Browse content similar to Wind of Change. Check below for episodes and series from the same categories and more!
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-Sergeant Major? -Shut up! | 0:00:12 | 0:00:15 | |
What I wanted to do was to talk about the last days of everything. | 0:00:18 | 0:00:22 | |
I'm usually in love with the latest creation. | 0:00:31 | 0:00:34 | |
They're all favourites in their own way. | 0:00:34 | 0:00:36 | |
Mr BL Williams. Civilian. | 0:00:36 | 0:00:40 | |
We don't get in each other's hair because we've got to be... | 0:01:02 | 0:01:05 | |
-It's like being married to somebody. -Could be, yes. -Yes. | 0:01:05 | 0:01:09 | |
I... I might have a little surprise for you tonight. | 0:01:11 | 0:01:15 | |
No, no... I... | 0:01:18 | 0:01:20 | |
What is the secret of this tremendous partnership of yours? | 0:01:40 | 0:01:43 | |
You've done so many successful things. | 0:01:43 | 0:01:46 | |
Dad's Army, It Ain't Half Hot, Hi-de-Hi... | 0:01:46 | 0:01:48 | |
We don't talk to each other. | 0:01:48 | 0:01:50 | |
We don't talk to each other much, except when we're working. | 0:01:50 | 0:01:54 | |
No, it works fine because I go over the top. | 0:01:54 | 0:01:56 | |
I have these ridiculous ideas. And David straightens them out. | 0:01:56 | 0:02:01 | |
We work together and it all seems to come out quite nicely. | 0:02:01 | 0:02:04 | |
# Coo! Coo! I just want you | 0:02:09 | 0:02:13 | |
# I really love the things that you do | 0:02:13 | 0:02:17 | |
# Come on and love-a-me too | 0:02:17 | 0:02:19 | |
# Won't you be my coo ca choo. # | 0:02:19 | 0:02:22 | |
India, the brightest jewel in Great Britain's crown of empire. | 0:02:32 | 0:02:38 | |
For 200 years, many famous heroes fought to keep the Union Jack | 0:02:38 | 0:02:42 | |
flying over this vast continent. 1757, Clive of India. | 0:02:42 | 0:02:48 | |
1826, Colonel William Sleeman, who suppressed the thugs. | 0:02:48 | 0:02:54 | |
1857, General Havelock, hero of Lucknow. | 0:02:54 | 0:02:59 | |
1945, this great tradition of empire is defended by a new | 0:02:59 | 0:03:05 | |
generation of heroes. | 0:03:05 | 0:03:06 | |
# Meet the gang cos the boys are here | 0:03:08 | 0:03:10 | |
# The boys to entertain you. | 0:03:10 | 0:03:14 | |
# With music and laughter to help you on your way | 0:03:14 | 0:03:17 | |
# To raising the rafters with a hey, hey, hey | 0:03:17 | 0:03:20 | |
# With songs... # | 0:03:20 | 0:03:21 | |
It was my adventures, running this ridiculous concert party. | 0:03:21 | 0:03:25 | |
# So, meet the gang cos the boys are here | 0:03:25 | 0:03:29 | |
# The boys to entertain you | 0:03:29 | 0:03:32 | |
# B-O B-O-Y-S, boys to entertain you! # | 0:03:32 | 0:03:37 | |
I was running a concert party in a place called Deolali in India | 0:03:38 | 0:03:41 | |
and the sergeant major existed and the colonel existed | 0:03:41 | 0:03:44 | |
and the sergeant major was intent on posting us up the jungle and that was | 0:03:44 | 0:03:47 | |
the only way we could stay in this dreadful place, | 0:03:47 | 0:03:50 | |
which was better than the jungle, was by running this concert party, | 0:03:50 | 0:03:53 | |
which the colonel liked. | 0:03:53 | 0:03:55 | |
And the whole situation did exist. | 0:03:55 | 0:03:57 | |
But David was in India as well, weren't you? | 0:03:57 | 0:03:59 | |
Yes, we were both in India at the same time, not the same place. | 0:03:59 | 0:04:02 | |
