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-Beats, come on. Beats look lively, mate, look lively, come on. -Yep. | 0:00:02 | 0:00:05 | |
Leave this alone. | 0:00:05 | 0:00:06 | |
You've made a new track, then? | 0:00:06 | 0:00:07 | |
Yeah, Grindah's been playing it, like, loads on Kurupt. | 0:00:07 | 0:00:10 | |
# MC Grindah... | 0:00:10 | 0:00:12 | |
# Bang! Lyrical blow to the jaw | 0:00:15 | 0:00:17 | |
# Bang! Lyrical blow to the jaw | 0:00:17 | 0:00:18 | |
# Bang! Lyrical blow to the jaw | 0:00:18 | 0:00:20 | |
# Leaving every MC down on the floor... # | 0:00:20 | 0:00:22 | |
What you doing? Get up! You're meant to be standing. | 0:00:22 | 0:00:25 | |
'The other night I literally played it for three hours straight, | 0:00:25 | 0:00:27 | |
'so that anyone that locked in would literally just be brainwashed' | 0:00:27 | 0:00:31 | |
into loving it, do you know what I mean? | 0:00:31 | 0:00:33 | |
Yeah, I actually still feel a bit knackered from it. | 0:00:33 | 0:00:35 | |
-So you performed it all live? -Yeah. Of course. | 0:00:35 | 0:00:37 | |
-Yeah, we performed it all live. -Three hours live, back-to-back. | 0:00:37 | 0:00:40 | |
# Beats and Grindah killed an MC | 0:00:40 | 0:00:42 | |
# Someone take him to A&E | 0:00:42 | 0:00:44 | |
# Perform some lyrical surgery... # | 0:00:44 | 0:00:46 | |
Put that fucking joint down now. | 0:00:46 | 0:00:48 | |
'Are you not worried people'll get bored of it? | 0:00:48 | 0:00:50 | |
'People don't get bored with shit like that. | 0:00:50 | 0:00:52 | |
'It's called a marketing strategy. | 0:00:52 | 0:00:54 | |
'Basically just getting into people's heads,' | 0:00:54 | 0:00:56 | |
-you know what I mean? Basic psychology. -Room 101. -Yeah. | 0:00:56 | 0:00:59 | |
No, still the midpoint reload. Do it again. | 0:01:01 | 0:01:03 | |
You don't see Van Damme sitting down. | 0:01:05 | 0:01:08 | |
We're here for a very special meeting with Excel Records. | 0:01:11 | 0:01:15 | |
-Let's just say we're getting a record deal today. -Yeah! | 0:01:15 | 0:01:17 | |
Let's just say they finally realised that we are the future of new music. | 0:01:17 | 0:01:21 | |
-We don't even like new music. -Yeah, exactly. | 0:01:21 | 0:01:24 | |
It is like the future of music that still sounds like it's in 2002. | 0:01:24 | 0:01:27 | |
Like, it's complicated. | 0:01:27 | 0:01:28 | |
It's sort of industry sort of shit, you wouldn't understand. | 0:01:28 | 0:01:31 | |
Yeah, you wouldn't get it. | 0:01:31 | 0:01:33 | |
-BUZZER RINGS -I can't believe we're here. | 0:01:33 | 0:01:35 | |
-'Hello.' -Hi there. Chabuddy G here with the Kurupt FM boys. | 0:01:35 | 0:01:39 | |
We're here to get a record deal. | 0:01:39 | 0:01:42 | |
'Sorry, do you have a meeting with someone?' | 0:01:42 | 0:01:44 | |
Erm, no, I haven't got a meeting, I've got... | 0:01:44 | 0:01:47 | |
-I've got a delivery. -You said you had a meeting. | 0:01:47 | 0:01:50 | |
-We're in, just... -'OK, give me a minute.' | 0:01:50 | 0:01:52 | |
A trick, a little trick. | 0:01:52 | 0:01:53 | |
'The first rule of the music industry' | 0:01:53 | 0:01:56 | |
is that the music doesn't matter. It's about who you know. | 0:01:56 | 0:01:59 | |
That's why it's very useful to have a manager like me. | 0:01:59 | 0:02:02 | |
I mean, I don't know anyone, | 0:02:03 | 0:02:04 | |
but they don't know that I don't know anyone, | 0:02:04 | 0:02:07 | |
so they know that I don't know that they know. | 0:02:07 | 0:02:09 | |
Smart. | 0:02:12 | 0:02:13 | |
Relax. Balls, balls. | 0:02:13 | 0:02:14 | |
-Hi. -Hi. | 0:02:17 | 0:02:18 | |
Hi. | 0:02:18 | 0:02:19 | |
-Do you have a delivery? -No, I don't have a delivery, | 0:02:21 | 0:02:24 | |
but can we get a meeting? | 0:02:24 | 0:02:26 | |
No, sorry. | 0:02:28 | 0:02:29 | |
You fuckin'... | 0:02:31 | 0:02:33 | |
It's all right. It's their loss. | 0:02:33 | 0:02:35 | |
You said we had a meeting. | 0:02:35 | 0:02:37 | |
We do have a meeting, it's just that this is a... This is a warm-up. | 0:02:37 | 0:02:42 | |
Come on. On to the next one! | 0:02:42 | 0:02:44 | |
OK, I'm going to be making notes throughout the day, | 0:02:59 | 0:03:01 | |
but otherwise just pretend like I'm not here. | 0:03:01 | 0:03:03 | |
-You all set, Miche? -Yeah, no, I'm just checking the... | 0:03:04 | 0:03:07 | |
Good. They're all straight. | 0:03:07 | 0:03:09 | |
'So basically to get the hairdressing qualification, | 0:03:09 | 0:03:12 | |
'I need to do a test.' | 0:03:12 | 0:03:14 | |
I have had a few tests in my life before. | 0:03:14 | 0:03:17 | |
I tried to do my driving test - that didn't really go to plan. | 0:03:17 | 0:03:20 | |
I'm not really into pressure. | 0:03:20 | 0:03:22 | |
If I can relax a bit more, then I can get it done | 0:03:22 | 0:03:24 | |
and not write off the car. | 0:03:24 | 0:03:26 | |
-Good. They're all straight. -Don't be nervous, you'll be fine. | 0:03:26 | 0:03:29 | |
No, I just, I want it to go really well today. | 0:03:29 | 0:03:31 | |
