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Nigel Norman Fletcher, you have been found guilty of the charges | 0:00:02 | 0:00:04 | |
brought against you, and it is now my duty to pass sentence. | 0:00:04 | 0:00:08 | |
Cyber-crime is a modern menace. | 0:00:11 | 0:00:14 | |
A man of your obvious ingenuity and intelligence | 0:00:14 | 0:00:17 | |
might have used his gifts on behalf of society. | 0:00:17 | 0:00:20 | |
Instead, you chose to employ them in a pursuit of self-indulgence, | 0:00:23 | 0:00:27 | |
greed, and gain. | 0:00:27 | 0:00:29 | |
You will now face the consequences, and go to prison for five years. | 0:00:31 | 0:00:36 | |
How you all doing out there? Or should I say, "In there"? | 0:00:39 | 0:00:42 | |
This is National Prison Radio, made by prisoners for prisoners. | 0:00:42 | 0:00:45 | |
Later on, we'll be looking forward to all the weekend's sport, | 0:00:45 | 0:00:48 | |
but first, this from you know who. | 0:00:48 | 0:00:50 | |
We should have our own radio station. You know, Radio Wakeley. | 0:00:50 | 0:00:54 | |
I could do that. I could be the DJ. | 0:00:54 | 0:00:55 | |
You have got the banter, Fletch. | 0:00:55 | 0:00:57 | |
Gift of the gab, that's for sure. | 0:00:57 | 0:00:59 | |
I reckon I'd be good at it. Play some good music, | 0:00:59 | 0:01:01 | |
tell a few jokes, I could even do interviews, | 0:01:01 | 0:01:03 | |
-I could do you, Joe. -Why would you want to interview me? | 0:01:03 | 0:01:06 | |
Britain's oldest prisoner. | 0:01:06 | 0:01:08 | |
No, I'm not. There's an axe murderer in Durham who's 86. | 0:01:08 | 0:01:12 | |
86! How long's he been in? | 0:01:13 | 0:01:16 | |
Two years. | 0:01:16 | 0:01:17 | |
Two years?! What, so he topped someone at 84? | 0:01:19 | 0:01:22 | |
Well, it was manslaughter rather than murder, so he'll be out | 0:01:22 | 0:01:26 | |
when he's 110. | 0:01:26 | 0:01:28 | |
See, this is what I'm talking about. | 0:01:28 | 0:01:30 | |
Scintillating anecdotes from a man who's seen it all. | 0:01:30 | 0:01:32 | |
Well, reluctant as I am to leave this pointless conversation, | 0:01:32 | 0:01:36 | |
I'm late for work. | 0:01:36 | 0:01:38 | |
-Why's it pointless? -Because Meekie's not going to | 0:01:38 | 0:01:40 | |
want to hear you gabbing off every morning. | 0:01:40 | 0:01:42 | |
He's got a point there, Fletch. Hard to swing that one. | 0:01:42 | 0:01:45 | |
It's worth a try. | 0:01:45 | 0:01:47 | |
I could do weather! Weather and traffic! | 0:01:47 | 0:01:50 | |
What traffic? | 0:01:52 | 0:01:54 | |
Clockwise congestion in the showers? | 0:01:54 | 0:01:56 | |
I have got a bit of congestion, as it goes. | 0:01:57 | 0:02:00 | |
Welcome to Wakeley. By the time you've got that lot off, | 0:02:05 | 0:02:08 | |
you'll be halfway through your sentence. | 0:02:08 | 0:02:10 | |
Yeah. Well, I get them back, right? | 0:02:10 | 0:02:13 | |
I mean, there's some good memories there. | 0:02:13 | 0:02:15 | |
Oh, yeah, don't worry, it'll all be locked away nice and safe. | 0:02:15 | 0:02:20 | |
Like me, then, eh? | 0:02:20 | 0:02:21 | |
Oh, no, no. I said your stuff will be nice and safe. | 0:02:21 | 0:02:24 | |
I can't promise that you will be. | 0:02:24 | 0:02:26 | |
Lot of nutters in here. | 0:02:27 | 0:02:28 | |
I'm only joking. | 0:02:30 | 0:02:32 | |
Are you? | 0:02:33 | 0:02:34 | |
No. | 0:02:34 | 0:02:35 | |
Good news, though - you're early, so the showers might still be warm. | 0:02:37 | 0:02:41 | |
They're through there. | 0:02:41 | 0:02:42 | |
Chin up, it'll fly by. | 0:02:43 | 0:02:45 | |
Really? | 0:02:45 | 0:02:47 | |
No. | 0:02:47 | 0:02:48 | |
MUSIC PLAYS | 0:02:50 | 0:02:53 | |
Ms Driscoll, turn that up, it's a tune! | 0:02:53 | 0:02:56 | |
It's loud enough. | 0:02:56 | 0:02:57 | |
-Don't you like this music, Ms Driscoll? -Not bad. | 0:02:57 | 0:03:00 | |
What's your sort of thing, then? I bet it's all Michael Buble | 0:03:00 | 0:03:03 | |
and magnolia candles round your house, innit? | 0:03:03 | 0:03:05 | |
What goes on in my house is my business, Fletcher. | 0:03:05 | 0:03:10 | |
Just making small talk. | 0:03:10 | 0:03:11 | |
Very funny. | 0:03:13 | 0:03:15 | |
If you must know, I'm a big fan of Take That. | 0:03:15 | 0:03:18 | |
Oh, yeah? Who's your favourite? | 0:03:18 | 0:03:20 | |
Gary? Robbie? Little Mark? | 0:03:20 | 0:03:23 | |
Not Howard?! | 0:03:25 | 0:03:27 | |
Howard?! That's just wrong! | 0:03:30 | 0:03:33 | |
I'm a big fan of Jason Orange myself. | 0:03:33 | 0:03:35 | |
That geezer's got some serious moves! | 0:03:35 | 0:03:37 | |
ALL CHEER | 0:03:37 | 0:03:39 | |
