Browse content similar to Geometry. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:28 | 0:00:31 | |
Go-oo-oo-ood evening, good evening, good evening | 0:00:31 | 0:00:36 | |
and welcome to QI. | 0:00:36 | 0:00:39 | |
Tonight, as Plato said, "Let no-one untrained in geometry enter here," | 0:00:39 | 0:00:44 | |
for our theme is geometry. | 0:00:44 | 0:00:46 | |
And sitting around our conic section tonight, we have the shapely Johnny Vegas. | 0:00:46 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:53 | |
The curvaceous Rob Brydon. | 0:00:56 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:01 | |
The hyperbolic David Mitchell. | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
And a square peg in a round hole, Alan Davies. | 0:01:09 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:17 | |
So let's hear your geometrical buzzers. Rob goes... | 0:01:19 | 0:01:24 | |
# Bermuda Triangle | 0:01:24 | 0:01:27 | |
# It makes people disappear... # | 0:01:27 | 0:01:29 | |
And Johnny goes... | 0:01:29 | 0:01:31 | |
# You're so square Baby, I don't care... # | 0:01:31 | 0:01:36 | |
David goes... | 0:01:36 | 0:01:38 | |
# Like a circle in a spiral Like a wheel within a wheel... # | 0:01:38 | 0:01:42 | |
And Alan goes... | 0:01:42 | 0:01:44 | |
# The wheels on the bus go round and round, all day long... # | 0:01:44 | 0:01:50 | |
I thought we'd begin tonight with some fashion tips. Johnny, you're looking very svelte. | 0:01:51 | 0:01:57 | |
What's your secret? | 0:01:57 | 0:01:59 | |
Well, it's a tidy neck. | 0:01:59 | 0:02:01 | |
-A tidy neck? -Yeah, and a button hole just left casual enough, | 0:02:01 | 0:02:07 | |
so if a lady should approach you, she's going, "There's room for change, but not too much." | 0:02:07 | 0:02:13 | |
Oh, that's the secret... | 0:02:13 | 0:02:15 | |
Two buttons down, part slag, part hero. | 0:02:15 | 0:02:19 | |
Anyone have any thoughts as to why he might be looking or might not be looking svelte? | 0:02:19 | 0:02:24 | |
Is it to do with the direction of his stripes? | 0:02:24 | 0:02:27 | |
It is to do with the direction of his stripes. | 0:02:27 | 0:02:31 | |
It is, look at the picture there. It's accentuating my breasts. | 0:02:31 | 0:02:35 | |
-On the left, that's Alexander Armstrong. -It does look a bit like him. -It does. -Extraordinary. | 0:02:37 | 0:02:44 | |
They make fat people wear stripes and you can tell how old they are. It's like cutting a tree in half. | 0:02:44 | 0:02:50 | |
-It's supposed to be that vertical stripes may you look slimmer, but they don't. -You're right. | 0:02:50 | 0:02:56 | |
-That's the point. -Absolutely right. | 0:02:56 | 0:02:58 | |
People should wear the... the horizontal ones | 0:02:58 | 0:03:02 | |
that Johnny is sporting. | 0:03:02 | 0:03:04 | |
It's very interesting because almost everybody thinks that vertical stripes make people look slimmer. | 0:03:04 | 0:03:10 | |
In prisons, sometimes women have asked for vertical, rather than horizontal stripes, | 0:03:10 | 0:03:16 | |
so that they look leaner, or they think they do, | 0:03:16 | 0:03:19 | |
but research from a man called Dr Peter Thompson of York University | 0:03:19 | 0:03:24 | |
has found that the large majority think the one in the vertical stripe is larger | 0:03:24 | 0:03:29 | |
than the one in the horizontal stripe when they are the same size. | 0:03:29 | 0:03:32 | |
It's a bit like when you're hot. The best way to cool down is not by drinking a cold drink. | 0:03:32 | 0:03:38 | |
-Rob Brydon. -By going into an air-conditioned building. | 0:03:38 | 0:03:42 | |
And then having a cold drink. | 0:03:42 | 0:03:45 | |
Surely, this shows, actually, that it makes no difference at all | 0:03:45 | 0:03:50 | |
because we're determining whether wearing vertical or horizontal stripes makes you look thinner | 0:03:50 | 0:03:56 | |
and you can't tell by looking. You have to do research. | 0:03:56 | 0:04:00 | |
The difference is so slight that you have to do research with hundreds and hundreds of people. | 0:04:00 | 0:04:05 | |
Basically, people look as fat or thin as they are. | 0:04:05 | 0:04:10 | |
-You are... -I beg to differ. | 0:04:10 | 0:04:12 | |
I have a friend who's quite short and he likes to wear vertical stripes because they make him look taller. | 0:04:14 | 0:04:21 | |
Only when he's not standing next to anyone. | 0:04:21 | 0:04:25 | |
It's not going to make him look taller than a taller man. | 0:04:25 | 0:04:29 | |
It's all relative. He'll just say, "There's a normal-sized man next to an enormous man!" | 0:04:29 | 0:04:35 | |
"Oh, he's taken his striped shirt off. It's a tiny man next to a normal man." | 0:04:35 | 0:04:40 | |
I've missed your angry logic, David, I have to say. | 0:04:40 | 0:04:43 | |
It just alternates, doesn't it? For ages, you think vertical stripes make people look thinner. | 0:04:43 | 0:04:49 | |
Then you say, "She's wearing vertical stripes, so she must be fatter than she looks." | 0:04:49 | 0:04:55 | |
So suddenly, horizontal stripes start making you look thin. | 0:04:55 | 0:04:58 | |
"She must be thin, otherwise she'd never dare wear horizontal stripes." | 0:04:58 | 0:05:03 | |
Then they go, "No, horizontal stripes make you look thinner." "Oh, she must be fat." | 0:05:03 | 0:05:08 | |
APPLAUSE | 0:05:08 | 0:05:11 | |
So these are the things that go through your mind when you see someone wearing stripes? | 0:05:11 | 0:05:16 | |
What happens when you see someone with polka dots and you're going, "She must be nine mile long"? | 0:05:16 | 0:05:23 | |
Contrary to popular belief, horizontal stripes are more slimming than vertical ones. | 0:05:23 | 0:05:29 | |
While we're admiring fine lines... David, you may know this cos you're bright. | 0:05:29 | 0:05:34 | |
Not that you others aren't. | 0:05:34 | 0:05:36 | |
I'll feel terrible if I don't! | 0:05:36 | 0:05:39 | |
Why do columns around the Parthenon look straight? | 0:05:39 | 0:05:43 | |
Because they are. | 0:05:43 | 0:05:45 | |
-You see, I don't think I know this and I think I'm going to say something embarrassing. -Go on. | 0:05:45 | 0:05:51 | |
It gets wider, so that it looks straight. | 0:05:51 | 0:05:54 | |
It's further away at the top, so to stop it looking like it's tapering, they made it wider. | 0:05:54 | 0:06:00 | |
This was the theory for a long time. It's a thing called entasis. | 0:06:00 | 0:06:04 | |
If a column is exactly straight, from a distance it looks as if it bows inwards. | 0:06:04 | 0:06:09 | |