It will go really well. You've got everything done. | 0:03:31 | 0:03:33 | |
-Just try and... -HAIRDRYER WHIRS | 0:03:33 | 0:03:36 | |
-OK, good, yeah, that's a good temperature. -Relax. | 0:03:36 | 0:03:39 | |
Yeah, I am. | 0:03:39 | 0:03:41 | |
So, do you know anyone at this one? | 0:03:43 | 0:03:44 | |
Who don't I know, mate? | 0:03:44 | 0:03:46 | |
Listen, listen, OK? These are top dogs. | 0:03:46 | 0:03:50 | |
We need to basically just act important, yeah? | 0:03:50 | 0:03:52 | |
-And just head straight for the lifts. -OK. | 0:03:52 | 0:03:54 | |
All right, keep it down, yeah? Keep it down. | 0:03:54 | 0:03:57 | |
-Come on. -There's no buzzer or anything. | 0:03:57 | 0:03:59 | |
Shh! We're going through. Come on. | 0:04:07 | 0:04:09 | |
Good morning. I'm here for work. | 0:04:09 | 0:04:11 | |
Top floor, top dogs. | 0:04:12 | 0:04:14 | |
-Another day. -Just trying to act naturally. | 0:04:15 | 0:04:19 | |
Yeah, be natural. Just blend in, blend in. | 0:04:19 | 0:04:21 | |
So would you say you are in it for money or glory? | 0:04:24 | 0:04:27 | |
I'm in it for the passion, mate. That is why I do it. | 0:04:27 | 0:04:30 | |
I'm in it to lyrically destroy anyone that listens to it, | 0:04:30 | 0:04:34 | |
do you know what I mean? | 0:04:34 | 0:04:36 | |
If money comes with that, then that's a bonus round, isn't it? | 0:04:36 | 0:04:39 | |
And I'm just here for the ride. | 0:04:39 | 0:04:41 | |
Wherever it may take thee. | 0:04:41 | 0:04:43 | |
I'd say I'm in it for the money. | 0:04:43 | 0:04:45 | |
BEEPING Shut up, shut up. | 0:04:48 | 0:04:50 | |
Beating it up? | 0:04:50 | 0:04:51 | |
Intense, innit? | 0:04:51 | 0:04:53 | |
OK, get in, get in, get in, get in. | 0:04:53 | 0:04:54 | |
Press the button. Get in. | 0:04:54 | 0:04:56 | |
Fucking hell, all the walls are made of windows. | 0:04:56 | 0:04:59 | |
I don't even know what's wall any more. | 0:04:59 | 0:05:01 | |
You have to get used to this, mate. | 0:05:01 | 0:05:03 | |
Atlantic! Atlantic. | 0:05:03 | 0:05:05 | |
-The lost city. -Yeah. | 0:05:05 | 0:05:07 | |
Is this him? | 0:05:13 | 0:05:14 | |
Hello. You must be Steves. | 0:05:15 | 0:05:18 | |
-Yes, I am. -Welcome to Lavender Hair And Beauty. | 0:05:18 | 0:05:21 | |
Hello, Miche. | 0:05:21 | 0:05:23 | |
Are you Miche? I don't know if you're Miche yet. | 0:05:23 | 0:05:25 | |
So are you allowed to use friends in the test? | 0:05:25 | 0:05:27 | |
Yeah! I mean, it's not cheating. | 0:05:27 | 0:05:29 | |
It's called, like, it's sourcing your own model. | 0:05:29 | 0:05:32 | |
It's an industry thing. | 0:05:32 | 0:05:33 | |
So... So it's definitely not cheating. | 0:05:33 | 0:05:37 | |
But if Tanya finds out, then, yeah, I would fail. | 0:05:37 | 0:05:39 | |
-Thank you. -Great. -Nice to meet you. | 0:05:39 | 0:05:41 | |
Great. And if you'd just like to take a seat in our waiting area? | 0:05:41 | 0:05:44 | |
-Sure. -Excellent. | 0:05:44 | 0:05:46 | |
Sorry if I stink of draw. I've got a queue in my bag. | 0:05:46 | 0:05:49 | |
I've got yours in here as well, actually. | 0:05:50 | 0:05:52 | |
-Yeah, that's fine. We'll just... -OK. | 0:05:52 | 0:05:54 | |
Sort it out later. | 0:05:54 | 0:05:55 | |
Cool. | 0:05:56 | 0:05:57 | |
This is it. | 0:05:59 | 0:06:01 | |
-Look. -Excuse me, can I help you with anything? | 0:06:06 | 0:06:10 | |
Hello. What's your position, role in the company? | 0:06:10 | 0:06:14 | |
Are you looking for anyone in particular or...? | 0:06:14 | 0:06:16 | |
Yeah, someone actually pretty important. | 0:06:16 | 0:06:18 | |
Erm... Matt... Marty, Martin. | 0:06:18 | 0:06:21 | |
I forget his name. | 0:06:21 | 0:06:23 | |
Is it someone from the A&R team? | 0:06:23 | 0:06:25 | |
That's it. A&R, that's his name. | 0:06:25 | 0:06:27 | |
A&R, yeah. Tell him it's Chabuddy G, with a hard D. | 0:06:27 | 0:06:30 | |
Chabud-dy G. | 0:06:30 | 0:06:32 | |
Also, Kurupt FM. | 0:06:32 | 0:06:33 | |
-So he'll know. -108.9. -On your dial. | 0:06:34 | 0:06:37 | |
Hiya, Josh, have you got any appointments today? | 0:06:37 | 0:06:40 | |
There's a group down here with a camera and everything. | 0:06:40 | 0:06:44 | |
Say Kurupt FM. Say Kurupt FM. | 0:06:44 | 0:06:47 | |
Yeah, no, I thought so. | 0:06:47 | 0:06:49 | |
All right. Cheers, leave it with me. | 0:06:49 | 0:06:51 | |
All right, bye. | 0:06:51 | 0:06:52 | |
Erm... Yeah. He'll be down in about five, | 0:06:53 | 0:06:55 | |
so if I just pop you over to the waiting room. | 0:06:55 | 0:06:57 | |
He's going to come down now? | 0:06:57 | 0:06:59 | |
Yeah, he'll be down in about five minutes. | 0:06:59 | 0:07:01 | |
Just wait over in the waiting room. I'll just show you. | 0:07:01 | 0:07:04 | |
So, A&R is his surname? Shall I call him Mr A&R? | 0:07:04 | 0:07:07 | |
It's the department he works for. | 0:07:07 | 0:07:08 | |
He'll be down in a minute. Is there anything I can get you? | 0:07:08 | 0:07:11 | |
