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-So, we're both... -Yeah. | 0:00:02 | 0:00:03 | |
Daddy, I got the job. | 0:00:03 | 0:00:05 | |
-What job? -Your job, actually. | 0:00:05 | 0:00:07 | |
-Steven sent over the contract this morning. -He bloody what? | 0:00:07 | 0:00:10 | |
Laura, you look beautiful. | 0:00:10 | 0:00:12 | |
This programme contains some strong language and some scenes of a sexual nature. | 0:00:17 | 0:00:21 | |
-JANET: -Simon? Yeah, where are we with that? | 0:00:28 | 0:00:31 | |
Not yet, no, but I absolutely will. Timing is the key. | 0:00:31 | 0:00:34 | |
Jamie! Don't just lie there doing nothing! | 0:00:34 | 0:00:36 | |
You're supposed to be helping! | 0:00:36 | 0:00:38 | |
This would be easier if you actually told them we're seeing each other. | 0:00:41 | 0:00:44 | |
I know. I will. Eventually. But... | 0:00:44 | 0:00:47 | |
-Are you having second thoughts? -No. | 0:00:47 | 0:00:50 | |
Ah. So you're ashamed of telling them about me. | 0:00:50 | 0:00:53 | |
No... | 0:00:53 | 0:00:55 | |
I'm not ashamed of you... | 0:00:55 | 0:00:58 | |
..but they'll be ashamed of me for picking you. | 0:00:59 | 0:01:02 | |
-Oh, well, thank you very much. -Well, it's true. | 0:01:02 | 0:01:04 | |
It's not like anybody's going to be happy about this. | 0:01:04 | 0:01:07 | |
Actually, I've told mine and they're delighted. | 0:01:07 | 0:01:10 | |
Ah, this is a bloody disaster! | 0:01:11 | 0:01:14 | |
I think it's great. I hope it works out for them. | 0:01:14 | 0:01:16 | |
And then what? What if they want to get married? | 0:01:16 | 0:01:19 | |
-So what if they do? -I'm not spending Christmas with her parents. | 0:01:19 | 0:01:22 | |
So that's your big worry, Christmas dinner? | 0:01:22 | 0:01:25 | |
We'll have to talk to him, tell him not to force the issue. | 0:01:25 | 0:01:27 | |
Don't you say anything, though. We have to present a united front. | 0:01:27 | 0:01:31 | |
So you just keep your mouth shut. | 0:01:31 | 0:01:33 | |
So, if I get good AS results, it'll be a celebration party | 0:01:34 | 0:01:38 | |
and, if I get bad results, | 0:01:38 | 0:01:40 | |
well, I'll just get hammered. | 0:01:40 | 0:01:42 | |
-So who are you inviting? -Nobody. | 0:01:42 | 0:01:45 | |
I'm doing a word-of-mouth viral thingy. | 0:01:45 | 0:01:47 | |
This party will exist as an entity | 0:01:47 | 0:01:49 | |
and all the cool people will be drawn to it. | 0:01:49 | 0:01:51 | |
So, can I even tell anyone? | 0:01:51 | 0:01:53 | |
Yes. But don't ask them to come. | 0:01:53 | 0:01:55 | |
DON'T ask them to come? | 0:01:55 | 0:01:57 | |
No. But do mention there'll be a smoke machine. | 0:01:57 | 0:02:00 | |
Ooh, that should bring in the international party crowd. | 0:02:00 | 0:02:04 | |
What about Laura? Reckon you can get her to bring some of her mates? | 0:02:04 | 0:02:07 | |
I'm not even sure Laura will come. | 0:02:07 | 0:02:09 | |
She doesn't want anyone to know that we're together. | 0:02:09 | 0:02:11 | |
Oh, she's just probably not as into it as you are. | 0:02:11 | 0:02:14 | |
How can you say that? | 0:02:14 | 0:02:16 | |
She's totally into me. | 0:02:16 | 0:02:17 | |
I think it's significant | 0:02:19 | 0:02:21 | |
that Alan has instigated the sessions this time. | 0:02:21 | 0:02:25 | |
Yes, well, now Janet's working full time, | 0:02:25 | 0:02:28 | |
I feel as if she has started to neglect our relationship. | 0:02:28 | 0:02:32 | |
Good and, Janet, would you like to respond to that? | 0:02:32 | 0:02:35 | |
'I'm sorry, | 0:02:35 | 0:02:36 | |
'I'm just having trouble hearing you over this bloody thing.' | 0:02:36 | 0:02:39 | |