Shel! Shel! Shel! | 0:03:39 | 0:03:42 | |
What on earth is going on here?! | 0:03:42 | 0:03:44 | |
This is a place of work, not a discotheque. | 0:03:44 | 0:03:47 | |
It's Fletcher, sir. He's playing up. | 0:03:47 | 0:03:49 | |
Oh, why does that not surprise me? | 0:03:49 | 0:03:52 | |
Charge of insubordination is not going to look good on your record, | 0:03:52 | 0:03:55 | |
is it, Fletcher? | 0:03:55 | 0:03:57 | |
-Is it? -No, sir. -No, sir. | 0:03:57 | 0:03:59 | |
Turn that racket off, Driscoll. | 0:04:01 | 0:04:02 | |
Why'd you do that, Mr Meekie? That's a mad groove. Keeps us happy. | 0:04:04 | 0:04:08 | |
Being happy's important, Mr Meekie. | 0:04:08 | 0:04:10 | |
If we're happy, we're chill, if we're chill, we're mellow, | 0:04:10 | 0:04:13 | |
and if we're mellow, we don't cause no bother. | 0:04:13 | 0:04:15 | |
No. If you're focused, you're efficient, | 0:04:15 | 0:04:17 | |
if you're efficient, you're productive, | 0:04:17 | 0:04:19 | |
-and if you're productive, you're... -A loser. | 0:04:19 | 0:04:21 | |
What did you say? | 0:04:27 | 0:04:28 | |
I said, "Yes, sir". | 0:04:28 | 0:04:30 | |
Music is therapeutic, beneficial, and increases productivity. | 0:04:30 | 0:04:33 | |
According to who? | 0:04:33 | 0:04:35 | |
The University of Omsk. Or was it Tomsk? | 0:04:35 | 0:04:37 | |
-I can't remember. -What a load of tosh. | 0:04:37 | 0:04:39 | |
No, I read it. So did Shel. We all did. | 0:04:39 | 0:04:41 | |
-Every word. -I couldn't put it down. | 0:04:41 | 0:04:43 | |
Melodious sounds encourage the release of dopamine | 0:04:43 | 0:04:46 | |
in the reward centre of the brain. | 0:04:46 | 0:04:47 | |
You're not here to be rewarded! You're here to be punished. | 0:04:47 | 0:04:50 | |
Yeah, society must extract its petty revenge. | 0:04:50 | 0:04:53 | |
Yes, indeed. Speaking of which, come with me, Fletcher. | 0:04:53 | 0:04:56 | |
-Come with you where? -The Governor wants to see you. | 0:04:56 | 0:04:58 | |
Does she want some company for lunch? | 0:04:58 | 0:05:01 | |
You are one very small step away from going on report, laddie. | 0:05:01 | 0:05:06 | |
Now, apologise to Officer Driscoll for creating a disturbance. | 0:05:06 | 0:05:11 | |
Sorry, Ms Driscoll. | 0:05:11 | 0:05:13 | |
Whatever I said, whatever I did... | 0:05:13 | 0:05:15 | |
-ALL: -He didn't mean it. | 0:05:15 | 0:05:16 | |
We have a new arrival who's causing us some concern. | 0:05:22 | 0:05:25 | |
We have his medical report from where he was being held on remand, | 0:05:25 | 0:05:28 | |
and he appears to be in some distress. | 0:05:28 | 0:05:30 | |
-That's not surprising. -What do you mean? | 0:05:30 | 0:05:32 | |
Well, it's not exactly Center Parcs in here, is it? | 0:05:32 | 0:05:34 | |
Quiet, Fletcher. | 0:05:34 | 0:05:36 | |
This prisoner is suffering from depression. | 0:05:36 | 0:05:39 | |
There may even be suicidal tendencies. | 0:05:39 | 0:05:41 | |
What do you want from me? | 0:05:41 | 0:05:42 | |
We'd like you to be a listener. | 0:05:42 | 0:05:45 | |
-A what? -We want you to connect with him. | 0:05:45 | 0:05:47 | |
Get to know him and monitor his situation. | 0:05:47 | 0:05:49 | |
You want me to be a snitch? | 0:05:49 | 0:05:50 | |
-Not at all. -Yes, you do. | 0:05:50 | 0:05:52 | |
I become his friend, listen to what he's got to say, then I tell you - | 0:05:52 | 0:05:55 | |
-that's a snitch. That's grassing someone up. -I did express a concern | 0:05:55 | 0:05:58 | |
that Fletcher wasn't exactly suitable for this assignment, Ma'am. | 0:05:58 | 0:06:01 | |
I think he's highly suitable. | 0:06:01 | 0:06:03 | |
Fletcher's one of the brightest people in here. | 0:06:03 | 0:06:06 | |
Apart from that Oxford don who poisoned his mother-in-law. | 0:06:06 | 0:06:10 | |
We wouldn't want you in any way to betray confidences. | 0:06:10 | 0:06:13 | |
Just watch for warning signs in his behaviour. | 0:06:13 | 0:06:16 | |
-We'd have to move you into his cell, of course. -I don't know about that. | 0:06:16 | 0:06:19 | |
Being locked up all night with a suicidal maniac? | 0:06:19 | 0:06:21 | |
He's not a maniac, he's a depressive. | 0:06:21 | 0:06:23 | |
Oh, that's all right, then. Be a laugh a minute. | 0:06:23 | 0:06:26 | |
There is another factor you should be aware of - | 0:06:26 | 0:06:28 | |
he's well known in certain areas. | 0:06:28 | 0:06:31 | |
What areas? Snowdonia? New Forest? Hampstead Heath? | 0:06:31 | 0:06:36 | |
Professionally. Some of the other inmates may recognise him. | 0:06:36 | 0:06:39 | |
