Browse content similar to I-Spy. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:26 | 0:00:30 | |
Good evening, good evening, good evening, good evening, good evening | 0:00:30 | 0:00:34 | |
and welcome to QI, where tonight, once again, the Is have it. | 0:00:34 | 0:00:39 | |
I spy with my little eye the illustrious Sandi Toksvig! | 0:00:39 | 0:00:43 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:48 | |
The indubitable Jimmy Carr! | 0:00:48 | 0:00:51 | |
CHEERING AND APPLAUSE Thank you. | 0:00:51 | 0:00:55 | |
The incorrigible Lee Mack! | 0:00:55 | 0:00:58 | |
CHEERING AND APPLAUSE Thank you. | 0:00:58 | 0:01:01 | |
And the 'ilarious Alan Davies. | 0:01:01 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:09 | |
And I hear with my little ear their buzzers. Sandi goes... | 0:01:09 | 0:01:14 | |
"Aye-aye." LAUGHTER | 0:01:14 | 0:01:17 | |
-Jimmy goes... -"Oi-oi!" LAUGHTER | 0:01:17 | 0:01:20 | |
-Lee goes... -"Aye-aye-aye-aye-aye!" | 0:01:20 | 0:01:23 | |
-LAUGHTER -And Alan goes... | 0:01:23 | 0:01:25 | |
"# I've got a lovely bunch of coconuts" | 0:01:25 | 0:01:28 | |
LAUGHTER | 0:01:28 | 0:01:30 | |
Don't forget your Nobody Knows Joker. | 0:01:30 | 0:01:33 | |
FANFARE "Nobody knows!" | 0:01:33 | 0:01:35 | |
That's the one. There is a question to which the answer is, "Nobody knows" | 0:01:35 | 0:01:39 | |
and if you can predict which that question is and wave your banner, you'll get points. | 0:01:39 | 0:01:45 | |
And so to question I, I mean question one. No, I was right the first time. | 0:01:45 | 0:01:49 | |
What's the difference between an ai and an aye-aye? | 0:01:49 | 0:01:53 | |
Have you heard of an ai? It's a very useful word in Scrabble. | 0:01:53 | 0:01:57 | |
-A-I. -Yes. Oh, yes! It's a sloth. | 0:01:57 | 0:02:01 | |
-A sloth! Exactly. But what about an aye-aye? -Two sloths. | 0:02:01 | 0:02:04 | |
LAUGHTER | 0:02:04 | 0:02:07 | |
All right, so we've got the ai. Where does the ai live? | 0:02:07 | 0:02:10 | |
-Where does it live? -In a tree. | 0:02:10 | 0:02:13 | |
-Yeah. In which part of the world would you expect to find it? -South America. -Yes. | 0:02:13 | 0:02:18 | |
They're wonderful things. They look like humans dressed in a sloth costume. | 0:02:18 | 0:02:22 | |
But to be fair, you could say that about any animal. A giraffe looks like a human in a giraffe costume. | 0:02:22 | 0:02:28 | |
-You look at a picture of an ai and I think you'll see what I mean. -Oh! | 0:02:28 | 0:02:32 | |
-That does look like a person in a costume. -He's climbing a tree which looks like a man dressed as a tree. | 0:02:32 | 0:02:37 | |
-LAUGHTER -Yes. | 0:02:37 | 0:02:39 | |
He also looks like he's made of that stuff they used to make dish mops out of. | 0:02:39 | 0:02:43 | |
-Their heads are very disproportionate. -They are. | 0:02:43 | 0:02:46 | |
They live up to their name. They're very lazy. They only come down to defecate. | 0:02:46 | 0:02:50 | |
-They come down from a tree to defecate? -Yes. -The benefit of living in a tree is you can... | 0:02:50 | 0:02:55 | |
-Poo on whomever you like? -Maybe they've got a downstairs toilet. -Yes. | 0:02:55 | 0:02:59 | |
-Hadn't thought of that, had you? -Once you've had it put in, you want to use it. -Absolutely. | 0:02:59 | 0:03:04 | |
Very unusually for mammals, they need to bask in the sun to warm up their metabolism. | 0:03:04 | 0:03:09 | |
So that's the ai. We've got the ai. But tell me about the aye-aye. | 0:03:09 | 0:03:13 | |
-Is it spelt the same as the ai? -No. -Obviously there's more letters. -It's AYE-hyphen-AYE. | 0:03:13 | 0:03:19 | |
-Aye-aye, sir. -And I happen to have been and seen one. | 0:03:19 | 0:03:22 | |
Very few people have, cos it's one of the most endangered species. | 0:03:22 | 0:03:26 | |
-Is it a Geordie version of that? -Aye-aye? No, that's the why-aye. | 0:03:26 | 0:03:30 | |
-Oh. -Are we in the same part of the world? | 0:03:30 | 0:03:32 | |
-We're not in the same part of the world. -Is it a sloth? -No. | 0:03:32 | 0:03:35 | |
It's more closely related to us. It's a primate. | 0:03:35 | 0:03:38 | |
-Primate? -But it's not an ape or a monkey. What other kinds... | 0:03:38 | 0:03:41 | |
-Is it the aye-aye orang-utan? -Lemur? -Lemur. It's a lemur. | 0:03:41 | 0:03:46 | |
-Therefore, it must come from only one place on earth. -Oh! -Bradford. | 0:03:46 | 0:03:49 | |
LAUGHTER | 0:03:49 | 0:03:51 | |
It looks like someone's put some water on a gremlin. | 0:03:51 | 0:03:54 | |
-LAUGHTER -Yes. | 0:03:54 | 0:03:56 | |
That's exactly right. Which you know you mustn't do. | 0:03:56 | 0:03:59 | |
-I would think that the animal on the left has an easier job getting a well-fitting hat. -Yes. | 0:03:59 | 0:04:04 | |
-LAUGHTER And a girlfriend. -Yes. | 0:04:04 | 0:04:07 | |
-That may be why the aye-aye is so endangered. -It's Madagascar. -That's the only place you get lemurs. | 0:04:07 | 0:04:12 | |
You can't see there, but they have the most extraordinary middle finger which is fully extended | 0:04:12 | 0:04:17 | |
and looks like a dried twig. Really unusual. They tap with their finger on the barks of trees | 0:04:17 | 0:04:23 | |
and bring out little worms and grubs which they catch and eat off their finger, | 0:04:23 | 0:04:27 | |
-like a piece of cutlery. -So nature has designed them to eat Hula Hoops? | 0:04:27 | 0:04:32 | |
-Basically. -That's extraordinary. | 0:04:32 | 0:04:34 | |
Zoologists would say they fill the niche that woodpeckers filled in other environments. | 0:04:34 | 0:04:39 | |
There are superstitions about them, that if you... Pardon me. If I did this to you, or this, | 0:04:39 | 0:04:44 | |
-if one of those did that to you, that'd be... -That's right. | 0:04:44 | 0:04:47 | |
It's called the Fady, which is the taboo system of the local people, | 0:04:47 | 0:04:51 | |
and because they're nocturnal creatures and because they look so weird, | 0:04:51 | 0:04:55 | |
they regard them as a curse and they have a habit of killing them. | 0:04:55 | 0:04:59 | |
-It does look like a really bad hair transplant. -It does. | 0:04:59 | 0:05:02 | |
Well, I'm not surprised people kill them. | 0:05:02 | 0:05:05 | |
Never mind superstition, if you walk across a street doing that, you're going to get a guy going, | 0:05:05 | 0:05:10 | |
-"I can take him on." -And also, I'm not surprised they're endangered, | 0:05:10 | 0:05:14 | |
cos they're clearly not mating, are they? They're looking at each other and going, "I'd rather not". | 0:05:14 | 0:05:20 | |
-It is dark, remember. -All the ugly ones come out in the dark. | 0:05:20 | 0:05:23 | |
-LAUGHTER -That's how Jimmy mates. -Oh! | 0:05:23 | 0:05:26 | |
"I'm happy to do it, love, but it'll have to be with the lights off." | 0:05:26 | 0:05:30 | |
JIMMY LAUGHS | 0:05:30 | 0:05:33 | |
LAUGHTER I can't believe your wife told you that story. | 0:05:33 | 0:05:37 | |
-LAUGHTER -Oh! | 0:05:37 | 0:05:40 | |
APPLAUSE | 0:05:40 | 0:05:42 | |
-It's like... -I even did that in a northern accent. | 0:05:43 | 0:05:47 | |
It's like watching two 1970s northern comics having a row. | 0:05:47 | 0:05:50 | |
-"Funny, cos your wife said..." "Your wife doesn't exist." "You what?" -LAUGHTER | 0:05:50 | 0:05:55 | |
