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CHEERING AND APPLAUSE | 0:00:25 | 0:00:30 | |
Ho-ho-ho-ho-ho-ho-ho-ho-ho-ho-ho ho-ho-ho, | 0:00:30 | 0:00:35 | |
ho-ho-ho, | 0:00:35 | 0:00:36 | |
and welcome to QI for the J series Christmas Special, | 0:00:36 | 0:00:40 | |
which is, of course, called Jingle Bells. | 0:00:40 | 0:00:43 | |
And just look at my lovely, shiny baubles - | 0:00:43 | 0:00:46 | |
the sparkling Danny Baker... | 0:00:46 | 0:00:48 | |
Thank you, good evening. | 0:00:48 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:52 | |
..the twinkling Sarah Millican... | 0:00:54 | 0:00:56 | |
Yay! | 0:00:56 | 0:00:58 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:02 | |
..the glittering Phill Jupitus... | 0:01:02 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:07 | |
..and... | 0:01:10 | 0:01:11 | |
GLASS BREAKS | 0:01:11 | 0:01:14 | |
..oh, dear, he's fallen off the tree - Alan Davies. | 0:01:14 | 0:01:16 | |
CHEERING AND APPLAUSE | 0:01:16 | 0:01:19 | |
So, jingle your bells, please. Sarah goes... | 0:01:22 | 0:01:26 | |
TINKLE | 0:01:26 | 0:01:27 | |
Danny goes... | 0:01:27 | 0:01:29 | |
SLEIGH BELLS | 0:01:29 | 0:01:31 | |
Lovely. Phill goes... | 0:01:32 | 0:01:33 | |
CHURCH BELLS | 0:01:33 | 0:01:35 | |
Wow. And Alan goes... | 0:01:37 | 0:01:40 | |
'The bells, the bells!' | 0:01:40 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Very good. So now, first question. | 0:01:44 | 0:01:47 | |
It's a musical question. Where did Beethoven put his Jingling Johnny? | 0:01:47 | 0:01:52 | |
-TINKLE -Yes, Sarah? | 0:01:55 | 0:01:58 | |
Mrs Beethoven. | 0:01:58 | 0:01:59 | |
LAUGHTER | 0:01:59 | 0:02:01 | |
APPLAUSE | 0:02:01 | 0:02:03 | |
Somebody had to say it. | 0:02:05 | 0:02:06 | |
Yeah, well... | 0:02:06 | 0:02:08 | |
-Jingling Johnny? -Yes. What do you think? | 0:02:08 | 0:02:11 | |
I can't imagine a Jingling Johnny, and it's something | 0:02:11 | 0:02:14 | |
that the good folk at Durex have obviously missed out on. | 0:02:14 | 0:02:17 | |
A seasonal range, that actually... You know, with a bell in the um... | 0:02:17 | 0:02:23 | |
LAUGHTER | 0:02:23 | 0:02:26 | |
-With holly round it. -Yeah. Be nice. | 0:02:26 | 0:02:29 | |
I'll take that copy of Fifty Shades Of Grey away from you. | 0:02:29 | 0:02:33 | |
We've started our family Christmas show just as I hoped we would(!) | 0:02:33 | 0:02:35 | |
-Exactly. -Yes, merry Christmas... | 0:02:35 | 0:02:37 | |
-His Jingling Johnny, what might it be? -..Tiny Tim. | 0:02:37 | 0:02:40 | |
A triangle? | 0:02:40 | 0:02:41 | |
-Well, you're in the right area. -Ah. | 0:02:41 | 0:02:43 | |
It's an instrument. | 0:02:43 | 0:02:44 | |
Other composers, Haydn's 100th Symphony uses a Jingling Johnny. | 0:02:44 | 0:02:48 | |
Berlioz was extremely fond of them, as was John Philip Sousa. | 0:02:48 | 0:02:52 | |
-And I even have one. -Is it a cow bell? | 0:02:52 | 0:02:54 | |
It's rather more complex than that. It's this... | 0:02:54 | 0:02:57 | |
-Wow! -That is a Jingling Johnny. It's a large... | 0:02:58 | 0:03:01 | |
BELLS JINGLE | 0:03:01 | 0:03:03 | |
That would make your eyes water, wouldn't it? | 0:03:03 | 0:03:05 | |
You were supposed to not bring any props from the Hobbit back. | 0:03:05 | 0:03:08 | |
LAUGHTER | 0:03:08 | 0:03:10 | |
APPLAUSE | 0:03:10 | 0:03:13 | |
Seriously, seriously - I can see you... | 0:03:15 | 0:03:17 | |
You could go to Stonehenge next summer solstice | 0:03:17 | 0:03:20 | |
and you could own the joint with that! | 0:03:20 | 0:03:23 | |
Um, it was used as a marching... "Ch-ching-ch-ching." | 0:03:23 | 0:03:28 | |
You up-and-down it, with a march, up and down. | 0:03:28 | 0:03:32 | |
That's it, yes. | 0:03:32 | 0:03:34 | |
The army that used these began with J | 0:03:34 | 0:03:37 | |
and has a connection with Vienna, the Siege of Vienna, | 0:03:37 | 0:03:41 | |
-if that means anything historically to you. -As opposed to... | 0:03:41 | 0:03:44 | |
# The feeling has gone, only you and I, this means nothing to me... # | 0:03:44 | 0:03:49 | |
Not... Yeah. | 0:03:49 | 0:03:52 | |
# Oh, Vienna... # | 0:03:52 | 0:03:54 | |
Usually... | 0:03:54 | 0:03:55 | |
It's not Ultravox, it's earlier than that, Vienna... | 0:03:56 | 0:03:59 | |
Very good popular culture remembered. | 0:03:59 | 0:04:01 | |
It's good that I should know that, I don't know how I knew that, either. | 0:04:01 | 0:04:04 | |
Between Vienna and the East, | 0:04:04 | 0:04:06 | |
the whole of that part of Eastern Europe was owned by an empire. | 0:04:06 | 0:04:10 | |
-Ottoman Empire? -Ottoman Empire. | 0:04:10 | 0:04:12 | |
Their elite corps was called Janissaries. | 0:04:12 | 0:04:15 | |
And the Janissaries used these as they marched. | 0:04:15 | 0:04:19 | |
And Beethoven used it in one of his most famous compositions, | 0:04:19 | 0:04:21 | |
his Ninth Symphony, the Choral Symphony, he uses a Jingling Johnny. | 0:04:21 | 0:04:26 | |
And Hector Berlioz, one of the great French composers, claimed that | 0:04:26 | 0:04:30 | |
"The shaking of its sonorous locks added brilliancy to marching music." | 0:04:30 | 0:04:35 | |
Ah, I believe that it was later taken up, wasn't it, by... | 0:04:35 | 0:04:38 | |
On the X-Factor, it's how they...? | 0:04:38 | 0:04:42 | |
# Buddy you're a boy, make a big noise... # | 0:04:42 | 0:04:45 | |
Take it away, it's compulsive. | 0:04:45 | 0:04:47 | |
I think I'd better take it away from you. | 0:04:47 | 0:04:49 | |
-It's the Casio of its day. -It is. There are other... | 0:04:49 | 0:04:51 | |
Casio?! | 0:04:51 | 0:04:53 | |
There are other instruments of this nature. | 0:04:53 | 0:04:58 | |
Buskers make their own versions. | 0:04:58 | 0:04:59 | |
There's a thing called the lagerphone, | 0:04:59 | 0:05:01 | |
it's an Australian version where the ringing noise is made by, | 0:05:01 | 0:05:05 | |
can you guess? | 0:05:05 | 0:05:06 | |
-Lager cans. -Oh, yeah, bottle tops. | 0:05:06 | 0:05:07 | |
Yeah, crowns, the crowns of bottle tops, yeah, exactly. | 0:05:07 | 0:05:10 | |
There are other names for it in other languages, obviously. | 0:05:10 | 0:05:13 | |
The Dutch have the Kuttepiel and the Monkey Stick. | 0:05:13 | 0:05:15 | |
And, in Newfoundland, | 0:05:15 | 0:05:17 | |
they actually have something called the Ugly Stick, oddly enough. | 0:05:17 | 0:05:19 | |
The bumbass and the bladder fiddle, | 0:05:19 | 0:05:21 | |
which are versions that have a string attached that you pluck. | 0:05:21 | 0:05:24 | |
If you'd like me just to show you the majesty of Baker. | 0:05:24 | 0:05:27 | |
Name a '70s single that harnessed one of those instruments? | 0:05:27 | 0:05:31 | |
Er, Terry Dactyl And The Dinosaurs, Seaside Shuffle. | 0:05:31 | 0:05:34 | |
-Ladies and gentlemen, Danny Baker. -Wow! | 0:05:34 | 0:05:37 | |
APPLAUSE | 0:05:37 | 0:05:39 | |
It's like being in the room with Max Planck and Einstein | 0:05:44 | 0:05:46 | |
while they're talking physics. | 0:05:46 | 0:05:49 | |
Which instrument was it? | 0:05:49 | 0:05:51 | |
It was, they used the zob stick, which was what they called it, | 0:05:51 | 0:05:54 | |
which was the bottle toppy... # Da-da-da... # | 0:05:54 | 0:05:56 | |
Yes, they did. Terry Dactyl And The Dinosaurs. | 0:05:56 | 0:05:59 | |
You guys, you guys! But anyway, that was the Jingling Johnny. | 0:05:59 | 0:06:04 | |
So, moving on. | 0:06:04 | 0:06:05 | |
-How long does the Minute Waltz last? -Ah! | 0:06:05 | 0:06:09 | |
-You see, this show has been on for ten years now. -It's a double bluff. | 0:06:12 | 0:06:15 | |
Yeah, it's one of them, isn't it? | 0:06:15 | 0:06:16 | |
-60 seconds. -No! | 0:06:16 | 0:06:18 | |
KLAXON BLARES | 0:06:18 | 0:06:19 | |
-It's a shame. -It is a shame. | 0:06:19 | 0:06:22 | |
It ought to be one which is a double bluff, shouldn't it? | 0:06:22 | 0:06:24 | |