Off the telly, is he? Please say it's Piers Morgan! | 0:06:39 | 0:06:42 | |
For God's sake, he's a rock star. His name is Rob Strange. | 0:06:45 | 0:06:49 | |
Rob Strange? The lead singer with Dirty Curtsy? | 0:06:49 | 0:06:52 | |
-Whoever they are. -I'll do what I can. | 0:06:52 | 0:06:54 | |
Mind you, there is an unwritten rule inside, relating to us and them. | 0:06:54 | 0:06:58 | |
-Quid pro quo. Tit for tat. -Meaning? | 0:06:58 | 0:07:00 | |
Meaning, what's in it for me? | 0:07:00 | 0:07:02 | |
Let's just say I would not be ungrateful. | 0:07:02 | 0:07:04 | |
In that case, I'd like to start up our own radio station. | 0:07:04 | 0:07:08 | |
Radio Wakeley. I just need a spot to set up some gear, | 0:07:08 | 0:07:10 | |
and I'll be the resident DJ. | 0:07:10 | 0:07:11 | |
Anything to get out of making lobster pots, is that it? | 0:07:11 | 0:07:14 | |
Well, I couldn't do both, Mr Meekie. | 0:07:14 | 0:07:16 | |
I might be prepared to consider that. | 0:07:16 | 0:07:18 | |
-All right, I'll do what I can. -Thank you. You can go. | 0:07:18 | 0:07:21 | |
When I get my radio show up and running, | 0:07:22 | 0:07:24 | |
I want to do a sort of Desert Island Discs thing. | 0:07:24 | 0:07:26 | |
You can be my first guest, Mr Meekie, so start making a list, | 0:07:26 | 0:07:28 | |
but remember, you can only have one Justin Bieber record. | 0:07:28 | 0:07:31 | |
-Just arrived? -Yeah. | 0:07:38 | 0:07:41 | |
They give all the new blokes a mop and a bucket. | 0:07:41 | 0:07:43 | |
I suppose they think it eases you in. I'm Fletch. Got a name? | 0:07:43 | 0:07:47 | |
Just a number in here. | 0:07:47 | 0:07:49 | |
Yeah, still got to assert your identity, though, ain't you? | 0:07:49 | 0:07:51 | |
That's why we've all got tattoos and haircuts. | 0:07:51 | 0:07:53 | |
Got enough tats. | 0:07:53 | 0:07:55 | |
And you used to have a lot more hair, too, didn't you? | 0:07:55 | 0:07:57 | |
I know who you are, Rob. | 0:07:57 | 0:07:58 | |
I remember when you used to look like this. | 0:07:58 | 0:08:00 | |
Another lifetime, man. | 0:08:04 | 0:08:06 | |
Yeah. I saw you play at the O2. | 0:08:06 | 0:08:09 | |
I went with my ex. It's a special memory for me. | 0:08:09 | 0:08:11 | |
Birthday or something, was it? | 0:08:11 | 0:08:13 | |
The night before I got nicked. | 0:08:13 | 0:08:15 | |
Yeah, that was a one-off charity gig, you know. | 0:08:15 | 0:08:18 | |
And the band sort of split up after that. | 0:08:18 | 0:08:20 | |
-Creative differences? -Partly, yeah. | 0:08:20 | 0:08:23 | |
But I also swizzled the drummer's old lady. | 0:08:23 | 0:08:27 | |
What, his wife? | 0:08:27 | 0:08:28 | |
No, his mum. | 0:08:28 | 0:08:30 | |
So what happened when the band split up? | 0:08:35 | 0:08:36 | |
Oh, I was all over the place, you know. | 0:08:36 | 0:08:38 | |
I didn't have a reason to get up in the morning. | 0:08:38 | 0:08:40 | |
Weren't you dating Miss Finland? | 0:08:40 | 0:08:42 | |
That would have got me up in the morning. | 0:08:42 | 0:08:46 | |
And probably again after a bacon sandwich. | 0:08:46 | 0:08:48 | |
I went on a six month bender. I was really caning it. | 0:08:50 | 0:08:54 | |
I got into crystal meth, and then I ended up cooking it. | 0:08:54 | 0:08:58 | |
-Where was this? -Chipping Norton. | 0:08:58 | 0:09:02 | |
There's a crystal meth lab in Chipping Norton?! | 0:09:02 | 0:09:04 | |
Who were you working for the Stow-on-the-Wold cartel? | 0:09:04 | 0:09:08 | |
No, no, I wasn't supplying, it was just a bit of personal, you know? | 0:09:08 | 0:09:11 | |
Years ago, I bought this massive gaff in the country, | 0:09:11 | 0:09:15 | |
and I was cooking crystal meth in the shed at the bottom | 0:09:15 | 0:09:18 | |
of the garden. | 0:09:18 | 0:09:19 | |
-In a shed? -Yeah, and one night, I had this terrible accident. | 0:09:19 | 0:09:25 | |
The whole thing, you know, it just sort of, like, blew up. | 0:09:25 | 0:09:29 | |
And the shed ended up in the graveyard, OK, | 0:09:29 | 0:09:33 | |
and it demolished three headstones, | 0:09:33 | 0:09:39 | |
and killed a cat. | 0:09:39 | 0:09:41 | |
Killed a cat! That's a year on your stretch right there. | 0:09:41 | 0:09:45 | |
-Heavy trip, man, being sent down. -Don't worry, Rob. | 0:09:45 | 0:09:49 | |
I think they're putting you in a cell with me, | 0:09:49 | 0:09:51 | |
so we can see it through together. | 0:09:51 | 0:09:52 | |
You don't want to hang out with me, Fletch. I'll just drag you down. | 0:09:52 | 0:09:55 | |
Could be worse, mate. | 0:09:55 | 0:09:57 | |
You could be one of Coldplay. | 0:09:57 | 0:09:58 | |
