Browse content similar to The Rift. Check below for episodes and series from the same categories and more!
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JUDGE: Nigel Norman Fletcher, | 0:00:02 | 0:00:03 | |
you have been found guilty of the charges | 0:00:03 | 0:00:05 | |
brought against you and it is now my duty to pass sentence. | 0:00:05 | 0:00:08 | |
DOOR CLOSES | 0:00:08 | 0:00:10 | |
KEY TURNS LOCK | 0:00:10 | 0:00:11 | |
Cyber-crime is a modern menace. | 0:00:11 | 0:00:14 | |
A man of your obvious ingenuity | 0:00:14 | 0:00:16 | |
and intelligence might have used his gifts on behalf of society. | 0:00:16 | 0:00:20 | |
DOORS CLOSE, BUZZER BEEPS, BARS CLOSE | 0:00:20 | 0:00:23 | |
Instead, you chose to employ them in the pursuit of self-indulgence, | 0:00:23 | 0:00:27 | |
greed and gain. | 0:00:27 | 0:00:29 | |
You will now face the consequences and go to prison for five years. | 0:00:31 | 0:00:37 | |
ALARM BEEPS OWL HOOTS | 0:00:39 | 0:00:42 | |
-Ow! Hell's Bells! -Oh, bloody hell, Fletch! | 0:00:42 | 0:00:48 | |
Every bloody morning you wake me up at some ungodly hour. | 0:00:48 | 0:00:51 | |
Duty calls, Joe. Go back to sleep. | 0:00:51 | 0:00:53 | |
I can't go back to sleep. When I'm awake, I'm awake. | 0:00:53 | 0:00:56 | |
CRUNCHING | 0:00:56 | 0:00:58 | |
-What was that noise? -What was what noise? | 0:00:58 | 0:01:01 | |
That crunching noise. You stood on something. | 0:01:01 | 0:01:03 | |
-No, I didn't. -It better not be my Leaning Tower Of Pisa. | 0:01:03 | 0:01:06 | |
It's leaning a bit further now. | 0:01:08 | 0:01:10 | |
Aw, Fletch! I got a special mention for that in art class. | 0:01:11 | 0:01:16 | |
Just a bit of glue, that's all it needs. | 0:01:16 | 0:01:19 | |
Labour of love, this was, you know. Kept me sane. | 0:01:19 | 0:01:22 | |
Gave me a sense of pride and accomplishment. | 0:01:22 | 0:01:24 | |
-Meant a lot to me. -Well, if it meant that much to you, | 0:01:24 | 0:01:27 | |
you shouldn't have left it on the floor, should you? | 0:01:27 | 0:01:30 | |
I could've got a splinter. | 0:01:30 | 0:01:31 | |
Come on, Fletcher. Early bird catches the worm. | 0:01:31 | 0:01:34 | |
-Look, I'll make it up to you, all right? -You can start | 0:01:34 | 0:01:36 | |
by not waking me up at the crack of dawn every morning. | 0:01:36 | 0:01:38 | |
All right. | 0:01:38 | 0:01:40 | |
Good morning losers, larcenists, layabouts. | 0:01:42 | 0:01:44 | |
Lots to talk about today. Congratulations to Scuddsy for | 0:01:44 | 0:01:47 | |
passing his massage therapy course | 0:01:47 | 0:01:49 | |
or, as his first client described it, GBH. | 0:01:49 | 0:01:52 | |
But, first, here's a song for all those poor blokes | 0:01:52 | 0:01:54 | |
that are in here for something they didn't do. | 0:01:54 | 0:01:56 | |
They didn't run fast enough. | 0:01:56 | 0:01:59 | |
# Keep on running | 0:01:59 | 0:02:00 | |
# Keep on hiding | 0:02:02 | 0:02:04 | |
# One fine day I'm gonna be the one | 0:02:05 | 0:02:08 | |
# To make you understand | 0:02:08 | 0:02:10 | |
# Oh, yeah | 0:02:10 | 0:02:12 | |
# I'm gonna be your man | 0:02:12 | 0:02:14 | |
# Hey, hey, hey | 0:02:15 | 0:02:16 | |
# Everyone is talking about me | 0:02:16 | 0:02:20 | |
# It makes me feel so sad | 0:02:20 | 0:02:22 | |
# Hey, hey, hey | 0:02:22 | 0:02:24 | |
# Everyone is laughing at me | 0:02:24 | 0:02:26 | |
# It makes me feel so bad | 0:02:26 | 0:02:29 | |
# So keep on running... # | 0:02:29 | 0:02:31 | |
You know what? | 0:02:32 | 0:02:33 | |
Incarceration's a funny thing, innit? | 0:02:33 | 0:02:36 | |
At least on the outside you get to choose who you bunk down with. | 0:02:36 | 0:02:38 | |
On the inside, it's wrong'un roulette, innit? | 0:02:38 | 0:02:41 | |
I'm starting to miss my ex-girlfriends. | 0:02:41 | 0:02:44 | |
I had one who was a thoroughbred lunatic but at least she smelt nice, | 0:02:44 | 0:02:47 | |
unlike some people in here. Naming no names. | 0:02:47 | 0:02:50 | |
Anyway, here's a song for my cellmate - Joe Lotterby - | 0:02:50 | 0:02:53 | |
Nirvana, Smells Like Teen Spirit. | 0:02:53 | 0:02:55 | |
Or in your case, Joe, smells like moth balls. | 0:02:55 | 0:02:58 | |
Good show today, Fletch. I was just wondering, | 0:03:06 | 0:03:09 | |
could you play some Chas and Dave, London's finest? | 0:03:09 | 0:03:13 | |
I might be able to. Any preferences? | 0:03:13 | 0:03:15 | |
Snooker Loopy maybe? Or Gertcha? | 0:03:15 | 0:03:20 | |