Is it going to be 61 seconds? | 0:06:24 | 0:06:26 | |
Yeah, like a baker's dozen, will it be like that, like 70 seconds? | 0:06:26 | 0:06:28 | |
-No, it isn't that. -Just a little bit more? | 0:06:28 | 0:06:30 | |
-KLAXON BLARES -Oh! | 0:06:30 | 0:06:32 | |
-I didn't say that! -It's Christmas! | 0:06:33 | 0:06:36 | |
It's Christmas, Mr Scrooge. | 0:06:36 | 0:06:38 | |
-Be of good cheer. -I'm sorry, Sarah Cratchit, you must stay on. | 0:06:40 | 0:06:46 | |
-No, the fact is... -An hour. | 0:06:46 | 0:06:48 | |
-A fortnight! -A fortnight! I like the idea of a fortnight. | 0:06:51 | 0:06:54 | |
-Ages. -No, it's almost my fault, except it isn't - | 0:06:54 | 0:06:57 | |
it's universally accepted that it is called the Minute Waltz, but... | 0:06:57 | 0:07:02 | |
-It's actually the Mi-nute Waltz. -Yes! | 0:07:02 | 0:07:04 | |
Oh! The points are back! | 0:07:04 | 0:07:06 | |
It was originally called, by... Who wrote it, by the way? | 0:07:08 | 0:07:12 | |
Phill, who wrote that? | 0:07:12 | 0:07:14 | |
-Who wrote that? -Oh, no, no. | 0:07:14 | 0:07:16 | |
Would you like to hear a piece of it? It might give you a hint. | 0:07:16 | 0:07:19 | |
MUSIC: "The Minute Waltz" | 0:07:19 | 0:07:21 | |
Chopin. | 0:07:21 | 0:07:23 | |
Very good! It's Chopin. | 0:07:23 | 0:07:25 | |
CHEERING AND APPLAUSE | 0:07:25 | 0:07:28 | |
It's Frederic Chopin. | 0:07:28 | 0:07:30 | |
Everyone calls it the Minute Waltz, | 0:07:30 | 0:07:32 | |
but it was actually called the Mi-nute Waltz. The Tiny Waltz. | 0:07:32 | 0:07:35 | |
Because it was originally called the Little Dog Waltz. | 0:07:35 | 0:07:37 | |
It was inspired by watching a little dog watching its own tail. | 0:07:37 | 0:07:41 | |
And he wrote the piece. | 0:07:41 | 0:07:42 | |
And you CAN play in 60 seconds. | 0:07:42 | 0:07:44 | |
If you do so, it's almost inaudible. | 0:07:44 | 0:07:46 | |
It would be an act of great virtuosity. | 0:07:46 | 0:07:48 | |
Liberace cut out what he called "the boring bits" | 0:07:48 | 0:07:51 | |
and played it in 37 seconds. | 0:07:51 | 0:07:54 | |
But, generally speaking, | 0:07:54 | 0:07:55 | |
it takes quite a lot longer than a minute to play. | 0:07:55 | 0:07:58 | |
But there is a Guinness record for the fastest pianist - | 0:07:58 | 0:08:01 | |
the greatest number of notes played in a minute. | 0:08:01 | 0:08:04 | |
PHILL: 700. | 0:08:04 | 0:08:05 | |
-700? -Yeah. -700 in a minute? Bloody hell. | 0:08:05 | 0:08:08 | |
Yeah, that would be... He'd be a good Morse coder, wouldn't he? | 0:08:08 | 0:08:11 | |
-He's got ten fingers! -No, no, with one finger. | 0:08:11 | 0:08:13 | |
-Oh. -Oh. -Oh! -This is playing with one finger. | 0:08:13 | 0:08:16 | |
Nine. | 0:08:16 | 0:08:17 | |
It's 498. | 0:08:19 | 0:08:21 | |
-Really?! -498 notes in one minute. With one finger on one note. | 0:08:21 | 0:08:26 | |
His name was Balazs Havasi, he was Hungarian. | 0:08:26 | 0:08:29 | |
Imagine if he'd had the other nine fingers - what he could have done! | 0:08:29 | 0:08:33 | |
I bet Mrs Havasi was delighted! | 0:08:34 | 0:08:37 | |
LAUGHTER AND APPLAUSE | 0:08:37 | 0:08:41 | |
Ahh! | 0:08:45 | 0:08:47 | |
God bless us, everyone! | 0:08:47 | 0:08:49 | |
Chopin, as it happened, was one of those people... | 0:08:51 | 0:08:53 | |
It's common amongst sportsmen, I believe, boxing managers | 0:08:53 | 0:08:57 | |
and rowing coaches always recommend that before the day | 0:08:57 | 0:09:01 | |
of an important race or fight, you do not release your precious fluid. | 0:09:01 | 0:09:07 | |
-Yes. -If you're male. And Chopin believed that. | 0:09:07 | 0:09:09 | |
He thought ejaculation weakened the creative impulse. | 0:09:09 | 0:09:13 | |
He died of TB, he died consumption, | 0:09:13 | 0:09:16 | |
and in his last days, he coughed blood onto the piano keys, | 0:09:16 | 0:09:19 | |
which is one of the great romantic images. | 0:09:19 | 0:09:21 | |
He was Polish, of course, but spent most of his time in Paris. | 0:09:21 | 0:09:24 | |
With his lover, whose name was...? | 0:09:24 | 0:09:26 | |
Dave. | 0:09:26 | 0:09:27 | |
-George. -George, sorry. I get them mixed up. | 0:09:29 | 0:09:31 | |
-But she was a woman. -She was a woman. | 0:09:31 | 0:09:33 | |
George Sand, the great French writer. | 0:09:33 | 0:09:35 | |
They had this turbulent and extraordinary affair. | 0:09:35 | 0:09:38 | |
And he died very young, with blood on the piano. Truly sad. | 0:09:38 | 0:09:40 | |
Oscar Wilde said, "After playing Chopin, I feel as if | 0:09:40 | 0:09:43 | |
"I have been weeping over sins that I have never committed." | 0:09:43 | 0:09:47 | |
Which is rather beautiful. | 0:09:47 | 0:09:48 | |
But he is many people's favourite composer | 0:09:48 | 0:09:50 | |
because he is so utterly, achingly romantic. | 0:09:50 | 0:09:53 | |
Who sang the first advertising jingle, | 0:09:53 | 0:09:57 | |
as it's Jingle Bells day today? | 0:09:57 | 0:09:59 | |
-Wasn't it...the, no? -Not Marconi himself, surely? | 0:09:59 | 0:10:01 | |
Marconi. "Hey, radio is the way forward." | 0:10:01 | 0:10:04 | |
"Hey, hey, pop-that-hasn't-been-invented-yet pickers, | 0:10:05 | 0:10:08 | |
"this is Marconi." | 0:10:08 | 0:10:10 | |
I was at a party at the BBC and I sat next to Marconi's widow. | 0:10:10 | 0:10:14 | |
I have touched the wife of the man who invented radio. | 0:10:14 | 0:10:18 | |
That does seem weird, doesn't it, that she was still alive? | 0:10:18 | 0:10:21 | |
-Where did you touch her? -Did she mind? Yeah. | 0:10:21 | 0:10:23 | |
She had been a young girl and he was quite an old man | 0:10:25 | 0:10:27 | |
when they married, but nonetheless, it's weird to think that | 0:10:27 | 0:10:30 | |
I could have met the inventor of radio's wife anywhere. | 0:10:30 | 0:10:32 | |
But the first jingle wasn't on the radio. | 0:10:32 | 0:10:34 | |
Oh, music hall? | 0:10:34 | 0:10:36 | |
Well, no. The first people ever to sing jingles would have been, | 0:10:36 | 0:10:39 | |
as it were, you and me. | 0:10:39 | 0:10:41 | |
They were written in newspapers and on pieces of paper with products. | 0:10:41 | 0:10:45 | |
There would be the music written out with the words, | 0:10:45 | 0:10:47 | |
so that you would sing it to yourself. | 0:10:47 | 0:10:49 | |
So you bought a packet of cigarettes and it went, | 0:10:49 | 0:10:51 | |
# I'm smoking cigarettes, I'm a man... # Whatever. | 0:10:51 | 0:10:55 | |
Because this was 20 years before they invented radio, | 0:10:55 | 0:10:58 | |
you know, we're talking about the 1870s and '80s. | 0:10:58 | 0:11:00 | |
Of course, a lot of people had little pianos | 0:11:00 | 0:11:02 | |
in their front parlours, | 0:11:02 | 0:11:04 | |
and they would get round and sing the, you know, | 0:11:04 | 0:11:06 | |
the Wrigley's song, or whatever it was. | 0:11:06 | 0:11:08 | |
And so the first people ever to sing jingles would have been | 0:11:08 | 0:11:10 | |
the members of the public themselves. | 0:11:10 | 0:11:12 | |
Have you heard the Von Moltke? | 0:11:12 | 0:11:13 | |
There's a wax cylinder of Von Moltke, the German general, | 0:11:13 | 0:11:17 | |
and it's the only recorded voice of someone born in the 18th century. | 0:11:17 | 0:11:20 | |
He was born in 1798. You can hear his voice. | 0:11:20 | 0:11:23 | |
That is extraordinary, isn't it? | 0:11:23 | 0:11:25 | |
I remember, I had the good fortune to meet Alistair Cook, | 0:11:25 | 0:11:27 | |
the great broadcaster. He said, "Shake my hand," | 0:11:27 | 0:11:29 | |
he said, "You're shaking the hand of someone who shook the hand of | 0:11:29 | 0:11:32 | |
"Bertrand Russell, the philosopher." And I said, "Wow, that's amazing. | 0:11:32 | 0:11:35 | |
He said, "Oh, no, no, that's not too strange." | 0:11:35 | 0:11:38 | |
