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CHEERING AND APPLAUSE | 0:00:28 | 0:00:31 | |
Ah, good evening, good evening, good evening! | 0:00:31 | 0:00:34 | |
Good evening and welcome to QI, where tonight the K is silent, | 0:00:34 | 0:00:39 | |
as in knits, knots, knackers and knobs. | 0:00:39 | 0:00:42 | |
Let's meet a knitwit, Sue Perkins. | 0:00:42 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:47 | |
Knot a lot, Ross Noble. | 0:00:50 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
Slightly knackered, David Mitchell. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:01 | |
And a complete kn... say no more, Alan Davies. | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
Right. All the K's are quiet and so are their k-noises. | 0:01:13 | 0:01:17 | |
Sue goes... | 0:01:17 | 0:01:19 | |
Sh! | 0:01:19 | 0:01:20 | |
Ross goes... | 0:01:21 | 0:01:23 | |
SHEEP BLEATING | 0:01:24 | 0:01:26 | |
-David goes... -PIN DROPPING | 0:01:27 | 0:01:29 | |
-That was a pin dropping. You could hear it. -Yeah. | 0:01:31 | 0:01:33 | |
-And Alan goes: -# Silence is golden! # | 0:01:33 | 0:01:36 | |
Very nice. And how many knots are there in this picture? | 0:01:36 | 0:01:41 | |
# Silence is... # | 0:01:44 | 0:01:47 | |
-Yes? -Two. | 0:01:49 | 0:01:51 | |
-KLAXON -No. | 0:01:51 | 0:01:54 | |
-Four? -KLAXON | 0:01:56 | 0:01:58 | |
It's a trap! | 0:02:00 | 0:02:02 | |
-Well, you've got some options. -Oh, none. | 0:02:02 | 0:02:04 | |
KLAXON | 0:02:04 | 0:02:06 | |
David? | 0:02:07 | 0:02:09 | |
-One? -Yes! -APPLAUSE | 0:02:11 | 0:02:15 | |
Oh, you're such a swot! | 0:02:15 | 0:02:17 | |
Is it the noose, is that the only one? | 0:02:19 | 0:02:21 | |
There are two hitches, a bend and a knot. | 0:02:21 | 0:02:23 | |
-The one on the right is a k-noose. -Yes. | 0:02:23 | 0:02:26 | |
-A noose, but it is a knot. -Oh, a noose is a knot? | 0:02:26 | 0:02:29 | |
-A noose is a type of knot. -A hangman's knot. | 0:02:29 | 0:02:31 | |
The hitches are the first one and the third one. | 0:02:31 | 0:02:33 | |
Is correct, they are hitches, and the second one is what's known as a bend. | 0:02:33 | 0:02:37 | |
In everyday speech, of course, the word knot is used for all of them | 0:02:37 | 0:02:41 | |
but this is QI where everyday speech is completely... | 0:02:41 | 0:02:44 | |
MUMBO JUMBO | 0:02:44 | 0:02:46 | |
So the highwayman's hitch, for example, | 0:02:46 | 0:02:49 | |
I have an example of a highwayman's hitch. | 0:02:49 | 0:02:51 | |
That's where you hitch your horse and the tighter you pull, | 0:02:51 | 0:02:55 | |
the tighter it goes but when you want to get away quickly, | 0:02:55 | 0:02:58 | |
-you pull the short one, da-dum! -Oh, that is good. -Isn't that clever? | 0:02:58 | 0:03:01 | |
Does he not just run off with the stick then? | 0:03:01 | 0:03:03 | |
-It's a post in the ground. -Oh, I see, right. Sorry, yeah. | 0:03:03 | 0:03:06 | |
Because if you tied up your dog to that and you went, right, | 0:03:06 | 0:03:10 | |
and then threw it and the dog ran after it, a lot of confusion there. | 0:03:10 | 0:03:14 | |
Yeah. Another one was called the European death knot, | 0:03:14 | 0:03:17 | |
the Euro death knot, or EDK. | 0:03:17 | 0:03:20 | |
Was that named by UKIP? | 0:03:20 | 0:03:22 | |
It's also a one sided overhand bend. | 0:03:25 | 0:03:27 | |
It's used for joining two ropes, as you can see. | 0:03:27 | 0:03:30 | |
It's perfectly safe if used right, | 0:03:30 | 0:03:31 | |
but a lot of climbers thought it wasn't safe | 0:03:31 | 0:03:34 | |
and it was invented in Europe, so American climbers called it | 0:03:34 | 0:03:37 | |
the Euro death knot. | 0:03:37 | 0:03:38 | |
In fact it's very, very old and the 5,300-year-old man, Otzi, | 0:03:38 | 0:03:43 | |
who was discovered in the Alps, dead, obviously... | 0:03:43 | 0:03:45 | |
-For a moment there I thought you... -He was preserved, preserved... | 0:03:47 | 0:03:51 | |
Been there for 5,000 years and going, "Help, will somebody help!" | 0:03:51 | 0:03:54 | |
He had amongst his possessions a knot tied exactly in that fashion, | 0:03:54 | 0:03:58 | |
so it shows we've been doing it for a very long time. | 0:03:58 | 0:04:01 | |
And that would have been before rope was invented, for sure. | 0:04:01 | 0:04:04 | |
How he pulled that off... | 0:04:04 | 0:04:06 | |
And the other hitch we saw was called the snuggle hitch. | 0:04:06 | 0:04:09 | |
Which is a more secure version of the better-known sailor's knot, | 0:04:09 | 0:04:13 | |
the clove hitch. | 0:04:13 | 0:04:15 | |
-You look at me as if I would know that. -Sorry, I just... | 0:04:15 | 0:04:17 | |
"Come on, Susan, you know the knots." | 0:04:17 | 0:04:20 | |
One of the surprising things about it, | 0:04:20 | 0:04:22 | |
because it looks reasonably simple, | 0:04:22 | 0:04:24 | |
was that it was invented in 1987. | 0:04:24 | 0:04:27 | |
Or at least that's when it was very first introduced into the International Knot Tyers' Guild. | 0:04:28 | 0:04:34 | |
Didn't they think they had enough knots, without inventing more? | 0:04:34 | 0:04:37 | |
Yeah, I know. There are 3,800 in their... | 0:04:37 | 0:04:40 | |
We're not going to go through each one of them, you'll be pleased to know. | 0:04:40 | 0:04:43 | |
So that's a very specific '80s knot? | 0:04:43 | 0:04:46 | |
Did somebody go, we need a way of tying down Bananarama. Now... | 0:04:46 | 0:04:50 | |
It was a man called Owen Nuttall, anyway, who invented it | 0:04:51 | 0:04:54 | |
and he called it the snuggle hitch. | 0:04:54 | 0:04:56 | |
-NASAL SPEECH: -I imagine he speaks like that. -Well, he may. | 0:04:56 | 0:05:00 | |
"Nuttall here. I invented a knot." | 0:05:00 | 0:05:02 | |
The hangman's knot is named after one of the most famous | 0:05:03 | 0:05:07 | |
hangmen in history, Charles II's hangman. | 0:05:07 | 0:05:10 | |
-Oh, Johnny... -It's a French guy. -Johnny Noose. | 0:05:10 | 0:05:12 | |
No. Oddly enough, his surname is a sailing vessel. Jack...? | 0:05:12 | 0:05:17 | |
-Boat. -Yacht. -Ketch. Jack Ketch. | 0:05:17 | 0:05:20 | |
Which if I'm not mistaken has a tall mast at the front | 0:05:20 | 0:05:23 | |
-and a small mast at the back. -Indeed, indeed, yes, the ketch. | 0:05:23 | 0:05:25 | |
-Yeah, well, I just like to point that out. -Well done. -Thank you. | 0:05:25 | 0:05:28 | |
This became pretty much the standard hanging noose that was used | 0:05:28 | 0:05:32 | |
because it broke the neck very quickly. | 0:05:32 | 0:05:34 | |
So, it was a very quick death when you dropped. | 0:05:34 | 0:05:37 | |
The drop, as they called it. | 0:05:37 | 0:05:38 | |
So, in a way, it was humane. | 0:05:38 | 0:05:41 | |
It's good that you say he was an effective hangman, | 0:05:41 | 0:05:43 | |
-cos if you weren't, you're essentially just a bloke that opens a door. -Yes. | 0:05:43 | 0:05:47 | |
Do you know what I mean? | 0:05:47 | 0:05:49 | |
Because where was it? | 0:05:49 | 0:05:51 | |
There was a place where the prisoners built the gallows | 0:05:51 | 0:05:54 | |
and when you stood on a particular plank it forced the wood out | 0:05:54 | 0:05:57 | |
and then the door didn't open and no-one was getting... | 0:05:57 | 0:06:00 | |
Then they would test it and the door would open and then they'd go, all right. | 0:06:00 | 0:06:04 | |
And then they'd put the person there and then it would push the wood | 0:06:04 | 0:06:06 | |
and then it wouldn't, and they'd go, all right. | 0:06:06 | 0:06:09 | |
Take him away, test it again, fine. That happened loads of times and... | 0:06:09 | 0:06:12 | |
And so they decided God didn't want this person to die and let them off. | 0:06:12 | 0:06:16 | |
