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CHEERING AND APPLAUSE | 0:00:28 | 0:00:31 | |
Good evening, good evening, good evening, good evening, | 0:00:31 | 0:00:33 | |
good evening, good evening and welcome to QI, | 0:00:33 | 0:00:36 | |
where tonight we'll be sorting out the Knights from the Knaves. | 0:00:36 | 0:00:40 | |
Strapping on the breastplate of interestingness, | 0:00:40 | 0:00:43 | |
we have a goodly knight, Sue Perkins. | 0:00:43 | 0:00:45 | |
CHEERING AND APPLAUSE | 0:00:45 | 0:00:47 | |
A knight to remember, Victoria Coren. | 0:00:50 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:56 | |
A very perfect, gentle knight, the Reverend Richard Coles. | 0:00:57 | 0:01:01 | |
CHEERING AND APPLAUSE | 0:01:01 | 0:01:03 | |
And the long, dark knight of the soul, Alan Davies. | 0:01:05 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:09 | 0:01:12 | |
And their knightly noises all come from naves. | 0:01:15 | 0:01:18 | |
Sue goes... | 0:01:18 | 0:01:20 | |
PLAINSONG PLAYS | 0:01:20 | 0:01:23 | |
Lovely. And Victoria goes... | 0:01:24 | 0:01:26 | |
PLAINSONG PLAYS | 0:01:26 | 0:01:28 | |
Richard goes... | 0:01:30 | 0:01:32 | |
PLAINSONG PLAYS | 0:01:32 | 0:01:35 | |
And Alan goes... | 0:01:37 | 0:01:39 | |
# Fruity, fruity, fruity! | 0:01:39 | 0:01:42 | |
# Fruity, fruity, fruity! # | 0:01:42 | 0:01:44 | |
Yes. | 0:01:44 | 0:01:46 | |
# Fruity, fruity, fruity! # | 0:01:46 | 0:01:47 | |
Yes! | 0:01:47 | 0:01:48 | |
# Fruity, fruity, fruity! # | 0:01:48 | 0:01:53 | |
Let... You have been warned. | 0:01:53 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:57 | |
Let's head straight to the lists. | 0:01:57 | 0:01:59 | |
Why was the Black Prince so-called? | 0:01:59 | 0:02:02 | |
PLAINSONG PLAYS | 0:02:02 | 0:02:03 | |
Rev Richard? | 0:02:03 | 0:02:04 | |
Well, if my Ladybird Book Of Princes is to be trusted, | 0:02:04 | 0:02:07 | |
it's because he had black armour. | 0:02:07 | 0:02:09 | |
KLAXON | 0:02:09 | 0:02:11 | |
Ey! It's the one occasion where the inestimable Ladybird series | 0:02:11 | 0:02:14 | |
has let you down. There is no evidence. | 0:02:14 | 0:02:16 | |
Is it like Reservoir Dogs, where they weren't allowed to use their first names | 0:02:16 | 0:02:19 | |
and they got a sign up saying, "You're the Black Knight, you're the White Knight, | 0:02:19 | 0:02:23 | |
"you're the Pink Knight"? "Why do I have to be the Pink Knight?" "Just be the Pink Knight." | 0:02:23 | 0:02:27 | |
It might as well be true. | 0:02:27 | 0:02:28 | |
# Fruity! # | 0:02:28 | 0:02:29 | |
-Yes? -Was he black? | 0:02:29 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:33 | |
Well, oddly enough, | 0:02:33 | 0:02:36 | |
his mother was perhaps of Moorish descent. | 0:02:36 | 0:02:40 | |
-Ah. -Philippa of Hainault. | 0:02:40 | 0:02:43 | |
Which is a Tube line, isn't it? | 0:02:43 | 0:02:45 | |
-Hainault is very near where I grew up. -Oh, there you are. | 0:02:45 | 0:02:47 | |
-'Ainault. -ANAL. Do you like ANAL? | 0:02:47 | 0:02:49 | |
Anal... Steady! | 0:02:49 | 0:02:51 | |
LAUGHTER | 0:02:51 | 0:02:52 | |
I just... Is it, is Hainault good? Is, is... | 0:02:52 | 0:02:55 | |
LAUGHTER | 0:02:55 | 0:02:57 | |
-What, what, what happened? -I don't know. -Did something happen there? | 0:02:57 | 0:03:00 | |
I mean... | 0:03:00 | 0:03:01 | |
APPLAUSE | 0:03:01 | 0:03:04 | |
I find, at the end of every Tube line, you do get a good Hainault. | 0:03:04 | 0:03:07 | |
I think it falls to me to rescue this, somehow. | 0:03:07 | 0:03:11 | |
Yes, I think you should, yes. | 0:03:11 | 0:03:12 | |
Did you know that the oldest British door comes from Hainault? | 0:03:12 | 0:03:15 | |
-No. The oldest door? -Well, it's in Westminster Abbey, | 0:03:15 | 0:03:18 | |
it's a door which connects a cloister to the Abbey, | 0:03:18 | 0:03:21 | |
and the Canons of Westminster live behind it, | 0:03:21 | 0:03:23 | |
and they dated their door. | 0:03:23 | 0:03:25 | |
And they found that the wood it was made from | 0:03:25 | 0:03:27 | |
was growing in Hainault in the 10th century. | 0:03:27 | 0:03:30 | |
Wow! Are you proud? | 0:03:30 | 0:03:33 | |
I am very proud of the door. | 0:03:33 | 0:03:35 | |
The sign painters are getting busy right now, going, | 0:03:35 | 0:03:38 | |
"Home of the oldest door." | 0:03:38 | 0:03:40 | |
-It's a reason to get off at Hainault, finally. -Yeah. | 0:03:40 | 0:03:44 | |
Is it a wood that grew there a thousand years ago? | 0:03:44 | 0:03:46 | |
Yeah. Well, Philippa of Hainault was perhaps of Moorish descent. | 0:03:46 | 0:03:49 | |
So that may be the reason he was called the Black Prince, | 0:03:49 | 0:03:52 | |
-we don't know for a fact. -I'm wondering, do you think the Black Prince might have been | 0:03:52 | 0:03:55 | |
called the Black Prince cos his sins were as black as pitch? | 0:03:55 | 0:03:58 | |
Yes. I mean, although he was known as the Master Of Chivalry, | 0:03:58 | 0:04:01 | |
he almost destroyed the entire population of Limoges and Caen. | 0:04:01 | 0:04:05 | |
-He doesn't look like he's capable of it. -No, he doesn't, does he? | 0:04:05 | 0:04:08 | |
I know a fact about the Black Prince. | 0:04:08 | 0:04:10 | |
I don't know if it's definitely a fact, | 0:04:10 | 0:04:12 | |
but this is something my husband told me. | 0:04:12 | 0:04:14 | |
David Mitchell told you something and you believe it? | 0:04:14 | 0:04:17 | |
You know those sort of early dates when you're just | 0:04:19 | 0:04:22 | |
talking about whether you were happy at school and heraldry. | 0:04:22 | 0:04:26 | |
LAUGHTER | 0:04:26 | 0:04:29 | |
Is this true that - wait now - he stole something off a corpse? | 0:04:29 | 0:04:33 | |
I remember the romance of the moment... | 0:04:33 | 0:04:35 | |
-You're thinking of, "Ich Dien." -Yes, "Ich Dien," | 0:04:35 | 0:04:38 | |
which the Prince of Wales wears now, | 0:04:38 | 0:04:40 | |
that was stolen by the Black Prince off a corpse on a battlefield. | 0:04:40 | 0:04:43 | |
That's right, and it was the feathers as well, | 0:04:43 | 0:04:45 | |
the three feathers that are the symbol of the Prince of Wales. | 0:04:45 | 0:04:48 | |
It was the King of Bohemia and he had a very serious disability, | 0:04:48 | 0:04:53 | |
but he still rode into battle. | 0:04:53 | 0:04:55 | |
He was blind. | 0:04:55 | 0:04:56 | |
That explains appalling make-up. LAUGHTER | 0:04:58 | 0:05:01 | |
That was the King of Bohemia who went into battle against him, | 0:05:01 | 0:05:04 | |
and he defeated him and took his colours, | 0:05:04 | 0:05:07 | |
which were the three Prince of Wales feathers | 0:05:07 | 0:05:09 | |
and the motto, "I serve." "Ich Dien." | 0:05:09 | 0:05:12 | |
Do you know, stealing from dead people was a quite big... | 0:05:12 | 0:05:14 | |
Do you know St Hugh of Lincoln, the great St Hugh of Lincoln... | 0:05:14 | 0:05:17 | |
I think we are all pretty, yes, up to speed on St Hugh of Lincoln. | 0:05:17 | 0:05:21 | |
He was one of the great saints of the Middle Ages, | 0:05:21 | 0:05:24 | |
but he was staying with some monk friends in France, | 0:05:24 | 0:05:28 | |
and they had the preserved arm of Mary Magdalene... | 0:05:28 | 0:05:31 | |
I thought I'd got that?! | 0:05:31 | 0:05:33 | |
-You got the other one. -25 quid I paid for that! | 0:05:33 | 0:05:37 | |
He bent down to venerate it and while he was down there, | 0:05:37 | 0:05:40 | |
he bit off her finger. It's true. He took it back to Lincoln. | 0:05:40 | 0:05:43 | |
When you say, "It's true," | 0:05:43 | 0:05:44 | |
I happen to know you have written a book on rather obscure saints and | 0:05:44 | 0:05:49 | |
are you suggesting that everything about all of them is true? | 0:05:49 | 0:05:52 | |
I'm suggesting that very little about them is true. | 0:05:52 | 0:05:55 | |
The biting off the finger of Mary Magdalene is true. | 0:05:55 | 0:05:57 | |
His friendship with a swan is doubtful. | 0:05:57 | 0:06:01 | |
When you say, "Friendship with a swan," are you being euphemistic? | 0:06:01 | 0:06:04 | |
No, his best friend was a swan. | 0:06:04 | 0:06:06 | |
And it's depicted in one of his, sort of, portraits, | 0:06:07 | 0:06:11 | |
that he walks around with a swan. | 0:06:11 | 0:06:13 | |
But if you look at Lincoln Cathedral, | 0:06:13 | 0:06:15 | |
it has a vault which is all wonky, which he built, which is | 0:06:15 | 0:06:17 | |
said to suggest the flight of a swan's wing. | 0:06:17 | 0:06:20 | |
That's great if builders do something wrong. | 0:06:20 | 0:06:22 | |