-Tea or coffee? -Oh, no. You've been amazing. You've done enough. | 0:07:11 | 0:07:14 | |
-All right. -You've outstayed your welcome, thank you. | 0:07:14 | 0:07:16 | |
Let's just say we won't forget about you once we get the... | 0:07:16 | 0:07:19 | |
OK, you know where my desk is if you need anything. | 0:07:19 | 0:07:21 | |
-All right. -Thanks very much for your help. | 0:07:21 | 0:07:23 | |
-It's a record deal. -Be cool. -We are getting a record deal. | 0:07:25 | 0:07:28 | |
-Are you a real customer? -Yeah. | 0:07:34 | 0:07:35 | |
So I went for Steves as my model just because he has a sort of | 0:07:41 | 0:07:44 | |
a fashion model look about him. | 0:07:44 | 0:07:45 | |
You know, sort of weirdly tall and thin, he's got the cheekbones. | 0:07:45 | 0:07:48 | |
Plus he was the only one that would do it. | 0:07:48 | 0:07:50 | |
But I think with the right haircut, | 0:07:50 | 0:07:52 | |
he could look a bit like a supermodel, | 0:07:52 | 0:07:54 | |
like Kate Moss or Naomi Campbell. | 0:07:54 | 0:07:57 | |
Can I get you a drink? | 0:07:57 | 0:07:58 | |
Drink? | 0:07:58 | 0:08:00 | |
Tea, coffee? | 0:08:00 | 0:08:01 | |
Did you have a drink? | 0:08:02 | 0:08:04 | |
No, no drink, thank you. | 0:08:04 | 0:08:05 | |
Bruv, 14 years in the making, bruv. | 0:08:09 | 0:08:12 | |
We're here. Oh, mate... Look at these awards. | 0:08:12 | 0:08:15 | |
We'll probably get awards. But probably won't win them | 0:08:15 | 0:08:18 | |
cos we're too underground for that. | 0:08:18 | 0:08:20 | |
Who wants awards anyway? | 0:08:20 | 0:08:22 | |
Look at this. CLATTERING | 0:08:22 | 0:08:23 | |
Maybe you should put that back up. Put it back, they might... | 0:08:26 | 0:08:29 | |
-Just in case. -I think he's coming. | 0:08:29 | 0:08:30 | |
Play it cool. Play it cool. | 0:08:31 | 0:08:33 | |
Do you want to pop all your stuff up here | 0:08:33 | 0:08:35 | |
and then just meet me at my chair? | 0:08:35 | 0:08:37 | |
-Lovely. And just your hat as well. -Oh, yeah, the hat as well. | 0:08:44 | 0:08:47 | |
I don't really like getting my hair cut, to be honest. | 0:08:55 | 0:08:58 | |
I find it really intense, staring at myself in the mirror for ages. | 0:08:58 | 0:09:02 | |
I feel like the mirror version of myself | 0:09:02 | 0:09:05 | |
is going to do something weird. | 0:09:05 | 0:09:07 | |
I don't trust him. | 0:09:07 | 0:09:09 | |
Don't... Don't panic. | 0:09:09 | 0:09:11 | |
And so what sort of thing are you looking for today? | 0:09:11 | 0:09:14 | |
Is that...? Oh, she's there again. | 0:09:14 | 0:09:16 | |
Erm... I would like a French crop, please. | 0:09:18 | 0:09:22 | |
-A French crop, brilliant. -French crop, please. | 0:09:22 | 0:09:25 | |
-Work with the texture of... -Yeah, exactly, | 0:09:25 | 0:09:27 | |
we'll work with this sort of dry and thick texture. | 0:09:27 | 0:09:34 | |
There's a little bit in the middle where it's sort of matted together. | 0:09:34 | 0:09:37 | |
I think it's the start of, like, a dreadlock | 0:09:37 | 0:09:39 | |
but you can probably get it out. | 0:09:39 | 0:09:41 | |
That's him. I think that's him. | 0:09:42 | 0:09:45 | |
Is that him? | 0:09:45 | 0:09:46 | |
Act normal and laid-back. Like you don't give a shit. | 0:09:47 | 0:09:49 | |
-They love that. -Hi, I'm Josh. -Hello, mate. | 0:09:49 | 0:09:52 | |
Part of the A&R team. | 0:09:52 | 0:09:54 | |
-Hi, Josh. -Chabuddy G, manager of Kurupt FM. | 0:09:54 | 0:09:56 | |
I'm Kurupt FM CEO, MC Grindah. | 0:09:56 | 0:09:59 | |
-Yes. -No, I recognise you guys. | 0:10:00 | 0:10:03 | |
Oh, penny's dropped. | 0:10:03 | 0:10:05 | |
People Who Do Nothing? | 0:10:05 | 0:10:07 | |
-That's us! -So you're serious. | 0:10:07 | 0:10:09 | |
You guys want to make music now? | 0:10:09 | 0:10:11 | |
-Yeah. -Are we serious? | 0:10:11 | 0:10:12 | |
I'll let you be the judge of that, mate. | 0:10:12 | 0:10:14 | |
-Yeah, we're serious. -Let him be the judge of it! | 0:10:15 | 0:10:18 | |
Right, if you... | 0:10:18 | 0:10:19 | |
-Shall we have a meeting? -Yeah, come this way. -Are we having a meeting? | 0:10:19 | 0:10:23 | |
-Yes. -So is this your office? | 0:10:23 | 0:10:26 | |
Yeah, it is. Let's keep it down. There's a lot of people working. | 0:10:26 | 0:10:29 | |
HE MOANS GENTLY | 0:10:29 | 0:10:31 | |
Sorry. Is this all right? Cos you're Grindah's girl. | 0:10:33 | 0:10:36 | |
It's fine. I'm just going to get you to sit back and relax | 0:10:36 | 0:10:39 | |
and maybe just not talk for a bit. | 0:10:39 | 0:10:41 | |
Where's the armholes? | 0:10:41 | 0:10:42 | |
There aren't any armholes, so we're just going to, just... | 0:10:42 | 0:10:45 | |
I don't want the shampoo in my eyes. | 0:10:45 | 0:10:47 | |
I won't let it get in your eyes, it's fine. | 0:10:47 | 0:10:49 | |
-I'm keeping it back. -The government put chemicals in shampoo. | 0:10:49 | 0:10:53 | |
To keep us blind. | 0:10:53 | 0:10:54 | |
'Being a hairdresser is about more than just cutting hair. | 0:10:55 | 0:10:58 | |
