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CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Good evening, good evening, good evening, good evening. | 0:00:29 | 0:00:32 | |
Welcome to QI, where tonight we'll be putting sliced bread to shame | 0:00:32 | 0:00:36 | |
and reinventing the wheel in a show all about inventions. | 0:00:36 | 0:00:40 | |
Joining me at the lab bench, | 0:00:40 | 0:00:42 | |
we have a world first, Nina Conti and Gran... | 0:00:42 | 0:00:46 | |
-Hello. -APPLAUSE | 0:00:46 | 0:00:48 | |
..the peculiarly innovative Sean Lock... | 0:00:50 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
..the patently absurd Bill Bailey... | 0:00:58 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:04 | |
..and I'm afraid it's back to the drawing board, Alan Davies. | 0:01:05 | 0:01:10 | |
CHEERING AND APPLAUSE | 0:01:10 | 0:01:12 | |
Now, panel, | 0:01:14 | 0:01:17 | |
if you have any bright ideas you wish to share, | 0:01:17 | 0:01:20 | |
-activate the light bulb in front of you. Bill goes... -BELL | 0:01:20 | 0:01:23 | |
-..Sean goes... -HIGHER-PITCHED BELL | 0:01:23 | 0:01:26 | |
-..and Nina or Gran goes... -HIGHER-PITCHED BELL | 0:01:26 | 0:01:30 | |
-..and Alan goes... -ELECTRIC CURRENT NOISE | 0:01:30 | 0:01:33 | |
Excellent. | 0:01:33 | 0:01:34 | |
-Er, so you've brought your grandmother with you. -"Hello". | 0:01:34 | 0:01:39 | |
Is she familiar with our rule we have in this series? | 0:01:39 | 0:01:42 | |
We have a "Don't know" rule. We have a 'Nobody Knows' rule. | 0:01:42 | 0:01:46 | |
-Right. -There's a joker you have, which is the 'Nobody Knows'... | 0:01:46 | 0:01:49 | |
TANNOY: Nobody knows! | 0:01:49 | 0:01:51 | |
There may be a question to which nobody actually knows the answer. | 0:01:51 | 0:01:55 | |
The answer is, nobody knows. Can she...? | 0:01:55 | 0:01:58 | |
-There you go, Gran. -"I can hold it." -Have you got it? -"It's a bit..." | 0:01:58 | 0:02:02 | |
-She's got a little bit of arthritis in the fingers. -"It's mesmerising." | 0:02:02 | 0:02:05 | |
-Do you want me to hold it for you? -"No, dear." -Oh, all right. | 0:02:05 | 0:02:09 | |
"Slap me on the bottom with it, dear. | 0:02:09 | 0:02:12 | |
-"I won't be like that, I'm just excited." -Fair enough. | 0:02:13 | 0:02:17 | |
Good. Now, my first question is, | 0:02:17 | 0:02:20 | |
why should you be glad that you didn't invent the flying car, | 0:02:20 | 0:02:23 | |
the parachute suit or the web rotary press? | 0:02:23 | 0:02:27 | |
I've got a feeling that the guy with the parachute suit, didn't he die? | 0:02:27 | 0:02:32 | |
He did. | 0:02:32 | 0:02:33 | |
Um...and then it does follow that they all died. | 0:02:33 | 0:02:36 | |
They were all killed by their own inventions. | 0:02:36 | 0:02:40 | |
The inventor of the web rotary press, for example, | 0:02:40 | 0:02:43 | |
which was a huge advance and revolutionised printing, | 0:02:43 | 0:02:47 | |
unfortunately the inventor fell into the works and got gummed up in them and died. | 0:02:47 | 0:02:51 | |
-Really? -Yeah. Very sad business. | 0:02:51 | 0:02:54 | |
But it did change printing. He was called William Bullock. | 0:02:54 | 0:02:57 | |
Which bit of it did he fall in? | 0:02:57 | 0:02:59 | |
Well, into the gearing. I can't imagine how he managed it. | 0:02:59 | 0:03:03 | |
A bloke the other day, he went through a machine, | 0:03:03 | 0:03:05 | |
and his whole body went through a tunnel the size of a CD | 0:03:05 | 0:03:09 | |
and he survived. | 0:03:09 | 0:03:10 | |
What?! | 0:03:10 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
Was it Ronnie Corbett? LAUGHTER | 0:03:13 | 0:03:17 | |
Yeah. That would explain it. | 0:03:18 | 0:03:19 | |
No, his whole head went in, broke every bone in his body... | 0:03:19 | 0:03:24 | |
-But he did live? -He lived... -Wow! -..to tell the tale. | 0:03:24 | 0:03:27 | |
Unfortunately, though, he is now in a redundant format. | 0:03:27 | 0:03:30 | |
LAUGHTER | 0:03:30 | 0:03:33 | |
APPLAUSE | 0:03:33 | 0:03:35 | |
Sad. | 0:03:37 | 0:03:39 | |
That was the fate of William Bullock. | 0:03:39 | 0:03:41 | |
When it comes to the parachute suit, it was a man called Franz Reichelt, who was an Austrian, | 0:03:41 | 0:03:45 | |
who was convinced he could jump off the Eiffel Tower, this was in 1912, wearing a parachute suit. | 0:03:45 | 0:03:51 | |
People warned him it was not a good idea, but he was utterly confident. | 0:03:51 | 0:03:54 | |
He ripped a page out of a book to test which way the wind was going | 0:03:54 | 0:03:58 | |
and his last words were, "A bientot." | 0:03:58 | 0:04:00 | |
Unfortunately, that was the instruction manual(!) | 0:04:00 | 0:04:03 | |
He jumped off and hit the ground a little bit too hard, | 0:04:04 | 0:04:07 | |
and was dead. | 0:04:07 | 0:04:09 | |
So that was not a good result. | 0:04:09 | 0:04:12 | |
That's not actually an invention, then, is it? | 0:04:12 | 0:04:14 | |
That's just a really stupid thing to do. | 0:04:14 | 0:04:18 | |
Yes. | 0:04:18 | 0:04:19 | |
Where's the grey area where inventions become...suicide? | 0:04:19 | 0:04:23 | |
It was a parachute suit that might have worked from higher up. | 0:04:23 | 0:04:26 | |
The principle behind it was sound - as we know from parachutes, they do work. | 0:04:26 | 0:04:30 | |
-But he just... -He invented jumping off things. | 0:04:30 | 0:04:34 | |
He invented jumping off things badly, yeah. | 0:04:34 | 0:04:37 | |
The flying car you ought to know about. | 0:04:37 | 0:04:40 | |
This was a Californian engineer called Henry Smolinski. | 0:04:40 | 0:04:42 | |
-Look at that. -"It's lovely. | 0:04:42 | 0:04:45 | |
"I can't fly or drive, though, | 0:04:45 | 0:04:47 | |
"because I can't see, because my eyes are marbles. | 0:04:47 | 0:04:50 | |
"But I can point where I want to go, look. There! | 0:04:51 | 0:04:55 | |
"Higher! There's buildings down there. | 0:04:55 | 0:04:58 | |
-"Hello." -Hello. | 0:04:58 | 0:05:01 | |
-"Pull my finger, dear." -OK. -"Nothing happened." | 0:05:02 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:07 | |
You've got a very, very warm finger there, Gran. | 0:05:07 | 0:05:09 | |
"Oh, no, don't say that, dear. | 0:05:09 | 0:05:12 | |
"It'll draw attention to it. Where it's been." | 0:05:12 | 0:05:16 | |
All right, thank you! Thank you! | 0:05:16 | 0:05:19 | |
Thank you, Gran. | 0:05:19 | 0:05:21 | |
On the face of it, it's rather a marvellous idea. | 0:05:21 | 0:05:24 | |
Smolinski's idea was that you drove to an airport, you collected the wings, | 0:05:24 | 0:05:28 | |
you'd fly 500 miles-odd to the next city, | 0:05:28 | 0:05:30 | |
where you'd take the wings off and you would drive off again. | 0:05:30 | 0:05:33 | |
And it worked really well. | 0:05:33 | 0:05:35 | |
Then in 1973, he was on a flight and one of the struts broke | 0:05:35 | 0:05:39 | |
and he and his co-pilot plunged to their death. | 0:05:39 | 0:05:41 | |
The idea was never thought of again. I think it should be brought back. | 0:05:41 | 0:05:45 | |
I thought he would have died when he was in the air | 0:05:45 | 0:05:48 | |