Alan's saying that he feels you're not always there emotionally. | 0:02:39 | 0:02:44 | |
'That's simply not true. I'm taking time out | 0:02:44 | 0:02:46 | |
'from a very complex, sensitive negotiation to take this call.' | 0:02:46 | 0:02:50 | |
I think we all appreciate your participation | 0:02:50 | 0:02:54 | |
and, in a way, you not being here is very useful. | 0:02:54 | 0:02:57 | |
When you only have the voice, | 0:02:57 | 0:02:59 | |
it really helps to focus on what's being said. | 0:02:59 | 0:03:03 | |
So, Alan, what do you really want to say? | 0:03:03 | 0:03:05 | |
I'm supporting her in her career, | 0:03:05 | 0:03:08 | |
but I want to feel as if I'm at least being listened to. | 0:03:08 | 0:03:11 | |
Could you respond to that? | 0:03:11 | 0:03:12 | |
Uh, Janet? | 0:03:15 | 0:03:16 | |
'Uh, hello, no, it's Lucinda, Janet's PA here, actually. | 0:03:16 | 0:03:19 | |
'Janet's had to step away from the phone for a moment, | 0:03:19 | 0:03:22 | |
'but I'm taking notes and I'll bring her up to speed.' | 0:03:22 | 0:03:25 | |
Right, well, I would like Janet to show me | 0:03:25 | 0:03:30 | |
-that she is giving our relationship the attention it deserves. -Hmm. | 0:03:30 | 0:03:35 | |
Can she do that? | 0:03:35 | 0:03:37 | |
'Uh, I don't have the authority to give an answer, | 0:03:37 | 0:03:39 | |
'but I'll certainly pass on the message.' | 0:03:39 | 0:03:41 | |
OK, Lucinda, thank you. | 0:03:41 | 0:03:44 | |
Very helpful. Yeah. | 0:03:44 | 0:03:45 | |
TV PLAYS | 0:03:47 | 0:03:48 | |
TV SWITCHES OFF | 0:03:54 | 0:03:55 | |
Everything all right? | 0:03:55 | 0:03:57 | |
I'm just really confused about Laura. | 0:03:57 | 0:04:00 | |
-OK, I'm just going to... -Sit down. | 0:04:00 | 0:04:02 | |
She says she wants a relationship, | 0:04:02 | 0:04:05 | |
then she backs off like she's not interested. | 0:04:05 | 0:04:07 | |
Ah, you just need to take things slowly. | 0:04:07 | 0:04:10 | |
Oh, yeah, sorry. | 0:04:12 | 0:04:13 | |
That's just women, mate. They're nuts. | 0:04:13 | 0:04:16 | |
I mean, they're emotionally complex. | 0:04:19 | 0:04:21 | |
I've been giving her a hard time for not telling her parents. | 0:04:21 | 0:04:25 | |
Maybe I should back off a bit. | 0:04:25 | 0:04:26 | |
-She's not told her parents? -No. | 0:04:26 | 0:04:29 | |
I mean, I get it. I'm obviously not what they'd want. | 0:04:29 | 0:04:32 | |
Don't let her push you around. | 0:04:32 | 0:04:35 | |
If you get sidelined at the start of a relationship, | 0:04:35 | 0:04:39 | |
-there is no going back. -She's right. | 0:04:39 | 0:04:41 | |
Shut up, Keith, I'm talking here. | 0:04:41 | 0:04:43 | |
This relationship is happening and everyone needs to know it. | 0:04:43 | 0:04:46 | |
-You're right. -Yeah, damn right I am. | 0:04:46 | 0:04:49 | |
So you get in there and show her who's boss. | 0:04:49 | 0:04:52 | |
Yeah, I will. | 0:04:52 | 0:04:54 | |
Thanks, Mum. | 0:04:54 | 0:04:56 | |
Thanks, Dad. | 0:04:56 | 0:04:57 | |
So what happened to not forcing the issue? | 0:05:00 | 0:05:02 | |
That's before she started acting like she was ashamed of him. | 0:05:02 | 0:05:06 | |
What? | 0:05:06 | 0:05:08 | |
Nothing! It's just, you didn't tell your family about me for months. | 0:05:08 | 0:05:11 | |
But that was different, Keith. I was right to be worried about you. | 0:05:11 | 0:05:15 | |
DOORBELL RINGS | 0:05:16 | 0:05:18 | |
Hello, Laura. | 0:05:18 | 0:05:19 | |
Hi, Alan. | 0:05:25 | 0:05:26 | |
Oh, hi, Jamie. Are you here for Emily? | 0:05:26 | 0:05:28 | |
No, no, no, I just thought I'd pop round, see this little lady. | 0:05:28 | 0:05:32 | |