'You've got to be a people person, you know?' | 0:10:58 | 0:11:00 | |
So a lot of the customers you might think, "Who is that? | 0:11:00 | 0:11:02 | |
"Why are they here? They're disgusting." | 0:11:02 | 0:11:05 | |
You've got to be able to get on with people from all walks of life. | 0:11:05 | 0:11:08 | |
Even the ones who can't walk. | 0:11:08 | 0:11:09 | |
We've got a ramp, so... | 0:11:10 | 0:11:11 | |
What shampoo have you got, actually? | 0:11:13 | 0:11:14 | |
-What are you using? -Shall I read the label out to you? | 0:11:14 | 0:11:17 | |
Read out the back. If it's government approved | 0:11:17 | 0:11:20 | |
then we need to start questioning it. | 0:11:20 | 0:11:22 | |
"Warning, avoid contact with eyes." | 0:11:22 | 0:11:24 | |
See, this is it, this is exactly what I mean. | 0:11:24 | 0:11:27 | |
# MC Grindah, I'm a raver | 0:11:27 | 0:11:29 | |
# When I'm at the mic, we add a flavour | 0:11:29 | 0:11:30 | |
# When I blaze in the haze up in the paper | 0:11:30 | 0:11:32 | |
# Holding the mic like a lightsaber | 0:11:32 | 0:11:33 | |
# And I'm lyrically knocking out Darth Vader... # | 0:11:33 | 0:11:36 | |
Thank you. | 0:11:36 | 0:11:39 | |
What that was, Josh, that was one of my earlier compositions. | 0:11:39 | 0:11:43 | |
I think what I was trying to say with that | 0:11:43 | 0:11:45 | |
was that the mic is my weapon | 0:11:45 | 0:11:47 | |
and I am all-round better than Darth Vader. | 0:11:47 | 0:11:49 | |
That's... Well, it's powerful, it's great. | 0:11:49 | 0:11:52 | |
Thank you very much for letting me hear it. | 0:11:52 | 0:11:54 | |
We've got that ghost box... | 0:11:54 | 0:11:57 | |
Oh, mate, your water's off. | 0:11:57 | 0:11:58 | |
That's fizzy water. | 0:11:58 | 0:12:00 | |
Fizzy water? | 0:12:00 | 0:12:01 | |
You lot have got more money than sense. | 0:12:01 | 0:12:03 | |
Time is money. You're a busy man, I'm a busy man, yeah? | 0:12:04 | 0:12:08 | |
Money talks, bullshit walks. | 0:12:08 | 0:12:09 | |
Let's do some talking, baby, yeah? | 0:12:09 | 0:12:11 | |
Get ready for the Kurupt FM world exclusivity contract. | 0:12:11 | 0:12:15 | |
Get your fucking pen ready, mate, | 0:12:15 | 0:12:16 | |
because you are going to want to sign the shit out of us | 0:12:16 | 0:12:19 | |
once you've heard this. | 0:12:19 | 0:12:20 | |
-There you go, mate. -Play it. | 0:12:20 | 0:12:22 | |
TRACK PLAYS | 0:12:22 | 0:12:23 | |
Eye contact, Josh, eye contact. | 0:12:23 | 0:12:25 | |
It might sound a bit tinny cos it's off the phone. | 0:12:25 | 0:12:28 | |
This will be available on all formats as well, | 0:12:28 | 0:12:30 | |
so CD, MiniDisc, MP3, MP4, MP5... | 0:12:30 | 0:12:33 | |
-What about MP6? -Yeah, we can do that. | 0:12:33 | 0:12:35 | |
ON PHONE: # MC Grindah... | 0:12:35 | 0:12:39 | |
# Bang! Lyrical blow to the jaw | 0:12:39 | 0:12:41 | |
# Bang! Lyrical blow to the jaw | 0:12:41 | 0:12:42 | |
# Bang! Lyrical blow to the jaw... # | 0:12:42 | 0:12:44 | |
Leaving every MC dead, like, in their own blood. | 0:12:44 | 0:12:47 | |
These guys are a phenomenon. | 0:12:47 | 0:12:49 | |
They need to be promoted, you know what I mean? | 0:12:49 | 0:12:51 | |
So who better to...? I can sell the shit out of anything, mate. | 0:12:51 | 0:12:53 | |
I have the gab of the gift. | 0:12:53 | 0:12:55 | |
So I can just literally talk my way out of a bloody cardboard box, mate. | 0:12:55 | 0:12:59 | |
-No, he's not getting it. -Guys, I've got it. -You need to hear the bass. | 0:12:59 | 0:13:02 | |
-I've got it. -You need the whole experience. | 0:13:02 | 0:13:04 | |
-I've got headphones. -Honestly... | 0:13:04 | 0:13:05 | |
You haven't had the whole experience! | 0:13:05 | 0:13:07 | |
-You haven't had the whole experience, mate. -Thank you. | 0:13:07 | 0:13:09 | |
Please, give it a go with the headphones! | 0:13:09 | 0:13:12 | |
Just put it in there. Hold him down. Put it in his ear. | 0:13:12 | 0:13:15 | |
-Thank you so much. -Josh, you haven't heard it with headphones. | 0:13:15 | 0:13:18 | |
-Talk to my solicitor. -You haven't heard it with the headphones yet! | 0:13:18 | 0:13:21 | |
-You're a talented bunch. -Josh, please. -I don't need the headphones. | 0:13:21 | 0:13:24 | |
-Please. -Thank you. Security, can we sort this out? | 0:13:24 | 0:13:27 | |
We're not going to stay, mate. Freaks. | 0:13:27 | 0:13:30 | |
Yeah? Fucking keep looking, mate. | 0:13:38 | 0:13:40 | |
Lucky the cameras are rolling or I might have to ... | 0:13:40 | 0:13:43 | |
Not even fucking listening. Great. | 0:13:43 | 0:13:45 | |
Why don't we sell direct to the record shops | 0:13:47 | 0:13:49 | |
like Wiley and that used to do back in the day? | 0:13:49 | 0:13:51 | |
-Let's just do that. -Let's go. | 0:13:51 | 0:13:53 | |
-What, now? You going now? -What do you mean? | 0:13:53 | 0:13:55 | |
-Of course. -I've got to go to dad classes with Roche. | 0:13:55 | 0:13:57 | |
If I'm late, she's going to switch. | 0:13:57 | 0:13:59 | |