All the Brits were going home. | 0:04:26 | 0:04:29 | |
Unfortunately, I was left behind for two years. | 0:04:29 | 0:04:34 | |
Don't forget, we were all boys. We're talking about 19-year-olds. | 0:04:34 | 0:04:38 | |
When you think about soldiers in the war, you think about older men, | 0:04:38 | 0:04:42 | |
if you are a young person, but we went, we were boys. | 0:04:42 | 0:04:46 | |
Dear Mum, I hope you are well. The news is quite good. | 0:04:46 | 0:04:50 | |
I've got the Delhi itch. However, I've got over the runs, how's dad? | 0:04:50 | 0:04:54 | |
'40 million Muslims will live in India. | 0:05:09 | 0:05:13 | |
'18 million Hindus in Pakistan.' | 0:05:13 | 0:05:15 | |
We had the terrible job of trying to keep the Hindus | 0:05:34 | 0:05:40 | |
and the Muslims apart. This was the division of India and Pakistan. | 0:05:40 | 0:05:45 | |
It was a most frightful situation. | 0:05:45 | 0:05:47 | |
I shall never forget it. | 0:05:47 | 0:05:48 | |
British go home?! Bloody cheek! | 0:05:50 | 0:05:53 | |
Here we are, fighting to defend their country. | 0:05:53 | 0:05:58 | |
And this is how they repay us. How dare you! | 0:05:58 | 0:06:00 | |
How flamin' dare you! | 0:06:00 | 0:06:02 | |
CROWD CHANTS | 0:06:02 | 0:06:07 | |
Cow dung. | 0:06:16 | 0:06:19 | |
Cow dung all over my best tunic. | 0:06:19 | 0:06:21 | |
You should take it as a complement. To them, the cow's a sacred animal. | 0:06:21 | 0:06:25 | |
# Happy days are here again | 0:06:34 | 0:06:38 | |
# The skies above are clear again | 0:06:38 | 0:06:42 | |
# Let us sing a song of cheer again | 0:06:42 | 0:06:46 | |
# Happy days are here again. # | 0:06:46 | 0:06:49 | |
# Back again, back again | 0:06:50 | 0:06:54 | |
# Amongst the dear old friends we know... # | 0:06:54 | 0:06:59 | |
'The nine who'd got back together weren't entirely sure | 0:06:59 | 0:07:02 | |
'that by swapping the Royal Artillery depot in tropical Deolali | 0:07:02 | 0:07:06 | |
'for the BBC canteen at Shepherds Bush, | 0:07:06 | 0:07:08 | |
'they'd at last made the big time.' | 0:07:08 | 0:07:12 | |
# It was worth the going to be sure of knowing | 0:07:12 | 0:07:15 | |
# When we will come back again. # | 0:07:15 | 0:07:17 | |
What David and I have taken generally in Ain't Half Hot Mum is | 0:07:17 | 0:07:20 | |
the atmosphere of the show, the end of the British Raj, | 0:07:20 | 0:07:23 | |
the last days of the British Empire and the general thing of trying | 0:07:23 | 0:07:29 | |
to keep the spirits of the troops up in the most appalling conditions. | 0:07:29 | 0:07:33 | |
Hello, Mum and David. | 0:07:51 | 0:07:53 | |
I'm getting on quite well out here and I'm receiving my mail OK. | 0:07:53 | 0:07:57 | |
Roy, will you please remember me to Eileen and Gladys. | 0:07:57 | 0:08:01 | |
Well, Mum, that's about all for now, only don't worry - I'm OK. | 0:08:01 | 0:08:06 | |
Be seeing you. | 0:08:06 | 0:08:08 | |
I think Fred wants to talk to his wife. | 0:08:08 | 0:08:11 | |
Hello, Joan, dear, also mother. Hope you are both well. | 0:08:13 | 0:08:16 | |
This is certainly an unexpected pleasure. | 0:08:16 | 0:08:19 | |
I'm off to Kashmir in July and I shall see | 0:08:19 | 0:08:21 | |
Mrs Burgess in November. | 0:08:21 | 0:08:23 | |
Give all my kindest regards to those there. Also Vi. | 0:08:23 | 0:08:27 | |
Before I go, I think the boys would like to sing a song to you. | 0:08:27 | 0:08:30 | |