Right, well, I should probably go and check on Emily, so... | 0:05:34 | 0:05:37 | |
Oh, Mike's having a party this Saturday. | 0:05:37 | 0:05:42 | |
I thought maybe we could go, | 0:05:42 | 0:05:44 | |
you know, together. | 0:05:44 | 0:05:46 | |
Maybe your mum and dad could babysit? | 0:05:47 | 0:05:50 | |
Oh, no, I can't. Tied up all weekend. | 0:05:50 | 0:05:53 | |
That's fine, that's fine, | 0:05:53 | 0:05:54 | |
I don't need to go to Mike's party anyway, so doesn't matter. | 0:05:54 | 0:05:57 | |
Jamie, come and help me with Emily. | 0:05:57 | 0:05:59 | |
-Now. -OK. | 0:05:59 | 0:06:00 | |
Jamie, what are you doing? | 0:06:11 | 0:06:13 | |
I'm sick of sneaking around. | 0:06:13 | 0:06:15 | |
We've been together for, like, a year and a half, on and off. | 0:06:15 | 0:06:18 | |
Mainly off. | 0:06:18 | 0:06:19 | |
See, that's the problem. | 0:06:19 | 0:06:21 | |
I've been in it, you've not. | 0:06:21 | 0:06:23 | |
Fine. Let's go by your calendar. | 0:06:24 | 0:06:27 | |
We've been together four weeks. I think it's time I met your parents. | 0:06:27 | 0:06:30 | |
Wait! Jamie, Jamie, what if we want to be, you know...together? | 0:06:30 | 0:06:33 | |
As in...together? | 0:06:39 | 0:06:42 | |
Yeah. | 0:06:42 | 0:06:43 | |
As in... | 0:06:43 | 0:06:45 | |
As in sex, Jamie. It's not a bloody cryptic crossword. | 0:06:47 | 0:06:50 | |
Do you really want my parents thinking it could be happening | 0:06:50 | 0:06:52 | |
any time you pop around? | 0:06:52 | 0:06:54 | |
Might it be happening any time I pop round? | 0:06:54 | 0:06:58 | |
Possibly. Providing you don't ruin it by provoking my parents. | 0:06:58 | 0:07:03 | |
No. No, let's not do that. | 0:07:03 | 0:07:07 | |
I just want it to be right this time. | 0:07:07 | 0:07:10 | |
Not another drunken fumble. | 0:07:10 | 0:07:12 | |
I wasn't that drunk. | 0:07:12 | 0:07:13 | |
I was drunk, you were fumbling. | 0:07:13 | 0:07:16 | |
I just want everything to be...perfect. | 0:07:17 | 0:07:21 | |
Yeah. | 0:07:22 | 0:07:23 | |
Me too. | 0:07:24 | 0:07:25 | |
Do you really think having my parents downstairs wondering | 0:07:25 | 0:07:28 | |
what we might be up to sounds like...optimum conditions? | 0:07:28 | 0:07:32 | |
ALAN CLEARS HIS THROAT | 0:07:43 | 0:07:45 | |
We can't go on like this, Janet. | 0:07:47 | 0:07:49 | |
I don't see what the problem is. | 0:07:49 | 0:07:51 | |
You don't see a problem in not showing up to our counselling session? | 0:07:51 | 0:07:54 | |
I've got Lucinda's notes. She is very thorough. | 0:07:54 | 0:07:57 | |
Perhaps I should be talking to her, then? | 0:07:57 | 0:07:59 | |
She seems far more across our relationship than you do. | 0:07:59 | 0:08:02 | |
I'm heavily committed at work. You remember what that was like. | 0:08:02 | 0:08:05 | |
And you remember what it was like for you at home being ignored. | 0:08:05 | 0:08:08 | |
Well, there you go. Quid pro quo. | 0:08:08 | 0:08:10 | |
LAURA: 'No, don't come over here. | 0:08:12 | 0:08:14 | |
-'It'll be easier for me and Emily to come to yours.' -OK, fine. | 0:08:14 | 0:08:16 | |
-You bring her over here, then. -'OK, bye.' | 0:08:16 | 0:08:19 | |
All right, I'll see you later. Bye. | 0:08:19 | 0:08:21 | |
Women, eh? | 0:08:23 | 0:08:25 | |
When I first got with your mother, nothing I ever did was good enough. | 0:08:25 | 0:08:29 | |
I just drew a line in the sand. | 0:08:29 | 0:08:31 | |
I said, "This is me, you accept me for who I am." | 0:08:31 | 0:08:35 | |
And she accepted you? | 0:08:35 | 0:08:37 | |
No, she not exactly accepted, | 0:08:37 | 0:08:39 | |