-They do that on the streets of New York with "your mama". -They do what with my mama? | 0:05:55 | 0:05:59 | |
-LAUGHTER Why don't you say "one's mama"? -One's mama. -Yeah. | 0:05:59 | 0:06:04 | |
-I'd love you to do that on the streets of New York. -One's mama. -"Oh, one's mama to you!" | 0:06:04 | 0:06:08 | |
Yes. That'll jolly well show them! | 0:06:08 | 0:06:11 | |
Anyway, you didn't get that right, so let's try it again. | 0:06:11 | 0:06:14 | |
What's the difference between an "aye" and an "aye-aye"? | 0:06:14 | 0:06:18 | |
-It's the same question. -Yes, but with different answers. -BUZZER | 0:06:18 | 0:06:23 | |
-Is it different answers? -Yes. -Oh. I don't know, then. LAUGHTER | 0:06:23 | 0:06:27 | |
-Maybe this time, aye-aye, sir. Is it "Aye-aye, sir" and "Aye, sir" are two different things? -Yes. | 0:06:27 | 0:06:32 | |
That's the difference. In the navy... There's Kenneth Williams. A shining example! | 0:06:32 | 0:06:38 | |
Do you know how they separate the men from the boys in the navy? With a crowbar. | 0:06:38 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:44 | |
-Oh, dear. -Aww! | 0:06:44 | 0:06:47 | |
As you know, they say, "Aye" in the navy, but they also say, "Aye-aye". | 0:06:47 | 0:06:50 | |
And there is a difference and I want you to tell me what that difference is. | 0:06:50 | 0:06:54 | |
Does "Aye" mean yes, as in "What do you want?" | 0:06:54 | 0:06:57 | |
So you go, "You!" "Aye?" "Go and mop the floor." "Aye-aye." | 0:06:57 | 0:07:00 | |
Basically, yes. "Aye" is an agreement or an assent. | 0:07:00 | 0:07:04 | |
So the captain might say, "Nice morning, isn't it?" and the sailor would say, "Aye, sir." | 0:07:04 | 0:07:09 | |
But he might say, "Order hands to bathe" and then he'd go, "Aye-aye, sir" | 0:07:09 | 0:07:13 | |
-meaning, "I heard your order, I'll carry it out". -Wash my hands. -No. -What does it mean? | 0:07:13 | 0:07:17 | |
All hands overboard. Sounds like, "Jump in the water". | 0:07:17 | 0:07:21 | |
-Hands are what you call the ship's company. -All sailors have a bath together. | 0:07:21 | 0:07:24 | |
Yes, in the sea. "Hands to bathe" means, when they're in nice waters, they let the men swim in the sea. | 0:07:24 | 0:07:30 | |
But don't take your hats off. LAUGHTER | 0:07:30 | 0:07:32 | |
-Whatever you do! -Don't take your hats off, the seagulls might need somewhere to land. | 0:07:32 | 0:07:37 | |
Are they singing a song while that's going on? | 0:07:37 | 0:07:39 | |
-If synchronised swimmers dressed like that, you'd think more of the sport. -You would! | 0:07:39 | 0:07:44 | |
-It'd get on TV more. -Also, you could combine it with Total Wipeout. | 0:07:44 | 0:07:49 | |
You could run across the top as they're doing synchronised swimming. | 0:07:49 | 0:07:52 | |
More Is now. Why won't this woman stop staring at you? | 0:07:52 | 0:07:56 | |
BUZZER She's only human. | 0:07:56 | 0:07:59 | |
LAUGHTER | 0:07:59 | 0:08:02 | |
She's got her needs, like any woman. LAUGHTER | 0:08:02 | 0:08:05 | |
-Are we being suggested to say cos her eyes are following you around the room? -Yeah, they do. | 0:08:05 | 0:08:11 | |
They don't literally follow you around the room, | 0:08:11 | 0:08:13 | |
but that experience is, wherever you are in relation to that painting, | 0:08:13 | 0:08:17 | |
-she is looking at you. -What if you're behind her? Behind the painting? | 0:08:17 | 0:08:21 | |
That only works on paintings of owls. LAUGHTER | 0:08:21 | 0:08:24 | |
What's the most famous painting in the Wallace Collection in London? | 0:08:24 | 0:08:28 | |
You know you're looking at the wrong person, don't you? LAUGHTER | 0:08:28 | 0:08:32 | |
-It's only... -Lee, I wasn't looking at you. -Sometimes your eyes follow me round the room, Stephen. | 0:08:32 | 0:08:37 | |
-Sandi... -I honestly thought someone was stood behind me. | 0:08:37 | 0:08:41 | |
-It is the Cavalier? -It is the Laughing Cavalier. | 0:08:41 | 0:08:44 | |
-The Laughing Cavalier? -Very good. That has the same quality, as well. | 0:08:44 | 0:08:49 | |
It's true of a lot of portraits. | 0:08:49 | 0:08:51 | |
Surely any painting where the person is looking at the artist. It's not unique to that painting. | 0:08:51 | 0:08:56 | |
-No, it isn't. -Any painting where the subject is looking towards the camera, for want of a better word. | 0:08:56 | 0:09:02 | |
But if you have a painting where someone's looking down, even if you get down to the eye level, | 0:09:02 | 0:09:06 | |
-it will never look at you. -You would look mad in an art gallery doing that. | 0:09:06 | 0:09:10 | |
-LAUGHTER He's looking at me! -Look at me! -But it DOESN'T look at you. | 0:09:10 | 0:09:15 | |
-They only look at you when they're looking straight out. -It's not like that in Scooby-Doo, though. | 0:09:15 | 0:09:20 | |
-There's somebody behind the painting and they really are following you around. -In horror films. | 0:09:20 | 0:09:25 | |
-Exactly. -If you were to look at me now, and I walked over there | 0:09:25 | 0:09:29 | |
and you fixed your gaze forward, you wouldn't be looking at me. So you'd think it'd be true of the painting. | 0:09:29 | 0:09:34 | |
But you're not looking at the eyes of the painting, | 0:09:34 | 0:09:37 | |
you're looking through the eyes of the artist. | 0:09:37 | 0:09:40 | |
So wherever you stand, you look through the eyes of the artist, not your own eyes. Good night. | 0:09:40 | 0:09:44 | |
-Rather beautifully put. -Stephen is three-dimensional and the painting is two-dimensional | 0:09:44 | 0:09:49 | |
-so that doesn't work. -But I'm looking at you through my eyes. | 0:09:49 | 0:09:52 | |
So if I walk over there, I'm still looking at you through my eyes so it doesn't work. | 0:09:52 | 0:09:57 | |
But I'm not looking at HIS eyes, the subject's eyes - | 0:09:57 | 0:09:59 | |
I'm looking through the artist's eyes and they stay fixed at all times. | 0:09:59 | 0:10:03 | |
So it's like bending light. It's like having a telescope that bends round, | 0:10:03 | 0:10:08 | |
-you're looking through the artist's eyes. -In a nice way, I'm going to say I don't think you fully understood. | 0:10:08 | 0:10:14 | |
LAUGHTER AND APPLAUSE | 0:10:14 | 0:10:17 | |
If you change the word "nice" to "patronising", that works. LAUGHTER | 0:10:17 | 0:10:21 | |
-Well... -And you're kind with the word "fully" cos I don't think I understood any of it. | 0:10:21 | 0:10:26 | |
-LAUGHTER -Anyway, we've got a little example of an optical illusion here. | 0:10:26 | 0:10:33 | |
If you photograph it in the right way, as you're about to see, | 0:10:33 | 0:10:36 | |
the eye plays extraordinary tricks on you. | 0:10:36 | 0:10:38 | |
So there it is. This is Einstein. There he is in profile. | 0:10:38 | 0:10:42 | |
And there's the inverted bit, | 0:10:42 | 0:10:44 | |
but hello, your eye tells you that's poking outwards, and yet it isn't. | 0:10:44 | 0:10:48 | |
That's the inside bit. | 0:10:48 | 0:10:51 | |
And your eye refuses to believe it until you get to that. | 0:10:51 | 0:10:54 | |
-Oh, you're twisting my melon, man. -Isn't that extraordinary? | 0:10:54 | 0:10:59 | |
-Why does it do that? -Because your brain is programmed to recognise human faces. | 0:10:59 | 0:11:04 | |
One of the first things babies do is look at faces, and you expect to see a face | 0:11:04 | 0:11:08 | |
