Episode 2 Peter Kay's Comedy Shuffle


Episode 2

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Transcript


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This programme contains some strong language.

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MUSIC: Once Upon A Christmas Song by Geraldine McQueen

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MUSIC: Gloria by Laura Branigan

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# Gloria

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# You're always on the run now

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# Runnin' after somebody... #

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THEY MUMBLE WRONG LYRICS

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# I think you got to nail down #

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-# Before you start to blow it

-Ba-da-da-da-da boo-doo

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# I think you're heading for a breakdown

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# So be careful not to show it

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# You really don't remember

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# Was it something that he said?

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# All the voices in your head

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# Calling Gloria... #

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LAUGHTER

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Do you ever dip your biscuit in your tea and it breaks?

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Do you ever do that?

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I swear to God, now, you never get used to that.

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As you get older and you dip your biscuit...

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Cos you don't know when it's going to fall.

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And you panic!

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When it falls... It's like out-of-body.

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It's like slow motion. Like, "Muuuuuum!

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"Get a spoooooon!

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"Me biscuiiiit's fallen in me breeeew!

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"Hurry up! It's siiiinkiiiing!

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"Aaaaaargh!

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"Bastaaaard!

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"It's burning me finger!

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"Hurry uuuup!

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"You're too laaaate, it's sunk!"

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Rich tea are bad for that.

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Rich tea are the worst ones.

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They should be called BLEEPing one-dips, rich tea.

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That's all you get, one dip. You have to be like lightning!

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They're the worst ones, rich tea.

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You have to get four together to get a good chance of getting a dip in.

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They've no backbone. I'm willing them to have a bit of backbone.

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"Come on!" "Oh, I can't, it's too hot, it's too hot!

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"It's too hot!"

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"You're a biscuit, it's your job!"

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Bring the pig hither, come on.

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PIG GRUNTS

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MUSIC: Max And Paddy's Road To Nowhere Theme

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Boy, take the pig outside. Round the back. Go on, chop chop.

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Come on.

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Can't get the staff these days. I do apologise. Go on, chop chop.

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PIG GRUNTS

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Chop chop!

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LAUGHTER

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Boy!

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PIG SQUEALS

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PIG SQUEALS

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PIG SQUEALS LOUDLY

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LAUGHTER

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If only she knew the danger she were in.

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She's the only thing I've got left of any value now... Oh...

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"She?! She?!"

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-It's knackered.

-It's not knackered.

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When we've finished, they'll think this lad's a pig gigolo.

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Hey, a pigolo.

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Exactly.

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Loves that. It's Geoff Capes of t'pig world.

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Get that pillow thing down in there, you!

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PIG GRUNTS

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Come here! Come on, girl.

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THEME MUSIC CONTINUES

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PIG SQUEALS

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-I couldn't get off!

-Are you all right?

-I couldn't get off!

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LAUGHTER

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They're on their arses, rich tea. And they're cocky! They're cocky.

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They don't even fit into your cup,

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you've got to bite a bit off to get 'em in your brew!

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They're not like Hobnobs.

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You see, that's a different class of biscuit, an Hobnob.

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Hobnobs are like Marines, Hobnobs. They're like SAS.

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They're like the Steven Seagal of t'biscuit world, an Hobnob.

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You dip an Hobnob, it's like, "Again! Again! Dip me again!

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"Dip me again! I'm going nowhere, me, son! Dip me! Dip me! Dip me!"

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They drink half your brew!

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"Where's me brew gone? Where's me brew?!"

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"You don't dip me, I'll drink the bastard! Again! Again!"

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LAUGHTER

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They always leave loads of shit at the bottom of your cup.

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"Ugh!"

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MUSIC: GLORIA CONTINUES

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# Gloria... #

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THEY MUMBLE LYRICS

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# On the main line

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# Or will you catch him on the rebound? #

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THEY MUMBLE

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# Take a lover in the afternoon... #

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THEY GIGGLE

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# You really don't remember

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# Was it something that he said? #

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'I used to do this thing, it's Soft Cell,'

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a band, with Marc Almond, and they did this song,

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and I always imagine, when they didn't have much money, that, erm...