The secret is to make it bow slightly outwards, so from a distance, it looks straight. | 0:06:09 | 0:06:15 | |
But it turns out this isn't what they did after all. | 0:06:15 | 0:06:18 | |
-It's Alan's first answer which is they look straight cos they are straight. -That's not a question! | 0:06:18 | 0:06:26 | |
Why does this man look thin? Because he is! | 0:06:26 | 0:06:29 | |
That... That has taken me on a whole circle! | 0:06:32 | 0:06:36 | |
A train of thought going, "The reason they look straight is because they are." | 0:06:36 | 0:06:42 | |
This is why I struggled at school! | 0:06:42 | 0:06:44 | |
-It's the Q of QI... -If a train travels at 40mph | 0:06:44 | 0:06:48 | |
and leaves at 9 o'clock and arrives in Glasgow at 12 o'clock, how did it get there? | 0:06:48 | 0:06:53 | |
And you're going, "Cos it did!" | 0:06:53 | 0:06:55 | |
LAUGHTER | 0:06:55 | 0:06:58 | |
-It's sort of that. -It's not sort of that. It's very confusing! | 0:06:58 | 0:07:02 | |
It's the Q of QI. It is going round in a circle, but with a twiddly bit at the end. | 0:07:02 | 0:07:07 | |
Why does that look straight? | 0:07:07 | 0:07:10 | |
Because it's not. | 0:07:10 | 0:07:13 | |
That would have been a question. Why does that look straight? | 0:07:13 | 0:07:18 | |
Because it is! | 0:07:18 | 0:07:20 | |
Sometimes... | 0:07:20 | 0:07:22 | |
Because it is! | 0:07:22 | 0:07:24 | |
-Sometimes things look... -It's straight! | 0:07:25 | 0:07:29 | |
-Please don't be unhappy, Johnny. -I'm not. I'm just confused at the start! | 0:07:29 | 0:07:34 | |
Let me un-confuse you because the same man who discovered... | 0:07:34 | 0:07:39 | |
-I try! -You do, Johnny. | 0:07:39 | 0:07:42 | |
No, seriously, listen. The same man... Do you remember what his name was, who discovered that hoops...? | 0:07:42 | 0:07:48 | |
-Peter Thompson. -He also discovered that the straight lines on the Parthenon... -He's good with lines. | 0:07:48 | 0:07:55 | |
-..are straight because they're straight? -He is here tonight in the studio. | 0:07:55 | 0:08:00 | |
Where are you, Peter? He's wearing a straight moustache. | 0:08:00 | 0:08:04 | |
-Hello, Peter Thompson. -Hello. -You've upset Johnny, but what's your point? | 0:08:04 | 0:08:09 | |
He's looking fantastically slim tonight because he's wearing horizontal stripes. It is true... | 0:08:09 | 0:08:14 | |
I'll still have a heart attack. | 0:08:14 | 0:08:17 | |
-They won't stop that. -Thanks to the stripes, I'll be in denial. | 0:08:17 | 0:08:21 | |
DAVID: What do you have to wear to look not dead when you are? | 0:08:21 | 0:08:25 | |
Why am I looking so good? | 0:08:25 | 0:08:28 | |
You look good because you're wearing horizontal stripes. They make you look taller. | 0:08:28 | 0:08:33 | |
Vertical stripes will make you look wider, certainly. | 0:08:33 | 0:08:38 | |
-Which is against what everybody believes? -Yes, but someone has to do the science to show what is true. | 0:08:38 | 0:08:44 | |
If you're really fat, it won't make a lot of difference because the effect's not that big. | 0:08:44 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:52 | |
You may have aroused the beast within Johnny. | 0:08:52 | 0:08:55 | |
I give you my theory! | 0:08:55 | 0:08:58 | |
Peter Thompson, thank you very much indeed. Dr Thompson, everybody! | 0:08:58 | 0:09:02 | |
-APPLAUSE -Excellent. There you are. | 0:09:02 | 0:09:06 | |
Who was it, though, that first saw some pillars that looked straight | 0:09:10 | 0:09:14 | |
and thought that must be because they bulge, rather than that they're just straight? | 0:09:14 | 0:09:20 | |
I think it does exist, this entasis, but not on the Parthenon. | 0:09:20 | 0:09:24 | |
There are other places where it does happen, | 0:09:24 | 0:09:27 | |
where from the right distance, they look straight. | 0:09:27 | 0:09:30 | |
Other people believe they may be bowed for structural reasons, that it helps them stand up more. | 0:09:30 | 0:09:35 | |
Are you good on Greek Doric and other such columns? | 0:09:35 | 0:09:39 | |
I'm amazing, don't get me started. | 0:09:39 | 0:09:41 | |
Would you like to see some Greek columns and identify them for me? | 0:09:41 | 0:09:45 | |
-Those are the three classic orders. -I have these in a book in my loo and I've forgotten to memorise them. | 0:09:45 | 0:09:50 | |
Any thoughts? Anyone know? | 0:09:50 | 0:09:53 | |
The right-hand one they've got slightly wrong, haven't they? It's slightly too far to the right. | 0:09:53 | 0:09:58 | |
That's the way they hold up. That's the Corinthian order, the most decorated. | 0:09:58 | 0:10:02 | |
It starts on the left with the Doric and then the middle is Ionic. | 0:10:02 | 0:10:07 | |
There's one thing that's really missing, one thing that's so common. | 0:10:07 | 0:10:10 | |
The rest of the building. | 0:10:10 | 0:10:12 | |
LAUGHTER | 0:10:12 | 0:10:14 | |
Arches. They had so much, the Greeks, but never an arch. | 0:10:14 | 0:10:17 | |
So they didn't have a vault or dome. | 0:10:17 | 0:10:20 | |
-So nothing round in Greek architecture. -No arches at all? -No. | 0:10:20 | 0:10:23 | |
-It's all segmental and... -The Romans must have found that hilarious | 0:10:23 | 0:10:27 | |
when they invaded. | 0:10:27 | 0:10:29 | |
What, you say your husband's a builder? | 0:10:29 | 0:10:31 | |
When's he home, cos I've got some notes for him. | 0:10:31 | 0:10:35 | |
-What do the words mean? -Doric? -Yeah. | 0:10:35 | 0:10:37 | |
It's a part of Greece and Ionia was in the Ionian Sea. | 0:10:37 | 0:10:41 | |
-Corinth - Gulf of Corinth. -They're regions? -Yeah, named after regions. -For an extra point, Stephen, | 0:10:41 | 0:10:47 | |
what makes these different to Christopher Wren's columns at the Guildhall in Windsor? | 0:10:47 | 0:10:52 | |
-Let me turn the tables on you. -No, no, no... | 0:10:52 | 0:10:56 | |
There are fables about how his columns don't reach the ceiling. | 0:10:56 | 0:11:01 | |
It's also said of his library at Trinity in Cambridge, | 0:11:01 | 0:11:04 | |
that they insisted on extra columns, | 0:11:04 | 0:11:06 | |
and the guides always tell you this, so it probably is true, and he said | 0:11:06 | 0:11:10 | |
it doesn't need them, but they said it would fall down. | 0:11:10 | 0:11:13 | |
So he put in extra columns, but left a gap about that thick. | 0:11:13 | 0:11:17 | |
This is what the guide at Windsor told me, to prove he could do it. | 0:11:17 | 0:11:23 | |
But my point is, if you'll let me get it out, | 0:11:23 | 0:11:26 | |
is that these DO touch the ceiling. | 0:11:26 | 0:11:29 | |
