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This programme contains some strong language. | 0:00:02 | 0:00:05 | |
MUSIC: Once Upon A Christmas Song by Geraldine McQueen | 0:00:05 | 0:00:08 | |
MUSIC: Gloria by Laura Branigan | 0:00:26 | 0:00:28 | |
# Gloria | 0:00:40 | 0:00:41 | |
# You're always on the run now | 0:00:43 | 0:00:45 | |
# Runnin' after somebody... # | 0:00:46 | 0:00:48 | |
THEY MUMBLE WRONG LYRICS | 0:00:50 | 0:00:52 | |
# I think you got to nail down # | 0:00:53 | 0:00:56 | |
-# Before you start to blow it -Ba-da-da-da-da boo-doo | 0:00:57 | 0:01:01 | |
# I think you're heading for a breakdown | 0:01:01 | 0:01:04 | |
# So be careful not to show it | 0:01:04 | 0:01:08 | |
# You really don't remember | 0:01:08 | 0:01:11 | |
# Was it something that he said? | 0:01:11 | 0:01:15 | |
# All the voices in your head | 0:01:15 | 0:01:19 | |
# Calling Gloria... # | 0:01:19 | 0:01:22 | |
LAUGHTER | 0:01:24 | 0:01:26 | |
Do you ever dip your biscuit in your tea and it breaks? | 0:01:27 | 0:01:30 | |
Do you ever do that? | 0:01:30 | 0:01:31 | |
I swear to God, now, you never get used to that. | 0:01:31 | 0:01:34 | |
As you get older and you dip your biscuit... | 0:01:34 | 0:01:36 | |
Cos you don't know when it's going to fall. | 0:01:36 | 0:01:38 | |
And you panic! | 0:01:38 | 0:01:40 | |
When it falls... It's like out-of-body. | 0:01:40 | 0:01:43 | |
It's like slow motion. Like, "Muuuuuum! | 0:01:43 | 0:01:47 | |
"Get a spoooooon! | 0:01:49 | 0:01:52 | |
"Me biscuiiiit's fallen in me breeeew! | 0:01:52 | 0:01:56 | |
"Hurry up! It's siiiinkiiiing! | 0:01:58 | 0:02:01 | |
"Aaaaaargh! | 0:02:03 | 0:02:06 | |
"Bastaaaard! | 0:02:06 | 0:02:08 | |
"It's burning me finger! | 0:02:08 | 0:02:11 | |
"Hurry uuuup! | 0:02:11 | 0:02:14 | |
"You're too laaaate, it's sunk!" | 0:02:14 | 0:02:18 | |
Rich tea are bad for that. | 0:02:22 | 0:02:24 | |
Rich tea are the worst ones. | 0:02:24 | 0:02:26 | |
They should be called BLEEPing one-dips, rich tea. | 0:02:26 | 0:02:29 | |
That's all you get, one dip. You have to be like lightning! | 0:02:29 | 0:02:33 | |
They're the worst ones, rich tea. | 0:02:37 | 0:02:39 | |
You have to get four together to get a good chance of getting a dip in. | 0:02:39 | 0:02:43 | |
They've no backbone. I'm willing them to have a bit of backbone. | 0:02:43 | 0:02:46 | |
"Come on!" "Oh, I can't, it's too hot, it's too hot! | 0:02:46 | 0:02:50 | |
"It's too hot!" | 0:02:50 | 0:02:51 | |
"You're a biscuit, it's your job!" | 0:02:53 | 0:02:55 | |
Bring the pig hither, come on. | 0:02:57 | 0:02:59 | |
PIG GRUNTS | 0:03:01 | 0:03:03 | |
MUSIC: Max And Paddy's Road To Nowhere Theme | 0:03:05 | 0:03:08 | |
Boy, take the pig outside. Round the back. Go on, chop chop. | 0:03:22 | 0:03:26 | |
Come on. | 0:03:28 | 0:03:30 | |
Can't get the staff these days. I do apologise. Go on, chop chop. | 0:03:30 | 0:03:34 | |
PIG GRUNTS | 0:03:34 | 0:03:36 | |
Chop chop! | 0:03:36 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:39 | |
Boy! | 0:03:39 | 0:03:41 | |
PIG SQUEALS | 0:03:49 | 0:03:51 | |
PIG SQUEALS | 0:04:01 | 0:04:04 | |
PIG SQUEALS LOUDLY | 0:04:05 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:08 | |
If only she knew the danger she were in. | 0:04:14 | 0:04:17 | |
She's the only thing I've got left of any value now... Oh... | 0:04:19 | 0:04:23 | |
"She?! She?!" | 0:04:23 | 0:04:24 | |
-It's knackered. -It's not knackered. | 0:04:27 | 0:04:29 | |
When we've finished, they'll think this lad's a pig gigolo. | 0:04:29 | 0:04:33 | |
Hey, a pigolo. | 0:04:33 | 0:04:35 | |
Exactly. | 0:04:35 | 0:04:36 | |
Loves that. It's Geoff Capes of t'pig world. | 0:04:37 | 0:04:41 | |
Get that pillow thing down in there, you! | 0:04:42 | 0:04:45 | |
PIG GRUNTS | 0:04:45 | 0:04:47 | |
Come here! Come on, girl. | 0:04:47 | 0:04:50 | |
THEME MUSIC CONTINUES | 0:04:53 | 0:04:55 | |
PIG SQUEALS | 0:05:07 | 0:05:10 | |
-I couldn't get off! -Are you all right? -I couldn't get off! | 0:05:12 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:17 | |
They're on their arses, rich tea. And they're cocky! They're cocky. | 0:05:17 | 0:05:20 | |