more just realised there wasn't going to be any improvement. | 0:08:39 | 0:08:43 | |
I think all we need is some space. | 0:08:45 | 0:08:47 | |
We never get to just be together and have... | 0:08:47 | 0:08:51 | |
..a proper conversation. | 0:08:53 | 0:08:57 | |
Right... | 0:08:58 | 0:09:00 | |
so when did you last have a... | 0:09:00 | 0:09:02 | |
chat? | 0:09:02 | 0:09:04 | |
Not since the first time we...talked. | 0:09:04 | 0:09:07 | |
-Bloody hell. -I know! | 0:09:07 | 0:09:09 | |
I tell you what, I'll take your mum out tonight, give you some privacy. | 0:09:11 | 0:09:15 | |
Oh, that'd be great. | 0:09:15 | 0:09:16 | |
I'll need about 40 quid. | 0:09:16 | 0:09:18 | |
Hey, it's a small price to pay... | 0:09:18 | 0:09:21 | |
for a good natter. | 0:09:21 | 0:09:23 | |
-'Did you get your results?' -Yep, B and two Cs. How did you do? | 0:09:24 | 0:09:28 | |
Yeah, I aced them - two Cs and a D. | 0:09:28 | 0:09:30 | |
'So, pre-party party tonight?' | 0:09:30 | 0:09:32 | |
No. Mum and Dad are going out and I've got Laura coming over. | 0:09:32 | 0:09:35 | |
-Oh, my God! Is it go time? -'No.' | 0:09:35 | 0:09:38 | |
I mean, it might be go time. | 0:09:39 | 0:09:41 | |
We'll see how it goes. | 0:09:41 | 0:09:43 | |
-'I'll be round in ten minutes.' -No! Mike... | 0:09:43 | 0:09:45 | |
MIKE HANGS UP | 0:09:45 | 0:09:46 | |
Cushions. | 0:09:50 | 0:09:52 | |
BARRY WHITE: 'I never take anything for granted. | 0:09:52 | 0:09:55 | |
-'Only a fool, baby, takes things for granted.' -Better, better. | 0:09:55 | 0:09:59 | |
Good. | 0:09:59 | 0:10:00 | |
'Just because it's here today, it can be gone tomorrow...' | 0:10:01 | 0:10:04 | |
Wine... | 0:10:04 | 0:10:06 | |
Candles... | 0:10:06 | 0:10:07 | |
Too many candles. | 0:10:09 | 0:10:11 | |
OK, I'm pretty sure I can take it from here now, Mike, if you want... | 0:10:12 | 0:10:16 | |
No, no, no, no, no, no, you are nowhere near ready. | 0:10:16 | 0:10:19 | |
She's not going to be blind drunk this time. | 0:10:19 | 0:10:21 | |
Expectations are going to be a lot higher, | 0:10:21 | 0:10:24 | |
which is why I got you this. | 0:10:24 | 0:10:26 | |
What is it? | 0:10:27 | 0:10:29 | |
It's a shark's tooth. | 0:10:29 | 0:10:30 | |
Why would I want to wear a shark's tooth? | 0:10:30 | 0:10:32 | |
So she thinks you kill sharks. | 0:10:32 | 0:10:34 | |
-I'm pretty sure she knows I don't kill sharks. -Yeah, consciously, | 0:10:34 | 0:10:37 | |
but subconsciously, she'll register that you're dangerous. | 0:10:37 | 0:10:40 | |
-Dangerous to sharks? -Exactly. | 0:10:40 | 0:10:42 | |
Look, how hot is that? | 0:10:42 | 0:10:44 | |
Not that hot? | 0:10:44 | 0:10:46 | |
OK, look, you're going to be playing catch-up sexually, | 0:10:46 | 0:10:49 | |
but luckily, sports science is here to help. | 0:10:49 | 0:10:52 | |
Right, here we go. | 0:10:53 | 0:10:56 | |
All we need to do is simply find | 0:10:56 | 0:10:58 | |
an elite athlete with a body type which is similar to yours | 0:10:58 | 0:11:01 | |
and then model your technique on theirs. | 0:11:01 | 0:11:03 | |
These are links to guys with similar body shapes to you. | 0:11:03 | 0:11:06 | |
GIRLS MOAN AND SIGH | 0:11:06 | 0:11:08 | |
Oh, Mike, turn that off. | 0:11:08 | 0:11:10 | |
What? Oh, come on, it took me hours to find these! | 0:11:10 | 0:11:14 | |
It's not like your body type's popular. | 0:11:14 | 0:11:16 | |
Oh, yeah, this is a good one, ready? | 0:11:17 | 0:11:21 | |
MOANING | 0:11:21 | 0:11:22 | |
Who am I even supposed to be looking at? | 0:11:22 | 0:11:24 | |
Not that. That guy, the one in the middle with the moustache. | 0:11:24 | 0:11:27 | |