-What's it to be, boys? -ALL: We'll Meet Again! | 0:08:30 | 0:08:33 | |
OK, maestro. Let's have it. | 0:08:33 | 0:08:36 | |
This should be good. | 0:08:36 | 0:08:38 | |
# We'll meet again | 0:08:39 | 0:08:43 | |
# Don't know where, don't know when | 0:08:43 | 0:08:48 | |
# But I know we'll meet again some sunny day... # | 0:08:48 | 0:08:52 | |
I will show you who is the masters here! | 0:09:03 | 0:09:06 | |
-Bearer! -Sergeant Major, sir. | 0:09:06 | 0:09:09 | |
Burn this flag. | 0:09:09 | 0:09:10 | |
Oh, Sergeant Major, sir. Please do not ask me to do such a thing. | 0:09:10 | 0:09:15 | |
Burn this flag! | 0:09:15 | 0:09:17 | |
Sorry, I have no matches. | 0:09:17 | 0:09:19 | |
Whose side are you on? | 0:09:21 | 0:09:24 | |
Depends on who I'm talking to at the time, sir. | 0:09:24 | 0:09:28 | |
You may think it's a good thing the British are able to | 0:09:34 | 0:09:37 | |
laugh at their own past, | 0:09:37 | 0:09:39 | |
but the British Empire was no joke for those on the receiving end. | 0:09:39 | 0:09:42 | |
-How much to we pay the punkawalla? -Three rupees a week, sir. | 0:09:42 | 0:09:46 | |
-Let's see. That's about four and six, isn't it? -That's correct, sir. | 0:09:46 | 0:09:50 | |
Doesn't seem very much, does it? Ought we to give him a rise? | 0:09:50 | 0:09:53 | |
-Say one more rupee? -What do you think, sergeant Major? | 0:09:53 | 0:09:55 | |
-Won't stop him falling asleep, sir. -True. | 0:09:55 | 0:09:58 | |
Besides, if we give one a rise, they'll all want it. | 0:09:58 | 0:10:00 | |
We've only got one. | 0:10:00 | 0:10:02 | |
That's beside the point, Ashwood. A thing like that can interfere with | 0:10:02 | 0:10:05 | |
the whole structure of Indian society. | 0:10:05 | 0:10:07 | |
If you are doing history, | 0:10:12 | 0:10:14 | |
you must portray things as they were then, which was 1946. | 0:10:14 | 0:10:19 | |
It's no good pretending that it didn't happen. It did happen. | 0:10:19 | 0:10:23 | |
It's a very important part of our imperial history. | 0:10:23 | 0:10:27 | |
And it's authentic, really. | 0:10:27 | 0:10:29 | |
The British soldier was pretty arrogant | 0:10:30 | 0:10:34 | |
because we were the top dogs in those days. | 0:10:34 | 0:10:36 | |
So I think that attitude was there | 0:10:36 | 0:10:38 | |
and some of the Indians were very anti-British. | 0:10:38 | 0:10:42 | |
Hello! Someone's left a note. | 0:10:43 | 0:10:46 | |
It's addressed to you, sir. What does it say? | 0:10:48 | 0:10:51 | |
British pigs go home. | 0:10:52 | 0:10:54 | |
What awfully bad manners! | 0:10:56 | 0:10:58 | |
# Sing as we go and let the world go by | 0:11:00 | 0:11:04 | |
# Singing a song, we march along the highway | 0:11:04 | 0:11:08 | |
# Say goodbye to sorrow | 0:11:08 | 0:11:11 | |
# There's always tomorrow to think of today | 0:11:11 | 0:11:15 | |
# Sing as we go, although the skies are grey | 0:11:15 | 0:11:20 | |
# Beggar or king, you've got to sing a gay tune... # | 0:11:20 | 0:11:24 | |
SHIP'S HORN BLARES | 0:11:24 | 0:11:26 | |
There! It's the chai-wallah! | 0:11:26 | 0:11:28 | |
-Sahibs! -Goodbye, Muhammad! -Sahibs, I have presents! | 0:11:28 | 0:11:34 | |
-See you, Muhammad. See you, old son. -Bye! -Goodbye! | 0:11:34 | 0:11:40 | |
Goodbye, Sahib. | 0:11:40 | 0:11:41 | |
Give my love to dear old Blighty. | 0:11:42 | 0:11:44 | |
I shall never forget you. | 0:11:49 | 0:11:50 | |
With your happy songs and jolly jokes. | 0:11:51 | 0:11:54 | |
