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This programme contains strong language. | 0:00:02 | 0:00:04 | |
All the great entrepreneurs started somewhere. Your Donald Trumps, your Duncan Bannatynes, | 0:00:04 | 0:00:08 | |
the Apprentice guy, Alan Shearer. They all started in something like this. | 0:00:08 | 0:00:13 | |
Welcome to the dream factory! | 0:00:13 | 0:00:15 | |
Where dreams are made! | 0:00:17 | 0:00:20 | |
Mainly T-shirts, though. | 0:00:20 | 0:00:22 | |
What makes a good T-shirt? | 0:00:22 | 0:00:24 | |
I think deceptiveness, you know? | 0:00:24 | 0:00:27 | |
So you look at a T-shirt and you think, "Oh, that's Gucci, isn't it?" | 0:00:27 | 0:00:30 | |
And then you look carefully and it's Coochi. | 0:00:30 | 0:00:32 | |
Dolce and Gabbana? | 0:00:32 | 0:00:34 | |
No, mate. Deepak and Gurdeve. | 0:00:34 | 0:00:37 | |
-MAN: -How many T-shirts have you bought? | 0:00:37 | 0:00:38 | |
This is all the T-shirts here, so I've got 6,000 of these. | 0:00:38 | 0:00:42 | |
But I mean, so far, I've done around two. | 0:00:42 | 0:00:44 | |
Bloody upside down, isn't it? | 0:00:46 | 0:00:48 | |
Oh, shit! | 0:00:48 | 0:00:50 | |
Oh, fuck! | 0:00:50 | 0:00:51 | |
Bloody hell, it's harder than I thought. | 0:00:52 | 0:00:55 | |
I should have people doing this for me, really. | 0:00:57 | 0:01:00 | |
Bastard! | 0:01:00 | 0:01:02 | |
-Are you excited about your day today? -Yeah. | 0:01:02 | 0:01:04 | |
Because Mummy's going to be working all day, so... | 0:01:04 | 0:01:06 | |
Right, well, give Mummy a hug. | 0:01:06 | 0:01:08 | |
Yes... | 0:01:08 | 0:01:10 | |
I'll miss you. Ah... | 0:01:10 | 0:01:12 | |
-Right, I'll see you after work, then. -All right. | 0:01:12 | 0:01:14 | |
Still feels a bit weird saying that. | 0:01:14 | 0:01:15 | |
All right, Ange. | 0:01:15 | 0:01:17 | |
You're going to have a fun day with your daddy today. | 0:01:17 | 0:01:19 | |
I want to go to Nana's. | 0:01:19 | 0:01:21 | |
No, Nana's on holiday, ain't she, Ange? | 0:01:21 | 0:01:23 | |
Yeah, your precious nana is getting her rat out in Zante. | 0:01:23 | 0:01:26 | |
Stop it! She's gone to visit her lover. | 0:01:26 | 0:01:29 | |
Lover? He's, like, 17 years old and hands out flyers outside a pub! | 0:01:29 | 0:01:32 | |
-He's hardly a lover. -He can't even speak English. | 0:01:32 | 0:01:35 | |
Well, love is still the same whether it's in English or in foreign. | 0:01:35 | 0:01:39 | |
-I'll see you after five. -All right, laters. | 0:01:39 | 0:01:41 | |
SWITCH CLICKS REPEATEDLY | 0:01:43 | 0:01:46 | |
Fucking light bulbs. They put them too high up. | 0:01:46 | 0:01:49 | |
Oh, fuck's sake! | 0:01:59 | 0:02:01 | |
Craig, don't use the downstairs toilet, mate. | 0:02:03 | 0:02:07 | |
The light's not working. | 0:02:07 | 0:02:08 | |
Mum said you have to fix it. | 0:02:08 | 0:02:11 | |
She's always trying to get us to fix stuff, innit? | 0:02:11 | 0:02:13 | |
She says she's sick of shitting in the dark, | 0:02:13 | 0:02:15 | |
makes it way more intense to what it needs to be. | 0:02:15 | 0:02:18 | |
Yeah, it is quite intense. You don't know where you're at with the wipes. | 0:02:20 | 0:02:23 | |
Hello, Lavender. Miche speaking. | 0:02:30 | 0:02:32 | |
OK, yeah, I'll just put you on hold. | 0:02:33 | 0:02:35 | |
So this is my new work. | 0:02:35 | 0:02:36 | |
This is Lavender Hair & Beauty. | 0:02:36 | 0:02:39 | |
At the moment, I'm on a probation period, | 0:02:39 | 0:02:42 | |
so that sort of means I'm on a, er... | 0:02:42 | 0:02:44 | |
It's like an audition, but it's for the role of a hairdresser. | 0:02:44 | 0:02:48 | |
So, yeah. | 0:02:48 | 0:02:50 | |
Yeah, would that be the full body or is that the half wax? | 0:02:50 | 0:02:53 | |
OK, great. I'll just put you on hold. | 0:02:53 | 0:02:55 | |
Hello, Lavender. Miche speaking. | 0:02:55 | 0:02:57 | |
Yeah, what sort of therapy or procedure would you be interested in today? | 0:02:57 | 0:03:00 | |
Yep. I'll just pop you on hold. | 0:03:02 | 0:03:04 | |
-You all right, Miche? -Oh, Tanya! | 0:03:04 | 0:03:06 | |
Yeah, just practising my phone technique. | 0:03:06 | 0:03:08 | |
Is there a hold button? | 0:03:09 | 0:03:11 | |
No. | 0:03:11 | 0:03:12 | |
Oh, OK. | 0:03:12 | 0:03:13 | |
KNOCK ON DOOR | 0:03:21 | 0:03:23 | |
There's the door. Get the door, please, Angel. | 0:03:23 | 0:03:26 | |
I don't need to constantly hang around with a little girl. | 0:03:27 | 0:03:30 | |
That's weird. | 0:03:30 | 0:03:31 | |
People get arrested for things like that. Why should I be doing that? | 0:03:31 | 0:03:35 | |
And then, people are going to see me, like, | 0:03:35 | 0:03:36 | |
"What? He just hangs around with little chicks?" | 0:03:36 | 0:03:39 | |