I think that's a real thing, or I might have seen it in a Scooby Doo episode. | 0:06:16 | 0:06:19 | |
I'm not sure. I'm not quite sure. | 0:06:19 | 0:06:22 | |
Do they do a lot of hanging in Scooby Doo? | 0:06:22 | 0:06:25 | |
-Now you come to mention it... -No more! | 0:06:25 | 0:06:28 | |
No, it's not. How would that be Scooby Doo? | 0:06:28 | 0:06:32 | |
Like, like, like... IMPERSONATES SCOOBY DOO | 0:06:32 | 0:06:36 | |
-Shaggy! -That can't be Scooby Doo. | 0:06:36 | 0:06:39 | |
-AMERICAN ACCENT: -It was Mr Ketch, the hangman, all the time. | 0:06:39 | 0:06:42 | |
So, now, I want you to take one of those each, | 0:06:44 | 0:06:47 | |
and tie yourselves together, as it were. | 0:06:47 | 0:06:50 | |
-This has gone quite dark now. -It has, hasn't it? | 0:06:50 | 0:06:53 | |
Is it just me? It's like a party game in the '70s. | 0:06:53 | 0:06:57 | |
So, put each one of those around your wrist. | 0:06:57 | 0:06:59 | |
-No, no, don't undo it. -Well, I can't get my hand through that, can I? -Oh, sorry. | 0:06:59 | 0:07:03 | |
Little cock grab, that is. | 0:07:05 | 0:07:07 | |
-Cock ring! -Try with this one. | 0:07:08 | 0:07:11 | |
-Swap. You can give me that one back. -That's more like it! | 0:07:11 | 0:07:13 | |
There we are. Put your wrists through. | 0:07:13 | 0:07:16 | |
That's it, and then do that, so that you're tied together. | 0:07:18 | 0:07:21 | |
-OK. -Yes, is that right? -Is that good? | 0:07:21 | 0:07:24 | |
Without undoing the knots, untie yourselves. | 0:07:24 | 0:07:26 | |
DAVID: Oh, I see. | 0:07:34 | 0:07:36 | |
-Don't turn around, don't turn around. -That hasn't helped. | 0:07:36 | 0:07:39 | |
DAVID: No! | 0:07:42 | 0:07:43 | |
-ROSS: No, that's it, you go through there. -Yes! -Yes! | 0:07:48 | 0:07:51 | |
No! | 0:07:51 | 0:07:53 | |
Emphatically no! | 0:07:54 | 0:07:56 | |
Completely not. | 0:07:57 | 0:07:59 | |
I'm going back up. I'm going back over. | 0:08:01 | 0:08:03 | |
Right, go, go through. Yes! | 0:08:05 | 0:08:07 | |
No! | 0:08:07 | 0:08:08 | |
LAUGHTER AND APPLAUSE | 0:08:08 | 0:08:10 | |
I've got it, I've got it. Right. | 0:08:12 | 0:08:14 | |
Right. I've got it. If I do a forward flip... | 0:08:14 | 0:08:17 | |
Now... | 0:08:20 | 0:08:22 | |
Right, let's see if we can get... | 0:08:22 | 0:08:24 | |
Oh, oh. | 0:08:27 | 0:08:28 | |
I think technically you're now married. | 0:08:28 | 0:08:31 | |
You have let... | 0:08:31 | 0:08:32 | |
I'm coming down, I'm coming down. | 0:08:34 | 0:08:36 | |
You two hold it for a second and watch, | 0:08:38 | 0:08:40 | |
-because I think Sue is onto something. -OK. | 0:08:40 | 0:08:43 | |
This is what we did when we were regularly handcuffed together as children. | 0:08:43 | 0:08:46 | |
No, watch. You mustn't untie the knot. | 0:08:46 | 0:08:49 | |
But... | 0:08:49 | 0:08:51 | |
Oh. | 0:08:53 | 0:08:55 | |
Yeah! | 0:08:56 | 0:08:57 | |
Well done. Brilliant! | 0:09:00 | 0:09:02 | |
-Have a go. -I actually, I have no idea what you did. | 0:09:04 | 0:09:08 | |
Neither do I, but I feel alone now. I liked it when we were together. | 0:09:08 | 0:09:11 | |
Show them, if you can remember it. | 0:09:11 | 0:09:13 | |
What's properly weird is, I've now got a purple one round there. | 0:09:13 | 0:09:16 | |
-It's a magician's trick, it's a good... -So what you have to do is, you have to make a loop. | 0:09:16 | 0:09:21 | |
And then you feed the loop through. | 0:09:21 | 0:09:23 | |
-What?! -Then you go over your hand. | 0:09:25 | 0:09:28 | |
No way. | 0:09:28 | 0:09:29 | |
You are free. | 0:09:29 | 0:09:31 | |
No, you're not! | 0:09:31 | 0:09:32 | |
Is this your watch? | 0:09:35 | 0:09:37 | |
APPLAUSE | 0:09:38 | 0:09:40 | |
Oh, we've given up, we've given up. | 0:09:44 | 0:09:47 | |
Hang on, if I take my trousers off... | 0:09:47 | 0:09:49 | |
I think we have to call that a disaster. | 0:09:50 | 0:09:53 | |
But well done, Sue Perkins. | 0:09:53 | 0:09:54 | |
APPLAUSE | 0:09:54 | 0:09:57 | |
It was like playing S&M Twister. | 0:10:01 | 0:10:03 | |
It was rather, wasn't it? | 0:10:03 | 0:10:04 | |
It was a wonderful sight that will never leave my memory bank. | 0:10:04 | 0:10:07 | |
You're now a shoo-in for the 50 Shades of Grey movie, | 0:10:07 | 0:10:10 | |
-the pair of you. -You are. Absolutely. | 0:10:10 | 0:10:13 | |
So, if you want to tie the knot at a knobstick wedding, what do you need? | 0:10:13 | 0:10:19 | |
-A knobstick wedding. -A knobstick wedding? | 0:10:19 | 0:10:22 | |
I think I've been to a few of those. | 0:10:22 | 0:10:24 | |
-That's not an offensive term for gay marriage, is it? -No! | 0:10:25 | 0:10:29 | |
I'd be very surprised | 0:10:32 | 0:10:34 | |
and disappointed to hear that on this show. | 0:10:34 | 0:10:37 | |
-It is now! -It is now! | 0:10:37 | 0:10:40 | |
If you imagine a knobstick as being some sort of weapon, | 0:10:41 | 0:10:43 | |
-is there another type of weapon followed by a wedding? -A shotgun. | 0:10:43 | 0:10:47 | |
Exactly. Pretty similar to a shotgun, | 0:10:47 | 0:10:49 | |
which is from a later era. | 0:10:49 | 0:10:51 | |
But a knobstick is a stick with a knob on the end. | 0:10:51 | 0:10:53 | |
So you wave your knobstick around and someone goes, | 0:10:53 | 0:10:55 | |
"All right, I'll marry you!" | 0:10:55 | 0:10:57 | |
-It's a club. The club... What used to be... -LAUGHING: Sorry! | 0:10:57 | 0:11:01 | |
Sorry, I was about to go, "That's what I did to my wife!" | 0:11:01 | 0:11:04 | |
But I thought, "No! No. | 0:11:04 | 0:11:06 | |
-"No. No." -No. She might be watching. | 0:11:06 | 0:11:08 | |
A knobstick is a type of wooden club. | 0:11:09 | 0:11:13 | |
Now, if a woman was unmarried and had a baby, | 0:11:13 | 0:11:16 | |
that baby was said to be on the parish, like Oliver Twist. | 0:11:16 | 0:11:19 | |
And the parish paid for workhouses | 0:11:19 | 0:11:21 | |
and the parish had to pay for the babies. And they didn't like that. | 0:11:21 | 0:11:24 | |
So, in smaller villages where they knew who the father was, | 0:11:24 | 0:11:28 | |
they would force the marriage by threatening them with a knobstick. | 0:11:28 | 0:11:32 | |
And that was what a knobstick marriage was. | 0:11:32 | 0:11:35 | |
It was an enforced marriage because the moment a man marries | 0:11:35 | 0:11:38 | |
a woman, he is responsible for the baby and the wife. | 0:11:38 | 0:11:40 | |
Whereas if an unmarried woman was in a parish, the parish was. | 0:11:40 | 0:11:44 | |
So it's that simple. There's a description of one here, from 1829. | 0:11:44 | 0:11:48 | |
"One of those illegal celebrations of matrimony which are termed by | 0:11:48 | 0:11:51 | |
"the peasantry 'knobstick weddings' took lately place in Wirksworth. | 0:11:51 | 0:11:55 | |
"The parties forced into the blessing state are William Saxton, | 0:11:55 | 0:11:59 | |
"a slender-witted man aged 24..." | 0:11:59 | 0:12:02 | |
Don't look at me when you said that! | 0:12:03 | 0:12:05 | |
The cheek of it! | 0:12:05 | 0:12:07 | |
"..and Lydia Brooks, some 15 years older, who has a wooden leg." | 0:12:07 | 0:12:12 | |
-Oh, dear. -A marriage made in heaven. | 0:12:12 | 0:12:15 | |
Why did they need the knobstick then? | 0:12:15 | 0:12:17 | |
Why didn't she just hop after him, going, "Come on, marry me! Come on." | 0:12:17 | 0:12:20 | |
The word knot has been associated with marriage for a very long time, | 0:12:20 | 0:12:24 | |
tying the knot was first used in 1717, | 0:12:24 | 0:12:26 | |
at least that's the first record we have of tying the knot. | 0:12:26 | 0:12:30 | |
And there have been some very odd ones. | 0:12:30 | 0:12:32 | |
-In 2005, American Kevin Nadal married... -A horse? -A tree? | 0:12:32 | 0:12:38 | |
-No, it was himself. -Oh. Can you do that? | 0:12:38 | 0:12:40 | |