They don't even fit into your cup, | 0:05:20 | 0:05:22 | |
you've got to bite a bit off to get 'em in your brew! | 0:05:22 | 0:05:25 | |
They're not like Hobnobs. | 0:05:27 | 0:05:29 | |
You see, that's a different class of biscuit, an Hobnob. | 0:05:30 | 0:05:34 | |
Hobnobs are like Marines, Hobnobs. They're like SAS. | 0:05:34 | 0:05:37 | |
They're like the Steven Seagal of t'biscuit world, an Hobnob. | 0:05:37 | 0:05:41 | |
You dip an Hobnob, it's like, "Again! Again! Dip me again! | 0:05:41 | 0:05:46 | |
"Dip me again! I'm going nowhere, me, son! Dip me! Dip me! Dip me!" | 0:05:46 | 0:05:53 | |
They drink half your brew! | 0:05:55 | 0:05:57 | |
"Where's me brew gone? Where's me brew?!" | 0:05:59 | 0:06:01 | |
"You don't dip me, I'll drink the bastard! Again! Again!" | 0:06:02 | 0:06:06 | |
LAUGHTER | 0:06:06 | 0:06:08 | |
They always leave loads of shit at the bottom of your cup. | 0:06:12 | 0:06:14 | |
"Ugh!" | 0:06:14 | 0:06:16 | |
MUSIC: GLORIA CONTINUES | 0:06:20 | 0:06:22 | |
# Gloria... # | 0:06:22 | 0:06:25 | |
THEY MUMBLE LYRICS | 0:06:25 | 0:06:27 | |
# On the main line | 0:06:29 | 0:06:32 | |
# Or will you catch him on the rebound? # | 0:06:32 | 0:06:34 | |
THEY MUMBLE | 0:06:36 | 0:06:39 | |
# Take a lover in the afternoon... # | 0:06:39 | 0:06:43 | |
THEY GIGGLE | 0:06:43 | 0:06:44 | |
# You really don't remember | 0:06:51 | 0:06:53 | |
# Was it something that he said? # | 0:06:53 | 0:06:55 | |
'I used to do this thing, it's Soft Cell,' | 0:06:55 | 0:06:57 | |
a band, with Marc Almond, and they did this song, | 0:06:57 | 0:07:00 | |
and I always imagine, when they didn't have much money, that, erm... | 0:07:00 | 0:07:04 | |
Marc Almond got his dad to play keyboards on the songs | 0:07:04 | 0:07:07 | |
when they first started. LAUGHTER | 0:07:07 | 0:07:09 | |
You press play, Stewart. | 0:07:09 | 0:07:12 | |
MUSIC: Say Hello, Wave Goodbye by Soft Cell | 0:07:12 | 0:07:14 | |
# Standing at the door of the Pink Flamingo | 0:07:16 | 0:07:20 | |
# Crying in the rain... # | 0:07:20 | 0:07:23 | |
TWO KEYBOARD NOTES | 0:07:23 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:26 | |
"Was that all right? | 0:07:27 | 0:07:29 | |
"Now? | 0:07:29 | 0:07:31 | |
"No. | 0:07:31 | 0:07:32 | |
"Now? No." | 0:07:33 | 0:07:35 | |
# You and I had to be the standing joke of the year... # | 0:07:37 | 0:07:41 | |
"Now?" TWO KEYBOARD NOTES | 0:07:41 | 0:07:43 | |
LAUGHTER AND APPLAUSE | 0:07:43 | 0:07:45 | |
And now he starts getting cocky now, he starts getting cocky. | 0:07:48 | 0:07:51 | |
SEQUENCE OF KEYBOARD NOTES | 0:07:53 | 0:07:55 | |
LAUGHTER | 0:07:55 | 0:07:57 | |
MUSIC STOPS | 0:08:01 | 0:08:03 | |
And I used to do that. | 0:08:03 | 0:08:04 | |
APPLAUSE | 0:08:04 | 0:08:06 | |
Eyes down, your first number... | 0:08:07 | 0:08:09 | |
The Apollo bingo hall. | 0:08:10 | 0:08:12 | |
It's 8:20am and Patrick O'Neill arrives late for work. | 0:08:12 | 0:08:16 | |
'I hate this job. | 0:08:17 | 0:08:18 | |
'This is the worst job I've ever had | 0:08:18 | 0:08:20 | |
'and I used to work in a Harvester, and that's saying something.' | 0:08:20 | 0:08:24 | |
What's got 90 balls and screws old women? | 0:08:24 | 0:08:27 | |
Bingo. | 0:08:27 | 0:08:29 | |
'I tell you, they pour in, week in, week out, same faces every time. | 0:08:29 | 0:08:33 | |
'Pensions burning a hole in their shoulder bags, spending every bit | 0:08:33 | 0:08:36 | |
'of money that they've got, loose change, life savings.' | 0:08:36 | 0:08:39 | |
Listen to this one, the other night, | 0:08:39 | 0:08:40 | |
I were up there collecting glasses, right? Nice as you please. | 0:08:40 | 0:08:43 | |
Down there, some woman had some kind of a fit or something, | 0:08:43 | 0:08:46 | |
right in the middle of the game... | 0:08:46 | 0:08:48 | |
Right in the middle of the game, on her back and on her arse, | 0:08:48 | 0:08:50 | |
eyes down, she's lying there, but everyone carried on playing. | 0:08:50 | 0:08:54 | |
Nobody moved. They daren't. Cos it's bingo, you can't... | 0:08:54 | 0:08:57 | |
Tom carries on calling, "Six and two, 62..." | 0:08:57 | 0:09:00 | |
I can't do his voice. Right? Shouts for a supervisor. | 0:09:00 | 0:09:02 | |