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Marc Almond got his dad to play keyboards on the songs

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when they first started. LAUGHTER

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You press play, Stewart.

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MUSIC: Say Hello, Wave Goodbye by Soft Cell

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# Standing at the door of the Pink Flamingo

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# Crying in the rain... #

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TWO KEYBOARD NOTES

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LAUGHTER

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"Was that all right?

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"Now?

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"No.

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"Now? No."

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# You and I had to be the standing joke of the year... #

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"Now?" TWO KEYBOARD NOTES

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LAUGHTER AND APPLAUSE

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And now he starts getting cocky now, he starts getting cocky.

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SEQUENCE OF KEYBOARD NOTES

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LAUGHTER

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MUSIC STOPS

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And I used to do that.

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APPLAUSE

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Eyes down, your first number...

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The Apollo bingo hall.

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It's 8:20am and Patrick O'Neill arrives late for work.

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'I hate this job.

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'This is the worst job I've ever had

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'and I used to work in a Harvester, and that's saying something.'

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What's got 90 balls and screws old women?

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Bingo.

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'I tell you, they pour in, week in, week out, same faces every time.

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'Pensions burning a hole in their shoulder bags, spending every bit

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'of money that they've got, loose change, life savings.'

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Listen to this one, the other night,

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I were up there collecting glasses, right? Nice as you please.

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Down there, some woman had some kind of a fit or something,

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right in the middle of the game...

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Right in the middle of the game, on her back and on her arse,

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eyes down, she's lying there, but everyone carried on playing.

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Nobody moved. They daren't. Cos it's bingo, you can't...

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Tom carries on calling, "Six and two, 62..."

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I can't do his voice. Right? Shouts for a supervisor.

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Supervisor, she comes running over,

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gets this woman into the recovery position, right?

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But everyone carries on playing. Nobody moved. Know what I mean?

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Unbelievable. So everyone's carrying on playing.

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Tom shouts for another supervisor to come over.

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Janice comes running over to help her husband, right?

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Cos he's doing two books.

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He's doing his own and his wife's and he can't manage.

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Crime's on its arse. You see, things have changed.

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No-one's bothered.

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Years ago, an alarm would go off on your front street.

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You'd be out, you know, "Is everything all right?"

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Giving it good neighbours. "You all right?

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"Your alarm were going off...and I'm a bit of a nosy bitch."

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"Are you sure? You're all right, are you sure?"

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That were years ago. Now, no-one's bothered.

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"Have you heard that over there?

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"Two days that's been going off over there! Two bloody days, eh?

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"It's a good job I'm not on nights. Have you heard that?"

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They could be dead! "Look at this!

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"26 bottles of milk, the greedy bastards! Look at that, eh?

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"What have they got, a lion? Look at all these here!

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"All t'free papers hanging out of t'door."

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It's bad. Crimewatch is bad.

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I said to my sister, "Do you watch Crimewatch?"

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She went, "No, I don't watch it any more.

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"It's not as good as it used to be."

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LAUGHTER

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Video fits on Crimewatch.

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If you saw someone who looked like one of them video fits,

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that'd stick in your mind. They're freaks.

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They don't look human. They're just made-up faces.

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It looks like bloody Shrek.

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Shrek in a woolly hat and a donkey jacket.

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LAUGHTER

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If that come up behind you in the Co-op late shop,

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you'd shit yourself!

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Can I have 20 Berkeley Red?

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"Get your hands up, mother-stickers!

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"This is a fuck-up!"

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Can you film that, there? Can you film him, Tom Dale?

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That's Tom Dale, the King of the Callers.

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Calls himself that. No-one else does.

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I hate him. He hates me.

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He's another one that wants rid of me.

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He won't say anything, though. He's a coward.

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Either that or it's cos I once saw him in Preston wearing a dress.

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Whatever Tom says, goes. Staff included. Bloody bingo Mafia.

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'Women love him, they idolise him.