They could just say, "I was trying to evoke a swan's wing." | 0:06:22 | 0:06:26 | |
"Yes, that's right. | 0:06:26 | 0:06:28 | |
"No, that is a symbol of me being crap at building." | 0:06:28 | 0:06:31 | |
He really did bite off the finger. | 0:06:31 | 0:06:34 | |
There was a huge, huge trade in bitten off relics. | 0:06:34 | 0:06:37 | |
You know, you weren't on the ecclesiastical map | 0:06:37 | 0:06:40 | |
until you had a good dead bit of someone. | 0:06:40 | 0:06:42 | |
So he was notorious for stuffing his mouth with bitten off | 0:06:42 | 0:06:45 | |
members of one kind or another. | 0:06:45 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:49 | |
The Black Prince, of course, was, as I say, leader of chivalry | 0:06:49 | 0:06:51 | |
and chivalry was all about jousting, | 0:06:51 | 0:06:53 | |
so can you tell me anything about jousting? | 0:06:53 | 0:06:55 | |
What the rules were of jousting | 0:06:55 | 0:06:57 | |
in the lists, as they were called? | 0:06:57 | 0:06:59 | |
You had to... | 0:06:59 | 0:07:00 | |
Now, there is the big, massive cotton bud | 0:07:00 | 0:07:02 | |
and you have to hit the shield? | 0:07:02 | 0:07:05 | |
You get a point if you hit the shield or their breastplate? | 0:07:05 | 0:07:08 | |
Absolutely right. | 0:07:08 | 0:07:09 | |
The rules vary but one set of rules we have is that you win | 0:07:09 | 0:07:12 | |
-the joust if you get three points. -That's how we do it in Croydon. | 0:07:12 | 0:07:16 | |
You get three points and you get a point for knocking someone | 0:07:16 | 0:07:19 | |
straight on the breastplate so that it shatters the lance. | 0:07:19 | 0:07:22 | |
A glancing blow doesn't count. | 0:07:22 | 0:07:25 | |
In the dinner show at the Excalibur casino in Las Vegas, the winner | 0:07:25 | 0:07:28 | |
is the last one to jump off their horse. | 0:07:28 | 0:07:31 | |
-Do they really have that? -Yes, | 0:07:31 | 0:07:33 | |
it's a brilliant show because they've got King Arthur | 0:07:33 | 0:07:36 | |
and he fights against his long lost son Prince Christopher. | 0:07:36 | 0:07:40 | |
I think the people that put the show together don't | 0:07:40 | 0:07:43 | |
know that there's other people in the story apart from King Arthur. | 0:07:43 | 0:07:46 | |
They thought, "Well, we can't have a story | 0:07:46 | 0:07:48 | |
"that only gives you one person, | 0:07:48 | 0:07:50 | |
-"so we will just invent Prince Christopher." -Christopher? | 0:07:50 | 0:07:52 | |
Yes, and he wins because he gets off his horse last | 0:07:52 | 0:07:55 | |
and then you all have a big piece of chicken. | 0:07:55 | 0:07:58 | |
But there's no Game Of Thrones... with those noises | 0:07:58 | 0:08:00 | |
and heads coming off and blood spurting out? | 0:08:00 | 0:08:03 | |
-They're real people so... -Oh, right. There are ways of doing that. | 0:08:03 | 0:08:07 | |
-Do you have to dress as a wench? -You say have to. | 0:08:07 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
-Yes, they give you some plaits to put on. -Sounds all a bit Bavarian! | 0:08:12 | 0:08:18 | |
This is the Excalibur English-themed casino. | 0:08:18 | 0:08:21 | |
It is sort of Harry Potter, Robin Hood, King Arthur | 0:08:21 | 0:08:25 | |
and the Queen are all roughly the same vintage. | 0:08:25 | 0:08:28 | |
You can buy memorabilia of all of them in the same shop. | 0:08:28 | 0:08:30 | |
-How many people are sitting down for dinner at this event? -200. | 0:08:30 | 0:08:34 | |
It's much like this room actually. | 0:08:34 | 0:08:37 | |
If Richard and I now galloped towards each other on horseback with lances, | 0:08:37 | 0:08:40 | |
as I very much hope we will later, that's exactly what it would be like. | 0:08:40 | 0:08:44 | |
-It's just people have buckets of chicken... -Don't they get a bit... | 0:08:44 | 0:08:47 | |
Getting a horse into a casino is a fairly elaborate thing, isn't it? | 0:08:47 | 0:08:51 | |
Las Vegas has white tigers. They had Siegfried & Roy | 0:08:51 | 0:08:53 | |
-with their white tigers. -They do. | 0:08:53 | 0:08:55 | |
They don't really have Siegfried & Roy any more. | 0:08:55 | 0:08:58 | |
-There was a terrible mauling. -Yes. | 0:08:58 | 0:09:00 | |
Actually, I really respected Siegfried & Roy | 0:09:00 | 0:09:02 | |
a lot more after that because for years, | 0:09:02 | 0:09:03 | |
people thought they were all cheesy and mainstream | 0:09:03 | 0:09:05 | |
and then one of them had his head bitten off by a tiger. | 0:09:05 | 0:09:08 | |
It showed that every night they were actually taking a risk. | 0:09:08 | 0:09:10 | |
-They really were. -The Vicar of Stiffkey, he was bitten by a lion. | 0:09:10 | 0:09:14 | |
-He was, Roger something or other. -Harold Davidson I think it was. | 0:09:14 | 0:09:18 | |
You're right. | 0:09:18 | 0:09:19 | |
He was in the '30s, I think, | 0:09:19 | 0:09:21 | |
he was a vicar of Stiffkey, but he used to try and reform | 0:09:21 | 0:09:24 | |
prostitutes in what we'd say is in a very hands-on ministry kind of way. | 0:09:24 | 0:09:28 | |
LAUGHTER | 0:09:28 | 0:09:29 | |
That's what a prostitute needs really. | 0:09:29 | 0:09:32 | |
Just a bit more prostituting, but with a goodly hand. | 0:09:32 | 0:09:35 | |
He was tireless in his dedication to his flock | 0:09:35 | 0:09:37 | |
and rather got in a soup, | 0:09:37 | 0:09:40 | |
and he ended up as a lion tamer in I think it was Skegness. | 0:09:40 | 0:09:44 | |
It went horribly wrong and he was bitten by his lion | 0:09:44 | 0:09:47 | |
and that was the end of the Vicar of Stiffkey. | 0:09:47 | 0:09:50 | |
Are you sure you're not accidentally recounting the plot of a limerick? | 0:09:50 | 0:09:54 | |
Anyway. So there we are. | 0:09:57 | 0:09:59 | |
Now, what is the first rule of Knight Club? | 0:09:59 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:05 | |
The first rule of Knight Club? | 0:10:05 | 0:10:07 | |
-Yeah. -Well... | 0:10:07 | 0:10:09 | |
..you don't talk about Knight Club. | 0:10:12 | 0:10:14 | |
KLAXON | 0:10:14 | 0:10:17 | |
APPLAUSE | 0:10:17 | 0:10:19 | |
Oh! It had to be. | 0:10:19 | 0:10:20 | |
-Somebody had to. -Well done. | 0:10:20 | 0:10:24 | |
-Yeah, exactly. -I fell on my sword, which seems appropriate. -Yeah, it was, exactly. | 0:10:24 | 0:10:28 | |
It is an existing club, or a club from the olden times? | 0:10:28 | 0:10:30 | |
No, it's a very olde-times club of knights. | 0:10:30 | 0:10:34 | |
The most famous group of knights of... | 0:10:34 | 0:10:36 | |
-Templar. -The Knights Templar. | 0:10:36 | 0:10:38 | |
There are still people who think they still exist and, you know, | 0:10:38 | 0:10:41 | |
in the sort of Dan Browny kind of way, | 0:10:41 | 0:10:43 | |
but they actually folded up in 1314. But they were very powerful. | 0:10:43 | 0:10:46 | |
It was after the First Crusade, they were formed, in Jerusalem. | 0:10:46 | 0:10:49 | |
And they were allowed to do almost anything. The law didn't apply to them in Jerusalem, | 0:10:49 | 0:10:53 | |
which annoyed a lot of people, but there were certain things they weren't allowed to do. | 0:10:53 | 0:10:57 | |
They weren't allowed to breed ferrets? | 0:10:57 | 0:10:59 | |
To breed ferrets! Anything else you know about them? | 0:10:59 | 0:11:02 | |
-Well, you know they look like that. -Chew gum. | 0:11:02 | 0:11:05 | |
-I know about ley lines. -Go on then. | 0:11:05 | 0:11:08 | |
-They made them. -They made... You see, | 0:11:08 | 0:11:10 | |
you've been reading these stupid books about knights, | 0:11:10 | 0:11:13 | |
"Apparently, they are responsible for laying ley lines." | 0:11:13 | 0:11:16 | |
-No, well... -"No." -They know where they are, anyway. | 0:11:16 | 0:11:19 | |
Yes, they do. They've got them all hidden. | 0:11:19 | 0:11:21 | |
-No sex? -Well, yeah, they were allowed to marry, | 0:11:21 | 0:11:24 | |
but if they married, they weren't allowed to wear the white and red uniform. | 0:11:24 | 0:11:27 | |
There was no hunting except lions. | 0:11:27 | 0:11:29 | |
LAUGHTER | 0:11:29 | 0:11:30 | |
-That's quite specific. -That would actually be a brilliant rule for now, wouldn't it? | 0:11:30 | 0:11:34 | |
There's so much debate about whether you should hunt or not. | 0:11:34 | 0:11:36 | |
Please everyone - "OK, hunting is allowed, but only lions." | 0:11:36 | 0:11:39 | |
Lions. That's very true. | 0:11:39 | 0:11:41 | |
They were only allowed one squire each, no telling tales, | 0:11:41 | 0:11:43 | |
no lockable purses. | 0:11:43 | 0:11:45 | |