You're right, they do. Beautifully put and points for you at once. | 0:11:29 | 0:11:33 | |
Surely, even with Christopher Wren's buildings, some of the columns must... | 0:11:33 | 0:11:37 | |
No, you're thinking of David Copperfield. | 0:11:37 | 0:11:41 | |
Floating floors. | 0:11:41 | 0:11:43 | |
He was a great architect, but didn't invent the hover ceiling. | 0:11:43 | 0:11:46 | |
That was David Blaine, they just hovered like that. | 0:11:46 | 0:11:51 | |
-APPLAUSE -Very true. | 0:11:51 | 0:11:54 | |
I've seen so many people who've bought Council homes and put these up. | 0:11:54 | 0:11:58 | |
-Yeah, these columns. -I've passed them every day and never questioned. | 0:11:58 | 0:12:02 | |
-No. -The different styles and nuances. -Yeah. | 0:12:02 | 0:12:06 | |
And there's a name for every single part. | 0:12:06 | 0:12:09 | |
What about the two lions on the gate post? | 0:12:09 | 0:12:12 | |
-Do you have lions on your gate post? -Geoff and Marge. | 0:12:12 | 0:12:15 | |
That answer was quick enough for me to believe you do. | 0:12:16 | 0:12:19 | |
Very pleasing. Well, there you are. | 0:12:19 | 0:12:23 | |
The columns on the Parthenon look straight because they are straight. | 0:12:23 | 0:12:26 | |
Now look at these two shapes. They have names, right? | 0:12:26 | 0:12:31 | |
-Kerpow! -Well, one is the kiki and the other is the bouba. | 0:12:31 | 0:12:36 | |
-Tell me which is which. -Bouba's on the right, clearly. | 0:12:36 | 0:12:39 | |
-Would you agree with that? -Kiki's the spiky one. | 0:12:39 | 0:12:43 | |
-Would you agree? -I would say kiki is the splodgy one and bouba is the spiky one. -The other way round? | 0:12:43 | 0:12:49 | |
What would you say, Johnny? I hate to think! | 0:12:49 | 0:12:52 | |
I would say they should go back to their dating agency. | 0:12:53 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:12:59 | |
-And ask for a refund. -Shall we ask the audience what they think? | 0:12:59 | 0:13:03 | |
If you think kiki is the one on the left, put your hand up. | 0:13:03 | 0:13:07 | |
That's a huge majority. | 0:13:07 | 0:13:09 | |
Who thinks kiki may be the one on the right? | 0:13:09 | 0:13:12 | |
-There's a few of you going along with Rob. -Are you all Welsh? | 0:13:12 | 0:13:17 | |
There is no right or wrong answer. | 0:13:17 | 0:13:19 | |
Wolfgang Kohler was a, was a... | 0:13:19 | 0:13:21 | |
-A pirate! -That's the word I was after(!) | 0:13:21 | 0:13:25 | |
Arr-arr-arr-arr! | 0:13:25 | 0:13:27 | |
APPLAUSE | 0:13:28 | 0:13:30 | |
I was... | 0:13:30 | 0:13:32 | |
I wanted to say "psychologist". I looked at you and all I could think of was "psychiatrist". | 0:13:32 | 0:13:39 | |
I don't know if it's the same in other languages, | 0:13:39 | 0:13:42 | |
but in English, point sounds pointy, blob sounds blobby. | 0:13:42 | 0:13:45 | |
The point is it's true in all languages. | 0:13:45 | 0:13:48 | |
That "kiki" sound to anybody, whatever their culture, they would think that was the spiky one. | 0:13:48 | 0:13:55 | |
-Crack and blob. -And the bouba thing, they would think of as blobby. | 0:13:55 | 0:13:59 | |
-Is it a form of onomatopoeia? -It is a form of "honour", as you say, "matter", as you point out, "peer". | 0:13:59 | 0:14:05 | |
Well done. That's exactly what I would say. It seems to go deep within us, whatever our cultures. | 0:14:05 | 0:14:11 | |
In other languages, for example, in Huambisa, which is a South American language, | 0:14:11 | 0:14:17 | |
98% of people who didn't speak Huambisa, when seeing the words "chunchuikit" and "mauts", | 0:14:17 | 0:14:23 | |
thought that if one was a fish and one was a bird, "chunchuikit" would be a bird and "mauts" a fish. | 0:14:23 | 0:14:29 | |
-Flap-flap-flap. -Yeah, there is a deep onomatopoeia within... | 0:14:29 | 0:14:33 | |
And yet the Welsh word for "carrot" is "moron". | 0:14:33 | 0:14:36 | |
-LAUGHTER -Is it? | 0:14:36 | 0:14:39 | |
There we go again, bucking the trend. | 0:14:39 | 0:14:41 | |
If "moron" was going to be a word for a food, | 0:14:41 | 0:14:44 | |
I'd say it would be for something more like a mousse or a pate. | 0:14:44 | 0:14:49 | |
A potato. I would say a baked potato. | 0:14:49 | 0:14:51 | |
-They're quite blunt - carrots. -Yes, but... | 0:14:51 | 0:14:55 | |
"Moron" is the Greek for "blunt", which is why it means "obtuse, blunt-witted". | 0:14:55 | 0:15:00 | |
"Oxy" is "sharp", "moron" is "blunt", hence oxymoron being a... | 0:15:00 | 0:15:04 | |
Carrot is right for carrot because it's crunchy. "Carrot", when you bite it, "carrot"... | 0:15:04 | 0:15:10 | |
Moron, there's nothing "moronny". Unless you're being inappropriate with your carrot and going... | 0:15:10 | 0:15:16 | |
What about onion rings? | 0:15:16 | 0:15:18 | |
-More-ish. -Exactly. -Yeah, moreish, rather than moron. -What rule do they come under? Onion rings? | 0:15:20 | 0:15:27 | |
Let's not... It's not that every single word in every language is onomatopoeic. | 0:15:27 | 0:15:32 | |
-They often are, though. -They often are, yes. | 0:15:32 | 0:15:35 | |
-Desk! -Yeah... -Desk! | 0:15:35 | 0:15:37 | |
Tin, tin, tin, tin. | 0:15:39 | 0:15:42 | |
Boo-oo-oo-ook. | 0:15:42 | 0:15:45 | |
Pen! | 0:15:45 | 0:15:47 | |
This is how you teach a chimp to speak. | 0:15:47 | 0:15:51 | |
Well, then, pay attention. Paper! | 0:15:51 | 0:15:54 | |
APPLAUSE | 0:15:54 | 0:15:57 | |
Very mean and most unjustified. | 0:15:58 | 0:16:01 | |
And mother and father in a lot of languages, "mother" is the "ma-ma" towards you | 0:16:01 | 0:16:06 | |
and "father" is the "ba" and "da" away from you. | 0:16:06 | 0:16:10 | |
-Speaking as a father, can I say that my parenting doesn't consist of that? -No, it's the baby doing that. | 0:16:10 | 0:16:16 | |
-The mother is towards me and the father is over there. He's "da", he's there. -But what if he's here? | 0:16:16 | 0:16:22 | |
-Yeah, all right, but mostly... -Don't get cross with me! | 0:16:22 | 0:16:26 | |
He's asked you some absolutely ludicrous things and you've sat there going, "Oh, your northern charm!" | 0:16:26 | 0:16:32 | |
I give you one query and you look at me like I'm an arse! | 0:16:32 | 0:16:37 | |
-I can't answer... -You've done this before on this show! | 0:16:37 | 0:16:41 | |
From now on, you're my friend and my pet, Rob. I'm very sorry. | 0:16:41 | 0:16:45 | |
Maybe I think you can take it more and that Johnny's a little more vulnerable. | 0:16:45 | 0:16:50 | |
He's got big, soft, sad eyes. Look, you see? | 0:16:50 | 0:16:54 | |
-My eyes are soft! -That's true. | 0:16:54 | 0:16:56 | |
