:08 | |
-Yeah, minor, minor. -Yeah, yeah. Of course we can, yeah. | 0:12:08 | 0:12:10 | |
-OK. -So, um, what are we talking for this then, Chabsy? | 0:12:10 | 0:12:14 | |
-We're just chatting, just talking. -No, no, I'm talking damage. | 0:12:14 | 0:12:17 | |
What's the collat? What's the collateral damage? | 0:12:17 | 0:12:19 | |
I will be... I assure you, | 0:12:19 | 0:12:20 | |
there will be no damage, I'll clean it up, I'll hoover... | 0:12:20 | 0:12:22 | |
-No, mate, listen, how much is it going to cost? -Oh, well, OK. | 0:12:22 | 0:12:25 | |
-I have this shipment, OK, that I need to get rid of. -Yeah. | 0:12:25 | 0:12:28 | |
So, how about I help you with the soundproofing material... | 0:12:28 | 0:12:30 | |
-OK? -..you help me by playing a new advert for my product on Kurupt FM? | 0:12:30 | 0:12:35 | |
You tickle me, I tickle you. | 0:12:35 | 0:12:36 | |
But, no, we don't do adverts on there, sorry, mate. | 0:12:36 | 0:12:38 | |
-Oh. -We're... We're strictly about the music. | 0:12:38 | 0:12:40 | |
-Strictly, yeah. -Tell... Tell us more money-wise, cash. | 0:12:40 | 0:12:44 | |
50 big ones, I'd say. | 0:12:44 | 0:12:46 | |
50? Ooph! No, squeeze the advert in, can't we? | 0:12:46 | 0:12:49 | |
-Yeah, you've got it on cassette, yeah? -Always. | 0:12:49 | 0:12:51 | |
Ah, no danger, no danger, yeah, yeah. | 0:12:51 | 0:12:53 | |
-It ain't nothing weird, yeah? -Oh, no, no worries. -Dealio! Sweet! | 0:12:53 | 0:12:57 | |
'You know that bit of dust at the end of peanuts, yeah?' | 0:12:57 | 0:12:59 | |
Basically, that's the best part, everybody loves that bit, OK? | 0:12:59 | 0:13:04 | |
There was a manufacturing fault where all the bags | 0:13:04 | 0:13:07 | |
were filled with nothing but peanut dust. | 0:13:07 | 0:13:09 | |
My uncle managed to get like 3,000 boxes of it, yeah, | 0:13:09 | 0:13:14 | |
smuggled to the UK by smuggling himself inside a bloody crate. | 0:13:14 | 0:13:17 | |
He's mental! | 0:13:17 | 0:13:18 | |
Um, he got deported, unfortunately, but the boxes stayed with me. | 0:13:18 | 0:13:22 | |
I call it Peanut Dust. | 0:13:22 | 0:13:25 | |
It's a bit like doing Cribs, isn't it? | 0:13:27 | 0:13:29 | |
So, this is the...the bedroom, | 0:13:29 | 0:13:31 | |
like, this is where, like, all the magic happens. | 0:13:31 | 0:13:35 | |
Got a hi-fi up there, so I can lie in bed listening to Kurupt. | 0:13:35 | 0:13:39 | |
It's good cos it kind of keeps me and Grindah together | 0:13:39 | 0:13:41 | |
cos obviously he works like late nights and that kind of thing, | 0:13:41 | 0:13:45 | |
so I can lie in bed and listen to him | 0:13:45 | 0:13:47 | |
and it'll feel like we're together. | 0:13:47 | 0:13:48 | |
Got the view, as you can see, there's Brentford out there, | 0:13:48 | 0:13:51 | |
like, it's amazing, it's kind of like when I'm in here | 0:13:51 | 0:13:54 | |
and it's night-time, look out, see the lights, | 0:13:54 | 0:13:56 | |
it's like being in, you know, like Sex In The City | 0:13:56 | 0:13:58 | |
-or something like that. -JACKHAMMER BANGS | 0:13:58 | 0:14:00 | |
Right, get as many egg boxes as you can, yeah? | 0:14:00 | 0:14:03 | |