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'He had a week in Fuengirola this summer,

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'attendance figures dropped by 40%.

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'Ron didn't know what to do.

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'He actually had to come in and do some work. Shit himself.'

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He were lost. Ron's only in today cos you're here.

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If you can, film Tom doing his warm-up before he goes on stage.

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'He does these bloody exercises.

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'He's like one of them American evangelists,

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'and drinks energy drinks before he goes on.'

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I don't know why, cos when he goes onstage,

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he just stands there for 20 minutes.

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Tom likes to be centre of attraction all the time,

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especially with the ladies, definitely a ladies' man.

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Tom has his favourites, I'm sure.

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It seems, when the session's over, he goes and picks certain people

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out he sits with, and then you can guarantee the next night, they win.

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MUSIC: Let's Get Ready To Rhumble by PJ & Duncan

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# Watch us wreck the mic Watch us wreck the mic

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# Watch us wreck the mic...

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# Psyche! #

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CHEERING AND APPLAUSE

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'As long as you're a dolly bird, you're all right with Tom.'

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I'd like to go to his caravan some night.

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Yeah, see what's going on!

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MUSIC CONTINUES

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Thank you very much. Good evening, winners!

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-ALL:

-Good evening!

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Good evening, losers, thanks for being...

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So many of you coming tonight. Yeah, was the cemetery shut?

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LAUGHTER

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Big Sheila's in from Wigan. Hello, Big Sheila, love. You all right?

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Yeah, hello, love.

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Wigan's famous for two things - rugby players and beautiful women.

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What position do you play, Sheila?

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LAUGHTER

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A couple of hellos before we kick off this afternoon.

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Elsie? Elsie Jackson, is she in this afternoon? Elsie?

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There you go, hello, Elsie, love. 78 years young today.

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That's from you daughter Sandra and your sister-in-law Sharise.

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Many happy returns. I tell you, Elsie, if I was ten years older...

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..you'd be dead.

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LAUGHTER

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Reconstructions are bad on Crimewatch

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cos sometimes in reconstructions, they don't use actors,

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they actually use the staff that were involved in the robbery.

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They get them back in and say, "We're doing a reconstruction."

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As if they're not traumatised enough!

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LAUGHTER

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So you've got some old woman shaking like a shitting dog...

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60 quid, cash in hand.

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LAUGHTER

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"All right... All right... You want me here?"

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"And action." "Get on the floor!"

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HIGH-PITCHED SCREAM

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"It's happening again! It's happening again!"

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That's just cruel, that, putting her back through that!

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You always have some manager, right boring manager,

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narrating them reconstructions. He loves it.

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"I usually arrive at work about 20 to eight, ten to eight.

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"That particular morning, the morning of the robbery,

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"they were doing, er, road servicing works at

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"the roundabout and the dual carriageway was gridlocked..."

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Get on with it, son, you're up against Bad Girls, here!

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Cut to t'chase, will you?

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"I usually open up in the mornings when I arrive."

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IMITATES SHUTTER OPENING

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"Morning, Jean!"

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That's wrong - Jean's been locked in!

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LAUGHTER

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"Morning, Jean!"

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Cut that out.

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"Morning, Jean." "About time and all, I've been here all night!

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"I thought you were never going to come!

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"I daren't move in case the alarm goes off!"

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"Where's Frank? He's late this morning." Proper wooden.

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Frank comes on...

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OLDER VOICE: "As I was driving towards work,

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"I noticed a small, white Transit van."

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LAUGHTER

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"It was parked diagonally across both lanes. There were..."

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HE STAMMERS

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"There were two men discussing something...

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"There were two men discussing something.

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"I don't know what it was, but they both had sawn-off shotguns.

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"I couldn't, yeah, I couldn't quite see their faces clearly,

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"as they were both wearing ski masks.

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"I thought, that's odd, as it hadn't snowed in months."

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He saw it all, him. It's bad.

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They never swear when they come in as well on them reconstructions.

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"Come on, get on the floor, you sponge! Come on!

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"Get that flipping safe open, you melon! Come on!"