Oh! I'm not doing that. | 0:11:27 | 0:11:29 | |
DOOR OPENS | 0:11:30 | 0:11:31 | |
Oh, that's her. Put it away, go, go. | 0:11:31 | 0:11:34 | |
You look great, you look brilliant. | 0:11:34 | 0:11:36 | |
All right, Beth. | 0:11:36 | 0:11:38 | |
Beth. Hiya. What are you...? | 0:11:38 | 0:11:41 | |
My life is over. | 0:11:43 | 0:11:45 | |
Yeah? | 0:11:45 | 0:11:46 | |
Why, what's happened? | 0:11:46 | 0:11:48 | |
My Biology AS? | 0:11:48 | 0:11:50 | |
I got a fucking B. | 0:11:50 | 0:11:52 | |
Oui, nous voudrions rester, uh...deux nuits. | 0:11:52 | 0:11:57 | |
Uh, quoi? | 0:11:57 | 0:11:58 | |
Ah, pour deux personnes. | 0:11:58 | 0:12:01 | |
Oui, deux personnes. Merci. | 0:12:01 | 0:12:04 | |
Uh...quoi? | 0:12:04 | 0:12:05 | |
So it's a B, what's the big deal? | 0:12:07 | 0:12:09 | |
I'm a straight A student. | 0:12:09 | 0:12:11 | |
I can't have a B. | 0:12:11 | 0:12:13 | |
It's just a couple of marks different. | 0:12:13 | 0:12:15 | |
Tell that to Cambridge University. | 0:12:15 | 0:12:17 | |
-I thought you said Cambridge was a relic filled with snobs. -Yeah. | 0:12:17 | 0:12:21 | |
Yes, which I would have changed for the better, from within. | 0:12:21 | 0:12:26 | |
God, this means my year at Harvard is off too. | 0:12:26 | 0:12:30 | |
And I was going to meet a cute guy | 0:12:30 | 0:12:32 | |
who was like a marine biologist | 0:12:32 | 0:12:34 | |
who'd take me whale-watching. | 0:12:34 | 0:12:37 | |
Now that's not going to happen cos the exam board screwed up. | 0:12:37 | 0:12:41 | |
Give me your laptop, I'm going to e-mail them. | 0:12:41 | 0:12:43 | |
Oh, no! That's, er, it's broken. | 0:12:43 | 0:12:45 | |
So why don't you sleep on it? | 0:12:45 | 0:12:48 | |
Yeah? Just...sleep on it. | 0:12:48 | 0:12:51 | |
Yeah, we should get going, Beth. | 0:12:51 | 0:12:54 | |
Jamie's got Laura coming over. | 0:12:54 | 0:12:56 | |
They're having sex. | 0:12:56 | 0:12:57 | |
Oh, God, I do not need to see that again. | 0:12:57 | 0:13:00 | |
I am going to die alone, | 0:13:02 | 0:13:04 | |
with a mediocre degree | 0:13:04 | 0:13:06 | |
and I'll never see a blue whale! | 0:13:06 | 0:13:08 | |
OK, come on. | 0:13:08 | 0:13:10 | |
-Good luck. -Go. | 0:13:10 | 0:13:11 | |
Yeah, go on! | 0:13:11 | 0:13:13 | |
Come on, Beth, I'll let you have a go on my smoke machine. | 0:13:14 | 0:13:17 | |
Janet. | 0:13:29 | 0:13:30 | |
I'd like to discuss our relationship in a non-judgemental way. | 0:13:30 | 0:13:36 | |
Why on earth are you talking like that? | 0:13:36 | 0:13:38 | |
Darling, have you banged your head again or something? | 0:13:38 | 0:13:40 | |
I'm just trying to find out what the hell is going on with you. | 0:13:40 | 0:13:43 | |
Nothing's going on with me. | 0:13:43 | 0:13:45 | |
Oh, come on. | 0:13:45 | 0:13:46 | |
I've seen you skulking around, heard you booking a hotel room. | 0:13:46 | 0:13:50 | |
Please just be honest with me. | 0:13:50 | 0:13:52 | |
Fine. | 0:13:53 | 0:13:55 | |
I've booked a hotel in Paris. | 0:13:55 | 0:13:57 | |
I thought it would be nice for us to get away, | 0:13:57 | 0:13:59 | |
spend some time with each other. | 0:13:59 | 0:14:01 | |
Well, that's a...lovely surprise. | 0:14:02 | 0:14:05 | |
Hmm, would have been, wouldn't it? | 0:14:05 | 0:14:07 | |
Sorry. | 0:14:08 | 0:14:10 | |
It's fine. | 0:14:11 | 0:14:13 | |
Just trust me, OK? | 0:14:13 | 0:14:16 | |
PHONE VIBRATES | 0:14:19 | 0:14:21 | |
Oh, it's work. | 0:14:21 | 0:14:23 | |
Can I take this in the other room or do you want to listen in? | 0:14:23 | 0:14:27 | |
Steven? Where are we with that? | 0:14:29 | 0:14:32 | |