and he got up to go around with the drinks trolley. | 0:05:48 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
-It's simple. It worked with Chitty Chitty Bang Bang. -Yes. | 0:05:53 | 0:05:57 | |
Did they have two sets of controls? | 0:05:57 | 0:06:00 | |
-You've asked an intelligent question. -Extraordinary(!) | 0:06:00 | 0:06:03 | |
-Hooray! -APPLAUSE | 0:06:04 | 0:06:07 | |
Joysticks, and it turns over like in Thunderbirds? | 0:06:09 | 0:06:12 | |
Was it a big switch - "Plane", "Car"? | 0:06:12 | 0:06:16 | |
The car steering was modified so you could fly from the driver's seat, | 0:06:16 | 0:06:20 | |
so it was pretty much all in one. | 0:06:20 | 0:06:22 | |
-So you could steer it with the steering wheel? -Yes. | 0:06:22 | 0:06:25 | |
-I'd love one of those, wouldn't you? -I'd love one too. | 0:06:25 | 0:06:29 | |
-"Difficult to park, dear." -I think it's a brilliant idea. | 0:06:29 | 0:06:32 | |
-I don't like flying. -Don't you? -No. | 0:06:32 | 0:06:35 | |
But I was bought a flying lesson for my 40th birthday. | 0:06:35 | 0:06:39 | |
My entire family clubbed together and bought me a flying lesson. | 0:06:39 | 0:06:43 | |
It was £99. | 0:06:43 | 0:06:45 | |
Your entire family spent £99 on you? | 0:06:45 | 0:06:47 | |
Yeah, on my 40th, so I was in quite a bad mood when I turned up. | 0:06:47 | 0:06:52 | |
Especially as there's 99 of them. | 0:06:52 | 0:06:55 | |
LAUGHTER | 0:06:55 | 0:06:57 | |
"I have to stay in overhead compartment, don't I, dear?" Yes. | 0:06:57 | 0:07:02 | |
-Oh, that's a bit mean. -"No nuts." | 0:07:02 | 0:07:06 | |
You have to open the compartment slowly in case you fall out? | 0:07:06 | 0:07:09 | |
-"I'll fall out and hurt someone, yes, it's tragic." -It is tragic. | 0:07:09 | 0:07:13 | |
"But I'll keep going. Happy days." | 0:07:13 | 0:07:15 | |
Are you allowed to use the loo? | 0:07:15 | 0:07:17 | |
"No, I don't have any bodily functions, dear. | 0:07:17 | 0:07:21 | |
"I just sit there for comfort, but nothing happens." | 0:07:21 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:27 | |
Too much information, Gran. | 0:07:28 | 0:07:30 | |
There are all these other grans in the overhead compartments, | 0:07:30 | 0:07:34 | |
crawling about during the flight! | 0:07:34 | 0:07:36 | |
I don't know why you go on the plane. Why don't you just post yourself? | 0:07:36 | 0:07:41 | |
LAUGHTER | 0:07:41 | 0:07:43 | |
"It's expensive, dear. I'm heavy." That's not true. | 0:07:43 | 0:07:45 | |
I lost her once on a plane, an airline, | 0:07:45 | 0:07:48 | |
which for legal reasons I'm not supposed to name. | 0:07:48 | 0:07:51 | |
-"Ryanair." -LAUGHTER | 0:07:51 | 0:07:54 | |
-APPLAUSE -She's fab! | 0:07:55 | 0:07:58 | |
Did you have to pay an extra seat for her or an extra cabin area? | 0:08:02 | 0:08:05 | |
"No, unfortunately she's a cheapskate." | 0:08:05 | 0:08:08 | |
That's why I... I don't know. | 0:08:08 | 0:08:10 | |
She's a bit big for hand luggage, so it's a dilemma. | 0:08:10 | 0:08:13 | |
"It's always a risk. | 0:08:13 | 0:08:15 | |
"Would you put your granny in the hold, dear?" | 0:08:15 | 0:08:18 | |
No, I wouldn't. | 0:08:19 | 0:08:21 | |
I have a friend who has one of those micro pigs, | 0:08:21 | 0:08:23 | |
and she puts the pig in hand luggage in the cabin without telling them. | 0:08:23 | 0:08:29 | |
-It's only a pig, isn't it? -It's one of those tiny pigs. | 0:08:30 | 0:08:33 | |
Are they easy to look after? My wife would love one of those. | 0:08:33 | 0:08:36 | |
You can grow them in special tubes, | 0:08:36 | 0:08:38 | |
so they're triangular and they'll fit in a Toblerone box. | 0:08:38 | 0:08:42 | |
-Well, somebody... -Is that a Toblerone? "Oink!" No. | 0:08:43 | 0:08:47 | |
Sometimes they grow and grow, and basically you've got a huge pig. | 0:08:47 | 0:08:51 | |
You've just got an actual pig. | 0:08:51 | 0:08:53 | |
What you bought was a piglet. | 0:08:53 | 0:08:55 | |
Imagine being conned by a pig salesman! | 0:08:55 | 0:09:00 | |
It's called buying a pig in a poke. It's a phrase for it. | 0:09:00 | 0:09:03 | |
-Pig salesmen used to be dishonest. -"Can you say that, Nina?" | 0:09:03 | 0:09:07 | |
What, pig in a poke? "Can I say that?" | 0:09:07 | 0:09:10 | |
Go on, say, "Pig in a poke." | 0:09:10 | 0:09:12 | |
"That's a challenge to a ventriloquist." | 0:09:12 | 0:09:15 | |
-If I say pig in a poke, it's fine. -You say it, Gran. | 0:09:15 | 0:09:18 | |
-"No." -AUDIENCE: Ooh! | 0:09:18 | 0:09:21 | |
-Go on, Gran. "Pig in a poke." -APPLAUSE | 0:09:21 | 0:09:24 | |
That was impressive! | 0:09:24 | 0:09:26 | |
-How do they do that? -How do they do that? -I didn't know it meant that. | 0:09:27 | 0:09:31 | |
A pig in a poke? What's a poke, then? | 0:09:31 | 0:09:33 | |
A poke is a sack. A pocket is a small poke. | 0:09:33 | 0:09:36 | |
-So you haven't seen the pig? -Exactly. -It could be a dog. | 0:09:36 | 0:09:40 | |
The point is all those inventions tragically killed their inventors. | 0:09:41 | 0:09:45 | |
Which well-known invention is the wickedness which lurks in the belly | 0:09:45 | 0:09:49 | |
and deserves to dwell in the cesspool? | 0:09:49 | 0:09:52 | |
The wickedness which lurks in the belly. | 0:09:53 | 0:09:58 | |
-Er... -Do you know... -Sunny Delight. | 0:09:58 | 0:10:02 | |
-"I know!" -Gran? -We know, because this...yes... | 0:10:04 | 0:10:07 | |
Um...I am a belly speaker. | 0:10:07 | 0:10:10 | |
You are a belly speaker. Ventriloquist. | 0:10:10 | 0:10:13 | |
That's it. You're a tummy speaker. | 0:10:13 | 0:10:14 | |
It was considered to be a possession by demons | 0:10:14 | 0:10:17 | |
if someone could have this voice come from their tummy - | 0:10:17 | 0:10:20 | |
it didn't seem to come out of their mouths - or throw their voice. | 0:10:20 | 0:10:24 | |
There was a Patriarch of Constantinople | 0:10:24 | 0:10:27 | |
by the name of Photius, | 0:10:27 | 0:10:28 | |
who once excommunicated the Pope, and he was the one... | 0:10:28 | 0:10:32 | |
There you are! Have a go. Have a go. | 0:10:32 | 0:10:34 | |
Oh, have we all got these? | 0:10:34 | 0:10:36 | |
-MUMBLING: -"Pig in a poke." | 0:10:36 | 0:10:38 | |
-APPLAUSE -I am very impressed. | 0:10:38 | 0:10:42 | |
-Here's one. -The weird thing is... -ELECTRIC CURRENT NOISE | 0:10:43 | 0:10:47 | |
That puppet is a ventriloquist, | 0:10:47 | 0:10:49 | |
and its lips didn't move when you said that, | 0:10:49 | 0:10:52 | |
so it's operating you, which is fantastic! | 0:10:52 | 0:10:56 | |
It really is a lot... | 0:10:56 | 0:10:58 | |
-MUMBLING: -"It really is a lot harder than it looks." | 0:10:58 | 0:11:01 | |
-"You've had a stroke, dear." -LAUGHTER | 0:11:03 | 0:11:07 | |
APPLAUSE | 0:11:07 | 0:11:10 | |
"He looks like ET." | 0:11:11 | 0:11:13 | |
-No, don't, Gran. -"I am Bogdan. | 0:11:13 | 0:11:17 | |
"I like you very much. | 0:11:17 | 0:11:20 | |
"You are attractive lady." | 0:11:21 | 0:11:23 | |
"If I start on you, you'll never see the light of day again." | 0:11:23 | 0:11:28 | |
"Come with me. I have Oyster Card." | 0:11:28 | 0:11:30 | |