He solemnly vowed, I, Kevin Nadal, take me, | 0:12:40 | 0:12:44 | |
Kevin Nadal, to have and hold, in sickness and in health. | 0:12:44 | 0:12:47 | |
His point was, if people are happy to celebrate married life, | 0:12:47 | 0:12:50 | |
why shouldn't they celebrate single life? | 0:12:50 | 0:12:53 | |
Did he take himself out on dates and wonder when | 0:12:53 | 0:12:55 | |
he'd make the first move? | 0:12:55 | 0:12:56 | |
I bet he also said, "Why's it always me who does the washing up?" | 0:12:57 | 0:13:01 | |
-"Why am I always the bridesmaid?" -"It's not me, it's me!" | 0:13:01 | 0:13:05 | |
If he meets somebody, is he unfaithful to himself? | 0:13:06 | 0:13:10 | |
He would be, presumably. | 0:13:10 | 0:13:11 | |
"I'm not going to tell myself..." | 0:13:11 | 0:13:13 | |
-Would you have to divorce yourself? -"Where have you been?!" | 0:13:13 | 0:13:16 | |
"I'm not saying." | 0:13:16 | 0:13:17 | |
"After many years of thought, | 0:13:17 | 0:13:19 | |
"I decided to have an open relationship with myself." | 0:13:19 | 0:13:22 | |
"And, you know, I don't mind what I get up to." | 0:13:23 | 0:13:26 | |
"But I just wish... | 0:13:26 | 0:13:27 | |
-"Don't do it behind my back." -"Don't tell me!" | 0:13:27 | 0:13:31 | |
"Don't tell me, I don't want to know." | 0:13:31 | 0:13:33 | |
"Not in my bed!" | 0:13:33 | 0:13:35 | |
If he wanted to do a bit of wife swapping, | 0:13:35 | 0:13:38 | |
-he just goes the other end of the bed. -Oh, dear. | 0:13:38 | 0:13:41 | |
In 1979, a lady called Eija-Riitta Berliner-Mauer, | 0:13:41 | 0:13:46 | |
a 57-year-old German woman, married... | 0:13:46 | 0:13:49 | |
-What do you think she married? -Is it a bridge? -No, from her name. | 0:13:49 | 0:13:53 | |
-Berliner-Mauer? So, Berlin Wall? -She married the Berlin Wall. | 0:13:53 | 0:13:56 | |
In 1979, when it was still up, obviously. | 0:13:56 | 0:13:58 | |
-Someone married the Eiffel Tower or something. -Did they? | 0:13:58 | 0:14:01 | |
They dated the Eiffel Tower for a while and then they got married, | 0:14:01 | 0:14:04 | |
and it says that they had been going steady with a bow | 0:14:04 | 0:14:08 | |
and they had had close relations with a fence beforehand. | 0:14:08 | 0:14:11 | |
And they were obsessed with... | 0:14:11 | 0:14:12 | |
There's a word for it, I don't know it, | 0:14:12 | 0:14:14 | |
for sleeping with inanimate objects. | 0:14:14 | 0:14:16 | |
Size isn't everything, but the Eiffel Tower is pretty impressive. | 0:14:16 | 0:14:20 | |
-As phalluses go... -And there's a gift shop. -Yes! | 0:14:20 | 0:14:23 | |
You've got a restaurant. | 0:14:26 | 0:14:27 | |
"The view from the top of my husband!" | 0:14:27 | 0:14:30 | |
None of these marriages, of course, has any official standing. | 0:14:31 | 0:14:34 | |
So those are some of the odder marriages. | 0:14:34 | 0:14:36 | |
The traditional way to make an honest woman of someone is to use | 0:14:36 | 0:14:40 | |
a church warden's knob, on the other hand. | 0:14:40 | 0:14:42 | |
Why would anyone ban knitting patterns, flowers, hugs and kisses? | 0:14:42 | 0:14:47 | |
This is a real ban, that is to say, a governmental ban. | 0:14:47 | 0:14:50 | |
It's got a war-time feeling about it. | 0:14:50 | 0:14:52 | |
-It has got a war-time feeling about it. -Code? | 0:14:52 | 0:14:54 | |
-Code is the right word. -What, they knit in code? -Yes. | 0:14:54 | 0:14:57 | |
So in World War II you were not allowed to send abroad | 0:14:57 | 0:15:00 | |
any knitting pattern, just in case there was code embedded in it. | 0:15:00 | 0:15:03 | |
So you couldn't send, you know, socks to prisoners of war? | 0:15:03 | 0:15:06 | |
You could send socks, | 0:15:06 | 0:15:08 | |
-but not anything with a knitting pattern in it. -Oh, right. | 0:15:08 | 0:15:10 | |
Because they could be used as some sort of code. | 0:15:10 | 0:15:13 | |
Open out a blanket and it says "June 6th, 1944." | 0:15:13 | 0:15:17 | |
Normandy. | 0:15:17 | 0:15:18 | |
Also postal chess was not allowed, | 0:15:20 | 0:15:22 | |
even kisses at the bottom of letters, | 0:15:22 | 0:15:24 | |
in case they had some meaning. | 0:15:24 | 0:15:26 | |
Presumably messages saying where the troops are moving... | 0:15:26 | 0:15:28 | |
Yes, those were obviously pretty much banned. | 0:15:28 | 0:15:30 | |
Could you not have got like, you know you get knitting machines, | 0:15:30 | 0:15:33 | |
could they not have made like an enigma knitting machine? | 0:15:33 | 0:15:36 | |
Where it makes the jumper and then scrambles it up, | 0:15:36 | 0:15:39 | |
-so that they couldn't pass the message. -That would be very clever. | 0:15:39 | 0:15:42 | |
-It's an opportunity missed. -It is an opportunity missed. | 0:15:42 | 0:15:44 | |
We have a Karen Templer, who is a QI watcher, has knitted us... | 0:15:44 | 0:15:48 | |
Oh, look at that. | 0:15:48 | 0:15:49 | |
And this says, in Morse code... | 0:15:49 | 0:15:52 | |
"I wool always love you." | 0:15:54 | 0:15:56 | |
Oh, that's cute. | 0:15:56 | 0:15:58 | |
Aaah. Thank you, Karen. Bravo. | 0:15:58 | 0:16:00 | |
APPLAUSE | 0:16:00 | 0:16:03 | |
-Isn't that nice? -You know what she was doing there? | 0:16:03 | 0:16:06 | |
-She was indulging in a bit of four-ply. -Hey! | 0:16:06 | 0:16:09 | |
-AUDIENCE LAUGH AND GROAN -Good night. -Very good. | 0:16:09 | 0:16:12 | |
And let's hope that it is Morse code and not Braille. | 0:16:12 | 0:16:15 | |
"You'll what? Get off me!" | 0:16:17 | 0:16:19 | |
You know the female knitters at the guillotine? Did they knit? | 0:16:21 | 0:16:25 | |
Didn't they knit code? There was something about them knitting code. | 0:16:25 | 0:16:28 | |
The most famous one is Madame Defarge in A Tale of Two Cities | 0:16:28 | 0:16:32 | |
and they were known as tricoteurs, which is French for knitting women. | 0:16:32 | 0:16:35 | |
But a lot of people now believe they didn't really exist. | 0:16:35 | 0:16:38 | |
That they were sort of made up by Carlyle, | 0:16:38 | 0:16:40 | |
the great historian of the French Revolution, and by Dickens. | 0:16:40 | 0:16:43 | |
So they didn't knit, necessarily. | 0:16:43 | 0:16:45 | |
They didn't think that they actually sat there watching heads roll. | 0:16:45 | 0:16:48 | |
-Making bobble hats. -In the book, Madame Defarge knits | 0:16:48 | 0:16:50 | |
the names of all the aristocrats who get their heads chopped off, | 0:16:50 | 0:16:53 | |
which is not really a code as a sort of gleeful cackling joy. | 0:16:53 | 0:16:56 | |
The original woman of the revolution, | 0:16:56 | 0:16:58 | |
the mothers of the revolution, were much-loved but then, | 0:16:58 | 0:17:01 | |
during The Terror, they became considered a nuisance | 0:17:01 | 0:17:04 | |
and so they were shut up or they were forbad to wear trousers, | 0:17:04 | 0:17:07 | |
a law that wasn't repealed until February, 2013, | 0:17:07 | 0:17:10 | |
in France. | 0:17:10 | 0:17:11 | |
Trouser suits had actually been illegal in France for that time, | 0:17:11 | 0:17:15 | |
-but obviously not enforced. -No! | 0:17:15 | 0:17:17 | |
To say the least. | 0:17:17 | 0:17:18 | |
Now, how can knitting be used to reduce fear, crime and disorder? | 0:17:18 | 0:17:22 | |
Are you saying if he had a tank top on, he'd go, | 0:17:23 | 0:17:27 | |
"OK, I'm putting the gun down"? | 0:17:27 | 0:17:29 | |
-Well, you know, if he was knitting he couldn't be holding a gun. -Yeah. | 0:17:29 | 0:17:32 | |
-Well, that's true. -It's harder to stab, shoot. | 0:17:32 | 0:17:35 | |
You can only really kick people while you're knitting, can't you? | 0:17:35 | 0:17:38 | |
You can stab. | 0:17:38 | 0:17:40 | |
We'll come onto that, there is something called | 0:17:40 | 0:17:42 | |
