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APPLAUSE AND CHEERING | 0:00:25 | 0:00:27 | |
Goo-oo-oo-oo-ood evening, good evening, good evening, good evening, | 0:00:32 | 0:00:37 | |
good evening, good evening, good evening, good evening, | 0:00:37 | 0:00:39 | |
good evening, good evening, good evening, and welcome to QI, | 0:00:39 | 0:00:42 | |
where tonight we're cantering through the whole kit and caboodle. | 0:00:42 | 0:00:46 | |
It's a catch-all that can cover anything and anyone, | 0:00:46 | 0:00:48 | |
including the wild expanse of Ross Noble. | 0:00:48 | 0:00:51 | |
CHEERING | 0:00:51 | 0:00:54 | |
The far reaches of Noel Fielding. | 0:00:57 | 0:01:00 | |
CHEERING | 0:01:00 | 0:01:03 | |
The sweeping vistas of Colin Lane. | 0:01:06 | 0:01:08 | |
CHEERING | 0:01:08 | 0:01:10 | |
And the frozen wastes of Alan Davies. | 0:01:13 | 0:01:16 | |
CHEERING | 0:01:16 | 0:01:20 | |
So, catch my attention if you can. Ross goes: | 0:01:22 | 0:01:26 | |
SCHOOL BELL RINGS | 0:01:26 | 0:01:30 | |
Noel goes: | 0:01:30 | 0:01:31 | |
TRAIN HORN | 0:01:31 | 0:01:34 | |
Colin goes: | 0:01:34 | 0:01:35 | |
WIBBLE WOBBLE | 0:01:35 | 0:01:37 | |
LAUGHING | 0:01:37 | 0:01:38 | |
And Alan goes: | 0:01:38 | 0:01:40 | |
MAN'S VOICE: Stephen, Stephen! I want some points! | 0:01:40 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Now, in case anybody's wondering, because he hasn't done that | 0:01:44 | 0:01:47 | |
much television in Britain, we found Colin in Australia. | 0:01:47 | 0:01:50 | |
-Colin, in 1994, you won the Perrier Award, didn't you? -Yes. | 0:01:50 | 0:01:56 | |
-For comedy at the Edinburgh Fringe. -Yes. | 0:01:56 | 0:01:58 | |
Which is an incredibly distinguished award to win, as... | 0:01:58 | 0:02:01 | |
-HE COUGHS -..I know. | 0:02:01 | 0:02:03 | |
And, no, ignore that. | 0:02:03 | 0:02:05 | |
-But you haven't won the Perrier Award, Stephen? -Yes, I did win it, yes. | 0:02:05 | 0:02:08 | |
-Oh, you did? -I was the... My group was the first to win it, ever. | 0:02:08 | 0:02:11 | |
-Yeah. -The first? -As it happens, yeah. | 0:02:11 | 0:02:13 | |
But I wonder who you beat in 1994? Who came second or third? | 0:02:13 | 0:02:16 | |
There were a few other nominees. | 0:02:16 | 0:02:18 | |
-Yeah, who were the other nominees? -Er... Um.. | 0:02:18 | 0:02:21 | |
I think the main competition came from a little fellow.... | 0:02:21 | 0:02:25 | |
ALAN YAWNS | 0:02:25 | 0:02:26 | |
-..his name was Alan Davies. -Alan Davies. | 0:02:26 | 0:02:29 | |
-Oh, no, whatever. -Yes. -Oh. | 0:02:29 | 0:02:31 | |
Alan Davies, yes. Yes. | 0:02:31 | 0:02:32 | |
Then I went to Melbourne and I stayed at Colin's house | 0:02:32 | 0:02:34 | |
and he'd put the Perrier Award on the bedside table! | 0:02:34 | 0:02:38 | |
He said he had to look for it, he had to look in the loft for it. | 0:02:43 | 0:02:47 | |
And the Perrier Award, Alan, was a... | 0:02:47 | 0:02:50 | |
In case you want to know what it looks like. | 0:02:50 | 0:02:52 | |
Was like a piece of wood with like a silver Perrier bottle on top, | 0:02:52 | 0:02:56 | |
with a little cap on it, | 0:02:56 | 0:02:58 | |
that kind of just fell off a couple of days after we got it. | 0:02:58 | 0:03:01 | |
And the award for Best Newcomer, was a lovely... | 0:03:01 | 0:03:05 | |
-Really, you? -Did you? | 0:03:07 | 0:03:09 | |
-That was you? -Did you win it? Yeah! -That was you! | 0:03:09 | 0:03:12 | |
It's a better trophy, isn't it? It's like a sort of big cube. | 0:03:17 | 0:03:19 | |
It's a much better, it's like an oblong Perspex. | 0:03:19 | 0:03:22 | |
Yeah, like a Star Trek thing. | 0:03:22 | 0:03:23 | |
With the shape of a Perrier bottle made out of bubbles inside it, | 0:03:23 | 0:03:27 | |
it's really, it's really, really nice. | 0:03:27 | 0:03:29 | |
I gave it to my mum, yeah. | 0:03:29 | 0:03:30 | |
Anyway, that's enough inspecting our own bottoms, it's embarrassing. | 0:03:32 | 0:03:36 | |
So, suggest, if you may, | 0:03:36 | 0:03:38 | |
some uses of kitty litter that don't involve a kitty. | 0:03:38 | 0:03:42 | |
Aaah. There's a kitty. I've got some kitty litter here. | 0:03:42 | 0:03:45 | |
Anyone could use it for absorbing their urine, couldn't they? | 0:03:45 | 0:03:48 | |
Well, you could use it in the same way that a kitty would use it, | 0:03:48 | 0:03:51 | |
yeah, because it does soak up liquid. | 0:03:51 | 0:03:53 | |
Can you - when you drop your phone in the loo - you're supposed to put it in a tub | 0:03:53 | 0:03:57 | |
-of rice to get the moisture out. -Indeed. -Can you do that with cat litter? | 0:03:57 | 0:04:00 | |
There's an episode of Elementary which is based on that very fact. | 0:04:00 | 0:04:03 | |
There's an episode of Jonathan Creek where I wee'd in some cat litter. | 0:04:03 | 0:04:06 | |
I say "I"- the character Jonathan. | 0:04:07 | 0:04:09 | |
Let's work backwards as to how that could possibly be a plot line | 0:04:09 | 0:04:13 | |
that you pee'd in cat litter. | 0:04:13 | 0:04:15 | |
I just got trapped in the cellar for ages and I needed a wee. | 0:04:15 | 0:04:18 | |
Oh, I see, well, that's fair enough. | 0:04:18 | 0:04:20 | |
When you're at school, when people throw up, don't they put cat, | 0:04:20 | 0:04:23 | |
-I don't know... -Sawdust. -That's a good thing to do. -Ah. -That, exactly, anything like that. | 0:04:23 | 0:04:26 | |
We used to have a sort of weird brown sand. | 0:04:26 | 0:04:29 | |
Yeah, and they say, "There's nothing to see here," | 0:04:29 | 0:04:31 | |
but there is, isn't there? | 0:04:31 | 0:04:32 | |
Yes, there really is. | 0:04:32 | 0:04:34 | |
-It's a really good spectacle. -There's a lot to see there. | 0:04:34 | 0:04:36 | |
There's a lot to see. | 0:04:36 | 0:04:38 | |
Also they would draw a chalk line round it, like it had died. | 0:04:38 | 0:04:41 | |
Yes. The scene of a body. | 0:04:41 | 0:04:43 | |
The skill was to make it in the shape of a dead body. | 0:04:43 | 0:04:45 | |
Make it look like a mammal. | 0:04:45 | 0:04:47 | |
Oh, look, a racoon has died in the playground. | 0:04:47 | 0:04:50 | |
It's always a bit of fun to put it in a sugar bowl, | 0:04:50 | 0:04:54 | |
so that when somebody adds it to their tea, just, phoom, tea's gone. | 0:04:54 | 0:04:58 | |
Probably the most profitable use, bizarrely, | 0:05:01 | 0:05:04 | |
was by the American tobacco industry. | 0:05:04 | 0:05:06 | |
Can you imagine why that might be? | 0:05:06 | 0:05:07 | |
There's a tax on tobacco, obviously, there was | 0:05:07 | 0:05:09 | |
a tax on small cigars and American tobacco companies... | 0:05:09 | 0:05:12 | |
Filters, in filters? | 0:05:12 | 0:05:13 | |
They bulked-up their small cigars to become big cigars... | 0:05:13 | 0:05:17 | |
..using, amongst | 0:05:17 | 0:05:19 | |
other things, the ingredients of cat litter, which is disgusting. | 0:05:19 | 0:05:22 | |
That's a big cigar. | 0:05:24 | 0:05:25 | |
No, I think that's someone's leg! She's just eaten someone. | 0:05:25 | 0:05:28 | |
That is enormous. | 0:05:28 | 0:05:30 | |
I think they've bulked that one up too much. | 0:05:30 | 0:05:33 | |
That's a normal-sized cigar, I think, but she's just a very small woman. | 0:05:33 | 0:05:38 | |
They apparently reduced their tax take on tobacco by over | 0:05:38 | 0:05:41 | |
a billion this way, by bumping small cigars into the big-cigar category. | 0:05:41 | 0:05:46 | |
But unfortunately a lot of cats leapt up and wee'd on their faces. | 0:05:46 | 0:05:50 | |