LAUGHTER | 0:11:30 | 0:11:32 | |
-MUMBLING: -"Are you moving your lips?" | 0:11:34 | 0:11:36 | |
HE MUMBLES | 0:11:38 | 0:11:40 | |
HE MUMBLES | 0:11:42 | 0:11:45 | |
Sean, let's see if you can do any better. | 0:11:47 | 0:11:49 | |
-Are you hoping...? -I'm not moving my lips! | 0:11:53 | 0:11:55 | |
Oh, sorry, it's a left-handed puppet. Sorry! | 0:11:55 | 0:11:59 | |
HE GROANS | 0:12:02 | 0:12:04 | |
That's the only thing I tend to do is... HE GROANS | 0:12:05 | 0:12:08 | |
LAUGHTER | 0:12:09 | 0:12:11 | |
"Pieces of eight. Pieces of eight." | 0:12:13 | 0:12:16 | |
You don't actually have to stretch your mouth. | 0:12:16 | 0:12:19 | |
It's the only way I can do it! I can't do it any other way! | 0:12:19 | 0:12:23 | |
HE SCREAMS | 0:12:23 | 0:12:26 | |
-BELL -Hey! | 0:12:31 | 0:12:33 | |
"Oh, no!" | 0:12:33 | 0:12:36 | |
-Oh, I've broken it! -You have! | 0:12:36 | 0:12:38 | |
Oh! | 0:12:39 | 0:12:41 | |
-BELL -Oh, Bill Bailey! | 0:12:43 | 0:12:46 | |
"What the hell's he doing?" | 0:12:46 | 0:12:48 | |
0h, dear, oh, dear, oh, dear! | 0:12:50 | 0:12:53 | |
What a wretched disappointment to us all you are. | 0:12:55 | 0:12:59 | |
HE SOBS | 0:13:00 | 0:13:02 | |
I can't get the talking to... I can't get the talking to you. | 0:13:04 | 0:13:07 | |
-MUMBLING: -"You're an idiot." | 0:13:07 | 0:13:10 | |
It's very difficult. | 0:13:11 | 0:13:12 | |
You have to look like you're listening when you're talking. | 0:13:12 | 0:13:16 | |
-You look at her? -Yes, you have to look like you're listening | 0:13:16 | 0:13:19 | |
when you are in fact talking. It's quite difficult. | 0:13:19 | 0:13:22 | |
"The first rule of show business, make everything look easy." Sorry. | 0:13:22 | 0:13:25 | |
-That's true. -"Not like this half-wit over here, | 0:13:25 | 0:13:28 | |
-"milking it for all it's worth." -LAUGHTER | 0:13:28 | 0:13:31 | |
APPLAUSE | 0:13:31 | 0:13:34 | |
I think...it doesn't matter if your lips move, because surely | 0:13:36 | 0:13:39 | |
this gives the game away. | 0:13:39 | 0:13:42 | |
LAUGHTER | 0:13:42 | 0:13:44 | |
In those circumstances, yes. | 0:13:44 | 0:13:45 | |
A stick here suggests it's not actually a real thing, | 0:13:45 | 0:13:49 | |
so it doesn't really matter whether my lips move, does it? | 0:13:49 | 0:13:52 | |
"I thought this was a highbrow show." | 0:13:52 | 0:13:55 | |
To make it highbrow... | 0:13:55 | 0:13:56 | |
I'm sure you can help us, Nina, on the history of ventriloquism. | 0:13:56 | 0:14:00 | |
I know that it has a very dark history, | 0:14:00 | 0:14:02 | |
and that ventriloquists used to earn their living | 0:14:02 | 0:14:06 | |
as if their words were divine utterances. | 0:14:06 | 0:14:10 | |
-Yes, that's the point. -LAUGHTER | 0:14:10 | 0:14:13 | |
I'm so sorry. | 0:14:13 | 0:14:16 | |
I'm sorry. I was listening, but my hand came out of the top. | 0:14:16 | 0:14:19 | |
I shocked myself! | 0:14:19 | 0:14:21 | |
-That's very disturbing. -It is quite disturbing. | 0:14:21 | 0:14:24 | |
Really disturbing. | 0:14:24 | 0:14:27 | |
That's horrible. It looks like Alien. | 0:14:27 | 0:14:29 | |
HE SCREAMS | 0:14:29 | 0:14:32 | |
It looks like Lady Gaga's sleeves. | 0:14:32 | 0:14:35 | |
Well, you're absolutely right, | 0:14:35 | 0:14:38 | |
it was regarded as divine utterance, or demonic possession, in fact. | 0:14:38 | 0:14:41 | |
-And I know one woman died from her ventriloquism. -Who was that? | 0:14:41 | 0:14:46 | |
Um...but I don't know her name. I bet you do. | 0:14:46 | 0:14:49 | |
With her utterances, she was objecting to | 0:14:49 | 0:14:52 | |
-the marriage of Henry VIII... -To Anne Boleyn. | 0:14:52 | 0:14:55 | |
-To Anne Boleyn. -Her name was Elizabeth Barton, | 0:14:55 | 0:14:58 | |
and she was known as the Holy Maid of Kent. | 0:14:58 | 0:15:00 | |
She was a very good ventriloquist, and these voices would come | 0:15:00 | 0:15:03 | |
without her mouth moving as if from her stomach. | 0:15:03 | 0:15:06 | |
-"Nice tits, too." -LAUGHTER | 0:15:06 | 0:15:08 | |
She became very popular until she started to say... | 0:15:08 | 0:15:12 | |
-Look at the bloke looking at her tits as well! -LAUGHTER | 0:15:12 | 0:15:16 | |
"You've got yours out as well tonight. | 0:15:21 | 0:15:24 | |
"Is that to distract from the lip movement?" | 0:15:24 | 0:15:28 | |
She was very popular until she said that | 0:15:28 | 0:15:31 | |
if Henry VIII married Anne Boleyn, he would be deposed. | 0:15:31 | 0:15:34 | |
Henry VIII didn't like that, so had her head chopped off. | 0:15:34 | 0:15:37 | |
Ironically, her head was put on top of a pole... | 0:15:37 | 0:15:40 | |
-And carried on talking! -It was quite a strange fate | 0:15:40 | 0:15:43 | |
for a ventriloquist to have their head stuck on a pole. | 0:15:43 | 0:15:45 | |
But she was indeed, she suffered for her art. | 0:15:45 | 0:15:48 | |
But in the 19th century it became known to be a piece of entertainment rather than demonic spirits. | 0:15:48 | 0:15:54 | |
But the first ventriloquists on stage didn't have dummies. | 0:15:54 | 0:15:57 | |
What did they have? | 0:15:57 | 0:15:59 | |
They used to do things like voices inside suitcases. | 0:15:59 | 0:16:02 | |
And then ones who did chimney sweeps, | 0:16:02 | 0:16:04 | |
where there would be a chimney | 0:16:04 | 0:16:06 | |
and the sound of the chimney-sweep boy going up the chimney | 0:16:06 | 0:16:08 | |
and getting more smothered and quieter and distant as he went. | 0:16:08 | 0:16:12 | |
Huge rounds of applause. | 0:16:12 | 0:16:13 | |
But it was a man called Fred Russell who came up with his character, Costa Joe, one of the first dummies. | 0:16:13 | 0:16:19 | |
Was he blind? LAUGHTER | 0:16:19 | 0:16:21 | |
He made that one afternoon. | 0:16:21 | 0:16:23 | |
It's not the most beautiful object you've ever seen, is it? | 0:16:23 | 0:16:26 | |
But that's when the dummies became popular. | 0:16:26 | 0:16:30 | |
There were many, many famous acts. | 0:16:30 | 0:16:32 | |
Some of them, rather bizarrely, on radio. | 0:16:32 | 0:16:35 | |
-Educating Archie. -LAUGHTER | 0:16:35 | 0:16:38 | |
Educating Archie was one of the most successful | 0:16:38 | 0:16:40 | |
radio comedy shows in BBC radio history. | 0:16:40 | 0:16:43 | |
Peter Brough, there's Peter Brough, | 0:16:43 | 0:16:45 | |
there's Archie, and it was a radio show. | 0:16:45 | 0:16:47 | |
He had the puppet the whole time? He never even, | 0:16:47 | 0:16:49 | |
"What's the point with the puppet?" | 0:16:49 | 0:16:51 | |
It's the show that Tony Hancock first appeared on, in fact. | 0:16:51 | 0:16:54 | |
He made the mistake, Peter Brough, when television arrived, of appearing on television. | 0:16:54 | 0:16:59 | |
He just spoke like this while his puppet was talking. | 0:16:59 | 0:17:02 | |
He didn't even begin to venture towards ventriloquism. | 0:17:02 | 0:17:06 | |
"Nina is a ventriloquist, apparently." | 0:17:06 | 0:17:08 | |
-Nina, are you? -"I'm yet to see evidence of that." | 0:17:08 | 0:17:13 | |
But my mentor, Ken Campbell, who taught me ventriloquism, | 0:17:13 | 0:17:17 | |
he excited me by saying that people don't say the first thing | 0:17:17 | 0:17:22 | |