Thank you for showing a humble char wallah... | 0:11:57 | 0:12:00 | |
..there is no business like show business. | 0:12:01 | 0:12:05 | |
SHIP'S HORN BLARES | 0:12:05 | 0:12:07 | |
# From Mayfair to Park Lane | 0:12:18 | 0:12:20 | |
# You will hear the same refrain | 0:12:20 | 0:12:23 | |
# In every house again, again | 0:12:23 | 0:12:26 | |
# You rang, m'lord?... # | 0:12:26 | 0:12:28 | |
So, what are we all doing with ourselves today? | 0:12:28 | 0:12:30 | |
Jerry's asked me to lunch at the Savoy. | 0:12:30 | 0:12:33 | |
Do you realise that for the price of your lunch at the Savoy, | 0:12:33 | 0:12:35 | |
I could feed a working family for a month? | 0:12:35 | 0:12:37 | |
That's only because they eat cheap food like fish and chips | 0:12:37 | 0:12:41 | |
and plum duff and things. | 0:12:41 | 0:12:42 | |
You Rang, M'Lord was about 1927, just before the big financial crash | 0:12:46 | 0:12:50 | |
and the emergence of a left wing sort of philosophy, | 0:12:50 | 0:12:54 | |
particularly below stairs and above stairs, actually. | 0:12:54 | 0:12:56 | |
But it was the emergence of a sort of communist influence in politics | 0:12:56 | 0:13:02 | |
and general life. | 0:13:02 | 0:13:04 | |
I think that was an important element. | 0:13:04 | 0:13:07 | |
So, what we're trying to do in this show is also be funny, | 0:13:07 | 0:13:10 | |
get laughs but also do a little social comment. | 0:13:10 | 0:13:13 | |
Well, I believe in an ordered, structured society | 0:13:13 | 0:13:15 | |
with everyone knowing their place. | 0:13:15 | 0:13:17 | |
If they wish to advance themselves, | 0:13:17 | 0:13:19 | |
it should only be by hard work and diligence. | 0:13:19 | 0:13:21 | |
Mr Stokes is one of those... | 0:13:21 | 0:13:23 | |
socialists. | 0:13:23 | 0:13:24 | |
What's that mean? | 0:13:25 | 0:13:26 | |
Between you and me, I think he'd like to get rid of the king. | 0:13:26 | 0:13:30 | |
Oh, no! | 0:13:30 | 0:13:31 | |
The king's a lovely man. | 0:13:31 | 0:13:33 | |
-Does he want to get rid of the queen as well? -Yes. | 0:13:33 | 0:13:36 | |
He wants to tear down the structure of society | 0:13:36 | 0:13:38 | |
and replace it with the common man. | 0:13:38 | 0:13:41 | |
Which one? | 0:13:41 | 0:13:42 | |
SHE MOUTHS | 0:13:57 | 0:13:59 | |
-Time you made a speech, Daddy. You always do. -Speech, speech! | 0:14:01 | 0:14:04 | |
Well, thank you. | 0:14:08 | 0:14:10 | |
Well, it's been a difficult year. | 0:14:10 | 0:14:12 | |
But I think, at last, we are beginning to turn the corner. | 0:14:12 | 0:14:16 | |
The prospects for next year, 1929, look really good. | 0:14:16 | 0:14:21 | |
# Once I lived the life of a millionaire | 0:14:24 | 0:14:27 | |
# Spending my money, I didn't care | 0:14:29 | 0:14:34 | |
# I carried my friends out for a good time | 0:14:34 | 0:14:40 | |
# Buying bootleg liquor, champagne and wine | 0:14:40 | 0:14:46 | |
# Nobody knows you | 0:14:46 | 0:14:51 | |
# When you're down and out... # | 0:14:51 | 0:14:55 | |
New dances in the tradition of the Lambeth Walk | 0:15:09 | 0:15:11 | |
continue to reach the ballroom. | 0:15:11 | 0:15:13 | |
The latest is an animated accompaniment | 0:15:13 | 0:15:14 | |
to the Siegfried Line song. | 0:15:14 | 0:15:16 | |
Washing hangs out on the line as steel helmeted dancers step it out. | 0:15:18 | 0:15:22 | |
Dad's Army was the end of an England that doesn't exist anymore. | 0:15:33 | 0:15:38 | |
