Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains adult humour. | 0:00:02 | 0:00:05 | |
Whoa, whoa, whoa, whoa, I can't do that! | 0:00:10 | 0:00:12 | |
I can't do that! | 0:00:12 | 0:00:13 | |
Not a... No chance! | 0:00:13 | 0:00:15 | |
These lads are clearly blessed, eh? | 0:00:15 | 0:00:17 | |
Look at that - amazing. | 0:00:17 | 0:00:20 | |
Where's the basket gone? | 0:00:20 | 0:00:22 | |
Hey, it's not dodgems, son, it's not dodgems. | 0:00:22 | 0:00:24 | |
Oh, whoo! | 0:00:24 | 0:00:26 | |
Eh? | 0:00:26 | 0:00:27 | |
JAUNTY MUSIC PLAYS | 0:00:29 | 0:00:31 | |
PHONE RINGS | 0:00:54 | 0:00:56 | |
-What? -VOICE ON PHONE: Hello. | 0:01:03 | 0:01:04 | |
Could I speak to Mr Potter, please? | 0:01:04 | 0:01:07 | |
Speaking. | 0:01:07 | 0:01:08 | |
Mr Potter from the Phoenix Club? | 0:01:08 | 0:01:11 | |
Yeah, who's this? It's half three in the pissing morning! | 0:01:11 | 0:01:15 | |
It's... | 0:01:15 | 0:01:16 | |
It's Mixu Paatelainen. | 0:01:16 | 0:01:18 | |
Who? | 0:01:18 | 0:01:19 | |
Bolton Coroners Office. | 0:01:19 | 0:01:21 | |
Er... | 0:01:21 | 0:01:22 | |
-I'm afraid your club has burnt down. -What?! | 0:01:22 | 0:01:26 | |
Oh...! Oh, God, no! | 0:01:26 | 0:01:28 | |
Oh, no, not again! | 0:01:28 | 0:01:30 | |
I'm afraid we've found a body, Mr Potter. | 0:01:30 | 0:01:32 | |
A body?! Oh, God, no! | 0:01:32 | 0:01:35 | |
Jerry... Oh, Jerry! The compere! | 0:01:35 | 0:01:38 | |
He was asked to lock up! | 0:01:38 | 0:01:40 | |
Oh, Jerry, Jerry, Jerry! | 0:01:40 | 0:01:41 | |
MAX COUGHS 19 years, Jerry! | 0:01:41 | 0:01:43 | |
19 years, no goodbyes! | 0:01:43 | 0:01:45 | |
Well, all we need to know, Mr Potter, did he have false teeth? | 0:01:46 | 0:01:49 | |
PADDY LAUGHS | 0:01:49 | 0:01:50 | |
Did he what? False teeth? | 0:01:50 | 0:01:52 | |
How the pissing hell should I know if he had false teeth? | 0:01:52 | 0:01:55 | |
Who is this?! | 0:01:55 | 0:01:56 | |
THEY LAUGH HYSTERICALLY | 0:01:56 | 0:01:58 | |
Eh?! | 0:02:00 | 0:02:01 | |
I know who you are! Who are ya?! | 0:02:01 | 0:02:03 | |
MAX HANGS UP | 0:02:03 | 0:02:05 | |
Mixu Paatelainen! | 0:02:05 | 0:02:08 | |
THEY LAUGH | 0:02:08 | 0:02:10 | |
Sick animals! Laughing at death! | 0:02:11 | 0:02:14 | |
Half past three in the bloody morning! | 0:02:14 | 0:02:17 | |
Bloody world's gone mad! | 0:02:17 | 0:02:19 | |
HE SIGHS | 0:02:19 | 0:02:21 | |
PHONE RINGS | 0:02:22 | 0:02:24 | |
Who is this?! Hello?! | 0:02:25 | 0:02:27 | |
-Mr Potter? -Who is this?! -This is Sgt Patterson. | 0:02:27 | 0:02:30 | |
I'm ringing regarding a break-in at your club. | 0:02:30 | 0:02:33 | |
Oh, a break-in, now, is it, eh? | 0:02:33 | 0:02:35 | |
Who's broke in? Bloody fire brigade? | 0:02:35 | 0:02:37 | |
-Burnt down a minute ago, you sick bastards! -I beg your pardon? | 0:02:37 | 0:02:41 | |
Do you? Well, cop for this! | 0:02:41 | 0:02:43 | |
HE FARTS | 0:02:43 | 0:02:44 | |
Goodnight! | 0:02:44 | 0:02:46 | |
Thanks again for coming down, Sgt Patterson. | 0:02:46 | 0:02:49 | |
-I, er, I appreciate it. -Not at all, Mr Potter. | 0:02:49 | 0:02:52 | |
-Like I said, I can't understand anyone stealing beer crates. -Yeah. | 0:02:52 | 0:02:57 | |
It'll be young bulls sniffing crack. | 0:02:57 | 0:02:59 | |
They'll go straight up their nose, them beer crates. Bloody filth! | 0:02:59 | 0:03:03 | |
See ya! | 0:03:03 | 0:03:04 | |
I still can't believe I'm doing so many nights in this place. | 0:03:06 | 0:03:09 | |
You've got to maintain a level of enthusiasm every night, | 0:03:09 | 0:03:12 | |
and when people heckle, I mean, | 0:03:12 | 0:03:14 | |
they shout stuff out and you just go off in a different direction, | 0:03:14 | 0:03:18 | |
and sometimes that's the magic, | 0:03:18 | 0:03:20 | |
that's the spontaneity, you know, right there. | 0:03:20 | 0:03:23 | |
We're on this street in t'middle of t'night, and I'm really thirsty. | 0:03:23 | 0:03:26 | |
I said, "I've got a thirst you could photograph here." | 0:03:26 | 0:03:28 | |
-WOMAN SHOUTS What? -Was it raining? | 0:03:28 | 0:03:31 | |
LAUGHTER | 0:03:31 | 0:03:32 | |
You pick your moments, don't ya?! | 0:03:32 | 0:03:34 | |
No, I were in... I were in Gran Canaria, it weren't raining! | 0:03:34 | 0:03:37 | |
It's a bit of a cul-de-sac here she's dragged me down, innit, eh? | 0:03:40 | 0:03:43 | |
No, it weren't, no. | 0:03:47 | 0:03:48 | |
What...? | 0:03:52 | 0:03:53 | |
What possessed you? | 0:03:53 | 0:03:55 | |
We're all shocked, all of us. | 0:03:57 | 0:03:59 | |
You on glue? | 0:04:03 | 0:04:05 | |
Go on... | 0:04:08 | 0:04:10 | |
I got ma tickets on eBay! | 0:04:10 | 0:04:12 | |
GEORDIE ACCENT I got ma ticken on eBay! | 0:04:12 | 0:04:14 | |