-and even though you know it isn't a real face... -Ahh. | 0:11:08 | 0:11:11 | |
-..your brain fills in the gaps. -I did it again. | 0:11:11 | 0:11:14 | |
-It's an astonishing illusion. -Does it only work with Einstein? | 0:11:14 | 0:11:17 | |
-No! -LAUGHTER Would it work with another man? | 0:11:17 | 0:11:20 | |
-It would work with any human being. -Ahh! -It's very creepy. | 0:11:20 | 0:11:23 | |
-It's amazing, isn't it? -But I can't believe it did the same trick twice. -I know. | 0:11:23 | 0:11:27 | |
-Listen, we're not going to fall for it this time. -And yet... | 0:11:27 | 0:11:30 | |
-LAUGHTER -Not three times. | 0:11:30 | 0:11:32 | |
Outside, outside, outside, outside, outside. | 0:11:32 | 0:11:36 | |
-This is going to be inside, Lee. This one's inside. -Inside. -Inside. | 0:11:36 | 0:11:40 | |
-Ahh! -Oh! | 0:11:40 | 0:11:42 | |
How does he do it? How does he do it? | 0:11:42 | 0:11:45 | |
-It's so clever. -He's so clever. -We literally filmed this. You can see, | 0:11:45 | 0:11:50 | |
-that's all it is. -This is a great trick. I might cut my head in half and scoop out my brain. | 0:11:50 | 0:11:54 | |
LAUGHTER | 0:11:54 | 0:11:57 | |
-What a wonderful thing. It would make the most wonderful blancmange. -LAUGHTER | 0:11:59 | 0:12:03 | |
Are we going to bother with the rest of the show? Cos I could happily just... | 0:12:03 | 0:12:07 | |
LAUGHTER I mean, it's lovely chatting and everything, | 0:12:07 | 0:12:10 | |
-and I love what we do, but let's just... -You're hypnotised. | 0:12:10 | 0:12:14 | |
-Have you got any others apart from Einstein? -No. But we can make the Queen happy or sad with a £5 note. | 0:12:14 | 0:12:20 | |
You can do this with your own £5 notes. We'll give you a demonstration. You do a little fold. | 0:12:20 | 0:12:24 | |
Aww. Ahh! | 0:12:24 | 0:12:27 | |
-Aww. Ahh! -LAUGHTER | 0:12:28 | 0:12:31 | |
APPLAUSE | 0:12:31 | 0:12:33 | |
-That's brilliant. -Do you remember when they ran the Derby, her horse, Carlton House? | 0:12:34 | 0:12:39 | |
"It's winning, it's winning, it's going to win the Derby! Oh, bollocks." | 0:12:39 | 0:12:43 | |
-LAUGHTER -It came third and a Frenchman won. | 0:12:43 | 0:12:46 | |
-Does it only work on a fiver? Does it work on bigger money? -It'll work on most denominations. | 0:12:46 | 0:12:51 | |
-And will it work on the Queen if you tilt HER? -It will also work on the sovereign herself. | 0:12:51 | 0:12:55 | |
Is that why she looks so sad when she's bowing? Not that the Queen bows much. | 0:12:55 | 0:13:00 | |
-She's probably never bowed in her life. -No, I've met her. | 0:13:00 | 0:13:03 | |
-Does she bow? -She does, yes. | 0:13:03 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
Another thing is to find out where and how we look. | 0:13:08 | 0:13:11 | |
There is a whole science called gaze detection. | 0:13:11 | 0:13:13 | |
-No, I do not... -LAUGHTER Don't even look at me. | 0:13:13 | 0:13:18 | |
-It's a science, is it, Stephen? -LAUGHTER | 0:13:18 | 0:13:20 | |
-It's actually a "dar" I believe. -No, not the gaydar. | 0:13:20 | 0:13:24 | |
Gaze detection. G-A-Z-E. | 0:13:24 | 0:13:27 | |
And there are tests done between men and women and the different way they look at bodies. | 0:13:27 | 0:13:32 | |
When women look at a human being, they look at their faces. | 0:13:32 | 0:13:35 | |
-When men look at a human being... -I know this. | 0:13:35 | 0:13:38 | |
Yes. Yes, they... | 0:13:38 | 0:13:41 | |
-It's the... -I'm afraid they look at their faces and their groins. -Their personality. -Yeah. | 0:13:41 | 0:13:47 | |
And their groins. And the American Kennel Association, even more disturbingly, | 0:13:47 | 0:13:51 | |
found that when looking at animals, women look at the dog's face, | 0:13:51 | 0:13:54 | |
men look at the dog's face and genitals. | 0:13:54 | 0:13:56 | |
There are some things you can't hide. | 0:13:56 | 0:13:59 | |
And gaze detection is most important commercially, though, for what? | 0:13:59 | 0:14:05 | |
For the new idea that I've just had of writing advertising slogans on ladies' groins. | 0:14:05 | 0:14:10 | |
-No! -We're going to be rich, Stephen! | 0:14:10 | 0:14:13 | |
-No! -It's not just ladies' groins. | 0:14:13 | 0:14:15 | |
-Men look at men's groins, as well. -I'm afraid they do. | 0:14:15 | 0:14:19 | |
-You wouldn't get much of a slogan on a Chihuahua, would you? -LAUGHTER | 0:14:19 | 0:14:23 | |
-You wouldn't get much of a slogan on me, never mind the Chihuahua. -Oh, now! | 0:14:23 | 0:14:27 | |
-Why, though? Why do boys look at dogs' genitals? -This is news to us. | 0:14:27 | 0:14:30 | |
LAUGHTER This is news to all of us. There's not one man in the room | 0:14:30 | 0:14:34 | |
thinking this is observational comedy, going, "That's me". LAUGHTER | 0:14:34 | 0:14:38 | |
-We're all going, "What? We look at dogs' genitals?" -You may not know you do it, but you do it. | 0:14:38 | 0:14:43 | |
This is what the experiments show. It's most useful in merchandising in supermarkets, | 0:14:43 | 0:14:48 | |
to see that there are certain areas in any store | 0:14:48 | 0:14:51 | |
where people are automatically drawn and therefore they are the most valuable, | 0:14:51 | 0:14:55 | |
so the items that go there are the ones that are being pushed. | 0:14:55 | 0:14:58 | |
So if you really wanted to sell something to men, have a beautiful woman walk past, | 0:14:58 | 0:15:03 | |
and you'd look at the things right by her eye and she'd have a dog with her with large genitals. | 0:15:03 | 0:15:07 | |
-LAUGHTER -Yes. You're conflating the various things I've said. | 0:15:07 | 0:15:11 | |
I'm still horrified by men looking at dogs' genitals! | 0:15:11 | 0:15:14 | |
-LAUGHTER -Do we do the same with horses? -It is news to men. | 0:15:14 | 0:15:18 | |
Horses don't do anything for our self-esteem. LAUGHTER | 0:15:18 | 0:15:24 | |
I went to a wedding in a beautiful country church and it was in the middle of fields and so on, | 0:15:24 | 0:15:29 | |
and the couple were having their picture taken, and not one of us had noticed | 0:15:29 | 0:15:33 | |
there was a horse in the field just behind the happy couple | 0:15:33 | 0:15:36 | |
-who had the biggest area of expertise I've ever seen. -LAUGHTER | 0:15:36 | 0:15:43 | |
-That's all you can see in the photographs. -LAUGHTER | 0:15:43 | 0:15:46 | |
They couldn't crop it out, it was so large. | 0:15:46 | 0:15:49 | |
Well, we must move on, charming as this is. The way to get the eyes to follow you around the room | 0:15:50 | 0:15:55 | |
is to paint them looking straight ahead. Next, a question about infancy. | 0:15:55 | 0:15:58 | |
Which best-selling children's author has something to say on rabid dogs, | 0:15:58 | 0:16:03 | |
suicide victims, slaughtering cattle and how to tie your shoelaces? | 0:16:03 | 0:16:07 | |
-BUZZER -Yes, Lee? -Katie Price. LAUGHTER | 0:16:07 | 0:16:12 | |
-It's a wild stab in the dark... -That was the title of her second book. -How To Slaughter Cattle? | 0:16:12 | 0:16:18 | |
-Yeah. -Yeah? This has probably sold 150 million copies since its first publication. | 0:16:18 | 0:16:22 | |
-In a children's book? -A book written for children. | 0:16:22 | 0:16:25 | |