"I'm going to celebrate the deal. Aaaah." | 0:05:50 | 0:05:53 | |
Why did they choose kitty litter as the filling? | 0:05:55 | 0:05:57 | |
Oh, it was because it's a kind of neutral stuff that burns, | 0:05:57 | 0:06:00 | |
that doesn't really taste of anything unpleasant, | 0:06:00 | 0:06:02 | |
-and is cheap and isn't tobacco. -It burns? | 0:06:02 | 0:06:04 | |
-So it doesn't have a tax on it. -What about just some soil, maybe? | 0:06:04 | 0:06:07 | |
That would be cheaper than kitty litter. | 0:06:07 | 0:06:09 | |
The trouble with soil is, it wouldn't burn | 0:06:09 | 0:06:10 | |
-and it would taste unpleasant. -What about air? | 0:06:10 | 0:06:14 | |
-Just a foot pump. -Yeah. | 0:06:14 | 0:06:16 | |
Or better still, some helium, so that you can just have your cigar | 0:06:16 | 0:06:19 | |
and you don't have to hold it, you just take your hand away and it just | 0:06:19 | 0:06:23 | |
floats there like that, and then you can just go back to it and go... | 0:06:23 | 0:06:26 | |
And then you go... | 0:06:28 | 0:06:29 | |
HIGH VOICE: "This is a lovely cigar. | 0:06:29 | 0:06:32 | |
"It's enormous!" | 0:06:32 | 0:06:34 | |
So it's highly flammable, so basically, if a kitten... | 0:06:34 | 0:06:37 | |
It's not highly flammable. You can just burn it, like tobacco. | 0:06:37 | 0:06:40 | |
It doesn't go, whoomf! | 0:06:40 | 0:06:42 | |
It's probably apocryphal, but there was a story about Churchill, | 0:06:44 | 0:06:48 | |
or if you are an American, about Clarence Darrow, | 0:06:48 | 0:06:50 | |
the famous lawyer, if you remember the Scopes Monkey Trial, | 0:06:50 | 0:06:53 | |
he was the great lawyer who defended the teacher who was teaching evolution. | 0:06:53 | 0:06:58 | |
I can see why Winston Churchill was so angry. | 0:06:58 | 0:07:00 | |
He's the Prime Minister and he's got a cigar with a dent in it. | 0:07:00 | 0:07:04 | |
That's from where a small kitten landed on him. | 0:07:05 | 0:07:08 | |
And then leapt off. | 0:07:09 | 0:07:11 | |
They had they had a trick, supposedly, which withdrew | 0:07:11 | 0:07:13 | |
people's attention from what they were saying and made them agree with them. | 0:07:13 | 0:07:17 | |
And that was, they would stick a needle or long pin | 0:07:17 | 0:07:20 | |
into their cigar lengthways which has the effect of keeping | 0:07:20 | 0:07:24 | |
the ash from falling, and so at meetings, people would just stare at | 0:07:24 | 0:07:29 | |
the cigars and they would say things like, | 0:07:29 | 0:07:31 | |
"We shall not give independence to India," and they go, "Yes, fine, absolutely, I agree with you." | 0:07:31 | 0:07:37 | |
Because they just couldn't take in what was being said. | 0:07:37 | 0:07:40 | |
It was a brilliant strategy. | 0:07:40 | 0:07:41 | |
It was like just now when you said monkey trial. | 0:07:41 | 0:07:44 | |
I couldn't hear anything else you were saying. | 0:07:44 | 0:07:46 | |
Just imagining a trial with monkeys. | 0:07:46 | 0:07:48 | |
-A monkey challenge. -It's like gorilla warfare. Gorillas! | 0:07:50 | 0:07:55 | |
-None of the information going in. -Or a kangaroo court. -Exactly! | 0:07:55 | 0:08:00 | |
It's very confusing, but there are other uses for kitty litter. | 0:08:00 | 0:08:04 | |
A small jar of clean litter in the fridge | 0:08:04 | 0:08:06 | |
will get rid of unwanted smells. | 0:08:06 | 0:08:08 | |
-Will it? With the lid off. -Yes. | 0:08:08 | 0:08:11 | |
You seal it in a vacuum! | 0:08:13 | 0:08:14 | |
People would put it in with the lid on! You know that? Not me! | 0:08:17 | 0:08:20 | |
I know the lid off, | 0:08:20 | 0:08:21 | |
but other people, they would put it in and say, "The fridge still stinks, right!" | 0:08:21 | 0:08:27 | |
-You've got to help people! -Kitty litter doesn't come with a lid. | 0:08:27 | 0:08:30 | |
It doesn't come in a jar, either, does it?! You brought the jar up! | 0:08:30 | 0:08:35 | |
No, you put it in a jar. | 0:08:35 | 0:08:37 | |
-Yes, but not with the lid on! -All right, pointlessly I will concede you that. | 0:08:37 | 0:08:43 | |
-Does it have to be a jar? -It doesn't! It could be a cup! A teacup. | 0:08:43 | 0:08:47 | |
-A saucer. A simple saucer. -Some sort of vessel or receptacle. | 0:08:47 | 0:08:51 | |
You've got to be very careful not to use the vegetable tray, | 0:08:51 | 0:08:57 | |
because if you fill that full of kitty litter, very confusing. | 0:08:57 | 0:09:00 | |
Yes. You can put a cup full of litter in a pair of tights, | 0:09:00 | 0:09:05 | |
bear with me, | 0:09:05 | 0:09:07 | |
tie off the top and leave it in your shoes overnight for freshness. | 0:09:07 | 0:09:11 | |
There's a hint, yes, audience going "ooh!" | 0:09:11 | 0:09:14 | |
Someone's going to try that in the audience. | 0:09:14 | 0:09:16 | |
-Someone's got a teenage son with smelly... -GEORDIE ACCENT: -..trainers. | 0:09:16 | 0:09:19 | |
-"Trainers?" -Is that what went wrong... "Trainers." | 0:09:19 | 0:09:22 | |
-Ross? "What are you doing to me? I said "trainers". -Trainers. | 0:09:22 | 0:09:27 | |
-GEORDIE ACCENT: -I've got to put some tights in me shoes with kitty litter in them. | 0:09:27 | 0:09:31 | |
Oh, yeah, he's laughing now, any minute now I'll go... | 0:09:31 | 0:09:35 | |
So when you see the male ballet dancers in their tights, | 0:09:35 | 0:09:39 | |
is that what the, is that what's down the front there? | 0:09:39 | 0:09:41 | |
Absolutely. Yeah. | 0:09:41 | 0:09:43 | |
When they're lifting, they'll go, "Hmm, fresh. Fresh." | 0:09:43 | 0:09:46 | |
"Go on love, smell that, eat your dinner off that." | 0:09:46 | 0:09:50 | |
"I'm not eating me dinner off that." | 0:09:50 | 0:09:51 | |
"I got it out the fridge 20 minutes ago. | 0:09:51 | 0:09:53 | |
"There's a jar down there." | 0:09:53 | 0:09:54 | |
Yeah, the point is, the last thing that kitty litter needs is | 0:09:57 | 0:10:00 | |
a kitty, really, you can use it for so many other things. | 0:10:00 | 0:10:02 | |
Name the product which put Kendal on the map. | 0:10:02 | 0:10:06 | |
ALL: Ah, oh, aaah... | 0:10:06 | 0:10:09 | |
-I'm being pointed at. -Let's do it one letter at a time. | 0:10:12 | 0:10:15 | |
-Yeah. -M... | 0:10:15 | 0:10:17 | |
I just I love saying that word as well. Those words together. | 0:10:17 | 0:10:20 | |
-Do you? -Yeah. | 0:10:20 | 0:10:21 | |
I have no idea what you're talking about. | 0:10:21 | 0:10:24 | |
You're the only one who doesn't, we're all desperate to say it. | 0:10:24 | 0:10:26 | |
-Kendal Mint Cake. -What? | 0:10:26 | 0:10:28 | |
-KLAXON BLARES -Oh, that's so unfair! | 0:10:28 | 0:10:30 | |
There is a mint cake which went up Everest for the first, | 0:10:30 | 0:10:33 | |
the conquering of Everest, and Scott took on the... | 0:10:33 | 0:10:35 | |
-High sugar, for giving you energy when you're up a mountain. -It's rather delicious. | 0:10:35 | 0:10:39 | |
-I see. -But it's not what put Kendal on the map, as it were. | 0:10:39 | 0:10:41 | |
Kendal became famous for another product. | 0:10:41 | 0:10:44 | |
And it's actually extraordinary, it's a machine that was built | 0:10:44 | 0:10:47 | |
in 1750, and is possibly the oldest still working machine in the world. | 0:10:47 | 0:10:53 | |
It's still producing the same stuff now. | 0:10:53 | 0:10:56 | |
It was actually built to make gunpowder, | 0:10:56 | 0:10:59 | |
but quite early on in its life, it was schlepped down to Kendal by ass | 0:10:59 | 0:11:05 | |
or donkey, and then started to make what it still makes to this day. | 0:11:05 | 0:11:09 | |