Back here for seven o'clock, no fucking around. | 0:14:03 | 0:14:06 | |
Steves, take them, mate, you really need to wake up. | 0:14:06 | 0:14:09 | |
Right, basically what you need to do, yeah, is get the car, | 0:14:09 | 0:14:11 | |
spin it round the back, yeah, cos if you go round the front | 0:14:11 | 0:14:14 | |
obviously the council might be there, yeah, all right? | 0:14:14 | 0:14:16 | |
Come on, quick as you can, yeah? Got to lay low, bruv. | 0:14:16 | 0:14:18 | |
Yeah. I was going to say, actually, we could lie on the back seat, | 0:14:18 | 0:14:21 | |
so then they can't see us. | 0:14:21 | 0:14:23 | |
Good idea, I'll do that. You walk, create a diversion, yeah? | 0:14:23 | 0:14:26 | |
-Oh, is it? -Steves, come on! | 0:14:26 | 0:14:27 | |
-Steves! Steves! -Come on, Steves. Steves, come on! | 0:14:27 | 0:14:29 | |
-Doing my zip. -Come on! -Do I really have to walk? | 0:14:29 | 0:14:32 | |
Keep dodge, yeah? See you boys in a bit. | 0:14:32 | 0:14:35 | |
I'm a born leader, yeah? | 0:14:48 | 0:14:50 | |
When I was in jail, I used to make Beats have to ring me | 0:14:50 | 0:14:53 | |
before any decision was made. | 0:14:53 | 0:14:55 | |
-DIRECTOR: -Have you been to prison? | 0:14:55 | 0:14:57 | |
Yeah, of course I've been in prison, banged out a two-stretch. | 0:14:57 | 0:15:00 | |
Two-stretch? Is that...? | 0:15:00 | 0:15:03 | |
Two-stretch, innit! Don't... | 0:15:03 | 0:15:05 | |
Ain't you seen films? Two-stretch! | 0:15:05 | 0:15:07 | |
It's two weeks, innit? | 0:15:09 | 0:15:11 | |
You usually find whatever you need in these bins, like, | 0:15:15 | 0:15:18 | |
found loads of stuff in here before, so... | 0:15:18 | 0:15:20 | |
Straightaway, free range. It's nice, yeah. | 0:15:25 | 0:15:28 | |
Trick is to just keep your brain happy | 0:15:31 | 0:15:36 | |
because pills release positive endorphins | 0:15:36 | 0:15:39 | |
that basically means that you're never getting | 0:15:39 | 0:15:43 | |
any negative side effects, like. | 0:15:43 | 0:15:45 | |
My brain thanks me, like, it says, like, "Thank you," | 0:15:45 | 0:15:48 | |
like... | 0:15:48 | 0:15:49 | |
And it's got the same voice as me, it's quite weird. | 0:15:51 | 0:15:54 | |
Yes! | 0:15:54 | 0:15:56 | |
Sick! | 0:15:56 | 0:15:58 | |
Double box, brilliant. Exactly what we need. | 0:16:01 | 0:16:05 | |
Right, I'm just going to take these all out, so then I can take that... | 0:16:05 | 0:16:09 | |
Uh, fuck's sakes! | 0:16:09 | 0:16:11 | |
That's what I mean about fucking eggs, like, fucking unpredictable! | 0:16:11 | 0:16:16 | |
All over my Classics as well. | 0:16:16 | 0:16:18 | |
Right, let me look in here. | 0:16:22 | 0:16:25 | |
Just going to make a little wall of carrots to keep them in | 0:16:25 | 0:16:28 | |
so that they don't, like, roll off the fridge | 0:16:28 | 0:16:30 | |
and smash all over the place, like. | 0:16:30 | 0:16:33 | |
Hiya! | 0:16:33 | 0:16:34 | |
Don't come in the kitchen! | 0:16:34 | 0:16:36 | |
Well, that's a nice welcome home, innit? | 0:16:36 | 0:16:38 | |
Yeah, I'm doing work stuff. | 0:16:38 | 0:16:40 | |