Wallop! That's a tune! | 0:03:20 | 0:03:23 | |
You're a dark horse, aren't you, Shel? | 0:03:23 | 0:03:25 | |
-You never play any hip-hop. -I can't please everyone. | 0:03:25 | 0:03:27 | |
-Are you ever going to play any Yes? -No. | 0:03:27 | 0:03:29 | |
Hold on to your handbags, here comes Ullett. | 0:03:34 | 0:03:36 | |
-Is this seat taken? -Yes. -Don't look like it. | 0:03:36 | 0:03:38 | |
You know you're not welcome, Ullett. | 0:03:38 | 0:03:40 | |
-It's nothing personal, it's just we don't like you. -Why not? | 0:03:40 | 0:03:44 | |
Cos you're a thieving little git who'd sell his own grandmother. | 0:03:44 | 0:03:46 | |
-Who told you that? -The bloke who bought her. | 0:03:46 | 0:03:49 | |
I'll tell you what, if you can tell us a joke we ain't heard before, | 0:03:50 | 0:03:54 | |
-we'll let you have your breakfast with us. -All right. | 0:03:54 | 0:03:58 | |
This elephant walks into a bar... | 0:03:58 | 0:03:59 | |
Heard it. Get lost. | 0:03:59 | 0:04:01 | |
Enjoyed your show. How come you never play any U2? | 0:04:03 | 0:04:06 | |
Aren't things bad enough as it is? | 0:04:06 | 0:04:08 | |
Tell you what, I might you do you a favour if you can help me out. | 0:04:09 | 0:04:12 | |
-What favour's that? -Seeing as you're our resident tattoo artist, | 0:04:12 | 0:04:15 | |
I wondered if you could take them off as well as put 'em on? | 0:04:15 | 0:04:17 | |
Cos I think it's time I got rid of "Davina." | 0:04:17 | 0:04:19 | |
Well, I can't take 'em off but I can cover 'em up. | 0:04:19 | 0:04:22 | |
Davina, though, a lot of letters. | 0:04:22 | 0:04:24 | |
Shame I never went for someone called called Joy. | 0:04:24 | 0:04:26 | |
I'll fit you in, it's the least I can do. | 0:04:28 | 0:04:30 | |
Bro, you've got that DJ business down. | 0:04:30 | 0:04:33 | |
You could do it when you go out. Maybe even the BBC. | 0:04:33 | 0:04:35 | |
What? Stuck in a radio booth all week for a few hundred quid? | 0:04:35 | 0:04:38 | |
No, no, no. | 0:04:38 | 0:04:40 | |
Freelance DJ, now you're talking. | 0:04:40 | 0:04:43 | |
Backpack and a memory stick. | 0:04:43 | 0:04:45 | |
Parties in Dubai, Moscow, Hong Kong, | 0:04:45 | 0:04:47 | |
50K a night and A-list crumpet. | 0:04:47 | 0:04:49 | |
Got it all worked out, have you? Bit premature. | 0:04:49 | 0:04:52 | |
-You've got at least three years ahead of you. -Not necessarily. | 0:04:52 | 0:04:54 | |
-What's that mean? -Not saying. | 0:04:54 | 0:04:56 | |
What do you know that we don't? | 0:04:56 | 0:04:58 | |
-Not saying. Don't want to jinx it. -Jinx what? | 0:04:58 | 0:05:00 | |
What I'm not prepared to say nothing about. | 0:05:00 | 0:05:03 | |
I'll tell you what, I'm taking a phone call at the end of the day, | 0:05:04 | 0:05:07 | |
after which I might be able to shed some light. | 0:05:07 | 0:05:10 | |
Shed some light! I've got it. You're doing your electrician's course. | 0:05:10 | 0:05:14 | |
Give me strength. | 0:05:16 | 0:05:17 | |
What you got there, Joe? | 0:05:17 | 0:05:19 | |
About four weeks of painstaking work in ruins. | 0:05:19 | 0:05:23 | |
You know I have to get up before sparrow's fart and I have to | 0:05:23 | 0:05:26 | |
get dressed in the dark, and you leave things on the floor. | 0:05:26 | 0:05:28 | |
Trouble in paradise. The honeymoon is over. | 0:05:28 | 0:05:31 | |
Tell you what, you said you had an embarrassing tat | 0:05:31 | 0:05:33 | |
you wanted to get rid of. Irish will take care of it on me. | 0:05:33 | 0:05:36 | |
-Gang tat, is it? -Were you in a gang, Joe? | 0:05:36 | 0:05:39 | |
Yeah! 1959, I were a Teddy boy. | 0:05:39 | 0:05:43 | |
Drape jacket with a velvet collar. Drainpipe pants. | 0:05:44 | 0:05:48 | |
Hair creamed back into a duck's arse. | 0:05:48 | 0:05:52 | |
You had hair in them days, then? | 0:05:52 | 0:05:54 | |
Yeah. And three inch crepe-soled shoes. I was the bee's knees. | 0:05:54 | 0:05:59 | |
What was the worst thing you ever did? | 0:06:00 | 0:06:03 | |
Ooh... Day trip to Scarborough. | 0:06:03 | 0:06:05 | |
Went on the pop, got into a fight and I desecrated the floral clock. | 0:06:07 | 0:06:12 | |
-So where's the tattoo? -It's "Pauline" on my left buttock, | 0:06:14 | 0:06:17 | |
but I'm not certain if she's still there. | 0:06:17 | 0:06:20 | |
What do you mean you're not certain she's still there? | 0:06:21 | 0:06:24 | |
Well, she might have faded away - I can't see down there - | 0:06:24 | 0:06:28 | |