This way. Come in, come in, | 0:14:33 | 0:14:35 | |
just put Emily down there. | 0:14:35 | 0:14:37 | |
Jamie, are you wearing a necklace? | 0:14:37 | 0:14:40 | |
No! It's not... No. | 0:14:40 | 0:14:42 | |
Where's your mum and dad? | 0:14:42 | 0:14:44 | |
-Dad's taken Mum out. -Really? -Yeah, | 0:14:44 | 0:14:48 | |
so it's just the two of us. Wine? | 0:14:48 | 0:14:50 | |
OK, why? | 0:14:53 | 0:14:55 | |
I just thought it'd be nice to have a romantic evening. | 0:14:55 | 0:14:59 | |
Are you trying to have sex with me? | 0:15:01 | 0:15:03 | |
Not immediately, no. | 0:15:03 | 0:15:05 | |
I just, I thought... | 0:15:05 | 0:15:07 | |
you know, optimum conditions. | 0:15:07 | 0:15:10 | |
Right. It's not really optimum, though, is it, Jamie? | 0:15:10 | 0:15:13 | |
Emily's in the room and you've just put out a bowl of crisps. | 0:15:13 | 0:15:18 | |
Kettle chips. | 0:15:18 | 0:15:19 | |
Oh, well, take me now! | 0:15:19 | 0:15:21 | |
OK, you know what, forget it. | 0:15:23 | 0:15:26 | |
It's never going to be good enough, is it? | 0:15:26 | 0:15:28 | |
Oh, no, come on, it's just, we don't have to rush. | 0:15:28 | 0:15:31 | |
It just feels a bit like you're obsessed with sex. | 0:15:31 | 0:15:35 | |
Oh, OK, once in 18 years. You can't call that obsessed. | 0:15:35 | 0:15:39 | |
It's like saying I'm obsessed with kayaking | 0:15:39 | 0:15:43 | |
and I've actually done that twice. | 0:15:43 | 0:15:45 | |
Look, OK, don't get angry with me just because I'm not quite there yet. | 0:15:45 | 0:15:49 | |
Not quite there? You don't even want to be seen with me, | 0:15:49 | 0:15:52 | |
you're barely in this relationship. | 0:15:52 | 0:15:54 | |
I'm starting to wonder if I should be in it either. | 0:15:54 | 0:15:57 | |
DOOR OPENS | 0:15:57 | 0:15:59 | |
Ignore me! Ignore me. | 0:15:59 | 0:16:01 | |
Hiya, sorry, forgot to pick up that cash. Could I get it off you now? | 0:16:01 | 0:16:06 | |
Probably not. | 0:16:08 | 0:16:09 | |
Hi, Keith. | 0:16:13 | 0:16:14 | |
Ooh, posh crisps. | 0:16:14 | 0:16:16 | |
IN FRENCH: | 0:16:31 | 0:16:32 | |
I didn't realise you could be so assertive in a second language. | 0:17:14 | 0:17:18 | |
I think you might have frightened the Frenchman. | 0:17:18 | 0:17:20 | |
It was either that or have him follow you up here | 0:17:20 | 0:17:22 | |
and offer you his continental breakfast. | 0:17:22 | 0:17:25 | |
I thought I might let you in on a little surprise. | 0:17:26 | 0:17:30 | |
Hmm, sounds interesting. | 0:17:30 | 0:17:32 | |
We should do this more often, you know. | 0:17:34 | 0:17:36 | |
We can do this more often. | 0:17:37 | 0:17:39 | |
How do you fancy Manhattan? | 0:17:39 | 0:17:43 | |
I like Manhattan. | 0:17:43 | 0:17:45 | |
Great, well, you can come out and see me. | 0:17:45 | 0:17:48 | |
Sorry? | 0:17:48 | 0:17:49 | |
Steven's sending me out to New York on a two-month secondment. | 0:17:49 | 0:17:53 | |
But... What? When? | 0:17:53 | 0:17:56 | |
I leave on Monday. | 0:17:56 | 0:17:57 | |
LOUD DUBSTEP MUSIC | 0:18:02 | 0:18:04 | |
Oh, hi, Beth. Glad you could make it. | 0:18:08 | 0:18:10 | |
I got my remark. | 0:18:10 | 0:18:12 | |
Yeah? | 0:18:12 | 0:18:13 | |
B again. | 0:18:13 | 0:18:15 | |
I'm officially ordinary. | 0:18:15 | 0:18:18 | |
And I didn't bring anyone because I have no friends | 0:18:20 | 0:18:23 | |
or boyfriend, or future. | 0:18:23 | 0:18:26 | |
In fact, I'm just going to go. I'll just spoil the party. | 0:18:28 | 0:18:31 | |
No! Beth, you have to come in. | 0:18:31 | 0:18:34 | |
Somehow the cool-uncool ratio got out of whack. | 0:18:40 | 0:18:43 | |