-What are you doing? -Moving out. -How come? | 0:10:04 | 0:10:07 | |
I've been tasked from above. | 0:10:07 | 0:10:09 | |
They're putting me in a cell with this bloke, Rob. | 0:10:09 | 0:10:11 | |
I've got to report what he says and how he behaves. | 0:10:11 | 0:10:13 | |
Oh, you're a snitch. | 0:10:13 | 0:10:14 | |
No! Shh! I'm a listener. | 0:10:14 | 0:10:17 | |
Yeah, that's a snitch. Lowest of the low. | 0:10:17 | 0:10:20 | |
No, this is different. He's got suicidal tendencies. | 0:10:20 | 0:10:23 | |
-I might save his life. -Rob, did you say? I processed him. | 0:10:23 | 0:10:27 | |
He's a Hell's Angel or something, isn't he? | 0:10:27 | 0:10:30 | |
-No, he's a rock star, which makes me the friend of a rock star. -Mm. | 0:10:30 | 0:10:35 | |
-He's in a big rock band called Dirty Curtsy. -Never heard of them. | 0:10:35 | 0:10:38 | |
Well, that's hardly surprising, Joe. What was the last record you bought? | 0:10:38 | 0:10:42 | |
Da Ya Think I'm Sexy? Rod Stewart. | 0:10:42 | 0:10:45 | |
And were you sexy in those days? | 0:10:46 | 0:10:48 | |
Well, Deirdre Ennersly thought so. | 0:10:48 | 0:10:51 | |
-All right, I have to ask... -Oh, she were lovely. | 0:10:52 | 0:10:56 | |
The bell rang, I opened the door and there she stood, like a vision, | 0:10:57 | 0:11:02 | |
in overalls and a tool belt. | 0:11:02 | 0:11:04 | |
I said, "Who are you?" | 0:11:05 | 0:11:08 | |
She said, "I'm Deirdre, and I've come to convert you to natural gas". | 0:11:08 | 0:11:14 | |
Well, you dream of Deirdre while I'm gone. | 0:11:19 | 0:11:22 | |
And it's only temporary - I'll be back. | 0:11:22 | 0:11:24 | |
Oh, don't rush back on my account. | 0:11:24 | 0:11:26 | |
It's a luxury having a cell to yourself. | 0:11:26 | 0:11:28 | |
I might keep to the bottom bunk, though, | 0:11:28 | 0:11:30 | |
cos if I go up top, I might never get down again. | 0:11:30 | 0:11:33 | |
I won't be missed, then? | 0:11:33 | 0:11:34 | |
It'll be nice to live in a fart-free zone for a change. | 0:11:34 | 0:11:37 | |
All right, Rob? | 0:11:42 | 0:11:43 | |
Yeah, yeah. You know the ropes, Fletch - am I up or down? | 0:11:43 | 0:11:47 | |
Down. We don't want you leaping off the top bunk, do we? | 0:11:47 | 0:11:50 | |
Oi! | 0:11:53 | 0:11:55 | |
-What are you doing?! -Those pills, where did you get them? | 0:11:55 | 0:11:57 | |
Have you found a dealer already? | 0:11:57 | 0:11:59 | |
I got them off the MO. They're my anti-depressants. | 0:11:59 | 0:12:01 | |
Oh. Sorry. I thought they were laxatives. | 0:12:01 | 0:12:05 | |
You know, two blokes, one loo, small cell - not a good idea! | 0:12:05 | 0:12:08 | |
Probably a bit smaller than what you're used to. | 0:12:08 | 0:12:10 | |
Yeah. I went to a Buddhist retreat once. It was either that or rehab. | 0:12:10 | 0:12:14 | |
I lived in this monastic cell. It was smaller than this one. | 0:12:14 | 0:12:19 | |
-Where was that, Katmandu? -Warrington. | 0:12:19 | 0:12:21 | |
Well, hopefully that experience will get you through this. | 0:12:24 | 0:12:27 | |
Feel free to "Om" any time you want. | 0:12:27 | 0:12:29 | |
They won't give me a hard time in here, Fletch, will they? | 0:12:29 | 0:12:32 | |
You know, because I'm famous. | 0:12:32 | 0:12:33 | |
You're a rock star, Rob. That's legendary status right there. | 0:12:33 | 0:12:36 | |
Might have been a different situation if you'd won the Bake-Off. | 0:12:36 | 0:12:39 | |
-I'll bet you've got some good stories. -I've got a few, yeah. | 0:12:41 | 0:12:44 | |
You know, I'm going to get this radio station up and running, | 0:12:44 | 0:12:47 | |
and when I do, you can be me first guest. | 0:12:47 | 0:12:49 | |
-Oh, what would I talk about? -I don't know. | 0:12:49 | 0:12:51 | |
The surprising sonic sensibilities of Metallica's last album? | 0:12:51 | 0:12:55 | |
Or just how about how many birds you've had in a hot tub. | 0:12:55 | 0:12:58 | |
-Seven. -Brilliant. | 0:12:58 | 0:13:01 | |
No, no, it was six, actually, | 0:13:01 | 0:13:02 | |
cos one of them wasn't "technically" a woman. | 0:13:02 | 0:13:06 | |
You all right, Rob? | 0:13:14 | 0:13:16 | |
Yeah. | 0:13:16 | 0:13:17 | |
-Can't sleep? -I can't sleep | 0:13:17 | 0:13:20 | |
because you keep asking me if I'm all right every ten minutes. | 0:13:20 | 0:13:24 | |
Sorry, mate. I know how it is, first night inside. | 0:13:24 | 0:13:27 | |
Desperate. If you need to talk, I'm a good listener. | 0:13:27 | 0:13:31 | |
When I say, "I'm a good listener," | 0:13:31 | 0:13:33 | |
I don't mean I'm a listener who tells other people. | 0:13:33 | 0:13:35 | |