For me, it was the finest hour for the British people, | 0:15:38 | 0:15:41 | |
but we were totally alone. | 0:15:41 | 0:15:44 | |
Faced by the most terrible, terrible regime you could ever think of. | 0:15:44 | 0:15:49 | |
Remember, men. We have one invaluable weapon on our side. | 0:15:52 | 0:15:57 | |
We have an unbreakable spirit to win. | 0:15:57 | 0:16:00 | |
A bulldog tenacity that will help us to hang on | 0:16:00 | 0:16:04 | |
while there's breath left in our bodies. | 0:16:04 | 0:16:06 | |
You don't get that with Gestapos and jackboots. | 0:16:06 | 0:16:10 | |
You get that by being British. | 0:16:10 | 0:16:13 | |
So, come on, Adolf. We're ready for you! | 0:16:13 | 0:16:16 | |
THEY CHEER | 0:16:16 | 0:16:18 | |
# I see skies of blue | 0:16:18 | 0:16:22 | |
# And clouds of white | 0:16:22 | 0:16:25 | |
# The bright, blessed day | 0:16:25 | 0:16:28 | |
# The dark sacred night | 0:16:28 | 0:16:31 | |
# And I think to myself | 0:16:31 | 0:16:36 | |
# What a wonderful world... # | 0:16:36 | 0:16:39 | |
I think the boys of today, you know, have ridiculed war | 0:16:39 | 0:16:43 | |
and they don't realise what they're fathers did. | 0:16:43 | 0:16:45 | |
They were brave men, you know? | 0:16:45 | 0:16:48 | |
People were killed in the Home Guard. | 0:16:48 | 0:16:50 | |
If you've got two million people, two million men, | 0:16:50 | 0:16:53 | |
and you're on exercises and you're firing live ammunition | 0:16:53 | 0:16:56 | |
and you fire machine guns, people get killed. | 0:16:56 | 0:16:59 | |
It's called friendly fire now. | 0:16:59 | 0:17:01 | |
But it always happens. | 0:17:01 | 0:17:03 | |
I'll tell you one thing. | 0:17:05 | 0:17:06 | |
They was very good at keeping their stiff upper lips. | 0:17:06 | 0:17:09 | |
Do you know, we had a young officer in the Battle of Omdurman, | 0:17:09 | 0:17:12 | |
he had his head blown right off. | 0:17:12 | 0:17:14 | |
And his upper lip was as stiff as cardboard. | 0:17:14 | 0:17:16 | |
LAUGHTER | 0:17:16 | 0:17:19 | |
I really want to put a point now to David Croft, | 0:17:19 | 0:17:22 | |
and that is that some of the serious intent of the Home Guard, | 0:17:22 | 0:17:26 | |
because particularly from 1943 onwards, | 0:17:26 | 0:17:29 | |
they did a very serious job and this is, in many ways, | 0:17:29 | 0:17:33 | |
not reflected in this comedy series, is it? | 0:17:33 | 0:17:35 | |
Well, we're stopping round about the beginning of 1942, I think. | 0:17:35 | 0:17:39 | |
Because I think when it does become serious | 0:17:39 | 0:17:42 | |
then perhaps it isn't quite so funny. | 0:17:42 | 0:17:44 | |
In those pioneer days, it was terribly serious | 0:17:44 | 0:17:48 | |
but it's a marvellous comedy situation, it is wonderful. | 0:17:48 | 0:17:52 | |
-Click. -Privates, infantry rifleman, front, field grey uniform. | 0:17:52 | 0:17:57 | |
-National colours on right side of steel helmet. -Here. | 0:17:57 | 0:18:01 | |
Now, there are one or two things to look at here | 0:18:01 | 0:18:03 | |
but I want you to take particular notice of the eyes. | 0:18:03 | 0:18:05 | |
You see the eyes? | 0:18:05 | 0:18:06 | |
Mean, shifty, set too close together. | 0:18:06 | 0:18:10 | |
Typically Nazi. | 0:18:10 | 0:18:12 | |
Mainwaring, although he's very pompous, he's a very brave man. | 0:18:12 | 0:18:15 | |
And the main frustrations, I think, come not through their inefficiency | 0:18:15 | 0:18:19 | |