Oh, great. | 0:13:59 | 0:14:00 | |
Have you been more bossy since you got pregnant? | 0:14:00 | 0:14:02 | |
No, I have not been more bossy, have I? | 0:14:02 | 0:14:04 | |
-Yes. -No. | 0:14:04 | 0:14:06 | |
-Let's just go. Come on. -All right, you lot. | 0:14:06 | 0:14:08 | |
See you in a bit, yeah. | 0:14:08 | 0:14:10 | |
Does it cause friction? | 0:14:10 | 0:14:11 | |
What, arguments? | 0:14:11 | 0:14:13 | |
If he pushes too far, yeah. | 0:14:14 | 0:14:16 | |
Especially with the hormones now. | 0:14:16 | 0:14:19 | |
I didn't really know what hormones were, | 0:14:19 | 0:14:20 | |
but they are basically just these tiny balls of anger | 0:14:20 | 0:14:24 | |
that live inside women. | 0:14:24 | 0:14:25 | |
Brilliant. You're doing really well. If you want to just... | 0:14:28 | 0:14:31 | |
-Keep facing... -Keep facing forward, yeah, that's it. | 0:14:31 | 0:14:33 | |
-And then... -It's looking good. | 0:14:33 | 0:14:36 | |
Thank you. | 0:14:36 | 0:14:37 | |
Sorry, I saw here in the reflection | 0:14:37 | 0:14:39 | |
so I thought I'd check if she's there. | 0:14:39 | 0:14:41 | |
OK, well, let's do a little bit with the clippers. | 0:14:41 | 0:14:44 | |
Are these all doing tests as well? | 0:14:44 | 0:14:46 | |
No, they're already professional hairdressers. | 0:14:46 | 0:14:50 | |
-So what have we gone for? -I usually work with darker hair than this, | 0:14:55 | 0:14:58 | |
this is a lot lighter than it would normally be, | 0:14:58 | 0:15:00 | |
so that is why it looks a little bit mad at the moment. | 0:15:00 | 0:15:02 | |
Just relax, take your time, work with the texture of the hair. | 0:15:02 | 0:15:06 | |
-And you will be fine. -Great, OK. | 0:15:06 | 0:15:07 | |
Thank you, Tanya. Let's just... | 0:15:07 | 0:15:09 | |
-It is going really well. -Oh, my God. | 0:15:13 | 0:15:16 | |
I just love cutting hair! | 0:15:16 | 0:15:18 | |
Do you reckon it is going to be much longer? | 0:15:21 | 0:15:23 | |
I've got to link with Alfie Danger in a bit. | 0:15:23 | 0:15:26 | |
I just need a couple more minutes. | 0:15:26 | 0:15:28 | |
Nearly done. | 0:15:35 | 0:15:36 | |
-We're selling some of these bad boys. -Yeah, exactly. | 0:15:37 | 0:15:40 | |
Let me do the talking, yeah? You know who we are in there. | 0:15:40 | 0:15:44 | |
Hello, boss, how are you doing? All right, yeah? Good, good. | 0:15:44 | 0:15:47 | |
Hello, mate. Chabuddy G, manager of Kurupt FM. | 0:15:47 | 0:15:51 | |
-Corrupt...? -Kurupt FM. You know who we are. | 0:15:51 | 0:15:54 | |
Stop showing off in front of the camera. | 0:15:54 | 0:15:57 | |
Let me ask you a question, mate. | 0:15:57 | 0:15:58 | |
-How's business? -It is all right. | 0:15:58 | 0:16:00 | |
-What if I told you you could double that? -Double what? | 0:16:00 | 0:16:03 | |
Just double it. | 0:16:06 | 0:16:07 | |
The key to being a good salesman is knowing how to sell your product. | 0:16:09 | 0:16:12 | |
OK, for example, how much would you give me for this watch? | 0:16:12 | 0:16:15 | |
Oh, fuck. | 0:16:15 | 0:16:16 | |
It's got a dodgy strap, it must have fallen off. | 0:16:18 | 0:16:20 | |
OK, I'll tell you what, | 0:16:20 | 0:16:21 | |
let me look for the watch and then ask the question again, OK? | 0:16:21 | 0:16:25 | |
-So you remember Get Out Of The Way? -No. -Yes, you do. Good. | 0:16:25 | 0:16:28 | |
This is the follow-up single from that. | 0:16:28 | 0:16:30 | |
-Right. -All right? Play the tune. | 0:16:30 | 0:16:32 | |
TRACK PLAYS | 0:16:32 | 0:16:34 | |
-Of course, that's the heart monitor. It's a theme song. -All right. | 0:16:37 | 0:16:41 | |
TALKING ALONG: This direction... | 0:16:41 | 0:16:43 | |
I think it might be MC Grindah... | 0:16:43 | 0:16:44 | |
Who?! | 0:16:44 | 0:16:46 | |
# MC Grindah... | 0:16:47 | 0:16:50 | |
# Bang! Lyrical blow to the jaw | 0:16:50 | 0:16:52 | |
# Bang! Lyrical blow to the jaw | 0:16:52 | 0:16:54 | |
# Bang! Lyrical blow to the jaw | 0:16:54 | 0:16:56 | |
# Leaving every MC down on the floor... # | 0:16:56 | 0:16:58 | |
PHONE RINGS | 0:17:01 | 0:17:03 | |
Roche? Yeah, I'm at dad classes. Where are you? | 0:17:03 | 0:17:06 | |
I can't go in on my own, it's a bit weird. | 0:17:06 | 0:17:09 | |
Do you feel more mature, then? | 0:17:09 | 0:17:10 | |
'Do I feel more mature?' | 0:17:10 | 0:17:13 | |
Look what I'm dropping these days. | 0:17:13 | 0:17:15 | |
I mean, check out the chinos. | 0:17:15 | 0:17:17 | |
Just hurry up, yeah? Bye. | 0:17:17 | 0:17:20 | |
When you walk into a place with chinos on, | 0:17:20 | 0:17:22 | |
they know you're a real man. | 0:17:22 | 0:17:23 | |
Fuck's sake. | 0:17:25 | 0:17:26 | |
# What you gonna say now, what you gonna do | 0:17:27 | 0:17:29 | |
# When Beats and Grindah are coming for you? # | 0:17:29 | 0:17:32 | |
Do you like it? | 0:17:32 | 0:17:33 | |
Er... | 0:17:33 | 0:17:35 | |
Keep listening. | 0:17:35 | 0:17:36 | |