Is he that bloke from t'end of Goonies, in that cave? | 0:04:16 | 0:04:19 | |
I mean, if you're going to jump in, help me! | 0:04:21 | 0:04:23 | |
Don't just, like, shout out random thoughts, | 0:04:23 | 0:04:26 | |
like Tourette's. | 0:04:26 | 0:04:28 | |
Next time someone says, "Penny for your thoughts" - sell. | 0:04:31 | 0:04:35 | |
-RADIO: -Have you seen this in the news today? | 0:04:38 | 0:04:40 | |
Apparently, there are thought to be | 0:04:40 | 0:04:42 | |
four million naturists in the UK now. | 0:04:42 | 0:04:45 | |
Yes, those people who like to be at one with nature | 0:04:45 | 0:04:47 | |
at special camps across the UK. | 0:04:47 | 0:04:49 | |
I wouldn't be into that. Are you? | 0:04:49 | 0:04:51 | |
-There's what? -Wouldn't be into that. | 0:04:51 | 0:04:53 | |
-Four million what? -Nudists! | 0:04:55 | 0:04:57 | |
Doing what? | 0:04:57 | 0:04:59 | |
Being nude. | 0:05:00 | 0:05:02 | |
Seriously, one of your colleagues | 0:05:02 | 0:05:03 | |
probably loves to walk around naked at the weekends. | 0:05:03 | 0:05:06 | |
I couldn't do that in front of other people. | 0:05:06 | 0:05:08 | |
My friend's mum and dad do it. | 0:05:08 | 0:05:09 | |
-Where? -I don't know where - in a caravan or something, I don't know. | 0:05:09 | 0:05:13 | |
Would you not be cold? | 0:05:13 | 0:05:16 | |
That would be the least of your worries! | 0:05:16 | 0:05:17 | |
YAWNING There's four million of 'em. | 0:05:17 | 0:05:20 | |
-I don't even like looking at meself in the bath... -I know. | 0:05:20 | 0:05:23 | |
..let alone anyone else looking at me. | 0:05:23 | 0:05:24 | |
They must be freezing. | 0:05:26 | 0:05:28 | |
They must be filthy pigs. | 0:05:28 | 0:05:29 | |
Gets me when you see 'em playing tennis and stuff. | 0:05:33 | 0:05:36 | |
Everything's swinging about. SHE PRETENDS TO GAG | 0:05:36 | 0:05:38 | |
-And they're never good looking and slim. -No, no. | 0:05:38 | 0:05:42 | |
They're always old, fat and ugly, like... | 0:05:42 | 0:05:45 | |
Aren't they? | 0:05:50 | 0:05:51 | |
Do like taking my bra off when I get home at night, though. | 0:06:01 | 0:06:04 | |
So, let's have a look at you. WOMAN HECKLES | 0:06:09 | 0:06:11 | |
What did you say, love? Go on! | 0:06:11 | 0:06:13 | |
WOMEN SHOUT | 0:06:13 | 0:06:14 | |
No, you see, you've opened a thing now, they all shout. | 0:06:14 | 0:06:17 | |
I didn't ask any of you, I asked that lady. | 0:06:17 | 0:06:19 | |
Whoo! | 0:06:19 | 0:06:21 | |
What did that lady say? | 0:06:21 | 0:06:22 | |
ANOTHER WOMAN SHOUTS Not you. No, no, not you! | 0:06:22 | 0:06:26 | |
Right, see when I pointed that way and I said her? | 0:06:26 | 0:06:28 | |
Didn't point that way, did I? | 0:06:28 | 0:06:30 | |
Whoo! | 0:06:32 | 0:06:34 | |
What did you say, darling? | 0:06:34 | 0:06:36 | |
-Whoo! -No. | 0:06:36 | 0:06:38 | |
No, no, you're not understanding. | 0:06:38 | 0:06:39 | |
You don't understand, I'm sorry. | 0:06:39 | 0:06:42 | |
Whoo! | 0:06:42 | 0:06:43 | |
No, no, I didn't even say it, then! | 0:06:43 | 0:06:45 | |
No, no. Could someone help her? | 0:06:45 | 0:06:47 | |
Whoo! | 0:06:48 | 0:06:49 | |
She's done it again, she's done it again. | 0:06:49 | 0:06:52 | |
-Whoo! -And again. | 0:06:52 | 0:06:53 | |
-Whoo! -What a night we're going to have. -Whoo! | 0:06:53 | 0:06:56 | |
I'll try and work me material in between them whoos, if I can. | 0:06:56 | 0:07:00 | |
-Whoo! -Oh, there you go. | 0:07:00 | 0:07:02 | |
Like a truck reversing. | 0:07:02 | 0:07:04 | |
Whoo! | 0:07:04 | 0:07:05 | |
Whoo! | 0:07:05 | 0:07:07 | |
Whoo! | 0:07:07 | 0:07:09 | |
Anyway, love... She's probably gone, this one here. What did you say? | 0:07:09 | 0:07:12 | |
WOMEN SHOUT | 0:07:13 | 0:07:15 | |
No, no, not them behind her. The one in the front now. | 0:07:17 | 0:07:19 | |
It's going to take a good hour, this, | 0:07:19 | 0:07:21 | |
but we'll get there eventually. | 0:07:21 | 0:07:24 | |
Bear with me. Go on... | 0:07:24 | 0:07:26 | |
MAN SHOUTS Not you, dickhead! | 0:07:26 | 0:07:28 | |
Eh? Are you a woman? No, you're a man! Shut your mouth! | 0:07:28 | 0:07:32 | |
-Go on, love, sorry, what were you saying? -Whoo! | 0:07:32 | 0:07:36 | |
WOMEN SHOUT | 0:07:38 | 0:07:40 | |
Not you behind her! Her in front! | 0:07:40 | 0:07:42 | |
Shush! Go on... | 0:07:42 | 0:07:44 | |
ANOTHER WOMAN SHOUTS | 0:07:44 | 0:07:45 | |
Not you! Who the BLEEP are you?! | 0:07:45 | 0:07:47 | |
-Oh, my good God. -Whoo! | 0:07:48 | 0:07:50 | |
Come up, love, just come out, come up, and tell me in me ear. | 0:07:50 | 0:07:53 | |
I can't handle it anymore. | 0:07:53 | 0:07:55 | |