but through the obstacles they meet due to the wartime situation. | 0:18:19 | 0:18:23 | |
I think you can see the underlying seriousness of it. | 0:18:23 | 0:18:26 | |
You've got a pretty old cast there, and out you go on location | 0:18:32 | 0:18:36 | |
-and it was pretty hard on them. -Very good for them, I think. | 0:18:36 | 0:18:39 | |
Gets them out in the fresh air. Sets them up for the spring, really. | 0:18:39 | 0:18:43 | |
John Laurie and Arnold Ridley are both what, 78? | 0:18:43 | 0:18:46 | |
And Arthur and John are quite young men. Late 50s. | 0:18:47 | 0:18:52 | |
They had enormous energy. Enormous vitality. | 0:18:52 | 0:18:55 | |
Right. Clean. | 0:18:59 | 0:19:01 | |
We just about got the last episode made | 0:19:01 | 0:19:05 | |
because the writing was on the wall. | 0:19:05 | 0:19:07 | |
They were old, they were getting ill. | 0:19:07 | 0:19:09 | |
But they still kept on. | 0:19:10 | 0:19:12 | |
Stand at ease. | 0:19:12 | 0:19:14 | |
Where's Corporal Jones? | 0:19:15 | 0:19:17 | |
-Excuse me, Mr Mainwaring. -Yes? | 0:19:17 | 0:19:19 | |
Remember when we came into the high street and you said right wheel? | 0:19:19 | 0:19:23 | |
He didn't. | 0:19:26 | 0:19:28 | |
The crowd pays its tribute to the men whose sacrifices to duty | 0:19:30 | 0:19:33 | |
had enabled regular soldiers to relinquish home duties | 0:19:33 | 0:19:36 | |
and go overseas. | 0:19:36 | 0:19:38 | |
This is their final parade. | 0:19:39 | 0:19:41 | |
The youngest branch of the Armed Forces is the first to stand down. | 0:19:41 | 0:19:45 | |
It was just a goodbye and they did a toast at the end. | 0:19:45 | 0:19:48 | |
Because we really meant it. It was a toast to those men. | 0:19:48 | 0:19:51 | |
-Mr Mainwaring. -Hmm? | 0:19:51 | 0:19:54 | |
Warden wasn't right, was he? | 0:19:54 | 0:19:56 | |
When he said Nazis would walk straight through us? | 0:19:56 | 0:19:58 | |
Of course he wasn't right. | 0:19:58 | 0:20:00 | |
I know one thing. They're not walking straight through me. | 0:20:00 | 0:20:03 | |
Nor me. I'll be beside you, Jonesy. | 0:20:03 | 0:20:07 | |
We'll all be beside you, Jonesy. | 0:20:07 | 0:20:09 | |
We'll stick together. You can rely on that. | 0:20:09 | 0:20:12 | |
Anybody tries to take our homes and our freedom away from us, | 0:20:12 | 0:20:15 | |
they'll find out what we can do. | 0:20:15 | 0:20:17 | |
We'll fight. | 0:20:17 | 0:20:19 | |
And we're not alone. There are thousands of us all over England. | 0:20:19 | 0:20:22 | |
-And Scotland. -And Scotland. | 0:20:22 | 0:20:24 | |
All over Great Britain, in fact. | 0:20:25 | 0:20:26 | |
Men who'll stand together when their country needs them. | 0:20:26 | 0:20:29 | |
Excuse me, sir. Don't you think it might be a nice idea | 0:20:29 | 0:20:31 | |
if we were to pay our tribute to them? | 0:20:31 | 0:20:34 | |
For once, Wilson, I agree with you. | 0:20:34 | 0:20:37 | |
To Britain's Home Guard. | 0:20:38 | 0:20:40 | |
ALL: To Britain's Home Guard. | 0:20:42 | 0:20:43 | |
Hello, campers. Rise and shine. | 0:20:50 | 0:20:53 | |
Well, it's a beautiful Maplins morning, | 0:20:53 | 0:20:55 | |
and we've got lots of Maplins fun in store for you today. | 0:20:55 | 0:20:59 | |
Breakfast will be served in half an hour. | 0:20:59 | 0:21:01 | |
They were about something. They were all about an important event. | 0:21:04 | 0:21:08 | |
Hi-de-Hi was about an era of this country | 0:21:08 | 0:21:11 | |