-Oh. -Yeah. | 0:11:45 | 0:11:47 | |
I suppose they have to show their trust or something like that. | 0:11:47 | 0:11:49 | |
But their last and most important rule was no kissing. | 0:11:49 | 0:11:52 | |
"Lastly, we hold it dangerous to all religion | 0:11:52 | 0:11:55 | |
"to gaze too much on the countenance of women | 0:11:55 | 0:11:57 | |
"and therefore, no brother shall presume to kiss neither widow, | 0:11:57 | 0:12:00 | |
"nor virgin, nor mother, nor sister, nor aunt, nor any other woman." | 0:12:00 | 0:12:03 | |
But anal's all right. | 0:12:03 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:06 | |
Well... | 0:12:06 | 0:12:07 | |
APPLAUSE | 0:12:07 | 0:12:09 | |
It's very funny you should say that, because one of the reasons | 0:12:12 | 0:12:15 | |
they were closed down is there was a charge against them... | 0:12:15 | 0:12:18 | |
-Too much buggery. -Yeah. | 0:12:18 | 0:12:20 | |
There was a charge against them. | 0:12:20 | 0:12:22 | |
"Deosculabantur se in ore, in umbilico, seu ventre nudo, | 0:12:22 | 0:12:26 | |
"et in ano, seu in spina dorsi." "Et in ano." | 0:12:26 | 0:12:29 | |
-Et in ano. -"Et in ano." -And the end, yeah. -Yeah. | 0:12:29 | 0:12:32 | |
And in Hainault. | 0:12:32 | 0:12:33 | |
And the accusation was that they kissed one another on the mouth, | 0:12:33 | 0:12:36 | |
on the naval, the bare belly, the anus, or the backbone. | 0:12:36 | 0:12:41 | |
-Well, they were thorough. -They were! | 0:12:41 | 0:12:43 | |
LAUGHTER | 0:12:43 | 0:12:45 | |
When you're looking for a ley line, you don't want to leave any stone unturned. | 0:12:46 | 0:12:50 | |
"There might be one coming out of his arse!" | 0:12:50 | 0:12:52 | |
"I'll have a look." | 0:12:52 | 0:12:54 | |
-But that is... -"Right, that's enough! That's enough, Templars!" | 0:12:54 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:12:59 | |
Did you know that the Temple Church in London, which was founded by the | 0:12:59 | 0:13:03 | |
Knights Templar, and there are still some Knights Templar lying around... | 0:13:03 | 0:13:06 | |
-Dead ones, yeah. -There's a unique title for, if you're the priest in charge there, | 0:13:06 | 0:13:10 | |
you're the Reverend and Valiant Master of the Temple. | 0:13:10 | 0:13:13 | |
-Oh, that's very good. -Which sounds like something from a Star Wars movie. | 0:13:13 | 0:13:16 | |
-The Reverend and Valiant Master of the Temple. -Yeah. -In that picture, is he going, | 0:13:16 | 0:13:19 | |
"Show me on the cross where he kissed you?" | 0:13:19 | 0:13:22 | |
LAUGHTER AND APPLAUSE | 0:13:22 | 0:13:24 | |
They're all going, "Yeah, yeah." | 0:13:31 | 0:13:33 | |
He's saying, "But my arms are much too long." | 0:13:33 | 0:13:35 | |
-Yes. -"I'm not going to fit on this." | 0:13:35 | 0:13:38 | |
Yes. "You're going to nail me against the air." | 0:13:38 | 0:13:41 | |
-It's true... -"You're going to have to just nail my ears to it." | 0:13:41 | 0:13:44 | |
There you go. | 0:13:44 | 0:13:46 | |
Kissing, of course, has long been a controversial thing | 0:13:46 | 0:13:50 | |
and in the 20th century, there were anti-kissing leagues. | 0:13:50 | 0:13:53 | |
What do you think they objected to? | 0:13:53 | 0:13:56 | |
-There you are. -Transmission of disease? -Yes, you're right, | 0:13:56 | 0:13:58 | |
it was a hygiene issue. | 0:13:58 | 0:14:00 | |
I read a thing also that when trains first began, | 0:14:00 | 0:14:02 | |
women travelling on their own in compartments were supposed to put pins in their mouths | 0:14:02 | 0:14:06 | |
lest, when they went through a tunnel, someone tried to kiss them. | 0:14:06 | 0:14:10 | |
-I read that as well! It's hilarious! -Nail gun their mouths shut? | 0:14:10 | 0:14:12 | |
Mouths full of pins. | 0:14:12 | 0:14:14 | |
No, with the pin facing outwards, so if someone went, "Oh, I have to!" | 0:14:14 | 0:14:18 | |
They were in for a rude surprise. Yes, I do that in tunnels, | 0:14:18 | 0:14:22 | |
-just in case. -I consider myself warned. -I'd keep a pin in my anus. | 0:14:22 | 0:14:27 | |
-Oh, dear! -In case any Knights Templar... -were around the place. | 0:14:30 | 0:14:35 | |
Oh, you bad person. | 0:14:35 | 0:14:37 | |
OK, what makes you think this knight is a total bastard? | 0:14:37 | 0:14:41 | |
-Oh, he looks like a mean... -His hat. -Oh... -Not his hat. | 0:14:42 | 0:14:45 | |
PLAINSONG PLAYS | 0:14:45 | 0:14:47 | |
-Richard? -He's got a diagonal white stripe across his lions, | 0:14:47 | 0:14:49 | |
which means he's been naughty. | 0:14:49 | 0:14:52 | |
-No, he hasn't been naughty at all. -I beg his pardon. | 0:14:52 | 0:14:54 | |
Is he, oh, is he illegitimate? Has his father been naughty? | 0:14:54 | 0:14:57 | |
His father's been naughty. It's what's known as the "bend sinister". | 0:14:57 | 0:15:01 | |
Oh, we've all had bend sinister. | 0:15:01 | 0:15:03 | |
It starts at the bottom left and goes up to the top right, | 0:15:03 | 0:15:06 | |
which indicates you are a bastard. | 0:15:06 | 0:15:08 | |
And in his case, there's more information just on that simple coat of arms. | 0:15:08 | 0:15:11 | |
The three lions. | 0:15:11 | 0:15:13 | |
-No, he's not the bastard son of Wayne Rooney. -Wayne Rooney. | 0:15:13 | 0:15:16 | |
Yeah, yeah. | 0:15:16 | 0:15:17 | |
LAUGHTER | 0:15:17 | 0:15:19 | |
Something told me you were going to say that. | 0:15:19 | 0:15:21 | |
Is the red significant? | 0:15:21 | 0:15:23 | |
Yes, it's the Royal Family. It's a royal coat of arms. | 0:15:23 | 0:15:25 | |
-So he's a royal bastard. -Yeah. -So he's a Fitz-John or something? | 0:15:25 | 0:15:28 | |
-A Fitz? -Fitz-Herb, Fitz... -Fitz-Herbert? | 0:15:28 | 0:15:30 | |
-Fitz-John, Fitzroy. Of course. -Fitzroy. His name would be Fitzroy. | 0:15:30 | 0:15:34 | |
Fitz is the "son of" and roy, "roi", is king. | 0:15:34 | 0:15:36 | |
And one particular king had five Fitzroys from his mistress. | 0:15:36 | 0:15:42 | |
Who would that be? | 0:15:42 | 0:15:44 | |
-Who was a really... -Oh, hang on, George, one of the Georges? | 0:15:44 | 0:15:47 | |
No. Go back a bit. Rewind. | 0:15:47 | 0:15:48 | |
-Henry VIII. -Charles II. -Charles II. -Henry VII. | 0:15:48 | 0:15:51 | |
-No, Charles II. We got there. -Charles II. | 0:15:51 | 0:15:53 | |
-We got there without you. Charles II. -Shouting out some kings to move it along. | 0:15:53 | 0:15:57 | |
Very good. She was called Barbara Palmer and she bore him five... | 0:15:57 | 0:15:59 | |
-Babs. -Five, Babs Palmer. | 0:15:59 | 0:16:01 | |
They don't think of the Babs, do they? | 0:16:01 | 0:16:03 | |
She might have been a Babs, I expect, yeah. | 0:16:03 | 0:16:05 | |
-Queen Babs. -Yeah. -"You Fitz'd me up again." -You Fitz'd me up. | 0:16:05 | 0:16:09 | |
And we have a Henry... | 0:16:09 | 0:16:10 | |
LAUGHTER AND APPLAUSE | 0:16:10 | 0:16:13 | |
But does it cancel out, if the one with the stripe then marries | 0:16:13 | 0:16:16 | |
and has a legitimate son, don't they take the stripe away? | 0:16:16 | 0:16:19 | |
Ah, that would be very good. | 0:16:19 | 0:16:20 | |
No, I think you keep it, I think, in your coat of arms. | 0:16:20 | 0:16:22 | |
There are certain things which indicate something very extraordinary about your shield. | 0:16:22 | 0:16:26 | |
-What do you think they are? -OK. -They have a particular meaning. | 0:16:26 | 0:16:30 | |
PLAINSONG PLAYS | 0:16:30 | 0:16:31 | |
Yeah? | 0:16:31 | 0:16:33 | |
Is it visible panty line? | 0:16:33 | 0:16:34 | |
LAUGHTER | 0:16:34 | 0:16:36 | |
Oh... | 0:16:38 | 0:16:39 | |
It's terrible, really, they get terrible VPL. | 0:16:39 | 0:16:42 | |
It's not visible panty line. | 0:16:42 | 0:16:44 | |
It's the colours, actually, are indicative of... | 0:16:44 | 0:16:47 | |
Status? | 0:16:47 | 0:16:48 | |
Of sin. Of a mistake, an error. | 0:16:48 | 0:16:51 | |
They're known as abatements, also as "stains" | 0:16:51 | 0:16:54 | |
as in a stain on the family name, or a stain on the... | 0:16:54 | 0:16:57 | |
Oh. So what can a stain be? | 0:16:57 | 0:16:59 | |
-It's got to be very serious if it's going on your coat of arms. -I know. | 0:16:59 | 0:17:02 | |
Well, the first is called the point champaine tenne, | 0:17:02 | 0:17:05 | |
and it's for killing a prisoner who has demanded quarter, or mercy, | 0:17:05 | 0:17:09 | |
which is really ungentlemanly. | 0:17:09 | 0:17:10 | |
But how would anybody know that you had done that? | 0:17:10 | 0:17:12 | |
You'd have to have a witness. A very good point. It's true of any crime. | 0:17:12 | 0:17:16 | |