Just come up and tell me. | 0:07:55 | 0:07:56 | |
CHEERING AND APPLAUSE | 0:07:56 | 0:07:58 | |
Come on, tell me, what is it? | 0:07:58 | 0:08:00 | |
Come here, what did you say? What...? | 0:08:02 | 0:08:05 | |
I was telling you, it's the vodka! | 0:08:05 | 0:08:07 | |
I'm from Barry Island! | 0:08:09 | 0:08:11 | |
-What's occurring? -I'll tell you what's occurring, | 0:08:11 | 0:08:14 | |
you could breastfeed a creche, that's what's occurring. | 0:08:14 | 0:08:17 | |
Christ Almighty. | 0:08:17 | 0:08:18 | |
You look like Geraldine. | 0:08:20 | 0:08:21 | |
So, that... What were you shouting? "It's the vodka." | 0:08:23 | 0:08:26 | |
All that for that? Is that all it were? | 0:08:26 | 0:08:29 | |
What's the vodka? The vodka's making you shout out? | 0:08:29 | 0:08:31 | |
Oh, bloody hell... | 0:08:33 | 0:08:35 | |
It's all right. | 0:08:35 | 0:08:37 | |
-Anyway... -You've got make-up on. | 0:08:37 | 0:08:39 | |
Of course I've got make-up on! Have you seen them...? Turn round here! | 0:08:39 | 0:08:42 | |
Turn round, look at them lights there. | 0:08:42 | 0:08:44 | |
-Oh! -Exactly, you can't see a pissing thing. | 0:08:44 | 0:08:47 | |
If I didn't put make-up on, I'd look like a ghost! | 0:08:47 | 0:08:50 | |
It doesn't matter if you wear make-up about seeing. | 0:08:53 | 0:08:56 | |
You didn't put make-up on your eyes. | 0:08:56 | 0:08:58 | |
Are you...? Are you having that vodka intravenously? | 0:08:58 | 0:09:00 | |
You're slurring your words. What time did you start? | 0:09:02 | 0:09:05 | |
After Cbeebies? What time did you start? | 0:09:05 | 0:09:07 | |
I know what I mean! | 0:09:08 | 0:09:10 | |
HE LAUGHS You know what you mean! | 0:09:10 | 0:09:13 | |
You're...! | 0:09:13 | 0:09:14 | |
I'm going to say you're off your tits, but there's not enough room! | 0:09:14 | 0:09:17 | |
-Well, it's a charming little watercolour... -Charming. | 0:09:20 | 0:09:23 | |
..late 19th century, by Flamineaux. | 0:09:23 | 0:09:25 | |
-It's signed. -It's signed by the artist. -Yeah. | 0:09:25 | 0:09:28 | |
So, I would value it at around... | 0:09:28 | 0:09:31 | |
£200. | 0:09:31 | 0:09:32 | |
Come again? | 0:09:33 | 0:09:35 | |
£200? Two-zero-zero? | 0:09:35 | 0:09:37 | |
There's a man over there got 15 grand for a box. | 0:09:37 | 0:09:41 | |
Four hours it took me to get here. | 0:09:41 | 0:09:43 | |
Could have gone potholing. | 0:09:43 | 0:09:44 | |
CHEERING AND APPLAUSE | 0:09:47 | 0:09:49 | |
15 weeks ago our finalists began their intrepid journey, | 0:09:49 | 0:09:53 | |
with highs, lows, laughter, tears, | 0:09:53 | 0:09:56 | |
and quite a few surprises along the way. | 0:09:56 | 0:09:58 | |
Let's take a look. | 0:09:58 | 0:10:00 | |
CHEERING AND APPLAUSE | 0:10:00 | 0:10:02 | |
The public have no idea how much hard work | 0:10:08 | 0:10:11 | |
goes into a show like this. | 0:10:11 | 0:10:13 | |
It's just all singing, all dancing. | 0:10:13 | 0:10:15 | |
One minute you're singing, next minute you're dancing, | 0:10:15 | 0:10:19 | |
next minute you're singing AND dancing! | 0:10:19 | 0:10:20 | |
You can sing without dancing, and you can dance without singing, | 0:10:20 | 0:10:23 | |
but whatever way you look at it, it's all singing, all dancing. | 0:10:23 | 0:10:26 | |
Right, are you ready? Ready, and...! | 0:10:26 | 0:10:29 | |
In order to get our finalists up to scratch, | 0:10:29 | 0:10:31 | |
the producers enlist the help of some world-class coaches. | 0:10:31 | 0:10:35 | |
Amongst them is star of stage and screen, Lionel Blair. | 0:10:35 | 0:10:39 | |
He's worked with the best, including Kylie, Amy Winehouse, | 0:10:39 | 0:10:42 | |
and Ray Winstone. | 0:10:42 | 0:10:43 | |
What people don't realise, these people can't put one | 0:10:48 | 0:10:51 | |
foot in front of the other - quite literally this year. | 0:10:51 | 0:10:54 | |
And it's my job to make them look good and feel good. | 0:10:54 | 0:10:58 | |
You know, people say you can't polish a turd. | 0:10:58 | 0:11:01 | |
Well, I've polished hundreds. | 0:11:01 | 0:11:04 | |
Ha! Ho! Ha-ha! Hey, good! | 0:11:04 | 0:11:07 | |
Two up, two down, right? | 0:11:08 | 0:11:10 | |
It's not Ring a Ring o' Rosie, you know! | 0:11:10 | 0:11:12 | |
I want attitude! | 0:11:12 | 0:11:14 | |
See, what I like to give them is encouragement. | 0:11:14 | 0:11:17 | |
You've got to. | 0:11:17 | 0:11:18 | |
That was crap - with a capital K! | 0:11:18 | 0:11:20 | |
What I really like to give them | 0:11:20 | 0:11:21 | |
is a little bitty bit of Lionel's magic stardust. | 0:11:21 | 0:11:25 | |
They love it! | 0:11:26 | 0:11:27 | |
Amy Winehouse couldn't get enough of it. | 0:11:27 | 0:11:30 | |