like her face has faded from my memory. | 0:06:28 | 0:06:32 | |
-Any volunteers to check him out in the showers? -Pass. | 0:06:32 | 0:06:35 | |
-Pass. -Cheeky sods. | 0:06:35 | 0:06:37 | |
Bring your buttock over later, Joe. I'll take care of it. | 0:06:37 | 0:06:40 | |
-Busy, Fletcher? -I am, as it happens, Mr Braithewaite. | 0:06:42 | 0:06:45 | |
-Preparing for tomorrow's radio show. -That's why I'm here. | 0:06:45 | 0:06:48 | |
I've been tasked with the job of seeing you don't include | 0:06:48 | 0:06:51 | |
-anything inappropriate. -I'm not sure I know what you mean. | 0:06:51 | 0:06:53 | |
Some of your jokes of late have been a little risque, | 0:06:53 | 0:06:56 | |
-bordering on the blue. -Oh, you mean one about the gang | 0:06:56 | 0:06:58 | |
nicking all the toilets out the police station? | 0:06:58 | 0:07:00 | |
-Remind me. -Spokesperson said, "We have absolutely nothing to go on." | 0:07:00 | 0:07:04 | |
"Nothing to go on." | 0:07:06 | 0:07:07 | |
Oh, I see. That seems harmless enough. | 0:07:07 | 0:07:11 | |
But the one about the haggis and the rabbi... | 0:07:11 | 0:07:14 | |
-Mr Meekie took offence, did he? -He did, yes. | 0:07:14 | 0:07:16 | |
-So...what have you got for us tomorrow? -You'll love this one. | 0:07:16 | 0:07:19 | |
It's late at night in the countryside | 0:07:19 | 0:07:22 | |
-and a copper's doing his rounds. -In a car or on his bike? | 0:07:22 | 0:07:25 | |
It don't matter, does it? | 0:07:25 | 0:07:27 | |
What matters is he sees something strange in a field, | 0:07:27 | 0:07:29 | |
-a bloke having it off with a pumpkin. -Having it off? | 0:07:29 | 0:07:32 | |
-Yeah. -With a pumpkin? | 0:07:32 | 0:07:34 | |
Yeah. | 0:07:34 | 0:07:36 | |
What does the policeman do? | 0:07:37 | 0:07:39 | |
He walks over quietly in his size 12 boots, | 0:07:39 | 0:07:41 | |
gets out his torch, flashes it, and he says, | 0:07:41 | 0:07:44 | |
"Why are you having sex with a pumpkin?" | 0:07:44 | 0:07:46 | |
And the bloke turns round and says, "Oh, no, is it midnight already?" | 0:07:46 | 0:07:49 | |
Midnight because...? | 0:07:53 | 0:07:55 | |
Think of Cinderella. | 0:07:57 | 0:07:59 | |
Oh, I see! | 0:07:59 | 0:08:01 | |
But Cinderella didn't turn into a pumpkin - | 0:08:03 | 0:08:05 | |
that was the coach. | 0:08:05 | 0:08:07 | |
And the footmen, they were turned back into frogs, or was it mice? | 0:08:08 | 0:08:12 | |
No, she found herself back in her kitchen rags. | 0:08:12 | 0:08:15 | |
You're a comedian's despair, Mr Braithewaite. | 0:08:15 | 0:08:18 | |
Nor do I understand why the man was having sex with the pumpkin | 0:08:18 | 0:08:21 | |
-in the first place. -Did I fail to mention it was in Scotland? | 0:08:21 | 0:08:23 | |
Point of fact, Mr Meekie's home town. | 0:08:23 | 0:08:26 | |
Mr Hardacre, please. It's Nigel Fletcher. | 0:08:34 | 0:08:37 | |
Yes, he's expecting my call. | 0:08:37 | 0:08:39 | |
Now listen, and listen carefully, it's all going down Friday night. | 0:08:39 | 0:08:43 | |
It's a big haul, gold bars as well as cash and sparklers. | 0:08:43 | 0:08:47 | |
There'll be security but they won't make themselves too busy, | 0:08:47 | 0:08:52 | |
not if everyone's tooled up with Uzis and AKs. | 0:08:52 | 0:08:55 | |
Give Maggie my love. | 0:08:57 | 0:08:58 | |
Hope her psoriasis has cleared up. | 0:09:00 | 0:09:02 | |
Ciao. | 0:09:02 | 0:09:04 | |
Scuddsy, are you mental? | 0:09:05 | 0:09:07 | |
You know the screws ear wig our calls. | 0:09:07 | 0:09:09 | |
I know they do, I just love winding them up. | 0:09:09 | 0:09:12 | |
-Is that your mum? Let me say hello. -No, I'm on the phone | 0:09:16 | 0:09:19 | |
to a very expensive brief | 0:09:19 | 0:09:20 | |
and I've got to talk very quickly cos I'm paying him by the minute. | 0:09:20 | 0:09:23 | |
Hello? Yes, it is me. Never mind the weather, what happened? | 0:09:26 | 0:09:30 | |
Postponed? For six months? | 0:09:31 | 0:09:34 | |
Why? | 0:09:34 | 0:09:36 | |
You told me it'd be sorted in a week, | 0:09:37 | 0:09:39 | |
that's why I pay you all this money. | 0:09:39 | 0:09:41 | |
OK. You know what you should do, don't you? | 0:09:41 | 0:09:44 | |
You should do what a duck can't but a goose can. | 0:09:44 | 0:09:46 | |
Stick your bill up your arse! | 0:09:46 | 0:09:48 | |
So... | 0:09:51 | 0:09:53 | |
a wee bird tells me your appeal has been turned down. | 0:09:53 | 0:09:57 | |