Supervisor, she comes running over, | 0:09:02 | 0:09:04 | |
gets this woman into the recovery position, right? | 0:09:04 | 0:09:07 | |
But everyone carries on playing. Nobody moved. Know what I mean? | 0:09:08 | 0:09:12 | |
Unbelievable. So everyone's carrying on playing. | 0:09:12 | 0:09:14 | |
Tom shouts for another supervisor to come over. | 0:09:14 | 0:09:17 | |
Janice comes running over to help her husband, right? | 0:09:17 | 0:09:19 | |
Cos he's doing two books. | 0:09:19 | 0:09:21 | |
He's doing his own and his wife's and he can't manage. | 0:09:22 | 0:09:25 | |
Crime's on its arse. You see, things have changed. | 0:09:28 | 0:09:30 | |
No-one's bothered. | 0:09:30 | 0:09:31 | |
Years ago, an alarm would go off on your front street. | 0:09:31 | 0:09:34 | |
You'd be out, you know, "Is everything all right?" | 0:09:34 | 0:09:36 | |
Giving it good neighbours. "You all right? | 0:09:36 | 0:09:38 | |
"Your alarm were going off...and I'm a bit of a nosy bitch." | 0:09:38 | 0:09:41 | |
"Are you sure? You're all right, are you sure?" | 0:09:41 | 0:09:43 | |
That were years ago. Now, no-one's bothered. | 0:09:43 | 0:09:45 | |
"Have you heard that over there? | 0:09:45 | 0:09:48 | |
"Two days that's been going off over there! Two bloody days, eh? | 0:09:48 | 0:09:51 | |
"It's a good job I'm not on nights. Have you heard that?" | 0:09:52 | 0:09:55 | |
They could be dead! "Look at this! | 0:09:55 | 0:09:57 | |
"26 bottles of milk, the greedy bastards! Look at that, eh? | 0:09:57 | 0:09:59 | |
"What have they got, a lion? Look at all these here! | 0:09:59 | 0:10:02 | |
"All t'free papers hanging out of t'door." | 0:10:02 | 0:10:05 | |
It's bad. Crimewatch is bad. | 0:10:05 | 0:10:06 | |
I said to my sister, "Do you watch Crimewatch?" | 0:10:06 | 0:10:08 | |
She went, "No, I don't watch it any more. | 0:10:08 | 0:10:10 | |
"It's not as good as it used to be." | 0:10:10 | 0:10:12 | |
LAUGHTER | 0:10:12 | 0:10:14 | |
Video fits on Crimewatch. | 0:10:14 | 0:10:16 | |
If you saw someone who looked like one of them video fits, | 0:10:16 | 0:10:19 | |
that'd stick in your mind. They're freaks. | 0:10:19 | 0:10:21 | |
They don't look human. They're just made-up faces. | 0:10:21 | 0:10:26 | |
It looks like bloody Shrek. | 0:10:26 | 0:10:28 | |
Shrek in a woolly hat and a donkey jacket. | 0:10:29 | 0:10:31 | |
LAUGHTER | 0:10:33 | 0:10:34 | |
If that come up behind you in the Co-op late shop, | 0:10:36 | 0:10:38 | |
you'd shit yourself! | 0:10:38 | 0:10:40 | |
Can I have 20 Berkeley Red? | 0:10:40 | 0:10:42 | |
"Get your hands up, mother-stickers! | 0:10:42 | 0:10:44 | |
"This is a fuck-up!" | 0:10:44 | 0:10:47 | |
Can you film that, there? Can you film him, Tom Dale? | 0:10:47 | 0:10:50 | |
That's Tom Dale, the King of the Callers. | 0:10:51 | 0:10:53 | |
Calls himself that. No-one else does. | 0:10:53 | 0:10:56 | |
I hate him. He hates me. | 0:10:56 | 0:10:58 | |
He's another one that wants rid of me. | 0:10:58 | 0:11:01 | |
He won't say anything, though. He's a coward. | 0:11:01 | 0:11:02 | |
Either that or it's cos I once saw him in Preston wearing a dress. | 0:11:02 | 0:11:05 | |
Whatever Tom says, goes. Staff included. Bloody bingo Mafia. | 0:11:05 | 0:11:09 | |
'Women love him, they idolise him. | 0:11:09 | 0:11:13 | |
'He had a week in Fuengirola this summer, | 0:11:13 | 0:11:15 | |
'attendance figures dropped by 40%. | 0:11:15 | 0:11:17 | |
'Ron didn't know what to do. | 0:11:17 | 0:11:19 | |
'He actually had to come in and do some work. Shit himself.' | 0:11:19 | 0:11:21 | |
He were lost. Ron's only in today cos you're here. | 0:11:21 | 0:11:24 | |
If you can, film Tom doing his warm-up before he goes on stage. | 0:11:24 | 0:11:28 | |
'He does these bloody exercises. | 0:11:29 | 0:11:32 | |
'He's like one of them American evangelists, | 0:11:33 | 0:11:35 | |
'and drinks energy drinks before he goes on.' | 0:11:35 | 0:11:38 | |
I don't know why, cos when he goes onstage, | 0:11:38 | 0:11:41 | |
he just stands there for 20 minutes. | 0:11:41 | 0:11:43 | |
Tom likes to be centre of attraction all the time, | 0:11:43 | 0:11:45 | |
