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APPLAUSE AND CHEERING | 0:00:24 | 0:00:26 | |
Well! Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, | 0:00:33 | 0:00:34 | |
good evening, good evening, good evening, | 0:00:34 | 0:00:36 | |
and welcome to QI, where we're all feeling rather jolly. | 0:00:36 | 0:00:40 | |
Here to tickle our ribs are four jolly good fellows. | 0:00:40 | 0:00:44 | |
The jovial Rob Brydon. | 0:00:44 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:50 | |
The jocular Tim Vine. | 0:00:50 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:53 | 0:00:56 | |
The jubilant Julia Zemiro. | 0:00:56 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:03 | |
And Jesus, it's Alan Davies. | 0:01:03 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:06 | 0:01:10 | |
Ah, well, so if anyone wants to go beyond a joke tonight, | 0:01:12 | 0:01:16 | |
they'll have to jingle their jangles and Julia goes... | 0:01:16 | 0:01:18 | |
LAUGHING KOOKABURRA | 0:01:18 | 0:01:21 | |
-Oh, it's an animal from my country. -Yeah. | 0:01:21 | 0:01:24 | |
-That's nice, a bird, a kookaburra, thank you. -It is a kookaburra, | 0:01:24 | 0:01:27 | |
-well spotted. Tim goes... -LAUGHING HYENA | 0:01:27 | 0:01:31 | |
Oh, it's an animal from my country. | 0:01:31 | 0:01:33 | |
And Rob goes... | 0:01:35 | 0:01:36 | |
GIGGLING BABY | 0:01:36 | 0:01:39 | |
-Aw! It's an animal from the country. -Yeah. | 0:01:40 | 0:01:43 | |
-And Alan goes... -BRAYING DONKEY | 0:01:43 | 0:01:47 | |
-Wow. -Fabulous. | 0:01:51 | 0:01:53 | |
So, simple question, who's Hapi? | 0:01:53 | 0:01:56 | |
-He's happy in the picture. -Yes. -Yes. -Old men with young ladies. Or... | 0:01:59 | 0:02:03 | |
old ladies with young men. | 0:02:03 | 0:02:04 | |
-I was going to say... -Why not? -They may be gerontophiles. | 0:02:04 | 0:02:07 | |
-Not me. -Not you? No, fair enough. OK. | 0:02:07 | 0:02:09 | |
-It's one of the dwarfs. -True, as in the old joke. | 0:02:09 | 0:02:11 | |
-Six out of seven dwarfs aren't Happy. -I can't believe it! | 0:02:11 | 0:02:14 | |
-They haven't got that on the klaxon? -No, they haven't. | 0:02:14 | 0:02:16 | |
This is a Hapi whose name is Hapi, spelt H-A-P-I. | 0:02:16 | 0:02:21 | |
-Edwin Starr had a song, H-A-P-P-Y Radio. -Oh, really? -Yeah. | 0:02:21 | 0:02:26 | |
-Anyway, continue. -No, that's good. It's good - good information. | 0:02:26 | 0:02:30 | |
We love good information here, as you know. | 0:02:30 | 0:02:32 | |
-We have to go back to a previous civilisation. -Is it... Um, no. | 0:02:32 | 0:02:36 | |
-Aztecs. -Egyptian. -Egyptian is right. -Oh, get stuffed, I can't believe it! | 0:02:36 | 0:02:40 | |
-LAUGHING KOOKABURRA -When you get it right, | 0:02:40 | 0:02:42 | |
you don't have to insult me. | 0:02:42 | 0:02:44 | |
-No, I know. -You can accept your points gracefully. | 0:02:44 | 0:02:47 | |
That picture is actually the backdrop to a famous game show - | 0:02:47 | 0:02:50 | |
I'll Name That Tomb In One. | 0:02:50 | 0:02:51 | |
-Very good. -What sort of reaction is that?! | 0:02:54 | 0:02:57 | |
-It's one Tim is very used to. -It's what I'm used to, yes. -Yes. | 0:02:57 | 0:03:01 | |
That's what you sphinx. | 0:03:01 | 0:03:03 | |
-So that is the god... -A very unusual mind we have on this show. -It is. | 0:03:05 | 0:03:09 | |
This is a god called Hapi, who was always represented to have | 0:03:09 | 0:03:13 | |
been faintly pot-bellied and sort of hermaphroditic with breasts. | 0:03:13 | 0:03:16 | |
Hapi had breasts, though was not considered female, | 0:03:16 | 0:03:19 | |
and had a sort of harem of...? | 0:03:19 | 0:03:22 | |
-Ladies. -Men. -Animals. -No. | 0:03:22 | 0:03:25 | |
-Men. Boys. -Castrati. -Frogs. -Frogs? -Yeah. | 0:03:25 | 0:03:28 | |
Frogs, Tim. | 0:03:28 | 0:03:30 | |
Er, hang on. | 0:03:30 | 0:03:32 | |
There'll be a pun in a minute. | 0:03:32 | 0:03:34 | |
Do you think if the frogs in the harem really started to get it on | 0:03:34 | 0:03:38 | |
with each other, and one of them whipped out a camcorder, | 0:03:38 | 0:03:41 | |
-would that be "frogs' porn"? -Oh! | 0:03:41 | 0:03:44 | |
APPLAUSE | 0:03:44 | 0:03:45 | |
You are a malign influence. | 0:03:48 | 0:03:50 | |
The worrying thing is, I have actually done that joke in the past. | 0:03:54 | 0:03:57 | |
-It's too late now, it's too late. -He's the thief of bad gags. | 0:03:57 | 0:04:01 | |
The fact is, Hapi was the god who was responsible for | 0:04:01 | 0:04:04 | |
the flooding of the Nile, which was an annual event, took place in July | 0:04:04 | 0:04:08 | |
and was cause of much celebration. | 0:04:08 | 0:04:10 | |
If you've ever been up or down the Nile, | 0:04:10 | 0:04:12 | |
you will know that it's really just this great carving of green | 0:04:12 | 0:04:15 | |
through a desert, which is all made fertile by this river. | 0:04:15 | 0:04:19 | |
So it was... The whole civilisation was predicated on the flooding | 0:04:19 | 0:04:22 | |
of the Nile and Hapi was the god who caused it. | 0:04:22 | 0:04:25 | |
So, moving on, what's the jolliest, | 0:04:25 | 0:04:28 | |
but frankly most dangerous thing you can buy in a joke shop? | 0:04:28 | 0:04:33 | |
LAUGHING HYENA | 0:04:33 | 0:04:34 | |
-Tim? -I went to a joke shop. I said, "What are you actually selling here?" | 0:04:34 | 0:04:38 | |
He said, "Nothing, we're not a real shop." | 0:04:38 | 0:04:40 | |
Anyway, I've got some jokes here that give you an example. Here we are. | 0:04:45 | 0:04:48 | |
And almost all of these were invented by one man, | 0:04:48 | 0:04:52 | |
who could be regarded as the father of the joke shop. | 0:04:52 | 0:04:55 | |
Have some nuts, Tim. | 0:04:55 | 0:04:57 | |
-What happens when you open the nuts? -JULIA: Oh, no. | 0:04:57 | 0:04:59 | |
I'm guessing I could aim this at Rob... | 0:04:59 | 0:05:02 | |
-SQUEAKING -You're guessing. | 0:05:02 | 0:05:04 | |
And it's hours of laughter. | 0:05:04 | 0:05:05 | |
Tim, that reminds me of last Saturday evening, in an odd way. | 0:05:05 | 0:05:10 | |
It's a man called Soren Sorensen Adams. | 0:05:10 | 0:05:14 | |
And he started life working for a coal-tar derivative company. | 0:05:14 | 0:05:17 | |
And coal-tar derivatives have many uses, one of which was for a dye. | 0:05:17 | 0:05:21 | |
And the particular dye that came from coal-tar | 0:05:21 | 0:05:23 | |
had the bizarre side effect of making people sneeze. | 0:05:23 | 0:05:27 | |
So the company managed to isolate the ingredient | 0:05:27 | 0:05:29 | |
that made people sneeze and took it out. | 0:05:29 | 0:05:31 | |
And he happened to be passing and he saw | 0:05:31 | 0:05:33 | |
these great barrels of the stuff that made people sneeze. He thought, "I'll have those." | 0:05:33 | 0:05:37 | |
So he founded The Cachoo Sneezing Powder Company, | 0:05:37 | 0:05:41 | |
and it was a huge, huge success. | 0:05:41 | 0:05:43 | |
He sold 15,000 worth of Cachoo, just in the first year, | 0:05:43 | 0:05:48 | |
a vast sum in 1910, which is around the time we are. | 0:05:48 | 0:05:50 | |
But 25 years later, it was banned by the FDA for being toxic. | 0:05:50 | 0:05:54 | |
-Oh. -But he had meantime... -After several deaths. | 0:05:54 | 0:05:57 | |
Yes. | 0:05:57 | 0:05:58 | |
Meantime, he had invented the squirting lapel flower. | 0:05:58 | 0:06:02 | |
-Oh. -Oh. -That would fool anybody, wouldn't it? -Oldie but a goody, yes. | 0:06:02 | 0:06:06 | |
There we go. It has a little ring. | 0:06:06 | 0:06:08 | |
-I used to have one of those. -There's a... -Oh... -Hey! Highly amusing. | 0:06:08 | 0:06:12 | |
-Help yourself to a dog turd. Oops, there we are. -Eurgh. | 0:06:12 | 0:06:15 | |