-And no-ones going to respect me no more. -She's your daughter. | 0:03:39 | 0:03:42 | |
Go give Grindah his jacket, as well. | 0:03:44 | 0:03:46 | |
-You lot... -Yeah, we'll follow you. -All right, sweet. | 0:03:52 | 0:03:55 | |
Chabuddy is recruiting. | 0:04:02 | 0:04:04 | |
It's official, guys. | 0:04:04 | 0:04:05 | |
Yeah? Know what I mean? | 0:04:05 | 0:04:07 | |
No questions here, as well. You don't need any visa. | 0:04:07 | 0:04:09 | |
You know there's a lot of guys out there at the moment | 0:04:09 | 0:04:12 | |
who are looking for work and today I am their knight in shiny armour. | 0:04:12 | 0:04:16 | |
I remember how happy I was when I got my first job. | 0:04:17 | 0:04:20 | |
It was in Lahore. I was 12 years old. | 0:04:20 | 0:04:23 | |
And I had the opportunity to work for Nissan. | 0:04:23 | 0:04:26 | |
Blown away. | 0:04:26 | 0:04:28 | |
Unfortunately, when I got there, | 0:04:28 | 0:04:29 | |
I realised it was just a prawn-peeling factory | 0:04:29 | 0:04:32 | |
and my boss's nickname was Nissan. | 0:04:32 | 0:04:34 | |
Cos he drove a Nissan, isn't it? | 0:04:34 | 0:04:36 | |
Are you struggling to find work? | 0:04:37 | 0:04:39 | |
Do you like clothes and money AND women? | 0:04:39 | 0:04:42 | |
Then this might be the opportunity for you. | 0:04:42 | 0:04:44 | |
Come down to my sweatshop, to my warehouse... | 0:04:44 | 0:04:46 | |
Come down to my warehouse and get some work in, mate. | 0:04:46 | 0:04:49 | |
# Hype-hype riddem and sound | 0:04:49 | 0:04:51 | |
# Hype-hype riddem and sound | 0:04:51 | 0:04:53 | |
# Hype-hype riddem and sound | 0:04:53 | 0:04:54 | |
# The music-music makes me down | 0:04:54 | 0:04:56 | |
# Hype-hype riddem and sound | 0:04:56 | 0:04:58 | |
# Hype-hype riddem and sound | 0:04:58 | 0:05:00 | |
# Hype-hype riddem and sound | 0:05:00 | 0:05:02 | |
# The music-music makes me down | 0:05:02 | 0:05:03 | |
# Hype for the riddem is oh seleck | 0:05:03 | 0:05:05 | |
# Hype for the riddem is oh seleck | 0:05:05 | 0:05:07 | |
# MC Grindah with the intellect | 0:05:07 | 0:05:09 | |
# I say hype for the riddem It's a boom seleck! # | 0:05:09 | 0:05:11 | |
Can we get rid of all these ashtrays and that, cos of Angel? | 0:05:11 | 0:05:13 | |
Do you need me to blaze this outside, as well? | 0:05:13 | 0:05:15 | |
Good point, actually. | 0:05:15 | 0:05:17 | |
Don't want her to develop a taste for it too early. | 0:05:17 | 0:05:19 | |
Angel's been spending a lot more time with Grindah and Decoy | 0:05:19 | 0:05:22 | |
since I've been working, so, yeah, that's nice. | 0:05:22 | 0:05:25 | |
-MAN: -How is Grindah finding it with you not around as much? | 0:05:26 | 0:05:29 | |
Oh, well, I think Grindah's coping now I'm working. | 0:05:29 | 0:05:32 | |
There were a few problems at first, | 0:05:32 | 0:05:34 | |
because he couldn't quite understand when his meal times were. | 0:05:34 | 0:05:37 | |
So I had to leave him sort of little boxes in the fridge of all his different food | 0:05:37 | 0:05:41 | |
and I'd send him a message or whatever when he should eat it. | 0:05:41 | 0:05:43 | |
# Man, like Angel, stepping up, stepping in. # | 0:05:43 | 0:05:47 | |
Don't clang any of the mixes though, yeah? | 0:05:47 | 0:05:49 | |
We're live on air, yeah? | 0:05:49 | 0:05:50 | |
# Selecta, selecta | 0:05:50 | 0:05:52 | |
# Kurupt FM. # | 0:05:55 | 0:05:57 | |
I push this like this? | 0:05:57 | 0:05:59 | |
-No, don't... -Chill out, mate. Just... | 0:05:59 | 0:06:01 | |
Yeah, but I spent ages setting that up. | 0:06:01 | 0:06:04 | |
-I reckon we should just take her out, man. -Yeah. -Yeah. | 0:06:04 | 0:06:07 | |
Angel, where would you like to go? | 0:06:07 | 0:06:09 | |
I want to go to Nana's. | 0:06:09 | 0:06:11 | |
She's constantly, like, "Oh, Nana does this, Nana does that." | 0:06:12 | 0:06:15 | |
She's just trying to throw it in my face. | 0:06:15 | 0:06:17 | |
And I know what Angel's doing. She's clever. | 0:06:17 | 0:06:19 | |
She wants me to rise to that, | 0:06:19 | 0:06:21 | |
so that I can be the best father I can be. | 0:06:21 | 0:06:24 | |
And for that, mate, I respect her. | 0:06:24 | 0:06:26 | |
OK, change of plan. | 0:06:26 | 0:06:28 | |
All right, do your jacket up. Put yourself over there. | 0:06:28 | 0:06:32 | |
You all right to look after it all till Miche gets back? | 0:06:32 | 0:06:34 | |
-Yeah, man, of course. Yeah, definitely. -Sweet. | 0:06:34 | 0:06:36 | |
I can trust you, yeah? | 0:06:36 | 0:06:38 | |
Yeah! When have I ever let you down recently? | 0:06:38 | 0:06:41 | |
You can go back in now, Steves, mate. | 0:06:42 | 0:06:44 | |
See you in a bit. | 0:06:44 | 0:06:46 | |
Bloody government, always trying to hold you down, isn't it, you know? | 0:06:47 | 0:06:51 | |