He said, "What's strange is that Bertrand Russell's aunt | 0:11:38 | 0:11:41 | |
"danced with Napoleon." | 0:11:41 | 0:11:43 | |
So I shook the hand of someone who shook the hand of someone | 0:11:43 | 0:11:46 | |
whose aunt danced with Napoleon. | 0:11:46 | 0:11:48 | |
Wow! | 0:11:48 | 0:11:49 | |
-It is pretty amazing, isn't it? -That is something, yeah. | 0:11:49 | 0:11:52 | |
Let's go round the table. This hand shook the hand of John Lennon. | 0:11:52 | 0:11:55 | |
-Oh, wow. -That's good. | 0:11:55 | 0:11:56 | |
And to him, yeah. | 0:11:56 | 0:11:58 | |
Wow, there we are, we're passing it on. | 0:11:58 | 0:12:00 | |
Yeah, Louie Spence, I've shook his hand. | 0:12:00 | 0:12:01 | |
LAUGHTER AND APPLAUSE | 0:12:01 | 0:12:04 | |
Oh! Fantastic. | 0:12:06 | 0:12:08 | |
Go on... | 0:12:10 | 0:12:11 | |
-OK. -Go on, then. | 0:12:11 | 0:12:12 | |
-River Phoenix. -River Phoenix. | 0:12:12 | 0:12:15 | |
-Ooh. -Oh, good. -Here we go. | 0:12:15 | 0:12:17 | |
Er... | 0:12:17 | 0:12:19 | |
-Jennifer Lopez. -Wow, that's a goodie. | 0:12:19 | 0:12:21 | |
-And if you were coming across here? -Here we go. -Oh, OK. -Alan Davies. | 0:12:21 | 0:12:25 | |
Whoa! You've gone and trumped us all, haven't you? | 0:12:25 | 0:12:28 | |
My aunt and uncle are very close to Jesus. | 0:12:30 | 0:12:33 | |
Yes. | 0:12:34 | 0:12:35 | |
So back right off, all of you. | 0:12:35 | 0:12:37 | |
-Oh, there you go. But do you... -Especially today. | 0:12:37 | 0:12:39 | |
Jesus is still alive, so that doesn't really count. | 0:12:39 | 0:12:42 | |
Of course. He's behind you. | 0:12:42 | 0:12:43 | |
Whoa! | 0:12:43 | 0:12:45 | |
And in front. | 0:12:45 | 0:12:46 | |
And, and it's his birthday! | 0:12:46 | 0:12:47 | |
ALL: Hey! | 0:12:47 | 0:12:50 | |
ALAN MIMICS KLAXON | 0:12:50 | 0:12:52 | |
But radio... | 0:12:52 | 0:12:54 | |
radio jingles, on the other hand, | 0:12:54 | 0:12:56 | |
appeared in the 1920s, as a way, oddly, | 0:12:56 | 0:12:58 | |
to get round NBC's rule that you couldn't advertise directly, | 0:12:58 | 0:13:02 | |
but what you could do is sing songs which had the sponsor's name in. | 0:13:02 | 0:13:06 | |
And the show could even be named after the sponsor, | 0:13:06 | 0:13:09 | |
so like... | 0:13:09 | 0:13:11 | |
This is Rudy Vallee, a famous performer in his day, | 0:13:11 | 0:13:14 | |
he had an NBC show called Fleischmann's Yeast Hour. | 0:13:14 | 0:13:18 | |
LAUGHTER | 0:13:18 | 0:13:22 | |
Thankfully, that was followed by Perkins' Yoghurt Half-Hour. | 0:13:22 | 0:13:25 | |
And it was the Sunshine Vitamin Yeast jingle was, | 0:13:27 | 0:13:30 | |
they consider, probably one of the very first jingles. | 0:13:30 | 0:13:33 | |
Do you use jingles on your show? | 0:13:33 | 0:13:35 | |
I use vintage ones, the Ovaltinies one, cheers everybody up. | 0:13:35 | 0:13:37 | |
-Ovaltine is a great famous one. -And ones from the early '60s, you know? | 0:13:37 | 0:13:40 | |
"Sorry, mate, you're too late, the best peas went to Farrows," | 0:13:40 | 0:13:43 | |
-which, again, is a beautiful bit of copyright. -Oh, yes. | 0:13:43 | 0:13:46 | |
Hang on a minute, this is one... # Boom-boom-boom-boom. # | 0:13:46 | 0:13:49 | |
-Esso Blue. -There we go. -Yeah, I know. | 0:13:49 | 0:13:50 | |
It's mad, the things that stay in your head. | 0:13:50 | 0:13:52 | |
Ho-ho-ho... | 0:13:52 | 0:13:54 | |
ALL: # Green Giant. # | 0:13:54 | 0:13:55 | |
Free advertising on the BBC. Ah, there we go. | 0:13:57 | 0:14:01 | |
We're just going to be thigh-deep in paraffin and corn, me and Alan. | 0:14:01 | 0:14:05 | |
They're going to send you all kinds of free ones. | 0:14:05 | 0:14:08 | |
So now, what is that one for that malt whisky | 0:14:08 | 0:14:10 | |
that I was just trying to remember? No, but anyway... | 0:14:10 | 0:14:13 | |
Arguably, the first jinglist was actually a heretic called Arius. | 0:14:13 | 0:14:16 | |
He didn't believe in the Trinity. | 0:14:16 | 0:14:18 | |
This may not seem very relevant to us, but in this period, around 324, | 0:14:18 | 0:14:21 | |
they had the Council of Nicaea and his doctrine was formally condemned | 0:14:21 | 0:14:25 | |
but his way of spreading what he believed | 0:14:25 | 0:14:27 | |
to be the truth about Christ was in little songs. | 0:14:27 | 0:14:30 | |
One was... | 0:14:30 | 0:14:31 | |
"If you want the Logos Doctrine..." | 0:14:31 | 0:14:33 | |
Logos being "the word". | 0:14:33 | 0:14:35 | |
"I can serve hot and hot | 0:14:35 | 0:14:37 | |
"God begat Him | 0:14:37 | 0:14:38 | |
"And before he was begotten | 0:14:38 | 0:14:40 | |
"He was not." | 0:14:40 | 0:14:41 | |
In other words, Christ didn't exist until his Father gave birth to him, | 0:14:41 | 0:14:44 | |
which runs counter to Catholic dogma. | 0:14:44 | 0:14:47 | |
And so he apparently died - | 0:14:47 | 0:14:49 | |
the evidence is the picture in the background - | 0:14:49 | 0:14:52 | |
-of a rectal prolapse. -Oh, yes! -Supposedly... | 0:14:52 | 0:14:54 | |
GROANS | 0:14:54 | 0:14:56 | |
Looks like somebody mooning him in the picture. | 0:14:56 | 0:14:59 | |
Oh, oh! | 0:14:59 | 0:15:01 | |
-Oh! -"Yeah, that'll teach you to be heretical!" | 0:15:01 | 0:15:04 | |
"Yes, don't mess with me, or your bum will fall out. | 0:15:05 | 0:15:08 | |
"Hi, God here. Heard that jingle the other day. | 0:15:10 | 0:15:14 | |
"Not so snappy now, is it? | 0:15:14 | 0:15:16 | |
"Now you're there with your intestines coiled around your ankles, | 0:15:16 | 0:15:20 | |
-"you feel a bit of a dick. -All right. | 0:15:20 | 0:15:22 | |
The first jingles were actually written down | 0:15:22 | 0:15:25 | |
so you had to sing the jingle to yourself. | 0:15:25 | 0:15:27 | |
But what was Jingle Bells written to celebrate? | 0:15:27 | 0:15:31 | |
-The end of a war? -No, it wasn't that. | 0:15:31 | 0:15:33 | |
-End of a famine. -No. | 0:15:33 | 0:15:35 | |
The beginning of a famine. | 0:15:35 | 0:15:36 | |
LAUGHTER | 0:15:36 | 0:15:38 | |
The arrival of the first member of the Ku Klux Klan in Iceland. | 0:15:39 | 0:15:43 | |
-It does look a bit like that, doesn't it? -Christmas. | 0:15:44 | 0:15:47 | |
-No, not Christmas. -KLAXON BLARES | 0:15:47 | 0:15:49 | |
-One of these days, there'll be a double bluff. -There will be. | 0:15:49 | 0:15:52 | |
We do have double bluffs concealed within. | 0:15:52 | 0:15:54 | |
It was written by a man whose nephew | 0:15:54 | 0:15:56 | |
went on to become the richest man in America. | 0:15:56 | 0:15:59 | |
-Rockefeller. -Er, no, J Pierpont Morgan, the great banker. | 0:15:59 | 0:16:03 | |
But his uncle lived in Massachusetts | 0:16:03 | 0:16:06 | |
and, in 1857, he wrote a song. | 0:16:06 | 0:16:09 | |
And it was to celebrate a winter festival that takes place in America, | 0:16:09 | 0:16:12 | |
-not Christmas. -Thanksgiving? | 0:16:12 | 0:16:14 | |
Thanksgiving, exactly. | 0:16:14 | 0:16:16 | |
And he wrote the song and its real name was not Jingle Bells, but...? | 0:16:16 | 0:16:21 | |
-Turkey Legs? -Jingle Balls? -No. | 0:16:21 | 0:16:23 | |
It's a line from the song. | 0:16:23 | 0:16:24 | |
Jungle Bells? | 0:16:24 | 0:16:25 | |
It's a line FROM THE SONG. | 0:16:25 | 0:16:28 | |
Jingle All The Way? | 0:16:29 | 0:16:30 | |
One-Horse Open Sleigh is the name of the song. | 0:16:30 | 0:16:33 | |
It's called One-Horse Open Sleigh and he played it... | 0:16:33 | 0:16:36 | |
-HE MUMBLES JINGLE BELLS -# One-horse open sleigh... # | 0:16:36 | 0:16:38 | |
Yes, that's the one. That's right. | 0:16:38 | 0:16:40 | |
ALAN CONTINUES MUMBLING | 0:16:40 | 0:16:43 | |
Your mother will be coming to visit tomorrow! | 0:16:43 | 0:16:45 | |
LAUGHTER | 0:16:45 | 0:16:47 | |
I'm going to sit you in front... | 0:16:47 | 0:16:49 | |
# Jingle bells, jingle bells | 0:16:49 | 0:16:52 | |
# Batman smells... # | 0:16:52 | 0:16:53 | |
Oh, that's the one. | 0:16:53 | 0:16:55 | |