They're different. The old ones were hard plastic, that's squidgy. | 0:06:15 | 0:06:19 | |
-You're touching that. Eurgh. -It's really quite unpleasant. | 0:06:19 | 0:06:22 | |
Oh... Oh, dear! | 0:06:23 | 0:06:25 | |
That is horrible, isn't it? | 0:06:25 | 0:06:28 | |
JULIA: Eurgh! | 0:06:28 | 0:06:30 | |
-Even if that isn't a dog turd, that's a horrible thing to do. -Uuuuugh! | 0:06:31 | 0:06:36 | |
Oh, my God! | 0:06:40 | 0:06:42 | |
-Oh! -If you swallow that... | 0:06:45 | 0:06:48 | |
If I swallow it, it's going to come out the other end, that'll be good. | 0:06:48 | 0:06:52 | |
What is it then? Fake or not? | 0:06:52 | 0:06:55 | |
Then it would be a real false turd. | 0:06:55 | 0:06:57 | |
Oh, actually, Alan, I'm just getting a... | 0:06:57 | 0:06:58 | |
just getting a message there's been a bit of a mix-up, apparently. | 0:06:58 | 0:07:01 | |
-This is a real one! -Oh, dear. | 0:07:05 | 0:07:07 | |
And here's a... Here's a... You can cut your finger off. | 0:07:07 | 0:07:11 | |
Or you could try this pen. Try writing something with the pen. | 0:07:11 | 0:07:15 | |
Oh, this is going to be hilarious. | 0:07:15 | 0:07:17 | |
-Go on, then. -Oh, dear. | 0:07:17 | 0:07:19 | |
-I never touched it! -Did he get a shock? -I think so. | 0:07:23 | 0:07:26 | |
That is... I'm really sorry, because that is quite a severe electric shock. | 0:07:28 | 0:07:32 | |
-It's not... -I'll just take your word for it. | 0:07:32 | 0:07:35 | |
It's not insignificant, that one. That is barely a joke. | 0:07:35 | 0:07:39 | |
-It's not funny at all, Stephen! -I'm so sorry. I'm so sorry. | 0:07:39 | 0:07:44 | |
-Give it back to me. -That really hurt. -Aaah. A bendy pencil. | 0:07:44 | 0:07:49 | |
-I don't want a bendy pencil! -A joy buzzer. | 0:07:49 | 0:07:52 | |
He sold three million of these during the Depression. | 0:07:52 | 0:07:55 | |
-When you shake hands with someone with one of those? -That's right, you put | 0:07:55 | 0:07:58 | |
the sort of ring on your finger so it looks sort of normal. And then... | 0:07:58 | 0:08:01 | |
-Can you buzz me? -Yeah, you want to shake hands. Like that. | 0:08:01 | 0:08:05 | |
-It doesn't give you a shock. -It's a bit of a letdown. -It's just a buzz. | 0:08:05 | 0:08:08 | |
He passed on... I say, "He passed on this," I don't mean... | 0:08:08 | 0:08:12 | |
He thought this was too vulgar to sell - | 0:08:12 | 0:08:15 | |
the standard whoopee cushion. You might want to blow that up. Yeah. | 0:08:15 | 0:08:18 | |
It's not Soren Lorensen, who's the imaginary friend in the Charlie and Lola books is it? | 0:08:18 | 0:08:22 | |
No, it's not. It's Soren Sorensen Adams. It's quite difficult to... | 0:08:22 | 0:08:27 | |
Is this a joke whoopee cushion you can't blow up? | 0:08:27 | 0:08:29 | |
It is difficult to get the sphincter open, isn't it? | 0:08:29 | 0:08:32 | |
-SQUEAKING -Whoa! | 0:08:32 | 0:08:34 | |
Ah, there we go, that's right. | 0:08:35 | 0:08:37 | |
Maybe while Alan isn't looking... Alan, lean over here for a second. | 0:08:37 | 0:08:41 | |
That's it, take the false egg, which is hilarious. | 0:08:41 | 0:08:44 | |
WHOOPEE CUSHION EMITS NO SOUND | 0:08:44 | 0:08:46 | |
LAUGHTER AND APPLAUSE | 0:08:46 | 0:08:48 | |
That was possibly the least convincing whoopee cushion noise I've ever heard. | 0:08:51 | 0:08:55 | |
-JULIA: Silent but deadly. -Yeah. -It was strangely realistic. -Yeah. | 0:08:55 | 0:09:00 | |
I just smothered it completely. | 0:09:00 | 0:09:02 | |
-Alan's wearing a whoopee cushion silencer on his jeans. -Very sensible. | 0:09:02 | 0:09:07 | |
The best one is the fart... the remote-control fart machine. | 0:09:07 | 0:09:10 | |
-Yeah. -Have you got one of those? -Of course I have. Yes. | 0:09:10 | 0:09:12 | |
-Has anyone got one? -How does it work? | 0:09:12 | 0:09:14 | |
-You've got to get one. -They are marvellous. | 0:09:14 | 0:09:16 | |
You just, at Christmas... | 0:09:16 | 0:09:17 | |
You bury it under the cushion near your aunt. | 0:09:17 | 0:09:19 | |
Yes, it's funny even if you just put it under your dog's basket, because the dog... | 0:09:19 | 0:09:23 | |
-Absolutely. -The dog goes like that. | 0:09:23 | 0:09:25 | |
-I'll take a picture. Alan, smile. -No, what's going to happen now!! | 0:09:25 | 0:09:28 | |
Oh. It's supposed to be water. | 0:09:28 | 0:09:31 | |
Anyway, we can probably put away our little tray of fun toys, | 0:09:31 | 0:09:35 | |
having electrocuted Alan, which was the purpose of the evening. Maybe you could pass me your... | 0:09:35 | 0:09:39 | |
-How do you blow it up, then? -Could you pass me your turd? | 0:09:39 | 0:09:43 | |
Woo. That's meant... I think if you over, maybe. | 0:09:44 | 0:09:49 | |
Have a go. | 0:09:49 | 0:09:50 | |
FRUITY RASPBERRY | 0:09:50 | 0:09:51 | |
That's better! | 0:09:51 | 0:09:53 | |
CHEERING AND APPLAUSE | 0:09:53 | 0:09:55 | |
-One of these has never had a round of applause from 600 people before. -Yeah. | 0:09:59 | 0:10:03 | |
I read somewhere that this was "the intellectual quiz show" and you can see why. | 0:10:03 | 0:10:07 | |
Now, one of the things I want to prepare you for is to see | 0:10:07 | 0:10:11 | |
if you can, during the course of today's lesson, | 0:10:11 | 0:10:15 | |
prepare, in any spare moments you have, a limerick for me. | 0:10:15 | 0:10:18 | |
-You know what a limerick is? -Yes. -Aside from being a county in Ireland. -It's a town. | 0:10:18 | 0:10:22 | |
-Yes. -There was an old man from Limerick, | 0:10:22 | 0:10:24 | |
who was unaware of the short, often humorous, poems | 0:10:24 | 0:10:26 | |
that shared the same name as his home town. | 0:10:26 | 0:10:28 | |
LAUGHTER AND APPLAUSE | 0:10:28 | 0:10:30 | |
Very, very good. Anyway, so do be ready for that. | 0:10:35 | 0:10:38 | |
But we've got a quicky for you. What happens if you put | 0:10:38 | 0:10:40 | |
someone's hand in a bowl of water while they're sleeping? | 0:10:40 | 0:10:42 | |
LAUGHING BABY | 0:10:42 | 0:10:44 | |
They have a little widdle, don't they? | 0:10:44 | 0:10:47 | |
Oh, no! | 0:10:47 | 0:10:48 | |
-they don't have a little widdle. -They don't? | 0:10:48 | 0:10:51 | |
No, it's a total myth. | 0:10:51 | 0:10:53 | |
Total myth, perpetuated by schoolchildren and others. | 0:10:53 | 0:10:56 | |
All kinds of experiments have been done. | 0:10:56 | 0:10:59 | |
That splendid programme Myth Busters tried it. | 0:10:59 | 0:11:01 | |
Zero wetting ensued. There's no reason why it should happen. | 0:11:01 | 0:11:05 | |
-It must have happened once. -Well, by coincidence, possibly. -By coincidence. | 0:11:05 | 0:11:09 | |
That coincidence was assumed to be causal | 0:11:09 | 0:11:10 | |
and from that moment on the myth was born. | 0:11:10 | 0:11:13 | |
You can try it at home, I recommend it, with your spouses and children. | 0:11:13 | 0:11:16 | |
Like the one where if you wet yourself | 0:11:16 | 0:11:18 | |
while driving, you crash the car. | 0:11:18 | 0:11:19 | |
-I would frankly... -Has that not happened to everyone? | 0:11:23 | 0:11:26 | |
If I crashed a car, I think I would wet myself. | 0:11:26 | 0:11:28 | |
-It's the other way round. -That's what's interesting about the experiment. -Yeah, it is. Absolutely. | 0:11:28 | 0:11:33 | |
What about when you fall asleep and you wake up | 0:11:33 | 0:11:35 | |
and you've had half your eyebrow shaved off? | 0:11:35 | 0:11:37 | |
-Then you have bad friends. -I do have hideous friends. | 0:11:37 | 0:11:40 | |
-Yeah, cos that's the other thing that can happen. -Yeah. | 0:11:40 | 0:11:42 | |
It's all right, I'm over it, it's fine. | 0:11:42 | 0:11:44 | |