I mean that I don't mind listening, you know, for myself. | 0:13:35 | 0:13:38 | |
Yeah, whatever. I could kill for a smoke. | 0:13:40 | 0:13:44 | |
I think I've got some gum somewhere. | 0:13:44 | 0:13:48 | |
There was a reason I had my meltdown when I did, Fletch. | 0:13:49 | 0:13:52 | |
In the shed in Chippy? | 0:13:52 | 0:13:54 | |
Something really heavy happened after that last gig. | 0:13:55 | 0:13:58 | |
This girl called Astrid comes backstage afterwards. | 0:13:58 | 0:14:03 | |
Swedish, she's about 22. | 0:14:03 | 0:14:06 | |
She's studying Archaeology in the UK. | 0:14:06 | 0:14:08 | |
I can imagine for myself, Rob. Gorgeous girl in your dressing room, | 0:14:09 | 0:14:13 | |
glass of bubbly, plate of chicken wings. Who can blame you? | 0:14:13 | 0:14:16 | |
She said I was her dad. | 0:14:18 | 0:14:20 | |
No, no, go back to chicken wings! | 0:14:20 | 0:14:24 | |
Yeah, well, I thought she was trying it on, | 0:14:24 | 0:14:25 | |
so I got security to haul her arse out of there. | 0:14:25 | 0:14:29 | |
And then I looked at my old diaries, and I realised who her mum was. | 0:14:29 | 0:14:33 | |
I was only with her about three months. | 0:14:33 | 0:14:35 | |
So she really was your daughter? | 0:14:35 | 0:14:37 | |
Yeah. And I blanked her out. | 0:14:37 | 0:14:39 | |
And now it's doing my head in. | 0:14:39 | 0:14:41 | |
Don't beat yourself up, Rob. You can still find her. | 0:14:41 | 0:14:44 | |
There are ways. Let me have a think about it. | 0:14:44 | 0:14:48 | |
How did you end up in here? | 0:14:48 | 0:14:49 | |
I was a hacker. Top drawer. Had it away for a while. | 0:14:49 | 0:14:54 | |
Then I went on a binge with this girl, Davina. | 0:14:54 | 0:14:56 | |
She was gorgeous. Quite posh and all. | 0:14:56 | 0:14:59 | |
Went to the same school as Kate Middleton. | 0:14:59 | 0:15:00 | |
-Oh, expensive tastes? -Not many. | 0:15:00 | 0:15:03 | |
I was ripping off credit cards to pay for her lifestyle. | 0:15:03 | 0:15:06 | |
Course, she dumped me the day I got done. | 0:15:06 | 0:15:08 | |
Took off with some Argentinian geezer who plays for Man City. | 0:15:08 | 0:15:12 | |
Lives in a mansion now. | 0:15:12 | 0:15:14 | |
His and hers Ferraris, a helipad, and a wood-fired pizza oven. | 0:15:14 | 0:15:19 | |
And he don't even play for the first team. | 0:15:19 | 0:15:22 | |
I hate Man City. | 0:15:22 | 0:15:24 | |
-Who's your team, then? -Palace. | 0:15:24 | 0:15:26 | |
Oh! I can see why you need those pills. | 0:15:26 | 0:15:28 | |
As the newest member of the group, Rob, | 0:15:32 | 0:15:34 | |
is there anything you'd like to say? | 0:15:34 | 0:15:36 | |
I miss hair. | 0:15:36 | 0:15:37 | |
Hair? | 0:15:37 | 0:15:39 | |
He used to have a lot of it. Tell her why you cut it off. | 0:15:39 | 0:15:42 | |
I just wanted to get rid of the old Rob Strange and find a new identity. | 0:15:42 | 0:15:47 | |
If I had your talent, I'd parlay my pain into music. | 0:15:47 | 0:15:49 | |
Write songs about it. That's what's the blues is all about - | 0:15:49 | 0:15:52 | |
freight trains, cotton fields, pain, misery. | 0:15:52 | 0:15:55 | |
FLETCHER IMITATES BLUES RIFF | 0:15:55 | 0:15:57 | |
# I woke up this morning...# | 0:15:57 | 0:15:58 | |
FLETCHER IMITATES BLUES RIFF | 0:15:58 | 0:15:59 | |
They all start like that, don't they? | 0:15:59 | 0:16:01 | |
FLETCHER IMITATES BLUES RIFF | 0:16:01 | 0:16:03 | |
# I woke up this morning, I missed the bus...# | 0:16:03 | 0:16:06 | |
FLETCHER IMITATES BLUES RIFF | 0:16:06 | 0:16:08 | |
-# I woke up this morning...# -Fletcher! | 0:16:08 | 0:16:10 | |
It'd be a blessing if I didn't wake up one morning. | 0:16:12 | 0:16:15 | |
Listen, mate, Irish is right. Write about sad stuff. | 0:16:15 | 0:16:18 | |
Of course, no-one minted more out of misery than Morrissey. | 0:16:18 | 0:16:21 | |
He turned a whole generation into manic depressives. | 0:16:21 | 0:16:24 | |
-No point. It's all been said. -No, it hasn't, Rob. | 0:16:24 | 0:16:28 | |
Your music spoke to the disenfranchised, | 0:16:28 | 0:16:30 | |
the disillusioned, and the downtrodden. | 0:16:30 | 0:16:32 | |
-How do you know? -I had all his records at uni. | 0:16:32 | 0:16:35 | |
And I saw him live. Seven times. | 0:16:35 | 0:16:37 | |
Seven times? I thought you looked familiar. | 0:16:37 | 0:16:42 | |
THEY CHEER LADDISHLY | 0:16:42 | 0:16:45 | |
Can you sign my arm, please? | 0:16:47 | 0:16:49 | |
It's not for me. | 0:16:51 | 0:16:52 | |
Fletcher! | 0:17:00 | 0:17:02 | |
-How are you finding him? -It's a tricky one, Doc. | 0:17:02 | 0:17:05 | |