# Beats and Grindah up on the track | 0:17:37 | 0:17:39 | |
# Guess you could call that double impact | 0:17:39 | 0:17:41 | |
# Why are we so lyrically thick? | 0:17:41 | 0:17:43 | |
# Cos we were training, punching a tree for a week... # | 0:17:43 | 0:17:45 | |
REWIND EFFECT | 0:17:45 | 0:17:46 | |
Is that a rewind in the song? | 0:17:46 | 0:17:48 | |
Exactly. It's the midpoint reload. | 0:17:48 | 0:17:50 | |
-And it goes back to the start? -Spot on, he has heard of it, yeah. | 0:17:51 | 0:17:55 | |
The midpoint reload is really going to change | 0:17:55 | 0:17:57 | |
-people's enjoyment of music. -Exactly. -OK. | 0:17:57 | 0:17:59 | |
-In a good way. -Right. | 0:17:59 | 0:18:01 | |
I'm just not sure they'll sell. | 0:18:01 | 0:18:03 | |
All right, let me stop you there, mate. I am sure they'll sell. | 0:18:03 | 0:18:06 | |
So who are you going to listen to? | 0:18:06 | 0:18:08 | |
You - "Oh, I'm not really sure, I'm insecure," | 0:18:08 | 0:18:10 | |
or me that knows exactly what I'm talking about. | 0:18:10 | 0:18:12 | |
I don't think it's going to happen. | 0:18:12 | 0:18:14 | |
All right, good, because maybe you're not going to happen, then. | 0:18:14 | 0:18:17 | |
What's that mean? | 0:18:17 | 0:18:19 | |
Exactly, what's that mean? | 0:18:19 | 0:18:20 | |
-Don't. -With your tiny little shop. | 0:18:21 | 0:18:24 | |
-Freak. -Sorry about that. | 0:18:24 | 0:18:25 | |
Yeah? How about that? | 0:18:25 | 0:18:27 | |
FAINT CLATTER | 0:18:27 | 0:18:29 | |
Have fun cleaning that up. | 0:18:30 | 0:18:32 | |
I told you I was going to do the talking. | 0:18:32 | 0:18:34 | |
-Just a little bit of business. -That's why you fucked it up. | 0:18:34 | 0:18:36 | |
-I thought you knew him, you said... -I did know him. He was showing off. | 0:18:36 | 0:18:39 | |
-Are you waiting for someone? -Yeah. | 0:18:54 | 0:18:56 | |
Come in and wait, that's fine. | 0:18:56 | 0:18:59 | |
Roche thought it would be a good idea actually | 0:18:59 | 0:19:01 | |
if we went on a parenting course. | 0:19:01 | 0:19:02 | |
It was when he asked whether babies | 0:19:02 | 0:19:04 | |
ever come out of the arsehole by accident. | 0:19:04 | 0:19:06 | |
Well, that's a simple mistake to make, mate - | 0:19:06 | 0:19:08 | |
they are very close to each other. | 0:19:08 | 0:19:10 | |
Yeah, I've heard that before. | 0:19:10 | 0:19:11 | |
Hi. Tina, 25 weeks and we're having a boy, little Tyler. | 0:19:13 | 0:19:19 | |
Oh, named him already. Congratulations. | 0:19:19 | 0:19:21 | |
I'm Darren. Obviously, I'm not pregnant | 0:19:21 | 0:19:24 | |
but, erm, was involved in the process! | 0:19:24 | 0:19:27 | |
-Hello, I'm Jack. -Hello, Jack. | 0:19:27 | 0:19:29 | |
Hello, I'm Laura. I'm 23 weeks | 0:19:29 | 0:19:31 | |
-and we've actually decided to keep it a surprise. -Good for you. | 0:19:31 | 0:19:35 | |
Lots of people do. Not everyone wants everyone to know, | 0:19:35 | 0:19:37 | |
-so there we go. -Hello. Erm... | 0:19:37 | 0:19:40 | |
My name is Kevin Bates, AKA Beats, AKA the Albino Seal. | 0:19:41 | 0:19:47 | |
-Right. -And, erm... | 0:19:47 | 0:19:48 | |
-This is a picture of my partner, Roche. -Right. | 0:19:49 | 0:19:52 | |
She's not here yet cos she had an emergency at work. | 0:19:52 | 0:19:56 | |
-Ah, so she's joining? -Yes. | 0:19:56 | 0:19:58 | |
-She's coming. -That's all right, man, | 0:19:58 | 0:20:00 | |
you can have a go on mine if she doesn't turn up. | 0:20:00 | 0:20:02 | |
-Love that. What's your name, mate? -Darren. This is Tina. -Hello, Tina. | 0:20:02 | 0:20:05 | |
Don't worry, I don't want to have a go on you. | 0:20:05 | 0:20:08 | |
I mean, I would, if... And you weren't... | 0:20:08 | 0:20:11 | |
I'm afraid we're going to have to start now. | 0:20:11 | 0:20:13 | |
-How are we getting on? -Yeah, we're nearly done, | 0:20:16 | 0:20:18 | |
aren't we, Steves? Finishing touches. | 0:20:18 | 0:20:21 | |
-Sorry. -It's good that you're so comfortable. | 0:20:21 | 0:20:23 | |
I get weird about haircuts. | 0:20:23 | 0:20:25 | |
I did a load of Valium earlier. | 0:20:25 | 0:20:27 | |
-Just to calm me down. -Ah... | 0:20:27 | 0:20:28 | |
-Why not, eh? -Yeah. | 0:20:30 | 0:20:31 | |
Just get him finished up and out. | 0:20:31 | 0:20:34 | |
-OK. -Yeah? -OK. -Cool. | 0:20:34 | 0:20:37 | |
OK. | 0:20:37 | 0:20:38 | |
It's always better with a bit of gel, innit? I'm just going to... | 0:20:40 | 0:20:43 | |
This is where you'll really see a transformation. | 0:20:45 | 0:20:48 | |
Wow. | 0:20:48 | 0:20:49 | |
OK, so, would you like to just hold your baby | 0:20:53 | 0:20:57 | |
how you think a baby would be held? | 0:20:57 | 0:21:00 | |
Just support the neck, Kevin. | 0:21:03 | 0:21:04 | |
Doing a lovely job there. | 0:21:07 | 0:21:08 | |
-All right? Sorry I'm late. -Oh, hello. Oh, you must be... | 0:21:08 | 0:21:12 | |
-Hello there. -My dad used to do that. | 0:21:12 | 0:21:15 | |
Wahey! | 0:21:15 | 0:21:16 | |
Kevin, we are treating these dolls like babies. | 0:21:16 | 0:21:19 | |
Yeah, I know, but they're not. | 0:21:19 | 0:21:20 | |