-You had your eyebrows shaved off? -Yeah, you know? | 0:11:44 | 0:11:47 | |
Obviously no-one's had it happen. | 0:11:47 | 0:11:48 | |
Yeah, you fall asleep and someone goes, "Oh, this will be even funnier." | 0:11:48 | 0:11:52 | |
Put your hand in a bottle of thing and voom, voom, you wake up and you look hideous. | 0:11:52 | 0:11:55 | |
-That's just vile! -I'm Australian. | 0:11:55 | 0:11:59 | |
Anyway, Sorensen didn't sell whoopee cushions | 0:12:02 | 0:12:04 | |
because he didn't think flatulence was amusing, | 0:12:04 | 0:12:07 | |
so what is the most amusing thing to come out of a sewage plant? | 0:12:07 | 0:12:13 | |
-Look at that. That's disturbing. -That's really very unpleasant. | 0:12:13 | 0:12:16 | |
And there are people in the background there, bobbing along. | 0:12:16 | 0:12:19 | |
-Is that in the UK? -That's actually in Ghana. -Ghana. | 0:12:19 | 0:12:23 | |
LAUGHING KOOKABURRA | 0:12:23 | 0:12:25 | |
Poo jokes. Is that the funniest thing to come out of a sewerage...? | 0:12:25 | 0:12:28 | |
-TIM: -Crap jokes? -What jokes? | 0:12:28 | 0:12:31 | |
-Crap jokes. Yeah, really crap jokes. -Thank you, good on you. | 0:12:31 | 0:12:33 | |
No, there is something that really does cause laughter that comes out. | 0:12:33 | 0:12:37 | |
Oh, OK, I know, I know. It's a type of gas, then, isn't it? | 0:12:37 | 0:12:41 | |
It's the same gas... I've got it, Julia! | 0:12:41 | 0:12:43 | |
-It's the same gas, like what they might call a laughing gas... -Yes. | 0:12:43 | 0:12:47 | |
..but here, rather than being in canisters in a dentist's room, | 0:12:47 | 0:12:50 | |
-perhaps, or in another medical establishment... -Yeah... | 0:12:50 | 0:12:53 | |
Perhaps it's coming out as a natural by-product of the faeces, the waste, | 0:12:53 | 0:12:58 | |
the faecal matter, that's gushing forth in a liquidised form. | 0:12:58 | 0:13:02 | |
-So that's what it is. -It is! -Oh, I love it! BRAYING DONKEY | 0:13:02 | 0:13:05 | |
Is it nitrous oxide? | 0:13:05 | 0:13:07 | |
Nitrous oxide. | 0:13:07 | 0:13:08 | |
CHEERING AND APPLAUSE | 0:13:09 | 0:13:11 | |
-I'll accept that Rob did the work and you... -I got the answer right! | 0:13:15 | 0:13:19 | |
Stephen, can I just say this? | 0:13:19 | 0:13:20 | |
It's called nitrous oxide, of course. | 0:13:20 | 0:13:23 | |
APPLAUSE | 0:13:24 | 0:13:26 | |
-GIGGLING BABY -Yeah? | 0:13:29 | 0:13:30 | |
Nitrous oxide. | 0:13:30 | 0:13:32 | |
LAUGHING KOOKABURRA | 0:13:33 | 0:13:35 | |
-Sulphuric acid. -Ha! | 0:13:35 | 0:13:37 | |
Yes, it's a very important greenhouse gas - N2O, nitrous oxide. | 0:13:39 | 0:13:43 | |
In fact, it's 300 times more potent, as a greenhouse gas, than CO2. | 0:13:43 | 0:13:48 | |
Its most significant man-made source is sewage-treatment plants, | 0:13:48 | 0:13:53 | |
alongside agricultural waste and nitrogen fertilisers. | 0:13:53 | 0:13:56 | |
It's also pumped into bags of crisps. | 0:13:56 | 0:13:59 | |
Why would it be pumped into bags of crisps? | 0:13:59 | 0:14:01 | |
All crisp packets are filled with gas, aren't they, to keep them fresh? | 0:14:01 | 0:14:04 | |
-Exactly - it's to expel the oxygen. -They also pump it with gas | 0:14:04 | 0:14:07 | |
so that you think you're getting more chips than you actually are. | 0:14:07 | 0:14:10 | |
And then you go, "Oh, it's only a third full! Ripped off!" | 0:14:10 | 0:14:13 | |
-It's almost as if they want to make a profit out of you. -Almost! -It's really annoying. | 0:14:13 | 0:14:17 | |
Yes, it was first used as a dental anaesthetic. | 0:14:17 | 0:14:19 | |
I'll give you ten points if you are ten years either way right. | 0:14:19 | 0:14:22 | |
-What year? -I don't know when it was but I did have a general anaesthetic | 0:14:22 | 0:14:25 | |
-quite recently, which I think is, er... -Interesting. | 0:14:25 | 0:14:27 | |
Interesting. And it was the same one that killed Michael Jackson. | 0:14:27 | 0:14:31 | |
Oh, good! That's... | 0:14:31 | 0:14:33 | |
No, I mean good that you survived. | 0:14:33 | 0:14:36 | |
-BRAYING DONKEY -Yeah? | 0:14:36 | 0:14:38 | |
-Propofol. -Yeah, that's one, yes. -That's what it was, propofol. | 0:14:38 | 0:14:42 | |
-I'm so good on drugs! -I was lying there and I said, "Is this the thing?" | 0:14:42 | 0:14:45 | |
APPLAUSE | 0:14:45 | 0:14:46 | |
It is an absolutely GORGEOUS feeling. | 0:14:48 | 0:14:51 | |
-It's a remarkable sensation, isn't it? Yeah. It goes in through your hands... -That's right. | 0:14:51 | 0:14:55 | |
And then, er, the feel... I don't know if people have had it recently, but I mean, | 0:14:55 | 0:14:59 | |
if he was using this to get to sleep, | 0:14:59 | 0:15:01 | |
he was in a bad way because it goes right... You can feel it. | 0:15:01 | 0:15:04 | |
But your head stays very, you know, awake, | 0:15:04 | 0:15:08 | |
and, er, I said to the anaesthetist, "Wow! My arms and my legs, they're like weights." | 0:15:08 | 0:15:13 | |
They were being pulled into the bed. | 0:15:13 | 0:15:16 | |
I said, "But my head is completely..." | 0:15:16 | 0:15:18 | |
It's extraordinary! | 0:15:19 | 0:15:20 | |
And the next second, you're going, "Oh," and you're waking up. | 0:15:20 | 0:15:23 | |
-Wheeled into the recovery room. -Imagine having to have that every night to get you off. | 0:15:23 | 0:15:28 | |
-It's horrifying, isn't it? -I used to go out with an anaesthetist. | 0:15:28 | 0:15:31 | |
She was a local girl. | 0:15:31 | 0:15:33 | |
LAUGHTER | 0:15:33 | 0:15:34 | |
1920. | 0:15:38 | 0:15:39 | |
-No, it's... -LAUGHING KOOKABURRA | 0:15:39 | 0:15:41 | |
-1930! -No. | 0:15:41 | 0:15:43 | |
-GIGGLING BABY -Ah. Ah, ah... | 0:15:43 | 0:15:46 | |
1878. | 0:15:46 | 0:15:47 | |
-No, even earlier. -1820. | 0:15:47 | 0:15:50 | |
-1844. Yes, quite early. -That early? | 0:15:50 | 0:15:52 | |
Although it had been used before that as a recreational drug, | 0:15:52 | 0:15:55 | |
-by, of course... Who were the great recreational drug users? -Rock musicians. -No, not... | 0:15:55 | 0:16:00 | |
There weren't many rock musicians before the 1840s. | 0:16:01 | 0:16:04 | |
There were, but you just didn't know about it. They were there! | 0:16:04 | 0:16:08 | |
-When was Byron alive? -Ah, you're in the right area. | 0:16:08 | 0:16:10 | |
We're in the area of Romantic poets. | 0:16:10 | 0:16:12 | |
And who was the great opium eater - apart from Thomas De Quincey - of the Romantic poets? | 0:16:12 | 0:16:16 | |
-I'm going to take a stab at this, Stephen. Pam Ayres. -No! | 0:16:16 | 0:16:20 | |
Can the audience please provide the answer? | 0:16:24 | 0:16:26 | |
AUDIENCE MEMBERS SHOUT OUT | 0:16:26 | 0:16:28 | |
Casanova?! | 0:16:28 | 0:16:30 | |
-Samuel Taylor Coleridge. -Of course it was! | 0:16:30 | 0:16:34 | |
He wrote Kubla Khan while under the influence of opium. | 0:16:34 | 0:16:37 | |
Yes. In Xanadu, did Kubla Khan... | 0:16:37 | 0:16:39 | |
-JULIA & STEPHEN: A stately pleasure dome decree... -Of course he did. | 0:16:39 | 0:16:42 | |
-It's also that great musical with Olivia Newton-John. -Indeed. | 0:16:42 | 0:16:47 | |
And laughing gas, as you can see, was used as a recreational drug | 0:16:47 | 0:16:50 | |
and Coleridge was one of the ones to use it. | 0:16:50 | 0:16:52 | |
In fact, he described the dreamy, sedated state. | 0:16:52 | 0:16:54 | |
He said, "The first time I inspired..." Breathed in. | 0:16:54 | 0:16:57 | |
"..the nitrous oxide, I felt a highly pleasurable sensation of warmth over my whole frame. | 0:16:57 | 0:17:02 | |
"The only motion which I felt inclined to make | 0:17:02 | 0:17:04 | |
"was that of laughing at those who were looking at me." | 0:17:04 | 0:17:07 | |