Extreme Knitting, which we will come to. | 0:17:42 | 0:17:45 | |
But at the moment, we're looking at this form of knitting, | 0:17:45 | 0:17:49 | |
which has different names. | 0:17:49 | 0:17:51 | |
It's called Guerrilla Knitting, or sometimes Yarn Bombing. | 0:17:51 | 0:17:55 | |
And it is actually a way to make a place more peaceful. | 0:17:55 | 0:17:58 | |
It's to deter crime. | 0:17:58 | 0:18:00 | |
And it was tried out in Leicester, where they hung pompoms, | 0:18:00 | 0:18:04 | |
and put things round trees. | 0:18:04 | 0:18:07 | |
Oh, I feel calm already. It's like a tree-warmer. | 0:18:07 | 0:18:10 | |
Well, they used cosies for tree trunks, parking meters, | 0:18:10 | 0:18:13 | |
even buses, and tanks has been suggested, in the military areas. | 0:18:13 | 0:18:17 | |
The Leicester experiment has had mixed results. | 0:18:17 | 0:18:20 | |
Some locals don't think it works, others do. | 0:18:20 | 0:18:22 | |
The fact is, the pompoms have so embarrassed the Leicester police | 0:18:22 | 0:18:25 | |
that they have not allowed us to show photographs of them. | 0:18:25 | 0:18:28 | |
Which was extremely mean of them, but I'm sure | 0:18:28 | 0:18:30 | |
if you look it up, you'll be able to see the Leicester pompoms. | 0:18:30 | 0:18:33 | |
-They're embarrassed? -Yes. | 0:18:33 | 0:18:34 | |
Embarrassed by the fact that they do look rather comic. | 0:18:34 | 0:18:37 | |
We can easily sort that out. | 0:18:37 | 0:18:39 | |
Basically, if you're watching, if you're in Leicester and you see | 0:18:39 | 0:18:42 | |
a policeman, just go, "Oi, where's pompom?" That'll teach them. | 0:18:42 | 0:18:45 | |
It certainly will. It certainly will. | 0:18:45 | 0:18:47 | |
But as I say, there's Guerrilla Knitting, | 0:18:47 | 0:18:49 | |
but I alluded to it earlier, there's Extreme Knitting. | 0:18:49 | 0:18:52 | |
What do you think that might be? | 0:18:52 | 0:18:54 | |
Now I've got Gregg Wallace in my head going, | 0:18:54 | 0:18:56 | |
"Knitting doesn't get more extreme than this!" | 0:18:56 | 0:18:59 | |
"First you get a slip stitch, then comes a taste of pearl." | 0:19:01 | 0:19:04 | |
Is it about doing knitting in places where you wouldn't normally, | 0:19:04 | 0:19:09 | |
like driving a Formula One car, or... | 0:19:09 | 0:19:12 | |
-Well, sort of. -..parachuting or something. | 0:19:12 | 0:19:14 | |
The great heroine of this is one Susie Hewer, | 0:19:14 | 0:19:17 | |
aged 55 at the moment of going to press. | 0:19:17 | 0:19:19 | |
She has the world record for knitting a scarf | 0:19:19 | 0:19:21 | |
while running a marathon. | 0:19:21 | 0:19:24 | |
-Oh, that is good. -That is impressive. | 0:19:24 | 0:19:26 | |
And she's also crocheted while running a marathon too, | 0:19:26 | 0:19:29 | |
and she's ridden a tandem, | 0:19:29 | 0:19:31 | |
and she does it to raise money for Alzheimer's research. | 0:19:31 | 0:19:33 | |
So it's all pretty good in the end. | 0:19:33 | 0:19:35 | |
Yeah. I did a half marathon when I was a student, | 0:19:35 | 0:19:38 | |
to raise money so that we could go to the Edinburgh Festival. | 0:19:38 | 0:19:42 | |
-Well, dear me. -Do you know how much I raised? Have a guess. | 0:19:42 | 0:19:45 | |
-So that's what got you here. -50 quid. -70. | 0:19:45 | 0:19:48 | |
-Oh, that's good. -70 quid. -For 13 miles. | 0:19:48 | 0:19:50 | |
And then we got two grand off the Students' Union to top it up. | 0:19:50 | 0:19:53 | |
-Well, it worked out all right for you, didn't it? -Yeah. | 0:19:56 | 0:19:59 | |
I would say. | 0:19:59 | 0:20:00 | |
Now, what about the biggest knitted objects in the world, | 0:20:00 | 0:20:03 | |
-how big are they? -Massive. | 0:20:03 | 0:20:04 | |
Yes, is the answer. Give me a... | 0:20:04 | 0:20:06 | |
Thanks, I'll have a point, thank you. | 0:20:06 | 0:20:08 | |
-The biggest knitted object. -Yeah. | 0:20:08 | 0:20:10 | |
Well, I've had my doubts about Venus for a long time, you know. | 0:20:10 | 0:20:13 | |
Is it going to be like a suspension bridge or something, | 0:20:13 | 0:20:17 | |
is a knitted object? | 0:20:17 | 0:20:18 | |
Inasmuch as it is, yes, it is a physical object | 0:20:18 | 0:20:20 | |
-on which people can live. -It's a house? | 0:20:20 | 0:20:22 | |
Is the internet knitted? | 0:20:22 | 0:20:24 | |
-Does it count as a huge knitted thing? -No. | 0:20:25 | 0:20:28 | |
It's a series of man-made knitted islands on the Peruvian side | 0:20:28 | 0:20:32 | |
of Lake Titicaca. And there are 45 of them. | 0:20:32 | 0:20:35 | |
They're from totora reeds, and there's a church on one of them. | 0:20:35 | 0:20:39 | |
There are buildings and houses, people live on them. | 0:20:39 | 0:20:42 | |
But they're quite... | 0:20:42 | 0:20:43 | |
But the scariest thing is the size of the nanas that built them. | 0:20:43 | 0:20:46 | |
Yes! | 0:20:46 | 0:20:48 | |
But several hundred people live on them, they get so used to | 0:20:48 | 0:20:51 | |
this rather springy surface that if they then go on land, they just, | 0:20:51 | 0:20:54 | |
they can't walk, it takes them ages to get their land legs back. | 0:20:54 | 0:20:58 | |
I think that's where Bez from the Happy Mondays, | 0:20:58 | 0:21:00 | |
-he's from there, isn't he? -Yeah. | 0:21:00 | 0:21:02 | |
-Very good. Excellent. -Be a great excuse, wouldn't it, | 0:21:02 | 0:21:05 | |
if you turned up somewhere pissed | 0:21:05 | 0:21:06 | |
to say, "No, actually, I'm fine, I just usually live somewhere knitted. | 0:21:06 | 0:21:10 | |
"And it's very odd, everything..." | 0:21:10 | 0:21:11 | |
Just used to a very different surface. | 0:21:11 | 0:21:13 | |
"Everything feels very wobbly, but honestly, I am a professional." | 0:21:13 | 0:21:17 | |
But the Lake Titicaca Olympic team must be amazing. Bang! | 0:21:17 | 0:21:22 | |
Give me a statistic about Lake Titicaca. | 0:21:24 | 0:21:26 | |
It is the biggest innuendo place on the planet. | 0:21:26 | 0:21:31 | |
It's got titties and it's got caca. | 0:21:31 | 0:21:34 | |
-Caca, exactly. Exactly. -Is it very, very high? | 0:21:34 | 0:21:36 | |
It's the highest navigable lake in the world. Quite right. | 0:21:36 | 0:21:39 | |
Navigable means you can go in one end and out the other. | 0:21:39 | 0:21:42 | |
Yes, you can get ships on it and there are many ships on it, | 0:21:42 | 0:21:44 | |
and ports and things like that. | 0:21:44 | 0:21:45 | |
There are higher lakes which you couldn't get a ship onto. | 0:21:45 | 0:21:48 | |
Not been made more navigable by loads of knitted islands. | 0:21:48 | 0:21:51 | |
-Yes, they get in the way. -Yes. | 0:21:51 | 0:21:52 | |
So, anyway, now for a new round. What Katydid. | 0:21:52 | 0:21:57 | |
Here are five creatures and five names. | 0:21:57 | 0:21:59 | |
I want you to match the creature to the name. | 0:21:59 | 0:22:02 | |
Oh, right, OK. | 0:22:02 | 0:22:03 | |
There's a dragon-headed, a spike headed, a horned, | 0:22:03 | 0:22:05 | |
a mimicking snout-nosed and a small hooded, and they're all called? | 0:22:05 | 0:22:08 | |
-Sheila. -No, no, they're called katydids. | 0:22:08 | 0:22:11 | |
Why might they be called a katydid? | 0:22:11 | 0:22:13 | |
-A "cat-idid?" -No, it is actually pronounced katydid. | 0:22:13 | 0:22:16 | |
It's because supposedly the sound | 0:22:16 | 0:22:18 | |
they make by stridulating their wings as many of the cricket-y type | 0:22:18 | 0:22:21 | |
animals and katydid animals do... | 0:22:21 | 0:22:23 | |
-Cricket-y type animals? -Yes, crickets, grasshoppers, locusts... | 0:22:23 | 0:22:27 | |
-And we look to you! -Do you do it in your nature shows? | 0:22:27 | 0:22:31 | |
"Oh, these are the cricket-y type ones." | 0:22:31 | 0:22:34 | |
"The cricket-y and the footballish ones." | 0:22:34 | 0:22:36 | |