Which is of the same consistency as gunpowder. | 0:11:09 | 0:11:12 | |
-Sherbet Dip. -Sherbet Dip! | 0:11:12 | 0:11:15 | |
That map's only of any use really if you're going, driving to Kendal. | 0:11:15 | 0:11:18 | |
If you're, it is, exactly. You're absolutely right. | 0:11:18 | 0:11:22 | |
-It's not much use for anything else. -It's for walking. | 0:11:22 | 0:11:25 | |
And even then it's pretty vague. | 0:11:25 | 0:11:26 | |
I used to sell those maps and people would come in and they'd go, | 0:11:26 | 0:11:29 | |
"I'm going to Birmingham," and I'd go, "No, you can't." | 0:11:29 | 0:11:32 | |
-"Yeah, I've only got a Kendal map." -Do you use it in the home? | 0:11:32 | 0:11:35 | |
We nowadays very rarely use it. | 0:11:35 | 0:11:36 | |
It was the most popular form of delivery of this drug, | 0:11:36 | 0:11:41 | |
up until about 1900. | 0:11:41 | 0:11:43 | |
Nicotine? | 0:11:43 | 0:11:44 | |
Nicotine is the right answer. How was nicotine most delivered? | 0:11:44 | 0:11:48 | |
-Snuff. -Snuff. | 0:11:48 | 0:11:49 | |
Kendal has a snuff mill that has been going | 0:11:49 | 0:11:51 | |
-since 1750 and still produces snuff. -Ah, the old Kendal snuff mill. | 0:11:51 | 0:11:56 | |
-The old Kendal snuff mill. -I think I knew that. -Exactly. | 0:11:56 | 0:11:59 | |
I have some snuff for you to try, in different flavours. | 0:11:59 | 0:12:02 | |
You can see whether the lid is lying or not. | 0:12:02 | 0:12:05 | |
Arrgh! | 0:12:05 | 0:12:06 | |
In special QI lids. You can take it if you want. | 0:12:06 | 0:12:09 | |
-You obviously inhale it up the nose. -You do it all, right? | 0:12:09 | 0:12:12 | |
Oh! | 0:12:12 | 0:12:14 | |
You're going to spill... | 0:12:14 | 0:12:15 | |
Don't do it all, no. It's very sharp. | 0:12:15 | 0:12:18 | |
It is, it's sharp. | 0:12:18 | 0:12:20 | |
Nothing. Nothing. | 0:12:23 | 0:12:25 | |
Oh really! No! | 0:12:27 | 0:12:31 | |
Nothing. | 0:12:31 | 0:12:33 | |
-Oh, you're licking it. -Woooooo! | 0:12:33 | 0:12:35 | |
On the gums. Oh, a moustache. It is quite sharp. | 0:12:35 | 0:12:39 | |
You've had a go. What's your flavour saying, Alan? | 0:12:39 | 0:12:42 | |
The only time... it says Christmas pudding. | 0:12:42 | 0:12:45 | |
You've got Christmas pudding. | 0:12:45 | 0:12:47 | |
The only time I've had a... | 0:12:47 | 0:12:50 | |
Ross Noble! | 0:12:50 | 0:12:51 | |
Honestly, it's fine, it's good, put it in your eyes. | 0:12:51 | 0:12:54 | |
It's good. | 0:12:55 | 0:12:58 | |
This is probably the only time my nan's going to watch me | 0:13:00 | 0:13:02 | |
on telly and I'll be like that the whole show. | 0:13:02 | 0:13:05 | |
What do you reckon, Colin? | 0:13:06 | 0:13:08 | |
Oh, that is the... the flavour says "kitty litter". | 0:13:08 | 0:13:11 | |
Ah-ha-ha. | 0:13:11 | 0:13:14 | |
-That is awful! -You're not a fan? | 0:13:14 | 0:13:17 | |
-I'm not a fan. It says "champagne". -Yeah, they're different. | 0:13:17 | 0:13:20 | |
There are so many, I mean hundreds, | 0:13:20 | 0:13:22 | |
-thousands of different flavours or sorts, as they're called. -Ugh! | 0:13:22 | 0:13:26 | |
What does yours say on the lid, Noel? | 0:13:26 | 0:13:28 | |
-What flavour? -Yeah. -Jealousy. | 0:13:28 | 0:13:30 | |
-By Calvin Klein. -Whisky and honey. | 0:13:31 | 0:13:33 | |
-Whisky and honey. Does it taste...? Yours, Ross? -No, not really. | 0:13:33 | 0:13:36 | |
-When you've come down? -I can't see! | 0:13:36 | 0:13:38 | |
I can't see anything. | 0:13:39 | 0:13:42 | |
-Noel will read it to you. -Who's talking to me?! | 0:13:42 | 0:13:44 | |
-Your flavour's madness. -It says "peanut butter"! | 0:13:46 | 0:13:50 | |
-No, it says "Perrier". -Oh, does it? Arrgh! | 0:13:50 | 0:13:53 | |
Ah, Perrier smells of victory. | 0:14:00 | 0:14:02 | |
The problem is, it makes your snot brown, | 0:14:02 | 0:14:04 | |
so there are snuff handkerchiefs which are brown silk | 0:14:04 | 0:14:07 | |
handkerchiefs or dark coloured silk handkerchiefs. | 0:14:07 | 0:14:10 | |
But that will, really, you'll see, you'll get a... | 0:14:10 | 0:14:13 | |
It'll look as if you've wiped your arse, I'm afraid. | 0:14:13 | 0:14:16 | |
Ugh! | 0:14:16 | 0:14:17 | |
That, from here, looks like the Turin Shroud. | 0:14:19 | 0:14:22 | |
I can see the face of our Lord! You're right! | 0:14:23 | 0:14:26 | |
Even though you know it's snuff, you're like, "Urggh!" | 0:14:30 | 0:14:34 | |
-Even though, exactly. -"He's shat in his hanky!" | 0:14:34 | 0:14:36 | |
Even though they know. | 0:14:37 | 0:14:39 | |
Aaarggh! | 0:14:41 | 0:14:43 | |
It's like your eyeball comes out in the wet wipe. | 0:14:43 | 0:14:46 | |
It's fine. | 0:14:46 | 0:14:48 | |
What are the advantages, if one can put it that way, of taking snuff instead of smoking? | 0:14:48 | 0:14:51 | |
Sorry. | 0:14:51 | 0:14:53 | |
-Well, there's no smoky stinkiness. -Yeah, that you... -It's very self-contained. | 0:14:53 | 0:14:57 | |
Lung cancer, emphysema, heart disease are unlikely. | 0:14:57 | 0:14:59 | |
-Not bothering other people. -It doesn't bother other people. | 0:14:59 | 0:15:02 | |
-It doesn't make your clothes smell. -It could be perfumed. | 0:15:02 | 0:15:05 | |
-But it will rot inside your nose, sinuses and... -Nasopharyngeal... | 0:15:05 | 0:15:08 | |
-NASAL VOICE: "It affects the way you talk as well, Stephen." -Yeah, well there is that. | 0:15:08 | 0:15:12 | |
It does slightly increase your chances of nasopharyngeal | 0:15:12 | 0:15:15 | |
-cancer, but only slightly. -Oh great, thanks very much(!) | 0:15:15 | 0:15:18 | |
Not one pinch, I promise. | 0:15:18 | 0:15:20 | |
It is, of course, necessary for me at this point not to | 0:15:20 | 0:15:22 | |
recommend snuff, or any other tobacco products. | 0:15:22 | 0:15:25 | |
Is that Little Mix? | 0:15:25 | 0:15:27 | |
I don't want to alarm anyone, but the one at the top left is me. | 0:15:30 | 0:15:34 | |
It is! Oh, my goodness. | 0:15:36 | 0:15:39 | |
There's no doubting it. | 0:15:48 | 0:15:49 | |
Members of Parliament, you may be pleased to note, | 0:15:49 | 0:15:52 | |
get a free ration of snuff. | 0:15:52 | 0:15:54 | |
There's a bit snuff box kept in Parliament for them. | 0:15:54 | 0:15:57 | |
A freedom of information enquiry showed that one box lasts two years | 0:15:57 | 0:16:02 | |
and costs £6, so it's hardly an expenses scandal. | 0:16:02 | 0:16:05 | |
They've been bulking that out with cat litter, surely? | 0:16:05 | 0:16:08 | |
This'll last you two years, this will. | 0:16:10 | 0:16:13 | |
Anyway, s'nuff said about Kendal. | 0:16:13 | 0:16:16 | |
Why isn't the tiny woman in your snuff box wearing any pants? | 0:16:16 | 0:16:21 | |
There's a picture in the lid of your snuff box. | 0:16:21 | 0:16:23 | |
Wow! I think the snuff's kicked in. | 0:16:23 | 0:16:28 | |
-I've only got a head shot. -Well, it's only a head shot. | 0:16:28 | 0:16:31 | |
But as it happens, she wouldn't be wearing any pants. | 0:16:31 | 0:16:34 | |
-I've got a full...a full... -Have you? -No. -You liar. | 0:16:34 | 0:16:38 | |
I've taken her face and arranged the snuff | 0:16:38 | 0:16:40 | |
so it looks like she's a bearded lady. | 0:16:40 | 0:16:42 | |
-Like that magnetic thing with the iron filings. -Yeah, yeah. | 0:16:42 | 0:16:45 | |
-I used to love that. -Pants as in undergarments? Those sort of pants? | 0:16:45 | 0:16:48 | |
Well, it's a woman who was probably you could regard as almost | 0:16:48 | 0:16:51 | |
the first celebrity, in a strange sort of way, | 0:16:51 | 0:16:54 | |