So there you can see. There's a satirical cartoon... | 0:17:07 | 0:17:09 | |
She doesn't look very willing, though, that lady. | 0:17:09 | 0:17:12 | |
She, it must be said, is being forced into it. | 0:17:12 | 0:17:14 | |
-LAUGH! -But the others have already had it and are laughing. | 0:17:14 | 0:17:17 | |
She's about to laugh, clearly. | 0:17:17 | 0:17:19 | |
-Looks like a giant whoopee cushion, actually. -It does! | 0:17:19 | 0:17:21 | |
The man on the left's got tiny chicken legs! | 0:17:21 | 0:17:24 | |
And like all lazy cartoonists, he's written "laughing gas" on it, so that you know what's going on. | 0:17:24 | 0:17:29 | |
-Is this the inspiration for the scene in Mary Poppins where they float to the ceiling? -Maybe it is. | 0:17:29 | 0:17:34 | |
The chapter of the book in Mary Poppins in which they all do rise to the ceiling is called Laughing Gas. | 0:17:34 | 0:17:38 | |
There's a book?! | 0:17:38 | 0:17:39 | |
LAUGHTER | 0:17:39 | 0:17:41 | |
You! And you know who it's written by. | 0:17:43 | 0:17:46 | |
-No, I didn't even know there was a book! -PL Travers. -Is there? | 0:17:46 | 0:17:48 | |
-Yes, she wrote many... -She's Australian. -Yes. | 0:17:48 | 0:17:51 | |
Did she adapt the film? Was it one of those novellas... | 0:17:51 | 0:17:54 | |
No, she disowned the film completely. In fact, they're making a film at the moment | 0:17:54 | 0:17:58 | |
about the relationship between Walt Disney and PL Travers. | 0:17:58 | 0:18:00 | |
And she absolutely loathed the film, | 0:18:00 | 0:18:03 | |
-which is crazy cos it is one of the greatest films ever made. -I thought it was super! | 0:18:03 | 0:18:07 | |
..califragilisticexpialidocious. | 0:18:07 | 0:18:10 | |
-In the book, is there a dark side to Mary Poppins? -Yeah, there is. | 0:18:10 | 0:18:13 | |
There's a kind of world of weird creatures and so on. | 0:18:13 | 0:18:16 | |
I don't know what her objection was to it. | 0:18:16 | 0:18:18 | |
-I thought it was absolutely magnificent. -It is. | 0:18:18 | 0:18:21 | |
So there you go. What would be the best flavour for an exploding sandwich? | 0:18:21 | 0:18:26 | |
-LAUGHING HYENA -Tim Vine? | 0:18:26 | 0:18:28 | |
Cheese and ham grenade. | 0:18:28 | 0:18:30 | |
Very good. Very good. Excellent. There is... | 0:18:33 | 0:18:38 | |
-No, is it wrong, then? -It's wrong. | 0:18:38 | 0:18:41 | |
Well, I mean it would explode, obviously. | 0:18:41 | 0:18:43 | |
Sauerkraut and cabbage can make you explode, on a different level, also funny. | 0:18:43 | 0:18:46 | |
This one would make you explode on that level too. It's in fact a classic English sandwich, | 0:18:46 | 0:18:51 | |
as in The Importance Of Being Earnest. | 0:18:51 | 0:18:53 | |
-What are the sandwiches that Aunt Augusta particularly liked? -Watercress. -Cucumber? -Mustard. | 0:18:53 | 0:18:57 | |
She particularly liked cucumber sandwiches. | 0:18:57 | 0:18:59 | |
But this a very specific species of cucumber. | 0:18:59 | 0:19:02 | |
There it is, you see, it's quite spiky. | 0:19:02 | 0:19:04 | |
-The exploding cucumber of Panama. -There's the fuse. | 0:19:04 | 0:19:07 | |
-Yes, it's the exploding cucumber. It's the squirting or exploding cucumber. -Come on. | 0:19:07 | 0:19:11 | |
It's a Mediterranean plant and, when touched, | 0:19:11 | 0:19:14 | |
it propels its seeds in a sticky mucus at over 60mph. | 0:19:14 | 0:19:18 | |
-You're pointing at Rob. -I'm not pointing at Rob. | 0:19:18 | 0:19:22 | |
I'm just saying when that picture came up, | 0:19:22 | 0:19:24 | |
we looked across at each other and we both went, "Oh, testicles." | 0:19:24 | 0:19:27 | |
-I mean it's clear. Didn't we? Were you? -But can we be very clear, | 0:19:27 | 0:19:31 | |
I do not propel my seeds in a sticky mucus at 80mph. | 0:19:31 | 0:19:37 | |
And certainly not up to 30 feet. | 0:19:37 | 0:19:40 | |
-No, not... Well, on a good day, on a good day. -In the teens. | 0:19:40 | 0:19:45 | |
So you can see it's being touched here | 0:19:47 | 0:19:48 | |
and you can see the effect of the operation of it exploding. | 0:19:48 | 0:19:52 | |
If you look carefully. Boing! Yeah, that's... I mean it's a sexual act. | 0:19:52 | 0:19:57 | |
I mean, it is spreading its seed. And you can see the seeds flying everywhere. Whoa! | 0:19:57 | 0:20:02 | |
-Does it do that to itself? -Well, no, it's... | 0:20:02 | 0:20:05 | |
Because that looks like another bit of it. | 0:20:05 | 0:20:07 | |
Yeah, when it's very, very ripe and it falls, it will do it, | 0:20:07 | 0:20:10 | |
but otherwise when touched it will also do it. | 0:20:10 | 0:20:12 | |
Its actual Linnaean name is Ecballium elaterium, | 0:20:12 | 0:20:15 | |
which translates as "the squirting squirter". Ecballium as in | 0:20:15 | 0:20:18 | |
"ballistics" - it throws out - and that's the forceful ejection of its seeds. | 0:20:18 | 0:20:22 | |
But the elaterium is the fact that is a violent purgative. | 0:20:22 | 0:20:25 | |
So it's a squirting squirter that gives you the squirts. | 0:20:25 | 0:20:28 | |
So, yes, it would... It would make you explode from behind as well. | 0:20:28 | 0:20:32 | |
-So in that sense it's fully explosive. -Great! | 0:20:32 | 0:20:35 | |
Now, what's the world's longest-running gag? | 0:20:35 | 0:20:38 | |
-LAUGHING KOOKABURRA -Yes? | 0:20:38 | 0:20:40 | |
"Look over there!" | 0:20:40 | 0:20:42 | |
-And they look... Pah! You shoot them. -No! | 0:20:42 | 0:20:44 | |
It's using a particular joke to displace warfare, actually, | 0:20:46 | 0:20:50 | |
and it's been going on since the 13th century | 0:20:50 | 0:20:52 | |
in a particular couple of tribes in Mali, in fact. | 0:20:52 | 0:20:55 | |
The tribes are called the Traore and the Kone tribes, | 0:20:55 | 0:20:58 | |
and what happens is, | 0:20:58 | 0:21:00 | |
is that you have to take a joke from a member of the other tribe, | 0:21:00 | 0:21:03 | |
who basically accuses you of being a bean-eater - | 0:21:03 | 0:21:06 | |
of eating lots of beans, which is an insult. | 0:21:06 | 0:21:09 | |
And you have to take that insult. | 0:21:09 | 0:21:10 | |
And then you can find another member of the opposing tribe | 0:21:10 | 0:21:13 | |
and accuse them of being a bean-eater. | 0:21:13 | 0:21:15 | |
And they just hang around calling each other bean-eaters. | 0:21:15 | 0:21:18 | |
And that is... That saves them from killing each other. | 0:21:18 | 0:21:20 | |
-It's not the greatest joke in the world. -It's better than genocide. -But it's better than genocide | 0:21:20 | 0:21:24 | |
and is the longest-running gag, as far as we know, in the world. | 0:21:24 | 0:21:27 | |
It's a rather civilised way of sorting things out. | 0:21:27 | 0:21:30 | |
Great idea for a panel show, as well. | 0:21:30 | 0:21:32 | |
Yes, isn't it? Absolutely. Superb. | 0:21:32 | 0:21:34 | |
You're a bean-eater. | 0:21:34 | 0:21:36 | |
YOU'RE a bean-eater. | 0:21:36 | 0:21:38 | |
Alan, you're a bean-eater. | 0:21:38 | 0:21:40 | |
-Julia... -Yes? -You're a bean-eater. | 0:21:40 | 0:21:43 | |
Stephen, you ARE a bean-eater. | 0:21:43 | 0:21:45 | |
You're a has-been eater. | 0:21:45 | 0:21:47 | |
Oh! | 0:21:47 | 0:21:49 | |
APPLAUSE And is that where it ends? | 0:21:49 | 0:21:52 | |
-A has-been eater's a whole different thing. -It certainly is. | 0:21:52 | 0:21:55 | |
There are, of course, the "yo mama" jokes, as well, | 0:21:55 | 0:21:57 | |
which are used in the African-American community. | 0:21:57 | 0:22:00 | |
"Yo mama's so fat that she could usefully have a calorie-controlled diet and regular exercise." | 0:22:00 | 0:22:05 | |
They're probably better than that, as jokes, but... | 0:22:06 | 0:22:09 | |