especially with the ladies, definitely a ladies' man. | 0:11:45 | 0:11:48 | |
Tom has his favourites, I'm sure. | 0:11:48 | 0:11:51 | |
It seems, when the session's over, he goes and picks certain people | 0:11:51 | 0:11:55 | |
out he sits with, and then you can guarantee the next night, they win. | 0:11:55 | 0:11:58 | |
MUSIC: Let's Get Ready To Rhumble by PJ & Duncan | 0:11:58 | 0:12:01 | |
# Watch us wreck the mic Watch us wreck the mic | 0:12:01 | 0:12:03 | |
# Watch us wreck the mic... | 0:12:03 | 0:12:05 | |
# Psyche! # | 0:12:05 | 0:12:06 | |
CHEERING AND APPLAUSE | 0:12:11 | 0:12:12 | |
'As long as you're a dolly bird, you're all right with Tom.' | 0:12:12 | 0:12:15 | |
I'd like to go to his caravan some night. | 0:12:15 | 0:12:18 | |
Yeah, see what's going on! | 0:12:18 | 0:12:20 | |
MUSIC CONTINUES | 0:12:22 | 0:12:27 | |
Thank you very much. Good evening, winners! | 0:12:30 | 0:12:32 | |
-ALL: -Good evening! | 0:12:32 | 0:12:34 | |
Good evening, losers, thanks for being... | 0:12:34 | 0:12:36 | |
So many of you coming tonight. Yeah, was the cemetery shut? | 0:12:36 | 0:12:39 | |
LAUGHTER | 0:12:39 | 0:12:40 | |
Big Sheila's in from Wigan. Hello, Big Sheila, love. You all right? | 0:12:40 | 0:12:44 | |
Yeah, hello, love. | 0:12:44 | 0:12:45 | |
Wigan's famous for two things - rugby players and beautiful women. | 0:12:45 | 0:12:48 | |
What position do you play, Sheila? | 0:12:48 | 0:12:51 | |
LAUGHTER | 0:12:51 | 0:12:53 | |
A couple of hellos before we kick off this afternoon. | 0:12:53 | 0:12:56 | |
Elsie? Elsie Jackson, is she in this afternoon? Elsie? | 0:12:56 | 0:12:58 | |
There you go, hello, Elsie, love. 78 years young today. | 0:12:58 | 0:13:02 | |
That's from you daughter Sandra and your sister-in-law Sharise. | 0:13:02 | 0:13:05 | |
Many happy returns. I tell you, Elsie, if I was ten years older... | 0:13:05 | 0:13:09 | |
..you'd be dead. | 0:13:11 | 0:13:12 | |
LAUGHTER | 0:13:12 | 0:13:14 | |
Reconstructions are bad on Crimewatch | 0:13:14 | 0:13:16 | |
cos sometimes in reconstructions, they don't use actors, | 0:13:16 | 0:13:19 | |
they actually use the staff that were involved in the robbery. | 0:13:19 | 0:13:22 | |
They get them back in and say, "We're doing a reconstruction." | 0:13:22 | 0:13:25 | |
As if they're not traumatised enough! | 0:13:25 | 0:13:27 | |
LAUGHTER | 0:13:27 | 0:13:28 | |
So you've got some old woman shaking like a shitting dog... | 0:13:28 | 0:13:32 | |
60 quid, cash in hand. | 0:13:32 | 0:13:34 | |
LAUGHTER | 0:13:36 | 0:13:37 | |
"All right... All right... You want me here?" | 0:13:41 | 0:13:44 | |
"And action." "Get on the floor!" | 0:13:50 | 0:13:52 | |
HIGH-PITCHED SCREAM | 0:13:52 | 0:13:53 | |
"It's happening again! It's happening again!" | 0:13:53 | 0:13:56 | |
That's just cruel, that, putting her back through that! | 0:13:56 | 0:14:00 | |
You always have some manager, right boring manager, | 0:14:03 | 0:14:06 | |
narrating them reconstructions. He loves it. | 0:14:06 | 0:14:09 | |
"I usually arrive at work about 20 to eight, ten to eight. | 0:14:09 | 0:14:12 | |
"That particular morning, the morning of the robbery, | 0:14:12 | 0:14:15 | |
"they were doing, er, road servicing works at | 0:14:15 | 0:14:17 | |
"the roundabout and the dual carriageway was gridlocked..." | 0:14:17 | 0:14:20 | |
Get on with it, son, you're up against Bad Girls, here! | 0:14:20 | 0:14:23 | |
Cut to t'chase, will you? | 0:14:23 | 0:14:24 | |
"I usually open up in the mornings when I arrive." | 0:14:26 | 0:14:28 | |
IMITATES SHUTTER OPENING | 0:14:28 | 0:14:30 | |
"Morning, Jean!" | 0:14:30 | 0:14:31 | |
That's wrong - Jean's been locked in! | 0:14:31 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:34 | |
"Morning, Jean!" | 0:14:34 | 0:14:36 | |
Cut that out. | 0:14:41 | 0:14:42 | |
"Morning, Jean." "About time and all, I've been here all night! | 0:14:44 | 0:14:48 | |
"I thought you were never going to come! | 0:14:48 | 0:14:51 | |
"I daren't move in case the alarm goes off!" | 0:14:51 | 0:14:53 | |
"Where's Frank? He's late this morning." Proper wooden. | 0:14:58 | 0:15:02 | |
Frank comes on... | 0:15:02 | 0:15:04 | |