What are you doing? | 0:16:43 | 0:16:45 | |
Look, Roche, I'm stressed out at the moment, like, | 0:16:45 | 0:16:48 | |
I don't want to mix up radio with pleasure. | 0:16:48 | 0:16:51 | |
Business, pleasure, don't mix. | 0:16:51 | 0:16:53 | |
-Oh, so this is your business, is it? -Yeah. | 0:16:53 | 0:16:55 | |
Messing about, smashing Craig's eggs on the floor while this lot film ya? | 0:16:55 | 0:16:59 | |
Kevin's been living with us for a few months now, | 0:16:59 | 0:17:02 | |
a couple of months. | 0:17:02 | 0:17:03 | |
Er, I like having him around. | 0:17:03 | 0:17:05 | |
I did think it was going to be | 0:17:05 | 0:17:07 | |
more like having a man in the house, | 0:17:07 | 0:17:09 | |
but, er, it's not, it's more like having another kid. | 0:17:09 | 0:17:12 | |
Shall I say to Craig about the eggs? | 0:17:12 | 0:17:14 | |
Well, I'm not going to. | 0:17:14 | 0:17:15 | |
He's a right nightmare | 0:17:15 | 0:17:16 | |
when he hasn't had his dippy eggs and soldiers. | 0:17:16 | 0:17:19 | |
Craig's quite mature for his age... | 0:17:19 | 0:17:22 | |
apart from the tantrums. | 0:17:22 | 0:17:24 | |
I don't know if you've heard, | 0:17:24 | 0:17:25 | |
he can really kick off, like proper tantrums. | 0:17:25 | 0:17:29 | |
-DIRECTOR: -What's it like having a stepson? | 0:17:29 | 0:17:31 | |
It's hard work cos he's actually a human, | 0:17:31 | 0:17:33 | |
do you know what I mean? He's got feelings and that. | 0:17:33 | 0:17:35 | |
It's not like, "Wha-hey! There's my son!" like, | 0:17:35 | 0:17:38 | |
it's like I've got to care about him and if he's upset, I'm fuming. | 0:17:38 | 0:17:43 | |
Here he is, little Craig. So, he's...he's my son, stepson. | 0:17:46 | 0:17:50 | |
Same smoky eyes, though, innit? | 0:17:53 | 0:17:55 | |
Yeah, and the T-shirt as well. | 0:17:58 | 0:18:00 | |
"Bringing sexy back," likes a bit of Justin. | 0:18:00 | 0:18:04 | |
What's this, Craig? What are you playing? | 0:18:04 | 0:18:07 | |
Looks like GoldenEye or something. | 0:18:07 | 0:18:09 | |
I'm more a Fifa 98 man myself, do you know what I mean? | 0:18:11 | 0:18:15 | |
One of the best games ever made, I'd say, so... | 0:18:15 | 0:18:19 | |
Use the grenades! | 0:18:19 | 0:18:20 | |
Funny story, actually, um, | 0:18:22 | 0:18:25 | |
I once had a lighter shaped like a grenade, | 0:18:25 | 0:18:28 | |
yeah, back in the day, yeah. | 0:18:28 | 0:18:31 | |
I'll see if I can fish it out for ya, | 0:18:32 | 0:18:34 | |
you might... you might appreciate it. | 0:18:34 | 0:18:37 | |
You got any good lighters at the minute, or...? | 0:18:37 | 0:18:39 | |
Mm. | 0:18:42 | 0:18:44 | |
All right, Craig, mate, I'll see you in a bit, yeah? | 0:18:47 | 0:18:50 | |
Double - bang. | 0:18:50 | 0:18:52 | |
A few little bits in there still. | 0:18:53 | 0:18:55 | |
Ugh! Ah, fuck! | 0:18:56 | 0:18:59 | |
All my stuff's fallen out of my pockets. | 0:19:00 | 0:19:03 | |
Skunk pocket's empty. | 0:19:03 | 0:19:05 | |
SIREN WAILS | 0:19:05 | 0:19:07 | |
There's another one. See what I mean? | 0:19:07 | 0:19:09 | |
It's cool, man, it's just an ambulance, innit? | 0:19:09 | 0:19:12 | |