Look at the boys looking round at the dog's genitals. LAUGHTER | 0:16:25 | 0:16:29 | |
He is! That's Dick on the left. Dick, Anne and Julian. | 0:16:29 | 0:16:33 | |
And Dick is looking at Timmy's bits. | 0:16:33 | 0:16:36 | |
Girls, eyes forward. Boys going, "Hello!" | 0:16:36 | 0:16:39 | |
-You see, even Enid Blyton knew. -It's an old English book? | 0:16:39 | 0:16:43 | |
-Published in the Edwardian era. -Are we looking for the name of the book or the author? | 0:16:43 | 0:16:48 | |
The name of the author was Robert, later Lord, Baden-Powell. | 0:16:48 | 0:16:53 | |
-Oh, Scouting For Boys? -Scouting For Boys is the right answer. | 0:16:53 | 0:16:57 | |
Scouting For Boys has got something on suicide? | 0:16:57 | 0:16:59 | |
-It has. It has an amazing entry. Maybe you'd like to hear it. -I would love to hear it. | 0:16:59 | 0:17:04 | |
"When a man attempts suicide..." They don't count women, "..a scout should know what to do with him." | 0:17:04 | 0:17:10 | |
-LAUGHTER -"In a case where the would-be suicide has taken poison, | 0:17:10 | 0:17:13 | |
"give milk and make him vomit by tickling the inside of the throat with a finger or a feather. | 0:17:13 | 0:17:19 | |
"In the case of hanging, cut down the body at once, | 0:17:19 | 0:17:21 | |
"taking care to support it with one arm while cutting the cord. | 0:17:21 | 0:17:25 | |
-"A tenderfoot," which is scouting for novice... -They make that sound very simple. | 0:17:25 | 0:17:29 | |
"..is sometimes inclined to be timid about handling an insensible or a dead man, or even seeing blood. | 0:17:29 | 0:17:35 | |
"Well, he won't be much use till he gets over such nonsense." | 0:17:35 | 0:17:38 | |
LAUGHTER | 0:17:38 | 0:17:40 | |
There you are. Advice to young boys on how to slaughter cattle. | 0:17:40 | 0:17:44 | |
"If you're a beginner in slaughtering with a knife, | 0:17:44 | 0:17:49 | |
"it's sometimes useful to first drop the animal insensible by a heavy blow with a big hammer | 0:17:49 | 0:17:55 | |
-"or the back of a felling axe on top of the head." -LAUGHTER | 0:17:55 | 0:17:59 | |
-Kindest thing to do, really. -Stopping a runaway horse? | 0:17:59 | 0:18:03 | |
-Does he give advice on that? -He does. -Lie down. -That would stop the horse? | 0:18:03 | 0:18:06 | |
-Oh, no, they don't tread on you. -Oh, I know, play dead. | 0:18:06 | 0:18:10 | |
-How would that stop the horse? -I'm thinking of a ferocious grizzly bear again, aren't I? | 0:18:10 | 0:18:16 | |
What you don't do is stand in front of it waving your arms. That's the mistake to make. | 0:18:16 | 0:18:20 | |
-You go to the side and ease it towards the side of a wall or house. -When it's running? | 0:18:20 | 0:18:27 | |
You ease a running horse to the side of a wall, yeah? | 0:18:27 | 0:18:30 | |
"Don't worry, lads, I'll just ease this running horse to the side of a wall." | 0:18:30 | 0:18:34 | |
It can see out of the corner of its eye, and it will slow it down, according to Baden-Powell. | 0:18:34 | 0:18:39 | |
"Give us a hand!" "I can't, Uncle Pete's hung himself." | 0:18:39 | 0:18:42 | |
-What about saving someone who's fallen in front of a train? -Oh, I know this, | 0:18:42 | 0:18:45 | |
you ease the train up against a wall. LAUGHTER | 0:18:45 | 0:18:49 | |
"If the train is very close, lie flat between the rails, | 0:18:49 | 0:18:52 | |
"make the man do the same till the train passes over, | 0:18:52 | 0:18:55 | |
"while everyone else will be running about screaming, excited and doing nothing." | 0:18:55 | 0:19:00 | |
-You jump on the track with him and push his head down? -Yes. -Sure, I'd do that(!) | 0:19:00 | 0:19:04 | |
-Is there such a big gap between the wheels? -There is in the movies but I wouldn't be the one to try it. | 0:19:04 | 0:19:09 | |
It'd be great if you hung yourself and a scout cut you down, and you went, "OK, I'll jump under a train." | 0:19:09 | 0:19:14 | |
"He's here again!" LAUGHTER "Hello, mate!" | 0:19:14 | 0:19:19 | |
I was once given a book that was given to women in the 17th century, | 0:19:19 | 0:19:23 | |
and it was advice for young ladies, and the advice for the marriage bed, | 0:19:23 | 0:19:26 | |
it says, "Of the marriage bed, we can't speak of a husband's appetite, | 0:19:26 | 0:19:30 | |
"so we will describe it in terms of food." | 0:19:30 | 0:19:33 | |
And what it said is that you must feed your husband whenever he's hungry, | 0:19:33 | 0:19:36 | |
feed him a variety of meals, or you will soon find he's eating next door. | 0:19:36 | 0:19:40 | |
LAUGHTER | 0:19:40 | 0:19:42 | |
I like this book, was it called The Good Old Days? | 0:19:42 | 0:19:45 | |
Goodness gracious me! With that in mind, here's an initiative test. | 0:19:45 | 0:19:49 | |
What should you do if you were to meet a friendly jackal? | 0:19:49 | 0:19:52 | |
Well, I know where my eyes are going! | 0:19:52 | 0:19:55 | |
LAUGHTER | 0:19:55 | 0:19:57 | |
Do they use their friendliness to lure you into a terrible trap? | 0:19:57 | 0:20:01 | |
Well, they sort of do. | 0:20:01 | 0:20:03 | |
-But how can it be friendly? I don't understand the concept. -That's the point. | 0:20:03 | 0:20:07 | |
They're only friendly under one circumstance, because they're wild animals, they're not tameable. | 0:20:07 | 0:20:12 | |
-It's if they have rabies. -Oh! | 0:20:12 | 0:20:14 | |
One of the symptoms of rabies in wild animals | 0:20:14 | 0:20:17 | |
is that they become very docile and they will approach humans and look rather submissive. | 0:20:17 | 0:20:21 | |
A great mistake would be to pet them. | 0:20:21 | 0:20:23 | |
Is the hint not that they are frothing at the mouth, usually? | 0:20:23 | 0:20:27 | |
They don't always froth at the mouth, so you can't always tell. | 0:20:27 | 0:20:30 | |
I did a trip for the BBC in which I canoed the Zambezi, | 0:20:30 | 0:20:34 | |
which I don't recommend. | 0:20:34 | 0:20:36 | |
You get a condition I can only describe as trench bottom. | 0:20:36 | 0:20:39 | |
I was told all the way down to avoid all dogs because of rabies. | 0:20:39 | 0:20:43 | |
I was very surprised to see that most of the local people | 0:20:43 | 0:20:46 | |
had a dog with them, and I thought, "That's nice. | 0:20:46 | 0:20:49 | |
"They've all got a pet." But it turns out that's not the case. | 0:20:49 | 0:20:52 | |
They've got the dog in case they're attacked by a crocodile. | 0:20:52 | 0:20:55 | |
So what they do is throw the dog. | 0:20:55 | 0:20:58 | |
They throw the dog at the crocodile as a sort of a tapas. | 0:20:58 | 0:21:03 | |
-My God! -I'm sorry, did your boat have a dog? -No. -They had you? | 0:21:08 | 0:21:12 | |
"We've got a small lady from the BBC we're using. Don't tell anyone." | 0:21:15 | 0:21:19 | |
If you meet a friendly jackal, | 0:21:21 | 0:21:22 | |
you should probably give it a good kicking to be on the safe side. | 0:21:22 | 0:21:25 | |
The next question requires a bit of intelligence. | 0:21:25 | 0:21:28 | |
Who finished off Russia's greatest love machine? | 0:21:28 | 0:21:31 | |
BUZZER | 0:21:31 | 0:21:33 | |
Boney M. | 0:21:33 | 0:21:34 | |
LAUGHTER | 0:21:34 | 0:21:36 | |
No, he can't say that! How has he got away with that? | 0:21:36 | 0:21:42 | |
-We're talking about Rasputin? -We are. -Let's go through the lyrics. | 0:21:42 | 0:21:47 | |