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How realistic's that?

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And there's a family fun day today

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at the soon to be re-restored Phoenix Club in Bolton.

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The fun starts at two o'clock.

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You're listening to the what's on guide on Chorley FM,

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where the listener comes first.

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MUSIC: Keep On Movin' by 5ive

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Howdy. Where do you want it?

0:16:160:16:19

-What is it?

-Inflatable for Brian Potter.

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Sounds like a good swap.

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Set it up out here.

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People stop at nothing to get on television now, hence...

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Embarrassing Bodies. Oh, my God! What's going on with that programme?

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They're not embarrassed about their bodies at all.

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If you're embarrassed, you don't climb in the back of a truck

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in Leeds and drop your drawers!

0:16:400:16:42

What's going on there? Have some self-respect!

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Talk about scraping t'barrel. We're through t'wood.

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See Jackie t'other week with t'hairy back?

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What were all that about? It's like a werewolf.

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MOCK TEARFUL: "I've had this condition for about six years now.

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"I just don't know what else to do. I can't cope any more.

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"Everyone's laughing at me.

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"Every time I lift my breasts up, they fart."

0:17:030:17:06

Well, you want to get your jugs out on national television, flower.

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That's your best bet. That'll solve a million problems, that will.

0:17:120:17:16

See that one, "My vagina's too big?"

0:17:160:17:18

You must have seen that one! It looked like a manhole, literally!

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I swear to God! Ugh!

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Close your legs, it's like an eclipse! What are you doing there?!

0:17:240:17:28

Flick over? I nearly kicked t'telly off t'wall!

0:17:280:17:31

It's pleased to see you!

0:17:330:17:35

LAUGHTER

0:17:350:17:36

How about that? You all want one, don't you?

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Look, what it is, is we're struggling here.

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I've sorted all this out, right? Just relax, will you?

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You're twistin' me melon, man. Everyone knows what they're doing.

0:17:450:17:49

Everything's going to be all right.

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Oh, my God! Sweet Jesus of Nazareth!

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Well? What do you think?

0:17:560:17:59

-It's not a castle.

-You never said a castle.

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-We're not having that.

-I said I want an inflatable.

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It IS an inflatable.

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It's...inflatable filth, that's what it is!

0:18:060:18:10

-It's almost as big as mine, that.

-Where did you get it?

0:18:100:18:13

Big festival in Amsterdam. It's one of a set.

0:18:130:18:16

I've got the other in the van, do you want to see it?

0:18:160:18:18

-No, I do not!

-We're not having that.

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You're damn right we're not having it, Jerry, it's going back.

0:18:210:18:23

-Go on, take it.

-But, Brian...

0:18:230:18:25

-It's a family fun day, man!

-Yeah?

0:18:250:18:28

There's kiddies running around. They can't go jumping up and down on a...

0:18:280:18:32

love length.

0:18:320:18:33

THEY SNIGGER

0:18:330:18:35

-On a what?

-Can we not disguise it?

0:18:350:18:38

Yeah, yeah, we'll put a woolly hat on it and say it's you.

0:18:390:18:43

-It's not what it looks, Brian.

-It's not how it looks?

0:18:430:18:47

It's a 20-foot cock and balls, man!

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It don't look like nothing else!

0:18:490:18:51

Get me Zantac, Kenny.

0:18:510:18:53

It's not happening. What's so funny?

0:18:530:18:55

Hey, lads...

0:18:550:18:57

he thinks this is how you have to have it.

0:18:570:18:59

No, Brian. The cock's optional.

0:18:590:19:03

All you have to do is strap it down, whack the tarpaulin over them

0:19:030:19:07

and hey, presto - Sammy Snake.

0:19:070:19:11

"Sammy Snake"?!

0:19:110:19:13

It's only got one eye.

0:19:130:19:15

No, it hasn't.

0:19:150:19:17

Ta-da!

0:19:170:19:19

What about the balls?

0:19:190:19:21

Snake's eggs.

0:19:210:19:23

Kids love reptiles. Brian, you'll make a fortune.