-SARCASTICALLY: -Aw. | 0:09:58 | 0:10:00 | |
Still, look on the bright side. It will give you and I a chance | 0:10:01 | 0:10:03 | |
-to get to know each other better. -It's been postponed, Mr Meekie. | 0:10:03 | 0:10:06 | |
If you're going to ear wig my calls, you should listen properly. | 0:10:06 | 0:10:09 | |
-Good lawyer, is he? -You know what they say, Mr Meekie. | 0:10:09 | 0:10:12 | |
"Good lawyers know the law. | 0:10:12 | 0:10:14 | |
"Great lawyers know the judge." | 0:10:14 | 0:10:15 | |
Postponed doesn't sound good. | 0:10:15 | 0:10:18 | |
At least you've got that radio show of yours | 0:10:18 | 0:10:21 | |
as a substitute for the warmth of friends and family. | 0:10:21 | 0:10:24 | |
You're enjoying this, aren't you, Mr Meekie? | 0:10:26 | 0:10:28 | |
-Don't answer that, it's a rhetorical question. -Oh, no. | 0:10:28 | 0:10:30 | |
I'd very much like to answer it...in the affirmative. | 0:10:30 | 0:10:33 | |
You should tell a lawyer joke on your programme tomorrow. | 0:10:35 | 0:10:39 | |
I know a very good one. | 0:10:39 | 0:10:41 | |
What's the difference between a lawyer and a rhinoceros? | 0:10:41 | 0:10:44 | |
I've heard it. Lawyers charge more. | 0:10:44 | 0:10:46 | |
And while we're on the subject, I know a good record you could play, | 0:10:48 | 0:10:51 | |
something your audience would be sure to appreciate. | 0:10:51 | 0:10:53 | |
-Try me. -Engelbert Humperdinck, Please Release Me. | 0:10:53 | 0:10:57 | |
MEEKIE LAUGHS | 0:10:59 | 0:11:00 | |
Ten seconds till lockdown! | 0:11:02 | 0:11:03 | |
Hurry up, Fletcher! | 0:11:03 | 0:11:05 | |
How did it go? | 0:11:09 | 0:11:11 | |
It didn't. Got postponed for six months. | 0:11:11 | 0:11:14 | |
And he was so confident. | 0:11:14 | 0:11:16 | |
Yeah, so were you. I told you not to count your chickens | 0:11:16 | 0:11:20 | |
but you wouldn't take no notice. | 0:11:20 | 0:11:22 | |
Forgive me for looking for a light at the end of the tunnel | 0:11:22 | 0:11:24 | |
but I do actually want to get out of here! | 0:11:24 | 0:11:26 | |
All I was trying to tell you was that you might be barking up | 0:11:26 | 0:11:29 | |
the wrong tree and flogging a dead horse. | 0:11:29 | 0:11:32 | |
What's a dead horse doing up a tree? | 0:11:32 | 0:11:34 | |
Look, you've got to be resilient inside. | 0:11:35 | 0:11:39 | |
Look for little victories, that's what your grandad used to say, | 0:11:39 | 0:11:42 | |
cos I don't want you going ending up like Billy Forester. | 0:11:42 | 0:11:45 | |
All right, who is, or who was, Billy Forrester? | 0:11:45 | 0:11:49 | |
He were a fella I shared a cell with about 20 years ago. | 0:11:49 | 0:11:53 | |
He were a lot like you - cheeky and full of fun. | 0:11:53 | 0:11:57 | |
He had his appeal turned down. | 0:11:57 | 0:11:59 | |
-What happened? -Well, it went on for months but it changed him. | 0:11:59 | 0:12:03 | |
He started mumbling to himself | 0:12:03 | 0:12:06 | |
and he never smiled. | 0:12:06 | 0:12:08 | |
He just sat there like a pimple on a gherkin. | 0:12:08 | 0:12:12 | |
-Did he get out? -No, he got two years added on. | 0:12:13 | 0:12:16 | |
-What for? -Strangulation. | 0:12:19 | 0:12:21 | |
What, his solicitor? | 0:12:22 | 0:12:24 | |
No, me. I were trying to cheer him up. | 0:12:24 | 0:12:27 | |
JOE SNORES LOUDLY | 0:12:31 | 0:12:34 | |
JOE FARTS | 0:12:44 | 0:12:45 | |
JOE: Oh, no, no, don't! | 0:12:49 | 0:12:51 | |
JOE WAILS IN HIS SLEEP | 0:12:51 | 0:12:54 | |
Oh, no, no, no! | 0:12:55 | 0:12:57 | |
No, stop it, stop it! | 0:12:57 | 0:13:00 | |
Eileen, stop it! | 0:13:00 | 0:13:02 | |
JOE MOANS | 0:13:03 | 0:13:06 | |
HE FARTS | 0:13:06 | 0:13:08 | |
ALARM BEEPS | 0:13:10 | 0:13:14 | |
Oh, no. No, no, no. That is out of order. | 0:13:28 | 0:13:30 | |
That is totally out of order! | 0:13:30 | 0:13:31 | |
What? You're out of order, waking me every bloody morning. | 0:13:31 | 0:13:36 | |
No, you're out of order. | 0:13:36 | 0:13:38 | |
I haven't slept a wink all night because of you and now this. | 0:13:38 | 0:13:41 | |
What? | 0:13:41 | 0:13:42 | |
Oh, I was cutting my toenails last night. | 0:13:42 | 0:13:47 | |
And what do we do when we cut our toenails? | 0:13:51 | 0:13:53 | |
We only do them when we're alone, which I was, | 0:13:53 | 0:13:56 | |
and we throw the parings away, which I did, except I missed one. | 0:13:56 | 0:14:01 | |
Yeah, you missed one. | 0:14:01 | 0:14:02 | |