So their bingo wings sort of rub and they let off... | 0:22:36 | 0:22:39 | |
-And it makes a chirping noise. Yes. -I think mine do that. | 0:22:39 | 0:22:42 | |
Which puts them in common with locusts and grasshoppers | 0:22:42 | 0:22:45 | |
and cicadas and so on. | 0:22:45 | 0:22:46 | |
They're called kaydids because apparently the sound is, | 0:22:46 | 0:22:48 | |
"Katydid, katydidn't." | 0:22:48 | 0:22:50 | |
I don't know, we haven't got a recording of it, | 0:22:50 | 0:22:52 | |
-so I can't help you. -Katydid, katydidn't. | 0:22:52 | 0:22:54 | |
Let's show the answers in a colour-coded sort of way. | 0:22:54 | 0:22:57 | |
-There you can see... -The dragon-head. | 0:22:57 | 0:22:59 | |
But they're strange creatures. | 0:22:59 | 0:23:01 | |
And the most impressive, in some ways, is the small hooded, | 0:23:01 | 0:23:04 | |
which as you see is the purple one, which looks like a leaf. | 0:23:04 | 0:23:07 | |
We're looking at it very closely and it's moving, but it wasn't | 0:23:07 | 0:23:10 | |
discovered till 2010. It lived for millennia and it's not even rare. | 0:23:10 | 0:23:14 | |
It's in Australia. | 0:23:14 | 0:23:15 | |
It's because its camouflage is so astonishing, the mottling | 0:23:15 | 0:23:18 | |
of the leaves and everything else is such that people just don't see it. | 0:23:18 | 0:23:22 | |
That's the longest game of hide and seek. | 0:23:22 | 0:23:24 | |
-Yes, that's ever been ever played. -Finally! | 0:23:24 | 0:23:26 | |
Eventually someone, "Look, what's that little blighter in there? | 0:23:26 | 0:23:29 | |
"That's an animal, it's alive." | 0:23:29 | 0:23:31 | |
"Oh, you got me, you got me!" | 0:23:31 | 0:23:33 | |
It would be a terrifying thing, actually suddenly to, you know, that | 0:23:34 | 0:23:38 | |
things that we've been looking at for ages turn out to be animals. | 0:23:38 | 0:23:41 | |
-Yes. -You know, that you're suddenly looking at four trees | 0:23:41 | 0:23:43 | |
-and suddenly realise, "Oh, no, they're legs." -Yes. | 0:23:43 | 0:23:47 | |
There's another katydid which does a really extraordinary thing, | 0:23:47 | 0:23:50 | |
it's a record in the animal kingdom, as far as we know, | 0:23:50 | 0:23:52 | |
it's the male Tuberous bush cricket. | 0:23:52 | 0:23:54 | |
It has the largest testicles for their weight of any animal. | 0:23:54 | 0:23:58 | |
ALL: Oh! | 0:23:58 | 0:24:01 | |
That's 14% of their body mass. | 0:24:01 | 0:24:04 | |
-14%? -14%. | 0:24:04 | 0:24:06 | |
-Gonads. -It enables them to fertilise as many females as possible. | 0:24:06 | 0:24:09 | |
They do this by inserting a jelly-like package, called... | 0:24:09 | 0:24:13 | |
Why are you looking at me? | 0:24:13 | 0:24:15 | |
I'm sorry, called a spermatophore, into the female. | 0:24:15 | 0:24:18 | |
But the back end of this spermatophore, | 0:24:18 | 0:24:20 | |
this bulging packet of spermatazoic jelly, | 0:24:20 | 0:24:23 | |
there's too much of it, it bulges out | 0:24:23 | 0:24:25 | |
and the female reaches back and eats it for lunch. | 0:24:25 | 0:24:28 | |
LAUGHTER | 0:24:28 | 0:24:30 | |
So it's a romantic dinner for one, so it's a double little present. | 0:24:30 | 0:24:33 | |
Only a man could say that! | 0:24:33 | 0:24:35 | |
-The thing about that... -40%...yes? | 0:24:37 | 0:24:40 | |
The thing about that as a creature, though, | 0:24:40 | 0:24:42 | |
cos it's got such massive balls, like when you film it close up, | 0:24:42 | 0:24:45 | |
it must go like, it must leap and go, oh! | 0:24:45 | 0:24:48 | |
Quick, oh! | 0:24:48 | 0:24:49 | |
-Oh, the agony. -Every time it lands, it's just, ooh. | 0:24:49 | 0:24:52 | |
Where's the penis? Is the penis massive? | 0:24:52 | 0:24:54 | |
I don't think it's as massive as the testes. | 0:24:54 | 0:24:56 | |
Just a little thing like that, and then two great melons. | 0:24:56 | 0:24:59 | |
Yeah. It's really... | 0:24:59 | 0:25:00 | |
Quite a powerful squirt, you'd have thought. | 0:25:00 | 0:25:03 | |
-She could be a mile away. -Yeah! | 0:25:03 | 0:25:05 | |
Well, there you are, there's your katydid. | 0:25:05 | 0:25:07 | |
What's the longest distance of mating in the animal kingdom? | 0:25:09 | 0:25:12 | |
-What is? -Yeah. -Gosh, I don't know. | 0:25:12 | 0:25:14 | |
Some fish put the eggs and then the male fish comes along later... | 0:25:14 | 0:25:17 | |
-By post. -They don't even meet. | 0:25:17 | 0:25:19 | |
That's true. You could send by post, I suppose. | 0:25:19 | 0:25:21 | |
-Can you? -Well, there's the ninja slug. | 0:25:21 | 0:25:23 | |
No, this is a real thing. | 0:25:25 | 0:25:28 | |
A ninja slug? | 0:25:28 | 0:25:29 | |
The ninja slug, and when it's doing the loving, | 0:25:29 | 0:25:32 | |
-it, er... Yeah, I'm like a proper expert. -The slug loving. | 0:25:32 | 0:25:35 | |
-Wax on, wax off. -Yeah, slug loving. | 0:25:35 | 0:25:37 | |
And then instead of getting involved, | 0:25:37 | 0:25:39 | |
it comes up and then it fires like all the necessaries towards | 0:25:39 | 0:25:44 | |
the lady slug, and she "hoof", and then, I don't know what it's called. | 0:25:44 | 0:25:48 | |
-Catches it? -Sort of, yeah. -But she leans backward to catch it? | 0:25:48 | 0:25:52 | |
I don't think she's got hands, | 0:25:52 | 0:25:54 | |
but she, she sort of... That's the thing with a slug, | 0:25:54 | 0:25:56 | |
if you rush a slug like that, they don't go, "Urgh," they just, | 0:25:56 | 0:26:00 | |
"Oh." And then, yeah. Go like that. | 0:26:00 | 0:26:03 | |
Oh, it's that bit, on the... yes. | 0:26:03 | 0:26:05 | |
Wah! | 0:26:07 | 0:26:08 | |
-And then, yeah. -Are you saying it's like the meat and two veg detach? | 0:26:08 | 0:26:12 | |
-Yeah. Takes it off... -And fires, takes it off and fires it at a... | 0:26:12 | 0:26:15 | |
Takes it off and it... Again, I'm not sure where I found this out. | 0:26:15 | 0:26:18 | |
Scooby Doo. That is definitely Scooby Doo. | 0:26:18 | 0:26:21 | |
It sort of, its bits go, and then it, woo, like that. Then it... | 0:26:21 | 0:26:24 | |
I definitely seen that on Scooby Doo. | 0:26:24 | 0:26:26 | |
And then I think she's like that, "Wey!" | 0:26:26 | 0:26:28 | |
And she's basically like a goalkeeper, just readying herself. | 0:26:28 | 0:26:31 | |
Exactly. Yeah, honestly, it's like an explosion in an Ann Summers. | 0:26:31 | 0:26:35 | |
-Well, that's terrific, well done. -There's nothing worse, though, | 0:26:36 | 0:26:39 | |
when this slug comes towards the lady and she dives the wrong way. | 0:26:39 | 0:26:42 | |
-That is, oh! -Nightmare. | 0:26:42 | 0:26:44 | |
Moving on, moving on from the enormous knackers of the katydid. | 0:26:44 | 0:26:49 | |
What can you tell me about the royal knackers? | 0:26:49 | 0:26:52 | |
Well, I imagine they're pretty toastie right now. | 0:26:54 | 0:26:57 | |
Is it where royal horses are killed? | 0:26:58 | 0:27:01 | |
The Royal Knacker's Yard? | 0:27:01 | 0:27:03 | |
Yes, they don't any longer have a Royal Knacker's yard, | 0:27:03 | 0:27:05 | |
but they used to. | 0:27:05 | 0:27:07 | |
There was of course, in the Victorian age, and earlier, | 0:27:07 | 0:27:09 | |
a great need to get rid of horses who had died, | 0:27:09 | 0:27:12 | |
and to make the most of them. | 0:27:12 | 0:27:15 | |
And they went to knacker's yards. And there was... | 0:27:15 | 0:27:18 | |
And thence into lasagne. | 0:27:18 | 0:27:19 | |
And they were made into all kinds of things. | 0:27:19 | 0:27:22 | |
And the royal knacker was one John Atcheler, | 0:27:22 | 0:27:25 | |
who had the royal warrant from Queen Victoria, to knacker her horses. | 0:27:25 | 0:27:29 | |
And he was the official horse slaughterer. | 0:27:29 | 0:27:32 | |
He's buried in Highgate Cemetery, where there is | 0:27:32 | 0:27:34 | |