0:19:230:19:27

Are you going to do Phoenix Nights again?

0:19:310:19:34

Would you go back to the old characters?

0:19:340:19:36

Will you do more with Geraldine or are you always looking forward?

0:19:360:19:39

I'm going to do something completely different.

0:19:390:19:41

I like doing things that I've never... You know when it's that

0:19:410:19:43

whole thing, if something scares you, you should do it? Argh!

0:19:430:19:46

LAUGHTER But the thing is...

0:19:460:19:48

How childish! How childish!

0:19:480:19:50

I was ready for that. I could see you were going to do something.

0:19:500:19:53

No, you saw it coming.

0:19:530:19:54

-Argh!

-Argh!

0:19:540:19:56

The thing is, I'd like to do, I think...

0:19:560:20:00

Hey!

0:20:000:20:01

-LAUGHTER

-Argh!

-Oh, too quick.

0:20:010:20:04

If someone's just tuned in... Two blokes going, "Argh! Ooh! Argh!"

0:20:040:20:08

They'd love this in Czechoslovakia.

0:20:080:20:10

LAUGHTER

0:20:100:20:12

They'd love it.

0:20:120:20:14

Erm, OK, so you've got no plans to go back to anything old?

0:20:140:20:16

-Cos I was thinking...

-Why are you rushing? Slow down.

0:20:160:20:19

LAUGHTER

0:20:190:20:20

Breathe, breathe, breathe, breathe, breathe, breathe, breathe.

0:20:200:20:25

I was thinking...

0:20:250:20:26

-I know, they're beautiful.

-Take that home.

-No.

0:20:260:20:28

LAUGHTER

0:20:280:20:29

Go easy on them crisps, Stephen. Save me some.

0:20:310:20:34

LAUGHTER

0:20:340:20:35

-Erm, Peter...

-Who are you talking to?

-Yes, you.

0:20:370:20:40

-You know I'm talking to you!

-Someone said, "Yes, OK" in your ear.

0:20:400:20:43

-Yeah, they said...

-"Get him off!"

0:20:430:20:46

LAUGHTER

0:20:460:20:48

I'm going. That's me done.

0:20:480:20:50

-No!

-Come on!

-A couple more.

0:20:500:20:52

No, I hate the bit when you're wrapping up. It's really...

0:20:520:20:55

No, no, no, don't be like that.

0:20:550:20:56

It's like how you tie it all up. You're not good at that.

0:20:560:20:59

LAUGHTER You've never been good at that.

0:20:590:21:02

CHEERING AND APPLAUSE

0:21:020:21:05

-I won't subject myself to this.

-It's only every two years.

0:21:050:21:09

-I know, but just come on and be nice.

-One more thing, right?

-Yeah.

0:21:090:21:12

When I'm... Argh!

0:21:130:21:15

Hey!

0:21:150:21:16

CHEERING

0:21:160:21:18

Damn it! Damn it!

0:21:180:21:21

Damn it.

0:21:210:21:22

I'm telling you, Jerry.

0:21:220:21:24

You've got to have eyes on the back of your arse in this business.

0:21:240:21:26

-What's that?

-What's what?

0:21:260:21:28

-That.

-Oh, that?

0:21:280:21:31

That's my Big Pink Paradise.

0:21:310:21:33

It's for the kids. Come on, I'll show you. Come on, Jerry.

0:21:330:21:37

Come on, up and at 'em.

0:21:370:21:38

That's it. What do you think, eh?

0:21:380:21:40

-My Big Pink Paradise.

-No, no, no.

0:21:400:21:43

-What?

-It's a portable toilet.

0:21:430:21:46

Forget them.

0:21:460:21:47

WAS a portable toilet, Jerry, it WAS a portable toilet. Not any more.

0:21:470:21:50

Now it's a playroom for the kids. What do you think?

0:21:500:21:53

-I've got the climbing frame there, look.

-What's that?

0:21:530:21:55

For the kids, the little 'uns.

0:21:550:21:58

Scaffolding?! Have you gone mad?!