Well, they're going to need an ambulance if it all kicks off, so... | 0:19:12 | 0:19:15 | |
Who's going to need an ambulance? | 0:19:15 | 0:19:16 | |
No-one's going to. Here she is! My, er, better half. | 0:19:16 | 0:19:21 | |
Er, not better, but... I don't know why people say that, do you? | 0:19:21 | 0:19:23 | |
-It's mad. -Who's going to need an ambulance? Like, are you all right? | 0:19:23 | 0:19:26 | |
-What's wrong? -No-one. I'm not ill, I'm fine. | 0:19:26 | 0:19:28 | |
Some little mugs are trying it, do you know what I mean? | 0:19:28 | 0:19:31 | |
Like, have to go through me first, so... | 0:19:31 | 0:19:33 | |
-She knows what I'm like. -Please don't get arrested again, | 0:19:33 | 0:19:35 | |
-you know what happened last time. -I won't. | 0:19:35 | 0:19:37 | |
I couldn't watch any telly, I don't know how to use it without you. | 0:19:37 | 0:19:40 | |
It was stuck on Dave the whole time. | 0:19:40 | 0:19:41 | |
-I d... I know. -I missed everything. | 0:19:41 | 0:19:43 | |
I know. OK, listen, all right, I'm not going anywhere, all right? | 0:19:43 | 0:19:47 | |
-OK. -Yeah? -Yeah. | 0:19:47 | 0:19:49 | |
I've got radio to think about, all right? | 0:19:49 | 0:19:51 | |
Mm-hm. | 0:19:51 | 0:19:52 | |
Oh, and her. Angel, here she is. | 0:19:52 | 0:19:55 | |
Ah, look, look at her! Aaaargh! | 0:19:55 | 0:19:59 | |
She can talk and everything. I know what you're thinking, actually, | 0:19:59 | 0:20:01 | |
she's a little bit darker than I am, | 0:20:01 | 0:20:03 | |
but that's because, um, my great-grandad | 0:20:03 | 0:20:06 | |
on my mother's side was a quarter Cypriot, | 0:20:06 | 0:20:08 | |
so we've all got a sort of exotic twist, haven't we? | 0:20:08 | 0:20:11 | |
Yeah, yeah, like, and I used a lot of fake tan | 0:20:11 | 0:20:13 | |
when I was pregnant, so I think it filtered through the skin onto her. | 0:20:13 | 0:20:17 | |
Exactly. Side effects. | 0:20:17 | 0:20:18 | |
Yeah. | 0:20:18 | 0:20:20 | |
Yeah. Here she is. | 0:20:20 | 0:20:22 | |
I'm just going to go get some egg boxes, yeah? | 0:20:22 | 0:20:24 | |
Yeah, cool. | 0:20:24 | 0:20:26 | |
-Do that thing where you blow Mummy's head off. -Aah! | 0:20:26 | 0:20:29 | |
Looking for a really good adhesive, you know, something really strong. | 0:20:30 | 0:20:33 | |
I think gaffer tape will do the job, you know. | 0:20:33 | 0:20:36 | |
Um, probably go for that one, it's a standard one, | 0:20:36 | 0:20:40 | |
One times 48 "muh-muh"... | 0:20:40 | 0:20:42 | |
-mmm, oh, millimetres. -PHONE RINGS | 0:20:42 | 0:20:44 | |
Hold on. | 0:20:44 | 0:20:46 | |
Oh, the old wifey. | 0:20:46 | 0:20:49 | |
Hello, sweetie pie, are you missing me? | 0:20:49 | 0:20:51 | |
-'The boxes are out in the rain.' -Huh? | 0:20:51 | 0:20:53 | |
No. No, no, no, listen, they can't be outside. | 0:20:53 | 0:20:56 | |
They can't be outside, darling. | 0:20:56 | 0:20:57 | |
No, listen, they're going to get wet, baby. | 0:20:57 | 0:21:00 | |
Sweetheart! | 0:21:00 | 0:21:02 | |
SHE SHOUTS IN HER OWN LANGUAGE | 0:21:02 | 0:21:05 | |
Just a little emergency at home, she'll be fine. | 0:21:05 | 0:21:08 | |