You're supposed to be in the ghetto! | 0:11:30 | 0:11:32 | |
You're in the streets. | 0:11:32 | 0:11:34 | |
There's an 11-year-old kid down there in the alley selling crack! | 0:11:34 | 0:11:37 | |
Dance for him. | 0:11:37 | 0:11:39 | |
Oh, and I'll push them. | 0:11:39 | 0:11:40 | |
Oh, yeah, I'll push 'em. | 0:11:40 | 0:11:42 | |
You're supposed to be a professional! | 0:11:42 | 0:11:43 | |
-D'you want to be in this business? -Don't point at the ladies. | 0:11:43 | 0:11:46 | |
Oh, we're going to have that attitude? | 0:11:46 | 0:11:48 | |
So you can do attitude now, but you can't do it in the BLEEP number?! | 0:11:48 | 0:11:50 | |
I can be tough, you know. | 0:11:50 | 0:11:52 | |
Ask anyone. You ask Ray Winstone. | 0:11:52 | 0:11:54 | |
Don't tell me where to point, | 0:11:54 | 0:11:55 | |
or I shall put this where the sun don't shine! | 0:11:55 | 0:11:57 | |
Now I'm giving you the Blair stare! | 0:11:57 | 0:11:59 | |
I really want it proper, OK? | 0:11:59 | 0:12:02 | |
Five, six, seven, hit it! | 0:12:02 | 0:12:04 | |
ALL: Hey, you, the rocksteady crew! Show 'em what to do... | 0:12:04 | 0:12:07 | |
Come on, give me anger! Hate me! Yeah! | 0:12:07 | 0:12:10 | |
ALL: B-boy, breakers, electric boogaloo! | 0:12:10 | 0:12:12 | |
Oh, God... | 0:12:12 | 0:12:14 | |
I'm a showbiz dancer, and it's my job to gild those lilies. | 0:12:14 | 0:12:18 | |
Hey, what's the matter? Look! You can move your arms, can't you? | 0:12:18 | 0:12:23 | |
I'm sorry, Lionel, I just can't do it, I can't... | 0:12:23 | 0:12:26 | |
Look, look, look, crying's not going to get you to the top. | 0:12:26 | 0:12:29 | |
But... | 0:12:29 | 0:12:30 | |
a little stardust will. | 0:12:30 | 0:12:32 | |
-SOBBING -I just can't do it. | 0:12:34 | 0:12:36 | |
Oh, for BLEEP sake, come on, let's take it from the top. | 0:12:36 | 0:12:39 | |
You've got to shake your jugs. | 0:12:39 | 0:12:40 | |
-OK. -That's it. And shake your jugs, and shake your jugs. | 0:12:40 | 0:12:44 | |
Crotch to the ground, and crotch to the ground. | 0:12:44 | 0:12:46 | |
Lionel Blair's a professional, right down to his little fingertips. | 0:12:46 | 0:12:50 | |
Do your yashmak, that's right. | 0:12:50 | 0:12:51 | |
Keep your eyes closed until you hear the music, then open them! | 0:12:51 | 0:12:54 | |
Cos I want to see danger. | 0:12:54 | 0:12:56 | |
He's an animal - and he pushes and pushes and pushes | 0:12:56 | 0:12:59 | |
and pushes just to get that little bit of magic. | 0:12:59 | 0:13:01 | |
He won't stop. | 0:13:01 | 0:13:02 | |
-Yashmak! -Yashmak. -And cue music! | 0:13:03 | 0:13:06 | |
Oh, for BLEEP sake, cue music! | 0:13:11 | 0:13:12 | |
MUSIC STARTS Open your eyes! | 0:13:13 | 0:13:17 | |
Oh, that was excitement! Remember to mime. | 0:13:17 | 0:13:20 | |
Now, one, two, three, shake your jugs! Tush, shake...! | 0:13:20 | 0:13:23 | |
I've never done dancing before in my life, not since I did dancing | 0:13:23 | 0:13:26 | |
when I was younger, the Irish dancing and all that, | 0:13:26 | 0:13:28 | |
but nothing what he had me doing! | 0:13:28 | 0:13:30 | |
..three, four, blow kisses! | 0:13:30 | 0:13:32 | |
-The camera! -Don't look at the camera, cos it'll kill it! | 0:13:32 | 0:13:35 | |
I had absolutely no idea how unfit I was | 0:13:35 | 0:13:38 | |
till I had a session with Lionel. | 0:13:38 | 0:13:39 | |
He's had this body in positions that would make a whore blush. | 0:13:39 | 0:13:42 | |
# Cos tonight I'm going to give you my... | 0:13:42 | 0:13:45 | |
# Don't play games that you're playing | 0:13:45 | 0:13:47 | |
# Cos you know that I won't run away... # | 0:13:47 | 0:13:49 | |
I loved doing the Bhangra dance. | 0:13:49 | 0:13:50 | |
That sari was very slimming. | 0:13:50 | 0:13:52 | |
# Cos tonight I'm going to give you my... # | 0:13:52 | 0:13:55 | |
I did try a burqa, you know, but you couldn't hear me sing, | 0:13:55 | 0:13:57 | |
and I kept falling off the stage. | 0:13:57 | 0:13:59 | |
She was like dynamite! | 0:14:02 | 0:14:05 | |
BLEEP hell, he's on his arse, this lad, in't he? | 0:14:05 | 0:14:07 | |
Every time there's a gap, he's in wi' t'wacky catchphrase! | 0:14:07 | 0:14:10 | |
Here's one... HORN HONKS | 0:14:10 | 0:14:12 | |
LAUGHTER AND APPLAUSE | 0:14:12 | 0:14:14 | |
When, erm... | 0:14:23 | 0:14:24 | |
Did you bring the family down today? | 0:14:27 | 0:14:29 | |
Yeah, I've brought me mum down and me wife, Susan, | 0:14:29 | 0:14:32 | |
and, erm, me nan. | 0:14:32 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:35 | |
-Me nana's come. -She a bit of a character, your nana, is she? | 0:14:35 | 0:14:38 | |
Yeah, she is, God love her. She's, erm... | 0:14:38 | 0:14:40 | |