Anyway, people loved the tune and it became a big Christmas hit. | 0:16:55 | 0:16:58 | |
-Can I ask a question about the picture? -Yes. | 0:16:58 | 0:17:00 | |
Is the horse bleeding from the eyes? | 0:17:00 | 0:17:02 | |
-It does look a bit like it. -It does. It doesn't look well. | 0:17:05 | 0:17:07 | |
It's a rather freely-painted mane, isn't it? | 0:17:07 | 0:17:10 | |
But there's a happy, frisky dog and it's a Christmassy scene. | 0:17:10 | 0:17:14 | |
But while we're on something to do with songs, | 0:17:14 | 0:17:16 | |
what do you think was the first song ever played in space? | 0:17:16 | 0:17:19 | |
Oh, Silent Night? | 0:17:19 | 0:17:21 | |
It wasn't Silent Night. | 0:17:21 | 0:17:22 | |
These are the two astronauts who played it. | 0:17:22 | 0:17:24 | |
Their names are Walter, or Wally, Schirra Jr | 0:17:24 | 0:17:27 | |
and Thomas P Stafford and they were part of the project | 0:17:27 | 0:17:30 | |
before the Apollo project, which was called the Gemini Project. | 0:17:30 | 0:17:33 | |
And they were on Gemini 6. | 0:17:33 | 0:17:35 | |
And this is quite a wicked thing for them to do, | 0:17:35 | 0:17:38 | |
given that they were under military orders, working for NASA. | 0:17:38 | 0:17:41 | |
They smuggled aboard two musical instruments. | 0:17:41 | 0:17:45 | |
Which is quite a lot, cos that's payload, you know - | 0:17:45 | 0:17:47 | |
the amount of fuel that they use is calculated virtually to the ounce. | 0:17:47 | 0:17:51 | |
Were they two tubas? | 0:17:51 | 0:17:52 | |
No! | 0:17:52 | 0:17:54 | |
That would've been really impressive! | 0:17:55 | 0:17:58 | |
A euphonium! | 0:17:58 | 0:17:59 | |
It was a church organ and a gamelan. | 0:17:59 | 0:18:02 | |
ALAN IMITATES A TUBA | 0:18:02 | 0:18:06 | |
They were at least small enough to smuggle in. But what happened was... | 0:18:08 | 0:18:11 | |
-SPANISH ACCENT: -The castanets! | 0:18:11 | 0:18:13 | |
Their re-entry was on the 16th of December. | 0:18:13 | 0:18:17 | |
As they were working out their angle of re-entry, | 0:18:17 | 0:18:20 | |
they sent this message to Houston. | 0:18:20 | 0:18:22 | |
They said, "Houston, we have an object. | 0:18:22 | 0:18:24 | |
"Looks like a satellite going from North to South, | 0:18:24 | 0:18:27 | |
"probably in polar orbit. | 0:18:27 | 0:18:29 | |
"Looks like he might be going to re-enter soon. You might just... | 0:18:29 | 0:18:32 | |
"Let me pick up that thing. | 0:18:32 | 0:18:34 | |
"I see a command module and eight smaller modules in front. | 0:18:34 | 0:18:38 | |
"The pilot of the command module is wearing a red suit." | 0:18:38 | 0:18:42 | |
And then they got out what they'd smuggled, | 0:18:42 | 0:18:44 | |
which was a harmonica and sleigh bells and played Jingle Bells. | 0:18:44 | 0:18:48 | |
But just for a second, Houston were going, "Oh, my God!" | 0:18:48 | 0:18:52 | |
So he is real, then? | 0:18:52 | 0:18:54 | |
LAUGHTER AND APPLAUSE | 0:18:54 | 0:18:57 | |
Well, I've heard that... | 0:18:59 | 0:19:01 | |
Talking about NASA and practical jokes, but that craft that | 0:19:01 | 0:19:05 | |
we sent out into the universe with the big steel... | 0:19:05 | 0:19:08 | |
Oh, the Voyager. | 0:19:08 | 0:19:09 | |
The Voyager with the big circular explanations of all life. | 0:19:09 | 0:19:12 | |
Yes, with the disc. | 0:19:12 | 0:19:13 | |
It's got Chuck Berry on it and all kinds of things. | 0:19:13 | 0:19:16 | |
And a fella said, | 0:19:16 | 0:19:17 | |
"We also put on, to broadcast out, the Shave And A Haircut." | 0:19:17 | 0:19:20 | |
Literally a sound that goes... | 0:19:20 | 0:19:21 | |
HE TAPS OUT SHAVE AND A HAIRCUT | 0:19:21 | 0:19:23 | |
And they figure that any intelligent life couldn't leave it there | 0:19:23 | 0:19:27 | |
and one day they're going to get back... | 0:19:27 | 0:19:30 | |
-KNOCKS TWICE -..and go, "Yes!" | 0:19:30 | 0:19:31 | |
So there we are. | 0:19:33 | 0:19:34 | |
Now, can you explain the Jesus Christ Dinosaur Hypothesis? | 0:19:34 | 0:19:39 | |
Why might you call anything a Jesus-something? | 0:19:39 | 0:19:41 | |
Amongst the properties of Jesus, if you... | 0:19:41 | 0:19:43 | |
-A walk on water. -Walking on water, that's the one. | 0:19:43 | 0:19:47 | |
That's the one. Now, there's a particular kind of dinosaur, | 0:19:47 | 0:19:50 | |
a sort of intermediate dinosaur between birds and dinosaurs, | 0:19:50 | 0:19:53 | |
150 million years ago, which, in dinosaur terms | 0:19:53 | 0:19:57 | |
is quite recent, it was not long before they were all wiped out. | 0:19:57 | 0:19:59 | |
There is a picture. | 0:19:59 | 0:20:01 | |
Oh, isn't it beautiful? like all the dinosaurs. | 0:20:01 | 0:20:03 | |
They're pretty amazing. | 0:20:03 | 0:20:04 | |
Do you know what that one was called? | 0:20:04 | 0:20:06 | |
Dave. | 0:20:06 | 0:20:07 | |
One day the answer might be Dave, | 0:20:08 | 0:20:10 | |
one day the answer might be blue whale, it's going to be... | 0:20:10 | 0:20:14 | |
What I'm looking forward to is | 0:20:14 | 0:20:15 | |
when we have a blue whale called Dave and you DON'T get it. | 0:20:15 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:20 | |
They're called Archaeopteryx. | 0:20:20 | 0:20:22 | |
And all the fossils for Archaeopteryx, oddly enough, | 0:20:22 | 0:20:25 | |
are found in a place where there was a sea, | 0:20:25 | 0:20:28 | |
but there was absolutely no evidence of any trees, | 0:20:28 | 0:20:31 | |
therefore, it seemed very odd as to how they would fly. | 0:20:31 | 0:20:34 | |
And there is a suggestion that what they did was they ran on water, | 0:20:34 | 0:20:39 | |
rather in the way that swans, when they're about to take off... | 0:20:39 | 0:20:42 | |
Let's have a look at a swan about to take off, | 0:20:42 | 0:20:44 | |
you'll get the idea of what I mean. | 0:20:44 | 0:20:46 | |
They sort of, like that. It's a beautiful sight. | 0:20:46 | 0:20:48 | |
They can really run along the water. | 0:20:48 | 0:20:50 | |
PHILL MAKES ENGINE NOISE | 0:20:50 | 0:20:51 | |
They think that's what the Archaeopteryx might have done. | 0:20:51 | 0:20:54 | |
And there are other animals today, still exist, | 0:20:54 | 0:20:57 | |
that are called the Jesus-something, because they run on water. | 0:20:57 | 0:20:59 | |
-Can you think of any examples? -Well, there's a lizard. | 0:20:59 | 0:21:02 | |
There's a Jesus lizard, you might want to see a | 0:21:02 | 0:21:04 | |
Jesus lizard having a bit of a go. | 0:21:04 | 0:21:05 | |
The Jesus cow. | 0:21:05 | 0:21:07 | |
LAUGHTER | 0:21:07 | 0:21:09 | |
I would pay big money to see a Jesus cow. | 0:21:10 | 0:21:12 | |
So would I. I'd get one of my own. | 0:21:12 | 0:21:15 | |
How that works is they blow up their own udders really big. | 0:21:15 | 0:21:18 | |
Oh, like Space Hoppers! | 0:21:19 | 0:21:21 | |
There's something very Glen Larson about that, isn't there? | 0:21:25 | 0:21:29 | |
But the Jesus lizard can get up to about 20 metres, which is not bad. | 0:21:29 | 0:21:32 | |
Obviously when they stop, they sink, I mean, | 0:21:32 | 0:21:35 | |
so it's all about the fact that they are literally walking | 0:21:35 | 0:21:37 | |
or indeed in their case, running, on water. | 0:21:37 | 0:21:39 | |
They strike the water and they slap it and they go through. | 0:21:39 | 0:21:41 | |
-What else runs on water? -In Jamaica there's one, | 0:21:41 | 0:21:43 | |
that would have been written about by James Bond. | 0:21:43 | 0:21:46 | |
Bob Marley used to run on water. | 0:21:46 | 0:21:48 | |
This one would have been... | 0:21:48 | 0:21:49 | |
"Rita, me going for a run 'pon de lake. | 0:21:49 | 0:21:52 | |
"Hold me chalice while I run on de water." | 0:21:54 | 0:21:57 | |
"No woman no drown." | 0:21:59 | 0:22:01 | |