I'm offering a job where you can be your own boss. | 0:06:51 | 0:06:54 | |
Just jump in my van and do exactly what I tell you. | 0:06:54 | 0:06:56 | |
Hello, mate. Do you want a job? Jump in the van, mate. | 0:06:56 | 0:06:59 | |
Anyone want a job? | 0:07:00 | 0:07:02 | |
Recruiting is about confidence. | 0:07:02 | 0:07:04 | |
One thing that people love is confidence. | 0:07:04 | 0:07:07 | |
I can sell anything to anyone, anywhere, any time, anywho, | 0:07:07 | 0:07:10 | |
any what, why, where, who, why, when. | 0:07:10 | 0:07:12 | |
Vintage, madam. Look at that. | 0:07:12 | 0:07:14 | |
Cash money, bro. | 0:07:14 | 0:07:15 | |
Wait till I pull up in the Merc, yeah? | 0:07:15 | 0:07:17 | |
They're going to see the tash and the shoes, | 0:07:17 | 0:07:19 | |
they're going to say, "Yes, that's my new boss." | 0:07:19 | 0:07:21 | |
I don't get it. You know, in the films, | 0:07:23 | 0:07:25 | |
they jump straight into your van. | 0:07:25 | 0:07:26 | |
You open the doors, they come in. | 0:07:26 | 0:07:28 | |
Maybe it only works with Mexicans. | 0:07:31 | 0:07:33 | |
Where can I find some Mexicans? | 0:07:35 | 0:07:37 | |
If you put something in for about six weeks, | 0:07:39 | 0:07:41 | |
-once your regrowth has come through, yeah? -Yeah, OK, great. | 0:07:41 | 0:07:43 | |
And then that's £50 for today, thank you. | 0:07:43 | 0:07:47 | |
-There you go. -Oh, lovely, thanks. | 0:07:47 | 0:07:49 | |
Erm, great. | 0:07:49 | 0:07:50 | |
And so I hope you enjoyed your Lavender experience. | 0:07:50 | 0:07:52 | |
-Thank you very much. -Have a great day. | 0:07:52 | 0:07:55 | |
When I first worked here, I didn't actually know what Lavender meant. | 0:07:55 | 0:07:58 | |
But, obviously, I Googled it | 0:07:58 | 0:08:00 | |
and, yeah, I found out that it is a tone of purple. | 0:08:00 | 0:08:03 | |
-MAN: -And it smells of lavender in here, as well. | 0:08:03 | 0:08:06 | |
Er, well, it's purple. | 0:08:08 | 0:08:10 | |
The plant, I mean. | 0:08:10 | 0:08:12 | |
No, this is a colour. | 0:08:12 | 0:08:14 | |
What about the picture behind you? | 0:08:16 | 0:08:18 | |
Yeah, it's purple. | 0:08:18 | 0:08:21 | |
No, the plant. | 0:08:21 | 0:08:22 | |
Yeah, no, it's a purple plant. Is that what you mean? | 0:08:25 | 0:08:27 | |
# Pure Kuruption... # | 0:08:29 | 0:08:31 | |
You seen this? | 0:08:34 | 0:08:35 | |
It's normally Grindah's chair but, | 0:08:35 | 0:08:38 | |
as acting head honcho today, I can use it. | 0:08:38 | 0:08:41 | |
Being second-in-command involves actually taking on | 0:08:42 | 0:08:46 | |
the more stressful side of the work. | 0:08:46 | 0:08:48 | |
I'd better not overdo it, though. | 0:08:49 | 0:08:50 | |
So it's part and parcel of the game, really, innit? | 0:08:50 | 0:08:54 | |
I'm like a paramedic. I'm always on call. | 0:08:54 | 0:08:57 | |
Right about now, you're locked into the sounds of the legendary, | 0:08:57 | 0:09:01 | |
the absolute number one, | 0:09:01 | 0:09:03 | |
Kurupt FM 108.9 on your dial! | 0:09:03 | 0:09:05 | |
-Steves! -Yeah? | 0:09:07 | 0:09:08 | |
Can you make me a tea, please, bruv? | 0:09:08 | 0:09:11 | |
-Yeah. -Cheers, mate. | 0:09:11 | 0:09:13 | |
-What? -Bruv, all the lights just went out at the same time. | 0:09:20 | 0:09:23 | |
I think the poltergeist's back. | 0:09:23 | 0:09:25 | |
It's definitely something to do with the electricity. | 0:09:25 | 0:09:27 | |
It is to do with electricity | 0:09:27 | 0:09:28 | |
because poltergeists control the electricity. | 0:09:28 | 0:09:30 | |
-That's what I've been trying to say. -What? | 0:09:30 | 0:09:32 | |
-Poltergeists control electricity. -Is it? | 0:09:32 | 0:09:35 | |
Yeah. They take out electricity, | 0:09:35 | 0:09:38 | |
and then they put it on again, but only the TV. | 0:09:38 | 0:09:41 | |
And then you get sucked into the TV | 0:09:41 | 0:09:42 | |
and you're a little girl or something. | 0:09:42 | 0:09:44 | |
Don't get me started on the poltergeists, mate. | 0:09:44 | 0:09:47 | |
I've heard murmured voices through the walls. | 0:09:47 | 0:09:50 | |
I've heard creaking late at night. | 0:09:50 | 0:09:52 | |
All... Other things, as well. | 0:09:53 | 0:09:56 | |
So what other explanation is there? | 0:09:56 | 0:09:58 | |
Supernatural occurrence. | 0:10:00 | 0:10:02 | |
Steves, stop with this poltergeist shit, mate. | 0:10:02 | 0:10:04 | |
You're throwing me off. | 0:10:04 | 0:10:06 | |
Like, I really need to think. | 0:10:06 | 0:10:07 | |
Grindah's going to go mad if he comes back and sees all this. | 0:10:08 | 0:10:11 | |
I'm going to go and check the mirrors, | 0:10:12 | 0:10:14 | |
cos sometimes you can see them in the mirrors. | 0:10:14 | 0:10:16 | |
One, two, three, aaargh! | 0:10:19 | 0:10:23 | |