They'd have to have something on their shield. | 0:17:16 | 0:17:17 | |
Witnessing someone killing someone who's asked for quarter - | 0:17:17 | 0:17:20 | |
you've got to have something on their shield. | 0:17:20 | 0:17:22 | |
That's true, and not intervening. You're right. | 0:17:22 | 0:17:24 | |
-But how would you know that they'd done that... -I don't know! | 0:17:24 | 0:17:27 | |
..and not intervened. | 0:17:27 | 0:17:28 | |
They'd definitely need something on their shield. | 0:17:28 | 0:17:32 | |
They'd have massive whistles and say, "You grassed me up!" | 0:17:32 | 0:17:35 | |
And the shield would just be full of stuff. | 0:17:35 | 0:17:38 | |
-A shield within a shield... -"You don't clean the toilet properly." | 0:17:38 | 0:17:41 | |
"You've got a toilet brush, you don't do it, you get one of those." It's endless. | 0:17:41 | 0:17:44 | |
It's a bit like points on a driving licence, isn't it? | 0:17:44 | 0:17:47 | |
-It is. You're absolutely right. -It's the points on the shield for... -Yeah. Exactly. | 0:17:47 | 0:17:51 | |
And the next one here, which we'll have a look at. | 0:17:51 | 0:17:54 | |
Needs dusting. | 0:17:54 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:57 | |
This is called the delf tenne, | 0:17:57 | 0:17:58 | |
and that's for issuing a challenge and then bottling out. | 0:17:58 | 0:18:01 | |
-Coward. -Yeah. -That's a big old yellow smudge on that. | 0:18:01 | 0:18:04 | |
Exactly. Very much a smudge on the coat of arms. | 0:18:04 | 0:18:06 | |
And then, we have a gusset, a gusset sanguine sinister. | 0:18:06 | 0:18:09 | |
-A gusset sanguine? -Yeah. | 0:18:09 | 0:18:11 | |
On a knight, really? | 0:18:11 | 0:18:12 | |
Yeah, I know, absurd, isn't it? | 0:18:12 | 0:18:14 | |
-Gusset sanguine.... -There's no reason for you to get it. | 0:18:14 | 0:18:17 | |
-Well, the sanguine is the colour. -So a bloody... -It's blood colour. It's for being drunk. | 0:18:17 | 0:18:20 | |
And you have a gusset sanguine dexter. | 0:18:20 | 0:18:23 | |
Which is on the right, and that's... | 0:18:23 | 0:18:25 | |
-Is being... -Being stoned? -Being an adulterer. -Oh, right. | 0:18:25 | 0:18:28 | |
And there you are. | 0:18:28 | 0:18:29 | |
Now we have one that you have to guess, so tell me what this is. | 0:18:29 | 0:18:32 | |
You're a drunken adulterer. | 0:18:32 | 0:18:33 | |
There you are, you see, points for listening. | 0:18:33 | 0:18:36 | |
So that's the whole world of heraldry. | 0:18:36 | 0:18:39 | |
In a way, it's sort of a nicer design for the drunken adulterer. | 0:18:39 | 0:18:42 | |
-It is, isn't it? -I feel like it's too rewarding. | 0:18:42 | 0:18:44 | |
Is it two gussets or a wine glass? | 0:18:44 | 0:18:47 | |
Well, that's the choice facing the drunken adulterer. | 0:18:47 | 0:18:50 | |
Yes, exactly. Exactly. | 0:18:50 | 0:18:51 | |
LAUGHTER | 0:18:51 | 0:18:53 | |
-It's perfect. -Every Saturday. | 0:18:53 | 0:18:56 | |
APPLAUSE | 0:18:56 | 0:18:59 | |
Oh, they knew what they were doing. | 0:18:59 | 0:19:00 | |
Did you know that if you're a clergyman you can't have | 0:19:00 | 0:19:03 | |
a helmet on your coat of arms? | 0:19:03 | 0:19:05 | |
-Oh, thank God. -Phew! | 0:19:05 | 0:19:06 | |
LAUGHTER | 0:19:06 | 0:19:08 | |
Because you can't have been a chaplain or something? | 0:19:08 | 0:19:11 | |
No, you can't do anything which is... Did you know that if you're a clergyman, | 0:19:11 | 0:19:14 | |
if you go to a black tie do, you can't have a stripe down your trousers? | 0:19:14 | 0:19:18 | |
-No. -Because, no, because it's a military insignia. -Oh. -And you can't have that. | 0:19:18 | 0:19:21 | |
And you can't have a helmet because it's a martial sign. | 0:19:21 | 0:19:24 | |
So you have to have this sort of, it's a lovely sort of, | 0:19:24 | 0:19:27 | |
do you remember Bill and Ben? | 0:19:27 | 0:19:28 | |
It's a bit like that, it's called a galero. | 0:19:28 | 0:19:30 | |
-Oh, how fabulous. -And it's black if you're a priest and red if you're a Cardinal. | 0:19:30 | 0:19:34 | |
And if you're the Pope, you get a pointy one with three tiaras. | 0:19:34 | 0:19:37 | |
-Oh! -Oh. Quite the fellow. | 0:19:37 | 0:19:39 | |
I want to be Pope now. | 0:19:39 | 0:19:41 | |
I think you'd look good in that. | 0:19:41 | 0:19:42 | |
You've got to... Oh, you've got to have it. | 0:19:42 | 0:19:45 | |
-Who decides this? -There are people who apply to, they decide. | 0:19:45 | 0:19:48 | |
Isn't it the College of Arms? And you have to pay. | 0:19:48 | 0:19:50 | |
How do you become one of the people that decide? How do you become a herald? | 0:19:50 | 0:19:53 | |
If you go to Garter Day at Windsor Castle, they turn out for that. | 0:19:53 | 0:19:57 | |
LAUGHTER | 0:19:57 | 0:19:58 | |
I need to see photos of Garter Day at Windsor Castle. | 0:19:58 | 0:20:01 | |
It's very exciting because it's a big do | 0:20:01 | 0:20:04 | |
and if they install new Knights of the Garter, | 0:20:04 | 0:20:06 | |
you are in there for hours, then you hear sort of tramping | 0:20:06 | 0:20:08 | |
from miles away and all of a sudden, the beefeaters come in all done up. | 0:20:08 | 0:20:12 | |
-Then you get the College of Heralds... -It's like a gay tsunami! | 0:20:12 | 0:20:15 | |
They carry things, have special big T-shirts. | 0:20:17 | 0:20:19 | |
-Saying, "War. What is it good for?" -LAUGHTER | 0:20:19 | 0:20:22 | |
So that's our knights with their shields. | 0:20:22 | 0:20:27 | |
You also find knights on a chess board, of course. | 0:20:27 | 0:20:29 | |
So what I want to know is this very strange conundrum. | 0:20:29 | 0:20:32 | |
What's the maximum number of knights you can have on a chess board, | 0:20:32 | 0:20:35 | |
such that none of them can take another one? | 0:20:35 | 0:20:36 | |
-Oh, multiples of eight, I suppose. -I'll give you, you can try it out. | 0:20:36 | 0:20:40 | |
So that none can... | 0:20:40 | 0:20:42 | |
Maximum number. | 0:20:42 | 0:20:44 | |
What you have to do is understand what a knight's move is. | 0:20:44 | 0:20:46 | |
Stephen, I don't understand the question. | 0:20:46 | 0:20:48 | |
It's the maximum, it's the maximum number of knights you could | 0:20:48 | 0:20:52 | |
have on a chess board, such that none can take the other. | 0:20:52 | 0:20:55 | |
Have you noticed something in common with the ones you're putting down? | 0:20:55 | 0:20:58 | |
-They're all the same. -The same, OK, the same colour, so... | 0:20:58 | 0:21:01 | |
Yes, because a knight move must take a different colour. | 0:21:01 | 0:21:04 | |
-Oh. -So 32. | 0:21:04 | 0:21:05 | |
-32 is the right answer! -Oh. | 0:21:05 | 0:21:07 | |
It's really very simple when you think about it, isn't it? Very good. | 0:21:07 | 0:21:10 | |
APPLAUSE | 0:21:10 | 0:21:12 | |
It's one of those things that sounds very complicated, that you have to work out for ages, | 0:21:12 | 0:21:16 | |
-but there you are. -I still don't understand it at all. | 0:21:16 | 0:21:18 | |
Well, none of those knights can take another knight. | 0:21:18 | 0:21:21 | |
-But isn't that rather more knights than we're used to? -Yes. | 0:21:21 | 0:21:23 | |
LAUGHTER | 0:21:23 | 0:21:25 | |
It's a problem, it's not a real chess situation. | 0:21:25 | 0:21:27 | |
-It's if you had... -Because they move, because of the way they move, | 0:21:27 | 0:21:30 | |
diagonal and up one, they move to the alternate colour. | 0:21:30 | 0:21:33 | |
-Yes. -So if you've got all the knights on the same colour, they cannot take... | 0:21:33 | 0:21:36 | |
-Exactly right, I mean, that's how... -Oh, I get it. | 0:21:36 | 0:21:39 | |
In the centre of the board, you're controlling eight different squares there. | 0:21:39 | 0:21:42 | |
They're all a different colour, the knights are on a black square. | 0:21:42 | 0:21:45 | |
So all you have to do is put them all on a black or a white square. | 0:21:45 | 0:21:48 | |
When you move your knight, do you make a horsey noise? | 0:21:48 | 0:21:50 | |
HE WHINNIES | 0:21:50 | 0:21:51 | |
Do you? That's so sweet. | 0:21:51 | 0:21:52 | |
HE SNORTS AND SPUTTERS | 0:21:52 | 0:21:54 | |
And when you move your rook. | 0:21:54 | 0:21:56 | |
SHE CAWS | 0:21:56 | 0:21:57 | |
When I do the bishop... | 0:21:57 | 0:21:58 | |
HE IMITATES PLAINSONG | 0:21:58 | 0:21:59 | |
-When you do your queen, "Hello." -"Hello." -"Hello." | 0:21:59 | 0:22:03 | |
That's your bishop. | 0:22:03 | 0:22:04 | |
LAUGHTER AND APPLAUSE | 0:22:04 | 0:22:06 | |