I'm full of cultural references at the moment. | 0:22:03 | 0:22:05 | |
This particular one would have been written about by James Bond. | 0:22:05 | 0:22:08 | |
Where did Ian Fleming get the name James Bond? | 0:22:08 | 0:22:11 | |
-From note paper. -No. He had a book. | 0:22:11 | 0:22:13 | |
He lived in Jamaica and he had a selection of books on Jamaica. | 0:22:15 | 0:22:19 | |
And there was a book called The Birds of Jamaica, | 0:22:19 | 0:22:22 | |
by a man called James Bond. | 0:22:22 | 0:22:23 | |
-Oh. -And that's where he got the name for his hero. | 0:22:23 | 0:22:26 | |
And so this man, James Bond, would certainly have | 0:22:26 | 0:22:28 | |
written about the Jacana, which is a Jesus bird, also called | 0:22:28 | 0:22:30 | |
the Jesus bird, for its apparent ability to walk on water. | 0:22:30 | 0:22:33 | |
He gets all the credit, and why not for James Bond? | 0:22:33 | 0:22:35 | |
But let's never forget he also wrote Chitty Bang Bang, Ian Fleming wrote Chitty Bang Bang. | 0:22:35 | 0:22:39 | |
Yes, Chitty Chitty Bang Bang. | 0:22:39 | 0:22:41 | |
And a character in that was called Caractacus Potts, | 0:22:41 | 0:22:43 | |
I didn't understand that joke for years. | 0:22:43 | 0:22:45 | |
-Potts, isn't that wonderful? -What's the joke? | 0:22:45 | 0:22:47 | |
LAUGHTER | 0:22:47 | 0:22:50 | |
He was a crack-pot, he was an inventor. | 0:22:50 | 0:22:52 | |
-Crack-pot. -Oh, a crack-pot! -Yeah. I know. -Ah. | 0:22:52 | 0:22:55 | |
Are you a Chitty Chitty Bang Bang fan? | 0:22:55 | 0:22:57 | |
I haven't watched it since I was a child, | 0:22:57 | 0:22:59 | |
-cos I think that's when you're supposed to watch it. -Supposed to. | 0:22:59 | 0:23:02 | |
Do you know, that's girls, you see, little girls grow up to be women | 0:23:02 | 0:23:05 | |
and little boys grow up to be big little boys. | 0:23:05 | 0:23:07 | |
-We've got too much stuff to do. -We still watch children's films. | 0:23:07 | 0:23:10 | |
-Do you have children, though? -No. | 0:23:10 | 0:23:11 | |
Ah, well, yes, when you do then remember... | 0:23:11 | 0:23:14 | |
-No, no, no, no. -You plan not to? | 0:23:14 | 0:23:16 | |
No. There's no "when", Stephen. | 0:23:16 | 0:23:18 | |
-There's no...? -No. | 0:23:18 | 0:23:19 | |
You're not going to adopt a little...shiny little baby? | 0:23:19 | 0:23:21 | |
A shiny one? | 0:23:21 | 0:23:23 | |
LAUGHTER | 0:23:23 | 0:23:25 | |
Are they varnished? Can I varnish one? | 0:23:25 | 0:23:27 | |
I don't know. They might be more attractive if they're shiny. | 0:23:27 | 0:23:31 | |
It's not my field, I don't... | 0:23:31 | 0:23:33 | |
And then Stephen revealed his plans for a child-buffing workshop. | 0:23:33 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:38 | |
Where craftsmen will get toddlers to a high sheen. | 0:23:40 | 0:23:44 | |
"More, more lacquer, little boy?" | 0:23:45 | 0:23:49 | |
PHILL IMITATES MACHINE NOISE | 0:23:51 | 0:23:54 | |
"Baaa. You're the shiniest one. | 0:23:56 | 0:24:01 | |
"We shall put you in the Harrods window." | 0:24:03 | 0:24:05 | |
Oh, stop it! | 0:24:05 | 0:24:06 | |
"I'm still alive in here, I'm still alive in here." | 0:24:06 | 0:24:09 | |
-"Why, I can see..." -"Help me!" | 0:24:09 | 0:24:11 | |
"I can see my face in your face. It's..." | 0:24:11 | 0:24:14 | |
MACHINE NOISE | 0:24:14 | 0:24:15 | |
You might have changed my mind, I thought they were very matt, | 0:24:15 | 0:24:18 | |
I had no idea. | 0:24:18 | 0:24:19 | |
Nice shiny little baby, I think they're lovely. | 0:24:19 | 0:24:22 | |
Although, slightly put off by the idea of the child-buffing... | 0:24:22 | 0:24:25 | |
LAUGHTER | 0:24:25 | 0:24:28 | |
Thank you for that, so much. | 0:24:31 | 0:24:34 | |
Let me take you back now to your childhood and innocence. | 0:24:36 | 0:24:39 | |
-You remember all those white Christmases? -No. | 0:24:39 | 0:24:41 | |
-No? -Oh, OK. I remember one. | 0:24:41 | 0:24:44 | |
-Yeah. -1971. | 0:24:44 | 0:24:46 | |
1970. The January was '71. | 0:24:46 | 0:24:48 | |
-There you go. -Christmas itself was 1970. | 0:24:48 | 0:24:50 | |
Had you said "yes" I would buzz you, | 0:24:50 | 0:24:52 | |
cos you don't remember any, cos you're from the Southeast. | 0:24:52 | 0:24:55 | |
You might remember a few more, cos South Shields has had more. | 0:24:55 | 0:24:57 | |
-We've actually tried to work out... -Have you? Good. | 0:24:57 | 0:25:00 | |
..how many white Christmases you've had. | 0:25:00 | 0:25:01 | |
We think you might have had them | 0:25:01 | 0:25:03 | |
-when you were one, three, four, five, six and nine. -Wow. | 0:25:03 | 0:25:06 | |
-Which is actually quite a lot. -That is quite a lot. | 0:25:06 | 0:25:08 | |
Because in the whole of the 20th Century, if you lived in London | 0:25:08 | 0:25:11 | |
and the Southeast, there were only four white Christmases. | 0:25:11 | 0:25:14 | |
-Ha-ha! -I know! | 0:25:14 | 0:25:15 | |
It is extraordinary. | 0:25:16 | 0:25:18 | |
And they were in 1927, 1938, 1970 and 1981. | 0:25:18 | 0:25:23 | |
As we know, in the 21st century, we've had a few. | 0:25:23 | 0:25:25 | |
But what's important about this is that in the early part of | 0:25:25 | 0:25:29 | |
the 19th century, around about 1812 to 1820, there were eight in a row. | 0:25:29 | 0:25:34 | |
Oh. | 0:25:34 | 0:25:35 | |
Now, why was that important to our culture? | 0:25:35 | 0:25:38 | |
Is that when the song was written? | 0:25:38 | 0:25:40 | |
No. A certain child was born in 1812. We will... | 0:25:40 | 0:25:44 | |
Jesus. | 0:25:44 | 0:25:45 | |
LAUGHTER | 0:25:45 | 0:25:47 | |
Mormon! | 0:25:47 | 0:25:48 | |
You really do need a little bit of a religious education. | 0:25:48 | 0:25:51 | |
This was an author, a writer whose created idea... | 0:25:51 | 0:25:53 | |
-Charles Dickens. -Oh, OK, Dickens, yeah. | 0:25:53 | 0:25:55 | |
Charles Dickens. For the first eight years of his life, | 0:25:55 | 0:25:58 | |
it always snowed on Christmas Day. | 0:25:58 | 0:26:00 | |
And so whenever he mentions Christmas, not just | 0:26:00 | 0:26:03 | |
in A Christmas Carol, but in several other novels, it's always snowing, | 0:26:03 | 0:26:06 | |
and this helped the myth in British culture of a snowy Christmas. | 0:26:06 | 0:26:10 | |
He also lived at a time known as the Little Ice Age, you know this, | 0:26:10 | 0:26:14 | |
-I'm sure you've seen paintings of fairs on the River Thames. -Yeah. | 0:26:14 | 0:26:18 | |
There were times when the River Thames froze so solidly they | 0:26:18 | 0:26:20 | |
would have fairs, not just fairs, they'd have bonfires on the ice. | 0:26:20 | 0:26:23 | |
Those crazy Cockneys. | 0:26:23 | 0:26:25 | |
Yes. But that they could guarantee... | 0:26:25 | 0:26:27 | |
-"Light a fire up!" -Yeah. -"It's freezing!" | 0:26:27 | 0:26:30 | |
"Let's light a fire on the river on the ice. | 0:26:30 | 0:26:33 | |
"What could possibly go wrong?" | 0:26:33 | 0:26:35 | |
The odd thing is... | 0:26:35 | 0:26:37 | |
"It's cold on the ice, innit?" "Yes!" | 0:26:37 | 0:26:39 | |
"Let's light a fire and drill 'oles!" | 0:26:39 | 0:26:42 | |
But the odd thing is, nothing did go wrong, | 0:26:42 | 0:26:44 | |
because it was so thick, the ice. | 0:26:44 | 0:26:45 | |
The last frost fair, as they were called, was in 1813/14, | 0:26:45 | 0:26:49 | |
-on the frozen River Thames. -Wow. | 0:26:49 | 0:26:51 | |
But anyway, this century we've had more white Christmases, | 0:26:51 | 0:26:53 | |
as we know, but only four in the entire 20th Century, | 0:26:53 | 0:26:57 | |
-and only two in our lifetimes. -Yeah. -More in Scotland. | 0:26:57 | 0:26:59 | |
I'm really being very metro-centric here and I apologise for that. | 0:26:59 | 0:27:02 | |
But that's just the fact of the matter. | 0:27:02 | 0:27:04 | |
So describe a typical snowflake. | 0:27:04 | 0:27:07 | |