He's a nice bloke, but he's got a lot of baggage. | 0:17:05 | 0:17:07 | |
Another victim of too much too soon, much like myself. | 0:17:07 | 0:17:11 | |
Would it help if he worked alongside you? | 0:17:11 | 0:17:13 | |
Oh, no. Too much varnish in the workshop. | 0:17:13 | 0:17:15 | |
-Varnish? -A couple of glugs, | 0:17:15 | 0:17:17 | |
arriverderci. | 0:17:17 | 0:17:19 | |
And I wouldn't let him have any bleach when he's mopping floors. | 0:17:19 | 0:17:22 | |
Yeah, good point. Are you finding it a strain, Fletcher? | 0:17:22 | 0:17:26 | |
I can't pretend it isn't a lot of stress. | 0:17:26 | 0:17:28 | |
Like walking on eggshells. | 0:17:28 | 0:17:30 | |
The only thing that keeps me going is the thought of that DJ gig | 0:17:30 | 0:17:32 | |
I was promised. | 0:17:32 | 0:17:34 | |
You weren't promised, Fletcher, and there are no guarantees. | 0:17:34 | 0:17:36 | |
All I will say is that the Governor is not ungrateful. | 0:17:36 | 0:17:41 | |
Let me ask you something - | 0:17:41 | 0:17:43 | |
did you have a little poster of him up on your bedroom wall? | 0:17:43 | 0:17:45 | |
A lock of his hair in a little box? | 0:17:45 | 0:17:48 | |
-A tattoo of his name on your...? -None of your business. | 0:17:48 | 0:17:53 | |
And I had it removed when I got engaged. | 0:17:53 | 0:17:55 | |
Visiting day today. Got anyone in? | 0:18:04 | 0:18:06 | |
Yeah, Weasel. | 0:18:06 | 0:18:08 | |
Your drummer? I thought you swizzled his mum? | 0:18:08 | 0:18:11 | |
Yeah, well, I wasn't the only one. | 0:18:11 | 0:18:14 | |
Have you got anyone coming in? | 0:18:14 | 0:18:16 | |
-Yeah, my ex. -Davina? | 0:18:16 | 0:18:18 | |
No, Karen, the one I dumped for Davina. | 0:18:18 | 0:18:21 | |
I've got horrible feeling she's come to give me a piece of her mind. | 0:18:21 | 0:18:25 | |
That's a nice washbag. | 0:18:25 | 0:18:26 | |
Now, before you start, I'd just like to say... | 0:18:36 | 0:18:38 | |
Start what? | 0:18:38 | 0:18:39 | |
Well, you've obviously come here cos you've got the hump. | 0:18:39 | 0:18:42 | |
-I haven't got the hump. -Really? | 0:18:42 | 0:18:43 | |
On the contrary, it's very good to see you. | 0:18:43 | 0:18:46 | |
-Is it? -It is. | 0:18:46 | 0:18:48 | |
In here. | 0:18:48 | 0:18:50 | |
Oh, I see. You've come to gloat have you? | 0:18:51 | 0:18:53 | |
Yeah, I have. | 0:18:53 | 0:18:54 | |
-Can we just be civil? -Yeah, sure. | 0:18:54 | 0:18:57 | |
Is the food nice? | 0:18:57 | 0:18:59 | |
-No. -Good. | 0:18:59 | 0:19:02 | |
-Right, I'm done. -Oh, no, I'm only just getting started, | 0:19:02 | 0:19:05 | |
-Nigel. -I hate it when you call me Nigel. | 0:19:05 | 0:19:08 | |
I know. | 0:19:09 | 0:19:10 | |
You, Nigel, are an unfeeling, insensitive, chauvinistic pig. | 0:19:12 | 0:19:19 | |
-You devastated me. -I know. | 0:19:19 | 0:19:22 | |
And I'm sorry. | 0:19:22 | 0:19:24 | |
I was selfish and I was stupid, and I'm sorry. | 0:19:24 | 0:19:27 | |
See that bloke over there? | 0:19:30 | 0:19:31 | |
Not the one with the ponytail, the one sitting opposite him. | 0:19:31 | 0:19:33 | |
The one who looks like a bald Rob Strange? | 0:19:33 | 0:19:35 | |
Shh! | 0:19:35 | 0:19:37 | |
That IS Rob Strange. | 0:19:37 | 0:19:38 | |
And he's paranoid about losing his barnet. | 0:19:38 | 0:19:41 | |
Well, they've put me in a cell with him. Got to know him a bit. | 0:19:41 | 0:19:44 | |
Now, he really has lost everything. House, wife, money. | 0:19:44 | 0:19:48 | |
-Hair. -Shh! | 0:19:48 | 0:19:51 | |
I used to love Rob Strange. | 0:19:51 | 0:19:54 | |
Such a shame to see him like this. | 0:19:54 | 0:19:56 | |
You know what? You could do me a favour. | 0:19:56 | 0:19:59 | |
Him, do HIM a favour, not me. | 0:20:02 | 0:20:04 | |
-Strange. -You what? -How is he? | 0:20:07 | 0:20:10 | |
He's still alive. | 0:20:10 | 0:20:11 | |
No small feat when you consider how easy it is to get a weapon in here. | 0:20:11 | 0:20:14 | |
How is his general demeanour? | 0:20:14 | 0:20:16 | |
Well, he's in prison, so he's been better. | 0:20:16 | 0:20:18 | |
-I have an idea that might accelerate his recovery. -Go on. | 0:20:18 | 0:20:21 | |
Transfer him to the hospital wing, and put me in the bed next to him. | 0:20:21 | 0:20:23 | |
-Nice try, Fletcher. -I'm just putting it out there. | 0:20:23 | 0:20:25 | |
I know you'd never forgive yourself if anything happened to him. | 0:20:25 | 0:20:28 | |
Stop trying to manipulate everything to your own advantage. | 0:20:28 | 0:20:31 | |
Nothing much else to do in here. | 0:20:31 | 0:20:32 | |
I need to ask you a...favour. | 0:20:32 | 0:20:36 | |