No, your eyes are keen. Mine are soft, yours are keen. | 0:16:56 | 0:17:01 | |
-Mine are not keen. -You're looking for a weakness, whereas I... | 0:17:01 | 0:17:05 | |
-I just... -Johnny has the eyes of trust. You have the eyes of prostitution. | 0:17:05 | 0:17:10 | |
LAUGHTER | 0:17:10 | 0:17:13 | |
Whoa! | 0:17:13 | 0:17:15 | |
I thought I was watching the Mr Men behind Alan's head! | 0:17:15 | 0:17:19 | |
I'm giving them different names. | 0:17:19 | 0:17:22 | |
What names have you given them? | 0:17:22 | 0:17:25 | |
Mr Frost and Gonorrhea. | 0:17:25 | 0:17:27 | |
LAUGHTER | 0:17:27 | 0:17:29 | |
-He does look like Mr Frost, actually. -Whoa! -Yeah, but he doesn't look like Gonorrhea, but I... | 0:17:29 | 0:17:35 | |
I've never seen Mr Gonorrhea in the series with Arthur Lowe's voice. | 0:17:35 | 0:17:39 | |
It looks like a humpbacked duck. | 0:17:39 | 0:17:41 | |
-I don't know. I like the bright colours. -Yes, yes. | 0:17:41 | 0:17:45 | |
I like my eyes and the fact that you leave me alone when I go quiet. | 0:17:45 | 0:17:50 | |
Well done, everybody there, tarts and chimpanzees and all. | 0:17:50 | 0:17:55 | |
After that display of topological trickery, perhaps we should get back to our books. | 0:17:55 | 0:18:00 | |
Can you tell me what the most successful textbook of all time is? | 0:18:00 | 0:18:05 | |
Is it the one that teaches you what LOL means and LMAO? | 0:18:05 | 0:18:09 | |
-It probably is now. -Yeah. | 0:18:09 | 0:18:11 | |
No, what's our theme for the day? | 0:18:11 | 0:18:14 | |
-Geometry. -It's the... -Logarithms. | 0:18:14 | 0:18:17 | |
-Not logarithms. -No, not logarithms! | 0:18:17 | 0:18:20 | |
LAUGHTER | 0:18:20 | 0:18:23 | |
-Oh! -Do you want my eyes? He might listen to you. | 0:18:23 | 0:18:27 | |
Stephen, is it logarithms? | 0:18:27 | 0:18:29 | |
No, but it's a jolly good guess. | 0:18:29 | 0:18:32 | |
-Some ancient geometrical textbook written probably by a Greek. -Kites For Beginners! | 0:18:32 | 0:18:37 | |
-Euclid. -Euclid is the right answer, David Mitchell. | 0:18:37 | 0:18:40 | |
Euclid, Euclid's Stoicheia, Euclid's Elements. | 0:18:40 | 0:18:44 | |
The propositions of Euclid are all about planes and conical sections | 0:18:44 | 0:18:48 | |
and all the forms of the circle and the square, | 0:18:48 | 0:18:52 | |
the provable facts of geometry that are the basis of everything, the physics that came afterwards. | 0:18:52 | 0:18:57 | |
So he turned up and said, "This is why all the buildings have been falling down." | 0:18:57 | 0:19:03 | |
Engineering obviously owed a huge amount to it. | 0:19:03 | 0:19:06 | |
Many mathematicians believe his book is perhaps the most beautiful of all the mathematical books. | 0:19:06 | 0:19:12 | |
We're looking at one of the earliest editions. What does it say there? "The most" something "philosopher". | 0:19:12 | 0:19:19 | |
-I'm brilliant with Latin. -No, it's written in English. | 0:19:19 | 0:19:22 | |
LAUGHTER | 0:19:22 | 0:19:25 | |
APPLAUSE | 0:19:26 | 0:19:29 | |
But the names... You're right, the names are written in Greek there. | 0:19:29 | 0:19:34 | |
Yeah, and that's what threw me. | 0:19:34 | 0:19:37 | |
Queen Elizabeth I's court magician, John Dee. Have you heard of him? | 0:19:37 | 0:19:41 | |
-Hmm. -He was an extraordinary man who worked as a spy. | 0:19:41 | 0:19:45 | |
-Can you tell me the cipher he used as a spy? -Invisible ink? | 0:19:45 | 0:19:49 | |
No, he had a particular cipher, his call sign. | 0:19:49 | 0:19:52 | |
And a writer many, many years later, who was extremely learned in the ways of the world, | 0:19:52 | 0:19:57 | |
despite being thought of just as a thriller writer, used it... | 0:19:57 | 0:20:01 | |
-Ian Fleming. -Yes. -007. | 0:20:01 | 0:20:04 | |
-Exactly. It was John Dee's call sign. -I sense points. -Yes, you will have seven points. | 0:20:04 | 0:20:09 | |
-Seven points! -I could give you 700, written backwards. That's too much. | 0:20:09 | 0:20:13 | |
I'm not going to speak again! | 0:20:13 | 0:20:16 | |
He was also one of the people responsible for bringing Euclid to the attention of the world. | 0:20:16 | 0:20:21 | |
Although he was known as a magician, he was all kinds of different things. | 0:20:21 | 0:20:25 | |
-Was he an astrologer as well? -Absolutely right, yeah. | 0:20:25 | 0:20:29 | |
Interestingly, or quite interestingly, which is all we're after, it was a pop-up book, | 0:20:29 | 0:20:34 | |
Euclid, when John Dee produced it. Little pop-up geometric shapes. | 0:20:34 | 0:20:38 | |
Pop-up books were for adults way back then. | 0:20:38 | 0:20:43 | |
The thing is with pop-up books, when you read normal books, you end up putting them in front of you | 0:20:43 | 0:20:48 | |
and kicking them from behind cos you think they're lazy. | 0:20:48 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:54 | |
-ALAN: Oh, come on, do something! -Come on, what's going to happen? | 0:20:54 | 0:21:00 | |
And then, as a 19-year-old, you explain the difference between an illustration and a pop-up. | 0:21:00 | 0:21:06 | |
That difference is? For points? | 0:21:06 | 0:21:08 | |
If you kick the book hard enough, you break the spine and it's hard to take it to a second-hand bookshop. | 0:21:08 | 0:21:14 | |
-Most of the pages fall out. -They would. -You could do a pop-down book. | 0:21:14 | 0:21:18 | |
-That'd be like a good murder weapon. -Hold a pop-up book upside down. | 0:21:18 | 0:21:23 | |
That'd be really bad if you're paranoid. | 0:21:23 | 0:21:26 | |
If you open a book and every time you open a page, it goes... | 0:21:26 | 0:21:29 | |
And what happenned to the giant? | 0:21:32 | 0:21:34 | |
Ssh! | 0:21:34 | 0:21:35 | |
Oh, now, um... | 0:21:35 | 0:21:38 | |
Euclid's Elements has been a mathematical bestseller for over 22 centuries. | 0:21:38 | 0:21:43 | |
Let's get our noses out of our text books and into our tuck boxes. | 0:21:43 | 0:21:46 | |
What do you call a left-handed lemon? | 0:21:46 | 0:21:49 | |
A potato. | 0:21:49 | 0:21:52 | |
No, but you're thinking along the right lines. | 0:21:52 | 0:21:55 | |
We're talking about molecules and their arrangement. | 0:21:55 | 0:21:58 | |
-You mean the opposite to a lemon? -Exactly. The mirror image of it's molecular arrangement. | 0:21:58 | 0:22:04 | |
-An orange. -Is the right answer! There's a lemon, obviously. | 0:22:04 | 0:22:07 | |
-Seven points? -There's an orange. Seven points! | 0:22:07 | 0:22:10 | |
You know I'm good at catching. | 0:22:10 | 0:22:13 | |
You can stop a roll. | 0:22:13 | 0:22:14 | |