in as much as she wasn't an aristocrat, a politician, | 0:16:54 | 0:16:57 | |
an artist, a warrior, she had no accomplishment whatsoever. | 0:16:57 | 0:17:01 | |
Katie Price. | 0:17:01 | 0:17:03 | |
Basically, she was... | 0:17:03 | 0:17:05 | |
That's quite extraordinary. | 0:17:06 | 0:17:08 | |
She was an 18th-century courtesan, which is not a word we use any more. | 0:17:10 | 0:17:15 | |
So she really rose to fame in the mid-18th century, | 0:17:15 | 0:17:20 | |
when she fell off her horse in St James's Park, | 0:17:20 | 0:17:23 | |
and it was revealed to the astonished onlookers... | 0:17:23 | 0:17:25 | |
She was going commando. | 0:17:25 | 0:17:27 | |
She was going commando, she had no underwear. | 0:17:27 | 0:17:29 | |
There is a picture, which is slightly overdone, | 0:17:29 | 0:17:31 | |
but it's an example of how famous... | 0:17:31 | 0:17:33 | |
Slightly missing the crucial aspects as well. | 0:17:33 | 0:17:36 | |
Yeah, exactly, somewhat. | 0:17:36 | 0:17:38 | |
-That's what going commando is? No...no pants? -No pants. | 0:17:38 | 0:17:41 | |
Yeah. | 0:17:41 | 0:17:42 | |
-Kitty Fisher, for such was her name. -Kitty Fisher? | 0:17:42 | 0:17:45 | |
Kitty Fisher. She went commando, and she exploited it enormously. | 0:17:45 | 0:17:49 | |
And there were snuff boxes produced with pictures of her in them, and... | 0:17:49 | 0:17:52 | |
Muff boxes? | 0:17:52 | 0:17:54 | |
Well, ah, ah, and... | 0:17:54 | 0:17:57 | |
-Just for her. -And there were watches, | 0:17:57 | 0:17:59 | |
called montres lubriques, lubricous watches, which used | 0:17:59 | 0:18:03 | |
the clockwork to show her doing rather pornographical things, in | 0:18:03 | 0:18:05 | |
a sort of like a sort of automaton kind of thing, a little movement. | 0:18:05 | 0:18:08 | |
Oh, God, you wouldn't want the grandfather clock with | 0:18:08 | 0:18:11 | |
a pendulum version, would you? | 0:18:11 | 0:18:13 | |
No, you certainly wouldn't. She led a sensationally dissolute... | 0:18:13 | 0:18:18 | |
I don't even know why that's funny. | 0:18:18 | 0:18:20 | |
No, but it is. We'll just sort of imagine. | 0:18:20 | 0:18:22 | |
-Just don't over-think it. -No. -That's my approach to life. | 0:18:22 | 0:18:25 | |
Her life was sensationally dissolute. | 0:18:25 | 0:18:27 | |
Casanova describes a moment when she ate a 1,000 guinea note, | 0:18:27 | 0:18:31 | |
with butter spread on it. | 0:18:31 | 0:18:33 | |
-And 1,000 guineas in those days could buy you, you know, an estate. -The kingdom of... | 0:18:33 | 0:18:37 | |
It could buy a country house with servants and... | 0:18:37 | 0:18:39 | |
-I mean it's staggering. -So, she was an idiot. | 0:18:39 | 0:18:42 | |
Well...just incredibly carefree, I suppose you'd describe that. | 0:18:42 | 0:18:46 | |
She had portraits painted of her by Reynolds, | 0:18:46 | 0:18:49 | |
the great portraitist of his day, and she, apparently... | 0:18:49 | 0:18:51 | |
The one in the middle doesn't really look like her. | 0:18:51 | 0:18:54 | |
No, that... No, that... | 0:18:54 | 0:18:55 | |
The one in the middle looks like Alan Sugar. | 0:18:55 | 0:18:58 | |
These are...these are... | 0:18:58 | 0:19:01 | |
IMITATES ALAN SUGAR: "I started with nothing! I had a van." | 0:19:01 | 0:19:05 | |
"I have taken... I've taken my wealth and I've swallowed it. | 0:19:05 | 0:19:09 | |
"And I'll tell you what, you're going to get down on your knees | 0:19:09 | 0:19:12 | |
"and you're going to wait for that note to come out." | 0:19:12 | 0:19:14 | |
Is that why she didn't have the knickers on? | 0:19:14 | 0:19:16 | |
She was waiting for...she was just waiting... That's all it was. | 0:19:16 | 0:19:19 | |
-People thought she was... -Oh! -There it is! There it is! | 0:19:19 | 0:19:22 | |
Here it comes, I can see the Queen's face! | 0:19:22 | 0:19:25 | |
-Oh, it's gone back in again. -It was a king in the mid-18th century. | 0:19:25 | 0:19:28 | |
-Oh, was it a king? -Yes. | 0:19:28 | 0:19:30 | |
So, Reynolds... These are not examples of paintings of her, but she got through | 0:19:30 | 0:19:34 | |
so many lovers that he had to keep all the paintings he did, | 0:19:34 | 0:19:36 | |
because a man would say, "I'm in love with Kitty and I want you | 0:19:36 | 0:19:39 | |
"to do a painting of her," and about halfway through she was onto a new man. | 0:19:39 | 0:19:42 | |
-She was extraordinary. -So he made a flick book. | 0:19:42 | 0:19:45 | |
Basically a flick book of pictures of her. Yeah, she was pretty extraordinary. | 0:19:45 | 0:19:48 | |
Perhaps the first celeb, but like some modern celebs, | 0:19:48 | 0:19:51 | |
she sometimes forgot to wear any pants. | 0:19:51 | 0:19:53 | |
Name some features you really don't want in a submarine. | 0:19:53 | 0:19:56 | |
Holes. | 0:19:56 | 0:19:57 | |
You do want holes | 0:19:57 | 0:19:59 | |
-for the torpedoes and for getting... -I thought I was onto a winner there. | 0:19:59 | 0:20:03 | |
Is it patio doors? | 0:20:03 | 0:20:06 | |
That's certainly one you probably could do without. | 0:20:07 | 0:20:10 | |
-Something you really, really don't want. -Decking? | 0:20:10 | 0:20:13 | |
There is a class of British submarine. I think we're seeing the interior. | 0:20:13 | 0:20:17 | |
Gas. You don't want gases in there. Odours. | 0:20:17 | 0:20:19 | |
Absolutely. And there was an occasion... | 0:20:19 | 0:20:22 | |
Got it - bouncy castle. | 0:20:22 | 0:20:24 | |
Bang! Bang! | 0:20:24 | 0:20:26 | |
-That really is... -A trampoline. | 0:20:26 | 0:20:29 | |
We have to stick to our letter and we're in the First World War. | 0:20:29 | 0:20:33 | |
-Um...something beginning with K. -Kennels! | 0:20:33 | 0:20:36 | |
There was a K class submarine in the First World War. | 0:20:38 | 0:20:41 | |
It was British | 0:20:41 | 0:20:43 | |
and it was...? | 0:20:43 | 0:20:45 | |
Oh, it was...it was entirely soluble! | 0:20:45 | 0:20:47 | |
That's right. They didn't realise. They built it in a dry dock | 0:20:49 | 0:20:53 | |
and went, "This is going to be a winner." | 0:20:53 | 0:20:55 | |
Pss-ssh! | 0:20:55 | 0:20:57 | |
Oh, no! | 0:20:57 | 0:20:58 | |
It was made out of berocca! | 0:20:58 | 0:21:01 | |
It took ages to go! | 0:21:02 | 0:21:04 | |
All the U-boats went, "There is fizzing on ze horizon! | 0:21:04 | 0:21:08 | |
"Set the course for a big orangey thing fizzing in the..." | 0:21:09 | 0:21:14 | |
It was known as the calamity class | 0:21:14 | 0:21:17 | |
because it was such a disaster. | 0:21:17 | 0:21:19 | |
Almost everything about it was wrong. | 0:21:19 | 0:21:21 | |
It wouldn't go under the water. It wouldn't come up again! | 0:21:21 | 0:21:24 | |
Of the 18 built, six were sunk in accidents, | 0:21:24 | 0:21:28 | |
only one ever engaged an enemy vessel - | 0:21:28 | 0:21:31 | |
hit it midships with a torpedo but the torpedo didn't go off. | 0:21:31 | 0:21:35 | |
They key problem was that it had to keep up with a convoy of surface vessels and couldn't go fast enough. | 0:21:35 | 0:21:40 | |
It needed a steam engine in order to go that fast, | 0:21:40 | 0:21:43 | |
so it was a steam-engined submarine. | 0:21:43 | 0:21:45 | |
-Wow. -Which meant it needed funnels. | 0:21:45 | 0:21:49 | |
-A really, really, really long funnel? -Yes. | 0:21:52 | 0:21:55 | |
Unfortunately, they found out, when they tried to manoeuvre, | 0:21:55 | 0:21:58 | |
-seawater poured down the funnels and put the boilers out. -No shit(!) | 0:21:58 | 0:22:03 | |