But mums are often used. Like, I remember the first time, | 0:22:09 | 0:22:12 | |
as an adult, I went back to France to visit relatives | 0:22:12 | 0:22:14 | |
and you know, my cousin driving - angry all the time. | 0:22:14 | 0:22:18 | |
-"Ta mere, ta mere!" Your mother, your mother. -Yeah, "Ta mere est une putain." | 0:22:18 | 0:22:22 | |
So maybe mothers have always been the butts of jokes. | 0:22:22 | 0:22:24 | |
Oh, absolutely. Back to Shakespeare you've got, in Titus Andronicus, "Villain, what has thou done? | 0:22:24 | 0:22:29 | |
"That which thou canst not undo. Thou hast undone our mother. | 0:22:29 | 0:22:33 | |
"Villain, I have DONE thy mother." | 0:22:33 | 0:22:35 | |
Oh. | 0:22:35 | 0:22:37 | |
And all over the world, curses against people's mothers are very, very common. | 0:22:37 | 0:22:41 | |
-Sam Kinison does some fantastic heckle put downs. -Oh, DID, yes. Dead, sadly. -Did, yes. | 0:22:41 | 0:22:46 | |
About people shouting, saying, "Oi!" from the audience. | 0:22:46 | 0:22:50 | |
"Yeah, that was the noise your mother made... | 0:22:50 | 0:22:52 | |
"when I did her last night. | 0:22:52 | 0:22:54 | |
"You won't recognise her. When I was finished, I shaved her back!" | 0:22:54 | 0:22:58 | |
That's a heck of a put-down, isn't it? | 0:23:00 | 0:23:02 | |
-He was a furious, furious comedian, wasn't he? -A brilliant comedian. | 0:23:02 | 0:23:05 | |
So, yes, the Traore and the Kone clans in Mali have been calling | 0:23:05 | 0:23:09 | |
each other Mr Bean, essentially, since the 13th century. | 0:23:09 | 0:23:12 | |
What did the world's first jukebox have on offer? | 0:23:12 | 0:23:16 | |
Is it going to be a man in a box and you give him something | 0:23:16 | 0:23:18 | |
and he plays for you? | 0:23:18 | 0:23:20 | |
No. Do you know where the word "jukebox" comes from? | 0:23:20 | 0:23:23 | |
Yes, I've heard this and I can't remember it. | 0:23:23 | 0:23:25 | |
-There is a story attached to this, isn't there? -Yeah. -Er... Oh! | 0:23:25 | 0:23:29 | |
A juke joint was a brothel - | 0:23:29 | 0:23:30 | |
it was Southern American slang for a brothel, | 0:23:30 | 0:23:33 | |
probably from the African "juk", meaning "disorderly or unruly". And so the... | 0:23:33 | 0:23:38 | |
So the popular vehicle the Nissan Juke is a Nissan Brothel? | 0:23:38 | 0:23:41 | |
Yeah, well, I'm afraid so. There you go. | 0:23:41 | 0:23:43 | |
And they were called juke houses or juke joints | 0:23:43 | 0:23:46 | |
and, like all kinds of places of ill repute and law-breaking, of course | 0:23:46 | 0:23:49 | |
they served all kinds of liquor and offered dancing and, indeed, music. And gambling. | 0:23:49 | 0:23:54 | |
And then when the first commercially available box that you could | 0:23:54 | 0:23:58 | |
put a nickel in and it played a tune, | 0:23:58 | 0:24:00 | |
people just called it a jukebox, cos they kind of thought | 0:24:00 | 0:24:03 | |
it was like making your own private little dance hall or juke joint. | 0:24:03 | 0:24:07 | |
And the manufacturers resisted this terribly - | 0:24:07 | 0:24:09 | |
they didn't want it to be called a "brothel box". | 0:24:09 | 0:24:11 | |
But that's what they became known as. The very first one is, | 0:24:11 | 0:24:14 | |
you'd actually go into a shop where there was a speaking tube, | 0:24:14 | 0:24:17 | |
and you would speak down and say, "I would like Foxtrot In Blue by the..." | 0:24:17 | 0:24:21 | |
You know, whoever, Jelly Roll Morton. And the person at the other end would go, "Very good, sir." | 0:24:21 | 0:24:26 | |
And he would go off and find it and put it in the record player | 0:24:26 | 0:24:28 | |
and attach the speaking tube to the horn of the gramophone and you would listen that way. | 0:24:28 | 0:24:33 | |
-Is that a Wurlitzer? -It's a Rockola. | 0:24:33 | 0:24:35 | |
-They are beautiful things, and... -Really lovely objects. | 0:24:35 | 0:24:38 | |
They are beautiful, and yet, whenever you go to someone's house and they have one, | 0:24:38 | 0:24:41 | |
they are almost invariably people with no taste. | 0:24:41 | 0:24:44 | |
Except for Lee Mack. | 0:24:47 | 0:24:49 | |
He has one and a man with greater taste you will never encounter. | 0:24:49 | 0:24:53 | |
He had great trouble getting it up the stairs, as well, didn't he? | 0:24:53 | 0:24:56 | |
Cos it weighs like a small car, basically. | 0:24:56 | 0:24:59 | |
Yes. The really old ones weigh an absolute ton. | 0:24:59 | 0:25:02 | |
-Well, the very old ones, of course, had the band in there as well, didn't they? -Yes, yes. | 0:25:02 | 0:25:07 | |
Well, they're magnificent devices | 0:25:07 | 0:25:09 | |
and now, of course, the kind of things, like pinball machines, | 0:25:09 | 0:25:12 | |
that rock stars have in their lonely drug-infested houses. | 0:25:12 | 0:25:16 | |
Funny you should say "juke" refers to a brothel because, of course, rock'n'roll music... | 0:25:16 | 0:25:20 | |
-Rock'n'roll is slang for sex. -Also for jiggy-jiggy doo-doo. | 0:25:20 | 0:25:24 | |
-Yes, so it's all... -Yes. "Jiggy-jiggy doo-doo?" | 0:25:24 | 0:25:27 | |
I don't know, it's... | 0:25:27 | 0:25:28 | |
Jiggy-jiggy, DOO-DOO! | 0:25:28 | 0:25:31 | |
Yes, jukeboxes were originally brothels in the Deep South of America. | 0:25:32 | 0:25:36 | |
-Now, what's the worst place to be licked by a goat? -Oh! | 0:25:36 | 0:25:39 | |
At your parents' house. | 0:25:41 | 0:25:42 | |
-The perineum. -Well, the perineum would be | 0:25:43 | 0:25:46 | |
-a bit unpleasant... -What bizarre set of circumstances | 0:25:46 | 0:25:49 | |
would result in you being... | 0:25:49 | 0:25:53 | |
Having your perineum well and truly licked by a goat? | 0:25:53 | 0:25:58 | |
Yeah. A goat rimming is not necessarily a form of anything. | 0:25:58 | 0:26:02 | |
-You're squatting... -In the bush! | 0:26:02 | 0:26:05 | |
Yes. This the excuse you give the doctor, isn't it? | 0:26:05 | 0:26:07 | |
-You're caught short out on a country walk... -Yeah. | 0:26:07 | 0:26:11 | |
And you squat down onto a discarded sandwich. | 0:26:11 | 0:26:15 | |
And a passing goat... | 0:26:15 | 0:26:17 | |
-..licks it. -This is never going to have a happy ending. | 0:26:19 | 0:26:23 | |
Licks it off your perineum. | 0:26:23 | 0:26:25 | |
So has this happened, then? | 0:26:25 | 0:26:26 | |
Has somebody been... Has somebody been licked? | 0:26:26 | 0:26:29 | |
-Well, somewhere in the world, it's happening right now. -Yeah. | 0:26:29 | 0:26:32 | |
What he said is not the right answer, I ought to tell you. | 0:26:32 | 0:26:35 | |
-So it's not the perineum? -No, it's not. -Is it to do with the tongue | 0:26:35 | 0:26:38 | |
because it's so raspy and...? | 0:26:38 | 0:26:40 | |
It is to do with the raspiness of the goat's tongue. | 0:26:40 | 0:26:43 | |
It was used as a torture. You would tie someone to a tree, so their legs were sticking out. | 0:26:43 | 0:26:47 | |
-Not licking the feet? -Bare feet and cover the feet... -They did it with pigs too. | 0:26:47 | 0:26:50 | |
Cover the feet with honey and the goat would lick it. | 0:26:50 | 0:26:53 | |
At first it would be a pleasant tickling sensation, | 0:26:53 | 0:26:55 | |
and then it would rip off layers of skin. | 0:26:55 | 0:26:57 | |
-It was horrible. -Ugh. -I know. -It would have livened up that scene in Goldfinger, wouldn't it? | 0:26:57 | 0:27:01 | |
He's tied down and the laser beam comes between his legs. | 0:27:01 | 0:27:04 | |
If he'd said, you know, "Oh, my God, no! Not the goat." | 0:27:04 | 0:27:07 | |
"Ah, Mr Bond, I put some honey on to the underside on your foot. | 0:27:09 | 0:27:13 | |
"You might call it your sole! Ah ha ha. | 0:27:13 | 0:27:16 | |