You're making a mountain out of a molehill. | 0:14:02 | 0:14:05 | |
There we go again, Inspector Cliche. | 0:14:05 | 0:14:07 | |
It's no wonder Billy Whatsisname tried to strangle you | 0:14:07 | 0:14:10 | |
-because it has to said, Joe, you have habits. -What habits? | 0:14:10 | 0:14:13 | |
You're always sniffing in the morning and you're always | 0:14:13 | 0:14:16 | |
scratching your head. If it's not your head, it's your nose. | 0:14:16 | 0:14:18 | |
If it's not your nose, it's your apple sack. | 0:14:18 | 0:14:20 | |
If it's not your applesack, it's your backside. | 0:14:20 | 0:14:22 | |
It won't be scratching my backside for a few days since Irish | 0:14:22 | 0:14:24 | |
removed Eileen. I can't hardly sit down. | 0:14:24 | 0:14:26 | |
You said her name was Pauline. | 0:14:26 | 0:14:28 | |
I know I did but it turned out different. | 0:14:28 | 0:14:32 | |
I've no idea who Eileen was or why she's been beautifying my bum | 0:14:33 | 0:14:38 | |
-all these years. -We're getting off the point. | 0:14:38 | 0:14:41 | |
That's another thing that drives me crazy, | 0:14:41 | 0:14:43 | |
leaping from subject to subject like a grasshopper. | 0:14:43 | 0:14:45 | |
I've never complained about your snoring. | 0:14:45 | 0:14:47 | |
You ought to wear on of them adjustable chin straps. | 0:14:47 | 0:14:50 | |
Adjustable chin strap? How dare you! | 0:14:50 | 0:14:54 | |
Listen, son, I've been doing stir for years and I get through it. | 0:14:54 | 0:15:01 | |
You've been here for five minutes | 0:15:01 | 0:15:02 | |
and you're bleating like a constipated sheep. | 0:15:02 | 0:15:05 | |
All I'm saying is there has to be rules, standards. | 0:15:05 | 0:15:09 | |
Yes, all right, I'll try. But a leopard can't... | 0:15:09 | 0:15:12 | |
Change his spots? Yeah, yeah, yeah. | 0:15:12 | 0:15:15 | |
And you can't teach an old dog... | 0:15:15 | 0:15:16 | |
To bark up a new tree? Yeah, yeah, yeah. | 0:15:16 | 0:15:19 | |
-And curiosity killed the cat. -What's that got to do with anything? | 0:15:19 | 0:15:22 | |
It's the only cliche you haven't used! | 0:15:22 | 0:15:24 | |
HE BANGS ON DOOR | 0:15:26 | 0:15:27 | |
Let me out of here! I'm trying to storm out! | 0:15:27 | 0:15:29 | |
Morning, losers. Welcome to another day wasted at the Greybar Hotel. | 0:15:32 | 0:15:37 | |
We're stuck in here and we're going to hell. | 0:15:37 | 0:15:40 | |
Things can't get any worse. | 0:15:40 | 0:15:42 | |
I think it's time we did something about it. | 0:15:42 | 0:15:45 | |
This is the Kaiser Chiefs. | 0:15:45 | 0:15:47 | |
# I predict a riot | 0:15:47 | 0:15:49 | |
# I predict a riot | 0:15:49 | 0:15:51 | |
# I predict a riot | 0:15:53 | 0:15:55 | |
# I predict a riot... # | 0:15:55 | 0:15:57 | |
MEEKIE BLOWS WHISTLE | 0:16:00 | 0:16:02 | |
What on earth is going on here? | 0:16:05 | 0:16:08 | |
MUSIC PLAYS THROUGH RADIO | 0:16:08 | 0:16:10 | |
-What was that about, Fletcher? -What was what about, Mr Meekie? | 0:16:10 | 0:16:14 | |
I Predict A Riot. | 0:16:14 | 0:16:16 | |
I predict a week in solitary if there's any more of that, son. | 0:16:16 | 0:16:19 | |
And you played three Cure songs and a James Blunt B side? | 0:16:19 | 0:16:26 | |
If that carries on, I'll be opening up a suicide hotline. | 0:16:27 | 0:16:30 | |
Can't be chirpy all the time, Mr Meekie. | 0:16:31 | 0:16:33 | |
It was a reflection of how I feel and you know why. | 0:16:33 | 0:16:36 | |
You think you're hard-done by, do you? But just remember | 0:16:36 | 0:16:38 | |
I can make your life a lot harder. | 0:16:38 | 0:16:40 | |
I thought that was your life's purpose, Mr Meekie? | 0:16:40 | 0:16:42 | |
That radio show is a privilege, laddy, and you are abusing it. | 0:16:42 | 0:16:45 | |
Your job is to play records. | 0:16:45 | 0:16:48 | |
Speaking of which, I have another request. | 0:16:48 | 0:16:51 | |
There is a song by a band called Queen... | 0:16:51 | 0:16:54 | |
..I Want To Break Free. | 0:16:56 | 0:16:58 | |
Oh! Can't unsee that! | 0:17:06 | 0:17:09 | |
It's coming along nicely, Joe. Still a bit pink but no infection. | 0:17:12 | 0:17:16 | |
He's heard that a few times over the years. | 0:17:16 | 0:17:18 | |
None of your lip, if you don't mind. What brings you here? | 0:17:19 | 0:17:23 | |
I've come to remove the last vestiges | 0:17:23 | 0:17:26 | |
of an unfortunate relationship. | 0:17:26 | 0:17:28 | |
Davina, the bird who ruined my life. | 0:17:28 | 0:17:30 | |