which was interesting and nostalgic. | 0:21:11 | 0:21:14 | |
-Morning, Ted. -Morning, Jeffrey. I'm just mending the Tannoy. | 0:21:14 | 0:21:19 | |
# Every night I hope and pray | 0:21:29 | 0:21:33 | |
# A dream lover will come my way | 0:21:33 | 0:21:36 | |
# A girl to hold in my arms | 0:21:36 | 0:21:40 | |
# And know the magic of her charms... # | 0:21:40 | 0:21:43 | |
When you were at Butlins as a Redcoat, | 0:21:43 | 0:21:45 | |
did people behave as your lot behaved? | 0:21:45 | 0:21:47 | |
Did the entertainers behave... | 0:21:47 | 0:21:49 | |
Exactly, in fact Bobby Butlin said to me, | 0:21:49 | 0:21:52 | |
"I recognise every one of these characters | 0:21:52 | 0:21:54 | |
"and they're all based on truth." | 0:21:54 | 0:21:55 | |
Most of them really existed, | 0:21:55 | 0:21:56 | |
particularly the children's entertainer who hates kids. | 0:21:56 | 0:21:59 | |
He used to say, "Hello, boys and girls, little bastards." | 0:21:59 | 0:22:02 | |
He really existed. | 0:22:03 | 0:22:05 | |
Your kiddies' entertainer, Uncle Willie! | 0:22:05 | 0:22:08 | |
Get out! Get out the way! | 0:22:08 | 0:22:11 | |
Hello, kids. I love you all. | 0:22:14 | 0:22:17 | |
There's the young hopefuls on the staff who are going to be | 0:22:18 | 0:22:21 | |
famous comedians and famous sportsmen, and the old has-beens, | 0:22:21 | 0:22:25 | |
and that's the contrast between the young and the old. | 0:22:25 | 0:22:28 | |
The optimistic and the people who are on the heap. | 0:22:28 | 0:22:31 | |
Please welcome Yvonne Stuart-Hargreaves. | 0:22:31 | 0:22:33 | |
Yvonne was born in 1914. | 0:22:41 | 0:22:44 | |
She comes from Southport and her vital statistics are 32, 32, 32. | 0:22:46 | 0:22:53 | |
Her hobbies are advising people, character analysis, | 0:22:55 | 0:23:00 | |
and witty conversation. | 0:23:00 | 0:23:02 | |
I think you ought to vote for her. | 0:23:03 | 0:23:05 | |
Because she's different. | 0:23:06 | 0:23:08 | |
Maplins, which is the name of the holiday camp, | 0:23:10 | 0:23:13 | |
is obviously taken from Butlins. | 0:23:13 | 0:23:15 | |
Have you had any reaction from the real Butlins? | 0:23:15 | 0:23:18 | |
Not since it went on the air, no. | 0:23:18 | 0:23:20 | |
We had a reaction in the first instance. | 0:23:20 | 0:23:23 | |
They didn't want us to go there and film, and we didn't. | 0:23:23 | 0:23:25 | |
We filmed in a much smaller camp, I must say. | 0:23:25 | 0:23:27 | |
Butlins are much bigger camps. | 0:23:27 | 0:23:29 | |
But the feeling was that that is not how camps are now. | 0:23:29 | 0:23:33 | |
The image is changing. | 0:23:33 | 0:23:34 | |
The sort of holidays you there I think is changing. | 0:23:34 | 0:23:36 | |
They're more self-catering and not so organised. | 0:23:36 | 0:23:39 | |
People don't want to be organised so much now. | 0:23:39 | 0:23:40 | |
Hello, campers. Hi-de-hi! | 0:24:12 | 0:24:16 | |
A CROWD: Hi-de-ho! | 0:24:16 | 0:24:18 | |
# Somewhere beyond the sea | 0:24:24 | 0:24:30 | |
# Somewhere waiting for me | 0:24:30 | 0:24:33 | |
# My lover stands on golden sands | 0:24:34 | 0:24:40 | |
# And watches the ships | 0:24:40 | 0:24:42 | |
# That go sailing... # | 0:24:42 | 0:24:44 | |
'For those with a little more money to spend | 0:24:44 | 0:24:47 | |
'and who want to be sure of the sunshine, there are now | 0:24:47 | 0:24:49 | |
'holiday camps like summer villages around the Mediterranean. | 0:24:49 | 0:24:52 | |