0:21:580:22:00

Come and feel this. That'll take a kid's eye out, that.

0:22:000:22:03

Bit of bubble wrap, Jerry, it'll be right as rain. You'll never tell.

0:22:030:22:06

Look at that there, ball pool, look. Where have you got these balls from?

0:22:060:22:09

Off the roof. Give 'em a rinse, good as new. Look at these, Jerry.

0:22:090:22:14

Brian Potter and the Hurricane Hand-dryers. Watch this.

0:22:150:22:17

HAND-DRYER STARTS

0:22:170:22:19

Oooh!

0:22:190:22:20

Blast of air as they're running past, in their hair,

0:22:200:22:23

they'll love it.

0:22:230:22:24

They love anything like that, little 'uns.

0:22:240:22:26

-Why's everything got Potter on it?

-Potter's all the rage, Jerry.

0:22:260:22:29

-Kids love Potter. Do you not go to the pictures?

-No.

0:22:290:22:32

I've not forgot you though, Jerry, I've not forgot you.

0:22:320:22:35

I've got you in here. Look at that, Jerry the Berry Fruity Penny Chews.

0:22:350:22:39

Please God tell me that's not a condom machine.

0:22:390:22:41

WAS a condom machine, now it does penny chews, 10p a piece.

0:22:410:22:45

I don't know how I think 'em up, Jerry. I frighten myself.

0:22:450:22:47

-All you've got to do now is get into your costume.

-Costume?

0:22:470:22:49

-What costume ?

-I've told you...

0:22:490:22:52

Jerry the Berry.

0:22:520:22:53

UPBEAT MUSIC STARTS

0:22:530:22:55

# Oh, there'll be lots of laughter here today

0:22:550:22:58

# Ba-da-da-da-da!

0:22:580:23:00

# Come and join the fun in our parade

0:23:000:23:02

# Yee-ha!

0:23:020:23:03

# Mums and dads, boys and girls, grannies and grandads, too

0:23:030:23:07

# We've got lots of incredible things for you

0:23:070:23:10

# At the Phoenix fun day Come and join the gang

0:23:100:23:14

# The Phoenix fun day, the best in all the land

0:23:140:23:18

# What's the place we all love best?

0:23:180:23:22

# The Phoenix, the Phoenix, forget about all the rest, oi! #

0:23:220:23:25

Three, two, one...

0:23:280:23:31

CHEERING

0:23:320:23:34

Hugh... Hugh, are you...?

0:23:340:23:37

Hugh Jackman, ladies and gentlemen.

0:23:370:23:39

Hugh Jackman.

0:23:390:23:41

CHEERING

0:23:410:23:42

Everything still...?

0:23:430:23:44

CHEERING DROWNS OUT SPEECH

0:23:460:23:48

Genuinely you've hurt something? Come and sit down.

0:23:480:23:50

-I'll get you a glass of water.

-Oh, hang on a sec, hang on a sec...

0:23:500:23:53

Argh!

0:23:530:23:54

-Oh!

-Yes!

0:23:540:23:56

CHEERING

0:23:560:23:58

-Yes!

-Yes!

0:23:580:24:00

-Yeah!

-Yeah!

0:24:000:24:02

Get out, you're a bad influence! He's a bad influence.

0:24:030:24:07

MUSIC: WALKING ON SUNSHINE

0:24:090:24:10

-# Said I'm walking on sunshine

-Whoa, yeah

0:24:100:24:14

# Oh, I'm walking on sunshine... #

0:24:140:24:16

-Your lad's let himself go. Is he on steroids?

-He's a berry, Perry.

0:24:160:24:20

He's Jerry the Berry, Perry.

0:24:200:24:22

All the way, all the way.

0:24:220:24:23

Turn it, come on! Oh, look at that!

0:24:250:24:27

Uh-oh.

0:24:270:24:29

# Oh, I used to think, baby, you loved me,

0:24:310:24:34

# Now I know that it's true

0:24:340:24:36

# Oh, but I just can't wait my whole life just a-waiting for you... #

0:24:390:24:45

AUDIENCE GASP

0:24:450:24:47

# See, I don't want you back for the weekend... #

0:24:480:24:51

Oh, my God.