Oh, my God! | 0:10:23 | 0:10:25 | |
Angel, do the jump, as well! | 0:10:25 | 0:10:27 | |
-Do the jump backwards! -No! | 0:10:27 | 0:10:29 | |
No, probably not, actually. | 0:10:29 | 0:10:31 | |
Mummy would be furious if you broke something. | 0:10:31 | 0:10:33 | |
Well, the most important thing to me, as a parent, | 0:10:33 | 0:10:36 | |
is seeing my kid happy. | 0:10:36 | 0:10:38 | |
And more importantly than that | 0:10:39 | 0:10:42 | |
is knowing that she loves me more than anyone else in the world. | 0:10:42 | 0:10:45 | |
Like, I know for a fact that Angel loves me more than her nan. | 0:10:45 | 0:10:50 | |
Cos when she draws pictures of the family, Nana's never in them. | 0:10:50 | 0:10:53 | |
If she was, I'd tear it up and Angel knows that. | 0:10:54 | 0:10:57 | |
For example, you've got a beautiful one here that she done. | 0:10:57 | 0:11:01 | |
And it's just me, Angel and her mum, do you know what I mean? | 0:11:01 | 0:11:05 | |
Oh, yeah, and Decoy, as well. | 0:11:06 | 0:11:08 | |
Just cos he's around quite a lot, so she includes him. | 0:11:08 | 0:11:11 | |
So that's off. | 0:11:11 | 0:11:13 | |
On. Off. | 0:11:14 | 0:11:15 | |
No difference. | 0:11:15 | 0:11:17 | |
On. | 0:11:17 | 0:11:18 | |
It's definitely an electrical issue. | 0:11:20 | 0:11:22 | |
-Call Grindah. -I'm not calling Grindah, bruv. | 0:11:22 | 0:11:24 | |
We're going to sort it. | 0:11:24 | 0:11:25 | |
Call Chabuds. | 0:11:25 | 0:11:27 | |
Bruv, I'm not calling Chabuds. Cos Grindah will find out. | 0:11:27 | 0:11:30 | |
I'm going to sort it. | 0:11:30 | 0:11:31 | |
Who pays the electricity bills? Does your nan still sort that? | 0:11:32 | 0:11:35 | |
Yeah, she still does all the bills and everything. | 0:11:35 | 0:11:37 | |
Give her a call. I've got credit. | 0:11:37 | 0:11:39 | |
She ain't got a phone, though. | 0:11:40 | 0:11:41 | |
She destroyed it, because I showed her a documentary | 0:11:41 | 0:11:44 | |
about how the government track you through your phone. | 0:11:44 | 0:11:46 | |
That's a good point. | 0:11:46 | 0:11:48 | |
Right. We're going to go see her. | 0:11:48 | 0:11:50 | |
-Now? -Yeah, now. | 0:11:51 | 0:11:52 | |
We need to sort this out, Steve, I told you. | 0:11:53 | 0:11:56 | |
Right, let me get a zoot for the road. | 0:11:56 | 0:11:58 | |
-Yeah. -You not got a Rizla? -We'll get some at the shop. | 0:11:58 | 0:12:01 | |
Have you not got any? | 0:12:02 | 0:12:03 | |
Steve, we don't have time. Pop yourself off. | 0:12:03 | 0:12:06 | |
Angel, up this way, as well. Watch! Watch! | 0:12:08 | 0:12:10 | |
-Get out of the way, it's my turn! -No, it's not! -Get out the way! | 0:12:11 | 0:12:14 | |
-Stop! -Oh, get out the way, it's my turn. | 0:12:14 | 0:12:16 | |
Stop! | 0:12:16 | 0:12:18 | |
Don't do that! | 0:12:18 | 0:12:19 | |
All right, get out of the way! Get out of the way! | 0:12:19 | 0:12:22 | |
-Oh, look, you can go like this, as well! -Stop it! | 0:12:22 | 0:12:25 | |
Your nan couldn't do that, could she? | 0:12:25 | 0:12:27 | |
Hey...! Backwards, as well! | 0:12:27 | 0:12:29 | |
She's really cute. How old is she? | 0:12:31 | 0:12:33 | |
No, she's not mine. None of them are. | 0:12:33 | 0:12:35 | |
Oh, whatever, mate. | 0:12:38 | 0:12:39 | |
Who do you think they like more out of you and me? | 0:12:39 | 0:12:42 | |
"Oh, my child can't go on the slide." | 0:12:42 | 0:12:44 | |
Or me, the one who does it backwards, mate? | 0:12:44 | 0:12:46 | |
You see that? | 0:12:46 | 0:12:48 | |
I just went on the thing backwards! | 0:12:48 | 0:12:50 | |
-They'd never seen anything like it. -You killed it, man. I seen you. | 0:12:50 | 0:12:53 | |
Her nan could never do anything like that in her pathetic little life. | 0:12:53 | 0:12:57 | |
Phew! | 0:12:57 | 0:12:59 | |
There you go, bro. | 0:12:59 | 0:13:01 | |
Nice one. | 0:13:01 | 0:13:03 | |
-Hey, there she is! -Here she is. | 0:13:04 | 0:13:07 | |
Have you got the phone? Going to call Beats. | 0:13:07 | 0:13:08 | |
Oh, he's not answering. | 0:13:10 | 0:13:12 | |
He's probably mixing, man. | 0:13:12 | 0:13:13 | |
Yeah, maybe. | 0:13:13 | 0:13:15 | |
-If she has stopped paying the electricity, that is just proper selfish, Steves. -Hello, Lorna. | 0:13:15 | 0:13:19 | |
Hello, Steves. | 0:13:19 | 0:13:21 | |
Happy girl, we call her. | 0:13:21 | 0:13:22 | |
Don't touch anything. | 0:13:26 | 0:13:27 | |
Hi, Steve. | 0:13:27 | 0:13:28 | |
How are you? | 0:13:30 | 0:13:31 | |
Just normal, innit? | 0:13:31 | 0:13:33 | |
Steves... | 0:13:35 | 0:13:36 | |
I'm going to wait here. | 0:13:37 | 0:13:38 | |
Old people weird me out a bit. | 0:13:38 | 0:13:41 | |
-In-and-out job with your nan, all right? -In and out? -Yeah. | 0:13:41 | 0:13:44 | |