'Some of the new ones are British.' | 0:24:52 | 0:24:54 | |
# I know beyond a doubt | 0:24:56 | 0:25:02 | |
# My heart will lead me there | 0:25:02 | 0:25:06 | |
# Soon we'll meet, I know we'll meet | 0:25:06 | 0:25:10 | |
# Beyond the shore | 0:25:10 | 0:25:12 | |
# We'll kiss just as before | 0:25:12 | 0:25:17 | |
# Happy we'll be beyond the sea... # | 0:25:17 | 0:25:22 | |
'As you can see, the outdoor pool is empty, | 0:25:29 | 0:25:34 | |
'owing to the atrocious weather. | 0:25:34 | 0:25:37 | |
'What with the wind, rain. | 0:25:37 | 0:25:40 | |
'Day in and day out.' | 0:25:43 | 0:25:44 | |
-You coming, Ted? -Just having a last look. | 0:25:49 | 0:25:52 | |
You said you weren't going to get sentimental. | 0:25:52 | 0:25:54 | |
Well, I was just thinking... | 0:25:54 | 0:25:57 | |
..about all the wonderful times we've had round this pool. | 0:25:58 | 0:26:01 | |
Just think of the times I've been chucked in. | 0:26:03 | 0:26:05 | |
We've seen the best of it, Spike. | 0:26:07 | 0:26:08 | |
They'll all be going abroad now. And they'll get the sun. | 0:26:10 | 0:26:13 | |
But without you and me they won't have the fun. | 0:26:14 | 0:26:16 | |
The British holiday won't be the same, will it? | 0:26:17 | 0:26:20 | |
The wind of change, Ted. | 0:26:20 | 0:26:23 | |
Aye. | 0:26:23 | 0:26:24 | |
You're right, there, Spike. | 0:26:24 | 0:26:27 | |
It's the wind of change. | 0:26:27 | 0:26:29 | |
I think when you stop enjoying writing something, | 0:26:29 | 0:26:31 | |
it's time to finish. Nobody wants you to finish. | 0:26:31 | 0:26:34 | |
The cast don't want you to finish. | 0:26:34 | 0:26:35 | |
The BBC doesn't want you, it thinks you're still getting good figures. | 0:26:35 | 0:26:39 | |
But it's time to go, I think. | 0:26:39 | 0:26:41 | |
You get very attached to doing a programme | 0:26:41 | 0:26:43 | |
and when it stops it is sad. | 0:26:43 | 0:26:45 | |
# We're not back next year | 0:26:45 | 0:26:48 | |
# So let's say goodbye Maplins | 0:26:48 | 0:26:54 | |
# The message that we're sending | 0:26:54 | 0:26:58 | |
# Goodbye Maplins | 0:26:58 | 0:27:03 | |
# Hi-de-Hi is ending | 0:27:03 | 0:27:07 | |
# Fret you never | 0:27:07 | 0:27:12 | |
# Hi-de-Hi will live forever | 0:27:12 | 0:27:17 | |
# Goodbye Maplins | 0:27:17 | 0:27:22 | |
# Goodbye. # | 0:27:22 | 0:27:28 | |
I like sad endings. | 0:27:33 | 0:27:34 | |
There's only that much between laughter and tears. Lovely. | 0:27:34 | 0:27:39 | |
Hi-de-Hi! | 0:28:18 | 0:28:22 | |
Well, there we are, viewers. That's our story. | 0:28:29 | 0:28:33 | |
Over the years, the late David Croft and myself wrote | 0:28:33 | 0:28:37 | |
and produced many, many comedy shows. | 0:28:37 | 0:28:40 | |
We also made many, many stars. | 0:28:40 | 0:28:43 | |
They were great times. Golden years. | 0:28:43 | 0:28:47 | |
Well, time's getting on so I'm going to ask Mr Henry Hall to play us out | 0:28:47 | 0:28:52 | |
with Here's To The Next Time. | 0:28:52 | 0:28:54 | |
Cheerio! | 0:28:54 | 0:28:55 | |
# Here's to the next time | 0:28:55 | 0:28:59 | |
# And our merry meeting | 0:28:59 | 0:29:02 | |
# Here's to the next time | 0:29:02 | 0:29:05 | |
# We send you all our greetings | 0:29:05 | 0:29:09 | |
# Set it to music | 0:29:09 | 0:29:13 | |
# Sing it to rhyme | 0:29:13 | 0:29:16 | |
# Now all together | 0:29:16 | 0:29:20 | |
# Here's to next time. # | 0:29:20 | 0:29:22 |