-"Bring in the goat." -BLEATS LIKE GOAT | 0:27:16 | 0:27:18 | |
And he goes, "Oh, no, no, not the goat. It's a furry goat. No. Oh." | 0:27:18 | 0:27:22 | |
And then he goes, "Actually that's quite pleasant." | 0:27:22 | 0:27:24 | |
And he says, "Soon the pleasure will turn to pain, | 0:27:24 | 0:27:27 | |
"Mr Bond." And then he said, "You expect me to talk?" | 0:27:27 | 0:27:30 | |
-"No. I expect you to die." -Well, yes. | 0:27:30 | 0:27:34 | |
But Franciscus Brunus, a late Medieval jurist | 0:27:34 | 0:27:37 | |
and expert on torture, said in 1502, | 0:27:37 | 0:27:39 | |
"I hear this is a very hard torture and totally safe." | 0:27:39 | 0:27:43 | |
Tickling was used in the stocks, as well. | 0:27:43 | 0:27:47 | |
You tickled people's feet in the stocks. | 0:27:47 | 0:27:49 | |
And in the Han Dynasty in China, they used tickling a lot. | 0:27:49 | 0:27:51 | |
In The Old Curiosity Shop - I don't know if you've read that... | 0:27:51 | 0:27:54 | |
It's the only Dickens novel I've read. | 0:27:54 | 0:27:56 | |
-Oh, well, you might remember. -Can't remember any of it. -Oh, dear. Well you might remember... | 0:27:56 | 0:28:00 | |
-I seem to have no memory function whatsoever nowadays. -No. | 0:28:00 | 0:28:02 | |
There was Little Nell, who died, and Oscar Wilde said of that, | 0:28:02 | 0:28:05 | |
"You would have to have a heart of stone | 0:28:05 | 0:28:07 | |
"to read the death of Little Nell without laughing." | 0:28:07 | 0:28:10 | |
Cos it is Dickens at his most sentimental, unfortunately. | 0:28:12 | 0:28:14 | |
But there was a Mr Jasper Packlemerton, | 0:28:14 | 0:28:17 | |
and Jasper Packlemerton apparently killed 14 wives by tickling them to death. | 0:28:17 | 0:28:22 | |
-And Dickens... -With a knife. | 0:28:22 | 0:28:25 | |
-Tickle tickle! -Dickens may have got this from an Illustrated Police News of 1869, | 0:28:25 | 0:28:31 | |
where a wife was driven insane by her husband tickling her. | 0:28:31 | 0:28:34 | |
She was fooled by her husband into thinking that by being tied to | 0:28:34 | 0:28:37 | |
a plank it would help her back, | 0:28:37 | 0:28:39 | |
and he then proceeded to tickle her toes until she went mad. | 0:28:39 | 0:28:44 | |
-Which is not nice, to be honest. -How long did it take? | 0:28:44 | 0:28:46 | |
-It would take a while, I think, yeah. -Days? -Yeah, it would. It would basically take a while. | 0:28:46 | 0:28:50 | |
Now let's see how your J for "jeography" is. | 0:28:50 | 0:28:52 | |
Lots of points for the right answer | 0:28:52 | 0:28:54 | |
and a measly minus ten for a wrong one, so try and be right. | 0:28:54 | 0:28:58 | |
What's the name of the largest mountain in Japan? | 0:28:58 | 0:29:00 | |
-Fuji. -Is the right answer! | 0:29:02 | 0:29:04 | |
Yes. It's an active volcano, | 0:29:04 | 0:29:06 | |
although it hasn't actually erupted for 200 years. | 0:29:06 | 0:29:10 | |
-So it's probably about due. -Yeah, it probably is. -Vesuvius is overdue. | 0:29:10 | 0:29:14 | |
It's right next to Naples and it's overdue | 0:29:14 | 0:29:17 | |
and there's no way of predicting when it will erupt. | 0:29:17 | 0:29:21 | |
-No, I know. -They told us this when we went to see it on a school trip! | 0:29:21 | 0:29:23 | |
That'll cheer you up, won't it(?) | 0:29:25 | 0:29:26 | |
They said... This is in the days before 'Ealth and Safety. They took you up into the crater to... | 0:29:26 | 0:29:31 | |
Any minute now we're expecting it. | 0:29:31 | 0:29:34 | |
It's overdue, we're standing in the crater of it - | 0:29:34 | 0:29:36 | |
a party of schoolchildren - and to get there you had to walk across | 0:29:36 | 0:29:40 | |
-a lava flow that had a sulphur crust that was about that thick. -Whoa. | 0:29:40 | 0:29:45 | |
And so you walked across it and there were places where | 0:29:45 | 0:29:47 | |
it had fallen through and had just a small fence round it | 0:29:47 | 0:29:50 | |
and underneath was - blurp, blurp - a volcanic mire. | 0:29:50 | 0:29:52 | |
-Yeah, I know, it's amazing, isn't it? -And they said to us, "Walk in pairs and don't jump up and down." | 0:29:52 | 0:29:57 | |
That was the safety brief. We gathered together and jumped up and down together. | 0:29:59 | 0:30:03 | |
Of course you did. Because they told you not to. | 0:30:03 | 0:30:05 | |
Because as 12-year-old boys, what are we doing to do? | 0:30:05 | 0:30:08 | |
Anyway, so can you name a Caribbean island group beginning with B? | 0:30:08 | 0:30:12 | |
Bahamas. | 0:30:12 | 0:30:13 | |
KLAXON BLARES | 0:30:13 | 0:30:14 | |
Oh, Alan got there first. And I'm afraid | 0:30:14 | 0:30:17 | |
-they're not Caribbean, no, they're Atlantic. -What? | 0:30:17 | 0:30:19 | |
They're not in the Caribbean, the Bahamas, they're in the Atlantic. | 0:30:19 | 0:30:23 | |
-I've been on holiday to them. I've done a lot of holidays. -Yes, you have. | 0:30:23 | 0:30:26 | |
There is an island group beginning with B in the Caribbean. | 0:30:26 | 0:30:29 | |
-British Virgin. -Very good in the audience. -That was a superb accent! | 0:30:29 | 0:30:34 | |
Someone shouted out one of the rarest things you could possibly imagine, British Virgin! | 0:30:34 | 0:30:39 | |
LAUGHTER AND APPLAUSE | 0:30:39 | 0:30:42 | |
I wouldn't have accepted Barbados because it's a single island. | 0:30:45 | 0:30:48 | |
-It's only one island, Barbados. -Exactly. There you go. | 0:30:48 | 0:30:50 | |
-The Bahamas are not in the Caribbean? -No, I know, big surprise. | 0:30:50 | 0:30:53 | |
This bloke came up and said, "I'm going to dress up as a small island off the coast of Italy." | 0:30:53 | 0:30:57 | |
I said, "Don't be SO SILLY." | 0:30:57 | 0:31:00 | |
Excellent! | 0:31:01 | 0:31:02 | |
Now, which is the largest of the Great Lakes of North America? | 0:31:04 | 0:31:07 | |
Ontario. | 0:31:07 | 0:31:09 | |
-KLAXON BLARES -No, it's not Ontario. | 0:31:09 | 0:31:11 | |
Is it a slightly trick question and is it Hudson? | 0:31:11 | 0:31:14 | |
-It's not Hudson, no, Hudson Bay. -That big... Oh, that's Hudson Bay. | 0:31:14 | 0:31:17 | |
Most of us were brought up to believe Lake Superior was the largest lake in the WORLD. | 0:31:17 | 0:31:21 | |
-That was the other one I was going to get wrong. -Yes. -Yes. | 0:31:21 | 0:31:23 | |
In fact, all Americans are taught now that it's actually | 0:31:23 | 0:31:26 | |
Michigan-Huron, which are two lakes together, | 0:31:26 | 0:31:31 | |
but now considered one lake for various technical reasons. | 0:31:31 | 0:31:34 | |
-Michigan-Huron. -They were formed - I know this... | 0:31:34 | 0:31:36 | |
They were formed after an ice age when the ice melted and retreated | 0:31:36 | 0:31:41 | |
and they left a big puddle, a very big puddle. | 0:31:41 | 0:31:43 | |
A very big puddle indeed. | 0:31:43 | 0:31:45 | |
It's connected by the Straits of Mackinac, along the top there. | 0:31:45 | 0:31:47 | |
But they're considered a single lake | 0:31:47 | 0:31:49 | |
because they lie at the same elevation and rise and fall together, so they are one lake. | 0:31:49 | 0:31:53 | |
-They're bigger than Lake Superior. -It is but one lake! -Exactly. | 0:31:53 | 0:31:56 | |
So, now, who can name a Shakespeare play set in Verona? | 0:31:56 | 0:31:58 | |
-LAUGHING KOOKABURRA -Yeah? | 0:32:00 | 0:32:02 | |
-Romeo and Juliet? -Yes, perfect, well done. | 0:32:02 | 0:32:05 | |
-Ah, thank you. -Well done. -APPLAUSE | 0:32:05 | 0:32:07 | |
Oh, thank you. | 0:32:07 | 0:32:09 | |
Yes, you avoided the trap of saying Two Gentlemen Of Verona, which is not set in Verona. | 0:32:10 | 0:32:14 | |
-He really looked like he was enjoying sitting for that portrait(!) -Yes, he did! | 0:32:14 | 0:32:18 | |