Six-sided. | 0:27:07 | 0:27:08 | |
No, it is an odd misconception that people have | 0:27:08 | 0:27:11 | |
that snowflakes have two properties - | 0:27:11 | 0:27:13 | |
one is that they're hexagonal, six-sided. | 0:27:13 | 0:27:15 | |
-They're cold. They're made of snow. -That is true. -They're white. | 0:27:15 | 0:27:18 | |
-I'm talking about the common fallacies. -Oh. | 0:27:18 | 0:27:20 | |
Right, the fallacies are... | 0:27:20 | 0:27:21 | |
Well, I'm trying to describe a typical snowflake, Stephen. | 0:27:21 | 0:27:25 | |
Yeah. Oh, bless. | 0:27:25 | 0:27:27 | |
I'm sorry. I didn't mean to slap you down. | 0:27:27 | 0:27:29 | |
Oh, I feel like a puppy's run into a mirror. | 0:27:29 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:35 | |
I'm sorry. Er... | 0:27:37 | 0:27:39 | |
Um... Another misconception about them is not just they're six-sided | 0:27:40 | 0:27:43 | |
but that they're always...? | 0:27:43 | 0:27:45 | |
-..falling from the sky. -No. | 0:27:45 | 0:27:47 | |
-Those are all accurate. -Symmetrical? -Symmetrical. | 0:27:47 | 0:27:50 | |
And they are not, exactly. Yes, they're neither... | 0:27:50 | 0:27:53 | |
They can be like this, they can be needle-shaped, | 0:27:53 | 0:27:56 | |
they can be those, with little square ends on the end. | 0:27:56 | 0:27:58 | |
But the fact is, it's just photographers have found | 0:27:58 | 0:28:02 | |
that people are incredibly drawn to beautiful, hexagonal ones. | 0:28:02 | 0:28:06 | |
And they're the ones that a schoolchild learns about | 0:28:06 | 0:28:09 | |
and they are mistakenly told that that's what all snowflakes are like. | 0:28:09 | 0:28:13 | |
So, there we are. You can, however, make artificial snowflakes. | 0:28:13 | 0:28:16 | |
I'm now going to bamboozle and astound you | 0:28:16 | 0:28:19 | |
with my tray of delights. | 0:28:19 | 0:28:20 | |
Here we are. It's an ordinary tray. I've got here water... | 0:28:20 | 0:28:24 | |
-and I have... -Cocaine? | 0:28:24 | 0:28:26 | |
..Peruvian cocaine. No, stop it. | 0:28:26 | 0:28:27 | |
LAUGHTER | 0:28:27 | 0:28:29 | |
It's just a dry powder called sodium polyacrylate | 0:28:29 | 0:28:33 | |
and it is found in what you might call an ordinary... | 0:28:33 | 0:28:35 | |
-Custard. -What you might call an ordinary household object. | 0:28:35 | 0:28:40 | |
I'm holding up here, for the first time in my life, a nappy. | 0:28:40 | 0:28:43 | |
And, if I rip this open, under the cotton wool, | 0:28:43 | 0:28:47 | |
if I just sort of give it a little bit of a rub here, | 0:28:47 | 0:28:49 | |
you might just see in my hand there is some of this... | 0:28:49 | 0:28:52 | |
Can you see it there? Yeah, some of this powder. | 0:28:52 | 0:28:55 | |
This powder is so extraordinary - it can take on water, | 0:28:55 | 0:28:58 | |
200 to 300 times its mass, | 0:28:58 | 0:29:01 | |
and absorb it, which is why these work so well. | 0:29:01 | 0:29:04 | |
And to prove it, here's all of this water being poured into here. | 0:29:04 | 0:29:08 | |
And you'll see... | 0:29:08 | 0:29:10 | |
it actually takes the whole lot in like that, all of this... | 0:29:10 | 0:29:15 | |
here... | 0:29:15 | 0:29:16 | |
is dry. | 0:29:16 | 0:29:17 | |
It's dry and it's cold. | 0:29:19 | 0:29:21 | |
And that is completely dry. | 0:29:21 | 0:29:24 | |
Now, this is incredibly useful. | 0:29:24 | 0:29:26 | |
We have a leading company in Britain that does something better than | 0:29:26 | 0:29:29 | |
anyone else in the film business and that is they make, guess what? | 0:29:29 | 0:29:33 | |
-Fake snow. -Artificial snow. | 0:29:33 | 0:29:35 | |
And the company's name is, not surprisingly, Snow Business. | 0:29:35 | 0:29:39 | |
And they make... 40, 50, 60 types of different snow, this company makes. | 0:29:39 | 0:29:43 | |
And one of them uses this same chemical effect. | 0:29:43 | 0:29:45 | |
It is rather remarkable. This is completely dry. | 0:29:45 | 0:29:48 | |
-That's in nappies? -And that's in nappies. | 0:29:48 | 0:29:50 | |
That's what absorbs the amount of... | 0:29:50 | 0:29:52 | |
You see nappies all over beaches and in the ocean, | 0:29:52 | 0:29:54 | |
I'm surprised you can't walk to France by now! | 0:29:54 | 0:29:57 | |
Babies would be like the Incredible Hulk | 0:29:58 | 0:30:01 | |
and just bursting out of their clothes, wouldn't they? | 0:30:01 | 0:30:04 | |
I agree. It sort of puffs it up a bit, but it stays dry. | 0:30:04 | 0:30:07 | |
-Did you like your little chemistry lesson? -Loved it! | 0:30:07 | 0:30:09 | |
Hooray! Thank you very much. | 0:30:09 | 0:30:11 | |
APPLAUSE | 0:30:11 | 0:30:13 | |
Well... So, anyway, | 0:30:13 | 0:30:17 | |
what's the best thing to do with your old Christmas tree? | 0:30:17 | 0:30:20 | |
TINKLE | 0:30:20 | 0:30:22 | |
-Yes? -I just... | 0:30:22 | 0:30:23 | |
I put mine back in the spare room. | 0:30:23 | 0:30:26 | |
I do, and I just, it's still fully decorated. | 0:30:27 | 0:30:30 | |
-I just unplug it. -Oh, so you have an artificial one? -Of course. | 0:30:30 | 0:30:33 | |
-Oh, I see. -I just unplug it and then put it all in, | 0:30:33 | 0:30:36 | |
so in my spare room it's always Christmas. | 0:30:36 | 0:30:39 | |
AUDIENCE: Aww... | 0:30:39 | 0:30:41 | |
Well, imagine if it was a real tree, rather than an artificial one. | 0:30:41 | 0:30:45 | |
Sell it to Africans? | 0:30:45 | 0:30:46 | |
Cos according to Bob Geldof, they don't know when it's Christmas. | 0:30:46 | 0:30:49 | |
And you... | 0:30:49 | 0:30:50 | |
LAUGHTER | 0:30:50 | 0:30:52 | |
So, oh, here's a tree, when you've finished with it. | 0:30:52 | 0:30:55 | |
But when you've finished with it, it's too late. | 0:30:55 | 0:30:57 | |
-It won't be Christmas. -No, they don't know, do they? | 0:30:57 | 0:31:00 | |
They do know when it's January. | 0:31:00 | 0:31:01 | |
But do they know it's Christmas time at all? No. | 0:31:01 | 0:31:04 | |
You're compounding the felony. Well, it's rather pleasing. | 0:31:04 | 0:31:06 | |
It's actually possibly the best thing you could think of doing. | 0:31:06 | 0:31:10 | |
Give it to a zoo. There are animals that would love it. | 0:31:10 | 0:31:13 | |
-In Germany, they do this regularly. -Aww... | 0:31:13 | 0:31:16 | |
-Yeah. Elephants, elephants love it. -Isn't that lovely, look? -I know. | 0:31:16 | 0:31:19 | |
An elephant can have five Christmas trees for lunch. | 0:31:19 | 0:31:21 | |
Five Christmas trees! | 0:31:21 | 0:31:23 | |
And giraffes, rhinos, at Dresden Zoo, camel, deer, | 0:31:23 | 0:31:26 | |
sheep also enjoy it. | 0:31:26 | 0:31:28 | |
So before London Zoo writes me a letter saying, | 0:31:28 | 0:31:32 | |
"What the hell have you done, Stephen? | 0:31:32 | 0:31:35 | |
"The entire Regents Park is covered," | 0:31:35 | 0:31:38 | |
ring up the zoo first and ask if they'd like your Christmas tree. | 0:31:38 | 0:31:41 | |
But as long as it isn't too covered in hideous bits of silver tinsel, | 0:31:41 | 0:31:44 | |
and you've got rid of all the nastiness. | 0:31:44 | 0:31:46 | |
How much cuter that elephant would look | 0:31:46 | 0:31:48 | |
if it had a little bit of tinsel on it. | 0:31:48 | 0:31:49 | |
Well, it might look cuter, | 0:31:49 | 0:31:51 | |
but I don't think it's nutritively valuable for it. | 0:31:51 | 0:31:54 | |
No. You know what tinsel is? | 0:31:54 | 0:31:56 | |
Mirrors for snakes. | 0:31:56 | 0:31:57 | |
-Aah. -Aah. I like that, that's rather sweet. | 0:31:57 | 0:32:01 | |
That's adorable. | 0:32:01 | 0:32:02 | |
And would you think that your artificial tree | 0:32:02 | 0:32:06 | |
is more environmentally friendly | 0:32:06 | 0:32:08 | |
or is a real tree more environmentally friendly? | 0:32:08 | 0:32:11 | |
I would think artificial, | 0:32:11 | 0:32:13 | |
but you're probably going to tell me I'm wrong. | 0:32:13 | 0:32:15 | |