No, you can't. | 0:22:14 | 0:22:16 | |
LAUGHTER | 0:22:16 | 0:22:18 | |
There's a lemon for you. | 0:22:18 | 0:22:19 | |
Who else wants one? Well done. | 0:22:19 | 0:22:22 | |
Have a lemon. There you are. | 0:22:22 | 0:22:25 | |
I'm all right, Stephen. LAUGHTER | 0:22:25 | 0:22:27 | |
Do they make scissors for both? | 0:22:30 | 0:22:32 | |
LAUGHTER | 0:22:32 | 0:22:34 | |
Or just... | 0:22:34 | 0:22:35 | |
Does... | 0:22:36 | 0:22:37 | |
APPLAUSE | 0:22:37 | 0:22:41 | |
Does a lemon cut out boys and girls together in a piece of paper | 0:22:41 | 0:22:44 | |
and the orange is going, "I'm rubbish at this!"? | 0:22:44 | 0:22:47 | |
"Cos I'm left-handed"? | 0:22:47 | 0:22:49 | |
Yeah, it just looks like a bunch of oranges falling over. | 0:22:49 | 0:22:52 | |
It's along those lines, Johnny, yes. | 0:22:52 | 0:22:55 | |
the arrangement of the aroma molecules is exactly the same, except a mirror-image. | 0:22:55 | 0:23:00 | |
The result is as different a smell as the smell of a lemon to an orange. | 0:23:00 | 0:23:04 | |
If you smell an orange from the wrong direction, it smells like a lemon? | 0:23:04 | 0:23:07 | |
It doesn't quite work like that because this particular quality - chirality - | 0:23:07 | 0:23:11 | |
is present in our nose molecules, too. | 0:23:11 | 0:23:14 | |
It hooks onto them and we recognise them in the same way. | 0:23:14 | 0:23:18 | |
So the molecules, as it were, dock with other molecules? | 0:23:18 | 0:23:22 | |
They kind of do. It's all very chemical, obviously. | 0:23:22 | 0:23:25 | |
It's interesting because all these chemicals that are discovered to be right-handed and left-handed - | 0:23:25 | 0:23:30 | |
like glucose! Only right-handed glucose can be metabolised by the body. | 0:23:30 | 0:23:33 | |
And so natural glucose in sugar, for example, is all right-handed | 0:23:33 | 0:23:37 | |
and all the left-handed ones are the diet ones - sucrose and that sort of thing - | 0:23:37 | 0:23:42 | |
which aren't metabolised - you can eat as much as you like without gaining weight | 0:23:42 | 0:23:45 | |
because they don't get metabolised by the body. So there are useful sides to this handedness. | 0:23:45 | 0:23:50 | |
You've got to go in and ask for right-handed fruit? | 0:23:50 | 0:23:53 | |
LAUGHTER | 0:23:53 | 0:23:54 | |
Are you left- or right-handed? | 0:23:54 | 0:23:56 | |
I'm right handed, but my friend thinks he's right-handed but his wife thinks his handwriting's | 0:23:56 | 0:24:04 | |
-so bad because he's left-handed and lives in denial. -Oh! | 0:24:04 | 0:24:08 | |
Any left-handers? Are you all right-handed? Do you know the proportion | 0:24:08 | 0:24:12 | |
-of right-handed people around the world, as opposed to left-handed people? -Nine out of ten. | 0:24:12 | 0:24:17 | |
It's a little less, they think it's between 70 and 90. | 0:24:17 | 0:24:20 | |
-It'll be far less when the war comes. -The what? | 0:24:20 | 0:24:23 | |
-The Morecambes? -The war comes. | 0:24:23 | 0:24:26 | |
-What's a Warcombe? -The left-handed and the right-handed. -Warcombe? | 0:24:26 | 0:24:29 | |
-No, when the war... -Oh, when the war comes! I'm sorry. | 0:24:29 | 0:24:33 | |
LAUGHTER | 0:24:33 | 0:24:35 | |
-I'm so sorry. -Morecambe?! -I thought it was a family called the Warcombes! | 0:24:35 | 0:24:41 | |
Surely one day, the right-handed will rise up and crush the left-handed. | 0:24:41 | 0:24:46 | |
-They may do. -Yeah, cos there's no way I'm feasting on that. | 0:24:46 | 0:24:50 | |
Fair point. I think. | 0:24:50 | 0:24:52 | |
But yeah... | 0:24:52 | 0:24:54 | |
So, yes. Is there a prevailing theory as to why right-handedness is the most common? | 0:24:54 | 0:24:59 | |
Isn't it sides of the brain? Different sides do different things, | 0:24:59 | 0:25:03 | |
you look off to the right when you're making up a lie, | 0:25:03 | 0:25:05 | |
you look to the left if you're recalling something real. | 0:25:05 | 0:25:08 | |
I would imagine it's to do with that and how straight the columns are within your brain. | 0:25:08 | 0:25:13 | |
And whether or not they actually touch the roof of your head. | 0:25:13 | 0:25:17 | |
The molecules that make oranges smell orangey and lemons smell lemony | 0:25:17 | 0:25:21 | |
are the same, just mirror images, so a left-handed lemon, in a sense, is an orange. | 0:25:21 | 0:25:27 | |
-How many cricket pitches are there in Kansas? -One big one! | 0:25:27 | 0:25:31 | |
Well, certainly it's a big square shape, but not a cricket pitch shape, Kansas. | 0:25:31 | 0:25:38 | |
-It's to do with the measurement of corn, it's... It's nothing like that? -No, you're on the right lines. | 0:25:38 | 0:25:44 | |
Americans, how do they measure? Do they use the metric system, or a version of our imperial system? | 0:25:44 | 0:25:50 | |
-They use yards and feet and miles and things like that. -And the length of a cricket pitch, which is...? | 0:25:50 | 0:25:55 | |
-22 yards. -22 yards, and it's called a chain. | 0:25:55 | 0:25:58 | |
-OK. -And when America was being measured out, they used these ancient English measurements. | 0:25:58 | 0:26:05 | |
A chain is 22 yards, there are ten chains to a...? | 0:26:05 | 0:26:08 | |
A word that's still used in sport. | 0:26:09 | 0:26:11 | |
-Furlong? -A furlong! Brilliant. More points! Seven points! 80 chains to a...? | 0:26:11 | 0:26:17 | |
-Mile. -Mile. -Mile, yes. We're doing very well here! And an acre is ten square chains. | 0:26:17 | 0:26:22 | |
That's where an acre is derived. And this man, Gunter, Gunter's chain - | 0:26:23 | 0:26:28 | |
he actually had a chain that he used, like that, to measure out the land. | 0:26:28 | 0:26:33 | |
So the whole of the northern Midwestern states were initially into blocks of 24 miles by 24. | 0:26:33 | 0:26:39 | |
Within that, sub-divided into 20 chains by 20 chains, known as forties, cos that would be 40 acres. | 0:26:39 | 0:26:44 | |
You may remember in The Grapes Of Wrath, that the farmstead is the smallest type | 0:26:44 | 0:26:48 | |
of farm, which is known as a forty. | 0:26:48 | 0:26:51 | |
-I know a thing about the forty... -Yes? -..the 40 acres. | 0:26:51 | 0:26:54 | |
-Yeah. -Did they not, when they had the emancipation of the slaves, were they not each entitled to a forty? | 0:26:54 | 0:27:00 | |
-That was indeed right. -And a mule. Which is why Spike Lee called his company 40 Acres and a Mule. | 0:27:00 | 0:27:05 | |
-That's the thing I know about the forty. -Seven points again! It's like the seven times table. | 0:27:05 | 0:27:10 | |
APPLAUSE | 0:27:10 | 0:27:14 | |