-Do you know where Two Gentlemen Of Verona IS set? -Birmingham. | 0:32:18 | 0:32:21 | |
Not in Birmingham. | 0:32:21 | 0:32:23 | |
-But Two Gentlemen Of Verona IS in Italy? -It is in Italy - it's actually set in Milan. -Great. | 0:32:24 | 0:32:28 | |
The gentlemen themselves are FROM Verona. But well avoided, well avoided, well avoided. | 0:32:28 | 0:32:33 | |
I went to see The Merchant Of Venice on Broadway, with Al Pacino, | 0:32:33 | 0:32:36 | |
and that seemed to be set in Brooklyn. | 0:32:36 | 0:32:38 | |
Yes, that would... | 0:32:40 | 0:32:41 | |
-AS PACINO: -"Does a Jew not have... | 0:32:41 | 0:32:44 | |
"FEELINGS?" | 0:32:44 | 0:32:45 | |
I remember I said to this bloke, | 0:32:45 | 0:32:48 | |
"I'm appearing in Hamlet at the Globe Theatre." He said, "Are you being facetious?" | 0:32:48 | 0:32:51 | |
I said, "No, Polonius." | 0:32:51 | 0:32:54 | |
-LAUGHTER -Very good. | 0:32:54 | 0:32:56 | |
Finally on "jeography", which country crosses the most time zones? | 0:32:56 | 0:33:02 | |
-Is it... Oh. -Yeah, go on, go on, do it, do it. -Come along. -Oh, all right. | 0:33:02 | 0:33:06 | |
-LAUGHING BABY Go on, hey. -Wales. | 0:33:06 | 0:33:10 | |
You see, I told you! I knew not to do it. | 0:33:10 | 0:33:15 | |
-And yet you won. -And you're, "Go on, do it." -At least you didn't get a klaxon. | 0:33:15 | 0:33:19 | |
Well, it was my first... | 0:33:19 | 0:33:20 | |
-Yeah? -Canada. -No, it's not Canada. -KLAXON BLARES | 0:33:20 | 0:33:24 | |
-I'm afraid we did... -I think it's a trick, because I think it's going to be a country that's got outposts. | 0:33:24 | 0:33:28 | |
Possessions, you're correct. | 0:33:28 | 0:33:30 | |
-Is it the United Kingdom? -It's not the United Kingdom. | 0:33:30 | 0:33:32 | |
We don't count our possessions as all being part of the mother country, | 0:33:32 | 0:33:36 | |
but one ex-colonial power | 0:33:36 | 0:33:37 | |
does regard all its outlying possessions as being | 0:33:37 | 0:33:40 | |
-part of the mother country. -LAUGHING KOOKABURRA | 0:33:40 | 0:33:42 | |
-France. -France? | 0:33:42 | 0:33:43 | |
France is right. Oh, yes, you got the buzzer, | 0:33:43 | 0:33:45 | |
I'll have to give it to Julia. | 0:33:45 | 0:33:47 | |
-Yes. -You were just too lazy to buzz. -Well, I was... | 0:33:47 | 0:33:49 | |
You've got to use the buzzer - that's the rule. | 0:33:49 | 0:33:51 | |
Exactly. | 0:33:51 | 0:33:52 | |
Yes, so France has 12 different time zones. | 0:33:52 | 0:33:55 | |
The US has 11 time zones, because of Hawaii being all the way, | 0:33:55 | 0:33:58 | |
and Russia nine. | 0:33:58 | 0:34:01 | |
Now, what is the longest thing about this animal? | 0:34:01 | 0:34:05 | |
Oh, its cock. | 0:34:05 | 0:34:06 | |
-Oh, dear, oh, dear. -Its ears. -It's a bilby. That's a bilby. | 0:34:06 | 0:34:10 | |
-It's not a bilby. -Oh, I just lost a point. -Is it not? | 0:34:10 | 0:34:12 | |
And the longest thing is not the ears, | 0:34:12 | 0:34:14 | |
we rather hid the longest thing. It's a cute little creature. | 0:34:14 | 0:34:17 | |
-Is it its tail? -It is the tail. | 0:34:17 | 0:34:19 | |
-Well done, and let's have a look. -Points! -I was going to say tail! | 0:34:19 | 0:34:22 | |
-Aw. -Oh, look at that. -It's a cute little thing. | 0:34:22 | 0:34:24 | |
-Look at him! -It hops like a little kangaroo. -It's easy to catch him, you stick your foot down. | 0:34:24 | 0:34:28 | |
There it goes. | 0:34:28 | 0:34:29 | |
-It lives in the Gobi Desert. -JULIA: That is cute. | 0:34:29 | 0:34:32 | |
And it has a very long tail, as you can see, that it uses for balance | 0:34:32 | 0:34:35 | |
and, rather like a kangaroo, it can also sit up on it. | 0:34:35 | 0:34:38 | |
Very, very endearing. | 0:34:38 | 0:34:40 | |
The ears are thought to be, you know, to let the cool... | 0:34:40 | 0:34:43 | |
to cool itself - the blood cools through the ears. That looks rather dead, that one. | 0:34:43 | 0:34:47 | |
Well, he's got a... He's treated himself to a Kinder Surprise. | 0:34:47 | 0:34:51 | |
-He's swallowed the toy and choked on it. -Yeah. And it's called a jerboa. | 0:34:52 | 0:34:58 | |
-Jerboa. -It's called a jerboa with a J, hence our J. | 0:34:58 | 0:35:01 | |
It's from an Arabian word in fact, meaning "flesh of the loins", | 0:35:01 | 0:35:05 | |
rather oddly. | 0:35:05 | 0:35:06 | |
But it's the same origin as the word gerbil. | 0:35:06 | 0:35:08 | |
And what is it about humans and big ears? | 0:35:08 | 0:35:10 | |
-They get bigger. -They get bigger. -The ears get bigger. -Yeah, I mean old... | 0:35:10 | 0:35:14 | |
So does the nose, is that right? | 0:35:14 | 0:35:17 | |
Old men do seem to have longer ears, | 0:35:17 | 0:35:19 | |
but the trouble is, no-one's done a study where they've measured their ears when they were younger | 0:35:19 | 0:35:23 | |
because it could well be, it's logical... | 0:35:23 | 0:35:27 | |
-The head's getting smaller. -..that having large ears is a predictor of a long life. | 0:35:27 | 0:35:30 | |
-I know what that man did for a living. -What's that? | 0:35:30 | 0:35:33 | |
He was a bowler hat model. | 0:35:33 | 0:35:35 | |
JULIA: That is a weird-looking guy. | 0:35:35 | 0:35:37 | |
-He was a very fine bowler hat model. -I've got quite big ears, | 0:35:37 | 0:35:41 | |
but I can also see what it's like to be someone whose ears are flat | 0:35:41 | 0:35:45 | |
against the side of their head, because I can go like that. | 0:35:45 | 0:35:47 | |
-Oh, my goodness. -And I can hold it, | 0:35:47 | 0:35:49 | |
and it's like having an instant face-lift, like that. | 0:35:49 | 0:35:52 | |
-How do you do that? -Well, I can't really talk like this as well. -I see. | 0:35:52 | 0:35:58 | |
I'll tell you later. It means I can do a thing like when you do it on a roller coaster | 0:35:58 | 0:36:02 | |
and you're just going over the top, you go... | 0:36:02 | 0:36:04 | |
LAUGHTER | 0:36:04 | 0:36:07 | |
I bet your so-called serious brother Jeremy can't do that. | 0:36:14 | 0:36:17 | |
-He can't do that. -Yeah. There's another way. | 0:36:17 | 0:36:19 | |
He could host a phone-in about it, though, couldn't he? | 0:36:19 | 0:36:22 | |
He could. Call in if you can wiggle your ears. | 0:36:22 | 0:36:25 | |
"Having a problem with your ears? Give us a ring now. Go on." | 0:36:25 | 0:36:28 | |
He did once on his show genuinely have... | 0:36:28 | 0:36:30 | |
I thought they were running out of things to do that day. | 0:36:30 | 0:36:33 | |
He said, "Please..." And, honestly, it wasn't a joke, | 0:36:33 | 0:36:35 | |
he said, "Please phone in if the sound of your own voice terrifies you." | 0:36:35 | 0:36:39 | |
That was a phone-in topic. And did anyone call in? | 0:36:41 | 0:36:44 | |
-People rang in screaming, "Argh!" -Any calls? -Get someone else to ring. | 0:36:44 | 0:36:48 | |
-Yeah, they had some people ring up. -Sobbing. | 0:36:48 | 0:36:51 | |
"Help me, I'm so afraid!" | 0:36:51 | 0:36:53 | |
Anyway, why would the King of France enjoy a naive salad for starters? | 0:36:54 | 0:36:59 | |
He's got a tiny head - has he got massive ears under that wig? | 0:36:59 | 0:37:02 | |
Of course, naive backwards is...? | 0:37:04 | 0:37:07 | |
-Evian. -Evian, as in the water. -Is it? | 0:37:07 | 0:37:11 | |
-Isn't it? Evian. -Yeah... Yes, it is... -Yes, it is. -..Mr Fry. | 0:37:11 | 0:37:13 | |
So it's not that it's backwards that it's relevant, | 0:37:13 | 0:37:16 | |
but it's that the letters of naive make Evian, | 0:37:16 | 0:37:20 | |
and the letters of naive salad could be rearranged to make... | 0:37:20 | 0:37:24 | |