She didn't ruin your life, you did. | 0:17:30 | 0:17:33 | |
If you can't do the time, don't do the crime. | 0:17:33 | 0:17:37 | |
-IMITATES HIM: -If you can't do the time, don't do the crime. | 0:17:39 | 0:17:42 | |
-No pleasing some people, is there? -You two still rucking? | 0:17:42 | 0:17:46 | |
Just gets to you, this place. How do you cope? | 0:17:46 | 0:17:48 | |
Stir's part and parcel for an incorrigible like myself. | 0:17:48 | 0:17:52 | |
Having a trade helps. | 0:17:52 | 0:17:53 | |
-What's the best tattoo you ever done? -A fox hunt. | 0:17:53 | 0:17:56 | |
Some mad bugger in County Offaly. | 0:17:56 | 0:17:58 | |
Horses and hounds covered his entire back, | 0:17:58 | 0:18:00 | |
and you could just see the tip of the fox's brush sticking out | 0:18:00 | 0:18:03 | |
the crack of his arse. | 0:18:03 | 0:18:05 | |
That was my Sistine Chapel. | 0:18:05 | 0:18:08 | |
Well, hopefully, this won't take as long as that. | 0:18:08 | 0:18:11 | |
A shortcut would be to keep some of the letters | 0:18:11 | 0:18:13 | |
-and replace the others with something else. -Like what? | 0:18:13 | 0:18:16 | |
I could stick a P there at the start | 0:18:16 | 0:18:18 | |
and, at the end, make it into a G. | 0:18:18 | 0:18:21 | |
"Paving"? What sort of person has "paving" written on their arm? | 0:18:21 | 0:18:25 | |
It looked great on my Uncle Seamus. | 0:18:25 | 0:18:27 | |
-Don't know about this. -Sooner or later, you'll meet another girl | 0:18:27 | 0:18:30 | |
and she'll want it to have it off. | 0:18:30 | 0:18:32 | |
Let's hope so. | 0:18:32 | 0:18:34 | |
The tattoo, I mean. | 0:18:34 | 0:18:36 | |
-What's that? -Numbing lotion. | 0:18:37 | 0:18:39 | |
Give us half a pint and a packet of pork scratchings. | 0:18:39 | 0:18:42 | |
Fond farewells and au revoirs to two of our residents | 0:18:46 | 0:18:48 | |
who are leaving us today - | 0:18:48 | 0:18:50 | |
Hussein al-Rasheed and our young rapper friend, Bubonic Rap Death, | 0:18:50 | 0:18:54 | |
or, as his mum knows him, Timothy Ridley-Coombes. | 0:18:54 | 0:18:57 | |
Siberian winds coming in from the east, lads, | 0:18:57 | 0:19:00 | |
so you'll probably freeze to death anyway. | 0:19:00 | 0:19:02 | |
I've got a request in here from Mr Meekie's father-in-law. | 0:19:02 | 0:19:04 | |
I'm sorry I couldn't find the track he asked for, | 0:19:04 | 0:19:07 | |
My Son-in-law's A Joyless Spanner. | 0:19:07 | 0:19:09 | |
So here is Radiohead with Creep. | 0:19:11 | 0:19:14 | |
Sit down, Joe. | 0:19:18 | 0:19:19 | |
-You sure? -Of course. | 0:19:19 | 0:19:21 | |
How you doing, old timer? | 0:19:22 | 0:19:24 | |
-Doing well enough. -Tell Joe what you told me, Scudds. | 0:19:24 | 0:19:27 | |
Two geezers getting shipped out today, | 0:19:27 | 0:19:30 | |
one of them had a single cell and it ain't been filled. | 0:19:30 | 0:19:32 | |
What's that got to do with me? | 0:19:32 | 0:19:34 | |
Well, the kanga on that tier and me have an understanding. | 0:19:34 | 0:19:38 | |
I intimidate him and he gives me bars of fruit and nut. | 0:19:38 | 0:19:42 | |
I'll have a little whisper in his earhole | 0:19:43 | 0:19:45 | |
and he'll move one of yous two in. | 0:19:45 | 0:19:46 | |
Cell of your own, eh, Joe? Dream come true. | 0:19:46 | 0:19:49 | |
-So you want to get ride of me, do you? -I thought you'd be up for it. | 0:19:49 | 0:19:52 | |
You've been complaining about my habits. | 0:19:52 | 0:19:54 | |
-I thought it was me who had habits. -I'd rather you moved out | 0:19:54 | 0:19:58 | |
-than I get an adjustable chin strap. -Whatever. | 0:19:58 | 0:20:00 | |
Why are you giving me a hard time about this? | 0:20:00 | 0:20:03 | |
I'm trying to do you a favour. A cell of your own's a luxury | 0:20:03 | 0:20:05 | |
in the bin, especially at your age. | 0:20:05 | 0:20:07 | |
When you're my age, what a fella likes most is company. | 0:20:07 | 0:20:10 | |
Mind you, I've had better company talking to a wall. | 0:20:10 | 0:20:14 | |
Well, if I'm that boring, maybe you are better off on your own. | 0:20:14 | 0:20:17 | |
-Maybe I am. So, I'll go and shift my stuff, shall I? -Whatever. | 0:20:17 | 0:20:21 | |
-Can you believe that? -Does that mean yous two have split up? | 0:20:22 | 0:20:26 | |
Fletcher! Governor, now! | 0:20:27 | 0:20:30 | |
We're not... | 0:20:32 | 0:20:34 | |
You owe Mr Meekie an apology, Fletcher. | 0:20:38 | 0:20:42 | |