a tomb with a prancing horse on top of it, like a Ferrari mascot. | 0:27:34 | 0:27:37 | |
Is it prancing the other way up? | 0:27:37 | 0:27:39 | |
Maybe prancing is a sign of revenge. | 0:27:42 | 0:27:45 | |
"We got you at last, you bastard." | 0:27:45 | 0:27:48 | |
He had two knacker's yards. | 0:27:48 | 0:27:50 | |
The first was in Sharp's Alley near Smithfield | 0:27:50 | 0:27:52 | |
and then later near Kings Cross, at Belle Isle. | 0:27:52 | 0:27:54 | |
And they were famously malodorous, you wouldn't want to live near them. | 0:27:54 | 0:27:58 | |
Huge, huge copper vats filled with horses being rendered down. | 0:27:58 | 0:28:03 | |
But here from 1844 is an extract from Bentley's Miscellany, | 0:28:03 | 0:28:06 | |
"The knacker's cart arrives in double quick, | 0:28:06 | 0:28:09 | |
"The mob admires the cart, the royal arms and the inscription: | 0:28:09 | 0:28:12 | |
"'Knacker to Her Majesty.' | 0:28:12 | 0:28:15 | |
"The royal knacker, a swell knacker in cords and tops, | 0:28:15 | 0:28:18 | |
"with a bit of butcher's apron, just as big as a bishop's, | 0:28:18 | 0:28:20 | |
"merely to distinguish his profession, | 0:28:20 | 0:28:22 | |
"pole-axe in hand, descends from his vehicle." | 0:28:22 | 0:28:25 | |
-Well, that's pageantry. -That's pageantry, isn't it? Exactly. | 0:28:25 | 0:28:28 | |
That's what I want to see televised, David Dimbleby doing | 0:28:28 | 0:28:31 | |
the commentary, "The slaughtering of the royal horse." | 0:28:31 | 0:28:34 | |
Absolutely. | 0:28:34 | 0:28:35 | |
It wouldn't be David Dimbleby though, it'd be Fearne Cotton. | 0:28:35 | 0:28:38 | |
I'm afraid it would. | 0:28:38 | 0:28:39 | |
People would say, "They've ruined the horse slaughtering this year." | 0:28:39 | 0:28:42 | |
"They've trivialised the knackering." | 0:28:42 | 0:28:44 | |
-"It used to be so respectful." -So much pomp and circumstance. | 0:28:44 | 0:28:47 | |
Explain what bit of the horse was bubbling up to the top now, | 0:28:47 | 0:28:50 | |
is it a bollock, is it an eye? | 0:28:50 | 0:28:52 | |
-Yes. -But they don't know now, these new presenters. | 0:28:52 | 0:28:55 | |
Football clubs used horse oil to...? | 0:28:55 | 0:28:57 | |
-To stop chaffing? -Lubricate something. | 0:28:57 | 0:29:00 | |
Their boots, actually, oddly enough, to keep their boots supple. | 0:29:00 | 0:29:03 | |
Cricket teams rubbed it into their bats, | 0:29:03 | 0:29:05 | |
much as they then used to do with linseed oil. | 0:29:05 | 0:29:07 | |
Doctors used neatsfoot oil to massage a patient's joints | 0:29:07 | 0:29:11 | |
after coming out of plaster, they would use that. | 0:29:11 | 0:29:14 | |
Selected bones were sent to knife manufacturers for the handles. | 0:29:14 | 0:29:17 | |
There you are, look. See, "Horse meat for sale, this store only. | 0:29:17 | 0:29:21 | |
"With beef, lamb, pork also available." | 0:29:21 | 0:29:24 | |
He's thinking, "I won't have the horse." | 0:29:24 | 0:29:26 | |
The horse looks a bit worried! The horse is deciding which to have. | 0:29:26 | 0:29:30 | |
But by strange, I don't know | 0:29:30 | 0:29:32 | |
if coincidence or irony is the word, but in 1824 the RSPCA was founded | 0:29:32 | 0:29:36 | |
and there's a plaque to show where it was founded. | 0:29:36 | 0:29:39 | |
Old Slaughters Coffee House. | 0:29:40 | 0:29:42 | |
That's what you want to do after you've had a good old night | 0:29:42 | 0:29:44 | |
-slaughtering, is have a latte. -Yeah. | 0:29:44 | 0:29:47 | |
-I fed horse meat to a lion once. -Did you? | 0:29:47 | 0:29:50 | |
That was a pony trick gone wrong! | 0:29:50 | 0:29:52 | |
-No, I was in Namibia... -Yeah. | 0:29:56 | 0:29:58 | |
..doing a documentary about this place where they rehabilitate big cats. | 0:29:58 | 0:30:03 | |
They had three lions | 0:30:03 | 0:30:06 | |
a bit like Clarence, the Boss-Eyed Lion from Daktari. | 0:30:06 | 0:30:08 | |
I remember him well. | 0:30:08 | 0:30:09 | |
They were kind of semi-tame and they fed them horse meat, | 0:30:09 | 0:30:12 | |
so if a horse died anywhere within about 300 miles, | 0:30:12 | 0:30:15 | |
they'd try and get hold of it. | 0:30:15 | 0:30:16 | |
And they'd chop it up and you'd put it... | 0:30:16 | 0:30:19 | |
They'd lift a bit of the fence and you shove this metal bowl | 0:30:19 | 0:30:22 | |
underneath and a lion would come over, put its tongue in. | 0:30:22 | 0:30:25 | |
And lions have got these barbs | 0:30:25 | 0:30:27 | |
on their tongue that can pick up a piece of horse meat | 0:30:27 | 0:30:30 | |
and dangle it, and then they look at you through the bar like that. | 0:30:30 | 0:30:35 | |
-Still got the hair on the side. -Oh... | 0:30:35 | 0:30:38 | |
-Quite a flimsy fence. -Yes. | 0:30:40 | 0:30:42 | |
-We're lucky still to have you. Well done, you. -Quite a sight. | 0:30:44 | 0:30:47 | |
Quite an impressive sight. | 0:30:47 | 0:30:49 | |
Well, if anyone from Leeds tells you to eat kicker, what should you do? | 0:30:49 | 0:30:54 | |
Run away, because that's Kicker there. | 0:30:54 | 0:30:56 | |
You can see we're still in the world of meat. | 0:30:58 | 0:31:00 | |
Is it horse? | 0:31:00 | 0:31:01 | |
It is actually just plain horse, yes, it's horse. | 0:31:01 | 0:31:04 | |
And Yorkshire was the last place really to eat horse | 0:31:04 | 0:31:07 | |
on a major scale in Britain. | 0:31:07 | 0:31:09 | |
Until quite recently. | 0:31:09 | 0:31:10 | |
Well... | 0:31:10 | 0:31:12 | |
But of course recently there have been a few scandals | 0:31:12 | 0:31:15 | |
which mean we've probably all been eating horse. | 0:31:15 | 0:31:17 | |
That dark brown horse has the hair of Tina Turner. | 0:31:17 | 0:31:20 | |
LAUGHTER AND APPLAUSE | 0:31:20 | 0:31:23 | |
You're spot-on. | 0:31:26 | 0:31:27 | |
What you're looking at here is the entire line-up of Horse Kajagoogoo. | 0:31:27 | 0:31:32 | |
-You're absolutely right. -It's really spooky, that. | 0:31:33 | 0:31:36 | |
Well, horse was very popular right up until the first millennium, | 0:31:36 | 0:31:39 | |
until Gregory III, the Pope, deemed it too pagan. | 0:31:39 | 0:31:42 | |
But the Scandinavians had always loved eating horse | 0:31:42 | 0:31:44 | |
and the greatest Scandinavian, as it were, | 0:31:44 | 0:31:47 | |
presence in Britain was in Yorkshire. | 0:31:47 | 0:31:49 | |
And so it remained as a tradition to eat horse | 0:31:49 | 0:31:51 | |
right up until really the '30s. | 0:31:51 | 0:31:54 | |
And the last butcher selling horse in the county was Arnold Drury | 0:31:54 | 0:31:57 | |
in Doncaster, who died in 1951. | 0:31:57 | 0:32:01 | |
He proudly advertised "Viande Cheval," | 0:32:01 | 0:32:04 | |
meat horse, "of super quality horseflesh." | 0:32:04 | 0:32:08 | |
And other butchers called it kicker, more euphemistically. | 0:32:08 | 0:32:11 | |
And in the 19th century, rural Yorkshire folk who moved to the city | 0:32:11 | 0:32:15 | |
were known as kicker eaters. | 0:32:15 | 0:32:17 | |
I've eaten horse. | 0:32:17 | 0:32:18 | |
-Well, most of us have, apparently, without knowing it. -Yes. | 0:32:18 | 0:32:21 | |
-I ate it consciously. -How was it? | 0:32:21 | 0:32:23 | |
-To... Very lean. No fat on it at all. -Wow. | 0:32:23 | 0:32:27 | |
Just basically like eating, I don't know, wall installation. | 0:32:27 | 0:32:30 | |
-Just no succulence to it. -Yeah. | 0:32:30 | 0:32:32 | |
Isn't it odd how we rebel at the idea of things | 0:32:32 | 0:32:36 | |
that we're not used to? | 0:32:36 | 0:32:38 | |
You know, we are totally used to drinking the proteinous | 0:32:38 | 0:32:41 | |
fatty stuff that comes out of an alien animal, | 0:32:41 | 0:32:44 | |
that is designed to make its calf double in weight every week, | 0:32:44 | 0:32:48 | |