-Oh, you're going to get in such trouble. -No! | 0:22:06 | 0:22:08 | |
You're going to get in trouble from both sides. | 0:22:11 | 0:22:13 | |
I've been going, "Ooh, you are awful, but I like you." | 0:22:13 | 0:22:15 | |
You're getting into trouble from both sides, Richard. | 0:22:15 | 0:22:18 | |
If the Bishop of Peterborough is watching this evening, | 0:22:18 | 0:22:20 | |
you'll have my resignation on your desk in the morning, by the way. | 0:22:20 | 0:22:24 | |
-He confirmed me, not the present one. -Which one? -Oh, God knows. | 0:22:24 | 0:22:26 | |
-Was it the rudest bishop in the Church of England? -It could've been. | 0:22:26 | 0:22:29 | |
He just gave me a piece of the Host and moved on to the next line. | 0:22:29 | 0:22:33 | |
-He gave you a piece of the Host?! -Yes. | 0:22:33 | 0:22:35 | |
What the hell kind of party was it?! | 0:22:35 | 0:22:38 | |
It's what you would call the bread and wine, as well you know, | 0:22:38 | 0:22:41 | |
you secret religious, you. | 0:22:41 | 0:22:43 | |
I think it might have been Bishop Westwood | 0:22:43 | 0:22:46 | |
who, interestingly, is the father of Tim Westwood, the hip-hop DJ. | 0:22:46 | 0:22:50 | |
-Good gracious! -Does he speak like him? | 0:22:50 | 0:22:53 | |
Does he have a particular way of speaking? | 0:22:53 | 0:22:55 | |
Tim Westwood talks like a hip-hop star from the West Coast of... | 0:22:55 | 0:22:59 | |
-Oh, does he? A false American accent? -It's very effective. | 0:22:59 | 0:23:01 | |
-Ali G is based on Tim Westwood. -Really? | 0:23:01 | 0:23:03 | |
But his father was the Bishop of Peterborough who was famous for knitting. | 0:23:03 | 0:23:06 | |
LAUGHTER | 0:23:06 | 0:23:08 | |
-It's true! -For knitting?! | 0:23:08 | 0:23:11 | |
The knitting Bishop! | 0:23:11 | 0:23:12 | |
There were items on Look East about his knitting. | 0:23:12 | 0:23:15 | |
Isn't there a version of chess for kind of chess-heads | 0:23:17 | 0:23:21 | |
called fairy chess, where the pieces do more things? | 0:23:21 | 0:23:24 | |
-What a wonderful... -I'm not making this up, I'm sure this is true. -Fairy chess. | 0:23:24 | 0:23:27 | |
That there's versions of chess where you can call these fairy pieces | 0:23:27 | 0:23:30 | |
-and they can do extra things. -How many drugs did you take | 0:23:30 | 0:23:33 | |
when you were hanging out with Jimmy Somerville? | 0:23:33 | 0:23:35 | |
So you can just go, you're playing chess and suddenly you go, | 0:23:35 | 0:23:37 | |
"No, we're playing fairy chess now." | 0:23:37 | 0:23:39 | |
# La, la, la, la, la... # | 0:23:39 | 0:23:42 | |
Checkmate. | 0:23:42 | 0:23:43 | |
Yeah, well, I don't have to touch the pieces. | 0:23:43 | 0:23:46 | |
-Yeah. -Oh, I see. | 0:23:46 | 0:23:47 | |
-The whole point of chess is its limitations. -Yeah. -Yes. Precisely. | 0:23:47 | 0:23:50 | |
It's all about the strictness in which you have to operate. | 0:23:50 | 0:23:52 | |
But hang on, Mrs Poker Player Victoria Coren Mitchell, | 0:23:52 | 0:23:55 | |
aren't there versions of poker where they kind of introduce | 0:23:55 | 0:23:57 | |
wild cards and stuff to kind of get it...? It's the same sort of thing. | 0:23:57 | 0:24:00 | |
Yeah, poker's different. As Martin Amis once said, | 0:24:00 | 0:24:02 | |
"In chess, the properties of a bishop are fixed. | 0:24:02 | 0:24:04 | |
"In poker, it's all wobbled through the prism of personality." | 0:24:04 | 0:24:08 | |
-Very good. -A beautiful quote. -Beautifully put. | 0:24:08 | 0:24:10 | |
Although, even chess players will say the best chess move to play | 0:24:10 | 0:24:14 | |
is not the best chess move, | 0:24:14 | 0:24:15 | |
it's the move your opponent would least like you to play. | 0:24:15 | 0:24:18 | |
So in that sense, it is very like poker. | 0:24:18 | 0:24:20 | |
Anybody who played Kasparov, for example, | 0:24:20 | 0:24:22 | |
will say that the moment he sat down at the table, you felt beaten. | 0:24:22 | 0:24:25 | |
He was so virile, so big, like a... | 0:24:25 | 0:24:27 | |
Five o'clock shadow at ten in the morning | 0:24:27 | 0:24:29 | |
and he hunched over the board. | 0:24:29 | 0:24:31 | |
But what nobody ever tried with Kasparov was just grabbing the queen | 0:24:31 | 0:24:34 | |
and shouting, "I'm playing fairy chess!" | 0:24:34 | 0:24:36 | |
That's exactly right! Exactly right! | 0:24:36 | 0:24:39 | |
You can put your boards away now, children. There you go. | 0:24:39 | 0:24:43 | |
32. Brilliantly deduced by Sue "Brilliant" Perkins. | 0:24:43 | 0:24:47 | |
Kasparov wouldn't have liked it if you'd gone... | 0:24:47 | 0:24:49 | |
HE BLUSTERS ..every time. | 0:24:49 | 0:24:50 | |
He'd have liked it even less if you did it when he moved his! | 0:24:50 | 0:24:53 | |
LAUGHTER | 0:24:53 | 0:24:56 | |
It's a brilliant strategy! | 0:24:56 | 0:24:57 | |
Every time he moved his knight, you'd go... | 0:24:57 | 0:24:59 | |
HE WHINNIES | 0:24:59 | 0:25:01 | |
"Put me back in the stable!" | 0:25:01 | 0:25:04 | |
-With fairy chess, it could go... -HE NEIGHS | 0:25:05 | 0:25:07 | |
-Victoria, what was that line, that Martin Amis line again? -It's beautiful. | 0:25:11 | 0:25:15 | |
"In chess, the properties and powers of a bishop are fixed. | 0:25:15 | 0:25:17 | |
"In poker, it is wobbled through the prism of personality." | 0:25:17 | 0:25:21 | |
But do you know when he said that, Stephen? | 0:25:21 | 0:25:23 | |
It was after a poker game that you and I and he all played. | 0:25:23 | 0:25:26 | |
-Yes, I remember, in Wales. -Many years ago. -With the then-unknown Ricky Gervais. | 0:25:26 | 0:25:29 | |
Ricky Gervais was knocked out, got up and said, | 0:25:29 | 0:25:31 | |
"What am I supposed to do now?" | 0:25:31 | 0:25:33 | |
And you said, "There's a shotgun in the drawer." | 0:25:33 | 0:25:35 | |
LAUGHTER AND APPLAUSE | 0:25:35 | 0:25:37 | |
Oh, God. | 0:25:44 | 0:25:45 | |
That would be a very good, very good title for a book. | 0:25:45 | 0:25:48 | |
So, now, name a place where a knight can be buried. | 0:25:48 | 0:25:52 | |
The ground. | 0:25:52 | 0:25:54 | |
KLAXON | 0:25:54 | 0:25:56 | |
Amazingly not. | 0:25:56 | 0:25:57 | |
APPLAUSE | 0:25:57 | 0:25:59 | |
You must be astonished to know that isn't true. | 0:26:01 | 0:26:03 | |
Do they have to be buried above the ground? | 0:26:03 | 0:26:05 | |
No, I'm saying that they can be buried, | 0:26:05 | 0:26:06 | |
but where can they be buried? | 0:26:06 | 0:26:08 | |
In a...tomb? | 0:26:08 | 0:26:11 | |
-A vault? -A hole. | 0:26:11 | 0:26:13 | |
LAUGHTER | 0:26:13 | 0:26:15 | |
-A pyramid. -A pyramid. | 0:26:15 | 0:26:17 | |
The fact is, is the moment you are dead, you are no longer a knight. | 0:26:17 | 0:26:21 | |
-You're not a knight any more! -Oh, of course! -Right. | 0:26:21 | 0:26:24 | |
Cos everyone was shouting about how Jimmy Savile should | 0:26:24 | 0:26:26 | |
have his knighthood taken away. But they'd have had to give it back to him, in order to take it away. | 0:26:26 | 0:26:30 | |
You're no longer a member of the Order the moment you die. | 0:26:30 | 0:26:33 | |
So the moment you die, you're not a knight. So you can't bury a knight anywhere. | 0:26:33 | 0:26:36 | |
Unless you're very mean and bury them alive, I suppose. | 0:26:36 | 0:26:39 | |
Do you know who has the record for turning down the most knighthoods? | 0:26:39 | 0:26:43 | |
-No. -LS Lowry. He turned down more honours than anybody else. | 0:26:43 | 0:26:47 | |
-Good Lord! -Mr Pin Man? Mr Stick Drawing? -Matchstick men, yeah. | 0:26:47 | 0:26:52 | |
Alan Bennett certainly turned one down. Who else do we know? | 0:26:52 | 0:26:54 | |
The art, isn't it, is turning one down | 0:26:54 | 0:26:56 | |
so everybody knows you've turned it down. | 0:26:56 | 0:26:58 | |
So everyone knows without you telling them, which I refuse to do. | 0:26:58 | 0:27:01 | |
-I turned one down. -We all thought that was a poorly-kept secret. | 0:27:01 | 0:27:04 | |
-You haven't quite grasped this, Alan. -Sir ANAL Davies. | 0:27:04 | 0:27:08 | |
LAUGHTER | 0:27:08 | 0:27:10 | |
I'm sorry to go on about it, but if you're a clergyman, | 0:27:10 | 0:27:13 | |
and you're knighted, you can't call yourself Sir. | 0:27:13 | 0:27:15 | |
-Whoa! -Unless you are knighted before you're ordained, | 0:27:15 | 0:27:19 | |
and then you can be the Reverend Sir or Lady. | 0:27:19 | 0:27:22 | |
-What a swiz! -It's a chivalric order, you can't be... | 0:27:22 | 0:27:25 | |
It's military, isn't it, if you're a knight? | 0:27:25 | 0:27:27 | |