No, it has been a moot point, but it is generally now agreed that, | 0:32:15 | 0:32:20 | |
in fact, it is better to buy a real tree for the environment. | 0:32:20 | 0:32:22 | |
They can be mulched | 0:32:22 | 0:32:23 | |
and, if they have their roots, they can be replanted. | 0:32:23 | 0:32:25 | |
There is evidence of some chemicals being emitted by plastic ones. | 0:32:25 | 0:32:29 | |
Also, conifers have fungi on their roots | 0:32:29 | 0:32:31 | |
that support the soil ecosystem and, while they're growing, | 0:32:31 | 0:32:35 | |
they support birdlife and also improve the soil, | 0:32:35 | 0:32:38 | |
so, in the end, you're better off buying a real one. | 0:32:38 | 0:32:40 | |
But if I had a real one, I'd still leave it decorated in my spare room. | 0:32:40 | 0:32:43 | |
Fair enough! | 0:32:43 | 0:32:45 | |
I can't bear people who do that on Boxing Day. | 0:32:45 | 0:32:47 | |
Sometimes you go out Boxing Day or the day after | 0:32:47 | 0:32:49 | |
and there's trees outside people's houses, that's not the spirit. | 0:32:49 | 0:32:52 | |
-6th of January. -There you go. -Yes, Twelfth Night. | 0:32:52 | 0:32:54 | |
-Is it? Is it? -Yes. | 0:32:54 | 0:32:56 | |
Because that's a perennial argument. It's the 6th, is it? | 0:32:56 | 0:32:58 | |
-Yes. Twelfth Night. -Oh, OK. -Yes. | 0:32:58 | 0:33:00 | |
Because we do it on the 5th and that's why I've had no luck. | 0:33:00 | 0:33:03 | |
-Well, no, ah. -Ah. -Ah. | 0:33:03 | 0:33:05 | |
Well, is it midnight on the 5th or is it...? Oh, hell! | 0:33:05 | 0:33:07 | |
That's what this programme's here for, things like this. | 0:33:07 | 0:33:10 | |
Now you've got me worried. | 0:33:10 | 0:33:12 | |
Oh, the chatrooms will be ablaze now. | 0:33:12 | 0:33:14 | |
LAUGHTER | 0:33:14 | 0:33:16 | |
-It's the 5th. -Right. -If you include Christmas Night, that's one. | 0:33:16 | 0:33:19 | |
Oh, hell. Oh, God. | 0:33:19 | 0:33:23 | |
26th, 27th, 28th, 29th, 30, 31, 1, 2, 3, 4, 5. | 0:33:23 | 0:33:29 | |
-Bang, thank you. There you go. -That's the 7th night, then. | 0:33:29 | 0:33:33 | |
-What I've done there is... -He's gone round once. | 0:33:35 | 0:33:37 | |
..I've gone round once. | 0:33:37 | 0:33:39 | |
Take that away, I'll take that away. | 0:33:39 | 0:33:41 | |
Get your socks off, get your socks off, | 0:33:41 | 0:33:43 | |
it's the only way he'll believe you. | 0:33:43 | 0:33:44 | |
I think the jury's still out. | 0:33:44 | 0:33:46 | |
Anyway, we're going to have a quick-fire round now | 0:33:46 | 0:33:48 | |
and it's about Jesus, because it isn't just about eggnog and tinsel. | 0:33:48 | 0:33:51 | |
So, fingers on buzzers. What did Jesus' mum call him? | 0:33:51 | 0:33:54 | |
-TINKLE -Yes? | 0:33:54 | 0:33:55 | |
-Shiny? -Shiny. She might have called him shiny. | 0:33:55 | 0:33:59 | |
'The bells, the bells!' | 0:33:59 | 0:34:02 | |
Joe Junior. | 0:34:02 | 0:34:03 | |
Closer, basically, yes. There is a name that he had. | 0:34:04 | 0:34:07 | |
"Yay-zus." The name that we have called Jesus, | 0:34:07 | 0:34:11 | |
that's a Greek version of a Hebrew name which is also | 0:34:11 | 0:34:14 | |
used as a name given to people in Britain. | 0:34:14 | 0:34:17 | |
Dave. | 0:34:17 | 0:34:18 | |
LAUGHTER AND APPLAUSE | 0:34:18 | 0:34:21 | |
I'll tell you what I will do... | 0:34:23 | 0:34:24 | |
Welcome back. | 0:34:24 | 0:34:26 | |
I'll tell you what, I'll give you points if you can tell me | 0:34:26 | 0:34:28 | |
why there are so many begats - "So-and-so begat, so-and-so begat" - | 0:34:28 | 0:34:32 | |
until they come to Joseph in the opening Gospels. | 0:34:32 | 0:34:35 | |
Who were they trying to prove that Christ was descended from? | 0:34:35 | 0:34:37 | |
Oh, Abraham. | 0:34:37 | 0:34:39 | |
-Dave! -Dave. -Yes, David. | 0:34:39 | 0:34:41 | |
-David, David. -That was the answer that would have been Dave. | 0:34:41 | 0:34:44 | |
And I said Abraham, what a idiot! | 0:34:44 | 0:34:46 | |
He's given it to me on a plate. He had a plate. | 0:34:46 | 0:34:48 | |
I gave it to you on a plate. | 0:34:48 | 0:34:50 | |
Yes, he was descended from Dave, but his real name was Yeshua, | 0:34:50 | 0:34:53 | |
which is in fact? | 0:34:53 | 0:34:54 | |
-Joshua. -He was Joshua. His name was Yeshua. | 0:34:54 | 0:34:57 | |
His mother would have called him Yeshua or Joshua. | 0:34:57 | 0:35:00 | |
So that's one. OK, very good. | 0:35:00 | 0:35:02 | |
Where is the world's tallest statue of Jesus? | 0:35:02 | 0:35:04 | |
Oh... | 0:35:05 | 0:35:06 | |
Now. Ah, now. Is it the statue or is it on top of something? | 0:35:06 | 0:35:09 | |
The statue height or how high? | 0:35:09 | 0:35:11 | |
-The actual, simply, tallest statue of Jesus. -I'm going to guess | 0:35:11 | 0:35:14 | |
Rio de Janeiro. | 0:35:14 | 0:35:15 | |
Oh, dear, no, sadly it isn't Rio. | 0:35:15 | 0:35:17 | |
We all know that one, Cristo Redentor, the famous one there. | 0:35:17 | 0:35:20 | |
It's a tall one, it's a tall one. | 0:35:20 | 0:35:22 | |
It is, gosh it's tall. Don't get me wrong. | 0:35:22 | 0:35:24 | |
But... | 0:35:24 | 0:35:25 | |
'The bells, the bells!' | 0:35:25 | 0:35:28 | |
-America. -No. There is an even taller one in Bolivia, | 0:35:28 | 0:35:31 | |
but that's not the tallest either. | 0:35:31 | 0:35:33 | |
The actual tallest one is in Poland. | 0:35:33 | 0:35:34 | |
Oh. | 0:35:34 | 0:35:36 | |
Would you believe? In Swiebodzin, I'm sure I've pronounced that wrong. | 0:35:36 | 0:35:39 | |
There it is. | 0:35:39 | 0:35:40 | |
It's 33 metres tall, one metre for each year of Christ's life, | 0:35:40 | 0:35:43 | |
plus a three-metre crown. | 0:35:43 | 0:35:45 | |
If the crown wasn't on that, the one in Bolivia would be the tallest. | 0:35:45 | 0:35:49 | |
So, now, how many people did Jesus feed at the feeding of the 5,000? | 0:35:49 | 0:35:53 | |
TINKLE | 0:35:57 | 0:35:58 | |
Yes, go on? | 0:35:58 | 0:35:59 | |
4,998 because there was a couple who were bit suspicious. | 0:35:59 | 0:36:04 | |
-They don't like fish. -Yeah, exactly. -A couple of vegans. | 0:36:05 | 0:36:09 | |
"Oh, no, it gives me the creeps, all scaly, oh, no, no. | 0:36:09 | 0:36:12 | |
"Can I just have toast? All right, nothing for me, then." | 0:36:12 | 0:36:15 | |
I will quote you Matthew, 14.21, "The number of those who ate was | 0:36:15 | 0:36:19 | |
"5,000 men, besides women and children." | 0:36:19 | 0:36:22 | |
-Oh. -Oh. -So there were a lot more than 5,000. -Why don't we count? | 0:36:22 | 0:36:26 | |
It's the Bible. | 0:36:26 | 0:36:27 | |
Women get stoned just for looking at people in an odd way. | 0:36:27 | 0:36:30 | |
Very different times. Different times. | 0:36:30 | 0:36:32 | |
I'm afraid it's not fair or right or just and I agree with you, | 0:36:32 | 0:36:34 | |
-it's horrible. -Stupid thing! | 0:36:34 | 0:36:36 | |
APPLAUSE | 0:36:36 | 0:36:38 | |
I'm with you. | 0:36:40 | 0:36:42 | |
It was known as The Miracle Of The Five Loaves And Two Fishes. | 0:36:42 | 0:36:45 | |
However, how many were there at the feeding of the 4,000? | 0:36:45 | 0:36:48 | |
Oh... | 0:36:48 | 0:36:49 | |
4,000 men! Huh! | 0:36:49 | 0:36:51 | |
Well, oddly enough, this is a separate one, a separate feeding. | 0:36:53 | 0:36:56 | |
Because you've got the 5,000 in Matthew and the 4,000. | 0:36:56 | 0:36:59 | |
This one he fed 4,000 men plus the women and children, again, | 0:36:59 | 0:37:03 | |
and that's called The Miracle Of The Seven Loaves And Fishes. | 0:37:03 | 0:37:06 | |
-I've never heard of that, so it was two. -Yeah. | 0:37:06 | 0:37:09 | |
So he was a caterer? | 0:37:09 | 0:37:11 | |
Yes. Basically. | 0:37:11 | 0:37:12 | |
How many disciples did Jesus have? | 0:37:13 | 0:37:15 | |
Oh, here we go. | 0:37:15 | 0:37:17 | |
-Christmas, be nice. -Yeah. | 0:37:17 | 0:37:19 | |