This is all I know about Rasputin. | 0:21:47 | 0:21:48 | |
-Ra, Ra Rasputin, Russia's greatest love machine. -Lover of the Russian Queen. | 0:21:48 | 0:21:52 | |
Yes. This is how I learned history. | 0:21:52 | 0:21:54 | |
-If it doesn't rhyme, it can't be true. -Do you mean who killed him? | 0:21:56 | 0:22:00 | |
-Yes. -We don't really know. -Is it that moment? | 0:22:00 | 0:22:04 | |
Everybody tried, didn't say? There was a prostitute who tried. | 0:22:04 | 0:22:07 | |
I like the way Sandi led us into that. "Nobody knows, but I do, you fools!" | 0:22:07 | 0:22:11 | |
There's a man who's given credit for it, | 0:22:13 | 0:22:16 | |
who claimed to be responsible, who was Prince Felix Yusupov. | 0:22:16 | 0:22:19 | |
It seems that he wasn't personally responsible for it. | 0:22:19 | 0:22:22 | |
He claimed to have poisoned him | 0:22:22 | 0:22:24 | |
and the poison didn't work, then they shot him. | 0:22:24 | 0:22:26 | |
There's Grigor Rasputin. He was just plain shot in the forehead. | 0:22:26 | 0:22:32 | |
They tried to poison him and then he was shot and then he was drowned, | 0:22:32 | 0:22:35 | |
and then they got him out of the river and they decided to burn him, and my favourite bit, | 0:22:35 | 0:22:39 | |
which I'm sure is not true, is that he then sat up in the fire. | 0:22:39 | 0:22:42 | |
-He sat up? -It was all part of demonising this extraordinary man. | 0:22:42 | 0:22:46 | |
What was his importance to Russia? Why was he worth killing? | 0:22:46 | 0:22:49 | |
-Do you know anything about him? -He had the ear of the Tsarina. | 0:22:49 | 0:22:53 | |
-He had the ear of the Tsarina, exactly. -He had more than her ear! -There were rumours. | 0:22:53 | 0:22:58 | |
He certainly shagged a lot of women, | 0:22:58 | 0:23:00 | |
because he had a peculiar theological belief that the more you sinned the more holy you were, | 0:23:00 | 0:23:04 | |
which is rather handy. | 0:23:04 | 0:23:07 | |
He basically had the freedom of the palace, | 0:23:07 | 0:23:09 | |
and this was when Russia was about to join the First World War, | 0:23:09 | 0:23:12 | |
and he tried to persuade the Tsar and Tsarina not to go to war with Germany. | 0:23:12 | 0:23:16 | |
So one of the countries that had a great interest in the death of Rasputin was Britain. | 0:23:16 | 0:23:21 | |
Because we were at war with Germany, and we wanted at least half the German Army | 0:23:21 | 0:23:25 | |
to be occupied on the Eastern Front fighting the Russians. | 0:23:25 | 0:23:29 | |
-He doesn't look like a love machine. -It so happens the last bullet that went into the brain | 0:23:29 | 0:23:33 | |
of Rasputin was from a gun that came from an MI6 operative. | 0:23:33 | 0:23:37 | |
We don't know if it was a British plot. | 0:23:37 | 0:23:41 | |
But certainly it benefited Britain that Rasputin was killed, | 0:23:41 | 0:23:43 | |
because it kept Russia in the war for longer. | 0:23:43 | 0:23:46 | |
He must have had a good chat-up line, | 0:23:46 | 0:23:48 | |
cos if you saw him at a party you wouldn't think, "I bet he pulls by the end." | 0:23:48 | 0:23:51 | |
Anyway, the point was, Prince Yusupov arranged a party, | 0:23:51 | 0:23:55 | |
and he claimed in his autobiography that he gave cakes and drinks | 0:23:55 | 0:23:58 | |
to Rasputin which were filled with cyanide | 0:23:58 | 0:24:01 | |
and he didn't seem to move at all, and then they stabbed him | 0:24:01 | 0:24:05 | |
and then they shot him, and he got up again, | 0:24:05 | 0:24:07 | |
so then they threw him in the river, | 0:24:07 | 0:24:09 | |
and they found when his body was exhumed that he has drowned. | 0:24:09 | 0:24:12 | |
An autopsy showed it just wasn't true. | 0:24:12 | 0:24:14 | |
If I was at a party and they were giving out cakes full of cyanide | 0:24:14 | 0:24:16 | |
and then they stabbed me, I would leave then. | 0:24:16 | 0:24:19 | |
I would make my excuses, no matter how rude it appeared, | 0:24:19 | 0:24:22 | |
before they got their gun out. | 0:24:22 | 0:24:24 | |
I think I'd go, "Do you know what, I've got an early morning." | 0:24:24 | 0:24:27 | |
What about the durable Mike Malloy? Have you heard of him? | 0:24:27 | 0:24:30 | |
Now, he is a man who really wouldn't die. | 0:24:30 | 0:24:33 | |
This is a very extraordinary story. The durable Mike Malloy. | 0:24:33 | 0:24:37 | |
We're in the age of prohibition, and we're in New York City. | 0:24:37 | 0:24:41 | |
We've got a gang of criminals, | 0:24:42 | 0:24:44 | |
because anyone who runs a speakeasy is a criminal in prohibition, and they hit on a scam. | 0:24:44 | 0:24:49 | |
They thought, "We'll get some drunks, | 0:24:49 | 0:24:51 | |
"we'll get them to sign life insurance forms to our benefit, | 0:24:51 | 0:24:56 | |
"and then we'll feed them so much alcohol that they'll die. | 0:24:56 | 0:24:59 | |
"And we'll get all the money." What can go wrong? | 0:24:59 | 0:25:03 | |
Had they never met Irish people before? | 0:25:03 | 0:25:06 | |
They were bankrupt! | 0:25:07 | 0:25:10 | |
They ran out of booze! | 0:25:10 | 0:25:11 | |
Owner Anthony Marino hatched this plan, got this Irishman, | 0:25:11 | 0:25:16 | |
he was Irish, they befriended him, | 0:25:16 | 0:25:18 | |
they plied him with free drinks, and they got him to sign | 0:25:18 | 0:25:21 | |
three different life insurance policies amounting to nearly 2,000, | 0:25:21 | 0:25:25 | |
a lot of money in those days. | 0:25:25 | 0:25:26 | |
After several weeks of free booze, they started to get a bit impatient, because he wasn't dying. | 0:25:26 | 0:25:31 | |
He kept singing the same songs! | 0:25:31 | 0:25:33 | |
God, he's doing that one again! | 0:25:34 | 0:25:37 | |
# Oh, Danny boy... # | 0:25:37 | 0:25:39 | |
"He seems tipsy." | 0:25:39 | 0:25:42 | |
They started adding antifreeze, he collapsed a bit, | 0:25:42 | 0:25:46 | |
but he kept coming back for more drink. | 0:25:46 | 0:25:47 | |
So they then gave him drinks that were filled with turpentine, | 0:25:47 | 0:25:51 | |
horse liniment, rat poison, rotten oysters in wood alcohol | 0:25:51 | 0:25:54 | |
and sardines mixed with carpet tacks. | 0:25:54 | 0:25:57 | |
-None of this had any effect. -"Thanks very much... I suppose if it's on the house!" | 0:25:59 | 0:26:04 | |
So next, they got him drunk, they stripped him naked - this is midwinter New York - | 0:26:04 | 0:26:09 | |
and they poured five gallons of cold water on him before dumping him on a snow bank. | 0:26:09 | 0:26:14 | |
If you've ever been in New York, midwinter, it is seriously cold, gets to minus 20 degrees. | 0:26:14 | 0:26:18 | |
Why didn't they just shoot him? | 0:26:18 | 0:26:21 | |
-I think a bullet hole might have been... -A giveaway. | 0:26:21 | 0:26:23 | |
I think naked on a mound of snow's quite a giveaway, isn't it? | 0:26:23 | 0:26:26 | |
He was drunk, having sex with a snowman(?) LAUGHTER | 0:26:26 | 0:26:29 | |
But, the police found him - he turned up the next day saying | 0:26:29 | 0:26:32 | |
"You'll never guess what happened, they found me in Central Park, on the snow, naked! | 0:26:32 | 0:26:36 | |
"They took me to a hostel and got me these nice new clothes." | 0:26:36 | 0:26:39 | |
And so he carried on drinking. | 0:26:39 | 0:26:42 | |
They paid a cab driver 150 bucks to knock him over. | 0:26:42 | 0:26:46 | |