OLDER VOICE: "As I was driving towards work, | 0:15:04 | 0:15:07 | |
"I noticed a small, white Transit van." | 0:15:07 | 0:15:10 | |
LAUGHTER | 0:15:10 | 0:15:12 | |
"It was parked diagonally across both lanes. There were..." | 0:15:12 | 0:15:16 | |
HE STAMMERS | 0:15:16 | 0:15:18 | |
"There were two men discussing something... | 0:15:20 | 0:15:22 | |
"There were two men discussing something. | 0:15:24 | 0:15:26 | |
"I don't know what it was, but they both had sawn-off shotguns. | 0:15:26 | 0:15:29 | |
"I couldn't, yeah, I couldn't quite see their faces clearly, | 0:15:31 | 0:15:34 | |
"as they were both wearing ski masks. | 0:15:34 | 0:15:37 | |
"I thought, that's odd, as it hadn't snowed in months." | 0:15:37 | 0:15:41 | |
He saw it all, him. It's bad. | 0:15:43 | 0:15:47 | |
They never swear when they come in as well on them reconstructions. | 0:15:47 | 0:15:50 | |
"Come on, get on the floor, you sponge! Come on! | 0:15:50 | 0:15:52 | |
"Get that flipping safe open, you melon! Come on!" | 0:15:52 | 0:15:56 | |
How realistic's that? | 0:15:56 | 0:15:57 | |
And there's a family fun day today | 0:15:57 | 0:15:59 | |
at the soon to be re-restored Phoenix Club in Bolton. | 0:15:59 | 0:16:02 | |
The fun starts at two o'clock. | 0:16:02 | 0:16:04 | |
You're listening to the what's on guide on Chorley FM, | 0:16:04 | 0:16:06 | |
where the listener comes first. | 0:16:06 | 0:16:09 | |
MUSIC: Keep On Movin' by 5ive | 0:16:09 | 0:16:11 | |
Howdy. Where do you want it? | 0:16:16 | 0:16:19 | |
-What is it? -Inflatable for Brian Potter. | 0:16:19 | 0:16:22 | |
Sounds like a good swap. | 0:16:22 | 0:16:24 | |
Set it up out here. | 0:16:25 | 0:16:26 | |
People stop at nothing to get on television now, hence... | 0:16:28 | 0:16:31 | |
Embarrassing Bodies. Oh, my God! What's going on with that programme? | 0:16:31 | 0:16:35 | |
They're not embarrassed about their bodies at all. | 0:16:35 | 0:16:38 | |
If you're embarrassed, you don't climb in the back of a truck | 0:16:38 | 0:16:40 | |
in Leeds and drop your drawers! | 0:16:40 | 0:16:42 | |
What's going on there? Have some self-respect! | 0:16:42 | 0:16:45 | |
Talk about scraping t'barrel. We're through t'wood. | 0:16:45 | 0:16:49 | |
See Jackie t'other week with t'hairy back? | 0:16:49 | 0:16:51 | |
What were all that about? It's like a werewolf. | 0:16:51 | 0:16:54 | |
MOCK TEARFUL: "I've had this condition for about six years now. | 0:16:54 | 0:16:58 | |
"I just don't know what else to do. I can't cope any more. | 0:16:58 | 0:17:01 | |
"Everyone's laughing at me. | 0:17:01 | 0:17:03 | |
"Every time I lift my breasts up, they fart." | 0:17:03 | 0:17:06 | |
Well, you want to get your jugs out on national television, flower. | 0:17:09 | 0:17:12 | |
That's your best bet. That'll solve a million problems, that will. | 0:17:12 | 0:17:16 | |
See that one, "My vagina's too big?" | 0:17:16 | 0:17:18 | |
You must have seen that one! It looked like a manhole, literally! | 0:17:18 | 0:17:22 | |
I swear to God! Ugh! | 0:17:22 | 0:17:23 | |
Close your legs, it's like an eclipse! What are you doing there?! | 0:17:24 | 0:17:28 | |
Flick over? I nearly kicked t'telly off t'wall! | 0:17:28 | 0:17:31 | |
It's pleased to see you! | 0:17:33 | 0:17:35 | |
LAUGHTER | 0:17:35 | 0:17:36 | |
How about that? You all want one, don't you? | 0:17:36 | 0:17:40 | |
Look, what it is, is we're struggling here. | 0:17:40 | 0:17:42 | |
I've sorted all this out, right? Just relax, will you? | 0:17:42 | 0:17:45 | |
You're twistin' me melon, man. Everyone knows what they're doing. | 0:17:45 | 0:17:49 | |
Everything's going to be all right. | 0:17:49 | 0:17:51 | |
Oh, my God! Sweet Jesus of Nazareth! | 0:17:51 | 0:17:54 | |
Well? What do you think? | 0:17:56 | 0:17:59 | |
-It's not a castle. -You never said a castle. | 0:17:59 | 0:18:02 | |
-We're not having that. -I said I want an inflatable. | 0:18:02 | 0:18:04 | |
It IS an inflatable. | 0:18:04 | 0:18:06 | |
It's...inflatable filth, that's what it is! | 0:18:06 | 0:18:10 | |
-It's almost as big as mine, that. -Where did you get it? | 0:18:10 | 0:18:13 | |
Big festival in Amsterdam. It's one of a set. | 0:18:13 | 0:18:16 | |