-You really think they would've... -Could you hear it coming? | 0:22:03 | 0:22:06 | |
Cos instead of it going, "Toot, toot!", | 0:22:06 | 0:22:08 | |
it'd go, "Brr-blle, brr-blle, brr-blle! | 0:22:08 | 0:22:10 | |
It'd sound like a phone going off! | 0:22:10 | 0:22:12 | |
IMITATES PHONE RINGING | 0:22:12 | 0:22:14 | |
Hello? This type of phone won't be invented for several years. | 0:22:14 | 0:22:17 | |
To the future! | 0:22:22 | 0:22:24 | |
K1 manoeuvred to avoid a sudden turn by the leader of the flotilla, | 0:22:24 | 0:22:29 | |
HMS Blonde, rather wonderfully named... | 0:22:29 | 0:22:32 | |
K9 was a floating dog! | 0:22:32 | 0:22:34 | |
-She flooded her boilers and lost engine power... -ALAN BARKS | 0:22:34 | 0:22:38 | |
..so her sister sub, K4, piled into her, | 0:22:38 | 0:22:41 | |
seawater poured in, and it reacted with the batteries | 0:22:41 | 0:22:44 | |
and produced clouds of chlorine gas, | 0:22:44 | 0:22:48 | |
and the crew, which was 56 men... | 0:22:48 | 0:22:50 | |
Wrote a letter of complaint! | 0:22:50 | 0:22:53 | |
Sternly worded! | 0:22:53 | 0:22:54 | |
They had to be transferred to the Blonde, which then sunk the K1 | 0:22:54 | 0:22:58 | |
with gunfire, so it wouldn't fall into enemy hands. | 0:22:58 | 0:23:00 | |
Cos the Germans would want to copy it(!) | 0:23:00 | 0:23:03 | |
-They should have given it to the Germans. -I don't think that was the way they were thinking. | 0:23:03 | 0:23:08 | |
-"Let's actually blow this shit up." -They were so annoyed with it. | 0:23:08 | 0:23:11 | |
It was also 339 feet long | 0:23:11 | 0:23:13 | |
and could only dive to 200 feet in depth, | 0:23:13 | 0:23:16 | |
which meant it would have its tail poking up, | 0:23:16 | 0:23:19 | |
-which is really stupid! -It'd be easier to get inside a whale! | 0:23:19 | 0:23:23 | |
It basically would. It basically would. | 0:23:23 | 0:23:27 | |
So, moving on now, we have some kits. | 0:23:27 | 0:23:30 | |
What would you use these kits for? | 0:23:30 | 0:23:32 | |
Window cleaning. | 0:23:33 | 0:23:35 | |
That's the first one. Well, no, they go together. | 0:23:35 | 0:23:38 | |
Scratching a window and then cleaning it. | 0:23:38 | 0:23:41 | |
Well, this has a very specific ecological purpose, | 0:23:41 | 0:23:43 | |
rather bizarrely. | 0:23:43 | 0:23:44 | |
A wire-wool brush affair? | 0:23:44 | 0:23:46 | |
It's a scourer, it's a pan scourer. | 0:23:46 | 0:23:48 | |
Which you get from your average high street pan scourer shop. | 0:23:48 | 0:23:51 | |
-Indeed. -Yeah. -No-one's ever held a scourer like that. "Arrrgh!" | 0:23:51 | 0:23:56 | |
-Yeah, they haven't, have they? -"Come and do the dishes. Arrgh!" | 0:23:56 | 0:24:00 | |
That sounds like a scouring super-hero. | 0:24:00 | 0:24:02 | |
"By the power of scour!" Also, the man on the right | 0:24:02 | 0:24:05 | |
doesn't really need the extended squeegee for that. | 0:24:05 | 0:24:08 | |
No, he doesn't. | 0:24:08 | 0:24:09 | |
With a little more effort, I think he could have got to the top. | 0:24:09 | 0:24:13 | |
"I'd better get the extension out. Oooh, that's better!" | 0:24:13 | 0:24:17 | |
We're in a world of ecology. | 0:24:17 | 0:24:21 | |
-Right. -And we're in a world of the second largest fish in the world, in fact. | 0:24:21 | 0:24:25 | |
Oh, is it getting the barnacles off of a whale? | 0:24:25 | 0:24:28 | |
Fish. Fish. | 0:24:28 | 0:24:30 | |
-Book one, chapter one, line one, QI... -Whoa, whoa, whoa! | 0:24:30 | 0:24:34 | |
-Whales are not fish. -Hang on, I didn't finish. | 0:24:34 | 0:24:36 | |
They train fish, they put scourers on the backs of fish, | 0:24:36 | 0:24:40 | |
and they have them swim up to whales, which we all know are fish, | 0:24:40 | 0:24:44 | |
and then they take the barnacles off, smart arse! | 0:24:44 | 0:24:47 | |
Ah! Very good wriggle, very good wriggle! | 0:24:47 | 0:24:50 | |
They won't come off. The way you get barnacles off of whales is with sarcasm. | 0:24:50 | 0:24:55 | |
The second-largest fish in the world is...? | 0:24:55 | 0:24:59 | |
-Is it a big squid? -Fish. | 0:24:59 | 0:25:01 | |
-A jellyfish? -A fish! | 0:25:01 | 0:25:04 | |
-The great white. -Basking. Basking! -Basking! | 0:25:04 | 0:25:08 | |
-The basking shark! -Basking shark. | 0:25:08 | 0:25:10 | |
-For the last time, a basking... -I WANT POINTS! | 0:25:10 | 0:25:13 | |
In your dreams. | 0:25:13 | 0:25:15 | |
There it is, with its rather wonderful mouth open. | 0:25:15 | 0:25:17 | |
-Wow! -Whoa! -Isn't that fabulous? -"I've got a coat hanger stuck in my mouth! Help me! | 0:25:17 | 0:25:23 | |
"I've got a coat hanger in my mouth! | 0:25:23 | 0:25:26 | |
"I feel so vulnerable!" | 0:25:27 | 0:25:29 | |
-It's a beautiful animal and unfortunately... -Not really. | 0:25:29 | 0:25:33 | |
Well, it is. Unfortunately, it's hunted to the verge of extinction. | 0:25:33 | 0:25:37 | |
So we need to know a lot about them, because they're so in danger, | 0:25:37 | 0:25:40 | |
and to take a core of their DNA is difficult, you need to... | 0:25:40 | 0:25:43 | |
It's like tagging them, so what they've come up with is... | 0:25:43 | 0:25:46 | |
-Is that one being examined now? Is that why he's got his mouth open? -Say "ah". | 0:25:46 | 0:25:51 | |
No, what you do is you get a window-cleaning rod, | 0:25:51 | 0:25:54 | |
you shove a pan scourer on the end | 0:25:54 | 0:25:56 | |
and you scrape off the slime from each particular one, | 0:25:56 | 0:25:59 | |
which has got its DNA, and you send it to the University of Aberdeen, | 0:25:59 | 0:26:03 | |
where it's marked and then you check its progress by marking other ones. | 0:26:03 | 0:26:07 | |
Can you not just use the head of the hammerhead? | 0:26:07 | 0:26:09 | |
Because it's the same shape. | 0:26:09 | 0:26:11 | |
Except that it's a different species. | 0:26:11 | 0:26:13 | |
-It's not the one you're trying to... -No, but I'm saying it's like a squeegee. It's the same shape. | 0:26:13 | 0:26:19 | |
-You could get an octopus to hold it, like that! -You train one! | 0:26:19 | 0:26:23 | |
Oh, you train one! | 0:26:23 | 0:26:24 | |
-You train a hammerhead... -You train an octopus to keep still | 0:26:24 | 0:26:28 | |
-and the octopus holds it, like that. -Forgive me for being so stupid(!) | 0:26:28 | 0:26:32 | |
-I should have guessed what you meant(!) -Exactly! | 0:26:33 | 0:26:36 | |
It makes such zoological sense. | 0:26:36 | 0:26:39 | |
It comes up under the shark, scrapes along its underside... | 0:26:39 | 0:26:43 | |
Occasionally, do they swallow slightly smaller sharks? | 0:26:43 | 0:26:46 | |
Yes, I hope they do. | 0:26:46 | 0:26:48 | |
Like Russian dolls - there's 19 in here. | 0:26:48 | 0:26:51 | |
-Just pull them out. -It's a lovely thought. Yeah. | 0:26:51 | 0:26:53 | |
It's a couple, Graham Hall and his wife Jackie. | 0:26:53 | 0:26:56 | |
Is that the name of that shark? | 0:26:56 | 0:26:58 | |
-No. -Graham Hall? It's not quite as frightening when you say, "Quick, there's a Graham!" | 0:26:58 | 0:27:02 | |
-There's a Graham. -Here comes Graham. | 0:27:02 | 0:27:04 | |
-Graham Hall and his wife Jackie. -Ooh, lovely. | 0:27:04 | 0:27:06 | |
From the Isle of Man, go out into the Irish Sea and scrape... | 0:27:06 | 0:27:10 | |
basking sharks with pan scourers. | 0:27:10 | 0:27:13 | |
-Disgusting! Filthy, filthy! -And send the DNA to Aberdeen. | 0:27:13 | 0:27:16 | |
And it's been jolly useful. It's jolly, jolly useful. | 0:27:16 | 0:27:19 | |