She put a flask up on t'train, which is... | 0:14:40 | 0:14:44 | |
They won't know what that means down here, will they? | 0:14:44 | 0:14:46 | |
-No, it's a flask of tea. -It's a flask of tea. -That's right. | 0:14:46 | 0:14:48 | |
To put a flask up means you brought... | 0:14:48 | 0:14:50 | |
We're in first class, I treated 'em. | 0:14:50 | 0:14:52 | |
Sorry, YOU treated us. And, er... | 0:14:52 | 0:14:55 | |
LAUGHTER AND APPLAUSE | 0:14:55 | 0:14:58 | |
In fact... | 0:14:58 | 0:14:59 | |
I've got the receipts! | 0:14:59 | 0:15:01 | |
She brought some sandwiches. | 0:15:01 | 0:15:03 | |
So when they came down, first class, wi' t'trolley, | 0:15:03 | 0:15:06 | |
we had a Tescos whole nut bar and our sandwiches out, | 0:15:06 | 0:15:10 | |
and a flask of tea, she said, "The tea's stewed, Peter. | 0:15:10 | 0:15:13 | |
"Taste that - that's tea. Now that's tea. | 0:15:13 | 0:15:16 | |
"Now that's tea. That's my tea, that." | 0:15:16 | 0:15:18 | |
God love her, but she's always coming out with great... | 0:15:18 | 0:15:20 | |
She said a great thing the other night. Did you see, erm...? | 0:15:20 | 0:15:23 | |
Cos that were on last Sunday, | 0:15:23 | 0:15:24 | |
Stanley Kubrick's Chocolate Orange, she called it. | 0:15:24 | 0:15:27 | |
"Did you see A Chocolate Orange? Stanley Kubrick?" | 0:15:28 | 0:15:31 | |
-That's where you get all your material from. -Me nan, I know. | 0:15:33 | 0:15:35 | |
Well, precisely, I mean, you just... I mean, you do. | 0:15:35 | 0:15:38 | |
I mean, A, that's why you don't leave your roots, | 0:15:38 | 0:15:40 | |
you like living up there, of course you do, | 0:15:40 | 0:15:42 | |
but just keep your ears open and it's all there, isn't it? | 0:15:42 | 0:15:44 | |
Yeah, well, it becomes... I don't know where you get it from. | 0:15:44 | 0:15:48 | |
Me mum went to t'library, and said, erm... | 0:15:48 | 0:15:50 | |
Woman said, "Your Peter's doing very well for himself, | 0:15:51 | 0:15:54 | |
"but he's always really quiet when he comes in here." | 0:15:54 | 0:15:58 | |
LAUGHTER It's a library. | 0:15:58 | 0:16:01 | |
It's a library. | 0:16:01 | 0:16:02 | |
What does she want me to be? | 0:16:03 | 0:16:05 | |
LOUDLY Can I just return these, love? | 0:16:05 | 0:16:07 | |
I think one of 'em's overdue, d'you want to check? | 0:16:07 | 0:16:09 | |
What can you do? | 0:16:09 | 0:16:10 | |
LAUGHTER AND APPLAUSE | 0:16:12 | 0:16:14 | |
And you know what I love in t'mornings, when you get up? | 0:16:16 | 0:16:18 | |
You never get up if it's 8.03 or 8.04 on your clock - | 0:16:18 | 0:16:23 | |
you always wait till 8.05, don't you? Why? | 0:16:23 | 0:16:26 | |
Always got to round it up to 8.05. | 0:16:26 | 0:16:29 | |
"I'm not getting up on a bloody odd number, | 0:16:29 | 0:16:31 | |
"I'm not stupid, am I hell?! | 0:16:31 | 0:16:33 | |
"Think I am, mad?! | 0:16:33 | 0:16:34 | |
"Oh, hang on here... | 0:16:34 | 0:16:36 | |
"I'll get up when this song's finished." | 0:16:37 | 0:16:39 | |
How long do dads piss for? | 0:16:41 | 0:16:43 | |
How long? | 0:16:45 | 0:16:46 | |
Once a week for about 20 minutes. | 0:16:48 | 0:16:50 | |
You look at t'clock, it's 8.07, | 0:16:54 | 0:16:56 | |
so now you've got to wait till 10 past, eh? | 0:16:56 | 0:16:58 | |
BOTH: Well, now to a comedian who has certainly brought Bolton to the | 0:17:00 | 0:17:03 | |
attention of the entire country, | 0:17:03 | 0:17:05 | |
conjuring up some bizarre characters in the process. Rachel. | 0:17:05 | 0:17:08 | |
Peter Kay burst onto the scene... | 0:17:08 | 0:17:09 | |
..in 1997, and now with his own series already under his belt, | 0:17:09 | 0:17:12 | |
plus a Christmas special... | 0:17:12 | 0:17:14 | |
His second series, Peter Kay's Phoenix Nights, starts on Sunday. | 0:17:14 | 0:17:17 | |
-And... -Yes, he's here tonight. | 0:17:17 | 0:17:19 | |
-What Christmas special?! -If you look at... | 0:17:19 | 0:17:21 | |
Well, the video, the video in Blackpool was what we meant. | 0:17:21 | 0:17:23 | |
But if you look on the script, it now says, | 0:17:23 | 0:17:25 | |
"Peter, be funny for four minutes." Can you do that? | 0:17:25 | 0:17:28 | |
-Well, that's that gone. -I tell you what, though... | 0:17:28 | 0:17:30 | |
You've spelt me name with an E. See ya! Ta-ra! | 0:17:30 | 0:17:33 | |
Joining us now is Tony Jenner, the Regional Dental Advisor, | 0:17:33 | 0:17:36 | |
Eric Rooney, who's head of community dentistry in Liverpool, | 0:17:36 | 0:17:38 | |
and Pauline, a dental nurse, and her daughter Ashley, | 0:17:38 | 0:17:41 | |
who's kindly come along to help us out. | 0:17:41 | 0:17:43 | |