"Never too old to dream big and set new goals." | 0:13:50 | 0:13:52 | |
Once you go past 40, mate, do you know what I mean? | 0:13:55 | 0:13:59 | |
Give up. | 0:13:59 | 0:14:00 | |
Literally. | 0:14:00 | 0:14:02 | |
Here she is. | 0:14:03 | 0:14:05 | |
Oh, Na-na! What's going on? | 0:14:05 | 0:14:06 | |
Oh, what a surprise! | 0:14:06 | 0:14:09 | |
-Yes. -I didn't expect you. | 0:14:09 | 0:14:11 | |
How you doing, all right? What's going on? Good? | 0:14:11 | 0:14:13 | |
-Lovely. -What are you lot saying? | 0:14:13 | 0:14:15 | |
Oh! I've got something for you, actually. | 0:14:15 | 0:14:18 | |
I was going to ask you something, as well. | 0:14:18 | 0:14:20 | |
What was it? | 0:14:20 | 0:14:21 | |
Keep them hidden. | 0:14:23 | 0:14:25 | |
Nurse sorted them out for me. | 0:14:28 | 0:14:29 | |
-They're mental. -They're good, yeah? | 0:14:29 | 0:14:31 | |
Yeah. | 0:14:31 | 0:14:32 | |
Has he been on them? He looks fucked! | 0:14:33 | 0:14:35 | |
Oh, he's always away with the fairies. | 0:14:35 | 0:14:38 | |
"Fire safety for people with sight, hearing and mobility difficulty." | 0:14:40 | 0:14:44 | |
Good luck, do you know what I mean? | 0:14:45 | 0:14:47 | |
They're playing a little bit of footy. | 0:14:50 | 0:14:52 | |
Pretty agile, actually, for their age. | 0:14:52 | 0:14:54 | |
They could be good workers. I might have a little butchers, | 0:14:54 | 0:14:57 | |
see if they're up for a bit of work. | 0:14:57 | 0:14:59 | |
The thing is with these kids, yeah, you've got to relate to them. | 0:14:59 | 0:15:02 | |
You've got to impress them, show them you know a bit about footy. | 0:15:02 | 0:15:04 | |
They used to call me Bombay Becks. | 0:15:04 | 0:15:06 | |
Do you need another player? | 0:15:06 | 0:15:09 | |
All right, let me see the ball, OK? | 0:15:09 | 0:15:10 | |
Just one second, I'll show you some skills and that. Just... | 0:15:11 | 0:15:15 | |
Leave us alone! | 0:15:17 | 0:15:19 | |
Anyway, listen, any of you lot up for a bit of work? | 0:15:23 | 0:15:25 | |
-A bit of cash-in-hand work? -No. | 0:15:25 | 0:15:27 | |
No? | 0:15:27 | 0:15:28 | |
-Hey, ese, are you Mexican? -No. | 0:15:29 | 0:15:30 | |
-So you're not up for any work? -No. | 0:15:32 | 0:15:34 | |
All right. | 0:15:34 | 0:15:36 | |
You lot are shit, anyway. | 0:15:36 | 0:15:38 | |
I've found it hard, man. These kids don't want to work any more. | 0:15:39 | 0:15:42 | |
Like, I was working from the age of eight with a tache, you know? | 0:15:42 | 0:15:46 | |
And it's like these kids just want to lay about on chat roulette, | 0:15:46 | 0:15:49 | |
dicks everywhere, sending dick pics, you know? | 0:15:49 | 0:15:51 | |
Snatch snaps... | 0:15:51 | 0:15:53 | |
What they're into, these kids, it's nothing, really, you know? | 0:15:53 | 0:15:56 | |
It's like, you know? | 0:15:56 | 0:15:57 | |
I might just have one, to be fair. | 0:16:03 | 0:16:05 | |
You all right, Steve? Hello. | 0:16:05 | 0:16:07 | |
You all right? Everyone all right here? | 0:16:07 | 0:16:09 | |
Yeah, yeah, yeah. Just having a little plate of biscuits. | 0:16:09 | 0:16:13 | |
Yes, thank you. | 0:16:13 | 0:16:14 | |
-Really enjoying them, actually, thank you. -All right, love? -Definitely. | 0:16:14 | 0:16:18 | |
When we met Steves, he was like, the kid used to live with his nan. | 0:16:19 | 0:16:24 | |
How sad is that? Do you know what I mean? | 0:16:24 | 0:16:25 | |
And then when we come along, | 0:16:25 | 0:16:27 | |
we sort of gave him the push to get her out of the flat | 0:16:27 | 0:16:30 | |
and we started pirate radio, do you know what I mean? | 0:16:30 | 0:16:32 | |
And now look at him now. | 0:16:32 | 0:16:34 | |
He's got the fucking four-till-five graveyard shift on Kurupt FM. | 0:16:34 | 0:16:37 | |
-DJ Steves. He used to just be Steves. -Yeah. | 0:16:37 | 0:16:40 | |
HE TAKES A SNORT | 0:16:45 | 0:16:46 | |
That's for my back. | 0:16:46 | 0:16:47 | |
Ah, yeah, yeah. | 0:16:47 | 0:16:48 | |
That's a nice little burn at the back of the throat. | 0:16:48 | 0:16:51 | |
Yeah, that's good. | 0:16:51 | 0:16:53 | |
Little hint of wild berry! | 0:16:53 | 0:16:55 | |
-Like she's talking about wine, but it's drugs. -Yes, yes. | 0:16:57 | 0:17:00 | |
That's a good year, that. | 0:17:00 | 0:17:01 | |
1995 was a very good year for pills. | 0:17:01 | 0:17:05 | |
Yeah. | 0:17:05 | 0:17:06 | |
HE MIMICS HER VOICE: 1995 was a... | 0:17:06 | 0:17:08 | |
Yeah. I can't really do voices. | 0:17:08 | 0:17:10 | |
No. | 0:17:10 | 0:17:12 | |
Wheeeeee! | 0:17:15 | 0:17:17 | |
Angel! | 0:17:17 | 0:17:19 | |
HE WHISTLES | 0:17:19 | 0:17:21 | |
Come here, boy! | 0:17:21 | 0:17:23 | |
There you go. See that? | 0:17:23 | 0:17:25 | |
The secret of parenting. They're basically like dogs. | 0:17:25 | 0:17:27 | |