-A what? -A favour. | 0:20:36 | 0:20:39 | |
Is it one that I can manipulate to me own advantage? | 0:20:39 | 0:20:41 | |
Oh, for God's sake, man! | 0:20:41 | 0:20:42 | |
I want you to ask Prisoner Strange to autograph these. | 0:20:42 | 0:20:46 | |
Rock fan, Mr Meekie! Who knew? | 0:20:46 | 0:20:48 | |
Do I look like a rock fan? | 0:20:48 | 0:20:50 | |
I despise the music, the lyrics are offensive, | 0:20:53 | 0:20:55 | |
the ones you can understand. | 0:20:55 | 0:20:57 | |
Maybe you should ask him yourself. You've got a way with words. | 0:20:57 | 0:21:01 | |
-Perhaps not. Best wishes to...? -Doon.. | 0:21:01 | 0:21:03 | |
No. Doon. | 0:21:05 | 0:21:08 | |
It's the name of my wife. | 0:21:08 | 0:21:11 | |
Ah. Big fan, is she? | 0:21:11 | 0:21:13 | |
In her youth, yes. | 0:21:13 | 0:21:15 | |
-Did she ever see them live? -I gather she saw them a few times. | 0:21:15 | 0:21:18 | |
-Did she ever go backstage? -I know where you're going with this! | 0:21:18 | 0:21:20 | |
-And don't! -I seem to be doing everyone favours these days. | 0:21:22 | 0:21:25 | |
-Hope this'll be noted on my record. -The Governor will not be ungrateful. | 0:21:25 | 0:21:28 | |
And if you get those signed, neither will I. | 0:21:28 | 0:21:30 | |
ATTEMPTED SCOTTISH ACCENT: The Governor will not be ungrateful. | 0:21:35 | 0:21:37 | |
I think they're my favourite words in the English language. | 0:21:37 | 0:21:40 | |
Right up there with, "Mr Fletcher, we're upgrading you to first class". | 0:21:40 | 0:21:44 | |
Mine would be "Not guilty, Lotterby, case dismissed". | 0:21:44 | 0:21:49 | |
That's a good one, yeah. Or how about, "This is the concierge. | 0:21:49 | 0:21:53 | |
"Miss Scarlett Johansson would like to see you in the suite". | 0:21:53 | 0:21:56 | |
-Who? -Scarlett Johansson. She... | 0:21:56 | 0:21:58 | |
Oh, don't worry, it's a sexual thing, Joe. | 0:21:58 | 0:22:00 | |
You're a bit out of touch with that since Deirdre from the Gas Board. | 0:22:00 | 0:22:04 | |
That's where you're wrong. There was conjugal visits in me last nick. | 0:22:05 | 0:22:08 | |
I've had it off a lot more recent than you think. | 0:22:08 | 0:22:11 | |
Yeah? How recent? | 0:22:11 | 0:22:13 | |
July the 27th. | 0:22:13 | 0:22:16 | |
1998. | 0:22:16 | 0:22:18 | |
Morning, all. | 0:22:20 | 0:22:21 | |
You're listening to radio made by prisoners for prisoners. | 0:22:21 | 0:22:24 | |
The M25 is gridlocked, the pound's sinking, | 0:22:24 | 0:22:26 | |
there's a Tube strike tomorrow. | 0:22:26 | 0:22:28 | |
Trust me, lads - you're better off inside. | 0:22:28 | 0:22:31 | |
Thanks for doing this, Karen, I'm really grateful. | 0:22:43 | 0:22:46 | |
Oh, I'm not doing it for you. I'm doing it for Rob. | 0:22:46 | 0:22:48 | |
Well, maybe this can start the process of healing between us. | 0:22:48 | 0:22:52 | |
Easy to talk about healing when you're not the one who was wounded. | 0:22:52 | 0:22:57 | |
You're not the one who had a stake through your heart | 0:22:57 | 0:22:59 | |
with your entrails bleeding on the floor... | 0:22:59 | 0:23:02 | |
All right, keep it light. Look, I said I'm sorry, and I meant it. | 0:23:02 | 0:23:05 | |
Do you want me to come again? | 0:23:05 | 0:23:07 | |
Erm... | 0:23:07 | 0:23:09 | |
Well, I just think that seeing me | 0:23:09 | 0:23:10 | |
seems to remind you of so much hurt and betrayal, you know? | 0:23:10 | 0:23:14 | |
I just think it's so much better - for your sake, not for mine - | 0:23:14 | 0:23:18 | |
that we make some space between us. | 0:23:18 | 0:23:21 | |
You're probably right. | 0:23:21 | 0:23:22 | |
Really? | 0:23:22 | 0:23:23 | |
Well, I mean, if that's your decision, then | 0:23:23 | 0:23:27 | |
I guess I'll just have to live with it. | 0:23:27 | 0:23:30 | |
Oh, er, I got you this. | 0:23:30 | 0:23:34 | |
I don't like white chocolate. | 0:23:34 | 0:23:35 | |
I know. Bye, Nigel. | 0:23:35 | 0:23:38 | |
ALARM SOUNDS | 0:23:39 | 0:23:42 | |
Visiting time's over. Prisoners, return to their cell blocks. | 0:23:42 | 0:23:46 | |
Do you think somebody's gone over the wall? | 0:23:52 | 0:23:54 | |
-In the middle of the afternoon? -Well... | 0:23:54 | 0:23:56 | |
It's your rock star mate. He's on the roof. | 0:23:56 | 0:23:58 | |
Stay exactly where you are, Strange! | 0:24:02 | 0:24:05 | |
Excuse me, Governor. Fletcher here thinks he can help. | 0:24:07 | 0:24:09 | |
-Really? -Well, you've hardly helped so far. | 0:24:09 | 0:24:11 | |
You were supposed to be monitoring his condition, Fletcher. | 0:24:11 | 0:24:14 | |
I did, Doc. But something's triggered this. | 0:24:14 | 0:24:16 | |