Exactly, so you can't be that if you're a vicar. You can't bear arms. | 0:27:27 | 0:27:30 | |
You can bare legs though, can't you? Yes. Ha-ha! | 0:27:30 | 0:27:33 | |
LAUGHTER | 0:27:33 | 0:27:35 | |
So, there are no dead knights, only dead former knights. | 0:27:35 | 0:27:40 | |
Which knight's luggage included cannabis, bladders, | 0:27:40 | 0:27:43 | |
shark intestines, strychnine, chilli pepper, cocaine, | 0:27:43 | 0:27:46 | |
-heroin and Kendal Mint Cake? -PLAINSONG PLAYS | 0:27:46 | 0:27:48 | |
Yes, Sue Perkins. | 0:27:48 | 0:27:50 | |
I say to get him through Eurovision, Terry Wogan. | 0:27:50 | 0:27:52 | |
KLAXON | 0:27:52 | 0:27:54 | |
-APPLAUSE -We got there! We got there! | 0:27:54 | 0:27:58 | |
Oh, you've got them all! | 0:27:59 | 0:28:01 | |
We've thought of all the heroic endurance struggles, yes. | 0:28:02 | 0:28:06 | |
PLAINSONG PLAYS | 0:28:06 | 0:28:07 | |
-Was it Sir Edmund Hillary? -It wasn't Sir Edmund Hillary, | 0:28:07 | 0:28:10 | |
although Sir Edmund Hillary did take Kendal Mint Cake right up the Everest. | 0:28:10 | 0:28:16 | |
Really?! I didn't know that was a serving suggestion! | 0:28:16 | 0:28:19 | |
I'm going to go home and try it now, though. | 0:28:19 | 0:28:22 | |
It was one of the many things that made Kendal Mint Cake | 0:28:22 | 0:28:25 | |
famous in its day, when it was famous perhaps. | 0:28:25 | 0:28:27 | |
-Was it Ranulph Fiennes? -You're in exactly the right area. -Shackleton? | 0:28:27 | 0:28:31 | |
Sir Ernest Shackleton is the answer. The Antarctic explorer. | 0:28:31 | 0:28:35 | |
-That's him in the darker polo neck. -It's a really fun job, isn't it? | 0:28:35 | 0:28:39 | |
The endurance was astonishing. | 0:28:39 | 0:28:41 | |
-They all look like Captain Birdseye. -They don't look happy. | 0:28:41 | 0:28:45 | |
The one on the right actually can't open his eyes any more. | 0:28:45 | 0:28:49 | |
-Is it true the he used to take strychnine as a tonic? -Yes, that's right. | 0:28:49 | 0:28:53 | |
I've been to Shackleton's hut. I don't really remember what was there. | 0:28:53 | 0:28:56 | |
This was his first aid kit. | 0:28:56 | 0:28:58 | |
It had isinglass, which is from the swim bladders of sturgeons, | 0:28:58 | 0:29:01 | |
for use as a wound dressing. | 0:29:01 | 0:29:03 | |
Tonics of iron and strychnine - completely correct, Richard. | 0:29:03 | 0:29:06 | |
And iron and arsenic, which the wrong doses of either could | 0:29:06 | 0:29:09 | |
cause a horrible lingering death, so you had to get that right. | 0:29:09 | 0:29:12 | |
A colic treatment based on cannabis and chilli pepper. | 0:29:12 | 0:29:16 | |
Ginger carminative, an anti-flatulence preparation. | 0:29:16 | 0:29:19 | |
LAUGHTER | 0:29:19 | 0:29:20 | |
Cocaine solution, which was in fact used as eye drops for - what problem? | 0:29:23 | 0:29:29 | |
Tired eyes. It would certainly perk them up. | 0:29:29 | 0:29:31 | |
It's actually snow blindness. | 0:29:31 | 0:29:34 | |
Used chalk and opium against diarrhoeas, like kaolin and morphine. | 0:29:34 | 0:29:38 | |
-And Kendal Mint Cake. Have you ever had Kendal Mint Cake? -It's lovely! | 0:29:38 | 0:29:42 | |
I find it quite plain. I would have taken a Crunchie. | 0:29:42 | 0:29:45 | |
It's nice to see that picture | 0:29:47 | 0:29:48 | |
because it explains what that man gave me at Schiphol Airport. | 0:29:48 | 0:29:52 | |
Kendal Mint Cake! | 0:29:53 | 0:29:55 | |
If you go to Shackleton's hut, | 0:29:55 | 0:29:56 | |
you are followed all the way there by a New Zealand official, | 0:29:56 | 0:29:59 | |
and if you eat anything at all, like a packet of crisps, he walks, | 0:29:59 | 0:30:02 | |
looking around you, making sure you haven't dropped any crumbs. | 0:30:02 | 0:30:04 | |
I should hope so! And is it worth a visit? Where is Shackleton's hut? | 0:30:04 | 0:30:09 | |
-It's on Antarctica. -You've been there? -Yes. -When did you go there? | 0:30:09 | 0:30:13 | |
How exciting! | 0:30:13 | 0:30:14 | |
Ten or 15 years ago, but it was a very exciting | 0:30:14 | 0:30:17 | |
opportunity to see somewhere I would never normally go. | 0:30:17 | 0:30:19 | |
-Was this from New Zealand? -Yes, from New Zealand. | 0:30:19 | 0:30:23 | |
You go up from Christchurch. | 0:30:23 | 0:30:24 | |
I went to an exhibition about Scott in Christchurch | 0:30:24 | 0:30:27 | |
and they talk about what Amundsen took - a completely different plan. | 0:30:27 | 0:30:32 | |
Whereas Scott's plan was to go with ponies and horses and things, | 0:30:32 | 0:30:36 | |
Amundsen was from Norway and they just went with dogs, | 0:30:36 | 0:30:38 | |
55 dogs I think they had. They were really much better at it. | 0:30:38 | 0:30:43 | |
-SUE: -Dogs can go very... Have you ever been... | 0:30:43 | 0:30:45 | |
I have been in Wyoming. It was one of the most thrilling things I've ever done. | 0:30:45 | 0:30:48 | |
A friend of mine did that and she said that the thing is, the dogs | 0:30:48 | 0:30:51 | |
cannot stop when nature calls and that you get pelted with poo. | 0:30:51 | 0:30:56 | |
Pelted with droppings. | 0:30:56 | 0:30:59 | |
-Pebble-dashed by huskies. -It is basically husky cack, | 0:30:59 | 0:31:03 | |
liquid husky cack flying. | 0:31:03 | 0:31:05 | |
What Amundsen dogs didn't know was that they would be | 0:31:05 | 0:31:09 | |
-eaten by the men and by the other dogs. -Is that what happened? | 0:31:09 | 0:31:13 | |
-Yes, it was very carefully worked out, very precisely. -You can't carry all that dog food, | 0:31:13 | 0:31:18 | |
you can't feed all those dogs all the way there and all the way back. | 0:31:18 | 0:31:21 | |
This is the programme that Paul O'Grady must never make. | 0:31:21 | 0:31:24 | |
The death of dogs! | 0:31:26 | 0:31:27 | |
I think it was a bit unkind of Amundsen to put "nul points" under the flag. | 0:31:30 | 0:31:33 | |
Now to some knaves. | 0:31:35 | 0:31:37 | |
What's the best way to stop your car from being stolen? | 0:31:37 | 0:31:40 | |
Never park it, just drive it around and around. | 0:31:40 | 0:31:44 | |
Keep driving round and around and around. Yeah. | 0:31:44 | 0:31:46 | |
What you've cunningly done is avoid the obvious trap of saying | 0:31:46 | 0:31:49 | |
you have a car alarm, because it seems that car alarms are worse than useless. | 0:31:49 | 0:31:52 | |
In fact, we know that instinctively, don't we? | 0:31:52 | 0:31:55 | |
-Yeah, because you ignore them. -You ignore them. Exactly. -Yeah. | 0:31:55 | 0:31:58 | |
In fact, not only that, 1% of people, when asked, | 0:31:58 | 0:32:00 | |
said that they would actually call the police if they heard a car alarm, | 0:32:00 | 0:32:03 | |
and 60% said they would call up to complain about it. | 0:32:03 | 0:32:05 | |
So you would actually make a phone call, but not to say that someone's | 0:32:05 | 0:32:09 | |
car was being stolen, but just to say what a bloody nuisance it was. | 0:32:09 | 0:32:11 | |
-So if that's the worst thing to do, what's the best thing to do? -Put in an old-fashioned lock. | 0:32:11 | 0:32:15 | |
-Or have a rubbish car. -Or have a terrible car. -I've got a terrible car. | 0:32:15 | 0:32:18 | |
-Have you? -With loads of graffiti on it. Someone drew a penis on the front bonnet. | 0:32:18 | 0:32:23 | |
A friend of mine who's married to a vicar, she came out one morning | 0:32:23 | 0:32:27 | |
and found someone had written "Monk Whore" on the back of her car. | 0:32:27 | 0:32:30 | |
LAUGHTER | 0:32:30 | 0:32:33 | |
Extraordinary! Monk whore. | 0:32:33 | 0:32:36 | |
-Monk whore. -And now on BBC One, Monk Whore. | 0:32:36 | 0:32:39 | |
LAUGHTER | 0:32:39 | 0:32:41 | |
-Robson Green... -Is Monk Whore. | 0:32:41 | 0:32:43 | |
But did you know that actually car thieving | 0:32:43 | 0:32:46 | |
is almost never a female occupation? | 0:32:46 | 0:32:48 | |
-That's like a challenge. -Yeah. -Yeah. | 0:32:48 | 0:32:51 | |
Tonight, the pair of us. | 0:32:51 | 0:32:52 | |
There's, I'm sure you know who that is, but... | 0:32:52 | 0:32:55 | |
That's Bonnie. | 0:32:55 | 0:32:56 | |
Bonnie as in Bonnie and Clyde, yes. | 0:32:56 | 0:32:58 | |
But apparently, the confraternity of car thieves don't think women | 0:32:58 | 0:33:01 | |
should be allowed, so if a woman steals a car, | 0:33:01 | 0:33:04 | |
they can't sell it on, cos they go, "Oh, I'm not having that. | 0:33:04 | 0:33:07 | |
"I'm not having it off you, you don't know what it's about." | 0:33:07 | 0:33:09 | |
So what you're saying is there's very little to divide between car thieves and car salesmen. | 0:33:09 | 0:33:13 | |