Just give them sweets and then they just run around. It's easy. | 0:17:27 | 0:17:30 | |
Oh, I'm killing it, aren't I? | 0:17:30 | 0:17:33 | |
Wheeeeee! | 0:17:33 | 0:17:34 | |
Come on, Beats, mate. | 0:17:34 | 0:17:36 | |
PHONE RINGS | 0:17:36 | 0:17:39 | |
-MAN: -Who's that? | 0:17:39 | 0:17:41 | |
It's Grindah. | 0:17:41 | 0:17:42 | |
PHONE STILL RINGING | 0:17:42 | 0:17:44 | |
Probably wants to know why radio's not on. | 0:17:44 | 0:17:46 | |
-Are you worried? -Yeah, a little bit, because | 0:17:47 | 0:17:50 | |
if he gets back there and no-ones there, he's going to be fuming. | 0:17:50 | 0:17:53 | |
And we're not on air, so he's going to be even more fuming. | 0:17:53 | 0:17:57 | |
Is it important for Kurupt to stay on air? | 0:17:58 | 0:18:01 | |
Yeah, of course. If you want to be London's leading, | 0:18:01 | 0:18:03 | |
you can, literally, never go down, like. | 0:18:03 | 0:18:06 | |
PHONE STILL RINGING | 0:18:06 | 0:18:09 | |
And again. | 0:18:09 | 0:18:10 | |
PHONE RINGS | 0:18:12 | 0:18:15 | |
I'll just put it away. | 0:18:15 | 0:18:17 | |
Out of sight, out of mind. | 0:18:18 | 0:18:20 | |
Where is Steve, anyway, though? | 0:18:20 | 0:18:21 | |
PHONE RINGS | 0:18:21 | 0:18:24 | |
No, still answer machine. | 0:18:24 | 0:18:26 | |
No, we've got to get back. I'm getting worried now. | 0:18:28 | 0:18:30 | |
Angel! | 0:18:30 | 0:18:32 | |
-We're going. -Sweets! -No, no more sweets. | 0:18:32 | 0:18:34 | |
We're going. Come on. | 0:18:34 | 0:18:36 | |
All right, see you lot in a bit, yeah? | 0:18:36 | 0:18:38 | |
-Just catch us up wherever. -I want to go and play more! -This way. | 0:18:38 | 0:18:41 | |
I want to play more! | 0:18:41 | 0:18:43 | |
-Life's not all about fun, Angel. You've had too much fun. -Yes, it is! | 0:18:43 | 0:18:46 | |
If you have too much fun, you can get a headache. | 0:18:46 | 0:18:48 | |
Daddy Grindah gets them all the time and they're not very good. | 0:18:48 | 0:18:51 | |
..because people actually have that voice in real life. | 0:18:55 | 0:18:58 | |
Hello. Nice to meet you. | 0:18:58 | 0:19:00 | |
Bruv, we need to do one. Did you find out about the electricity? | 0:19:00 | 0:19:03 | |
Oh, that's what I was going to do. | 0:19:03 | 0:19:04 | |
Did you stop paying the electricity? | 0:19:04 | 0:19:07 | |
Yeah, we got cut off. | 0:19:07 | 0:19:08 | |
That's weird. You're on a meter. | 0:19:08 | 0:19:10 | |
Ah, the meter must have run out. | 0:19:11 | 0:19:13 | |
No, couldn't have. No. | 0:19:13 | 0:19:15 | |
I rigged that meter with a magnet. | 0:19:15 | 0:19:17 | |
What's happened? | 0:19:17 | 0:19:19 | |
Basically, all I know is, yeah, | 0:19:19 | 0:19:21 | |
I was plugging in my new kettle and then I think a poltergeist has... | 0:19:21 | 0:19:24 | |
A new kettle, yeah? | 0:19:24 | 0:19:26 | |
Well, you've blown the fuse, haven't you, you daft twat. | 0:19:26 | 0:19:29 | |
-That's all it is. -It's the fuse box. | 0:19:29 | 0:19:31 | |
We just go to the kettle and get the fuse box out of it. | 0:19:31 | 0:19:34 | |
Is the fuse box at Steves' flat? | 0:19:34 | 0:19:36 | |
Right, we've got to go. | 0:19:36 | 0:19:37 | |
Fuse box. | 0:19:37 | 0:19:38 | |
Come on, Steves. | 0:19:38 | 0:19:40 | |
-All right. Sorry, Nan. I've got to go. -Here! | 0:19:40 | 0:19:42 | |
Don't forget these. | 0:19:42 | 0:19:44 | |
-Oh, yeah. You definitely don't need these, yeah? -No, no. No. | 0:19:44 | 0:19:47 | |
-Oh, that's sweet. -You'll enjoy them far more than I will. | 0:19:47 | 0:19:50 | |
Probably will, to be fair. | 0:19:50 | 0:19:51 | |
Anyway, I can always get some more, can't I? | 0:19:51 | 0:19:53 | |
"Oooh, I must have lost them. So sorry." | 0:19:53 | 0:19:55 | |
-No, I've got them, Nan. You just gave them to me! -Oh, no, you great idiot! | 0:19:55 | 0:19:58 | |
-Go on, get out. -I've got to go. -Bye, Steves' Nan! Nice to meet you. | 0:19:58 | 0:20:01 | |
-Bye, Nan. -Cheers. | 0:20:01 | 0:20:02 | |
-She's all right for an old, actually. -Yeah. | 0:20:02 | 0:20:05 | |
You wally. | 0:20:05 | 0:20:06 | |
-What's going on? Why's...? -What's up? | 0:20:10 | 0:20:12 | |
Well, it's not picking it up. | 0:20:12 | 0:20:14 | |
It probably don't reach this far. | 0:20:14 | 0:20:15 | |
It barely reaches beyond the blocks, like. | 0:20:15 | 0:20:17 | |
Don't try and blame Kurupt FM | 0:20:17 | 0:20:19 | |
because your shitty little radio ain't up to par. | 0:20:19 | 0:20:21 | |
More sweets! | 0:20:21 | 0:20:23 | |
Just have loads, all right? | 0:20:24 | 0:20:25 | |
If he gets back before us, I'm fucked. | 0:20:31 | 0:20:34 | |
Yeah. | 0:20:34 | 0:20:35 | |
-Is that our bus? -That's our bus! | 0:20:35 | 0:20:37 | |
All right, let me get the whistle. | 0:20:37 | 0:20:39 | |