that comes into their head, they say the second thing, | 0:17:22 | 0:17:25 | |
and we are all barmier than we let it be known. | 0:17:25 | 0:17:27 | |
"Once your insanity starts to leak, they put you away." | 0:17:27 | 0:17:31 | |
But the ventriloquated doll can allow us access | 0:17:31 | 0:17:33 | |
to the madness of the ventriloquist. | 0:17:33 | 0:17:36 | |
It's a kind of Tourette's, almost. | 0:17:36 | 0:17:39 | |
"Licensed Tourette's, dear." | 0:17:39 | 0:17:40 | |
Licensed Tourette's. That's a very good thing. | 0:17:40 | 0:17:43 | |
Ken Campbell was one of the true great men of the 20th century, | 0:17:43 | 0:17:46 | |
as an entertainer, a director, | 0:17:46 | 0:17:48 | |
a show-maker, actor, comic and ventriloquist. | 0:17:48 | 0:17:50 | |
What happened to his dolls? | 0:17:50 | 0:17:53 | |
Oh, he bequeathed them to me in his will. | 0:17:53 | 0:17:56 | |
-"And I'm one of them, you see?" -Were you one of Ken Campbell's? | 0:17:56 | 0:17:59 | |
"I was one of his, yes, so I've been recycled." | 0:17:59 | 0:18:02 | |
-There is a doll heaven, isn't there? -There is a doll heaven. | 0:18:02 | 0:18:06 | |
-We've just made a film about this. -Have you? | 0:18:06 | 0:18:08 | |
When Ken left me his puppets in his will, | 0:18:08 | 0:18:10 | |
I found this place called Vent Haven in Kentucky | 0:18:10 | 0:18:13 | |
where dummies go to rest. There it is! | 0:18:13 | 0:18:16 | |
Aaaargh! | 0:18:16 | 0:18:18 | |
Aaaargh! | 0:18:19 | 0:18:22 | |
Aaaargh! You'd never stop screaming, would you? | 0:18:22 | 0:18:26 | |
-If you're a coulrophobe, you won't be... But that's right... -Aaaargh! | 0:18:28 | 0:18:33 | |
Over 700 ventriloquists who have died have bequeathed their puppets | 0:18:33 | 0:18:38 | |
to Vent Haven, Kentucky. | 0:18:38 | 0:18:39 | |
-Apart from Gran... -"No, I'm there, actually." | 0:18:39 | 0:18:42 | |
Who do you reckon has murdered the most? | 0:18:42 | 0:18:45 | |
You're thinking of Chucky in Child's Play, aren't you? | 0:18:46 | 0:18:50 | |
Your classic puppet was a really big, round, blue-eyed sort of thing | 0:18:50 | 0:18:55 | |
with dark eyebrows and a very particular sort of look. | 0:18:55 | 0:18:59 | |
-Do you recognise what that still is from? -Magic. -The film Magic. | 0:18:59 | 0:19:03 | |
This story is the classic, | 0:19:03 | 0:19:06 | |
the ventriloquist who gets taken over, gets possessed. | 0:19:06 | 0:19:09 | |
Is there any truth in that? Do ventriloquists get slightly too close? | 0:19:09 | 0:19:13 | |
-Does Keith Harris get... -ORVILLE VOICE: -A bit too close to Orville? | 0:19:13 | 0:19:16 | |
I can't speak for him. | 0:19:16 | 0:19:18 | |
"No, because you're not that good a ventriloquist." | 0:19:18 | 0:19:21 | |
-I know that I have fallen for my puppets. -Really? | 0:19:21 | 0:19:25 | |
"What do you mean, dear?" | 0:19:25 | 0:19:27 | |
I have on stage sometimes looked at Granny and thought, | 0:19:27 | 0:19:31 | |
why aren't you saying anything? This is your line. | 0:19:31 | 0:19:33 | |
Oh, really? That's hilarious. | 0:19:33 | 0:19:35 | |
-That's hilarious! -APPLAUSE | 0:19:36 | 0:19:40 | |
The madness is starting to kick in. | 0:19:44 | 0:19:46 | |
It must be a wildly schizophrenic profession. | 0:19:46 | 0:19:49 | |
I don't know on what dark night of the soul Keith Harris invented a duck like that. | 0:19:49 | 0:19:54 | |
-"Or a haircut like that!" -I was going to say! | 0:19:54 | 0:19:57 | |
-As for the shirt, holy smoke! -Well, still... | 0:19:57 | 0:20:01 | |
I love the fact that Orville is in a nappy. | 0:20:01 | 0:20:04 | |
That was odd, wasn't it? A duck in a nappy. | 0:20:04 | 0:20:06 | |
Which was the opposite of Donald Duck, | 0:20:06 | 0:20:08 | |
because he always had his privates out, didn't he? | 0:20:08 | 0:20:11 | |
Yes. Good point. There you go. | 0:20:11 | 0:20:14 | |
-A very good point. A very good point. -Thank you. | 0:20:14 | 0:20:18 | |
I think I made that point excellently. | 0:20:18 | 0:20:20 | |
LAUGHTER | 0:20:20 | 0:20:22 | |
I'm delighted with that point. | 0:20:22 | 0:20:25 | |
-I'll give you a point for that point. -Thank you. | 0:20:25 | 0:20:29 | |
-MUMBLING: -The art of ventriloquism has come on leaps and bounds | 0:20:29 | 0:20:32 | |
since back in the good old days. | 0:20:32 | 0:20:33 | |
-You're doing it now! -Yeah. | 0:20:33 | 0:20:35 | |
Speaking of which, | 0:20:35 | 0:20:36 | |
which of you here has, has ever had, or used to have an imaginary friend? | 0:20:36 | 0:20:41 | |
Did you, Gran? Did you have an imaginary friend? | 0:20:41 | 0:20:43 | |
"I think..." I can't say his name! | 0:20:43 | 0:20:45 | |
"I think Bill Bailey - that's a hard one - | 0:20:45 | 0:20:48 | |
"I think you're my imaginary friend. You're slightly out of focus. | 0:20:48 | 0:20:52 | |
"Fuzzy, kind of. And you, Sean..." | 0:20:52 | 0:20:55 | |
That's very strange. My reality is being called into question by... | 0:20:55 | 0:20:59 | |
LAUGHTER | 0:20:59 | 0:21:02 | |
This is one of the odder conversations I've had, but... | 0:21:02 | 0:21:05 | |
"If your imaginary friend falls over in the forest | 0:21:05 | 0:21:08 | |
"and there's no one to hear, does that...? I can't finish this!" | 0:21:08 | 0:21:12 | |
That's a good philosophical point. We're getting Bishop Berkeley from Gran. I am very impressed. | 0:21:12 | 0:21:17 | |
Did you have one? I mean, lots of children do. | 0:21:17 | 0:21:20 | |
-Did you have an imaginary friend? -I'm not aware of it. | 0:21:20 | 0:21:23 | |
They didn't used to come round much. | 0:21:23 | 0:21:25 | |
LAUGHTER | 0:21:25 | 0:21:28 | |
An imaginary friend who never plays with you! | 0:21:28 | 0:21:31 | |
An imaginary friend who counts you dead! | 0:21:31 | 0:21:33 | |
Yeah, I wanted to be his friend, but... | 0:21:33 | 0:21:36 | |
-Ah, that's so sad! -..he just wasn't interested. | 0:21:36 | 0:21:41 | |
But we're familiar with the concept, | 0:21:41 | 0:21:43 | |
and the fact that a lot of children do seem to have an imaginary friend, | 0:21:43 | 0:21:47 | |
-which can worry their parents. -It is a really peculiar thing. | 0:21:47 | 0:21:50 | |
They lay places at the table for them, they have seats on sofas to watch television | 0:21:50 | 0:21:54 | |
and they have tea parties for them. | 0:21:54 | 0:21:57 | |
But according to psychiatrists, having an imaginary friend is a very good thing for a child. | 0:21:57 | 0:22:02 | |
Children who've had them tend to have more social and verbal skills than those who don't. | 0:22:02 | 0:22:06 | |
Although, it must be said, a certain proportion of them are malevolent. | 0:22:06 | 0:22:09 | |
Some people have imaginary friends who scare their children, which is a very worrying thought. | 0:22:09 | 0:22:14 | |
A nasty imaginary friend. | 0:22:14 | 0:22:15 | |
-I hear voices. -Do you? -But I ignore them and I just carry on killing. | 0:22:15 | 0:22:20 | |
LAUGHTER | 0:22:20 | 0:22:23 | |
APPLAUSE | 0:22:23 | 0:22:25 | |
The voices say, "Stop killing people, Sean!" | 0:22:27 | 0:22:32 | |