-Dallas. -No, that would be, that would be two Ls, darling. | 0:37:24 | 0:37:28 | |
-You're absolutely right, carry on. -Yes, yeah. Naive salad. | 0:37:28 | 0:37:32 | |
See if we can rearrange them. Anyone in the audience who can see what's going on? | 0:37:32 | 0:37:35 | |
-Alive. -Alan...Davies! | 0:37:35 | 0:37:40 | |
APPLAUSE | 0:37:40 | 0:37:41 | |
-JULIA: Aah, yeah! -Naive salad. | 0:37:41 | 0:37:46 | |
-Of course, I think your middle name is Roger, isn't it? -It is. | 0:37:46 | 0:37:49 | |
So Alan R Davies would be "anal adviser", | 0:37:49 | 0:37:51 | |
um, which might be even better. | 0:37:51 | 0:37:55 | |
The King of France might enjoy an anal adviser. | 0:37:55 | 0:37:58 | |
Must get a business card done immediately. | 0:37:58 | 0:38:01 | |
Or you could be "a ladies van". | 0:38:01 | 0:38:03 | |
But the point is, the Kings of France enjoyed an Anagrammateur Royale - | 0:38:03 | 0:38:08 | |
a royal anagrammer. It was like a court jester. | 0:38:08 | 0:38:12 | |
He would make up flattering anagrams of your name. | 0:38:12 | 0:38:15 | |
We probably know the famous ones, like Britney Spears is an anagram of...? | 0:38:15 | 0:38:20 | |
Presbyterians, rather strangely, but it is. | 0:38:20 | 0:38:23 | |
Virginia Bottomley, who was a Tory MP under Margaret Thatcher, | 0:38:23 | 0:38:26 | |
anagramatises into "I'm an evil Tory bigot". | 0:38:26 | 0:38:29 | |
Which is just one of those things. | 0:38:31 | 0:38:33 | |
And you get ones... The ones which always fascinate me | 0:38:33 | 0:38:35 | |
is "laptop machines" is an anagram of Apple Macintosh, | 0:38:35 | 0:38:39 | |
-which is very extraordinary, isn't it? -Oh, wacky. | 0:38:39 | 0:38:42 | |
And in Japan they had a similar sort of wordplay fest, | 0:38:42 | 0:38:46 | |
which is where someone would start off with a haiku - five, seven, | 0:38:46 | 0:38:49 | |
five syllables - and then someone would add a seven syllable line. | 0:38:49 | 0:38:53 | |
It was called the maeku-zuke, responding to the front line. | 0:38:53 | 0:38:57 | |
And you'd end up making some witty or satirical poem on the fly. | 0:38:57 | 0:39:00 | |
And that's why I asked you to write a limerick. | 0:39:00 | 0:39:02 | |
-So have you got a limerick for me? Any of you? I hope you have. -I do. | 0:39:02 | 0:39:06 | |
-Oh, go on then. -Girls first. -Yeah. | 0:39:06 | 0:39:10 | |
SHE CLEARS THROAT | 0:39:10 | 0:39:12 | |
I carouse in a style bacchanalian | 0:39:12 | 0:39:15 | |
But I sleep in a way marsupalian | 0:39:15 | 0:39:18 | |
I like to eat cheese | 0:39:18 | 0:39:20 | |
But I never say please | 0:39:20 | 0:39:21 | |
Yes, I'm French but I'm also Australian. | 0:39:21 | 0:39:23 | |
Oh, that's very good! | 0:39:23 | 0:39:25 | |
It's certainly better than the one I know about an Australian. | 0:39:28 | 0:39:32 | |
There was a young man from Australia | 0:39:32 | 0:39:34 | |
Who painted his arse like a dahlia | 0:39:34 | 0:39:36 | |
Tuppence a smell Was all very well | 0:39:36 | 0:39:38 | |
But threepence a lick was a failure. | 0:39:38 | 0:39:40 | |
-Alan, what have you got for us? -I've got... | 0:39:45 | 0:39:47 | |
There once was a show on TV | 0:39:47 | 0:39:48 | |
That was always the smart place to be | 0:39:48 | 0:39:51 | |
I'm fully aware You'd rather be there | 0:39:51 | 0:39:53 | |
But instead you're stuck here with me. | 0:39:53 | 0:39:55 | |
Oh, very good. | 0:39:55 | 0:39:57 | |
I like it. | 0:39:57 | 0:39:59 | |
I've... | 0:39:59 | 0:40:01 | |
I've got one about Rob Brydon. Ooh. | 0:40:01 | 0:40:04 | |
-Ooh! -Just because I've found something that rhymes with Brydon. | 0:40:04 | 0:40:07 | |
There was a young man called Rob Brydon, | 0:40:07 | 0:40:09 | |
Whose favourite film was the Poseidon... | 0:40:09 | 0:40:13 | |
Adventure... | 0:40:13 | 0:40:14 | |
..and he... | 0:40:16 | 0:40:18 | |
Would watch it regularly | 0:40:18 | 0:40:20 | |
That funny old man called Rob Brydon. | 0:40:20 | 0:40:23 | |
Very good. Excellent because that's not an easy rhyme. Yeah, yeah. | 0:40:25 | 0:40:29 | |
It's easy to win on QI | 0:40:29 | 0:40:31 | |
You don't need an IQ that's high | 0:40:31 | 0:40:33 | |
Try not to be haughty Just be a bit naughty | 0:40:33 | 0:40:35 | |
And make sure you please Stephen Fry. | 0:40:35 | 0:40:37 | |
Yo, I like it! Very good. | 0:40:37 | 0:40:39 | |
I say. | 0:40:39 | 0:40:41 | |
Highly flattering. Many points. | 0:40:41 | 0:40:45 | |
Appearing one night on QI | 0:40:45 | 0:40:46 | |
I made up three facts on the fly | 0:40:46 | 0:40:49 | |
The first was untrue The second was too | 0:40:49 | 0:40:51 | |
And the third was about the size of my cock. | 0:40:51 | 0:40:53 | |
And it was no exaggeration, Julia. | 0:40:53 | 0:40:54 | |
Yes. Rob, what have you got for us? | 0:40:58 | 0:41:01 | |
Nothing, as will become evident. | 0:41:01 | 0:41:04 | |
There once was a chap called Tim Vine... | 0:41:04 | 0:41:06 | |
Oh, hello. | 0:41:06 | 0:41:07 | |
Whose punning was simply sublime | 0:41:07 | 0:41:09 | |
Sat next to Alan... Oh, bugger! | 0:41:09 | 0:41:12 | |
OK. | 0:41:15 | 0:41:17 | |
There once was a man called Tim Vine | 0:41:17 | 0:41:19 | |
Whose punning was more than just fine | 0:41:19 | 0:41:22 | |
Sat on the panel With no end of flannel | 0:41:22 | 0:41:26 | |
That lovely young chap called Tim Vine. | 0:41:26 | 0:41:29 | |
Tim Vine. | 0:41:29 | 0:41:30 | |
Oh, that's very good, very good. Very, very fine. | 0:41:30 | 0:41:32 | |
APPLAUSE | 0:41:32 | 0:41:34 | |
Here's one I read in one of the Piccolo book of jokes. | 0:41:34 | 0:41:37 | |
There was a young man from Devizes Whose ears were different sizes | 0:41:37 | 0:41:40 | |
One was quite small And no use at all | 0:41:40 | 0:41:42 | |
The other was huge and won prizes. | 0:41:42 | 0:41:45 | |
Oh, that's very sweet. I like that. Excellent. Well, | 0:41:45 | 0:41:48 | |
the strange thing about limericks is no-one knows why | 0:41:48 | 0:41:50 | |
they are called limericks. They seem to have no relationship to | 0:41:50 | 0:41:53 | |
the town of Limerick, but they are and continue to be | 0:41:53 | 0:41:56 | |
popular and sometimes excessively rude. | 0:41:56 | 0:41:58 | |
There was a young chaplain from Kings | 0:41:58 | 0:42:00 | |
Who talked about God and such things | 0:42:00 | 0:42:03 | |
But his real desire Was a boy in the choir | 0:42:03 | 0:42:06 | |
With a bottom like jelly on springs. | 0:42:06 | 0:42:07 | |
-There we go. -Lovely. -Fair enough. -JULIA: Top that! -Yeah. | 0:42:10 | 0:42:15 | |
That brings us to the somewhat predictable punch line that we call the scores. | 0:42:16 | 0:42:20 | |
Let's see what's been happening. | 0:42:20 | 0:42:22 | |
Well, divine as he is, | 0:42:22 | 0:42:23 | |
I'm afraid in last place with -27 is Tim Vine. | 0:42:23 | 0:42:27 | |
APPLAUSE | 0:42:27 | 0:42:29 | |
In a... | 0:42:32 | 0:42:35 | |
The beau of the valleys is in third place with -6, Rob Brydon. | 0:42:35 | 0:42:39 | |
APPLAUSE | 0:42:39 | 0:42:42 | |
Not good. | 0:42:42 | 0:42:43 | |
And far from a failure, | 0:42:43 | 0:42:46 | |
that wonderful Franco-Australian Julia, with -3. | 0:42:46 | 0:42:49 | |
APPLAUSE Oh, phew. Thank you. | 0:42:49 | 0:42:53 | |
APPLAUSE DROWNS SPEECH | 0:42:53 | 0:42:55 | |
It makes men gasp and stretch their eyes, | 0:42:55 | 0:42:58 | |
Alan Davies is clear winner with +12! | 0:42:58 | 0:43:01 | |
APPLAUSE | 0:43:01 | 0:43:03 | |
So that's all from Rob, Julia, Tim, Alan and me. | 0:43:09 | 0:43:12 | |
Thank you, good night and be extremely pleasant to each other. Bye-bye. | 0:43:12 | 0:43:15 | |
APPLAUSE | 0:43:15 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:34 | 0:43:37 |