and we're perfectly happy, | 0:32:48 | 0:32:49 | |
skull it back and go, that's all right, I'm eating a cow's milk. | 0:32:49 | 0:32:52 | |
-But even more so... -But someone says eat a horse's milk, you go, "Ugh!" | 0:32:52 | 0:32:55 | |
Even more so than that, when my sister-in-law | 0:32:55 | 0:32:58 | |
-expressed some breast milk and kept it in the fridge... -Ah. | 0:32:58 | 0:33:01 | |
and her brother came in and drank it... | 0:33:01 | 0:33:03 | |
It made everyone feel a bit unwell, but no-one quite knows why. | 0:33:03 | 0:33:06 | |
Well, exactly, because it's a lot more... | 0:33:06 | 0:33:08 | |
-Clearly it's designed for human consumption. -Precisely, | 0:33:08 | 0:33:11 | |
much more than cow or horse milk is. | 0:33:11 | 0:33:13 | |
I tell you what, it makes a lovely rice pudding. | 0:33:13 | 0:33:15 | |
-It really does. -But wasn't there a shop selling... | 0:33:15 | 0:33:19 | |
-Breast milk ice cream. -Yeah. | 0:33:19 | 0:33:20 | |
We should all try lots of different animals' milk. | 0:33:20 | 0:33:23 | |
I'm very happy to try horse milk. | 0:33:23 | 0:33:24 | |
-I had some of that breast milk ice cream. -Did you? | 0:33:24 | 0:33:27 | |
Yeah. I was on a television programme | 0:33:27 | 0:33:29 | |
and they brought it round as a gimmick, I didn't seek it out. | 0:33:29 | 0:33:32 | |
No. | 0:33:32 | 0:33:33 | |
And it tasted completely like normal ice cream. | 0:33:33 | 0:33:35 | |
I thought you were going to say completely like tits. | 0:33:35 | 0:33:39 | |
-Yeah, it tasted very, very strongly of tits. -Very breasty. | 0:33:39 | 0:33:41 | |
No, it tasted very much like dog or horse milk, in fact. | 0:33:41 | 0:33:44 | |
Well, the most famous 19th century Royal Knacker was Jack Atcheler, | 0:33:44 | 0:33:49 | |
responsible for dealing with 26,000 horses a year. | 0:33:49 | 0:33:53 | |
Talking of being knackered, | 0:33:53 | 0:33:55 | |
describe the world's oldest mattress. | 0:33:55 | 0:33:58 | |
I'll have to think, it's got springs sticking out, | 0:33:58 | 0:34:01 | |
-it's a bit tatty, it's stained... -It's a lot older than that. | 0:34:01 | 0:34:04 | |
It's very, very, very, very old. | 0:34:04 | 0:34:07 | |
39,000 years old, we think. | 0:34:07 | 0:34:09 | |
It's in KwaZulu-Natal, in a cave, and it's made of rushes and reeds. | 0:34:09 | 0:34:15 | |
And it was used by humans for thousands and thousands of years. | 0:34:15 | 0:34:19 | |
And they would add top layers of insect-repelling plants, | 0:34:19 | 0:34:23 | |
so that they wouldn't get bitten during the night. | 0:34:23 | 0:34:25 | |
-So it's a really extraordinary... -What was it, king, super king? | 0:34:25 | 0:34:29 | |
-I think probably wider. Californian double king, probably. -Oh. -Yeah. | 0:34:29 | 0:34:33 | |
-Absolutely. -I think I've stayed at that hotel. | 0:34:33 | 0:34:36 | |
Compared to apes, of course, humans are relatively hairless. | 0:34:36 | 0:34:39 | |
We have two major areas of hair, don't we? | 0:34:39 | 0:34:42 | |
We have our little top knot | 0:34:42 | 0:34:44 | |
and we have our little lower down area of hair. | 0:34:44 | 0:34:48 | |
Both of which can be susceptible to lice. | 0:34:48 | 0:34:52 | |
-There's the head louse. -Ah! -And there's the public louse. | 0:34:52 | 0:34:57 | |
-Which is actually on the decline. -The crab. Is it? -Yes, it is. Yeah. | 0:34:57 | 0:35:01 | |
Not so many pubes about these days, are there? | 0:35:01 | 0:35:04 | |
-Because of Brazilians, you think? -That's exactly why. | 0:35:04 | 0:35:07 | |
-The Brazilian has... -Because of the, you know... -Shaving downstairs. | 0:35:07 | 0:35:11 | |
-I'm not sure how I know this, but it is true. -Scooby Doo again. -Probably. | 0:35:11 | 0:35:16 | |
HE IMITATES SCOOBY | 0:35:18 | 0:35:20 | |
And if it hadn't been for you pesky kids, | 0:35:22 | 0:35:24 | |
I'd have gotten away with it, as well. | 0:35:24 | 0:35:26 | |
Apparently their numbers are... Yeah. | 0:35:26 | 0:35:28 | |
They have had to actually start sanctuaries now. Special... | 0:35:28 | 0:35:31 | |
-Special pube sanctuaries and I donate every month. -Little crabberies. | 0:35:31 | 0:35:36 | |
To provide a natural habitat because their natural habitat is shrinking. | 0:35:36 | 0:35:40 | |
It would be awful, actually, if you found you had pubic lice | 0:35:40 | 0:35:44 | |
and then there was some sort of environment agency order on it | 0:35:44 | 0:35:48 | |
that you couldn't get rid of it. | 0:35:48 | 0:35:50 | |
"I'm so sorry, they're important to the ecosystem." | 0:35:50 | 0:35:52 | |
-They are restricted, they are zoned. -They are like bats. | 0:35:52 | 0:35:56 | |
It was assumed that, when we were hairier beings, | 0:35:56 | 0:35:59 | |
we had various lice on our bodies and that some of them specialised | 0:35:59 | 0:36:03 | |
in the head and began to evolve into head lice | 0:36:03 | 0:36:05 | |
and the others specialised in the pubes and began to evolve into pubic | 0:36:05 | 0:36:09 | |
lice, but it has been discovered that they are not related at all. | 0:36:09 | 0:36:12 | |
And that our pubic lice are actually related to lice that live | 0:36:12 | 0:36:16 | |
on gorillas, which asks a rather interesting question as to... | 0:36:16 | 0:36:20 | |
who was it? Who made that... | 0:36:20 | 0:36:24 | |
David Attenborough! > | 0:36:24 | 0:36:25 | |
SILENCE! | 0:36:25 | 0:36:27 | |
-Yeah? -David Attenborough. | 0:36:27 | 0:36:29 | |
No, it was 3.3 million years ago that the jump was made. | 0:36:29 | 0:36:33 | |
I think that still works, David Attenborough. | 0:36:33 | 0:36:35 | |
So down there and up there, no... | 0:36:35 | 0:36:38 | |
-They're not related. -You see, I've got a sort of nature corridor. -Ah! | 0:36:38 | 0:36:42 | |
Well, I think you will find they will try down there | 0:36:42 | 0:36:46 | |
and not like it, they'll stay up there. | 0:36:46 | 0:36:48 | |
How dare you! How dare you! | 0:36:48 | 0:36:50 | |
That's an area of outstanding natural beauty, down there! | 0:36:50 | 0:36:54 | |
But it's an immense distance. | 0:36:54 | 0:36:56 | |
Let's just say an area of special scientific interest. | 0:36:56 | 0:36:59 | |
I've had a picnic area put in. I've got a gift shop down there. | 0:37:00 | 0:37:06 | |
-Coach party. -Oh, my God. Jesus. | 0:37:06 | 0:37:09 | |
There must have been louse meetings, | 0:37:09 | 0:37:11 | |
though, somewhere in people's chest hair. The more... | 0:37:11 | 0:37:15 | |
The more adventurous of the head lice meet the more adventurous | 0:37:15 | 0:37:19 | |
of the pube lice and they must have tried mating. | 0:37:19 | 0:37:23 | |
-To make chest lice. -They created a new species - tit lice. | 0:37:23 | 0:37:27 | |
Just live around the tit area. | 0:37:27 | 0:37:29 | |
Tit louse, that is a nice thought, I like that. | 0:37:29 | 0:37:31 | |
-It's almost Beatrix Potter, isn't it? -Yes! | 0:37:31 | 0:37:34 | |
-This is a children's book waiting to happen. -It is. | 0:37:34 | 0:37:38 | |
You're going to do the audio recording. | 0:37:38 | 0:37:40 | |
Anyway. Moving on. What's the oldest profession? | 0:37:40 | 0:37:45 | |
Oh, get that one. | 0:37:47 | 0:37:49 | |
We are all terribly frightened of the obvious one. | 0:37:49 | 0:37:52 | |
Prostitute, prostitute! | 0:37:52 | 0:37:53 | |
Prostitute! I'm just shouting prostitute like I usually do. | 0:37:53 | 0:37:58 | |
-Must be due. -It must be five o'clock! | 0:37:59 | 0:38:01 | |
If I walk past, in Soho, you see models upstairs, it would | 0:38:03 | 0:38:07 | |
be amazing if you went in there and it was like a Hornby Model Railway, | 0:38:07 | 0:38:11 | |
just loads of women in their pants just going, "Come on, it's brilliant. | 0:38:11 | 0:38:14 | |