Come on, service! | 0:21:11 | 0:21:12 | |
Come on, you, tiny man child, serve me. | 0:21:12 | 0:21:15 | |
Double time, double time, man. | 0:21:15 | 0:21:17 | |
Say hello to Uncle Bobby. | 0:21:17 | 0:21:19 | |
Do you reckon we've got enough egg boxes, like, bruv? | 0:21:22 | 0:21:25 | |
-Sh, I think it's quite good. -Is it? | 0:21:25 | 0:21:28 | |
Should I say something or...? | 0:21:30 | 0:21:32 | |
-Ah... -Yes, say something! Say it to this square here, yeah? | 0:21:32 | 0:21:36 | |
Yeah. Check one, two, one, two. | 0:21:36 | 0:21:39 | |
-Ah. I heard that, did you? -Yeah, of course I heard it. | 0:21:39 | 0:21:41 | |
Yeah, we definitely need more. | 0:21:41 | 0:21:42 | |
All right, well, how many have we got so far? | 0:21:42 | 0:21:44 | |
About eight, and one of them is flattened. | 0:21:44 | 0:21:47 | |
Fuck's sake, we've got an hour left as well, like. | 0:21:47 | 0:21:50 | |
No, no, no, no, no, no, not the Peanut Dust. | 0:21:53 | 0:21:55 | |
Aldona! | 0:21:56 | 0:21:58 | |
THEY ARGUE IN THEIR OWN LANGUAGE | 0:22:02 | 0:22:05 | |
Stupid girl, man! | 0:22:11 | 0:22:13 | |
-PHONE RINGS -Hello, mate. | 0:22:16 | 0:22:19 | |
-ALDONA CONTINUES SHOUTING 'Hello?' -Yeah. -'Hi, Chabsy?' | 0:22:19 | 0:22:21 | |
-Yeah, just getting there, mate, yeah. -'Turn the telly down. | 0:22:21 | 0:22:24 | |
'Have you got any extra egg boxes you can bring as well?' | 0:22:24 | 0:22:26 | |
Yeah, we're getting there, mate, no problem, mate. | 0:22:26 | 0:22:28 | |
'No, listen, we need more egg boxes. | 0:22:28 | 0:22:30 | |
'Plus it'll take ages to stick 'em on the walls, innit?' | 0:22:30 | 0:22:33 | |
Yeah, you know what? I've got some specialist | 0:22:33 | 0:22:35 | |
adhesive materials for you, mate, it's going to be really good. | 0:22:35 | 0:22:38 | |
'We need more egg boxes!' | 0:22:38 | 0:22:39 | |
Listen, just grab whatever you've got and come down now, | 0:22:39 | 0:22:41 | |
'there's no time, all right?' | 0:22:41 | 0:22:43 | |
GAFFER TAPE UNWINDS | 0:22:43 | 0:22:45 | |
Fucking hell, that looks nuts. | 0:22:47 | 0:22:49 | |
Is that soundproofing, yeah? | 0:22:50 | 0:22:52 | |
It's proper, mate. | 0:22:52 | 0:22:53 | |
Yeah, good, I'm just getting an even distribution. | 0:23:01 | 0:23:04 | |
One, two, one, two. | 0:23:04 | 0:23:06 | |
One, two, one, two. | 0:23:08 | 0:23:10 | |
This... Is this definitely going to work, yeah? | 0:23:10 | 0:23:12 | |
Yeah. That now, boss, is fully soundproofed. | 0:23:12 | 0:23:14 | |
Um, went for the triple-layered approach, | 0:23:14 | 0:23:17 | |
um, with just a layer of insulation dust | 0:23:17 | 0:23:19 | |
-in there as well for ya. -Sweet. -Yeah. | 0:23:19 | 0:23:21 | |
Let's hope it does work, for all our sakes, cos if not, | 0:23:21 | 0:23:24 | |
bluefoot are going to be knocking the door off the hinges, like, | 0:23:24 | 0:23:26 | |
and we'll all be fucked, | 0:23:26 | 0:23:27 | |
especially Beats when he's got to hand himself in, do you know what I | 0:23:27 | 0:23:30 | |
-mean? -What? -Well, one of us is going to have to, do you know what I mean? | 0:23:30 | 0:23:33 | |