-And is the country still divided by the Willie Nelson Line? -Yes, you can see them there. | 0:27:15 | 0:27:21 | |
Because Kansas, which is one of the most rectangular of any of the states, almost perfectly so, | 0:27:21 | 0:27:26 | |
you can actually calculate how many it is. | 0:27:26 | 0:27:29 | |
And it's 3,474,386,388 cricket pitches would fit in. Apparently. | 0:27:29 | 0:27:37 | |
-That's quite different to the answer I had in mind. -Is it? Well, you can save it | 0:27:37 | 0:27:41 | |
by telling me, what's the capital of Kansas? | 0:27:41 | 0:27:44 | |
-Arkansas. -No, that's another state! I need the name of the... | 0:27:44 | 0:27:50 | |
Kansas City? | 0:27:50 | 0:27:51 | |
Oh, it's not, oh! | 0:27:51 | 0:27:53 | |
-All those sevens! -I've lost all my points! | 0:27:53 | 0:27:56 | |
Squirreled all your sevens away. It's Topeka. | 0:27:56 | 0:27:59 | |
-Topeka, Kansas? -I've never even heard of Topeka. | 0:27:59 | 0:28:03 | |
-Topeka Mockingbird? -Topeka Mockingbird! | 0:28:03 | 0:28:06 | |
GURGLING CHUCKLE | 0:28:06 | 0:28:08 | |
Little gurgle! But actually, in terms of real cricket pitches for playing cricket on, | 0:28:10 | 0:28:16 | |
seven that we can find in Kansas. Which is more than you might expect. | 0:28:16 | 0:28:20 | |
Not in a state of that size, that's hardly any! | 0:28:20 | 0:28:23 | |
-Well, for America... -They've got room for more than 3 billion more! | 0:28:23 | 0:28:27 | |
They've got room for more, but... Is that you or Mike Gatting? | 0:28:27 | 0:28:31 | |
Of course, if you're talking about that area, Elvis would be one of the most famous citizens. | 0:28:32 | 0:28:38 | |
Now, where was Elvis born? Does anybody know? Tupelo. | 0:28:38 | 0:28:40 | |
Tupelo, Mississippi, yeah. | 0:28:40 | 0:28:42 | |
Of course, then moved to Memphis, in a different state, Tennessee. | 0:28:42 | 0:28:46 | |
And that was where he became very, very famous and started off in 1955 | 0:28:46 | 0:28:51 | |
with "That's All Right, Mama", which was the Sun Records label | 0:28:51 | 0:28:54 | |
at that point, in Memphis. Then he signed with RCA Victor Records in New York. | 0:28:54 | 0:29:00 | |
With them, he did "Heartbreak Hotel". Right the way through the movie years... | 0:29:00 | 0:29:04 | |
He turned his back on Sam Phillips, that was... | 0:29:04 | 0:29:06 | |
Well, no, because Sam came to his opening night in Vegas in '69, | 0:29:06 | 0:29:10 | |
and Elvis can be heard saying, "Sam, this one's for you." | 0:29:10 | 0:29:12 | |
I think Sam, with the greatest respect, is more my area than yours, | 0:29:12 | 0:29:16 | |
which is not something I ever thought I'd get a chance to say. | 0:29:16 | 0:29:20 | |
He then went on, until his untimely death in 1977. | 0:29:20 | 0:29:25 | |
I hadn't said anything for a while. | 0:29:25 | 0:29:28 | |
-LAUGHTER -The date of his death? | 0:29:28 | 0:29:30 | |
August 16th, 1977. | 0:29:30 | 0:29:32 | |
APPLAUSE | 0:29:32 | 0:29:34 | |
It's like Radio 2 in the middle of the night! | 0:29:34 | 0:29:37 | |
He has come out with such bilge! | 0:29:39 | 0:29:43 | |
And you sit there like we're in Rain Man, loving it! | 0:29:43 | 0:29:46 | |
I come out with something factual, | 0:29:47 | 0:29:50 | |
and there are a lot of Elvis fans out there who will be loving that. | 0:29:50 | 0:29:54 | |
Why are they all catching? Why is nobody playing in the middle? Did no-one explain cricket for them? | 0:29:54 | 0:29:59 | |
They are, but they're behind that bloke. | 0:29:59 | 0:30:02 | |
-So he was waiting to go in? -Nothing to see! | 0:30:04 | 0:30:07 | |
Anyway, after that bombshell... And I do love you, Rob, I want you to know that. I really, really do. | 0:30:07 | 0:30:13 | |
Yeah, but don't say it while you're reading something else. | 0:30:13 | 0:30:16 | |
-I've got it written down. -That's what my dad always did on my birthday - | 0:30:16 | 0:30:21 | |
"Of course I love you, I'm reading it here, it's what your mother wrote." | 0:30:21 | 0:30:24 | |
Tell me the oldest international sporting fixture on Earth. | 0:30:24 | 0:30:29 | |
-England v Australia at cricket. -No. It is cricket, though. | 0:30:29 | 0:30:32 | |
-England v Scotland at cricket. -No, it's America v Canada at cricket. | 0:30:32 | 0:30:36 | |
We'll take a bird's-eye view now. | 0:30:36 | 0:30:39 | |
What's the best place to go to look into the future? | 0:30:39 | 0:30:44 | |
-A sci-fi convention. -A sci-fi convention? -Yeah. | 0:30:44 | 0:30:48 | |
Right, OK. Maybe. | 0:30:48 | 0:30:52 | |
-When you see the stars and the sun, that's old light. -That's looking into the past. | 0:30:52 | 0:30:58 | |
-Do you have to go past that? -You look backwards because history teaches us the future. | 0:30:58 | 0:31:04 | |
Because from history, we learn patterns. | 0:31:05 | 0:31:09 | |
And as Dr Phil says time and time again, | 0:31:09 | 0:31:11 | |
the greatest indicator of future behaviour is past behaviour. | 0:31:11 | 0:31:16 | |
-When are you going to realise he's not interested? -I'm so... | 0:31:16 | 0:31:21 | |
LAUGHTER AND APPLAUSE | 0:31:21 | 0:31:23 | |
-Tell him you're interested. -I'm very interested. A very good answer. | 0:31:24 | 0:31:29 | |
Unlike when you speak, he's not frightened. | 0:31:29 | 0:31:32 | |
Just to return briefly... Just to pull the reins in a little, | 0:31:34 | 0:31:39 | |
there is a place where physically you can look into the future. | 0:31:39 | 0:31:42 | |
-You're not literally looking into the future. -Is it by the International Date Line? | 0:31:42 | 0:31:47 | |
-Exactly. -Does it have the magic hill where you're going up, even though you're... | 0:31:47 | 0:31:53 | |
-No, it's not that. No, this is literally the date line. -You see, that was stupid! | 0:31:53 | 0:31:59 | |
-It wasn't stupid. -I knew that was wrong and he went, "Of course not, Johnny." He just doesn't like you. | 0:31:59 | 0:32:05 | |
-This divides... -Thanks, Stephen. -That's fine. | 0:32:05 | 0:32:08 | |
So if you're on... Looking at it, we'd say the left-hand side of that red line, right? | 0:32:08 | 0:32:16 | |
In time, it's ahead of the right-hand side, | 0:32:16 | 0:32:19 | |
so if you were to fly from Los Angeles in America to Sydney, Australia, | 0:32:19 | 0:32:24 | |
you would lose a day, as I did a few months ago. | 0:32:24 | 0:32:27 | |
If I stood perfectly on that line... | 0:32:27 | 0:32:30 | |
-You'd drown. -Let's just say... | 0:32:30 | 0:32:33 | |
LAUGHTER AND APPLAUSE | 0:32:33 | 0:32:36 | |
Unless you stood on the very spot. | 0:32:36 | 0:32:39 | |