I've got the other in the van, do you want to see it? | 0:18:16 | 0:18:18 | |
-No, I do not! -We're not having that. | 0:18:18 | 0:18:21 | |
You're damn right we're not having it, Jerry, it's going back. | 0:18:21 | 0:18:23 | |
-Go on, take it. -But, Brian... | 0:18:23 | 0:18:25 | |
-It's a family fun day, man! -Yeah? | 0:18:25 | 0:18:28 | |
There's kiddies running around. They can't go jumping up and down on a... | 0:18:28 | 0:18:32 | |
love length. | 0:18:32 | 0:18:33 | |
THEY SNIGGER | 0:18:33 | 0:18:35 | |
-On a what? -Can we not disguise it? | 0:18:35 | 0:18:38 | |
Yeah, yeah, we'll put a woolly hat on it and say it's you. | 0:18:39 | 0:18:43 | |
-It's not what it looks, Brian. -It's not how it looks? | 0:18:43 | 0:18:47 | |
It's a 20-foot cock and balls, man! | 0:18:47 | 0:18:49 | |
It don't look like nothing else! | 0:18:49 | 0:18:51 | |
Get me Zantac, Kenny. | 0:18:51 | 0:18:53 | |
It's not happening. What's so funny? | 0:18:53 | 0:18:55 | |
Hey, lads... | 0:18:55 | 0:18:57 | |
he thinks this is how you have to have it. | 0:18:57 | 0:18:59 | |
No, Brian. The cock's optional. | 0:18:59 | 0:19:03 | |
All you have to do is strap it down, whack the tarpaulin over them | 0:19:03 | 0:19:07 | |
and hey, presto - Sammy Snake. | 0:19:07 | 0:19:11 | |
"Sammy Snake"?! | 0:19:11 | 0:19:13 | |
It's only got one eye. | 0:19:13 | 0:19:15 | |
No, it hasn't. | 0:19:15 | 0:19:17 | |
Ta-da! | 0:19:17 | 0:19:19 | |
What about the balls? | 0:19:19 | 0:19:21 | |
Snake's eggs. | 0:19:21 | 0:19:23 | |
Kids love reptiles. Brian, you'll make a fortune. | 0:19:23 | 0:19:27 | |
Are you going to do Phoenix Nights again? | 0:19:31 | 0:19:34 | |
Would you go back to the old characters? | 0:19:34 | 0:19:36 | |
Will you do more with Geraldine or are you always looking forward? | 0:19:36 | 0:19:39 | |
I'm going to do something completely different. | 0:19:39 | 0:19:41 | |
I like doing things that I've never... You know when it's that | 0:19:41 | 0:19:43 | |
whole thing, if something scares you, you should do it? Argh! | 0:19:43 | 0:19:46 | |
LAUGHTER But the thing is... | 0:19:46 | 0:19:48 | |
How childish! How childish! | 0:19:48 | 0:19:50 | |
I was ready for that. I could see you were going to do something. | 0:19:50 | 0:19:53 | |
No, you saw it coming. | 0:19:53 | 0:19:54 | |
-Argh! -Argh! | 0:19:54 | 0:19:56 | |
The thing is, I'd like to do, I think... | 0:19:56 | 0:20:00 | |
Hey! | 0:20:00 | 0:20:01 | |
-LAUGHTER -Argh! -Oh, too quick. | 0:20:01 | 0:20:04 | |
If someone's just tuned in... Two blokes going, "Argh! Ooh! Argh!" | 0:20:04 | 0:20:08 | |
They'd love this in Czechoslovakia. | 0:20:08 | 0:20:10 | |
LAUGHTER | 0:20:10 | 0:20:12 | |
They'd love it. | 0:20:12 | 0:20:14 | |
Erm, OK, so you've got no plans to go back to anything old? | 0:20:14 | 0:20:16 | |
-Cos I was thinking... -Why are you rushing? Slow down. | 0:20:16 | 0:20:19 | |
LAUGHTER | 0:20:19 | 0:20:20 | |
Breathe, breathe, breathe, breathe, breathe, breathe, breathe. | 0:20:20 | 0:20:25 | |
I was thinking... | 0:20:25 | 0:20:26 | |
-I know, they're beautiful. -Take that home. -No. | 0:20:26 | 0:20:28 | |
LAUGHTER | 0:20:28 | 0:20:29 | |
Go easy on them crisps, Stephen. Save me some. | 0:20:31 | 0:20:34 | |
LAUGHTER | 0:20:34 | 0:20:35 | |
-Erm, Peter... -Who are you talking to? -Yes, you. | 0:20:37 | 0:20:40 | |
-You know I'm talking to you! -Someone said, "Yes, OK" in your ear. | 0:20:40 | 0:20:43 | |
-Yeah, they said... -"Get him off!" | 0:20:43 | 0:20:46 | |
LAUGHTER | 0:20:46 | 0:20:48 | |
I'm going. That's me done. | 0:20:48 | 0:20:50 | |
-No! -Come on! -A couple more. | 0:20:50 | 0:20:52 | |
No, I hate the bit when you're wrapping up. It's really... | 0:20:52 | 0:20:55 | |
No, no, no, don't be like that. | 0:20:55 | 0:20:56 | |
It's like how you tie it all up. You're not good at that. | 0:20:56 | 0:20:59 | |
LAUGHTER You've never been good at that. | 0:20:59 | 0:21:02 | |
CHEERING AND APPLAUSE | 0:21:02 | 0:21:05 | |
-I won't subject myself to this. -It's only every two years. | 0:21:05 | 0:21:09 | |
-I know, but just come on and be nice. -One more thing, right? -Yeah. | 0:21:09 | 0:21:12 | |