-First, if I could just ask you, how bad is the situation? -See ya. | 0:17:43 | 0:17:47 | |
-See ya, Peter. -See ya. -Sorry. | 0:17:47 | 0:17:49 | |
-Forgot me key, don't look. -Goodbye. -Ta-ra. -Safe journey. | 0:17:49 | 0:17:51 | |
-Brush those teeth. -Yes, do. So, sorry, how bad is...? | 0:17:53 | 0:17:55 | |
How bad is the situation across the north-west, | 0:17:55 | 0:17:57 | |
if that hasn't put you off too much? | 0:17:57 | 0:17:59 | |
-I'm afraid the situation is not very good. -Right. | 0:17:59 | 0:18:01 | |
I'm shattered! | 0:18:04 | 0:18:05 | |
Knocks you out, this country air, don't it? | 0:18:06 | 0:18:08 | |
Two hours we've been at it. | 0:18:08 | 0:18:10 | |
Go on, it's your turn. | 0:18:11 | 0:18:13 | |
Right, er... | 0:18:13 | 0:18:14 | |
# Deh-deh-du-deh | 0:18:15 | 0:18:18 | |
# Deh-deh-duh | 0:18:18 | 0:18:20 | |
# Deh-duh-deh-deh | 0:18:20 | 0:18:22 | |
MAX JOINS IN # Deh-du-deh-deh-duh, boom-boom! | 0:18:22 | 0:18:24 | |
# Deh-deh-duh-deh | 0:18:24 | 0:18:26 | |
# Duh-duh-da-dum... # | 0:18:26 | 0:18:28 | |
-The A-Team! -Yeah. | 0:18:28 | 0:18:30 | |
Yeah. I'll tell you who were my favourite in The A-Team. | 0:18:30 | 0:18:33 | |
Howling Mad Murdock! | 0:18:33 | 0:18:36 | |
I did some laughing at him! He were crackers. | 0:18:36 | 0:18:39 | |
-You can't beat BA, though, eh? -You reckon? -Oh, aye. | 0:18:39 | 0:18:42 | |
"I ain't gettin' on no plane, fool! I ain't gettin' on no plane!" | 0:18:42 | 0:18:46 | |
Yeah. Here y'are! Drink this milk, BA. | 0:18:46 | 0:18:48 | |
"How'd I get here?" | 0:18:51 | 0:18:53 | |
Yeah! Every week, every week! | 0:18:53 | 0:18:55 | |
-Tell you another one of my favourites. -Who's that? -Miami Vice. | 0:18:56 | 0:19:00 | |
-Miami Vice! -Crockett and Tubbs, eh? | 0:19:00 | 0:19:03 | |
I modelled meself on those two chancers. | 0:19:03 | 0:19:05 | |
-I tell ya a couple of blokes that'd put them in the shade. -Who? | 0:19:05 | 0:19:08 | |
Magnet and Steel. | 0:19:10 | 0:19:11 | |
Who? | 0:19:11 | 0:19:13 | |
Magnet and Steel. | 0:19:13 | 0:19:14 | |
-Magnet and Steel? -Yeah. -I don't remember them. | 0:19:14 | 0:19:18 | |
When were that on? | 0:19:18 | 0:19:19 | |
They've never been on. You know why? | 0:19:19 | 0:19:22 | |
I've created 'em. | 0:19:22 | 0:19:23 | |
You what? | 0:19:23 | 0:19:25 | |
I've made 'em up. | 0:19:25 | 0:19:27 | |
They're a couple of cops who operate outside the law, | 0:19:27 | 0:19:30 | |
and when there's trouble they come together. | 0:19:30 | 0:19:33 | |
-Don't tell me - like magnet and steel. -Exactly. Yeah. | 0:19:33 | 0:19:36 | |
I thought it up a while back now. | 0:19:36 | 0:19:38 | |
Erm... | 0:19:38 | 0:19:39 | |
Take a look at these. | 0:19:41 | 0:19:42 | |
Six years' work here, Patrick. | 0:19:44 | 0:19:45 | |
These are some drawings I've done of 'em. | 0:19:47 | 0:19:50 | |
There's the helicopter, Magnet and Steel's helicopter. | 0:19:50 | 0:19:53 | |
You've got rockets on their helicopter, | 0:19:53 | 0:19:55 | |
you've got lasers on t'front. | 0:19:55 | 0:19:57 | |
"Get in, Magnet." "Bang!" | 0:19:57 | 0:19:59 | |
"I'm evil! I'm evil!" He's chasing him in a tank, look. | 0:19:59 | 0:20:03 | |
-And who's drawn these, you? -Yeah. | 0:20:03 | 0:20:05 | |
That's Frank Magnet, Tony Steel. | 0:20:07 | 0:20:09 | |
-Is he Chinese? -No, I only had a yellow felt tip. | 0:20:09 | 0:20:13 | |
There's some of t'weapons that they use - sword, one's got a knife, | 0:20:13 | 0:20:17 | |
they've got a super-gun. | 0:20:17 | 0:20:19 | |
He's got... One of 'em's got x-ray glasses. | 0:20:19 | 0:20:21 | |
He makes them in a secret laboratory. | 0:20:21 | 0:20:23 | |
Fantastic. | 0:20:23 | 0:20:25 | |
Yeah. Magnet and Steel, Paddy. | 0:20:25 | 0:20:28 | |
You saw it here first, my friend. | 0:20:28 | 0:20:30 | |
Magnet and Steel - the next big thing! | 0:20:32 | 0:20:34 | |
Technology moves on. | 0:20:38 | 0:20:39 | |
I remember when we got our very first video in t'early '80s. | 0:20:39 | 0:20:42 | |
We got, er... I don't know what it were, | 0:20:42 | 0:20:44 | |
but they had to take the front room window out | 0:20:44 | 0:20:46 | |
for t'bring it in, it were that big. | 0:20:46 | 0:20:48 | |
Ferguson Videostar. | 0:20:48 | 0:20:50 | |
Top loader, big huge silver thing. | 0:20:50 | 0:20:52 | |
When you pressed Eject, all t'house used to shake, it were that loud. | 0:20:52 | 0:20:56 | |
Massive. Remote control on a wire, d'you remember that? | 0:20:56 | 0:20:59 | |
Remote control on a wire, you couldn't go that far with it. | 0:20:59 | 0:21:02 | |
If you were a lad, you couldn't watch a bit of blue | 0:21:03 | 0:21:06 | |
in t'middle of t'night - | 0:21:06 | 0:21:07 | |