Yes, Ma'am. Sorry, Mr Meekie. And apologies to your father-in-law. | 0:20:42 | 0:20:46 | |
I don't understand what's happened to your show. | 0:20:46 | 0:20:49 | |
You persuaded me to let you have it. | 0:20:49 | 0:20:51 | |
You argued that music has a therapeutic | 0:20:51 | 0:20:53 | |
-effect on the incarcerated male. -So it does, Ma'am. | 0:20:53 | 0:20:56 | |
Yes, if it's positive and uplifting | 0:20:56 | 0:20:58 | |
and until a few days ago it was. | 0:20:58 | 0:21:01 | |
I enjoyed your show and I'm sure Mr Meekie did, too, didn't you? | 0:21:01 | 0:21:05 | |
I... It...had some merit, Ma'am, if you like that kind of thing. | 0:21:05 | 0:21:10 | |
But your recent choices of music, I mean, | 0:21:10 | 0:21:14 | |
Paint it Black, Back to Black, Black is Black. | 0:21:14 | 0:21:19 | |
Highway to Hell. | 0:21:19 | 0:21:20 | |
He's using music to stir up dissent and disobedience, Ma'am. | 0:21:20 | 0:21:24 | |
I have to agree with you, Mr Meekie. I'm sorry, Fletcher, | 0:21:24 | 0:21:26 | |
but I'm seriously considering taking you off the air. | 0:21:26 | 0:21:29 | |
Perhaps you're right, Ma'am. Maybe I'm not in the right frame of mind. | 0:21:30 | 0:21:33 | |
Perhaps Mr Meekie could take over, maybe he'd do a better job | 0:21:33 | 0:21:36 | |
of lifting the prisoners' spirits. | 0:21:36 | 0:21:38 | |
There's no maybe about it, laddy. | 0:21:38 | 0:21:40 | |
The majesty of Kenneth McKeller, | 0:21:40 | 0:21:43 | |
the lifting tones of Moira Anderson, | 0:21:43 | 0:21:46 | |
My Love Is Like A Red Red Rose, | 0:21:46 | 0:21:49 | |
guaranteed to raise the spirits of any man, woman or child. | 0:21:49 | 0:21:53 | |
Oh, yeah. How does that go? | 0:21:53 | 0:21:55 | |
# Oh, my love is like a red red rose | 0:21:57 | 0:22:04 | |
# That's newly sprung in June | 0:22:04 | 0:22:08 | |
# Oh, my... # | 0:22:08 | 0:22:10 | |
Stop it, Mr Meekie. | 0:22:10 | 0:22:12 | |
On second thoughts, Fletcher, | 0:22:12 | 0:22:14 | |
maybe I'll give you one last chance. | 0:22:14 | 0:22:17 | |
Thank you, Ma'am. | 0:22:17 | 0:22:19 | |
-Caught you! -Caught me what? | 0:22:24 | 0:22:26 | |
Thieving, red-handed, right in the middle of the day. | 0:22:26 | 0:22:29 | |
I reckon it's a sickness with you, Ullett. | 0:22:29 | 0:22:31 | |
You're a bona fide kleptomaniac. | 0:22:31 | 0:22:32 | |
-I'm not thieving, I'm moving in. -What? | 0:22:32 | 0:22:36 | |
I've been reassigned. | 0:22:37 | 0:22:39 | |
By who? | 0:22:39 | 0:22:40 | |
Mr Meekie. So, do you want the top or bottom bunk? | 0:22:40 | 0:22:45 | |
Don't move. Do not unpack a sock until I sort this out. | 0:22:45 | 0:22:49 | |
You get off that bunk! | 0:22:52 | 0:22:54 | |
Don't, Fletch! | 0:22:54 | 0:22:55 | |
-It's mine! -Get off there! | 0:22:55 | 0:22:58 | |
Scuddsy, Ullett's in my cell! | 0:23:01 | 0:23:04 | |
What's he nicked? I'll get it back off him. | 0:23:04 | 0:23:06 | |
No, no, no. Meekie's put him in there. Look, you've got to talk | 0:23:06 | 0:23:09 | |
to your pet screw. I need to get Joe back in with me. Where is Joe? | 0:23:09 | 0:23:12 | |
His new cell ain't ready yet, so he's gone for a walk round the yard. | 0:23:12 | 0:23:15 | |
In this weather? He'll freeze his nuts off. | 0:23:15 | 0:23:18 | |
Joe, what are you doing out here in the cold, you old loon? | 0:23:22 | 0:23:26 | |
Come on, let's get you back inside. We've got a lot to talk about. | 0:23:26 | 0:23:29 | |
Joe? | 0:23:29 | 0:23:31 | |
Joe?! | 0:23:31 | 0:23:33 | |
Get the MO! It's an emergency! | 0:23:34 | 0:23:37 | |
Lotterby has been taken to hospital. | 0:23:41 | 0:23:43 | |
The MO reckons it's hypothermia. | 0:23:43 | 0:23:46 | |
But is going to be all right? | 0:23:48 | 0:23:49 | |
I won't sugar-coat it, Fletcher. | 0:23:49 | 0:23:51 | |
When they put him in the ambulance, he didn't have a pulse. | 0:23:51 | 0:23:54 | |
You not doing the radio show today, Fletch? | 0:24:04 | 0:24:07 | |
Don't feel like it just yet. | 0:24:07 | 0:24:08 | |
-It's all my fault. -No, it's not. He was pretty old. | 0:24:09 | 0:24:13 | |
Did he ever talk about it? How he wanted to go, like? | 0:24:13 | 0:24:16 | |
-Burial or cremation? -Cremation, that would be my choice. | 0:24:16 | 0:24:20 | |
You would say that, Loomis, you're an arsonist. | 0:24:20 | 0:24:23 | |
In India, they have a funeral pyre and the body floats down the Ganges. | 0:24:23 | 0:24:27 | |
I quite fancy a Viking funeral. | 0:24:27 | 0:24:30 | |