HE BLOWS WHISTLE | 0:20:39 | 0:20:41 | |
Got it from carnival. | 0:20:41 | 0:20:44 | |
-Does that feel OK to you? -Yeah, that's nice. | 0:20:44 | 0:20:46 | |
-Is the temperature all right for you? -Yeah. | 0:20:46 | 0:20:49 | |
I've put on quite a lot of foam so it gives you a deeper sort of clean. | 0:20:49 | 0:20:53 | |
Sorry, just bear with me a one second. | 0:20:55 | 0:20:57 | |
-Hurry up. -What are you doing here? | 0:20:57 | 0:20:59 | |
I've got to get back to the radio, so I've got to drop her off here. | 0:20:59 | 0:21:02 | |
No, no, I don't finish for another hour, though. | 0:21:02 | 0:21:05 | |
Yeah, I'm a little bit early, but better than being late, innit? | 0:21:05 | 0:21:07 | |
-It's a good thing. -Hiya. You OK, Miche? | 0:21:07 | 0:21:10 | |
Tanya! | 0:21:10 | 0:21:11 | |
Erm, sorry about this. | 0:21:11 | 0:21:13 | |
Er, well, this is my little girl, Angel, who I told you about. | 0:21:13 | 0:21:16 | |
And this is Grindah, who is her dad and my boyfriend. | 0:21:16 | 0:21:19 | |
Oh, and that's just his friend, though. | 0:21:19 | 0:21:22 | |
We're just dropping off the little one. | 0:21:22 | 0:21:24 | |
If she does cause any trouble, a little tip for you, | 0:21:24 | 0:21:27 | |
just give her a load of sweets every few minutes. | 0:21:27 | 0:21:29 | |
And then she'll be happy. Yeah? See you in a bit. | 0:21:29 | 0:21:31 | |
-Really sorry about this. -Sweet. See you later, girl. | 0:21:31 | 0:21:33 | |
All right, well, Mummy's shampooing. | 0:21:33 | 0:21:35 | |
-No, Mummy's shampooing! -Angel! | 0:21:35 | 0:21:37 | |
-Mummy just said pooing! -Mummy said pooing! -See you later. | 0:21:37 | 0:21:40 | |
Poo! Poo! Poo! | 0:21:40 | 0:21:41 | |
Hi, Angel. | 0:21:41 | 0:21:43 | |
Would you like to have your nails done? | 0:21:43 | 0:21:45 | |
Mummy said pooing! | 0:21:45 | 0:21:47 | |
Sorry, Tanya. | 0:21:47 | 0:21:48 | |
-Angel! -Maybe just finish up there and then take a little break. | 0:21:48 | 0:21:51 | |
I'm really sorry about this, | 0:21:51 | 0:21:52 | |
-but if you just keep relaxing. -You're a poo! | 0:21:52 | 0:21:55 | |
Tanya, I'm really sorry, OK? | 0:21:55 | 0:21:56 | |
It's OK. It's fine. It's fine. | 0:21:56 | 0:21:58 | |
-I think she's just had too many sweets. -Angel! Angel! | 0:21:58 | 0:22:01 | |
You all right, little man-child? | 0:22:02 | 0:22:04 | |
Hey, listen, do you want to make a little bit of extra cash and that, | 0:22:04 | 0:22:07 | |
for, like, your Myspace page, maybe want to pimp it out? | 0:22:07 | 0:22:09 | |
-Facebook and that. -Excuse me? | 0:22:09 | 0:22:11 | |
Hello. | 0:22:11 | 0:22:12 | |
Come on, Steves, mate, we haven't got time. | 0:22:16 | 0:22:18 | |
Bruv! | 0:22:22 | 0:22:24 | |
Bruv, do you want any of these? | 0:22:24 | 0:22:27 | |
Steves, we need to find the fucking fuse box, mate! | 0:22:27 | 0:22:29 | |
Where did your nan say it was? | 0:22:29 | 0:22:31 | |
Do you reckon the government just give old people, like, drugs | 0:22:31 | 0:22:34 | |
-just to try it out on them, sort of thing? -Fucking hell. | 0:22:34 | 0:22:37 | |
Because, like, if they die, then it's not suspicious circumstances. | 0:22:37 | 0:22:40 | |
What's wrong with you? Grindah could be back any second. | 0:22:40 | 0:22:43 | |
You fucking moron! We need to find it now. | 0:22:43 | 0:22:45 | |
Oh, man... | 0:22:45 | 0:22:46 | |
Quick! Don't you even care? | 0:22:46 | 0:22:48 | |
I might just bosh a load of these because I'm not really feeling it right now. | 0:22:48 | 0:22:52 | |
Such a freak! | 0:22:52 | 0:22:54 | |
What does it even look like? Is it a different colour to a normal box? | 0:22:54 | 0:22:57 | |
It's a box that has electricity inside it! | 0:22:57 | 0:22:59 | |
Have you checked these ones? | 0:23:02 | 0:23:05 | |
-I can't even hear the tunes, man. -Don't point it upwards. | 0:23:05 | 0:23:08 | |
Don't film that bit. | 0:23:08 | 0:23:09 | |
I'll look in the kitchen. | 0:23:09 | 0:23:11 | |
You getting anything in there, Steves? | 0:23:13 | 0:23:15 | |
No. | 0:23:17 | 0:23:18 | |
Get in, get in. | 0:23:18 | 0:23:20 | |
Don't let me down, Beats, mate. | 0:23:23 | 0:23:25 | |
RAP MUSIC PLAYS | 0:23:28 | 0:23:30 | |
Easy, boys. What's going on? | 0:23:30 | 0:23:31 | |
-Yeah, man, nothing. -Good. | 0:23:31 | 0:23:33 | |
-Everything running smoothly, innit? -Yeah, yeah. | 0:23:33 | 0:23:36 | |
Nice, nice. | 0:23:36 | 0:23:38 | |
We got the old power back up and running and that. | 0:23:38 | 0:23:40 | |
What? Yeah, what? | 0:23:40 | 0:23:41 | |
What? | 0:23:41 | 0:23:43 | |
Steven, you're getting slightly confused with your new medication. | 0:23:45 | 0:23:48 | |
Yeah? Do you want to carry on doing your record bag? Thank you. | 0:23:48 | 0:23:52 | |