-Yes. -Of a similar view. -It's a sexist bastion. | 0:33:13 | 0:33:16 | |
I saw this brilliant documentary about crime | 0:33:16 | 0:33:18 | |
and they interviewed these two young car criminals who were in jail, | 0:33:18 | 0:33:21 | |
and they talked about what pride they took in their work, | 0:33:21 | 0:33:24 | |
and one of them turned to the camera and said, | 0:33:24 | 0:33:26 | |
"Some car criminals, unfortunately, give the rest of us a bad name." | 0:33:26 | 0:33:30 | |
Fantastic. A bit of pride in his work. | 0:33:30 | 0:33:32 | |
Now, explain the effect of Stockholm Syndrome. | 0:33:32 | 0:33:35 | |
-Oh. -Wasn't that when you identify... | 0:33:35 | 0:33:38 | |
LAUGHTER | 0:33:38 | 0:33:40 | |
Oh. But you identify, if you're a victim of kidnap, | 0:33:40 | 0:33:44 | |
you identify with your kidnappers | 0:33:44 | 0:33:46 | |
-and you sort of become weird friends. -Yeah. -Is that right? | 0:33:46 | 0:33:49 | |
I mean, that is what they say. | 0:33:49 | 0:33:50 | |
From the Patty Hearst kidnap, is where it started? | 0:33:50 | 0:33:53 | |
Well, no, because she was nothing to do with Stockholm. | 0:33:53 | 0:33:55 | |
There was a '73 kidnapping in Stockholm, where, | 0:33:55 | 0:33:58 | |
after which it was named, that's the Stockholm four. | 0:33:58 | 0:34:02 | |
And they defended the robbers after the event and so on, so... | 0:34:02 | 0:34:05 | |
-Cos they'd become so inured to the system of... -That's right. -Yeah. | 0:34:05 | 0:34:08 | |
And the most famous one, as you rightly say, | 0:34:08 | 0:34:10 | |
was the heiress of William Randolph Hearst, Patty Hearst, | 0:34:10 | 0:34:12 | |
who was kidnapped by a strange group | 0:34:12 | 0:34:14 | |
called the Symbionese Liberation Army. | 0:34:14 | 0:34:17 | |
Unusually for a clergyman of the Church of England, | 0:34:17 | 0:34:20 | |
I've had dinner with Patty Hearst. | 0:34:20 | 0:34:22 | |
-You haven't! -I have. -How was she? Is she back to normal? | 0:34:22 | 0:34:24 | |
Charming, completely charming. I didn't know who she was until someone said who she was. | 0:34:24 | 0:34:28 | |
By the time they had coffee, she wanted to be a vicar. | 0:34:28 | 0:34:31 | |
LAUGHTER | 0:34:31 | 0:34:32 | |
She had sort of become a kind of Bohemian socialite in Los Angeles, | 0:34:32 | 0:34:36 | |
in the 1980s, when I used to go there | 0:34:36 | 0:34:37 | |
in a previous incarnation, and I met her... | 0:34:37 | 0:34:40 | |
And when you were a rock star, a rock god. | 0:34:40 | 0:34:42 | |
-Oh, you! -Yeah. | 0:34:42 | 0:34:44 | |
And I met her there. It was those sort of dinners that you would go to | 0:34:44 | 0:34:47 | |
where everyone would be weirdly famous | 0:34:47 | 0:34:49 | |
and have no other reason to be there at all, | 0:34:49 | 0:34:51 | |
so you'd have Patty Hearst and, I don't know... | 0:34:51 | 0:34:53 | |
-Nancy Reagan. -..Andy Warhol and Eddie the Eagle, you know. | 0:34:53 | 0:34:57 | |
Oh, that's a dinner you'd want to go to. | 0:34:57 | 0:35:00 | |
Definitely. Definitely. | 0:35:00 | 0:35:01 | |
But the fact is, it seems to be an aberration, it's very rare. | 0:35:01 | 0:35:04 | |
Most people when they're kidnapped, have nothing | 0:35:04 | 0:35:06 | |
but feelings of complete hostility | 0:35:06 | 0:35:08 | |
towards their captors. As you would expect. | 0:35:08 | 0:35:10 | |
I would feel, as a clergyman, sort of bound to sort of... | 0:35:10 | 0:35:13 | |
Are you a clergyman? | 0:35:13 | 0:35:15 | |
-I would sort of feel obliged to kind of be nice to them. -Oh, you would. | 0:35:15 | 0:35:18 | |
And establish some rapport of some kind. | 0:35:18 | 0:35:20 | |
-"I do understand your point of view." -Exactly, yes. "I think your case is good in parts." | 0:35:20 | 0:35:23 | |
-It would be like that. -Yes, exactly. | 0:35:23 | 0:35:26 | |
So there was a famous figure in history, | 0:35:26 | 0:35:28 | |
one of the most famous in history, who did certainly not have | 0:35:28 | 0:35:31 | |
Stockholm Syndrome, who was kidnapped by pirates. | 0:35:31 | 0:35:34 | |
-And... -Pirates in history, kidnapped... -Johnny Depp. | 0:35:34 | 0:35:37 | |
No. This is a great figure in history. | 0:35:37 | 0:35:40 | |
-Kidnapped by pirates? -Who was kidnapped by pirates, | 0:35:40 | 0:35:42 | |
was held hostage and the ransom was paid. | 0:35:42 | 0:35:44 | |
-Give us some clues. -What sort of era? | 0:35:44 | 0:35:46 | |
He then pursued them with a small fleet, or a number of boats, a flotilla. | 0:35:46 | 0:35:50 | |
-Francis Drake. -Drake? -No, and... -Cook? -Raleigh, Cook? -Nelson. | 0:35:50 | 0:35:53 | |
Had them all crucified. | 0:35:53 | 0:35:55 | |
-Oh. -A Roman. -Oh, it was Julius Caesar. -Julius Caesar is the right answer. | 0:35:55 | 0:35:58 | |
-Julius Caesar. -Yeah. And the thing is, he had told them while he was held hostage, | 0:35:58 | 0:36:02 | |
"When I get out of here, I will come back and I will crucify you." | 0:36:02 | 0:36:04 | |
And they apparently thought it was a joke. | 0:36:04 | 0:36:07 | |
Joke's on you. | 0:36:07 | 0:36:08 | |
-Oh, ho, ho, ho, ho. -Who's laughing now? | 0:36:08 | 0:36:10 | |
Yeah. They didn't know their Caesar. Exactly. | 0:36:10 | 0:36:13 | |
-So, one tough cookie. -How do you crucify someone if they've got hooks for hands? | 0:36:13 | 0:36:17 | |
It's very, very difficult. | 0:36:17 | 0:36:19 | |
LAUGHTER AND APPLAUSE | 0:36:19 | 0:36:22 | |
Do they hang them up? | 0:36:22 | 0:36:24 | |
-They have magnets, massive magnets. -Magnets. Magnets. | 0:36:26 | 0:36:28 | |
They have got one wooden leg, though, haven't they, so that's not so difficult. | 0:36:28 | 0:36:32 | |
VICTORIA: Why? Why was Julius Caesar kidnapped by pirates? | 0:36:32 | 0:36:35 | |
-Under what circumstances? -It was a ransom, simply, it was a business... | 0:36:35 | 0:36:38 | |
But they didn't kill him, it sounds like he was harsh. | 0:36:38 | 0:36:40 | |
He went after them and had them crucified. | 0:36:40 | 0:36:43 | |
He was not a man to be trifled with. Julie. | 0:36:43 | 0:36:45 | |
-Well, especially if you call him Julie, I imagine. -Yeah, no, he didn't like that. | 0:36:45 | 0:36:48 | |
The worst thing you can do to Julius Caesar, call him Julie. | 0:36:48 | 0:36:51 | |
Is call him Jules. There is a suggestion that Stockholm syndrome could be | 0:36:51 | 0:36:55 | |
a sort of psychological thing, in the same way that women | 0:36:55 | 0:36:58 | |
throughout history have had to put up with being taken and seized | 0:36:58 | 0:37:01 | |
and that the human being is conditioned to make the best of a bad job. | 0:37:01 | 0:37:04 | |
-Well, we've all been there. -But that's just a relationship, Stephen. | 0:37:04 | 0:37:08 | |
-Yes, that's right. -But it is sort of logical, if you thought you were being kidnapped long-term, | 0:37:08 | 0:37:12 | |
-it makes sense to try and see it from the other person's point of view. -Yes, it does. | 0:37:12 | 0:37:16 | |
-Just to maintain sanity, apart from anything. -In fact, to get the syndrome to work on them, | 0:37:16 | 0:37:19 | |
rather than you. For them to be so fond of you, they would no longer want to kill you, | 0:37:19 | 0:37:23 | |
which would be handy. | 0:37:23 | 0:37:24 | |
Now, what's a good reason for faking your own kidnapping? | 0:37:24 | 0:37:28 | |
Oh, I mean... | 0:37:28 | 0:37:30 | |
If you're bored on holiday? | 0:37:30 | 0:37:32 | |
-That would do it. -You're trying to get out of a relationship, | 0:37:32 | 0:37:35 | |
that's why I always do it. | 0:37:35 | 0:37:37 | |
There was an American man who pretended to be kidnapped | 0:37:37 | 0:37:41 | |
just so that he had an excuse as to why he hadn't | 0:37:41 | 0:37:43 | |
called his girlfriend for two weeks. | 0:37:43 | 0:37:45 | |
LAUGHTER | 0:37:45 | 0:37:47 | |
He was terrified of her reaction. | 0:37:47 | 0:37:49 | |
And the police realised it because he had duct tape | 0:37:49 | 0:37:52 | |
round his wrists, but the reel, the spool of it was still connected. | 0:37:52 | 0:37:56 | |
You can't tear it with your teeth, it's so fibrous. | 0:37:56 | 0:37:59 | |
I could imagine the girlfriend saying, "You could still have texted." | 0:37:59 | 0:38:02 | |
Yes, exactly. Exactly, he could have done. | 0:38:02 | 0:38:05 | |
There was Jennifer Wilbanks of Duluth, | 0:38:05 | 0:38:08 | |
who faked a kidnapping to get out of attending her own wedding. | 0:38:08 | 0:38:10 | |