What's that? | 0:24:30 | 0:24:32 | |
They put your body in a boat full of kindling wood, | 0:24:32 | 0:24:35 | |
push it out to sea, | 0:24:35 | 0:24:37 | |
then set fire to it with flaming arrows. | 0:24:37 | 0:24:40 | |
Not being funny, Shel, but you don't look much like a Viking to me. | 0:24:40 | 0:24:44 | |
And the closest you've been to the sea is Bermondsey. | 0:24:45 | 0:24:49 | |
We take our holidays in Ilfracombe. | 0:24:49 | 0:24:51 | |
Scudds, what did the hospital say? | 0:24:53 | 0:24:55 | |
Spoke to the nurse... | 0:24:55 | 0:24:57 | |
She said...he's no longer with us. | 0:24:58 | 0:25:02 | |
What, you mean...? | 0:25:03 | 0:25:04 | |
She said he's gone, Fletch. | 0:25:06 | 0:25:07 | |
Hello, everyone. | 0:25:12 | 0:25:14 | |
This is not a good day. I'm not going to pretend. | 0:25:14 | 0:25:17 | |
I'm sorry to have to tell you that Joe Lotterby is no longer with us. | 0:25:17 | 0:25:20 | |
My greatest regret is that my last words to him were in anger. | 0:25:22 | 0:25:26 | |
I'll think about that for a very long time, Joe, | 0:25:26 | 0:25:28 | |
and I'm really, really sorry. | 0:25:28 | 0:25:30 | |
It's not easy doing time, we all know that. | 0:25:30 | 0:25:33 | |
We live like sardines | 0:25:35 | 0:25:36 | |
and most of us are strangers to each other. | 0:25:36 | 0:25:39 | |
Joe had been banged up longer than any of us, | 0:25:39 | 0:25:41 | |
but he never complained. | 0:25:41 | 0:25:43 | |
I'll miss you, mate. | 0:25:43 | 0:25:45 | |
Porridge will be a lot harder without you. | 0:25:48 | 0:25:50 | |
Bloody hell, the daft bugger thinks I'm dead! | 0:25:50 | 0:25:53 | |
Well, I can't say it's good to be back. | 0:26:01 | 0:26:04 | |
That was Bill Withers with Ain't No Sunshine. | 0:26:06 | 0:26:09 | |
If anyone else has got a song for Joe, just let me know. | 0:26:10 | 0:26:13 | |
-Johnny Cash, Ring Of fire. -Oh, you...! | 0:26:13 | 0:26:16 | |
How's it going, Fletch? | 0:26:18 | 0:26:20 | |
How's it going? We thought you'd snuffed it! | 0:26:20 | 0:26:23 | |
Scuddsy rang the hospital, they'd said you'd gone! | 0:26:23 | 0:26:25 | |
Yeah, so I had. They needed the bed. | 0:26:25 | 0:26:28 | |
Yeah, but they said that...you...were no longer with us. | 0:26:28 | 0:26:31 | |
Scuddsy, if you're listening, you're an absolute dingbat. | 0:26:31 | 0:26:35 | |
-I've just eulogised you to the whole nick! -I know, I heard most of it. | 0:26:35 | 0:26:39 | |
It were like being at my own wake. | 0:26:39 | 0:26:41 | |
Lovely sentiments, Fletch. | 0:26:41 | 0:26:43 | |
Now put something cheerier on, | 0:26:43 | 0:26:46 | |
I'm dying for a cup of tea. | 0:26:46 | 0:26:47 | |
INMATES CHEER | 0:26:47 | 0:26:50 | |
All right, that will do, carry on! | 0:26:50 | 0:26:53 | |
-Cup of tea, Joe, just the way you like it. -Oh, thanks, Fletch. | 0:26:58 | 0:27:02 | |
Do you need a kip, Joe? | 0:27:03 | 0:27:05 | |
You must be feeling a bit off after what you went through. | 0:27:05 | 0:27:07 | |
Stop fussing. I'm feeling fine. | 0:27:07 | 0:27:10 | |
Do you remember what it was like, you know, when you were...dead? | 0:27:10 | 0:27:13 | |
-Yeah, I do. -What happened? When you went over to the other side? | 0:27:13 | 0:27:17 | |
-What was it like? -It were like the Yorkshire Dales on a summer's day. | 0:27:17 | 0:27:22 | |
What, raining with loads of caravans? | 0:27:22 | 0:27:24 | |
No, you clown. | 0:27:26 | 0:27:27 | |
Rolling hills and gentle streams, | 0:27:27 | 0:27:30 | |
and a maiden in a meadow - | 0:27:30 | 0:27:33 | |
young and pretty. | 0:27:33 | 0:27:35 | |
And the breeze ruffled her frock, exposing freckled thighs. | 0:27:35 | 0:27:40 | |
Freckled thighs, my word! | 0:27:40 | 0:27:42 | |
As I got closer, I recognised her. | 0:27:42 | 0:27:45 | |
It were Eileen. | 0:27:45 | 0:27:46 | |
What, the tat you forgot about on your bum? | 0:27:49 | 0:27:51 | |
Yeah! That's the one. | 0:27:51 | 0:27:53 | |
She were always just out of reach. | 0:27:53 | 0:27:57 | |
But she seemed to be saying, | 0:27:57 | 0:27:59 | |
"I'll still be here when you get back." | 0:27:59 | 0:28:02 | |
Then I woke up and a nurse were giving me an enema. | 0:28:04 | 0:28:07 | |
Well, it's nice to have you back on this side | 0:28:09 | 0:28:13 | |
and I'm sorry I was tetchy. | 0:28:13 | 0:28:15 | |
-I'll try to be better next time. -Thanks, Fletch. | 0:28:15 | 0:28:18 | |
CRUNCHING | 0:28:18 | 0:28:19 | |
Oh! | 0:28:19 | 0:28:21 |