cos everyone could hear it fast forwarding about three streets away. | 0:21:07 | 0:21:11 | |
So I've heard. Anyway, no... | 0:21:11 | 0:21:14 | |
I'll be up in a minute, Mum. I'm, I'm just getting a drink. | 0:21:14 | 0:21:17 | |
MIMES A LOUD WHIRR Jeez, shut up! | 0:21:20 | 0:21:22 | |
MIMES LOUD WHIRR Shut up! | 0:21:22 | 0:21:24 | |
Shut up! MIMES LOUD WHIRR | 0:21:24 | 0:21:25 | |
Hiya, Mum, y'all right? | 0:21:27 | 0:21:29 | |
Mum, I'm stuck! I'm stuck, it's got me! Mum, it's got me! | 0:21:29 | 0:21:33 | |
Mum, it's got me skin, it's got me skin! | 0:21:33 | 0:21:35 | |
It's got me skin, get the remote! | 0:21:36 | 0:21:37 | |
I hope nobody comes in late now. | 0:21:39 | 0:21:41 | |
Going t'casualty with that on you. | 0:21:43 | 0:21:45 | |
I just tripped, I fell into it. | 0:21:48 | 0:21:50 | |
I tried tracking, I've tried tracking, I've tried everything. | 0:21:51 | 0:21:55 | |
It's got me, love, it's got me. | 0:21:55 | 0:21:57 | |
What d'you mean three hours? | 0:21:57 | 0:21:59 | |
I were naked, yes. | 0:21:59 | 0:22:00 | |
Let's face it, we're lost. | 0:22:03 | 0:22:05 | |
How can we be lost if we don't know where we are? | 0:22:06 | 0:22:09 | |
There's no country pubs up here. | 0:22:09 | 0:22:11 | |
I'm going back, me. | 0:22:11 | 0:22:13 | |
You can't go back. | 0:22:13 | 0:22:15 | |
It's too far and it'll be dark soon. | 0:22:15 | 0:22:17 | |
Well, what do you suggest we do? | 0:22:17 | 0:22:19 | |
Well, let's get down here for t'night. | 0:22:20 | 0:22:23 | |
Sorry, for a second there, I thought you were actually suggesting | 0:22:23 | 0:22:27 | |
we sleep in the woods. | 0:22:27 | 0:22:28 | |
You've never been in the armed forces, have you, Patrick? | 0:22:28 | 0:22:31 | |
-Neither have you. -Have I not? | 0:22:31 | 0:22:32 | |
I used to cry meself to sleep every night in the Yemen | 0:22:32 | 0:22:36 | |
dreaming of digs like this. | 0:22:36 | 0:22:37 | |
Now, come on, go and get some bracken and some wood | 0:22:37 | 0:22:39 | |
and we'll get a fire going. | 0:22:39 | 0:22:41 | |
-We can do this. Come on. -YOU are on your arse. | 0:22:41 | 0:22:44 | |
When you used to have a video, | 0:22:51 | 0:22:52 | |
everyone used to have their own tapes, I used to love that. | 0:22:52 | 0:22:54 | |
Mum would have her tape, written on in Biro, "Mum's tape. Do not use." | 0:22:54 | 0:22:58 | |
"Soldier Soldier. Keep off." | 0:22:59 | 0:23:00 | |
"Thorn Birds. Leave it!" | 0:23:02 | 0:23:03 | |
And me dad, me dad used to have a night of labelling. | 0:23:05 | 0:23:09 | |
He used to get them stickers | 0:23:09 | 0:23:10 | |
that you get free with blank videos and get on t'floor, | 0:23:10 | 0:23:13 | |
put t'big light on... | 0:23:13 | 0:23:15 | |
Laughing - d'you do that? | 0:23:15 | 0:23:17 | |
Get them little numbers you get free. | 0:23:17 | 0:23:19 | |
"Number 12, number 13... | 0:23:19 | 0:23:22 | |
"Who's had all the threes off here? | 0:23:22 | 0:23:23 | |
"Eh? Where have all me number threes gone? | 0:23:23 | 0:23:26 | |
"I'm going to have to use a B now, turn it upside down, | 0:23:26 | 0:23:29 | |
"and bite the pissing end off, aren't I? | 0:23:29 | 0:23:31 | |
"Can't have nothing in this house! | 0:23:31 | 0:23:33 | |
"Eh? You look wi' your eyes, not wi' your hands! | 0:23:33 | 0:23:35 | |
"I had a pack of five JVC, thieving gits!" | 0:23:35 | 0:23:38 | |
Used to buy them an all, video library cases, d'you remember them? | 0:23:38 | 0:23:42 | |
They were like red imitation leather, | 0:23:42 | 0:23:45 | |
they made your video tapes look like books. You'd put 'em inside... | 0:23:45 | 0:23:48 | |
Used to put 'em in t'alcove, in t'corner, all lined up | 0:23:48 | 0:23:51 | |
like Encyclopaedia Britannica, in that wooden unit behind glass - | 0:23:51 | 0:23:55 | |
cos me dad were a dwarf. | 0:23:55 | 0:23:57 | |
His friends would come round - | 0:23:59 | 0:24:00 | |
"Hey, Mick, you're doing a lot of reading." | 0:24:00 | 0:24:03 | |
"They're not books, they're not... | 0:24:03 | 0:24:05 | |
"They look like books but they're not, come here. | 0:24:05 | 0:24:07 | |
"It's a video - hey presto! | 0:24:10 | 0:24:11 | |
"There's a tape in there, video, always thinking. | 0:24:12 | 0:24:16 | |
"E.T., that - pirate copy." | 0:24:16 | 0:24:18 | |
We gave that Ferguson Videostar to Gran and Grandad | 0:24:20 | 0:24:23 | |
when we got a new one from Tandy, a new video. | 0:24:23 | 0:24:26 | |
I remember going round one Christmas. | 0:24:26 | 0:24:28 | |
"Hello?" "We're in t'kitchen." | 0:24:28 | 0:24:30 | |
"What are you doing in here? Have you had a row?" "No." | 0:24:30 | 0:24:33 | |