Would anybody like to know how you know that you're being | 0:27:19 | 0:27:23 | |
followed by a gay shark? | 0:27:23 | 0:27:25 | |
-Yeah, go on. -How do you know you're being followed by a gay shark? | 0:27:25 | 0:27:29 | |
HE HUMS: "Jaws Theme" | 0:27:29 | 0:27:31 | |
CHANGES TO: "Can't Take My Eyes Off You" | 0:27:31 | 0:27:35 | |
That's very good. I like that. And here's another kit. | 0:27:37 | 0:27:42 | |
What's that? It's luminous pins and reels of cotton. | 0:27:42 | 0:27:48 | |
-What would they be used for? -Sewing in the dark. | 0:27:48 | 0:27:50 | |
That would certainly... | 0:27:50 | 0:27:52 | |
Disco nanas? | 0:27:52 | 0:27:54 | |
That is popular. | 0:27:57 | 0:27:59 | |
HE HUMS | 0:27:59 | 0:28:01 | |
You know when John Travolta was doing that? | 0:28:01 | 0:28:03 | |
-Yes. -He had wool around that one... | 0:28:03 | 0:28:06 | |
HE SINGS: "Staying Alive" by Bee Gees | 0:28:07 | 0:28:09 | |
"Thanks, love." | 0:28:09 | 0:28:11 | |
-This was part of the kit of a man called Dr Eric Dingwall. -Oh. | 0:28:11 | 0:28:15 | |
Dr Eric Dingwall specialised in exposing something. | 0:28:15 | 0:28:20 | |
Not his own dingwall. | 0:28:21 | 0:28:23 | |
But...? | 0:28:23 | 0:28:25 | |
The wall of his ding. | 0:28:25 | 0:28:28 | |
Yeah. Fake mediums. In other words, fakes. | 0:28:28 | 0:28:30 | |
People who pretend that dead people speak. | 0:28:30 | 0:28:32 | |
-Is it to do with Ouija boards or anything? -Yeah. | 0:28:32 | 0:28:35 | |
There are people who pretend, quite wrongly, | 0:28:35 | 0:28:37 | |
that dead people can speak, which they can't, they're dead. | 0:28:37 | 0:28:41 | |
They won't talk to you, they're dead. | 0:28:41 | 0:28:43 | |
But there are people, a class of fraud, | 0:28:43 | 0:28:45 | |
but I'm saying this directly into camera, you are a fraud | 0:28:45 | 0:28:48 | |
if you are a medium, you are fraudulent, and... | 0:28:48 | 0:28:53 | |
APPLAUSE AND CHEERING | 0:28:53 | 0:28:55 | |
Hang on, hang on, hang on. My grandad says, "Shut your face." | 0:28:58 | 0:29:03 | |
Dr Eric Dingwall cunningly used... | 0:29:06 | 0:29:08 | |
Stop it, Grandad, stop it! | 0:29:08 | 0:29:11 | |
It's quite weird, because we look like we're in a seance. | 0:29:11 | 0:29:14 | |
Yes, you do actually. | 0:29:14 | 0:29:16 | |
You always look like you're in a seance! | 0:29:16 | 0:29:18 | |
Yes, you do, let's be honest. Whoo-oo! | 0:29:18 | 0:29:22 | |
I'm getting a basking shark. | 0:29:23 | 0:29:25 | |
What's that? | 0:29:25 | 0:29:27 | |
You were touched inappropriately by a man called Graham? | 0:29:27 | 0:29:31 | |
I know someone whose husband passed away, | 0:29:33 | 0:29:36 | |
and went to see a medium, | 0:29:36 | 0:29:40 | |
and the medium said, "Your husband is fine, he's with your father." | 0:29:40 | 0:29:44 | |
And she said, "My father's still alive." | 0:29:44 | 0:29:48 | |
And she said something along the lines of, "Not for long." | 0:29:49 | 0:29:53 | |
LAUGHTER | 0:29:53 | 0:29:55 | |
In an attempt to dig her way out of it! | 0:29:55 | 0:29:58 | |
-Pathetic. -And it massively worked. | 0:29:58 | 0:30:00 | |
She still gave her the £40 at the end! | 0:30:00 | 0:30:02 | |
ALL GASP | 0:30:02 | 0:30:04 | |
It is extraordinary. Anyway, no, Eric Dingwall | 0:30:04 | 0:30:06 | |
specialised in exposing mediums, | 0:30:06 | 0:30:08 | |
and he would tie thread to their legs | 0:30:08 | 0:30:10 | |
so that he could feel what their bodies were doing in the dark. | 0:30:10 | 0:30:14 | |
He would also attach luminous pins to them, so again when it was | 0:30:14 | 0:30:17 | |
dark, he could see where they were moving and what they were doing, | 0:30:17 | 0:30:20 | |
what machinery they were operating, what tricks they were up to. | 0:30:20 | 0:30:23 | |
Looking at that picture, | 0:30:23 | 0:30:24 | |
it looks to me like there are probably too many hands. | 0:30:24 | 0:30:26 | |
-I haven't counted, but... -LAUGHTER | 0:30:26 | 0:30:29 | |
I feel like there are too many, don't you? | 0:30:29 | 0:30:32 | |
I think those hands are on the table, aren't they? | 0:30:32 | 0:30:34 | |
-Part of the table. -It spins round and you just get a pair. | 0:30:34 | 0:30:38 | |
None of those people in that room have got hands. | 0:30:40 | 0:30:43 | |
They're trying to contact the dead, but that girl looks dead. | 0:30:43 | 0:30:46 | |
I might have got off with about four years ago. | 0:30:47 | 0:30:51 | |
-In a club in Camden. -It's your look! -Isn't that you in drag? | 0:30:51 | 0:30:56 | |
I've seen you with that amount of goth make-up on, | 0:30:56 | 0:30:59 | |
I have to say, Noel. It's definitely a very you look. | 0:30:59 | 0:31:02 | |
So, what comes flat-packed and takes four months to assemble? | 0:31:03 | 0:31:08 | |
IKEA dining table. | 0:31:10 | 0:31:12 | |
KLAXON | 0:31:12 | 0:31:14 | |
I'm afraid, sorry, sorry. | 0:31:16 | 0:31:19 | |
Is it going to be something enormous like a space shuttle or something? | 0:31:19 | 0:31:22 | |
Well, it was jolly big and it was modular and it was genius. | 0:31:22 | 0:31:26 | |
-It was in the 1850s in Britain. It was war. -Was it France? | 0:31:26 | 0:31:31 | |
We weren't at war with France, amazingly, in the 1850s. | 0:31:31 | 0:31:33 | |
No, I meant France in a flat-pack. | 0:31:33 | 0:31:36 | |
-I see! -Flat-pack enemy! | 0:31:36 | 0:31:38 | |
-Erect your own enemy in only four months! -It wasn't that. | 0:31:40 | 0:31:43 | |
With whom were we at war in the 1850s? | 0:31:43 | 0:31:46 | |
-Down in the...Crimea? -Crimea. It was the Crimean War. | 0:31:46 | 0:31:49 | |
-And who was the most famous figure really, apart from, I suppose... -Florence Nightingale. | 0:31:49 | 0:31:53 | |
Florence, as you rightly said, Nighting, as you pointed out, Gale. | 0:31:53 | 0:31:57 | |
-There she is. -Flatpack foreign. -Flatpack foreign. | 0:31:57 | 0:32:00 | |
She was furious at the conditions. She thought they were dreadful. | 0:32:00 | 0:32:03 | |
And she demanded of the British Army that they produce a proper hospital. | 0:32:03 | 0:32:07 | |
And so the finest engineer of his day, possibly finest engineer | 0:32:07 | 0:32:10 | |
who ever lived, designed in just six days a modular, flatpack hospital. | 0:32:10 | 0:32:16 | |
-Oh. -Brunel. | 0:32:16 | 0:32:17 | |
Isambard Kingdom, as you rightly said, Brun, as you pointed out, El. | 0:32:17 | 0:32:21 | |
LAUGHTER | 0:32:21 | 0:32:23 | |
When they set it up, they went, | 0:32:23 | 0:32:24 | |
"Oh, it's a school. We've got the wrong one!" | 0:32:24 | 0:32:27 | |
"This is ridiculous. It's a dance hall, you idiot!" | 0:32:28 | 0:32:32 | |
They set it up and there was a piece missing. | 0:32:32 | 0:32:34 | |
They had to take it back. | 0:32:34 | 0:32:36 | |
We can actually see a picture of the... | 0:32:36 | 0:32:40 | |
There they are. And what's brilliant is that you could add to them. | 0:32:40 | 0:32:43 | |
So it started off with one which fitted about 500, | 0:32:43 | 0:32:46 | |
-and ended up with 1,000 patients. -What, in that? | 0:32:46 | 0:32:49 | |
No, you added another module. That's the point. | 0:32:49 | 0:32:52 | |
When he was 36, Brunel was doing a party trick for his children | 0:32:52 | 0:32:57 | |
and he nearly choked on a half-sovereign coin. | 0:32:57 | 0:33:00 | |
-But it stayed in his throat. -For 40 years. -No! For quite some time. | 0:33:00 | 0:33:05 | |
And they had to do a tracheotomy, | 0:33:05 | 0:33:07 | |
they had to cut his throat so he could breathe. | 0:33:07 | 0:33:09 | |