When I'm... Argh! | 0:21:13 | 0:21:15 | |
Hey! | 0:21:15 | 0:21:16 | |
CHEERING | 0:21:16 | 0:21:18 | |
Damn it! Damn it! | 0:21:18 | 0:21:21 | |
Damn it. | 0:21:21 | 0:21:22 | |
I'm telling you, Jerry. | 0:21:22 | 0:21:24 | |
You've got to have eyes on the back of your arse in this business. | 0:21:24 | 0:21:26 | |
-What's that? -What's what? | 0:21:26 | 0:21:28 | |
-That. -Oh, that? | 0:21:28 | 0:21:31 | |
That's my Big Pink Paradise. | 0:21:31 | 0:21:33 | |
It's for the kids. Come on, I'll show you. Come on, Jerry. | 0:21:33 | 0:21:37 | |
Come on, up and at 'em. | 0:21:37 | 0:21:38 | |
That's it. What do you think, eh? | 0:21:38 | 0:21:40 | |
-My Big Pink Paradise. -No, no, no. | 0:21:40 | 0:21:43 | |
-What? -It's a portable toilet. | 0:21:43 | 0:21:46 | |
Forget them. | 0:21:46 | 0:21:47 | |
WAS a portable toilet, Jerry, it WAS a portable toilet. Not any more. | 0:21:47 | 0:21:50 | |
Now it's a playroom for the kids. What do you think? | 0:21:50 | 0:21:53 | |
-I've got the climbing frame there, look. -What's that? | 0:21:53 | 0:21:55 | |
For the kids, the little 'uns. | 0:21:55 | 0:21:58 | |
Scaffolding?! Have you gone mad?! | 0:21:58 | 0:22:00 | |
Come and feel this. That'll take a kid's eye out, that. | 0:22:00 | 0:22:03 | |
Bit of bubble wrap, Jerry, it'll be right as rain. You'll never tell. | 0:22:03 | 0:22:06 | |
Look at that there, ball pool, look. Where have you got these balls from? | 0:22:06 | 0:22:09 | |
Off the roof. Give 'em a rinse, good as new. Look at these, Jerry. | 0:22:09 | 0:22:14 | |
Brian Potter and the Hurricane Hand-dryers. Watch this. | 0:22:15 | 0:22:17 | |
HAND-DRYER STARTS | 0:22:17 | 0:22:19 | |
Oooh! | 0:22:19 | 0:22:20 | |
Blast of air as they're running past, in their hair, | 0:22:20 | 0:22:23 | |
they'll love it. | 0:22:23 | 0:22:24 | |
They love anything like that, little 'uns. | 0:22:24 | 0:22:26 | |
-Why's everything got Potter on it? -Potter's all the rage, Jerry. | 0:22:26 | 0:22:29 | |
-Kids love Potter. Do you not go to the pictures? -No. | 0:22:29 | 0:22:32 | |
I've not forgot you though, Jerry, I've not forgot you. | 0:22:32 | 0:22:35 | |
I've got you in here. Look at that, Jerry the Berry Fruity Penny Chews. | 0:22:35 | 0:22:39 | |
Please God tell me that's not a condom machine. | 0:22:39 | 0:22:41 | |
WAS a condom machine, now it does penny chews, 10p a piece. | 0:22:41 | 0:22:45 | |
I don't know how I think 'em up, Jerry. I frighten myself. | 0:22:45 | 0:22:47 | |
-All you've got to do now is get into your costume. -Costume? | 0:22:47 | 0:22:49 | |
-What costume ? -I've told you... | 0:22:49 | 0:22:52 | |
Jerry the Berry. | 0:22:52 | 0:22:53 | |
UPBEAT MUSIC STARTS | 0:22:53 | 0:22:55 | |
# Oh, there'll be lots of laughter here today | 0:22:55 | 0:22:58 | |
# Ba-da-da-da-da! | 0:22:58 | 0:23:00 | |
# Come and join the fun in our parade | 0:23:00 | 0:23:02 | |
# Yee-ha! | 0:23:02 | 0:23:03 | |
# Mums and dads, boys and girls, grannies and grandads, too | 0:23:03 | 0:23:07 | |
# We've got lots of incredible things for you | 0:23:07 | 0:23:10 | |
# At the Phoenix fun day Come and join the gang | 0:23:10 | 0:23:14 | |
# The Phoenix fun day, the best in all the land | 0:23:14 | 0:23:18 | |
# What's the place we all love best? | 0:23:18 | 0:23:22 | |
# The Phoenix, the Phoenix, forget about all the rest, oi! # | 0:23:22 | 0:23:25 | |
Three, two, one... | 0:23:28 | 0:23:31 | |
CHEERING | 0:23:32 | 0:23:34 | |
Hugh... Hugh, are you...? | 0:23:34 | 0:23:37 | |
Hugh Jackman, ladies and gentlemen. | 0:23:37 | 0:23:39 | |
Hugh Jackman. | 0:23:39 | 0:23:41 | |
CHEERING | 0:23:41 | 0:23:42 | |
Everything still...? | 0:23:43 | 0:23:44 | |
CHEERING DROWNS OUT SPEECH | 0:23:46 | 0:23:48 | |
Genuinely you've hurt something? Come and sit down. | 0:23:48 | 0:23:50 | |
-I'll get you a glass of water. -Oh, hang on a sec, hang on a sec... | 0:23:50 | 0:23:53 | |
Argh! | 0:23:53 | 0:23:54 | |
-Oh! -Yes! | 0:23:54 | 0:23:56 | |
CHEERING | 0:23:56 | 0:23:58 | |
-Yes! -Yes! | 0:23:58 | 0:24:00 | |
-Yeah! -Yeah! | 0:24:00 | 0:24:02 | |
Get out, you're a bad influence! He's a bad influence. | 0:24:03 | 0:24:07 | |