"I thought you were taping Wizard Of Oz?" They said, "We are." | 0:24:33 | 0:24:35 | |
"So why don't you go and watch it?" | 0:24:35 | 0:24:37 | |
She went, "Well, we didn't want to talk cos it'll come out on t'video." | 0:24:37 | 0:24:40 | |
Me grandad used to put a cushion over t'clock! | 0:24:45 | 0:24:48 | |
Whenever they went out. Video clock. | 0:24:48 | 0:24:50 | |
"What are you doing?" "Putting a cushion over t'clock." | 0:24:50 | 0:24:52 | |
"Why?" "I'll tell you why. | 0:24:52 | 0:24:54 | |
"Because if any burglars are walking past, | 0:24:54 | 0:24:57 | |
"and they see that clock flashing, | 0:24:57 | 0:24:59 | |
"they'll be in and they'll bloody whip that thing away..." | 0:24:59 | 0:25:03 | |
I said, "Whip it away? It took three blokes to deliver, it's that big!" | 0:25:03 | 0:25:07 | |
Did you do that? Cushion on the clock! | 0:25:08 | 0:25:10 | |
Ah-ha, see? Now that's a fire. | 0:25:25 | 0:25:29 | |
I told you you'd enjoy yourself, didn't I? | 0:25:29 | 0:25:31 | |
MAX CHUCKLES | 0:25:31 | 0:25:33 | |
Oh, yeah, it's going to be good, this. | 0:25:33 | 0:25:36 | |
What's that you're burning? | 0:25:37 | 0:25:38 | |
I can't believe you burnt me drawings. | 0:25:48 | 0:25:50 | |
I'm sorry, I didn't realise you were being serious. | 0:25:50 | 0:25:53 | |
Yeah, well, you better sleep with one eye open tonight, son, | 0:25:53 | 0:25:56 | |
d'you hear me? | 0:25:56 | 0:25:58 | |
MAX YELLS | 0:25:58 | 0:25:59 | |
Bloody stinging nettles! | 0:25:59 | 0:26:01 | |
I told you not to put them shorts on. | 0:26:01 | 0:26:03 | |
Well, I didn't know I were going to be sleeping out here, did I? | 0:26:03 | 0:26:06 | |
-Eh? Smart arse! -All right, all right, keep your shorts on. | 0:26:06 | 0:26:09 | |
And if you miss any of these programmes now - | 0:26:13 | 0:26:15 | |
not that you can, cos they're looped every hour - | 0:26:15 | 0:26:17 | |
you can get on t'internet now, get an iPlayer or 4OD, | 0:26:17 | 0:26:19 | |
you can download... You can download onto your thigh-phone now! | 0:26:19 | 0:26:22 | |
You can watch it when you're going to work, | 0:26:22 | 0:26:24 | |
your battery only lasts six minutes, but... | 0:26:24 | 0:26:26 | |
My whole life's on charge. Are you the same? | 0:26:26 | 0:26:28 | |
I can't sleep at night for green flashing lights in t'bedroom. | 0:26:28 | 0:26:31 | |
I'm like, Christ Almighty! Bloody spaceship! | 0:26:31 | 0:26:33 | |
Texting? I've got that bad with texting now, | 0:26:35 | 0:26:38 | |
I don't even give me mum three rings when I get anywhere anymore. | 0:26:38 | 0:26:41 | |
I just text her the words, "Three rings." Send. | 0:26:41 | 0:26:44 | |
That's an illness. | 0:26:47 | 0:26:48 | |
That's a disease, that. I got a silent call on me home phone. | 0:26:48 | 0:26:52 | |
You know when they don't speak? | 0:26:52 | 0:26:54 | |
And I were coming out of t'bedroom in t'morning, | 0:26:54 | 0:26:57 | |
I answered it... "Hello?" | 0:26:57 | 0:26:58 | |
But I could hear someone breathing so I knew they were there. | 0:26:58 | 0:27:01 | |
"I can hear you breathing. Hello? Can you hear me? | 0:27:01 | 0:27:03 | |
"I can hear you breathing." | 0:27:03 | 0:27:05 | |
I thought, "It's some weirdo. | 0:27:05 | 0:27:07 | |
"Two can play at this game, dickhead. It's all right. | 0:27:07 | 0:27:09 | |
"You want a war, you've got a war." So I sat on t'stairs and I waited. | 0:27:09 | 0:27:13 | |
I waited for a good 40 minutes, I sat there - | 0:27:13 | 0:27:15 | |
and then it started freaking me out. | 0:27:15 | 0:27:17 | |
So I thought, "Oh, no, I've had enough of this." So I went... | 0:27:17 | 0:27:20 | |
I hung up, put it back in its holster in t'kitchen. | 0:27:20 | 0:27:22 | |
Anyway, I went off, I did some bits, like, I bleached me cloths. | 0:27:22 | 0:27:27 | |
And, er... Well, you've got to. | 0:27:27 | 0:27:29 | |
And then I came back after about 20 minutes, | 0:27:29 | 0:27:32 | |
and I picked it up again, and there were a dialling tone. | 0:27:32 | 0:27:35 | |
So I did 1471, and there were a number. I thought, "Ah! | 0:27:35 | 0:27:38 | |
"I've got you, bastard." | 0:27:38 | 0:27:39 | |
So I pressed 3 - and me mobile rang in me pocket. | 0:27:42 | 0:27:45 | |
LAUGHTER AND APPLAUSE | 0:27:45 | 0:27:47 | |
I must have bent down in t'bedroom, picked me slippers up | 0:27:53 | 0:27:56 | |
and accidentally dialled our house, | 0:27:56 | 0:27:57 | |
so now I'm sat halfway down t'stairs, | 0:27:57 | 0:27:59 | |
listening to meself breathing via satellite for 40 minutes! | 0:27:59 | 0:28:04 | |
Cost me 62 pound, that call! | 0:28:04 | 0:28:06 | |
Ladies and gentlemen, thank you very much, good night! | 0:28:09 | 0:28:12 |