"You know this is wrong, Sean. This isn't fair. They don't deserve it." | 0:22:32 | 0:22:37 | |
I ignore them. | 0:22:37 | 0:22:39 | |
It is, yes, it's quite a phenomenon. It was Yasser Arafat, of all people, | 0:22:40 | 0:22:44 | |
who said the history of religious wars | 0:22:44 | 0:22:46 | |
is the history of people fighting over their imaginary friends. | 0:22:46 | 0:22:50 | |
It's weird the man who founded the Palestinian movement, | 0:22:50 | 0:22:53 | |
which is now so bound up with religious extremism, | 0:22:53 | 0:22:57 | |
was himself rather sceptical about it all. | 0:22:57 | 0:22:59 | |
The world has hardly come on, let's be honest. | 0:22:59 | 0:23:02 | |
The interesting thing I know about him, he married a Frenchwoman. | 0:23:02 | 0:23:05 | |
You wouldn't think that, would you? | 0:23:05 | 0:23:07 | |
It's not beyond the bounds of reason! | 0:23:07 | 0:23:10 | |
You'd think - he's very interested in helping his local area - | 0:23:10 | 0:23:14 | |
he'd choose one of his local women. | 0:23:14 | 0:23:17 | |
Yes, but the very nature of being a Palestinian meant he had no homeland in which to live, | 0:23:17 | 0:23:21 | |
so it was quite likely he would choose someone from a homeland where he'd had to reside in exile. | 0:23:21 | 0:23:26 | |
-And many did in France. -Or maybe she was just an imaginary wife. | 0:23:26 | 0:23:31 | |
Or maybe she was just damn hot! | 0:23:31 | 0:23:34 | |
-She was foxy. -Foxy, yeah. | 0:23:36 | 0:23:38 | |
-Was he... -Was he a pussy hound? I don't know. | 0:23:38 | 0:23:42 | |
-Why did I say that? -LAUGHTER | 0:23:43 | 0:23:47 | |
-APPLAUSE -Something has gone wrong. | 0:23:47 | 0:23:50 | |
I'm intrigued to know... | 0:23:51 | 0:23:53 | |
I'm intrigued to think you thought that was what I was about to say. | 0:23:53 | 0:23:57 | |
You looked into my eyes and thought, "He's going to say pussy hound. | 0:23:57 | 0:24:01 | |
"I'll beat him to it. I'll beat him to the punch." | 0:24:01 | 0:24:04 | |
-Now... -Is a pussy hound like a liger? | 0:24:04 | 0:24:08 | |
LAUGHTER | 0:24:08 | 0:24:11 | |
A cat and a dog together. | 0:24:11 | 0:24:14 | |
It's actually a dog that a gentleman would send out to find ladies. | 0:24:15 | 0:24:19 | |
HE WHISTLES | 0:24:19 | 0:24:21 | |
It's a combination. It's kind of both independent and yet loyal. | 0:24:23 | 0:24:27 | |
Yes! I like the idea of that. Very good. | 0:24:27 | 0:24:32 | |
-Now, Candice Bergen, actress. -Oh, yes. | 0:24:32 | 0:24:34 | |
-Fond of her? -She's very, very beautiful. -Very, very beautiful. | 0:24:34 | 0:24:39 | |
Didn't have so much an imaginary friend as an imaginary brother. | 0:24:39 | 0:24:42 | |
-Can you imagine why that might be? -"It was Charlie McCarthy, wasn't it?" | 0:24:42 | 0:24:46 | |
-Exactly. The most famous American ventriloquist was...? -Edgar Bergen. | 0:24:46 | 0:24:51 | |
-Edgar Bergen. He was a huge star. -"His lips moved too." | 0:24:51 | 0:24:55 | |
His puppet was called Charlie McCarthy, | 0:24:55 | 0:24:57 | |
and in the house he had his own bedroom, | 0:24:57 | 0:24:59 | |
his own wardrobe, monogrammed clothes, | 0:24:59 | 0:25:03 | |
and Edgar Bergen's real daughter, Candice, was brought up, basically, | 0:25:03 | 0:25:07 | |
as Charlie McCarthy's brother, in a rather freakish and extraordinary way. | 0:25:07 | 0:25:11 | |
It's amazing she's turned out as sane as she is. | 0:25:11 | 0:25:14 | |
Now, you all have an invention under your benches, | 0:25:14 | 0:25:17 | |
and we'd like to know what they are. What are we looking at? | 0:25:17 | 0:25:20 | |
Well, it's some kind of measuring device. Er... | 0:25:20 | 0:25:24 | |
-We gave it to you for a reason. -Really? -Yes. A quality you have. | 0:25:24 | 0:25:28 | |
-You might be more likely to guess it than others. -Oh, I see. | 0:25:28 | 0:25:32 | |
Is it a beard-measuring device? | 0:25:32 | 0:25:34 | |
I wouldn't call your beard a quality. | 0:25:34 | 0:25:36 | |
-I mean, it's a lovely beard, but it's not a quality. -Whoa! Whoa! | 0:25:36 | 0:25:40 | |
-You've crossed the line, Fry! -It's a feature. | 0:25:40 | 0:25:44 | |
-Don't diss the beard. -It's a charming facial feature. | 0:25:44 | 0:25:47 | |
It has a musical connection. | 0:25:47 | 0:25:49 | |
If you were some kind of instrumentalist, | 0:25:49 | 0:25:51 | |
you might be born, as it were, with limitations that annoy you. | 0:25:51 | 0:25:55 | |
Ah, wait a minute. | 0:25:55 | 0:25:56 | |
Is this something which stretches the reach of a pianist? | 0:25:56 | 0:25:59 | |
Yes. Exactly what it is. Well done. | 0:25:59 | 0:26:02 | |
APPLAUSE | 0:26:02 | 0:26:04 | |
Because most people might manage an octave, C to C, kind of thing, | 0:26:07 | 0:26:11 | |
-and some, as you know, can do C to E. -I can do C to E. | 0:26:11 | 0:26:16 | |
-That's a wide reach. -It is a wide reach. | 0:26:16 | 0:26:18 | |
So the hand would go in there and you would just undo this thing? | 0:26:18 | 0:26:22 | |
That's right. And stretch. | 0:26:22 | 0:26:24 | |
-And then stretch and stretch and stretch like that? -Yeah. | 0:26:24 | 0:26:28 | |
-Supposedly it would give you... -Ouch! | 0:26:28 | 0:26:30 | |
-So what have you got there, Sean? -It's a bottle, Stephen. | 0:26:31 | 0:26:36 | |
-And what do you think it was for? -For putting stuff in. | 0:26:36 | 0:26:40 | |
OK. Next, moving on to you, Nina. | 0:26:40 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:45 | |
What have you got there? | 0:26:45 | 0:26:46 | |
"Is this one mine? A suppository for Charlie McCarthy." | 0:26:46 | 0:26:51 | |
-Do you know, the bizarre thing is, you're not far off. -Oh, really? | 0:26:51 | 0:26:54 | |
You can unscrew the bottom. | 0:26:54 | 0:26:57 | |
You're going to have to help me, Gran. "With my teeth?" | 0:26:57 | 0:27:00 | |
Help me. "I can't get a grip." | 0:27:00 | 0:27:03 | |
-Maybe Bill will help. -You get one of those with a... | 0:27:03 | 0:27:05 | |
"I can't do it, dear." | 0:27:05 | 0:27:07 | |
..with Preparation H. | 0:27:07 | 0:27:10 | |
-Has this been up someone's arse? -Yes. | 0:27:10 | 0:27:14 | |
LAUGHTER | 0:27:14 | 0:27:16 | |
Alan has exactly got it. | 0:27:16 | 0:27:18 | |
When you get Preparation H, | 0:27:18 | 0:27:19 | |
you screw a plastic one of those on the top | 0:27:19 | 0:27:22 | |
and you insert it in your rectum. | 0:27:22 | 0:27:24 | |
-Out of the holes... -The dark oil comes out of the holes. | 0:27:24 | 0:27:27 | |
..comes the haemorrhoid treatment. Exactly right. | 0:27:27 | 0:27:30 | |
For the treatment of haemorrhoids. | 0:27:30 | 0:27:32 | |
-So, this unscrews? -Then you pop in the ointment. | 0:27:32 | 0:27:35 | |
-The ointment goes in there? -Then you screw it up. | 0:27:35 | 0:27:38 | |
-Then you put the thing up your botty. -Up the old...? | 0:27:38 | 0:27:41 | |
As you screw it up, the ointment squirts out, | 0:27:41 | 0:27:43 | |
reaching all the places you need it to reach. | 0:27:43 | 0:27:45 | |
"It squirts out? Happy days, dear." | 0:27:45 | 0:27:48 | |
At least half the people on the planet | 0:27:48 | 0:27:50 | |