And they tried pulling it out with forceps, and that didn't work, | 0:33:09 | 0:33:13 | |
so he designed his own rack on which he would go upside down | 0:33:13 | 0:33:16 | |
and they then slapped him very hard on the back for a while | 0:33:16 | 0:33:19 | |
and eventually it came out! | 0:33:19 | 0:33:20 | |
He should have just dropped his trousers | 0:33:20 | 0:33:23 | |
and then put his arm down like that. | 0:33:23 | 0:33:25 | |
Kajing kajing kajing! | 0:33:25 | 0:33:27 | |
Did he need some money for a phone call, or something? | 0:33:27 | 0:33:30 | |
He was just showing a trick where a coin disappeared, | 0:33:30 | 0:33:33 | |
-presumably put in his mouth and... -It was a hell of a trick, | 0:33:33 | 0:33:35 | |
because when the coin went in, didn't have his face on it. | 0:33:35 | 0:33:38 | |
LAUGHTER | 0:33:38 | 0:33:40 | |
So, on the subject of flatpacks, though, | 0:33:40 | 0:33:42 | |
and IKEA, which you mentioned, Colin, | 0:33:42 | 0:33:44 | |
can you give me within five years | 0:33:44 | 0:33:46 | |
when the flatpack was invented for the purposes of furniture? | 0:33:46 | 0:33:49 | |
-IKEA flatpack? -Yeah. -1980... | 0:33:49 | 0:33:53 | |
Hopeless. No. | 0:33:53 | 0:33:54 | |
-56. -That was my second guess! -Take the pen out of your lips. | 0:33:57 | 0:34:01 | |
Thank you. | 0:34:01 | 0:34:02 | |
Yeah, it was 1956. | 0:34:02 | 0:34:03 | |
There's Mr IKEA, or whatever his name is, the founder of the company. | 0:34:03 | 0:34:07 | |
Ian Kevin Edward Aldershot. | 0:34:07 | 0:34:10 | |
ONE MAN CHEERS | 0:34:10 | 0:34:12 | |
Ooh! There's an Ian Kevin Edward Aldershot, | 0:34:12 | 0:34:14 | |
by amazing coincidence, in the audience! | 0:34:14 | 0:34:16 | |
That's Ingvar Kamprad, the founder of the IK bit. | 0:34:16 | 0:34:20 | |
Ingvar Kamprad. | 0:34:20 | 0:34:22 | |
So who was Ian Aldershot, then? | 0:34:22 | 0:34:25 | |
That was you who raised Aldershot, don't look at me! | 0:34:25 | 0:34:28 | |
But it was one of his employees, | 0:34:28 | 0:34:30 | |
one of their first salesman, Gillis Lundgren. | 0:34:30 | 0:34:32 | |
He accidentally fell on a table, and went, "Oh, shit!" | 0:34:32 | 0:34:35 | |
Then he went, "Don't worry, it's flatpack! I've done it on purpose!" | 0:34:36 | 0:34:40 | |
Well, almost. He took the legs off in order to transport it in a car, | 0:34:40 | 0:34:43 | |
and then had a sort of lightbulb moment and thought, | 0:34:43 | 0:34:45 | |
"That's rather good, we can sell it that way, | 0:34:45 | 0:34:47 | |
"put all the bodywork in the hands of the people who buy it!" | 0:34:47 | 0:34:50 | |
I've got an IKEA table and chairs, it's lasted me 21 years. | 0:34:50 | 0:34:53 | |
Really? Colour me impressed. That's very good. | 0:34:53 | 0:34:57 | |
Where is the world's largest branch of IKEA? | 0:34:57 | 0:35:00 | |
-Wembley. -No. -Australia? -Yes. | 0:35:00 | 0:35:04 | |
-Which city? You'll be annoyed. -Sydney. -Yes, Sydney. | 0:35:04 | 0:35:07 | |
-As a Melbourner, you'll be annoyed. -Great city! Lovely people. | 0:35:07 | 0:35:10 | |
Yes, he said through clenched teeth. I've never seen clencheder teeth. | 0:35:10 | 0:35:14 | |
Charming. Absolutely, yes. | 0:35:14 | 0:35:16 | |
The world's largest is said to be in Sydney. | 0:35:16 | 0:35:18 | |
I was actually, I went and did some gigs there, in Sydney, | 0:35:18 | 0:35:21 | |
and I played the opera house, | 0:35:21 | 0:35:23 | |
and I was in the opera house doing some press, | 0:35:23 | 0:35:25 | |
and I looked out the window, thinking, | 0:35:25 | 0:35:27 | |
"Where's the opera house?" LAUGHTER | 0:35:27 | 0:35:30 | |
Actually scanning the horizon. "Where's the opera house gone?" | 0:35:30 | 0:35:33 | |
"You're in it, you idiot!" Oh, yeah! | 0:35:33 | 0:35:36 | |
You should've gone like this - "Whoa!" | 0:35:36 | 0:35:39 | |
It's so refreshing that the biggest IKEA is in Sydney, | 0:35:39 | 0:35:42 | |
because whenever there's something big in Australia, | 0:35:42 | 0:35:45 | |
-we say it's the biggest in the southern hemisphere. -Yes. | 0:35:45 | 0:35:48 | |
In fact, it probably isn't the biggest in the world, | 0:35:48 | 0:35:50 | |
-I suspect it is the biggest in the southern hemisphere. -The IKEA. | 0:35:50 | 0:35:53 | |
You go to a hotel and they go, "biggest swimming pool in the southern hemisphere!" | 0:35:53 | 0:35:56 | |
-The IKEA in Sydney is the biggest in Sydney. -Yes, it is that! | 0:35:56 | 0:35:59 | |
The best whatever is in, have you been to Narrandera, | 0:35:59 | 0:36:02 | |
where they've got the southern hemisphere's | 0:36:02 | 0:36:05 | |
second-largest playable guitar? | 0:36:05 | 0:36:07 | |
LAUGHTER | 0:36:07 | 0:36:08 | |
"We've got the world's biggest guitar! No, it's not. | 0:36:08 | 0:36:11 | |
"Playable guitar. Southern hemisphere. | 0:36:11 | 0:36:14 | |
"They've what? | 0:36:14 | 0:36:15 | |
"The southern hemisphere's second-largest playable guitar." | 0:36:15 | 0:36:18 | |
You can see the sign's been crossed out and crossed out and crossed out. | 0:36:18 | 0:36:23 | |
So, moving on. Now it's time for a bit of General Ignorance, | 0:36:23 | 0:36:26 | |
so fingers on buzzers please. What was a Roman soldier's salary? | 0:36:26 | 0:36:29 | |
-Wine, prostitutes? -The outfit, just the outfit. | 0:36:29 | 0:36:32 | |
-Audience? -Forty quid a week. | 0:36:32 | 0:36:35 | |
-AUDIENCE MEMBERS: SALT. -Salt, oh, dear! -KLAXON BLARES | 0:36:35 | 0:36:38 | |
Audience, minus points. | 0:36:38 | 0:36:41 | |
Losers! | 0:36:41 | 0:36:43 | |
Whoa, ha-ha-ha-ha! | 0:36:43 | 0:36:45 | |
Is there joy in trapping the audience there? | 0:36:46 | 0:36:48 | |
Yes, it's true that the word derives from the Latin for salt, | 0:36:48 | 0:36:51 | |
but it is never true that they were paid in salt. | 0:36:51 | 0:36:54 | |
The money would go towards the buying of salt, but also towards the | 0:36:54 | 0:36:57 | |
buying of their uniform, the buying of almost everything else, because, | 0:36:57 | 0:37:01 | |
a bit like British officers, they have to buy everything | 0:37:01 | 0:37:03 | |
themselves out of their salary. | 0:37:03 | 0:37:06 | |
But they were never paid in salt. | 0:37:06 | 0:37:08 | |
We're getting paid in salt though, aren't we? | 0:37:08 | 0:37:10 | |
You're getting paid in salt, oh, yes. Oh, yes. | 0:37:10 | 0:37:12 | |
-Kitty litter. -And kitty litter, in fact. | 0:37:12 | 0:37:15 | |
Yeah, the Romans, in fact, planted vineyards, as you may know, | 0:37:15 | 0:37:19 | |
in parts of Britain, so here's a question. | 0:37:19 | 0:37:20 | |
Where does British wine come from? | 0:37:20 | 0:37:23 | |
-Somerset. -Somerset, no. | 0:37:23 | 0:37:26 | |
-Kent. -No. | 0:37:26 | 0:37:27 | |
Kendal? | 0:37:27 | 0:37:28 | |
Kendal, no. Which country does it come from? | 0:37:28 | 0:37:31 | |
France. | 0:37:31 | 0:37:32 | |
It might do. | 0:37:32 | 0:37:33 | |
The point is, British wine is made from grape concentrate, | 0:37:33 | 0:37:36 | |
which comes from abroad. | 0:37:36 | 0:37:38 | |
Whereas English wine is proper English wine from English vineyards. | 0:37:38 | 0:37:42 | |
And so English wine gets a very bad reputation, | 0:37:42 | 0:37:44 | |
because people have tried British wine and think it's the same, | 0:37:44 | 0:37:47 | |
and it isn't. Just to big it up for English wine. | 0:37:47 | 0:37:50 | |
That's not uncommon, though - when the French had a lot of wine | 0:37:50 | 0:37:52 | |
they would ship tankers of it down to Australia, for example, | 0:37:52 | 0:37:55 | |