MUSIC: WALKING ON SUNSHINE | 0:24:09 | 0:24:10 | |
-# Said I'm walking on sunshine -Whoa, yeah | 0:24:10 | 0:24:14 | |
# Oh, I'm walking on sunshine... # | 0:24:14 | 0:24:16 | |
-Your lad's let himself go. Is he on steroids? -He's a berry, Perry. | 0:24:16 | 0:24:20 | |
He's Jerry the Berry, Perry. | 0:24:20 | 0:24:22 | |
All the way, all the way. | 0:24:22 | 0:24:23 | |
Turn it, come on! Oh, look at that! | 0:24:25 | 0:24:27 | |
Uh-oh. | 0:24:27 | 0:24:29 | |
# Oh, I used to think, baby, you loved me, | 0:24:31 | 0:24:34 | |
# Now I know that it's true | 0:24:34 | 0:24:36 | |
# Oh, but I just can't wait my whole life just a-waiting for you... # | 0:24:39 | 0:24:45 | |
AUDIENCE GASP | 0:24:45 | 0:24:47 | |
# See, I don't want you back for the weekend... # | 0:24:48 | 0:24:51 | |
Oh, my God. | 0:24:53 | 0:24:55 | |
Argh! | 0:24:55 | 0:24:57 | |
Get it down! Get it down! | 0:24:57 | 0:24:59 | |
Oh, you've excelled yourself this time, Potter! | 0:24:59 | 0:25:02 | |
Eh? Family fun day? | 0:25:02 | 0:25:04 | |
-Ha-ha-ha! -Get it down! | 0:25:04 | 0:25:06 | |
# Walking on sunshine... # | 0:25:06 | 0:25:07 | |
Watch the berry! Here we go! | 0:25:07 | 0:25:09 | |
Keep moving. # Don't it feel good? # | 0:25:09 | 0:25:10 | |
Oh! Oh! | 0:25:18 | 0:25:20 | |
It's going to blow! Get back! | 0:25:22 | 0:25:25 | |
Brian! | 0:25:25 | 0:25:26 | |
Brian! | 0:25:26 | 0:25:27 | |
BANG! | 0:25:27 | 0:25:29 | |
MUSIC: (Is This The Way To) Amarillo by Tony Christie | 0:25:30 | 0:25:34 | |
# When the day is dawning | 0:25:40 | 0:25:42 | |
# On a Texas Sunday morning | 0:25:43 | 0:25:46 | |
# How I long to be there | 0:25:47 | 0:25:49 | |
# With Marie who's waiting for me there | 0:25:51 | 0:25:54 | |
-# Every lonely city -La-la-la la-la | 0:25:54 | 0:25:58 | |
-# Where I hang my hat -La-la-la la-la | 0:25:58 | 0:26:01 | |
# Ain't as half as pretty | 0:26:01 | 0:26:04 | |
# As where my baby's at | 0:26:04 | 0:26:08 | |
# Is this the way to Amarillo? | 0:26:08 | 0:26:12 | |
# Every night I've been huggin' my pillow | 0:26:12 | 0:26:16 | |
# Dreamin' dreams of Amarillo | 0:26:16 | 0:26:19 | |
# And sweet Marie who waits for me | 0:26:19 | 0:26:22 | |
# Show me the way to Amarillo | 0:26:22 | 0:26:26 | |
# I've been weepin' like a willow | 0:26:26 | 0:26:30 | |
# Cryin' over Amarillo | 0:26:30 | 0:26:33 | |
# And sweet Marie who waits for me | 0:26:33 | 0:26:35 | |
# Sha-la-la la-la la-la-la | 0:26:37 | 0:26:40 | |
# Sha-la-la la-la la-la-la | 0:26:40 | 0:26:44 | |
# Sha-la-la la-la la-la-la | 0:26:44 | 0:26:48 | |
# And Marie who waits for me | 0:26:48 | 0:26:50 | |
# There's a church bell ringin' | 0:26:51 | 0:26:53 | |
# Hear the song of joy that it's singin' | 0:26:55 | 0:26:57 | |
# For the sweet Maria | 0:26:58 | 0:27:00 | |
# And the guy who's comin' to see her | 0:27:02 | 0:27:04 | |
-# Just beyond the highway -La-la-la la-la | 0:27:05 | 0:27:09 | |
-# There's an open plain -La-la-la la-la | 0:27:09 | 0:27:11 | |
# And it keeps me goin' | 0:27:12 | 0:27:16 | |
# Through the wind and rain | 0:27:16 | 0:27:19 | |
# Is this the way to Amarillo? | 0:27:19 | 0:27:23 | |
# Every night I've been huggin' my pillow | 0:27:23 | 0:27:27 | |
# Dreamin' dreams of Amarillo | 0:27:27 | 0:27:30 | |
# And sweet Marie who waits for me | 0:27:30 | 0:27:32 | |
# Sha-la-la la-la la-la-la | 0:27:34 | 0:27:37 | |
# Sha-la-la la-la la-la-la | 0:27:37 | 0:27:41 | |
# Sha-la-la la-la la-la-la | 0:27:41 | 0:27:44 | |
# And Marie who waits for me | 0:27:45 | 0:27:47 | |
# Sha-la-la la-la la-la-la | 0:27:48 | 0:27:52 | |
# Sha-la-la la-la la-la-la | 0:27:52 | 0:27:55 | |
# Sha-la-la la-la la-la-la | 0:27:55 | 0:27:59 | |
# And Marie who waits for me | 0:27:59 | 0:28:02 | |
# Sha-la-la la-la la-la-la | 0:28:02 | 0:28:06 | |
# Sha-la-la la-la la-la-la | 0:28:06 | 0:28:10 | |
# Sha-la-la la-la la-la-la | 0:28:10 | 0:28:13 | |
# And Marie who waits for me | 0:28:13 | 0:28:15 | |
# Sha-la-la la-la la-la-la | 0:28:17 | 0:28:20 | |
# Sha-la-la la-la la-la-la | 0:28:21 | 0:28:24 | |
# Sha-la-la la-la la-la-la... # | 0:28:24 | 0:28:26 | |
MUSIC: Once Upon A Christmas Song by Geraldine McQueen | 0:28:28 | 0:28:32 |