will be afflicted with haemorrhoids at some point in their lives. | 0:27:50 | 0:27:54 | |
-Is it something you could self-medicate? -Yes. | 0:27:54 | 0:27:58 | |
You don't need to. You could ask a friend to do it if you wanted. | 0:27:58 | 0:28:02 | |
Or an imaginary friend. | 0:28:02 | 0:28:03 | |
I think it would be best, to be perfectly honest. | 0:28:03 | 0:28:06 | |
What have you got, Alan? | 0:28:06 | 0:28:08 | |
I've got a pair of glasses that enable me to see into my lap. | 0:28:08 | 0:28:11 | |
I wonder if they're... | 0:28:11 | 0:28:13 | |
Because I can read this book, but I'm looking up at you. | 0:28:13 | 0:28:19 | |
Whilst I'm looking down, I could read and write | 0:28:19 | 0:28:23 | |
but see straight ahead. | 0:28:23 | 0:28:25 | |
-Are they for an artist or a painter? -No, they're more lazy than that. | 0:28:25 | 0:28:29 | |
They're called lying-down spectacles. | 0:28:29 | 0:28:32 | |
You can lie in bed, put the book on your chest, | 0:28:32 | 0:28:34 | |
and you'd be able to read while lying down. | 0:28:34 | 0:28:36 | |
That's rather elegant. | 0:28:36 | 0:28:37 | |
That's exactly what you need when you're sunbathing | 0:28:37 | 0:28:40 | |
so you don't have to hold the book like that. Actually, you can do it. | 0:28:40 | 0:28:44 | |
Absolutely perfect. | 0:28:44 | 0:28:45 | |
It doesn't look weird at all, you look great(!) | 0:28:45 | 0:28:49 | |
If you caught the sun on the mirror, you'd be instantly blinded. | 0:28:49 | 0:28:53 | |
But it's a surprisingly clear image, isn't it? | 0:28:53 | 0:28:56 | |
And here I have this little device with a cork on the end. | 0:28:56 | 0:29:00 | |
It's in the shape of a policeman's whistle, which is a hint, | 0:29:00 | 0:29:03 | |
because policemen would carry these around with them. | 0:29:03 | 0:29:07 | |
That's for blowing bubbles. | 0:29:07 | 0:29:08 | |
It does look like it. There would be a liquid in there. | 0:29:08 | 0:29:12 | |
The liquid would be salts of ammonia. | 0:29:12 | 0:29:15 | |
-Oh, smelling salts. -Smelling salts, exactly! | 0:29:15 | 0:29:18 | |
This was called the policeman's lady reviver. | 0:29:18 | 0:29:22 | |
-"I need that, dear." -You need a lady reviver? | 0:29:22 | 0:29:25 | |
When a lady fainted in the street, the policeman would whip it out... | 0:29:25 | 0:29:30 | |
LAUGHTER | 0:29:30 | 0:29:32 | |
Please! Oh! | 0:29:32 | 0:29:35 | |
APPLAUSE | 0:29:35 | 0:29:37 | |
That was them. That was them. | 0:29:37 | 0:29:41 | |
He would whip it out and wave it under the lady's nose. | 0:29:41 | 0:29:44 | |
-That would wake her up. -Under the...woo-hoo! | 0:29:44 | 0:29:47 | |
Yes. The sharp smell of ammonia, which was in the smelling salts. | 0:29:47 | 0:29:51 | |
Have you come to a sensible decision as to what your flask is for? | 0:29:51 | 0:29:55 | |
It's got it written on it if you took the trouble to bloody read it. | 0:29:55 | 0:30:00 | |
-"Harden Star Hand Grenade." -Yeah. | 0:30:00 | 0:30:03 | |
It's a hand grenade, Stephen. | 0:30:03 | 0:30:06 | |
It's a kind of hand grenade. | 0:30:06 | 0:30:07 | |
-It's a fire-extinguisher hand grenade. -It's a water grenade. | 0:30:07 | 0:30:10 | |
You'd fill it with aqueous solution | 0:30:10 | 0:30:12 | |
and you'd throw it at a fire. | 0:30:12 | 0:30:13 | |
That was the idea. You'd throw it. Those are our inventions, | 0:30:13 | 0:30:17 | |
lots of very imaginative ones, | 0:30:17 | 0:30:19 | |
and they were kindly lent to us by the Maurice Collins Collection. | 0:30:19 | 0:30:23 | |
All in beautiful condition. | 0:30:23 | 0:30:24 | |
Thank you for that and for not breaking them. | 0:30:24 | 0:30:27 | |
How did Edwin Beard Budding's invention | 0:30:27 | 0:30:29 | |
affect an army of men with wooden blocks strapped to their feet? | 0:30:29 | 0:30:33 | |
-Did he invent duckboards? -No, but at least you're thinking. | 0:30:33 | 0:30:37 | |
-LAUGHTER -I mean that in a non-patronising way! | 0:30:37 | 0:30:41 | |
Nobody knows! | 0:30:41 | 0:30:43 | |
-He's put up the card backwards. -LAUGHTER | 0:30:43 | 0:30:47 | |
Cheapskates - do you just put it on one side?! | 0:30:48 | 0:30:51 | |
-You cheap...bastards! -Yeah, that's right, it's their fault(!) | 0:30:51 | 0:30:56 | |
-No... -That doesn't count, I put it up the wrong way. | 0:30:56 | 0:30:59 | |
We do exactly know why. | 0:30:59 | 0:31:01 | |
There was a profession, which employed many, many people, | 0:31:01 | 0:31:04 | |
and in order to fulfil their profession, | 0:31:04 | 0:31:07 | |
they wore blocks on their feet. | 0:31:07 | 0:31:08 | |
But this invention got rid of the need for these people... | 0:31:08 | 0:31:11 | |
The periscope. | 0:31:11 | 0:31:12 | |
No, it's rather weirder than that. There's a hint for you, darlings. | 0:31:12 | 0:31:15 | |
-Oh. Grass... -Grass. Yes. | 0:31:15 | 0:31:19 | |
-How, if you wanted a lawn in olden days... -SEAN: The roller. | 0:31:19 | 0:31:24 | |
You'd mow it with a roller?! | 0:31:24 | 0:31:26 | |
-No, the roller... -The roller FLATTENS it. | 0:31:26 | 0:31:28 | |
-Scything. -You'd scythe it. | 0:31:28 | 0:31:29 | |
You'd have scythemen in grand country houses, | 0:31:29 | 0:31:32 | |
and they had...like a golf swing, a very precise action. | 0:31:32 | 0:31:36 | |
And so the grass was according to how high they were - | 0:31:36 | 0:31:39 | |
so they'd wear blocks for the higher grass | 0:31:39 | 0:31:41 | |
and the shorter blocks for the lower grass, | 0:31:41 | 0:31:43 | |
and they would scythe away. | 0:31:43 | 0:31:45 | |
And this man, Edwin, invented a little machine | 0:31:45 | 0:31:49 | |
for sort of cutting the nap of cloth on soldiers' uniforms. | 0:31:49 | 0:31:52 | |
And he thought, "I wonder if that would work on grass?" | 0:31:52 | 0:31:55 | |
And he eventually came up with the lawnmower. | 0:31:55 | 0:31:58 | |
A pretty good invention, | 0:31:58 | 0:31:59 | |
but actually it altered the world in the most amazing way. | 0:31:59 | 0:32:02 | |
It allowed football, cricket, all kinds of games to be played. | 0:32:02 | 0:32:06 | |
Public parks - everybody could suddenly have a lawn. | 0:32:06 | 0:32:08 | |
So he was rather a human benefactor in a way. | 0:32:08 | 0:32:12 | |
-And where did he do this? -In Stroud. Stroud in Gloucestershire. | 0:32:12 | 0:32:15 | |
-Is he celebrated there? -Edwin Budding? I'm sure he is, in Stroud. | 0:32:15 | 0:32:18 | |
I hope there are Stroudians watching. | 0:32:18 | 0:32:20 | |
Probably up there with Laurie Lee as one of the great Strouders. | 0:32:20 | 0:32:23 | |
"That's a shame for the men - it's my idea of heaven, | 0:32:23 | 0:32:27 | |
"a lot of men that can't run away from you very quickly. | 0:32:27 | 0:32:31 | |
"With blocks on." | 0:32:31 | 0:32:32 | |
It was a shame for the scythemen, I suppose. | 0:32:32 | 0:32:36 | |
But, yeah. A happy story. I don't see a downside to that story. | 0:32:36 | 0:32:39 | |
Apart from the fact that there is a British Lawnmowers Museum - | 0:32:39 | 0:32:42 | |
a bit depressing. | 0:32:42 | 0:32:43 | |
The Southport British Lawnmower Museum, | 0:32:43 | 0:32:46 | |