-INTERVIEWER: -Do you have high expectations for Beats | 0:21:20 | 0:21:23 | |
at birth time? | 0:21:23 | 0:21:25 | |
I have high expectations of Kevin | 0:21:25 | 0:21:28 | |
but I also am aware of what Kevin will be able to do. | 0:21:28 | 0:21:32 | |
So, in the sense that I have high expectations | 0:21:32 | 0:21:35 | |
of what I would like him to do but I've very low expectations | 0:21:35 | 0:21:38 | |
of what I actually expect him to do. | 0:21:38 | 0:21:41 | |
But babies, do they like sort of jokes and that? | 0:21:41 | 0:21:43 | |
You know, like, not proper jokes but joke stuff? | 0:21:43 | 0:21:46 | |
Babies like to laugh, of course, like everybody. | 0:21:46 | 0:21:48 | |
They've the same emotions as us. | 0:21:48 | 0:21:50 | |
Brilliant. Wow. | 0:21:52 | 0:21:54 | |
I like how you did a little space in between each strand. | 0:21:54 | 0:21:56 | |
Do you like that? That's my own little technique actually, so... | 0:21:56 | 0:21:59 | |
-Yeah. -Can I ask you if I can get a picture of the hair? | 0:21:59 | 0:22:02 | |
Just to put on my gallery. | 0:22:02 | 0:22:04 | |
-Yeah, yeah, yeah. -Perfect. -Model shot. | 0:22:04 | 0:22:06 | |
-Modelling. -OK. | 0:22:06 | 0:22:08 | |
Smile. | 0:22:08 | 0:22:09 | |
Great. OK. Perfect. | 0:22:11 | 0:22:12 | |
So I think we're all done now. | 0:22:12 | 0:22:14 | |
Here, take that off, yeah. | 0:22:14 | 0:22:16 | |
Great. I love it. | 0:22:18 | 0:22:20 | |
VIP treatment. | 0:22:20 | 0:22:22 | |
All right. Do you want me to give you this thing now or...? | 0:22:22 | 0:22:25 | |
-No, no. Not here. -Bit bait? -Yeah. | 0:22:25 | 0:22:27 | |
-All right. -OK. Wow. | 0:22:27 | 0:22:29 | |
God. You look like a footballer or something. | 0:22:29 | 0:22:32 | |
-Yeah? -Proper... Proper celebrity look. | 0:22:32 | 0:22:34 | |
-Wow. -Better with a hat on, though, innit? | 0:22:34 | 0:22:37 | |
Look like a crack-head without the hat. | 0:22:37 | 0:22:40 | |
-All right. See you later. -Bye. -Thank you. | 0:22:41 | 0:22:44 | |
Bye. | 0:22:45 | 0:22:46 | |
Bye. | 0:22:47 | 0:22:48 | |
Oh, wow. | 0:22:49 | 0:22:50 | |
He's put the hat straight on. What's he doing? | 0:22:52 | 0:22:55 | |
He smelt of drugs. He smelt of drugs. | 0:22:58 | 0:23:01 | |
It just seems pointless. You can't sell things on the internet. | 0:23:05 | 0:23:08 | |
-How do you get the money? -Mate, trust me, OK? | 0:23:08 | 0:23:10 | |
Everyone's doing it right now, OK? | 0:23:10 | 0:23:12 | |
People don't want to go to the shop to buy music. | 0:23:12 | 0:23:14 | |
People don't want to go to labels, mate. | 0:23:14 | 0:23:16 | |
It's all about downloading, yeah? | 0:23:16 | 0:23:18 | |
The internet. | 0:23:18 | 0:23:19 | |
Nah, cos I still reckon the internet | 0:23:19 | 0:23:21 | |
is going to blow over any day. | 0:23:21 | 0:23:22 | |
No, mate. Trust me, OK? | 0:23:22 | 0:23:24 | |
Think about it. Right now we live in the now generation. | 0:23:24 | 0:23:27 | |
-Yeah? -Yeah. -People want everything NOW. | 0:23:27 | 0:23:29 | |
-OK? -Yeah. -Instant coffee. | 0:23:29 | 0:23:31 | |
Fast food. Fast internet. | 0:23:31 | 0:23:33 | |
-Yeah. -Even fast sex. | 0:23:33 | 0:23:34 | |
Three minutes max. You know what I mean? | 0:23:34 | 0:23:36 | |
Get it in. Stick it back out. Clean yourself up. Get the hell out. | 0:23:36 | 0:23:39 | |
-You know what I mean? -I don't even know | 0:23:39 | 0:23:40 | |
what you're talking about any more. | 0:23:40 | 0:23:42 | |
You started off and then always just go back down to sex. | 0:23:42 | 0:23:45 | |
Yes. Sorry. I'm just... | 0:23:45 | 0:23:48 | |
very sexually frustrated at the moment. | 0:23:48 | 0:23:50 | |
Yeah. That's... | 0:23:52 | 0:23:54 | |
You did great today, Miche. | 0:23:58 | 0:23:59 | |
-Thank you. -Looks like we've got a natural hairdresser in our midst. | 0:23:59 | 0:24:02 | |
Oh, thanks. | 0:24:02 | 0:24:04 | |
You did well actually cos he was a bit of a tricky customer. | 0:24:04 | 0:24:07 | |
He was off his face actually. | 0:24:07 | 0:24:09 | |
Druggie eyes. I knew that. | 0:24:09 | 0:24:11 | |
Yeah. Well, you know what they say. | 0:24:11 | 0:24:13 | |
You've got to handle people from all walks of life | 0:24:13 | 0:24:15 | |
as a hairdresser, so... | 0:24:15 | 0:24:16 | |
I was just doing my job really. | 0:24:16 | 0:24:18 | |
That is very true. | 0:24:18 | 0:24:19 | |
Well, next time you come in, Mrs Beaumont, | 0:24:21 | 0:24:23 | |
it might be our Miche here cutting your hair. | 0:24:23 | 0:24:25 | |
Oh, my God. I mean, I would love that. | 0:24:25 | 0:24:27 | |
I've never cut long hair before | 0:24:27 | 0:24:28 | |
so it would be really a dream come true. | 0:24:28 | 0:24:32 | |
Have you ever thought of going a bit shorter? | 0:24:32 | 0:24:36 | |
So, what I want you to do is open your nappies. | 0:24:36 | 0:24:38 | |
And I want you to tell me whether you think you've got a healthy nappy | 0:24:38 | 0:24:43 | |
or an unhealthy nappy. | 0:24:43 | 0:24:45 | |