Let me go up there and talk to him. | 0:24:16 | 0:24:18 | |
Governor, the only person qualified to negotiate in this situation | 0:24:18 | 0:24:22 | |
-is Dr Marsden. -Unfortunately, I can't. | 0:24:22 | 0:24:25 | |
I haven't completed my safe working at heights training. | 0:24:25 | 0:24:30 | |
Don't do anything you'll regret later! | 0:24:30 | 0:24:32 | |
He won't regret anything if he jumps. | 0:24:32 | 0:24:33 | |
He'll be splattered all over the concrete. Let me go up there. | 0:24:33 | 0:24:36 | |
-I've got some info that might make a difference. -What info? | 0:24:36 | 0:24:38 | |
It's between him and me, Gov. Trust me, I can do this. | 0:24:38 | 0:24:42 | |
Governor, I must protest in the strongest possible terms. | 0:24:42 | 0:24:45 | |
This is a total breach of prison protocol. | 0:24:45 | 0:24:47 | |
You're right, Meekie. It's far too dangerous up there. | 0:24:47 | 0:24:51 | |
It's wet, slippery, you could fall to your death. | 0:24:51 | 0:24:55 | |
Fair enough. | 0:24:55 | 0:24:57 | |
On second thoughts, let's give Fletcher a chance. | 0:24:57 | 0:24:59 | |
-What are you doing here? -Oh, sorry. | 0:25:08 | 0:25:10 | |
I didn't realise you were up here. I was looking for someone else. | 0:25:10 | 0:25:13 | |
Don't leave me, Fletch! | 0:25:13 | 0:25:15 | |
It's all right, I'm here. | 0:25:15 | 0:25:17 | |
Nice view, innit? | 0:25:19 | 0:25:21 | |
On a clear day, you can almost see the glue factory. | 0:25:21 | 0:25:23 | |
Stop making jokes, Fletch. I can't stand this. | 0:25:23 | 0:25:27 | |
Can we have this conversation somewhere else? | 0:25:27 | 0:25:29 | |
Don't come any closer. My mind's made up. | 0:25:29 | 0:25:33 | |
I can't hack feeling like this. | 0:25:33 | 0:25:35 | |
Even if I do my stretch, what's waiting for me when I get out? | 0:25:35 | 0:25:39 | |
-Well, there's your daughter. -What you talking about? | 0:25:39 | 0:25:42 | |
-I got my ex to trace her. -Really? | 0:25:42 | 0:25:44 | |
They've made contact on Facebook, and they've spoken on the phone. | 0:25:45 | 0:25:49 | |
She wants to see you, Rob. | 0:25:49 | 0:25:50 | |
You're not having me on, are you, Fletch? | 0:25:58 | 0:26:01 | |
I swear to God. Now, can we go downstairs? | 0:26:01 | 0:26:05 | |
It's fish pie tonight. Best meal of the week, | 0:26:05 | 0:26:09 | |
if you don't eat the fish. Come on. | 0:26:09 | 0:26:11 | |
-Help me! Rob! -I can't, it's too dangerous! | 0:26:13 | 0:26:16 | |
-I might fall to my death! -Rob, please! Take my hand! | 0:26:16 | 0:26:20 | |
Whatever you do, don't look down! | 0:26:20 | 0:26:23 | |
FLETCHER GRUNTS AND MOANS | 0:26:25 | 0:26:29 | |
Oh, you! Oh! | 0:26:30 | 0:26:33 | |
Did you slip? | 0:26:35 | 0:26:36 | |
I'd like to thank you, Fletcher, on behalf of myself and all the staff. | 0:26:40 | 0:26:44 | |
What's going to happen to him? | 0:26:44 | 0:26:45 | |
He's in hospital, and his daughter's already arranged to visit. | 0:26:45 | 0:26:48 | |
I'm recommending that he's transferred to an open prison. | 0:26:48 | 0:26:50 | |
Good idea. Much more amenable to recovery, that. | 0:26:50 | 0:26:53 | |
I should go with him. We can take tennis lessons together. | 0:26:53 | 0:26:57 | |
That's not going to happen, | 0:26:57 | 0:26:59 | |
but I am aware that we owe you a debt of gratitude. | 0:26:59 | 0:27:01 | |
Well, if you remember, I had a thought about that. | 0:27:01 | 0:27:03 | |
You did indeed. | 0:27:03 | 0:27:05 | |
It's good to have you safely back down in one piece, Fletcher. | 0:27:05 | 0:27:08 | |
-Isn't it, Mr Meekie? -Oh... | 0:27:08 | 0:27:12 | |
Wakey, wakey, this is Radio Wakeley, with me, Fletch! | 0:27:15 | 0:27:20 | |
This is The Breakfast Show, you'll be waking up with me every morning. | 0:27:20 | 0:27:23 | |
No, not like that! | 0:27:23 | 0:27:25 | |
Today, we're saying goodbye to our mate, Rob Strange. | 0:27:25 | 0:27:27 | |
He's off to an open prison. Good luck, Rob. | 0:27:27 | 0:27:30 | |
He's left some signed CDs | 0:27:30 | 0:27:32 | |
for those of you who didn't get a chance to shake his hand in person. | 0:27:32 | 0:27:34 | |
To win yourself one, you've just got to answer this one question - | 0:27:34 | 0:27:37 | |
how many times did Mr Meekie's wife go backstage with Rob and his band? | 0:27:37 | 0:27:42 | |
Was it A, five times, B, six times, | 0:27:42 | 0:27:45 | |
or C, 13 times? | 0:27:45 | 0:27:48 | |
While you think about that, here's Status Quo... | 0:27:49 | 0:27:51 | |
SCOTTISH ACCENT: ..with Doon, Doon, Deeper And Doon. | 0:27:51 | 0:27:54 |