if you happen to be in Southport, has over 300 exhibits, | 0:32:46 | 0:32:50 | |
especially for its Lawnmowers of the Rich and Famous. | 0:32:50 | 0:32:53 | |
Where you are able to look, and possibly even touch, Vanessa Feltz's lawnmower. | 0:32:53 | 0:32:58 | |
-Not just Vanessa Feltz, Alan Titchmarsh... -Oh, he'd probably have a really nice one. | 0:32:58 | 0:33:02 | |
Nicholas Parsons. What sort of lawnmower would he have? | 0:33:02 | 0:33:05 | |
-Old. -But heavily made-up. -Heavily made-up?! | 0:33:05 | 0:33:08 | |
LAUGHTER A Bakelite one. | 0:33:08 | 0:33:11 | |
Brian May, Roger McGough, Albert Pierrepoint, the public hangman, | 0:33:11 | 0:33:14 | |
and Prince Charles and Princess Diana. | 0:33:14 | 0:33:17 | |
I can't believe they had personal lawnmowers. | 0:33:17 | 0:33:19 | |
-I don't mow my grass. -What do you do with it? -I threaten it. | 0:33:19 | 0:33:22 | |
-LAUGHTER -Ah! Does it work? | 0:33:22 | 0:33:24 | |
It's going very well. | 0:33:24 | 0:33:27 | |
Cowed it into submission. "Don't you grow...!" | 0:33:27 | 0:33:31 | |
Anyway - the invention of the lawnmower put | 0:33:31 | 0:33:33 | |
large numbers of scythemen out to grass, as you might say. | 0:33:33 | 0:33:37 | |
The inventor of bacon and eggs | 0:33:37 | 0:33:38 | |
also coined the phrase "torches of freedom". | 0:33:38 | 0:33:41 | |
Who was he, what were they? | 0:33:41 | 0:33:43 | |
-Sorry - the inventor of bacon and eggs?! -I know - | 0:33:43 | 0:33:46 | |
it sounds a bit mad, | 0:33:46 | 0:33:47 | |
but bacon and eggs as a dish that is a sort of breakfast staple | 0:33:47 | 0:33:50 | |
was invented, as it were, by one man. He made it popular. | 0:33:50 | 0:33:53 | |
"Torches of freedom" is a phrase that he came up with, this same man. His name was Edward Bernays. | 0:33:53 | 0:33:58 | |
-He happened to be a nephew of Sigmund Freud. -SEAN: Oh, well... | 0:33:58 | 0:34:03 | |
LAUGHTER | 0:34:03 | 0:34:05 | |
He was employed by a food company, and American breakfasts in his day | 0:34:05 | 0:34:09 | |
were very light - a roll, orange juice, cup of coffee, that was it. | 0:34:09 | 0:34:13 | |
He collected 5,000 doctors, who basically made testament to the fact | 0:34:13 | 0:34:17 | |
that a heavy breakfast was better for you than a light breakfast. | 0:34:17 | 0:34:20 | |
And he basically persuaded America to eat heartily for breakfast, | 0:34:20 | 0:34:24 | |
and bacon and eggs became the staple. | 0:34:24 | 0:34:26 | |
And this man is really responsible for what we call public relations. | 0:34:26 | 0:34:29 | |
Two million deaths by heart disease later...! | 0:34:29 | 0:34:32 | |
LAUGHTER | 0:34:32 | 0:34:33 | |
Not only that, but he also got women to smoke. | 0:34:33 | 0:34:35 | |
There was a real problem... | 0:34:35 | 0:34:37 | |
LAUGHTER | 0:34:37 | 0:34:40 | |
Did he encourage that man to jump off the Eiffel Tower as well?! | 0:34:40 | 0:34:44 | |
There was a real problem in the early 20th century | 0:34:44 | 0:34:46 | |
for the tobacco companies, in that women just didn't smoke. | 0:34:46 | 0:34:49 | |
In New York City in the '20s, | 0:34:49 | 0:34:51 | |
a woman was ARRESTED for smoking outside, | 0:34:51 | 0:34:53 | |
it was considered totally unfeminine. | 0:34:53 | 0:34:55 | |
I've seen old photos, when they've clearly said, "Come on, girls..." | 0:34:55 | 0:34:59 | |
-Well, that's the point... -Everyone's having a drag at the same moment. | 0:34:59 | 0:35:02 | |
This is the point - this is a photo opportunity, he invented it. This is his PR moment. | 0:35:02 | 0:35:07 | |
His job was to sell cigarettes to women, | 0:35:07 | 0:35:09 | |
and to sell to America the idea that women should smoke. | 0:35:09 | 0:35:12 | |
So, during an Easter parade, he got these women, | 0:35:12 | 0:35:15 | |
and photographed them all smoking. | 0:35:15 | 0:35:18 | |
And it was a scandal, it was on the front page everywhere. | 0:35:18 | 0:35:21 | |
But what he said was, "This is feminism." | 0:35:21 | 0:35:23 | |
This was during the suffrage movement in America, | 0:35:23 | 0:35:25 | |
he said, "This is an act of independence. | 0:35:25 | 0:35:27 | |
"These cigarettes are not cigarettes, | 0:35:27 | 0:35:29 | |
"they are torches of freedom." | 0:35:29 | 0:35:31 | |
-Torches of freedom! -And so the idea of women smoking | 0:35:31 | 0:35:34 | |
became a proof of their independence, and of their feminism. | 0:35:34 | 0:35:39 | |
-"She's set fire to her face." -She has! | 0:35:39 | 0:35:43 | |
-Hasn't got the hang of it. -Not very used to the smoking. | 0:35:43 | 0:35:46 | |
So he was a pretty cunning devil, this Edward Bernays. | 0:35:46 | 0:35:52 | |
Right, let's enough invention - let's now turn our attention | 0:35:52 | 0:35:55 | |
to the very real, but impractical, general ignorance. | 0:35:55 | 0:35:57 | |
So fingers on buzzers, those that are still working. | 0:35:57 | 0:36:01 | |
Who invented the internet? | 0:36:01 | 0:36:03 | |
-Now... -Now. | 0:36:03 | 0:36:05 | |
-BELL -Yes? -Tim Berners... | 0:36:05 | 0:36:09 | |
KLAXON | 0:36:09 | 0:36:11 | |
Fortunately I couldn't remember the name! | 0:36:11 | 0:36:13 | |
Lucky you couldn't remember his name. | 0:36:13 | 0:36:16 | |
I think I'm safe with this answer - Parsley the Lion. | 0:36:16 | 0:36:19 | |
LAUGHTER | 0:36:19 | 0:36:20 | |
You won't have that up there, will you? | 0:36:20 | 0:36:23 | |
Wrong, but no forfeit. | 0:36:23 | 0:36:25 | |
But on this very programme, you were telling the story of how | 0:36:25 | 0:36:28 | |
Tim Berners-Lee invented the internet. | 0:36:28 | 0:36:29 | |
Of how he invented the World Wide Web. | 0:36:29 | 0:36:31 | |
Which is much later than the internet. | 0:36:31 | 0:36:34 | |
It had been around for 20 years before that. | 0:36:34 | 0:36:36 | |
It's just one of the things that you can use on the internet. | 0:36:36 | 0:36:39 | |
-It was actually in the 1960s. -1960s? One of the Beatles. | 0:36:40 | 0:36:45 | |
LAUGHTER | 0:36:45 | 0:36:46 | |
No! That's not quite how things worked. | 0:36:46 | 0:36:50 | |
ARPANET was the original internet - | 0:36:50 | 0:36:51 | |
it was an offshoot of the American defence programme, | 0:36:51 | 0:36:54 | |
and the first communication took place in California, | 0:36:54 | 0:36:58 | |
and when was that? | 0:36:58 | 0:36:59 | |
In 1969. Two computers, and they were 400 miles apart, one in LA, | 0:36:59 | 0:37:05 | |
and one at the Stanford Research Institute. | 0:37:05 | 0:37:07 | |
And the first message, was "LO". | 0:37:07 | 0:37:08 | |
And it wasn't going to say "LOL"! | 0:37:08 | 0:37:12 | |
-LAUGHTER -It was going to say "LOGIN", | 0:37:12 | 0:37:14 | |
but crashed after the L and the O. But it was the first worthy attempt. | 0:37:14 | 0:37:18 | |
Do you use the computer, Gran? | 0:37:18 | 0:37:21 | |
"Yes, I use it for dating." | 0:37:21 | 0:37:23 | |
-Do you now?! -"Oh, yes, I do, yes. | 0:37:23 | 0:37:26 | |
"I've met a racing driver, | 0:37:26 | 0:37:28 | |
"and he thinks I'm a 20-year-old lap dancer..." | 0:37:28 | 0:37:31 | |
-LAUGHTER -"Happy days!" | 0:37:31 | 0:37:34 | |
LAUGHTER | 0:37:34 | 0:37:35 | |