It is really tough to run Kurupt Radio. | 0:23:53 | 0:23:56 | |
It's not that tough for me, because I'm naturally gifted. | 0:23:56 | 0:23:58 | |
Do you know what I mean? | 0:23:58 | 0:23:59 | |
-It's back-breaking labour for you, do you know what I mean? -Yeah. | 0:23:59 | 0:24:02 | |
Oh... | 0:24:02 | 0:24:03 | |
Who's... | 0:24:05 | 0:24:06 | |
Who's changed the lumbar support on this? | 0:24:07 | 0:24:10 | |
Who's been on my seat? | 0:24:10 | 0:24:11 | |
I think Steves may have used it earlier to do his records. | 0:24:13 | 0:24:17 | |
Steves, mate. | 0:24:17 | 0:24:18 | |
It's my seat. Beats knows that. | 0:24:18 | 0:24:21 | |
He'd never touch it. | 0:24:21 | 0:24:22 | |
I'm having blackouts again. | 0:24:22 | 0:24:24 | |
I don't even remember doing that. | 0:24:24 | 0:24:26 | |
-Easy. You good, yeah? -Yeah. | 0:24:29 | 0:24:31 | |
Watch out, because Angel's been sick on the carpet. | 0:24:31 | 0:24:33 | |
Probably all the bloody excitement she had today. | 0:24:33 | 0:24:36 | |
-She had, like, loads of sweets and that. -Yeah? | 0:24:36 | 0:24:38 | |
It was sort of just a big sort of spray of multicoloured jelly. | 0:24:38 | 0:24:41 | |
Oh, not that bad, then, really, as sick goes. | 0:24:41 | 0:24:43 | |
-She said she had a nice day, anyway. -Nice day? | 0:24:43 | 0:24:46 | |
Angel! | 0:24:46 | 0:24:47 | |
Angel, did you say you and Daddy had a nice day? | 0:24:47 | 0:24:51 | |
-No, we had the best day ever, didn't we? -Yeah. -Yeah. | 0:24:51 | 0:24:53 | |
Better than with your nana, innit? | 0:24:53 | 0:24:55 | |
Yeah, high-five. High-five. | 0:24:55 | 0:24:56 | |
-Boom. There you have it, people! -Keep your voice down. | 0:24:56 | 0:24:59 | |
I am officially better than your mum! | 0:24:59 | 0:25:02 | |
-Tell your mum. -I should probably get going. | 0:25:02 | 0:25:04 | |
-Cool, mate. Nice one. -Bye, Decoy. See you tomorrow. | 0:25:04 | 0:25:06 | |
Oh, man! | 0:25:06 | 0:25:07 | |
That's actually put me in a great mood, to be honest. Yeah. | 0:25:09 | 0:25:11 | |
LOUD MUSIC PLAYS | 0:25:11 | 0:25:15 | |
HAMMERING ON DOOR | 0:25:15 | 0:25:17 | |
Weh-hey! | 0:25:20 | 0:25:22 | |
So listen, I thought I'd come and chat with Grindah. | 0:25:22 | 0:25:25 | |
See if anyone was up for a little bit of work. | 0:25:25 | 0:25:27 | |
Yeah? No, they're all gone. | 0:25:27 | 0:25:29 | |
I've just been sort of just here on my own, actually, | 0:25:29 | 0:25:33 | |
just finishing up for the night and that. | 0:25:33 | 0:25:35 | |
I've just realised that I've sorted the entire vinyl collection. | 0:25:35 | 0:25:38 | |
It's all in order now. Alphabetical. | 0:25:38 | 0:25:39 | |
-INTERVIEWER: -What do your nan's drugs actually do? | 0:25:41 | 0:25:43 | |
It just livens you up. Livens you up. | 0:25:43 | 0:25:45 | |
Because old people, they slow down at that age. | 0:25:45 | 0:25:48 | |
So if you aren't old and then you do that, | 0:25:48 | 0:25:50 | |
you're moving at double the speed. | 0:25:50 | 0:25:53 | |
Stevie, what time do you finish, mate? | 0:25:57 | 0:26:00 | |
SWITCH CLICKS ON AND OFF REPEATEDLY | 0:26:03 | 0:26:05 | |
Roche. | 0:26:07 | 0:26:08 | |
OK. | 0:26:10 | 0:26:11 | |
You heard of these little things called 40-watt light bulbs? | 0:26:13 | 0:26:17 | |
Yeah, yeah, replace them up sometimes, fuse boxes, whatever. | 0:26:17 | 0:26:20 | |
I could do washing machines, whatever you're after, really. | 0:26:20 | 0:26:23 | |
Chill. | 0:26:24 | 0:26:26 | |
Anyone need a shit? | 0:26:26 | 0:26:27 | |
-Already had two today. -No, you go for it, love. | 0:26:27 | 0:26:30 | |
Well, actually, I wonder if I left the bathroom light on downstairs. | 0:26:31 | 0:26:35 | |
Hm... | 0:26:37 | 0:26:38 | |
Oh, you fixed it? | 0:26:40 | 0:26:42 | |
Thanks, love. Not just a pretty face, are you? | 0:26:43 | 0:26:45 | |
Exactly. | 0:26:46 | 0:26:47 | |
It's amazing when he's like this, you know? | 0:26:48 | 0:26:51 | |
He's like a machine. | 0:26:51 | 0:26:52 | |
And everyone says he's some brain-dead weirdo! | 0:26:53 | 0:26:56 | |
-Huh? -No, nothing. | 0:26:56 | 0:26:58 | |
I can't wait for the world to see | 0:26:58 | 0:27:00 | |
our replica designer brand, you know? | 0:27:00 | 0:27:02 | |
Look at this! | 0:27:02 | 0:27:04 | |
Limited edition Rolf Lauren. | 0:27:05 | 0:27:08 | |
Polo, mate. | 0:27:08 | 0:27:09 | |
-Jockey's bigger than the horse on that. -Exactly! | 0:27:09 | 0:27:12 | |
This guy is great. | 0:27:12 | 0:27:14 | |
Dream job, innit? | 0:27:14 | 0:27:15 | |
Stay focused, Stevie. Stay focused. | 0:27:15 | 0:27:18 | |
TOILET FLUSHES | 0:27:20 | 0:27:22 | |
She's finished. | 0:27:22 | 0:27:23 | |
How was it? | 0:27:28 | 0:27:29 | |
Oh, get out my house! | 0:27:29 | 0:27:31 |