Yeah, I've been there. | 0:38:10 | 0:38:12 | |
But weirdest of all, there was a 2008 case of another Spaniard, | 0:38:12 | 0:38:15 | |
Josefa Sanchez Vargas, who convinced | 0:38:15 | 0:38:19 | |
her husband to pay more than half a million pounds to secure the release | 0:38:19 | 0:38:22 | |
of their children. It was a faked kidnapping, which you'd say, | 0:38:22 | 0:38:25 | |
"Well, that's... We expect that," except she did that six times over five years. | 0:38:25 | 0:38:29 | |
He didn't twig. | 0:38:29 | 0:38:31 | |
-That's quite a nest egg, isn't it? -Every time she needed a new hat. | 0:38:31 | 0:38:35 | |
Some people get kidnapped just for the thrill of it. | 0:38:35 | 0:38:37 | |
-Can you imagine why that would be? -So they pay for kidnappers to kidnap them | 0:38:37 | 0:38:40 | |
so they can experience the visceral thrill of, you know, | 0:38:40 | 0:38:43 | |
being in a car boot with a load of duct tape round your ankles. | 0:38:43 | 0:38:45 | |
-Absolutely that. -People are weird. -I know! | 0:38:45 | 0:38:47 | |
The BBC does it to you too. | 0:38:47 | 0:38:49 | |
If you are going into a hostile zone, | 0:38:49 | 0:38:51 | |
you have hostile zone training where | 0:38:51 | 0:38:52 | |
as you're driving your Land Rover, chaps come out with ski masks and | 0:38:52 | 0:38:55 | |
put bags over your head and bundle you into the back of a... | 0:38:55 | 0:38:59 | |
Oh, this is for BBC reporters. | 0:38:59 | 0:39:00 | |
I was just thinking, "Why presenting Blue Peter..." | 0:39:00 | 0:39:04 | |
Hostile zone as in people who are not very nice to you. | 0:39:04 | 0:39:07 | |
It sounds like a Top Gear sex park, | 0:39:07 | 0:39:10 | |
where Clarkson gets his kicks of a weekend. | 0:39:10 | 0:39:13 | |
One of those funny phrases, isn't it? | 0:39:13 | 0:39:15 | |
When you are put in the back of a van you are always bundled. | 0:39:15 | 0:39:18 | |
Bundled! It's the only word... | 0:39:18 | 0:39:20 | |
-It's true. -Don't get bundled onto a bus. | 0:39:20 | 0:39:23 | |
Anyway, yes, there's a French company that, | 0:39:23 | 0:39:25 | |
for 900 euros, gives you your basic kidnapping, | 0:39:25 | 0:39:28 | |
which is being shoved into a car boot and held down and blindfolded. | 0:39:28 | 0:39:32 | |
And then, for a little extra money, you can have helicopter chases | 0:39:32 | 0:39:35 | |
and really quite sort of sexy stuff. | 0:39:35 | 0:39:36 | |
-And then, they'll cut your ear off and send it to your mum. -Yes. | 0:39:36 | 0:39:41 | |
So, now it's time for me to hold you all hostage. | 0:39:41 | 0:39:43 | |
There's no escape from General Ignorance. | 0:39:43 | 0:39:46 | |
Fingers on the buzzers please. | 0:39:46 | 0:39:47 | |
How long should you wait before reporting a missing person to the police? | 0:39:47 | 0:39:51 | |
PLAINSONG PLAYS | 0:39:51 | 0:39:52 | |
-Yes, Sue? -Well, certainly until they're missing. | 0:39:52 | 0:39:55 | |
LAUGHTER | 0:39:55 | 0:39:57 | |
-Very good. -Until they're out of sight. -Yeah. -Yes, that's... | 0:39:57 | 0:39:59 | |
-Just when they've left the road. -Yes, when they've turned the corner. -Yes. -When is it too soon? | 0:39:59 | 0:40:03 | |
"Just going to make a cup of tea." "Right, I'm ringing." | 0:40:03 | 0:40:06 | |
24 hours? | 0:40:06 | 0:40:08 | |
KLAXON | 0:40:08 | 0:40:10 | |
Ah, no. | 0:40:10 | 0:40:11 | |
-You shouldn't wait at all, if you're convinced someone's missing. -Absolutely right. | 0:40:12 | 0:40:16 | |
If you take your child into a supermarket, it would be 20 minutes, wouldn't it? | 0:40:16 | 0:40:20 | |
-You know that they're gone. -20 seconds. -20 seconds. You just check they're not there. | 0:40:20 | 0:40:23 | |
I'm going to wait 24 hours. | 0:40:23 | 0:40:25 | |
Go home to my wife, "Well, I don't know where she is." | 0:40:25 | 0:40:28 | |
LAUGHTER | 0:40:28 | 0:40:30 | |
-"But I'm going to wait till tomorrow." -Yes. | 0:40:30 | 0:40:33 | |
"We might as well go out, because we don't have to get a baby-sitter." | 0:40:33 | 0:40:36 | |
LAUGHTER | 0:40:36 | 0:40:39 | |
"Let's go and have a curry and some wine and phone her in the morning." | 0:40:39 | 0:40:42 | |
You're absolutely right. Then, of course, if it's an adult, it doesn't matter, | 0:40:42 | 0:40:45 | |
cos the police are very likely just to say, "That's not our business." | 0:40:45 | 0:40:48 | |
Unless they have a particular problem. | 0:40:48 | 0:40:50 | |
But the fact is, yeah, there is no set time. | 0:40:50 | 0:40:53 | |
The police use their own skill and judgment, as it were. | 0:40:53 | 0:40:55 | |
-If it's a child, there's obviously... -Oh, well. | 0:40:55 | 0:40:57 | |
ALAN LAUGHS | 0:40:57 | 0:40:59 | |
-I don't know why that's... -That's a message. | 0:40:59 | 0:41:01 | |
That's three words you don't hear in the same sentence, isn't it? | 0:41:01 | 0:41:04 | |
Yeah, you just hope you're not burgled soon, Alan. | 0:41:04 | 0:41:07 | |
Oh, I was burgled so many times in the '90s that one time | 0:41:07 | 0:41:11 | |
they came round, it was like the fifth time I'd been burgled, | 0:41:11 | 0:41:13 | |
they came round and my cat came in, and this constable goes, | 0:41:13 | 0:41:16 | |
"If only he could talk." | 0:41:16 | 0:41:18 | |
LAUGHTER | 0:41:18 | 0:41:20 | |
That's fantastic. Oh, that's brilliant. | 0:41:20 | 0:41:23 | |
Is that how we're going to... Is that it then? | 0:41:23 | 0:41:26 | |
Is that the extent of the investigation? | 0:41:26 | 0:41:29 | |
Willing the animal to give evidence. | 0:41:29 | 0:41:31 | |
Now, what did Parliament pay for to put in Sir Peter Viggers' garden? | 0:41:31 | 0:41:35 | |
PLAINSONG PLAYS | 0:41:35 | 0:41:36 | |
Yes? | 0:41:36 | 0:41:37 | |
The notorious duck house. | 0:41:37 | 0:41:39 | |
KLAXON | 0:41:39 | 0:41:40 | |
Ah. You're in the duck house there. | 0:41:40 | 0:41:42 | |
The fact is, the duck house was one of the ones that they turned down. | 0:41:42 | 0:41:45 | |
-Oh. -Yeah, he put in claims for £32,000 for gardening. | 0:41:45 | 0:41:50 | |
£500 for 28 tonnes of manure. | 0:41:50 | 0:41:54 | |
£1,645 for the duck island, but that was turned down | 0:41:54 | 0:41:58 | |
by the eagle-eyed guardians of the national purse. | 0:41:58 | 0:42:02 | |
It's probably worth mentioning that at the same time as that | 0:42:02 | 0:42:05 | |
£8 billion was spent bailing out the banks, | 0:42:05 | 0:42:07 | |
it was just that was too big a sum for anyone to get their heads around, | 0:42:07 | 0:42:10 | |
so they went, "What? £10 for a sandwich?!" | 0:42:10 | 0:42:12 | |
-I know. -"This is appalling." -It is, it's fascinating, isn't it? | 0:42:12 | 0:42:15 | |
Sir Peter Viggers later commented that the duck house was, | 0:42:15 | 0:42:17 | |
"Never liked by the ducks..." | 0:42:17 | 0:42:19 | |
LAUGHTER | 0:42:19 | 0:42:20 | |
"..and is now in storage." | 0:42:20 | 0:42:22 | |
Ah, look, there they are. They don't need an island. | 0:42:22 | 0:42:24 | |
-(I love ducks, don't you?) -Hmm. | 0:42:24 | 0:42:26 | |
You never see that sort of thing on a coat of arms, do you? | 0:42:26 | 0:42:28 | |
All the sort of lions and dragons, you never see something nice like a duck. | 0:42:28 | 0:42:31 | |
-A duck. -Or a, you know, Eggs Benedict, or some sort of friendly, | 0:42:31 | 0:42:36 | |
-like a friendly thing. -Yes, like a hamster or guinea pig or something. -Yeah. | 0:42:36 | 0:42:40 | |
-That's true. A furry bearing. -Yes. | 0:42:40 | 0:42:42 | |
Anyway, the famous duck house didn't cost the taxpayer a penny. | 0:42:42 | 0:42:46 | |
And with that last tilt at our old friend General Ignorance, | 0:42:46 | 0:42:49 | |
we reach the end of tonight's performance, | 0:42:49 | 0:42:51 | |
and I can tell you that it is incredibly exciting. | 0:42:51 | 0:42:54 | |
We have leaders, two leaders, with plus three, Richard and Victoria. | 0:42:54 | 0:42:58 | |
CHEERING AND APPLAUSE | 0:42:58 | 0:43:01 | |
Wowzer! | 0:43:01 | 0:43:02 | |
In third place, with minus seven, Alan Davies. | 0:43:05 | 0:43:10 | |
Highly commendable, highly commendable. | 0:43:10 | 0:43:12 | |
CHEERING AND APPLAUSE | 0:43:12 | 0:43:16 | |
And with a fantastic minus 24 is Sue Perkins. | 0:43:16 | 0:43:19 | |
CHEERING AND APPLAUSE | 0:43:19 | 0:43:21 | |
Well... | 0:43:21 | 0:43:22 | |
And it only remains for me to thank my panellists, | 0:43:26 | 0:43:29 | |
Victoria, Sue, Richard and Alan. | 0:43:29 | 0:43:31 | |
Thank you and good night! | 0:43:31 | 0:43:33 | |
Subtitles by Red Bee Media Ltd | 0:43:58 | 0:44:00 |