After two attempts, they left him sprawled in the road... | 0:26:46 | 0:26:50 | |
Awaiting news of his death, several weeks later | 0:26:50 | 0:26:52 | |
he came fresh out of hospital, turning up looking for a drink. | 0:26:52 | 0:26:56 | |
LAUGHTER | 0:26:56 | 0:26:57 | |
So finally they challenged him to a rigged drinking contest - | 0:26:57 | 0:27:00 | |
they got him really pissed, and then pushed a gas hose in his throat and gassed him to death. | 0:27:00 | 0:27:05 | |
-Awww... -So they cheated. | 0:27:05 | 0:27:06 | |
But a few months later - don't worry - they started squabbling amongst themselves, | 0:27:06 | 0:27:11 | |
and they all went down the river to Sing Sing | 0:27:11 | 0:27:13 | |
and got fried in the electric chair, the whole gang of them. | 0:27:13 | 0:27:17 | |
When you said they put a gas hose in his mouth, and cheated... the audience went "Awww!" | 0:27:17 | 0:27:23 | |
-But before that, when they were trying to kill the man... -LAUGHTER | 0:27:23 | 0:27:28 | |
-you were going, "Well, that just sounds like bloody good fun!" -LAUGHTER | 0:27:28 | 0:27:32 | |
"The gas hose - That's not playing straight." | 0:27:32 | 0:27:34 | |
-Not cricket! -It's an interesting morality you're working with. | 0:27:34 | 0:27:38 | |
LAUGHTER | 0:27:38 | 0:27:39 | |
Take a good, hard look at yourselves. | 0:27:39 | 0:27:42 | |
Well, that's the story of "Durable" Mike Molloy. | 0:27:42 | 0:27:45 | |
A hero of his time, in some ways. | 0:27:45 | 0:27:47 | |
-Did HE tell you that story? -No... -LAUGHTER | 0:27:47 | 0:27:50 | |
And he's here tonight(!) LAUGHTER | 0:27:50 | 0:27:52 | |
Comes in, naked, full of gas... | 0:27:52 | 0:27:55 | |
IRISH ACCENT: "Oh, they didn't get me at all!" | 0:27:55 | 0:27:58 | |
He's up there... | 0:27:58 | 0:27:59 | |
LAUGHTER | 0:27:59 | 0:28:01 | |
Now, how many things beginning with I are there in this picture...? | 0:28:01 | 0:28:05 | |
Oh, now...are we looking at insects? | 0:28:07 | 0:28:11 | |
We are, Alan, you're spot on. | 0:28:11 | 0:28:13 | |
-So...we don't know. -No, I think there's going to be like, a square metre of sky | 0:28:13 | 0:28:18 | |
and there's going to be... a hundred thousand insects. | 0:28:18 | 0:28:21 | |
-There's billions. Millions and millions... -We couldn't count it. | 0:28:21 | 0:28:25 | |
They take a square kilometre, and they use little entomological radars to see how many there are. | 0:28:25 | 0:28:30 | |
And high up in the air at all times, there are billions of insects... | 0:28:30 | 0:28:33 | |
So did they find this on the first Space Shuttle when they didn't have windscreen wipers... | 0:28:33 | 0:28:38 | |
LAUGHTER | 0:28:38 | 0:28:39 | |
Well, actually in the early days of flight, Lindbergh and various others started to do tests, and they put | 0:28:39 | 0:28:45 | |
sticky things on... Because they were thinking, "Why are there insects so high up?" | 0:28:45 | 0:28:49 | |
as we got to go higher and higher. And the record was they found a termite at 19,000 feet. | 0:28:49 | 0:28:53 | |
-It was on an aeroplane. -No...! | 0:28:53 | 0:28:54 | |
LAUGHTER | 0:28:54 | 0:28:56 | |
30 million large insects, which is larger than a ladybird, were discovered by this radar. | 0:28:58 | 0:29:03 | |
But take into account smaller insects, aphids or parasitic wasps, | 0:29:03 | 0:29:07 | |
which outnumber the large ones by a factor of hundreds or so, | 0:29:07 | 0:29:11 | |
you're talking about a serious quantity, it's like an insect belt | 0:29:11 | 0:29:15 | |
around the world. | 0:29:15 | 0:29:16 | |
So, how many insects do you eat a year? | 0:29:16 | 0:29:19 | |
Oh, not on purpose, you mean? | 0:29:19 | 0:29:21 | |
Not on purpose. | 0:29:21 | 0:29:23 | |
-Are you inhaling them all the time? -Yes. | 0:29:23 | 0:29:25 | |
-And then they get stopped by your systems. -There are a few myths on the internet - | 0:29:25 | 0:29:28 | |
most people might eat eight spiders a year. | 0:29:28 | 0:29:32 | |
The myth is, that when you're sleeping, spiders crawl into your mouth. | 0:29:32 | 0:29:36 | |
-Please, please, tell me that's not true. -It is not true. | 0:29:36 | 0:29:39 | |
LEE: No, it's hedgehogs. | 0:29:39 | 0:29:40 | |
SANDI: That wouldn't be so bad, you'd know it was coming. | 0:29:41 | 0:29:45 | |
There's an internet thing about it being a pound a year, | 0:29:45 | 0:29:47 | |
which is overdoing it, but to give an example, | 0:29:47 | 0:29:50 | |
in the USA there are laws about how much insect matter | 0:29:50 | 0:29:54 | |
can be sold in food. Right? So... | 0:29:54 | 0:29:57 | |
the average jar of peanut butter is legally permitted | 0:29:57 | 0:30:00 | |
to contain 30 insect fragments per 100 grams. | 0:30:00 | 0:30:05 | |
Well, that's what makes it crunchy. | 0:30:05 | 0:30:07 | |
And... | 0:30:07 | 0:30:08 | |
Get the smooth stuff, there's nothing in it. | 0:30:08 | 0:30:11 | |
And one rodent hair. | 0:30:11 | 0:30:13 | |
SANDI: No! | 0:30:13 | 0:30:15 | |
That's an allowable limit. | 0:30:15 | 0:30:18 | |
There's a weird thing on food safety where's there an amount of faeces allowed as well. | 0:30:18 | 0:30:22 | |
-That's right. -Which is really distressing. | 0:30:22 | 0:30:24 | |
Yes. Tomato juice is allowed to contain ten fly eggs, | 0:30:24 | 0:30:29 | |
or two maggots, | 0:30:29 | 0:30:31 | |
from the drosophila fly per 500ml. | 0:30:31 | 0:30:34 | |
Ginger is allowed 3mg of mammalian excreta per 100g. | 0:30:34 | 0:30:40 | |
Um, fig paste is allowed to contain 13 or more insect heads per 100g. | 0:30:41 | 0:30:47 | |
Ground marjoram, the kind you find in a spice jar, | 0:30:47 | 0:30:51 | |
can contain 1,175 insect fragments per 10g. | 0:30:51 | 0:30:56 | |
Pot Noodle, do what you like. | 0:30:56 | 0:30:59 | |
The point is, there are allowable levels of tiny bits of insects in most food. | 0:30:59 | 0:31:05 | |
It wouldn't be pounds a year, but we have bits of insect inside us whether we like it or not. | 0:31:05 | 0:31:09 | |
You know when you get the ingredients on the side, people are obsessed by calories, | 0:31:09 | 0:31:13 | |
and what are the ingredients, does it have E numbers in? Is it fresh? | 0:31:13 | 0:31:17 | |
That whole thing. But they never write "tiny bit of shit in this." | 0:31:17 | 0:31:22 | |
I mean, not much! | 0:31:22 | 0:31:24 | |
But your recommended daily allowance... | 0:31:24 | 0:31:27 | |
-of shit in this tomato juice. -"May contain crap." | 0:31:27 | 0:31:30 | |
-Yeah, "may contain a bit of crap." -Now, eyes front, | 0:31:30 | 0:31:33 | |
I spy general ignorance up ahead. | 0:31:33 | 0:31:34 | |
What can you tell me about the lifespan of this lobster? | 0:31:34 | 0:31:39 | |
BUZZER I don't know but look at the size of the fish he's just caught. | 0:31:39 | 0:31:42 | |
LAUGHTER | 0:31:42 | 0:31:45 | |
APPLAUSE I don't think the fish was that big, he's just giving it all that. | 0:31:45 | 0:31:50 | |
-In theory, a lobster can live forever. In theory. -It's not one of these, is it? | 0:31:50 | 0:31:56 | |
Yes, it is. The point is, you can't tell the age of a lobster. | 0:31:56 | 0:32:00 | |
FANFARE AND APPLAUSE | 0:32:00 | 0:32:04 | |
-So you say you can't tell the age of a lobster? -No. | 0:32:08 | 0:32:11 | |