-But you're the main one. -Exactly. | 0:23:33 | 0:23:35 | |
The main one CAN'T get caught, that's the whole point, innit? | 0:23:35 | 0:23:38 | |
This is me. It's all mine. | 0:23:38 | 0:23:41 | |
-DIRECTOR: -So, how far does Kurupt FM reach? | 0:23:41 | 0:23:43 | |
As far as the eye can see, mate, yeah? | 0:23:43 | 0:23:46 | |
Actually, no, not on that side, just mainly on this estate | 0:23:47 | 0:23:51 | |
and a little bit further, probably to Isleworth, but... | 0:23:51 | 0:23:54 | |
-Right, come on, come on, out of the room. -Ready. | 0:23:56 | 0:23:58 | |
Obviously edit all this bit out, yeah, and then just get me | 0:24:00 | 0:24:03 | |
when I'm bursting in the room, right? | 0:24:03 | 0:24:05 | |
This is literally what fucking radio is about, man. | 0:24:05 | 0:24:08 | |
Beats, run the rhythm! | 0:24:08 | 0:24:09 | |
What, right now? | 0:24:10 | 0:24:12 | |
When I say that, then do it. | 0:24:12 | 0:24:14 | |
All right, cool. | 0:24:14 | 0:24:15 | |
Beats, run that! | 0:24:18 | 0:24:19 | |
MUSIC PLAYS | 0:24:19 | 0:24:22 | |
# Get out the way Get out the way | 0:24:24 | 0:24:26 | |
# Someone's getting got | 0:24:26 | 0:24:27 | |
# Get out the way Get out the way | 0:24:27 | 0:24:29 | |
# Funky's getting shot | 0:24:29 | 0:24:31 | |
# Get out the way Get out the way | 0:24:31 | 0:24:33 | |
# Someone's getting got | 0:24:33 | 0:24:34 | |
# Get out the way Get out the way | 0:24:34 | 0:24:36 | |
# Funky's getting shot... # | 0:24:36 | 0:24:38 | |
HE RAPS | 0:24:38 | 0:24:41 | |
RAPPING FROM NEXT DOOR | 0:24:45 | 0:24:48 | |
Is Angel allowed to listen? | 0:24:52 | 0:24:54 | |
Yeah, yeah, we listen to it together, don't we, Ange? | 0:24:54 | 0:24:58 | |
Yeah. | 0:24:58 | 0:24:59 | |
I let her stay up late if it's one of Daddy's sets but, to be honest, | 0:24:59 | 0:25:03 | |
she doesn't really have a bedtime cos she can't read time yet | 0:25:03 | 0:25:06 | |
but she seems to know when to go to sleep cos she just does it. | 0:25:06 | 0:25:09 | |
It's amazing. | 0:25:09 | 0:25:10 | |
Chabuddy's loving it. Yeah! Yeah! | 0:25:10 | 0:25:14 | |
# I'm the best around, nothing's going to lyrically beat me... # | 0:25:14 | 0:25:17 | |
-My bit's coming up in a bit. -What? | 0:25:17 | 0:25:19 | |
No, I was just saying it's crazy cos my... | 0:25:19 | 0:25:22 | |
my bit's coming up in a bit. | 0:25:22 | 0:25:23 | |
Right, take it down, take it down, take it down. | 0:25:23 | 0:25:25 | |
Take it down, yeah? | 0:25:25 | 0:25:26 | |
Fuck it, just put his one on, go on, put his thing on. | 0:25:26 | 0:25:28 | |
Now, yeah? Should I do the intro? | 0:25:28 | 0:25:29 | |
Huh? Just... No, let me. | 0:25:29 | 0:25:31 | |
Oh, yeah, cool, cool. | 0:25:31 | 0:25:32 | |
Out to all the crew inside, yeah? | 0:25:32 | 0:25:34 | |
Yeah, we love each and every one of you. | 0:25:34 | 0:25:36 | |
This is a little word from MC Grindah with a little word from one of our, | 0:25:36 | 0:25:41 | |
not sponsor but, like, someone that helped us and we owed him a favour. | 0:25:41 | 0:25:45 | |
Now put it on. | 0:25:45 | 0:25:47 | |