-12. -12. | 0:37:19 | 0:37:21 | |
KLAXON BLARES | 0:37:21 | 0:37:24 | |
No, no, again we look to the Gospel of Luke here. | 0:37:24 | 0:37:27 | |
He had 72. He had, basically, he had a posse. | 0:37:27 | 0:37:32 | |
He had an entourage. | 0:37:32 | 0:37:35 | |
Was it 12 men, the rest were women, so that's why they don't count? | 0:37:35 | 0:37:38 | |
No, no. | 0:37:38 | 0:37:39 | |
"After this the Lord appointed 72," he's got the 12, but | 0:37:39 | 0:37:42 | |
"he appointed 72 others and sent them | 0:37:42 | 0:37:43 | |
"two-by-two ahead of him to every town and place | 0:37:43 | 0:37:45 | |
"where he was about to go." | 0:37:45 | 0:37:47 | |
The 12 most famous of his disciples are, of course, the Apostles. | 0:37:47 | 0:37:50 | |
OK, now, it's time to pull our Christmas crackers. | 0:37:50 | 0:37:54 | |
We have decided, you know, the jokes are always terrible, aren't they? | 0:37:54 | 0:37:57 | |
So we wondered, is it because we tell them the wrong way round? | 0:37:57 | 0:38:01 | |
And what you should have is the punch line from the joke, | 0:38:01 | 0:38:05 | |
not the joke. We want you to work out the joke from the punch line. | 0:38:05 | 0:38:10 | |
There's no toy! | 0:38:10 | 0:38:12 | |
You had a toy, but you've dropped it. | 0:38:12 | 0:38:14 | |
It was a paperclip. | 0:38:14 | 0:38:15 | |
-Oh, look, look, I can do an impression. Hang on. -Oh, go on, then. | 0:38:15 | 0:38:18 | |
I've got to do an impression. | 0:38:18 | 0:38:20 | |
Look, I'm in Poland. | 0:38:20 | 0:38:22 | |
Hey, hey! | 0:38:22 | 0:38:23 | |
LAUGHTER AND APPLAUSE | 0:38:23 | 0:38:27 | |
Very good. | 0:38:27 | 0:38:28 | |
Wait. | 0:38:28 | 0:38:29 | |
All right, have you found your jokes? Danny? | 0:38:29 | 0:38:32 | |
Mine just says, "That's not funny." | 0:38:32 | 0:38:33 | |
I don't know if it's a note from the producers of the show, but... | 0:38:33 | 0:38:36 | |
That's harsh, isn't it? | 0:38:36 | 0:38:37 | |
You have to work out what the joke is. | 0:38:37 | 0:38:39 | |
A limerick? | 0:38:39 | 0:38:41 | |
When the government ran out of money | 0:38:41 | 0:38:44 | |
And things look real bleak and not sunny | 0:38:44 | 0:38:47 | |
We all had a bash, | 0:38:47 | 0:38:50 | |
Using these jokes as cash | 0:38:50 | 0:38:52 | |
But Germans said, "Ein, that's not funny!" | 0:38:52 | 0:38:54 | |
-Hey! -Yes! | 0:38:54 | 0:38:56 | |
Aye-aye. | 0:38:56 | 0:38:58 | |
-That's a quick... -Aye-aye. Thank you. | 0:38:58 | 0:39:00 | |
Thank you. | 0:39:02 | 0:39:03 | |
I have to say, it's a lot better than the real joke, | 0:39:03 | 0:39:06 | |
which is, "How many feminists does it take to change a light bulb?" | 0:39:06 | 0:39:08 | |
-"That's not funny." -That's not funny. -Do you know the one, | 0:39:08 | 0:39:11 | |
-how many Freudians it takes to change a light bulb? -No, go on. | 0:39:11 | 0:39:14 | |
"It takes one to screw in the light bulb and the other to hold the cock. | 0:39:14 | 0:39:17 | |
"Father, ladder!" | 0:39:17 | 0:39:18 | |
LAUGHTER | 0:39:18 | 0:39:20 | |
There you go. | 0:39:20 | 0:39:22 | |
That's brilliant. | 0:39:28 | 0:39:29 | |
Anyway, so, Phill, what's your punch line? | 0:39:29 | 0:39:32 | |
My punch line is, "Subordinate Clauses." | 0:39:32 | 0:39:35 | |
Wow. What can the joke be? | 0:39:35 | 0:39:37 | |
And the joke is, | 0:39:37 | 0:39:38 | |
"What is a sadomasochistic Santa Claus's favourite thing?" | 0:39:38 | 0:39:43 | |
Oh, well, that's not bad. | 0:39:43 | 0:39:45 | |
The real answer is, "What do you call Santa's little helpers?" | 0:39:45 | 0:39:49 | |
"Subordinate Clauses." | 0:39:49 | 0:39:51 | |
EVERYONE GROANS | 0:39:51 | 0:39:52 | |
STEPHEN GROANS | 0:39:52 | 0:39:54 | |
OK, Sarah, your turn, what's your punch line? | 0:39:54 | 0:39:57 | |
-My punch line is, "The trifle tower." -Ha, ha. | 0:39:57 | 0:40:00 | |
You might be able to guess this particular joke, what's the joke? | 0:40:00 | 0:40:03 | |
That's the only reason I went to bloody Paris. | 0:40:03 | 0:40:06 | |
That would, that would do it. | 0:40:06 | 0:40:08 | |
"What's tall and wobbly and is in Paris?" Is, you know, the trifle... | 0:40:08 | 0:40:11 | |
-Me, when I went to Paris. -Oh, no! | 0:40:11 | 0:40:13 | |
I'm not that tall, actually. | 0:40:15 | 0:40:16 | |
Alan, we haven't had yours, have we? | 0:40:16 | 0:40:18 | |
Well, mine says that, "Eat, drink and be Mary." | 0:40:18 | 0:40:21 | |
"Eat, drink and be Mary." What do you think the joke is? | 0:40:21 | 0:40:24 | |
"What did Jesus' mum do on Christmas Day, or something?" | 0:40:24 | 0:40:27 | |
No, it's, "What does a transvestite do on Christmas Day?" | 0:40:27 | 0:40:30 | |
-"Eat, drink and be Mary." -"Eat, drink and be Mary." | 0:40:32 | 0:40:34 | |
LAUGHTER AND APPLAUSE | 0:40:34 | 0:40:37 | |
-It's a little bit racy for a cracker. -It is racy. | 0:40:40 | 0:40:42 | |
OK, here's a punch line - | 0:40:42 | 0:40:44 | |
"She issues a royal pardon." | 0:40:44 | 0:40:46 | |
-Oh. -Oh, "What does the Queen do when she farts?" | 0:40:46 | 0:40:49 | |
Yes... | 0:40:49 | 0:40:50 | |
it is "burps", but I'll accept "farts". | 0:40:50 | 0:40:54 | |
Here's one - "24 days." | 0:40:54 | 0:40:55 | |
Is that, "How many days worth of chocolate do you eat | 0:40:57 | 0:41:01 | |
"when you first buy your advent calendar?" | 0:41:01 | 0:41:03 | |
-It's very close! -Is it? | 0:41:03 | 0:41:06 | |
It's, "What did the man who stole an advent calendar get?" | 0:41:06 | 0:41:09 | |
-Ah! -"24 days." | 0:41:09 | 0:41:11 | |
-Oh, OK. -Ah, yes. | 0:41:11 | 0:41:12 | |
Um... | 0:41:12 | 0:41:13 | |
That's good! | 0:41:13 | 0:41:15 | |
Come on! | 0:41:15 | 0:41:16 | |
LAUGHTER AND APPLAUSE | 0:41:16 | 0:41:18 | |
The thing is, I can't actually get these off. | 0:41:23 | 0:41:26 | |
I can see, I can see everything. | 0:41:26 | 0:41:29 | |
Good. | 0:41:29 | 0:41:30 | |
We've got one more punch line. | 0:41:32 | 0:41:33 | |
"It's very good cold on Boxing Day, too." | 0:41:33 | 0:41:37 | |
-Turkey. -No. | 0:41:37 | 0:41:39 | |
"Remember a puppy isn't just for Christmas..." | 0:41:42 | 0:41:45 | |
-Ah. -Aah. -AUDIENCE GROANS | 0:41:45 | 0:41:47 | |
-Oh, that's a bit sick, isn't it? -Oh, that's awful. | 0:41:47 | 0:41:50 | |
What's wrong with you?! | 0:41:50 | 0:41:52 | |
Imagine Delia cooking puppies for Christmas. | 0:41:54 | 0:41:58 | |
"Well, we've got something different this year." | 0:41:58 | 0:42:02 | |
Anyway, our sleighs have finally hit the buffers | 0:42:02 | 0:42:04 | |
and it remains only for me to try and pick a winner from the wreckage. | 0:42:04 | 0:42:08 | |
And it's quite remarkable. | 0:42:08 | 0:42:11 | |
The clear winner, with four points, Danny Christmas Baker. | 0:42:11 | 0:42:14 | |
Hooray, ho-ho-ho-ho-ho. Ho-ho-ho-ho. | 0:42:14 | 0:42:17 | |
God love us, one and all! Love us one and all. Hooray! | 0:42:17 | 0:42:22 | |
And Sarah, Sarah, whom Jesus didn't feed, did fantastically well | 0:42:23 | 0:42:28 | |
and is in second place with minus six. | 0:42:28 | 0:42:31 | |
Yay! | 0:42:31 | 0:42:33 | |
And Bob Cratchit writing away at the ledger, shivering, | 0:42:37 | 0:42:42 | |
with little coal and feeling that it isn't very Christmassy at all, | 0:42:42 | 0:42:46 | |
on minus 32, Phill Jupitus. | 0:42:46 | 0:42:48 | |
But with a staggering minus 38, | 0:42:54 | 0:42:56 | |
it's Dave-Dave-Dave-Dave Davies. | 0:42:56 | 0:42:58 | |
CHEERING AND APPLAUSE | 0:42:58 | 0:43:02 | |
And it's snowing! Hurrah! | 0:43:06 | 0:43:09 | |
So, that's all from Sarah, Danny, Phill, Alan and me. | 0:43:09 | 0:43:12 | |
And a very, very happy | 0:43:12 | 0:43:14 | |
and a quite, Quite Interesting Christmas to you all. | 0:43:14 | 0:43:16 | |
Good night. | 0:43:16 | 0:43:18 | |
Subtitles by Red Bee Media Ltd | 0:43:38 | 0:43:41 |