Eurgh. That is mental. | 0:24:45 | 0:24:47 | |
-Is that real? -No, it's not real. Calm down. | 0:24:47 | 0:24:50 | |
-'Scuse me? -Yes? | 0:24:51 | 0:24:52 | |
-Is that real? -No, Kevin, it's not real. | 0:24:52 | 0:24:54 | |
It's just for the purposes of the exercise. | 0:24:54 | 0:24:57 | |
-Cool. -So when a baby's first born their faeces are very dark... | 0:24:57 | 0:25:02 | |
Yeah. It's mustard. | 0:25:05 | 0:25:06 | |
Sorry, does that mean that it's unhealthy? | 0:25:06 | 0:25:08 | |
What do you think, Kevin? | 0:25:08 | 0:25:10 | |
I think it would be a bit painful to shit out pure mustard. | 0:25:10 | 0:25:13 | |
That's Darren. That's Darren. | 0:25:13 | 0:25:15 | |
It's just mustard for the purposes of the exercise. | 0:25:15 | 0:25:17 | |
-What did you get? -Peanut butter, man. -Peanut butter? | 0:25:17 | 0:25:20 | |
Yeah, seriously, you could spread that shit on some toast. | 0:25:20 | 0:25:22 | |
It's just representative. This is just representing poos... | 0:25:22 | 0:25:26 | |
I've had shits like peanut butter before. Eurgh! | 0:25:26 | 0:25:28 | |
Can we settle please so we can learn? | 0:25:28 | 0:25:30 | |
-Can we settle so we can learn? -Disgusting. | 0:25:30 | 0:25:32 | |
And there we go. | 0:25:32 | 0:25:34 | |
It's official. Our records are now available to purchase | 0:25:34 | 0:25:38 | |
-exclusively online. -Oh, mate. | 0:25:38 | 0:25:42 | |
That's embarrassing. I've now been officially signed to eBay, mate. | 0:25:42 | 0:25:45 | |
I am now the CEO of Kurupt FM Worldwide. | 0:25:45 | 0:25:49 | |
-Oh! -Trust me. -Baby. | 0:25:49 | 0:25:52 | |
# Celebrate good times. # | 0:25:52 | 0:25:55 | |
Come on! | 0:25:55 | 0:25:56 | |
Whack it in there. | 0:25:56 | 0:25:58 | |
-Big ups, brother. -Big ups. -To Kurupt FM Worldwide. | 0:25:58 | 0:26:01 | |
To Kurupt FM Worldwide. | 0:26:01 | 0:26:03 | |
-Shall we say pick-up only? -Yeah. -Make sure they come to Brentford. | 0:26:03 | 0:26:08 | |
In five years' time, where do you see yourselves? | 0:26:08 | 0:26:10 | |
I'll probably be... I'll probably move to a nice part of Hounslow. | 0:26:10 | 0:26:13 | |
I'll probably get a double Portakabin. | 0:26:13 | 0:26:15 | |
So, a double-decker Portakabin. | 0:26:15 | 0:26:17 | |
We're going to have a castle in Jamaica/clubhouse. | 0:26:17 | 0:26:19 | |
That's one of my plans. Come down on holiday to Jamaica. | 0:26:19 | 0:26:22 | |
Yeah. I'll visit these boys in Jamaica. | 0:26:22 | 0:26:24 | |
-I'll still be micromanaging them. -Yeah. -From my office in Hounslow. | 0:26:24 | 0:26:27 | |
I'll tell you what, actually. Look. | 0:26:27 | 0:26:29 | |
You've signed this one, so it's a limited edition. | 0:26:29 | 0:26:31 | |
So we could probably charge more for that. | 0:26:31 | 0:26:33 | |
Love that. Whack it on for a grand. | 0:26:33 | 0:26:34 | |
Really, what? A grand? | 0:26:34 | 0:26:36 | |
Two grand actually - you're right. | 0:26:36 | 0:26:38 | |
I think any more than that might limit sales. | 0:26:38 | 0:26:41 | |
Oh. That's lovely, that is. | 0:26:41 | 0:26:44 | |
So there are three basic stages to labour. | 0:26:44 | 0:26:47 | |
You've got the dilation. | 0:26:47 | 0:26:48 | |
And this is when you'll probably notice | 0:26:48 | 0:26:50 | |
some discharge from your vagina. | 0:26:50 | 0:26:52 | |
Basically, the mucus plug that's been keeping infection | 0:26:52 | 0:26:55 | |
from going into your womb and affecting your baby, | 0:26:55 | 0:26:57 | |
this is when it passes out. | 0:26:57 | 0:26:59 | |
-All the membrane... -Is that only if it goes wrong? | 0:26:59 | 0:27:01 | |
No. This is if it all goes well. | 0:27:01 | 0:27:03 | |
We haven't even got to the bad stuff yet. | 0:27:03 | 0:27:05 | |
Look at that. | 0:27:15 | 0:27:17 | |
That's mad. Our single is literally worth more than anyone's on there. | 0:27:17 | 0:27:21 | |
What does that tell you? | 0:27:21 | 0:27:23 | |
Tells you I'm better than them. That's what that tells you. | 0:27:23 | 0:27:26 | |
Look at that. | 0:27:26 | 0:27:27 | |
What these boys done is incredible. | 0:27:27 | 0:27:30 | |
-Our own label. -Trust me. | 0:27:30 | 0:27:32 | |
Kurupt FM will always be ground-breaking. | 0:27:32 | 0:27:35 | |
Yeah? Like we'll just hit the ground running and break it. | 0:27:35 | 0:27:39 | |
-Yeah. -Free champagne. | 0:27:39 | 0:27:41 | |
It's all part of the music life. | 0:27:41 | 0:27:43 | |
We'll take it out of the first pay cheque. | 0:27:43 | 0:27:45 | |
-Well, it wasn't signed off. -It was signed off at management level. | 0:27:45 | 0:27:48 | |
Overruled by CEO. | 0:27:48 | 0:27:50 | |
We don't need some mucky label telling us what to do. | 0:27:50 | 0:27:52 | |
-Giving us bare money. -Yeah. | 0:27:52 | 0:27:54 | |
Cos no amount would be enough. | 0:27:54 | 0:27:55 | |
Do you know what I mean? You can't put a price on what we're worth. | 0:27:55 | 0:27:58 | |
-Exactly. We're worthless. -Exactly. | 0:27:58 | 0:28:01 |