-RECORDING PLAYS: -# Peanut Dust Perfect for peckish | 0:25:51 | 0:25:54 | |
# Peanut Dust Perfect for your wife | 0:25:54 | 0:25:57 | |
# Peanut Dust Perfect for your daughter | 0:25:57 | 0:26:00 | |
# Peanut Dust, even if you're in a rush, rush, rush, rush | 0:26:00 | 0:26:05 | |
# Peanut Dust Coming in your family's mouth. # | 0:26:05 | 0:26:09 | |
Peanut Dust may contain nuts and glass. | 0:26:09 | 0:26:11 | |
All right. Sorry about that, there is cross wires. | 0:26:13 | 0:26:17 | |
There's some kind of sound wave crashed over | 0:26:20 | 0:26:22 | |
somewhere from another continent. | 0:26:22 | 0:26:24 | |
'End of the day, like, yeah, like, all that matters is that' | 0:26:24 | 0:26:28 | |
we're reaching our music out to the fans, dem, do you know what I mean? | 0:26:28 | 0:26:31 | |
Like, providing a service. | 0:26:31 | 0:26:33 | |
Like priests. | 0:26:33 | 0:26:34 | |
Well, not priests cos they only do it once a week, we... | 0:26:34 | 0:26:37 | |
Kurupt FM is more like a full-time religious experience if anything. | 0:26:37 | 0:26:41 | |
# Ready to ride Step on the mic... # | 0:26:41 | 0:26:43 | |
HE RAPS INCOHERENTLY | 0:26:43 | 0:26:46 | |
# He's on the right. # | 0:26:51 | 0:26:52 | |
Er, no, he's on the left, I mean. | 0:26:52 | 0:26:54 | |
# It doesn't matter Roll with the team. # | 0:26:54 | 0:26:56 | |
Cos garage music is our god, like. | 0:26:56 | 0:26:58 | |
Well, I'd probably be the god if anything, so... | 0:26:58 | 0:27:01 | |
If you're God, does that make me Jesus? | 0:27:01 | 0:27:03 | |
Yeah, if you want. | 0:27:03 | 0:27:05 | |
Sick, I'll just be like floating above, man, just invisible, | 0:27:05 | 0:27:09 | |
just making sure that everything's all right, feeding them bear fish... | 0:27:09 | 0:27:13 | |
Feeding them garage, if anything, and I'd be above that, | 0:27:13 | 0:27:16 | |
just like, "I'm above everyone, even Jesus," just like, "Aah," | 0:27:16 | 0:27:19 | |
thunderbolting you, going, "Obey my command and play White Boys next!" | 0:27:19 | 0:27:23 | |
like... | 0:27:23 | 0:27:24 | |
# Monday is the day that we roll | 0:27:24 | 0:27:26 | |
# Tuesday, we take total control... # | 0:27:26 | 0:27:28 | |
THEY RAP INCOHERENTLY | 0:27:28 | 0:27:31 | |
BANGING ON THE DOOR | 0:27:34 | 0:27:36 | |
Turn it down, turn it down, turn it down. | 0:27:36 | 0:27:38 | |
Down, down, off, down. | 0:27:38 | 0:27:40 | |
What the fuck? They said it was all sorted! | 0:27:40 | 0:27:43 | |
Bruv, come on, answer the door. | 0:27:44 | 0:27:46 | |
I can't. He knows you. | 0:27:46 | 0:27:47 | |
That's the problem, it's a trap! | 0:27:47 | 0:27:48 | |
Everyone skulk down, everyone skulk down! | 0:27:48 | 0:27:51 | |
Just get down! | 0:27:51 | 0:27:52 | |
-BANGING ON THE DOOR -(Alfie, turn out the lights.) | 0:27:55 | 0:27:57 | |
It's too late to turn the lights down. | 0:27:57 | 0:27:58 | |
I really don't want to go to jail. | 0:27:58 | 0:28:00 | |
Nor do I, mate. Fucking hell! | 0:28:00 | 0:28:02 | |
BANGING ON THE DOOR | 0:28:02 | 0:28:03 | |
Fuck's sake! | 0:28:03 | 0:28:05 | |
Fantasy, turn the light off! | 0:28:05 | 0:28:07 |