-They shed their actual... The whole skin comes off. -Did you say lobsters can live forever? | 0:32:11 | 0:32:16 | |
In theory. The trouble is, we don't know, because they live so far down on the ocean's floor, | 0:32:16 | 0:32:22 | |
there may be giant submarine-sized lobsters for all we know, but we've never seen them. | 0:32:22 | 0:32:27 | |
Yes, and they have a special protease-type DNA enzyme called telomerase | 0:32:27 | 0:32:32 | |
which basically replaces lost DNA during cell division, | 0:32:32 | 0:32:36 | |
so that their cells remain young and pristine each time they divide. | 0:32:36 | 0:32:40 | |
Unlike with us, where they just get flabbier and flabbier. | 0:32:40 | 0:32:43 | |
The largest on record was caught off Nova Scotia in 1977. It was 3.5 foot long from tail to claw. | 0:32:43 | 0:32:50 | |
-3.5 foot? That's a lot smaller than a submarine. -Yes, it's a lot smaller than this studio. | 0:32:50 | 0:32:55 | |
It's a lot smaller than many things, but the largest lobster ever caught. | 0:32:55 | 0:32:59 | |
-LAUGHTER -Yeah, Lee! -Sandi did say they could be as big as a submarine. | 0:32:59 | 0:33:03 | |
-Sorry, I missed that bit. -That's all right. | 0:33:03 | 0:33:06 | |
Just so you know, I didn't randomly say, "3.5 foot, I've got an interesting fact about 3.5 foot, | 0:33:06 | 0:33:11 | |
"a lot smaller than a submarine. Back to you, Stephen. Beat that with your interesting facts!" | 0:33:11 | 0:33:17 | |
LAUGHTER AND APPLAUSE It was relevant to what she said. That would be a bonkers way to... | 0:33:17 | 0:33:22 | |
-I've got slightly too used to you saying rather stupid things. -LAUGHTER | 0:33:22 | 0:33:27 | |
-I apologise on bended knees. -You mean stupid things like | 0:33:28 | 0:33:31 | |
lobsters can live forever and grow to the size of submarines? | 0:33:31 | 0:33:35 | |
-What doesn't make sense in the picture is it shouldn't be red. -Why not? | 0:33:35 | 0:33:40 | |
Because it's in the water, it should be black. Are they not only red... | 0:33:40 | 0:33:44 | |
-SIREN BLARES -You thought it was dead. | 0:33:44 | 0:33:47 | |
No. The vast majority of lobsters are a sort of darkish colour, | 0:33:47 | 0:33:51 | |
with little bits of iridescent colours on them, but you can get red ones. | 0:33:51 | 0:33:56 | |
-Have you ever seen a blue lobster? -I'm not falling for this again, Stephen. -Have you? | 0:33:56 | 0:34:01 | |
-Er, I don't think I have seen one. -Would you like to see a blue lobster? -Oh, here we go. | 0:34:01 | 0:34:05 | |
-Go on. Is it going to hurt? -There, have a look behind you and you'll see a nice blue lobster. | 0:34:05 | 0:34:09 | |
Look at that. Every now and again you get a really blue lobster. | 0:34:09 | 0:34:13 | |
I just think BP have got a lot to answer for. LAUGHTER | 0:34:13 | 0:34:16 | |
-It looks like it's been sprayed by a vandal. -It does look like it. | 0:34:16 | 0:34:19 | |
But Sandi was right about it detaching itself from its old shell. | 0:34:19 | 0:34:22 | |
It does that 25 times in the first five years of its life. | 0:34:22 | 0:34:26 | |
And each time it does, it grows by 50 percent. But it's a really odd business and quite dangerous. | 0:34:26 | 0:34:31 | |
It has to detach itself from its old shell. | 0:34:31 | 0:34:33 | |
It has teeth inside its stomach and they're part of the exoskeleton | 0:34:33 | 0:34:37 | |
so the lobster has to pull out the lining of its throat, stomach and anus | 0:34:37 | 0:34:41 | |
-every time it gets rid of its shell. -I've had hangovers where I've felt like that. | 0:34:41 | 0:34:47 | |
LAUGHTER Ohh! | 0:34:47 | 0:34:50 | |
They also, rather like the people of Doncaster, communicate with each other by urinating. | 0:34:50 | 0:34:55 | |
LAUGHTER | 0:34:55 | 0:34:58 | |
-Hang on, why Doncaster? -I was there with a TV crew on Friday night and there was a lot of weeing. | 0:34:58 | 0:35:03 | |
-You should have been at Wembley at a cup final. -It was horrible on the terrace when it used to... | 0:35:03 | 0:35:08 | |
-It used to rush down the terraces. -You know how they get the Champagne glasses and do that? | 0:35:08 | 0:35:13 | |
-Yes. Exactly. -That's where they got the idea from. All bubbling at the bottom. | 0:35:13 | 0:35:17 | |
In America, you can buy a Stadium Pal. A Stadium Pal. | 0:35:17 | 0:35:20 | |
-This is a little thing you can pee in. -It's a thing you attach to yourself and it goes in a bottle. | 0:35:20 | 0:35:25 | |
And they've developed one for women, but it looks a bit more like a gravy boat. I'm not sure. | 0:35:25 | 0:35:30 | |
-Now with wings! -That would be good for long journeys in the car, too. | 0:35:30 | 0:35:36 | |
-There is a thing you can pee into in the car. -You pee in a bag. -Yeah. | 0:35:36 | 0:35:39 | |
You can pee in a bag anyway, no-one's stopping you. | 0:35:39 | 0:35:42 | |
If you're not allowed to use a mobile phone in a car, you're not allowed to urinate in a bag. | 0:35:42 | 0:35:47 | |
-You pull over. -If you pull over, why don't you go in a tree? | 0:35:47 | 0:35:51 | |
-Go in a tree? -In a tree. | 0:35:51 | 0:35:53 | |
Not in a tree, against a tree. I don't mean carry a woodpecker with you at all times. | 0:35:53 | 0:35:57 | |
"Tap a hole in there for us!" LAUGHTER | 0:35:57 | 0:36:01 | |
"Fill it in and on your way!" | 0:36:01 | 0:36:04 | |
I really need to pee now. | 0:36:04 | 0:36:06 | |
Oh...not long. You always... Why do you always need a pee? | 0:36:06 | 0:36:11 | |
I drink loads of coffee, pints of coffee. I run on caffeine. | 0:36:11 | 0:36:14 | |
-OK, let's get on. Anyone have to pee? -Want that? | 0:36:14 | 0:36:18 | |
Don't do that to him, that's cruel. | 0:36:18 | 0:36:21 | |
APPLAUSE | 0:36:21 | 0:36:23 | |
Which side is it? | 0:36:23 | 0:36:24 | |
-He can't tell! -Which side? | 0:36:24 | 0:36:28 | |
Get it the right way round, for God's sake. | 0:36:28 | 0:36:30 | |
It'll be like Wembley again. | 0:36:30 | 0:36:33 | |
-Don't you dare! -You know, I never thought I'd see... -Shh, shh! | 0:36:34 | 0:36:38 | |
-You're making it come back. -Never thought I'd see Einstein in that position. | 0:36:38 | 0:36:42 | |
Not so clever now, are you? Yeah. | 0:36:42 | 0:36:46 | |
Suddenly it's...P = MC squared! | 0:36:46 | 0:36:49 | |
CHEERING | 0:36:49 | 0:36:51 | |
So, the fact is, it's impossible to age a lobster. | 0:36:51 | 0:36:54 | |
What would they have called this shop in the olden days? | 0:36:54 | 0:36:58 | |
Well, I'm guessing not an old pork pie shop? That's a bit too easy. | 0:36:58 | 0:37:03 | |
-How do you pronounce it, you mean? -How do you pronounce it? | 0:37:03 | 0:37:06 | |
-BUZZER -Lee? -"Yee Old Pork Pie Shopp-ee." | 0:37:06 | 0:37:10 | |
-SIREN BLARES -Oh, no! | 0:37:10 | 0:37:14 | |
-It's... That's not pronounced "Yee." -OK. | 0:37:14 | 0:37:17 | |
-It's pronounced... -BUZZER -Yeah? -"Yey!" -No. | 0:37:17 | 0:37:20 | |
-Old porkie pie shop. -No, you said it. -It's "the". -Why is it "the"? | 0:37:20 | 0:37:23 | |
-It's the way they wrote it down, isn't it? -It's because it's not a Y. It looks like a Y, | 0:37:23 | 0:37:28 | |
and they used Ys when printing came in. It's an Old English letter from Anglo-Saxon called the thorn, | 0:37:28 | 0:37:33 | |