and they'd use it. Because people stopped buying French wine | 0:37:55 | 0:37:58 | |
-because they didn't understand it. -That's the problem, | 0:37:58 | 0:38:00 | |
because it didn't have the varietal labelling. | 0:38:00 | 0:38:03 | |
-Of course, here, we just have dry or sweet. -Yes! | 0:38:03 | 0:38:06 | |
Which is an improvement on your old definition, | 0:38:06 | 0:38:09 | |
which was just red or white. | 0:38:09 | 0:38:11 | |
-Or warm or hot. -Warm or hot, yeah! | 0:38:11 | 0:38:15 | |
Good or shit. | 0:38:15 | 0:38:16 | |
-We've made giant strides. -In a box or in a bottle. | 0:38:16 | 0:38:19 | |
Ooh, a bottle, fancy! He's a bit up himself! | 0:38:20 | 0:38:25 | |
-He's got a corkscrew! -Yeah. | 0:38:25 | 0:38:27 | |
The point is, British wine, unfortunately, | 0:38:27 | 0:38:30 | |
has besmirched the good name of English wine. | 0:38:30 | 0:38:32 | |
There is a very good sparkling wine that won a big prize, | 0:38:32 | 0:38:34 | |
-it beat all the French ones. They didn't like it. -No. | 0:38:34 | 0:38:36 | |
There are over 400 vineyards in Britain now, | 0:38:36 | 0:38:38 | |
and maybe global warming will see an increase in that. | 0:38:38 | 0:38:41 | |
But certainly in Roman days, in the medieval warm period, | 0:38:41 | 0:38:43 | |
as it's called, wine was commonly made there. | 0:38:43 | 0:38:46 | |
So, anyway, English wine comes from England, | 0:38:46 | 0:38:49 | |
but British wine can come from anywhere. | 0:38:49 | 0:38:50 | |
And now... | 0:38:50 | 0:38:52 | |
This is where it gets scary, | 0:38:52 | 0:38:53 | |
I'm going to try and impress you with my martial art skills. | 0:38:53 | 0:38:58 | |
-Really? -Karate. | 0:38:58 | 0:39:00 | |
Let's break stuff with our bare hands, | 0:39:00 | 0:39:02 | |
and we're going to begin with you. | 0:39:02 | 0:39:03 | |
-You should have a piece of paper and a ruler. -Yes. | 0:39:03 | 0:39:07 | |
And what I want you to do is put the ruler on the table, | 0:39:07 | 0:39:11 | |
two-thirds of the way, something like that, | 0:39:11 | 0:39:13 | |
and put the paper on top of it. | 0:39:13 | 0:39:15 | |
Mm. | 0:39:15 | 0:39:16 | |
Like so. Not wholly over it, leave the bit out. | 0:39:16 | 0:39:19 | |
That's it. | 0:39:19 | 0:39:20 | |
Yeah, Colin's got it right. Thank you, Colin. | 0:39:20 | 0:39:22 | |
-Yes. -OK. Very good. -All right. | 0:39:22 | 0:39:24 | |
Now, without putting your hand over the paper... | 0:39:24 | 0:39:27 | |
That's how he got that award. | 0:39:27 | 0:39:28 | |
..simply karate chop and break the piece of wood, | 0:39:28 | 0:39:32 | |
because the air pressure over the paper will act as a... | 0:39:32 | 0:39:35 | |
You think that can't be possible, so, Colin, you try. | 0:39:35 | 0:39:38 | |
-Really? -Yep. | 0:39:38 | 0:39:39 | |
-Oh! -APPLAUSE | 0:39:40 | 0:39:42 | |
Isn't that surprising? | 0:39:42 | 0:39:44 | |
CHEERING | 0:39:45 | 0:39:47 | |
Who'd have thought? | 0:39:50 | 0:39:51 | |
Who would have...? | 0:39:54 | 0:39:56 | |
And I didn't believe you, so I really put my shoulder into it. | 0:39:56 | 0:39:59 | |
-Yeah, you have to, a nice bit of follow-through. -Yeah. | 0:39:59 | 0:40:01 | |
Alan, you have a go. | 0:40:01 | 0:40:03 | |
Yeah - oh, well it is in half, | 0:40:03 | 0:40:04 | |
you can see, but it slipped out, unfortunately. | 0:40:04 | 0:40:07 | |
Go on, Ross. | 0:40:07 | 0:40:08 | |
-Is it in half? -Yeah! | 0:40:09 | 0:40:10 | |
Noel next. All right, Noel. | 0:40:13 | 0:40:14 | |
-Yah! -Ah! | 0:40:16 | 0:40:18 | |
There it is. | 0:40:18 | 0:40:20 | |
It's very surprising. | 0:40:20 | 0:40:22 | |
-It feels good though, doesn't it? -It feels good. | 0:40:22 | 0:40:24 | |
-You feel like Bruce Lee for about four seconds. -Now, I... | 0:40:24 | 0:40:27 | |
What I'm going to do is, I've got three bricks here. | 0:40:27 | 0:40:29 | |
HE GRUNTS WITH EFFORT | 0:40:29 | 0:40:31 | |
And it is, ahh... | 0:40:31 | 0:40:34 | |
It's like the first ever game of Jenga. | 0:40:34 | 0:40:37 | |
It is. | 0:40:37 | 0:40:38 | |
All right, OK. | 0:40:40 | 0:40:42 | |
Yep. | 0:40:42 | 0:40:43 | |
-It's Kendal Mint Cake. -Kendal Mint Cake. OK. | 0:40:43 | 0:40:47 | |
Oh, God... | 0:40:47 | 0:40:49 | |
I have to focus my energy. | 0:40:49 | 0:40:51 | |
I know, it's... All right, it sounds... | 0:40:51 | 0:40:53 | |
But I have to focus. | 0:40:53 | 0:40:55 | |
Have to go through... I have to - oh, God. | 0:40:55 | 0:40:58 | |
I'm so nervous now. | 0:40:58 | 0:40:59 | |
Ah! | 0:41:01 | 0:41:02 | |
Ooh... | 0:41:02 | 0:41:04 | |
CHEERING | 0:41:04 | 0:41:08 | |
Ow! Didn't get them all. | 0:41:08 | 0:41:10 | |
Last time I got them all. | 0:41:12 | 0:41:15 | |
OK. But, even more... | 0:41:15 | 0:41:17 | |
Oh, I've got another one. | 0:41:17 | 0:41:19 | |
Another load here and this time, in theory... | 0:41:19 | 0:41:21 | |
You're going to do it with your penis. | 0:41:21 | 0:41:23 | |
Ah-ha-ha! | 0:41:23 | 0:41:25 | |
In theory here... Ow. | 0:41:25 | 0:41:27 | |
Er... | 0:41:28 | 0:41:29 | |
So, choose top, middle or bottom. | 0:41:31 | 0:41:34 | |
-Middle. -Oh, no! | 0:41:34 | 0:41:36 | |
OK. | 0:41:36 | 0:41:37 | |
I'll try and break just the middle, then. | 0:41:37 | 0:41:39 | |
I'll bet you Chuck Norris is crapping himself. | 0:41:39 | 0:41:42 | |
I'm going to try and break just the middle one. | 0:41:42 | 0:41:44 | |
Again, this takes extreme focus and extreme pain. | 0:41:44 | 0:41:48 | |
(Go through.) | 0:41:49 | 0:41:51 | |
I just don't want to do this. | 0:41:53 | 0:41:54 | |
You don't want to do it again. | 0:41:54 | 0:41:56 | |
Oh! | 0:41:56 | 0:41:58 | |
CHEERING | 0:41:58 | 0:42:00 | |
That was the middle one. | 0:42:03 | 0:42:05 | |
Oh, thank you very much indeed. | 0:42:05 | 0:42:07 | |
Thank you. | 0:42:08 | 0:42:10 | |
Ow. | 0:42:10 | 0:42:11 | |
I can't believe I've put my hood on | 0:42:13 | 0:42:15 | |
in case there were shards flying around. | 0:42:15 | 0:42:18 | |
What, shards of his splintering wrist? | 0:42:18 | 0:42:21 | |
Kendal Mint Cake. | 0:42:21 | 0:42:23 | |
The truth is, there's no mystique to karate-chopping bricks, | 0:42:23 | 0:42:26 | |
just good old physics, and in our case, to be honest, trick bricks. | 0:42:26 | 0:42:29 | |
So don't try and do it at home. | 0:42:29 | 0:42:32 | |
I'm still very strong and hench and butch, though. | 0:42:32 | 0:42:35 | |
But anyway, it must be time for the scores. | 0:42:36 | 0:42:39 | |
And it is fantastic. | 0:42:39 | 0:42:42 | |
In first place, wow, with a plus four, is Ross Noble. | 0:42:42 | 0:42:48 | |
Yeah! | 0:42:48 | 0:42:49 | |
The Noble Prize. | 0:42:54 | 0:42:56 | |
In second place, with a plus one, Noel Fielding. | 0:42:58 | 0:43:01 | |
How did that happen? | 0:43:05 | 0:43:07 | |
There's been a mistake. | 0:43:07 | 0:43:08 | |
It's incredible. | 0:43:08 | 0:43:10 | |
In third place, with minus six, Alan Davies! | 0:43:10 | 0:43:13 | |
Thank you very much. Great. | 0:43:13 | 0:43:17 | |
And certainly worth the airfare, in fourth place with minus nine, | 0:43:18 | 0:43:23 | |
-it's Colin Lane. -Yeah! | 0:43:23 | 0:43:25 | |
But... | 0:43:27 | 0:43:28 | |
But, in last place, with minus ten, the Audience. | 0:43:29 | 0:43:35 | |
Hey! | 0:43:37 | 0:43:39 | |
Well. | 0:43:39 | 0:43:41 | |
And it only remains for me to thank Noel, Ross, Colin and Alan. | 0:43:44 | 0:43:47 | |
Whatever you do, keep your kit on. Good night. | 0:43:47 | 0:43:50 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 |