0:24:530:24:55

Argh!

0:24:550:24:57

Get it down! Get it down!

0:24:570:24:59

Oh, you've excelled yourself this time, Potter!

0:24:590:25:02

Eh? Family fun day?

0:25:020:25:04

-Ha-ha-ha!

-Get it down!

0:25:040:25:06

# Walking on sunshine... #

0:25:060:25:07

Watch the berry! Here we go!

0:25:070:25:09

Keep moving. # Don't it feel good? #

0:25:090:25:10

Oh! Oh!

0:25:180:25:20

It's going to blow! Get back!

0:25:220:25:25

Brian!

0:25:250:25:26

Brian!

0:25:260:25:27

BANG!

0:25:270:25:29

MUSIC: (Is This The Way To) Amarillo by Tony Christie

0:25:300:25:34

# When the day is dawning

0:25:400:25:42

# On a Texas Sunday morning

0:25:430:25:46

# How I long to be there

0:25:470:25:49

# With Marie who's waiting for me there

0:25:510:25:54

-# Every lonely city

-La-la-la la-la

0:25:540:25:58

-# Where I hang my hat

-La-la-la la-la

0:25:580:26:01

# Ain't as half as pretty

0:26:010:26:04

# As where my baby's at

0:26:040:26:08

# Is this the way to Amarillo?

0:26:080:26:12

# Every night I've been huggin' my pillow

0:26:120:26:16

# Dreamin' dreams of Amarillo

0:26:160:26:19

# And sweet Marie who waits for me

0:26:190:26:22

# Show me the way to Amarillo

0:26:220:26:26

# I've been weepin' like a willow

0:26:260:26:30

# Cryin' over Amarillo

0:26:300:26:33

# And sweet Marie who waits for me

0:26:330:26:35

# Sha-la-la la-la la-la-la

0:26:370:26:40

# Sha-la-la la-la la-la-la

0:26:400:26:44

# Sha-la-la la-la la-la-la

0:26:440:26:48

# And Marie who waits for me

0:26:480:26:50

# There's a church bell ringin'

0:26:510:26:53

# Hear the song of joy that it's singin'

0:26:550:26:57

# For the sweet Maria

0:26:580:27:00

# And the guy who's comin' to see her

0:27:020:27:04

-# Just beyond the highway

-La-la-la la-la

0:27:050:27:09

-# There's an open plain

-La-la-la la-la

0:27:090:27:11

# And it keeps me goin'

0:27:120:27:16

# Through the wind and rain

0:27:160:27:19

# Is this the way to Amarillo?

0:27:190:27:23

# Every night I've been huggin' my pillow

0:27:230:27:27

# Dreamin' dreams of Amarillo

0:27:270:27:30

# And sweet Marie who waits for me

0:27:300:27:32

# Sha-la-la la-la la-la-la

0:27:340:27:37

# Sha-la-la la-la la-la-la

0:27:370:27:41

# Sha-la-la la-la la-la-la

0:27:410:27:44

# And Marie who waits for me

0:27:450:27:47

# Sha-la-la la-la la-la-la

0:27:480:27:52

# Sha-la-la la-la la-la-la

0:27:520:27:55

# Sha-la-la la-la la-la-la

0:27:550:27:59

# And Marie who waits for me

0:27:590:28:02

# Sha-la-la la-la la-la-la

0:28:020:28:06

# Sha-la-la la-la la-la-la

0:28:060:28:10

# Sha-la-la la-la la-la-la

0:28:100:28:13

# And Marie who waits for me

0:28:130:28:15

# Sha-la-la la-la la-la-la

0:28:170:28:20

# Sha-la-la la-la la-la-la

0:28:210:28:24

# Sha-la-la la-la la-la-la... #

0:28:240:28:26

MUSIC: Once Upon A Christmas Song by Geraldine McQueen

0:28:280:28:32

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