If I stood on that line and there's an accident, | 0:32:39 | 0:32:42 | |
could I jump over the line and stop yourself from doing it? | 0:32:42 | 0:32:47 | |
-LAUGHTER -Aside... | 0:32:47 | 0:32:50 | |
You could warn yourself. You could wave back and... | 0:32:50 | 0:32:54 | |
-You're thinking of Michael J Fox. -Can you jump back and stop yourself making mistakes? | 0:32:54 | 0:33:00 | |
-You can't literally do that, but... -You lost a day flying, so it was two days later... | 0:33:00 | 0:33:06 | |
I went on the 18th of December and I arrived on the 20th. | 0:33:06 | 0:33:09 | |
-Having only lived one day? -Yeah. -You were only a day older, yet the world was two days older. | 0:33:09 | 0:33:15 | |
Part of the world was two days older. | 0:33:15 | 0:33:17 | |
If you did that every day, you'd live twice the number of days of most humans | 0:33:17 | 0:33:23 | |
and would appear, despite only having lived, say, 80 years, to have lived for 160. | 0:33:23 | 0:33:28 | |
-Yes. -"Amazing, a 160-year-old man! What did he achieve?" "Nothing. He had a lot of airline fuel." | 0:33:28 | 0:33:33 | |
Would you struggle to hold down a job? | 0:33:33 | 0:33:36 | |
-Yes. -Yeah. -Yes, you would. -In terms of a pension? | 0:33:36 | 0:33:41 | |
You could maybe do it if you lived on the Diomede Islands. They're at the very top. | 0:33:41 | 0:33:46 | |
-What's that area of water between Russia and...? -Bering Strait. -Exactly. We can zoom in there. | 0:33:46 | 0:33:51 | |
There's the International Date Line and Big Diomede and Small Diomede, the greater and the lesser Diomedes. | 0:33:51 | 0:33:58 | |
If you were stood with your child and he had a pet rabbit and it died, | 0:33:58 | 0:34:03 | |
could you jump over that time line with the rabbit... | 0:34:03 | 0:34:07 | |
-It would come back to life, still be ill and die. -..and jump back with it? | 0:34:07 | 0:34:12 | |
I'm going to ask you what your opinion is. What do you think? | 0:34:12 | 0:34:16 | |
I think, me personally, but I'm selfish, | 0:34:16 | 0:34:19 | |
-what I would do, I'd get a jet ski and stay on the line and go round the world. -Right. | 0:34:19 | 0:34:25 | |
-Yes. -And stay at my perfect weight and this age for the rest of my life. | 0:34:25 | 0:34:31 | |
I would go round the world continually following that line, | 0:34:31 | 0:34:34 | |
shouting advice and being mistaken for God. | 0:34:34 | 0:34:37 | |
-LAUGHTER -And if... | 0:34:37 | 0:34:40 | |
if you followed the line all the way over the pole, where would you end up? | 0:34:40 | 0:34:44 | |
So the line doesn't go all the way round? | 0:34:44 | 0:34:46 | |
-Yes, it does. The other side of the pole... -He'd end up in Greenwich, eventually. -The Greenwich Meridian. | 0:34:46 | 0:34:52 | |
Is it mean time where people go, "He's not God, he's Satan"? | 0:34:52 | 0:34:55 | |
-The point is, the line is arbitrary. -"Fill yer boots!" -We decided to draw a line. | 0:34:55 | 0:35:00 | |
Somewhere, we had to divide the world up, | 0:35:00 | 0:35:03 | |
-for maps and for navigation... -How did we do that? -We decided that... | 0:35:03 | 0:35:09 | |
-We didn't! -Yes, we did, literally, Britain, we did. -But we didn't! | 0:35:09 | 0:35:12 | |
No, our culture did, some hundred years ago. | 0:35:12 | 0:35:15 | |
-We nominated Greenwich to be the line... -So why can't... -When we discovered the Earth was round | 0:35:15 | 0:35:20 | |
and discovered how these things would best be parcelled out, | 0:35:20 | 0:35:23 | |
we said, let's have a meridian line, about which the rest will go, and we put it through Greenwich, | 0:35:23 | 0:35:28 | |
-where the Naval colleges were. -So, a line is straight cos it's straight, but I can't be God on a jet ski? | 0:35:28 | 0:35:33 | |
That's about right. That seems to be the sum of it. | 0:35:33 | 0:35:36 | |
I wouldn't be surprised if my parents came in and had a word with you | 0:35:36 | 0:35:40 | |
and asked if Johnny could be taken to another class because they feel Rob isn't learning. | 0:35:40 | 0:35:46 | |
APPLAUSE | 0:35:46 | 0:35:48 | |
That's exceptionally well expressed. | 0:35:50 | 0:35:54 | |
Hang on. The International Date Line is wiggly. The Greenwich Meridian isn't. | 0:35:54 | 0:35:59 | |
It passes round territories and island groups. | 0:35:59 | 0:36:02 | |
So two houses on the same street aren't on two different days? | 0:36:02 | 0:36:06 | |
It tries to avoid going through land. The closest it gets is there. | 0:36:06 | 0:36:10 | |
-Does Small Diomede look at Big Diomede and watch people get older faster? -Yeah, exactly. | 0:36:10 | 0:36:16 | |
If you're standing on Big Diomede, you are looking at the past. | 0:36:16 | 0:36:21 | |
If you stand on Little one... | 0:36:21 | 0:36:24 | |
It's Friday and you're on Big Diomede, you see them on Thursday. | 0:36:24 | 0:36:28 | |
-And you're already drunk. -Yeah. -And they're hungover! | 0:36:28 | 0:36:32 | |
-Are you ready to move on? -Yes. | 0:36:32 | 0:36:35 | |
-So the best place to see into tomorrow... -I'm tired of being odd. | 0:36:35 | 0:36:39 | |
Oh, bless! The best place to see into tomorrow is the Diomede Islands | 0:36:39 | 0:36:43 | |
on opposite sides of the International Date Line. | 0:36:43 | 0:36:46 | |
Where does the extra square in this diagram come from? | 0:36:46 | 0:36:49 | |
Those two are the same size and made up of elements of the same size. | 0:36:49 | 0:36:55 | |
There's a white square there, a bit's missing. | 0:36:55 | 0:36:58 | |
-Oh, yeah. -How can that be? -Because some of the triangles... | 0:36:58 | 0:37:03 | |
Have a look at it actually happening. | 0:37:03 | 0:37:06 | |
That one goes there, that one goes there, that goes there... | 0:37:06 | 0:37:10 | |
Like so, like so, like so. | 0:37:10 | 0:37:12 | |
-So now there's more space in there? -Yeah. That can't be possible, can it? | 0:37:13 | 0:37:18 | |
Yet my eyes tell me it is. | 0:37:18 | 0:37:20 | |
It's not even longer. It's the same, isn't it? | 0:37:20 | 0:37:24 | |
-Yeah. -Um... | 0:37:24 | 0:37:26 | |
-It is a cheat. -That's witchcraft! -It is rather. | 0:37:26 | 0:37:30 | |
Funnily enough, it was a magician who discovered this. | 0:37:30 | 0:37:34 | |
-It's five blocks high, the same number of blocks long by the look of it. -It's a very small, subtle cheat. | 0:37:34 | 0:37:41 | |
The hypotenuse in the top one and the bottom one seem to be the same, but they are curved. | 0:37:41 | 0:37:46 | |
The red triangle has a ratio of 5 to 2, the blue triangle has a ratio of 8 to 3, | 0:37:46 | 0:37:51 | |