"We've got a station box." | 0:38:14 | 0:38:16 | |
-But, it's not prostitution. -Is it knitting? | 0:38:18 | 0:38:22 | |
No, but you're right, it begins with a silent K. | 0:38:22 | 0:38:25 | |
-When we made early tools, what did we make them out of? -Flint. | 0:38:25 | 0:38:29 | |
-Knapping. -Knapping. Yes. Flintknapping. | 0:38:29 | 0:38:31 | |
Seems to be the oldest profession, | 0:38:31 | 0:38:33 | |
from archaeological digs we see a homo habilis handyman. | 0:38:33 | 0:38:38 | |
He was an early, smaller version of us | 0:38:38 | 0:38:41 | |
and he knapped away at flint to make spearheads and so on. | 0:38:41 | 0:38:44 | |
It seems to have been the first job that we know of. | 0:38:44 | 0:38:47 | |
But logically, if that's... | 0:38:47 | 0:38:48 | |
Someone has tried hunting just with a normal stick, before he's asked | 0:38:48 | 0:38:53 | |
someone to have a go at knapping some flint to make his stick sharper. | 0:38:53 | 0:38:57 | |
-So I reckon hunter has got to be a job pre-knapper. -Yeah. | 0:38:57 | 0:39:01 | |
But you were self-employ... Well, mmm, you... | 0:39:01 | 0:39:05 | |
I reckon they were all probably... None of them were on PAYE. | 0:39:05 | 0:39:09 | |
I was going to say. As if P45... | 0:39:09 | 0:39:11 | |
Even before hunter, there was surely spear caddy. | 0:39:11 | 0:39:14 | |
-Spear caddy. -The fella who hands the spear to the hunter. | 0:39:14 | 0:39:18 | |
"Spear caddy, could I have the number four, please?" | 0:39:18 | 0:39:22 | |
Of course, you'd have to have a wood chopper, woodcutter. | 0:39:22 | 0:39:25 | |
You've got to have one of those. You're right. | 0:39:25 | 0:39:27 | |
Anyway, flintknapping was certainly an old profession. | 0:39:27 | 0:39:30 | |
All of this is before prostitutes. | 0:39:30 | 0:39:31 | |
Certainly the oldest one with a silent K. Yes. | 0:39:31 | 0:39:34 | |
-Is there a word for prostitute that begins with a silent K? -Probably. | 0:39:34 | 0:39:37 | |
Knob-gobbler. | 0:39:37 | 0:39:39 | |
-LAUGHTER AND APPLAUSE -Wow, that was quick! That was fast. | 0:39:39 | 0:39:45 | |
The oldest human occupation we have evidence for is | 0:39:46 | 0:39:50 | |
flintknapping. | 0:39:50 | 0:39:51 | |
Now, what should you watch out for when handling these? | 0:39:51 | 0:39:54 | |
It's roses, rose stems. | 0:39:55 | 0:39:57 | |
Oh, is it, is it old women with secateurs? | 0:39:57 | 0:39:59 | |
Yeah, well, that's one thing. | 0:39:59 | 0:40:01 | |
What else might harm you if you try to pick them? | 0:40:01 | 0:40:03 | |
The thorny bit? | 0:40:03 | 0:40:04 | |
KLAXON SOUNDS | 0:40:04 | 0:40:07 | |
-No, roses don't have thorns. -Not a thorn? | 0:40:07 | 0:40:10 | |
Well, they do, it's a known... | 0:40:10 | 0:40:12 | |
Thorn bushes have, thorn bushes have roses, is that it? | 0:40:12 | 0:40:14 | |
-Is it a trick? -No, on roses they're called? | 0:40:14 | 0:40:17 | |
-Prickles. -Prickles, well done. Absolutely right... | 0:40:17 | 0:40:19 | |
-They prick you. -They're not thorns. | 0:40:19 | 0:40:21 | |
A thorn is a very specific thing, botanically. | 0:40:21 | 0:40:23 | |
Thorns are modified branches or stems, | 0:40:23 | 0:40:25 | |
and prickles are part of a plant's skin, which is what those are. | 0:40:25 | 0:40:29 | |
They come out from it. | 0:40:29 | 0:40:30 | |
So when Bon Jovi sang Every Rose Has A Thorn... | 0:40:30 | 0:40:33 | |
-They were lying. -He's made an absolute fool of himself. | 0:40:33 | 0:40:35 | |
They did. | 0:40:35 | 0:40:36 | |
# Every rose has a prickle! # | 0:40:36 | 0:40:37 | |
That would be great, wouldn't it, if you went to a Bon Jovi gig, and | 0:40:37 | 0:40:40 | |
# Every rose has a... # | 0:40:40 | 0:40:42 | |
Whoop! Whoop! Whoop! And the QI thing went off... | 0:40:42 | 0:40:46 | |
We've got to invite him on the show, absolutely right. | 0:40:46 | 0:40:48 | |
So let's see if we've learned something tonight. | 0:40:48 | 0:40:51 | |
I'm going to show you something and tell me, | 0:40:51 | 0:40:53 | |
is there a thorn in this picture? | 0:40:53 | 0:40:54 | |
-Er, there's not one on the rose. -No. | 0:40:58 | 0:41:02 | |
KLAXON SOUNDS | 0:41:02 | 0:41:03 | |
Oh, God! | 0:41:03 | 0:41:04 | |
Well, you said no, didn't you? | 0:41:04 | 0:41:06 | |
But you were more accurate. You said there's not one on the rose. | 0:41:06 | 0:41:09 | |
But isn't there one on the crown? | 0:41:09 | 0:41:11 | |
-No, there isn't one on the crown either. -One on the grass? | 0:41:11 | 0:41:14 | |
Oh, Alan, you were the only person on the programme | 0:41:14 | 0:41:16 | |
when we covered this. | 0:41:16 | 0:41:18 | |
There is no such thing as Ye Olde Rose and Crown, | 0:41:18 | 0:41:21 | |
it's THE Old Rose and Crown, and the letter Y is called a...? | 0:41:21 | 0:41:25 | |
-Thorn. -Thorn. | 0:41:25 | 0:41:27 | |
The letter is the thorn. | 0:41:27 | 0:41:30 | |
-So the Y is called? -A thorn, yes. | 0:41:30 | 0:41:32 | |
-A thorn. -It's a "th" sound. | 0:41:32 | 0:41:33 | |
When you see that, you don't say YE, you say THE. | 0:41:33 | 0:41:35 | |
THE. So when people say ye olde, they're completely wrong, it's THE. | 0:41:35 | 0:41:39 | |
I will never get it wrong again. | 0:41:39 | 0:41:40 | |
So you no longer have to say Ye Olde Tea Shop, it's The Olde Tea Shop. | 0:41:40 | 0:41:44 | |
What if you open a new one? | 0:41:44 | 0:41:47 | |
How does that...? | 0:41:47 | 0:41:49 | |
Then just call it The New Tea Shop. | 0:41:49 | 0:41:51 | |
Now, who fancies one of my Knick Knacks to celebrate | 0:41:52 | 0:41:56 | |
the beauty of chemistry? | 0:41:56 | 0:41:58 | |
I've got a bottle here of alcohol, but this is not drinking alcohol. | 0:41:58 | 0:42:01 | |
-I'm just going to... -That was full at the start of tonight. | 0:42:01 | 0:42:04 | |
What I'm going to do is, I'm going to make a cloud, | 0:42:04 | 0:42:07 | |
which I think you'll find is rather exciting. | 0:42:07 | 0:42:09 | |
I've got a pump here, and Alan, I'm going to ask you to pump for me, | 0:42:09 | 0:42:12 | |
-would you? -Every Monday. | 0:42:12 | 0:42:14 | |
That's it. | 0:42:14 | 0:42:16 | |
By doing this I'm just making it evaporate a little, and I'm going | 0:42:17 | 0:42:20 | |
to stick the plunger in as soon as I can, so I don't get too much. | 0:42:20 | 0:42:22 | |
Now, by pumping it in, you're applying pressure to this, | 0:42:22 | 0:42:25 | |
-there you go. -Shall I pump? About ten. | 0:42:25 | 0:42:27 | |
Two, three, four, five, | 0:42:27 | 0:42:30 | |
six, seven, eight, nine, ten. That'll do. | 0:42:30 | 0:42:34 | |
Is it going to blow up? Is it going to explode? | 0:42:34 | 0:42:36 | |
-And... -Oh! -Cloud. | 0:42:36 | 0:42:38 | |
-Oh, look at that. -I've made a cloud. | 0:42:38 | 0:42:40 | |
But, pop it in. | 0:42:42 | 0:42:44 | |
APPLAUSE | 0:42:44 | 0:42:45 | |
We can now make it disappear. | 0:42:47 | 0:42:49 | |
Gone cloud. | 0:42:52 | 0:42:55 | |
Come back, cloud! | 0:42:55 | 0:42:56 | |
Oh, isn't that exciting? | 0:42:58 | 0:43:00 | |
All of which brings us to the scores, | 0:43:01 | 0:43:05 | |
and our winner tonight on minus six is David Mitchell. | 0:43:05 | 0:43:08 | |
HE MOUTHS: Minus six. | 0:43:08 | 0:43:10 | |
In a very respectable second place on minus nine, is Ross Noble. | 0:43:12 | 0:43:17 | |
Who knew? | 0:43:20 | 0:43:21 | |
Improving all the time, in third place, with minus 17, | 0:43:21 | 0:43:24 | |
Alan Davies. | 0:43:24 | 0:43:26 | |
But tonight's frayed knicker elastic is Sue Perkins on minus 22. | 0:43:30 | 0:43:35 | |
Well, that's all from Sue, David, Ross, Alan and me. | 0:43:42 | 0:43:47 | |
Good night. | 0:43:47 | 0:43:49 | |
Subtitles By Red Bee Media Ltd | 0:43:50 | 0:43:53 |