DISCO MUSIC PLAYS | 0:18:43 | 0:18:46 | |
Yes, well, I see what this is now. | 0:18:49 | 0:18:51 | |
It's not a romantic weekend at all, is it? | 0:18:51 | 0:18:54 | |
It's the walk in the woods before you put a bullet in my brain. | 0:18:54 | 0:18:56 | |
-Nonsense. -So when were you planning on telling me exactly? | 0:18:56 | 0:19:01 | |
Well, now. I was just waiting for the right moment. | 0:19:01 | 0:19:06 | |
Oh, be reasonable. What about the 20 years I spent at home | 0:19:06 | 0:19:09 | |
while you had your career? That's got to be worth at least six months. | 0:19:09 | 0:19:12 | |
That's the... | 0:19:12 | 0:19:14 | |
I thought you said two months. | 0:19:14 | 0:19:16 | |
It's open-ended. | 0:19:16 | 0:19:17 | |
It's just a business trip. Don't be so melodramatic. | 0:19:18 | 0:19:22 | |
Well, in a calm, non-confrontational way, | 0:19:22 | 0:19:24 | |
let me tell you that, if you get on that plane, | 0:19:24 | 0:19:28 | |
our marriage is over. | 0:19:28 | 0:19:29 | |
And I left her there with the kettle chips. | 0:19:34 | 0:19:37 | |
So I think I basically blew it. | 0:19:37 | 0:19:38 | |
Oh, I wouldn't be too sure. | 0:19:40 | 0:19:42 | |
I'm with him. | 0:19:43 | 0:19:45 | |
Hi, Jamie. | 0:19:46 | 0:19:47 | |
All right? | 0:19:48 | 0:19:50 | |
Yeah. Can we...? | 0:19:50 | 0:19:52 | |
Come on, Beth, let's mingle. | 0:19:52 | 0:19:53 | |
I don't want to mingle. | 0:19:53 | 0:19:55 | |
-Shall we...? -Yeah. | 0:19:56 | 0:19:57 | |
I'm surprised you made it. | 0:20:07 | 0:20:09 | |
I've been thinking about what you said | 0:20:09 | 0:20:11 | |
and I'm going to tell my parents. | 0:20:11 | 0:20:13 | |
You don't have to, I don't care anymore. | 0:20:13 | 0:20:15 | |
I know, I know, but I'm saying I will. | 0:20:15 | 0:20:17 | |
And I'm saying I don't care. | 0:20:17 | 0:20:19 | |
-Look, I'm sorry. I... -No, look, | 0:20:19 | 0:20:21 | |
there comes a time when you just have to draw a line | 0:20:21 | 0:20:25 | |
and say, "This is who I am" | 0:20:25 | 0:20:27 | |
and this is that time. | 0:20:27 | 0:20:29 | |
Oh, my God, are you going to break up with me? | 0:20:30 | 0:20:33 | |
No! No. | 0:20:34 | 0:20:35 | |
You should feel like you have to respond to this | 0:20:39 | 0:20:42 | |
because I know you struggle with straightforward emotional statements | 0:20:42 | 0:20:46 | |
but... | 0:20:46 | 0:20:48 | |
I love you, Laura. | 0:20:49 | 0:20:52 | |
I... | 0:20:55 | 0:20:56 | |
Right. | 0:20:58 | 0:20:59 | |
Look, it's fine, like I said, you don't have to respond. | 0:21:02 | 0:21:06 | |
I can't just... | 0:21:11 | 0:21:13 | |
I know, and it's fine. | 0:21:13 | 0:21:17 | |
-Is it? -Yeah, yeah. | 0:21:17 | 0:21:20 | |
I know that you'll come round, eventually. | 0:21:21 | 0:21:24 | |
Will I? | 0:21:26 | 0:21:28 | |
Yeah, in your own time. | 0:21:28 | 0:21:30 | |
So whether it's telling people that we're together | 0:21:32 | 0:21:35 | |
or holding hands in public, | 0:21:35 | 0:21:38 | |
sex, whatever, | 0:21:38 | 0:21:40 | |
it doesn't matter. | 0:21:40 | 0:21:42 | |
I'm saying, I'm there. | 0:21:44 | 0:21:47 | |
And when you're ready to join me, just let me know. | 0:21:48 | 0:21:51 | |
OK. | 0:21:56 | 0:21:57 | |
Yeah? | 0:21:57 | 0:21:58 | |
OK. | 0:22:00 | 0:22:01 | |
OK, I might be bad at straightforward | 0:22:05 | 0:22:08 | |
but I do know this. | 0:22:08 | 0:22:09 | |
We have babysitters all night and this party is awful | 0:22:10 | 0:22:14 | |
and my house is completely empty. MEN MAKE LIGHT SABRE NOISES | 0:22:14 | 0:22:19 | |
OK? | 0:22:19 | 0:22:20 | |