so the two triangles are not similar. | 0:37:51 | 0:37:54 | |
-It's going like that and like that? -One has a slightly dipped line, the other has a slightly "up" line. | 0:37:54 | 0:38:00 | |
The eye assumes they're straight and is puzzled by that gap. | 0:38:00 | 0:38:04 | |
-We thought you'd like that. It's quite interesting. -I quite like it. | 0:38:04 | 0:38:08 | |
It's Curry's Paradox. It's simply a trick. | 0:38:08 | 0:38:11 | |
The gap appears because the hypotenuse is imperceptibly bent. | 0:38:11 | 0:38:16 | |
-All of which brings... -Curry's Paradox? -Yeah. -Should you buy the insurance? | 0:38:16 | 0:38:21 | |
LAUGHTER | 0:38:21 | 0:38:24 | |
-Or just risk it? -All of which brings us squarely up against General Ignorance, | 0:38:24 | 0:38:29 | |
so fingers on buzzers. What's the best place to punch a shark? | 0:38:29 | 0:38:34 | |
In a pub. | 0:38:34 | 0:38:36 | |
In a pub after loads of pork scratchings when he's really dehydrated | 0:38:38 | 0:38:44 | |
and then you look really hard and people who aren't sharks go, "Don't want to mess with him!" | 0:38:44 | 0:38:51 | |
-In the eye. -In the eye is right. | 0:38:51 | 0:38:53 | |
A lot of people think the nose. They may be confusing it with dogs, but the eye is the best place. | 0:38:53 | 0:39:00 | |
The eye or the gill. More people in the world are bitten by New Yorkers every year than they are by sharks. | 0:39:00 | 0:39:06 | |
Not in the water, though! | 0:39:06 | 0:39:09 | |
-You have to take into account the relative seriousness of that event. -Well, no, actually. | 0:39:09 | 0:39:14 | |
81% of victims attacked and bitten by sharks suffered minor injuries. | 0:39:14 | 0:39:19 | |
How many New Yorkers a year bite someone's leg off? | 0:39:19 | 0:39:23 | |
I don't know, but they may cause rabies and other hideous diseases. | 0:39:23 | 0:39:27 | |
-Oh, well... -Certainly more people are killed in America by lavatory accidents than sharks. | 0:39:27 | 0:39:33 | |
What saddens me is 120 million sharks every year are killed by us human beings. | 0:39:33 | 0:39:38 | |
-For their fins. -Just for their bloody fins! -Just for what? -Fins. -Shark fin soup. | 0:39:38 | 0:39:43 | |
The rest of their body is thrown in the water. A shark fin is tasteless as well. | 0:39:43 | 0:39:48 | |
-Chicken stock is added to it to give it flavour. -But I hate sharks. | 0:39:48 | 0:39:52 | |
They're beautiful animals. They don't harm anybody. | 0:39:52 | 0:39:56 | |
Because you find them ugly? | 0:39:56 | 0:39:57 | |
I think they're scary. They're incredibly scary. | 0:39:57 | 0:40:01 | |
Every cell in my body, when I see that, says, "It is the enemy!" | 0:40:01 | 0:40:05 | |
They've got far more reason to be scared of a human than a human has of a shark. | 0:40:05 | 0:40:10 | |
-Most mammals see human beings in the same way. -Look at the miracle of their teeth! | 0:40:10 | 0:40:15 | |
That's extraordinary. They have rows of teeth. Their teeth go backwards. | 0:40:15 | 0:40:19 | |
They bite, they fall out and the next one literally comes forward. | 0:40:19 | 0:40:23 | |
They've got a conveyor belt of rows of teeth. | 0:40:23 | 0:40:27 | |
More impressive than that, Stephen, is how she's managed to do her lipstick under water. | 0:40:27 | 0:40:33 | |
It is rather. Very pretty. | 0:40:33 | 0:40:35 | |
Your talk of razor-sharp teeth on a conveyor belt is making them sound quite sweet(!) | 0:40:35 | 0:40:40 | |
A shark's nose is a shade too close to its mouth to go jabbing around there, so go for the gills or eyes. | 0:40:42 | 0:40:49 | |
How many legs does an octopus have? | 0:40:49 | 0:40:51 | |
-Oh, I mean... -Ahh! -Ahh! | 0:40:51 | 0:40:54 | |
-The clue is in "octo". -Does it vary depending on the breed? -Two. | 0:40:54 | 0:40:58 | |
-Two legs is the right answer. -I saw one in panto. | 0:40:58 | 0:41:02 | |
APPLAUSE | 0:41:02 | 0:41:05 | |
That's to say, when octopuses move around on the bottom of the ocean, | 0:41:05 | 0:41:10 | |
they use two of their tentacles for ambulatory gait | 0:41:10 | 0:41:14 | |
and the other four they use for holding food, so they could be said to have two legs and six arms. | 0:41:14 | 0:41:20 | |
How much of the moon can you see from the Ea-arth? | 0:41:20 | 0:41:24 | |
LAUGHTER | 0:41:24 | 0:41:26 | |
Well... | 0:41:28 | 0:41:30 | |
You can see one side of it. | 0:41:31 | 0:41:33 | |
Yes. There is this strange thing called libration which is like vibration beginning with an L. | 0:41:33 | 0:41:39 | |
It's a thing that was noted by quite a few of the early astronomers. | 0:41:39 | 0:41:43 | |
Can I say... Sorry, Stephen, but if that's an acceptable way of defining a word... | 0:41:43 | 0:41:50 | |
-What? -"Libration - it's like vibration, but beginning with an L." | 0:41:50 | 0:41:55 | |
-Just so you could picture it in your heads. Is that bad? -I was with you already with "libration". | 0:41:55 | 0:42:01 | |
I thought you might have heard it as "libation". | 0:42:01 | 0:42:04 | |
-What does it mean? -I was about to tell you, then somebody came and said... -It wasn't me! | 0:42:04 | 0:42:10 | |
I'll tell you. You get this jiggling effect. | 0:42:10 | 0:42:13 | |
-Basically, you can see about 59% of the surface of the moon from Earth. -At one time? | 0:42:13 | 0:42:18 | |
Obviously, when it's a new moon or whatever, it's a lot less, | 0:42:18 | 0:42:22 | |
but you can see 59% of the surface, rather than just 50. | 0:42:22 | 0:42:26 | |
And that cosmic wobble brings us to the end of another QI show. | 0:42:26 | 0:42:30 | |
It's time to check the form and see what scores we're dealing with. | 0:42:30 | 0:42:34 | |
It's absolutely fascinating. It couldn't be "fascinating-er"! | 0:42:34 | 0:42:38 | |
We have a tie, would you believe it, for third place - | 0:42:38 | 0:42:43 | |
Rob and Johnny on plus two! | 0:42:43 | 0:42:46 | |
APPLAUSE | 0:42:46 | 0:42:49 | |
Well, in second place, of course, with four points, | 0:42:51 | 0:42:56 | |
is David Mitchell! | 0:42:56 | 0:42:58 | |
APPLAUSE | 0:42:58 | 0:43:01 | |
-I've got a feeling this is divisible by seven - 21 points for Alan Davies! -Thank you. | 0:43:01 | 0:43:07 | |
CHEERING | 0:43:07 | 0:43:09 | |
And that's all from this geometrical edition of QI, | 0:43:15 | 0:43:18 | |
so it's good night | 0:43:18 | 0:43:19 | |
from Johnny, Rob, David, Alan and me. Good night. | 0:43:19 | 0:43:22 | |
APPLAUSE | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:38 | 0:43:42 | |
Email [email protected] | 0:43:42 | 0:43:45 |