"He's in for a shock!" | 0:37:39 | 0:37:42 | |
According to Berners-Lee, who did invent the World Wide Web, | 0:37:42 | 0:37:45 | |
the true fathers of the internet are Vint Cerf and Bob Kahn, | 0:37:45 | 0:37:48 | |
who invented the internet protocol. So there you are. | 0:37:48 | 0:37:51 | |
Now, how did dinosaurs have sex? | 0:37:51 | 0:37:54 | |
LAUGHTER | 0:37:54 | 0:37:56 | |
You're right! | 0:37:57 | 0:37:59 | |
You're right. We just don't know. | 0:37:59 | 0:38:01 | |
APPLAUSE | 0:38:01 | 0:38:05 | |
You're good at those. | 0:38:05 | 0:38:07 | |
No extant genitals. | 0:38:07 | 0:38:11 | |
No soft tissue. It wouldn't necessarily be soft, | 0:38:11 | 0:38:14 | |
but the soft tissues are the bits that don't survive | 0:38:14 | 0:38:17 | |
in fossils, of course. | 0:38:17 | 0:38:18 | |
It's only in the last 15 years they've been able to sex a dinosaur fossil. | 0:38:18 | 0:38:21 | |
The female dinosaurs have a special sort of cavity | 0:38:21 | 0:38:24 | |
for making extra calcium for eggs. | 0:38:24 | 0:38:27 | |
That's how you can tell from a fossil whether it's female or male. | 0:38:27 | 0:38:30 | |
Obviously, that would be wrong, | 0:38:30 | 0:38:32 | |
because that would be inter-species dinosaur sex. | 0:38:32 | 0:38:35 | |
The weirdest kind, and that would be wrong. | 0:38:35 | 0:38:38 | |
I think he's just looking for a cheap thrill. | 0:38:38 | 0:38:42 | |
That's not about procreation at all. | 0:38:42 | 0:38:45 | |
-No, it isn't. -That is a dinosaur S&M dungeon, that. | 0:38:45 | 0:38:47 | |
And the best guess is that, like most birds and reptiles, | 0:38:49 | 0:38:52 | |
dinosaurs had a cloacal sac. | 0:38:52 | 0:38:55 | |
Oh! | 0:38:55 | 0:38:56 | |
A single opening for both waste and reproduction. | 0:38:56 | 0:38:59 | |
-Like sharks. -Like sharks, exactly. | 0:38:59 | 0:39:01 | |
And they mated by a cloacal kiss. There we are. | 0:39:01 | 0:39:04 | |
What are the right conditions for dry rot? | 0:39:04 | 0:39:08 | |
-Well, it's damp. -Yes - that's the point. | 0:39:08 | 0:39:11 | |
-"It's a trick question, dear." -It's a trick question, yes. | 0:39:11 | 0:39:15 | |
-Have you ever had dry rot? -"Only on my face." | 0:39:15 | 0:39:18 | |
-LAUGHTER -Lovely. | 0:39:18 | 0:39:20 | |
-"The latex." -Lovely news. Dry rot, it needs to be damp. | 0:39:20 | 0:39:23 | |
What about rising damp? | 0:39:23 | 0:39:25 | |
The really surprising thing about rising damp - | 0:39:25 | 0:39:28 | |
can you tell me what that is? | 0:39:28 | 0:39:30 | |
-It's not damp. -"It goes down." | 0:39:30 | 0:39:32 | |
Even more extraordinary than that. | 0:39:32 | 0:39:36 | |
According to many, many people in the architectural, surveying and building world, | 0:39:36 | 0:39:40 | |
it doesn't exist. It's madey-uppey. | 0:39:40 | 0:39:44 | |
-It's mould, it's just mould? -Well, it's basically normal damp | 0:39:44 | 0:39:48 | |
which has come from a source, like a leak or something, | 0:39:48 | 0:39:51 | |
and this idea that you need to put in a damp course, was... | 0:39:51 | 0:39:54 | |
Many people genuinely say it honestly doesn't exist, yet it's in the building regulations. | 0:39:54 | 0:39:58 | |
The former chairman of the Royal Institute of Chartered Surveyors said it was a myth, rising damp, | 0:39:58 | 0:40:03 | |
and a building expert says that rising damp is only possible in swamps, | 0:40:03 | 0:40:08 | |
and that as a diagnosis it only became common in the '60s. | 0:40:08 | 0:40:12 | |
I'll tell you when you DO see it. I've seen girls in London | 0:40:12 | 0:40:14 | |
wearing flared jeans going over their shoes... | 0:40:14 | 0:40:17 | |
-Yes, that's true. -..on a rainy day, and they get damp almost up to their knees. | 0:40:17 | 0:40:23 | |
It's not to say that capillary action doesn't exist - it does! | 0:40:23 | 0:40:26 | |
-Rising damp only exists in ladies' jeans! -Yes! | 0:40:26 | 0:40:30 | |
It's a heck of a controversial thought, but a myth. | 0:40:30 | 0:40:34 | |
Name a disease spread by feral pigeons. | 0:40:34 | 0:40:37 | |
Erm...bum hair. | 0:40:37 | 0:40:40 | |
-There aren't any. -Exactly. | 0:40:40 | 0:40:42 | |
-There's nothing wrong with them. -Again, that's it. You're doing awfully well, Alan, | 0:40:42 | 0:40:47 | |
-you're on fire tonight! -I'm doing very well! | 0:40:47 | 0:40:50 | |
Basically, this idea that they are disease-infested | 0:40:50 | 0:40:54 | |
and disease-spreading vermin is nonsense, | 0:40:54 | 0:40:57 | |
according to experts on pigeons. | 0:40:57 | 0:40:59 | |
This thing of them being rats with wings is considered very unfair by those in the know - | 0:40:59 | 0:41:04 | |
they don't spread that much disease. | 0:41:04 | 0:41:05 | |
They do leave a fair amount of poo, but then so do humans, don't we? | 0:41:05 | 0:41:09 | |
We've just got a better way of dealing with it, perhaps. | 0:41:09 | 0:41:12 | |
I tend not to leave it on people's shoulders. | 0:41:12 | 0:41:15 | |
Well, that's the difference! | 0:41:15 | 0:41:18 | |
I mean, I wouldn't say I was well brought up... | 0:41:18 | 0:41:21 | |
There's a few benchmarks we tried to set early on... | 0:41:21 | 0:41:26 | |
in my toilet training. | 0:41:26 | 0:41:28 | |
That was one - never on the shoulder. | 0:41:28 | 0:41:30 | |
It had a big red "No" through it. It was in my bedroom on the door. | 0:41:30 | 0:41:34 | |
There's a picture of a man with a turd over his shoulder, | 0:41:34 | 0:41:38 | |
and it says, "No, Sean!" | 0:41:38 | 0:41:40 | |
You learnt your lesson, and we're all very tidy poo-ers, I'm sure, | 0:41:40 | 0:41:45 | |
here in this room, including Granny. | 0:41:45 | 0:41:48 | |
-"Not at all. Don't even do them, dear. Don't eat, don't excrete." -Oh! | 0:41:48 | 0:41:52 | |
That's the secret of a long and happy life. | 0:41:52 | 0:41:55 | |
And that's your lot. Time to invent the scores. | 0:41:55 | 0:41:58 | |
Oh, my goodness me! Very exciting. Very exciting indeed. | 0:41:58 | 0:42:03 | |
I'm afraid, despite some remarkable performances, in last place | 0:42:03 | 0:42:07 | |
with minus three, it's Bill Bailey. | 0:42:07 | 0:42:10 | |
APPLAUSE | 0:42:10 | 0:42:14 | |
And erm, in a very creditable fourth place with one point, Alan Davies. | 0:42:15 | 0:42:20 | |
APPLAUSE | 0:42:20 | 0:42:24 | |
Third place with three, Sean Lock. | 0:42:26 | 0:42:28 | |
APPLAUSE | 0:42:28 | 0:42:33 | |
In second place with four is Gran! | 0:42:33 | 0:42:35 | |
"Oh! Very nice." | 0:42:35 | 0:42:37 | |
APPLAUSE | 0:42:37 | 0:42:41 | |
Which means that our winner with plus five is Nina Conti! | 0:42:41 | 0:42:44 | |
APPLAUSE | 0:42:44 | 0:42:46 | |
My thanks to Bill, Nina, Gran, Sean and Alan, | 0:42:50 | 0:42:53 | |
and I leave you with this from Sid Caesar. | 0:42:53 | 0:42:55 | |
The guy who invented the first wheel was an idiot. | 0:42:55 | 0:42:59 | |
The guy who invented the other three, he was a genius. Goodnight. | 0:42:59 | 0:43:03 | |
APPLAUSE AND CHEERING | 0:43:03 | 0:43:05 | |
Subtitles by Red Bee Media Ltd | 0:43:19 | 0:43:22 | |
E-mail [email protected] | 0:43:22 | 0:43:25 |