Well, doesn't that sound like... | 0:22:20 | 0:22:23 | |
optimum conditions to you? | 0:22:23 | 0:22:25 | |
Oh, keys. Keys in the door. | 0:22:36 | 0:22:38 | |
Yeah, probably just leave them. | 0:22:38 | 0:22:40 | |
Oh! I should really re-sterilise those. | 0:22:54 | 0:22:57 | |
Yeah, later. Come on. | 0:22:57 | 0:22:59 | |
Is this...? | 0:23:07 | 0:23:09 | |
Is this a new belt? | 0:23:09 | 0:23:11 | |
-Ow! -OK, OK. | 0:23:12 | 0:23:13 | |
Jamie, can we move? | 0:23:32 | 0:23:33 | |
Why? Are we not OK? | 0:23:35 | 0:23:37 | |
I thought it was going OK. | 0:23:37 | 0:23:39 | |
I'm getting a bit distracted by all the dangling objects. | 0:23:39 | 0:23:42 | |
Oh, I see! | 0:23:42 | 0:23:44 | |
My God, this party's a disaster. | 0:24:39 | 0:24:42 | |
No, I'm the disaster. | 0:24:44 | 0:24:46 | |
I have no friends, no boyfriend | 0:24:46 | 0:24:48 | |
and I'm not even that smart, so... | 0:24:48 | 0:24:51 | |
Where did Jamie go? | 0:24:54 | 0:24:56 | |
I think he went to go and do Laura. | 0:24:56 | 0:24:59 | |
Good. | 0:25:00 | 0:25:02 | |
How nice of them to flaunt their happiness while I'm failing at life. | 0:25:02 | 0:25:05 | |
Beth! | 0:25:05 | 0:25:07 | |
You are a very bright, | 0:25:07 | 0:25:10 | |
intelligent...bright girl. | 0:25:10 | 0:25:14 | |
And if these universities can't see that, | 0:25:14 | 0:25:17 | |
then they're not worth going to university at. | 0:25:17 | 0:25:21 | |
-Yeah. -Yeah. | 0:25:22 | 0:25:23 | |
-Screw them. -Yeah. | 0:25:23 | 0:25:25 | |
With their big libraries | 0:25:25 | 0:25:27 | |
and their faculties | 0:25:27 | 0:25:29 | |
-full of academic bastards. -Bastards. | 0:25:29 | 0:25:33 | |
I say, reject rejection. | 0:25:33 | 0:25:36 | |
Reject rejection. | 0:25:39 | 0:25:40 | |
THEY LAUGH | 0:25:40 | 0:25:41 | |
That's brilliant. | 0:25:41 | 0:25:43 | |
Yeah. Yeah, it is. Cheers. | 0:25:43 | 0:25:45 | |
HE BELCHES | 0:25:48 | 0:25:49 | |
-Mike. -Yeah? | 0:25:51 | 0:25:53 | |
I don't know if it's the jelly shots, | 0:25:53 | 0:25:55 | |
or the lighting... | 0:25:55 | 0:25:57 | |
..or the despair... | 0:25:59 | 0:26:00 | |
..but there's something about you. | 0:26:01 | 0:26:05 | |
Yeah, I know. | 0:26:05 | 0:26:07 | |
You can never tell anyone. | 0:26:27 | 0:26:29 | |
Who's going to believe me? | 0:26:31 | 0:26:33 | |
OK, OK, sorry, just to be sure, | 0:26:39 | 0:26:42 | |
-the condom is... -Oh, God, yes. -OK. | 0:26:42 | 0:26:44 | |
You're absolutely sure? | 0:26:46 | 0:26:47 | |
Way ahead of you, and yes, 100%. | 0:26:47 | 0:26:49 | |
Good. | 0:26:49 | 0:26:51 | |
Give me one second. | 0:26:52 | 0:26:54 | |
-Yeah, we're good. -OK. | 0:26:55 | 0:26:57 | |
MUSIC: "Settle" by Two Door Cinema Club | 0:27:08 | 0:27:11 | |
# Everything I cannot imagine | 0:27:11 | 0:27:16 | |
# This dim-lit room has seen much before me | 0:27:16 | 0:27:22 | |
# And I don't want | 0:27:22 | 0:27:26 | |
# To ever know | 0:27:27 | 0:27:30 | |
# To know... # | 0:27:33 | 0:27:35 | |
Hey, sleepy head. | 0:27:56 | 0:27:58 | |
Oh, my God! | 0:28:00 | 0:28:02 | |
We didn't, did we? | 0:28:02 | 0:28:03 | |
Judging by the evidence, I'd say it probably got freaky. | 0:28:05 | 0:28:09 | |
Oh, my God. | 0:28:09 | 0:28:10 | |
I honestly can't remember. | 0:28:12 | 0:28:14 | |
Well, that's good enough for me. | 0:28:14 | 0:28:16 | |
I'm taking that one as a win. | 0:28:16 | 0:28:18 | |
No, no! No-one's a winner here. | 0:28:18 | 0:28:21 | |
Wow! | 0:28:23 | 0:28:24 | |
Finally! | 0:28:24 | 0:28:27 | |
Who'd have thought? | 0:28:27 | 0:28:29 | |
You and me. | 0:28:29 | 0:28:31 | |
Subtitles by Red Bee Media Ltd | 0:29:16 | 0:29:19 |