which is the letter for a "th", like a Greek theta. | 0:37:33 | 0:37:36 | |
When printing came in, a lot of them didn't bother making a separate thorn, | 0:37:36 | 0:37:40 | |
they used the Y cos it was so similar, | 0:37:40 | 0:37:42 | |
so when they were writing "the", they would put a Y in. | 0:37:42 | 0:37:45 | |
But they knew to pronounce it "the", and that, much as we do in texts and tweets these days, | 0:37:45 | 0:37:51 | |
it's been very common for human beings to abbreviate, and they abbreviated "that", to "yt", th't. | 0:37:51 | 0:37:57 | |
Whenever you see in old churches "ye this" or "ye that" or you see "ye olde" it's actually "the". | 0:37:57 | 0:38:03 | |
-What about "Old-ee"? -You don't pronounce the silent "e" on it. -"Shopp-ee"? | 0:38:03 | 0:38:07 | |
-Or "Shoppe". -I haven't got one word right. Here we go, I've got one. Pie? -Yes! | 0:38:07 | 0:38:12 | |
-Spot on! -Get in! Now, how do you say that tricky one in the middle? | 0:38:12 | 0:38:16 | |
How northern is that? If someone's just flicked onto this show, and said, "Oh, Lee Mack's on." | 0:38:16 | 0:38:21 | |
And you go, "Pie!" and there's a round of applause. LAUGHTER | 0:38:21 | 0:38:24 | |
-In which war did both sides fight under the Union Jack? -BUZZER | 0:38:24 | 0:38:28 | |
Ye Second World War. | 0:38:28 | 0:38:30 | |
Both sides fought under the Union... What, the Germans? | 0:38:30 | 0:38:33 | |
I wanted to get a gag in about "ye", I can't think of any other wars, | 0:38:33 | 0:38:37 | |
I just... I panicked. I panicked after the "ye". | 0:38:37 | 0:38:40 | |
Cos what's happened, I've said "ye", it hasn't got a laugh, I have to back it up with a fact, | 0:38:40 | 0:38:45 | |
I've gone in, worst possible war. Everything about it - | 0:38:45 | 0:38:48 | |
the joke was wrong, the story is inaccurate, | 0:38:48 | 0:38:50 | |
everything about that was totally terrible. | 0:38:50 | 0:38:53 | |
The explanation was brilliant, I have to say. | 0:38:53 | 0:38:55 | |
-Which war is most likely to involve both sides? -English Civil War. | 0:38:55 | 0:39:00 | |
-SIREN WAILS American Civil War. -No. | 0:39:00 | 0:39:04 | |
It hadn't come into existence as a flag by then. | 0:39:04 | 0:39:07 | |
-Is it... -The American War Of Independence is the right answer. | 0:39:07 | 0:39:12 | |
Because the British flew the Union Jack, Union Flag as it was then known. | 0:39:12 | 0:39:15 | |
And George Washington designed the Stars And Stripes | 0:39:15 | 0:39:18 | |
and, in fact, the canton - the important quarter of the flag - was the Union Jack. | 0:39:18 | 0:39:21 | |
So you can see an example of an early American Union Flag with the Union Jack in its corner. | 0:39:21 | 0:39:27 | |
-The stripes... The stars - Betsy Ross hadn't made that yet. -That's right. | 0:39:27 | 0:39:32 | |
There is one state in America that has a Union Jack still in its state flag. | 0:39:32 | 0:39:36 | |
-Do you know which state that is? -I would say...Alaska. | 0:39:36 | 0:39:41 | |
Who are you going to ask? Sandi? | 0:39:41 | 0:39:42 | |
-CHEERING -Hey-hey! Erm... | 0:39:42 | 0:39:45 | |
I don't know, but I would guess Virginia. | 0:39:45 | 0:39:47 | |
-No, it's not. It's actually Hawaii. -Oh, is it? | 0:39:47 | 0:39:50 | |
-Hawaii has a Union Jack in the state flag. -Ooh! | 0:39:50 | 0:39:53 | |
What went up by 57% during the Blitz? | 0:39:53 | 0:39:55 | |
-BUZZER -Yeah? | 0:39:56 | 0:39:58 | |
House prices? LAUGHTER | 0:39:58 | 0:40:01 | |
-They might, but no. -Was it Mother Brown's knees? | 0:40:01 | 0:40:05 | |
-By 57 %? -They were always up listening to the Cockneys during the Blitz. Always up. | 0:40:05 | 0:40:12 | |
-The birth rate? -No. -Grave robbing? -Crime. | 0:40:12 | 0:40:16 | |
-Oh! -Crime went up a huge amount during the Blitz. -Sorry, do you count crime as dropping bombs? | 0:40:16 | 0:40:22 | |
Because if that is listed as a crime, there was a lot of that going on. | 0:40:22 | 0:40:26 | |
It's not a crime, in acts of war, to do that, unfortunately. But I'm talking about Londoners' crime. | 0:40:26 | 0:40:31 | |
Mad Frankie Fraser actually said, | 0:40:31 | 0:40:34 | |
"It was a tragedy when Hitler surrendered, | 0:40:34 | 0:40:37 | |
"because wartime London was a criminal's paradise." | 0:40:37 | 0:40:40 | |
That's the way he put it. | 0:40:40 | 0:40:41 | |
All you had to do was get an ARP Warden, you know, like Hodges in Dad's Army, | 0:40:41 | 0:40:46 | |
"Napoleon!", all that. You put one of those on and people just obey you, and a tin hat with a "W" on it. | 0:40:46 | 0:40:51 | |
And people would actually help them load their cars with stuff they'd stolen. | 0:40:51 | 0:40:55 | |
"Here, come here! Help me load this car!" They'd go, "Ooh, yes," because you were a warden. | 0:40:55 | 0:41:00 | |
-Are you suggesting that's what the Queen Mother was doing in the East End? -No! | 0:41:00 | 0:41:04 | |
-My granddad was one of those, an ARP warden. -Was he? -Well, he says that. -Oh, I'm sure he was. | 0:41:04 | 0:41:10 | |
-So was it mainly looting? -There was looting, there was also scams. | 0:41:10 | 0:41:14 | |
There was one fellow called Handy who made a claim for his house being bombed - for which you got £500 - | 0:41:14 | 0:41:19 | |
19 times... | 0:41:19 | 0:41:22 | |
before they caught onto him. | 0:41:22 | 0:41:23 | |
And ordinary people were also committing crimes through ration books. | 0:41:23 | 0:41:27 | |
People who didn't think of themselves as criminals were black-marketeering, | 0:41:27 | 0:41:31 | |
or involving themselves in the black market. Generally speaking, it was a very good time to be a criminal, | 0:41:31 | 0:41:37 | |
because the police and everybody were concerned with bombs falling on houses and incendiary bombs. | 0:41:37 | 0:41:42 | |
Is there truth in... I read a thing about... A house would be bombed and the people would be dead, | 0:41:42 | 0:41:48 | |
-people would come and steal watches... -Oh, yes. | 0:41:48 | 0:41:50 | |
-It's really grizzly. -I'm afraid it is. We think of it as our finest hour and of the Blitz spirit. | 0:41:50 | 0:41:56 | |
Unfortunately, there's another side to it. There was a huge amount of bravery and camaraderie | 0:41:56 | 0:42:01 | |
and communal spirit and so on, but there was also, sadly, the darker side. | 0:42:01 | 0:42:05 | |
Now, I spy with my little eye, the scores, | 0:42:05 | 0:42:08 | |
and how interesting they are. | 0:42:08 | 0:42:10 | |
In first place, by really quite a long way, | 0:42:10 | 0:42:13 | |
-is Sandi Toksvig with 12 points! -CHEERING AND APPLAUSE | 0:42:13 | 0:42:18 | |
And in second place, with minus four, Jimmy Carr! | 0:42:21 | 0:42:25 | |
APPLAUSE Oh! Very happy with that. | 0:42:25 | 0:42:28 | |
Only just in third place, with minus five, Lee Mack! | 0:42:30 | 0:42:33 | |
APPLAUSE I'll take that - third. Best I've done. | 0:42:33 | 0:42:38 | |
And a proud fourth place with double-I, minus 11, is Alan Davies! | 0:42:38 | 0:42:45 | |
CHEERING AND APPLAUSE | 0:42:45 | 0:42:48 | |
So, it's thanks to Sandi, Jimmy, Lee and Alan. | 0:42:51 | 0:42:54 | |
And as Yogi Berra said, "You can observe a lot by watching." Goodnight. | 0:42:54 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:08 | |
E-mail [email protected] | 0:43:08 | 0:43:12 |