Browse content similar to Killers. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:01 | 0:00:08 | |
(YODELS) Gooooooood evening, | 0:00:31 | 0:00:35 | |
good evening, good evening, good evening | 0:00:35 | 0:00:37 | |
good evening and welcome to QI, where tonight's theme is Killers. | 0:00:37 | 0:00:41 | |
And our keen ktenologists - look it up - are... | 0:00:41 | 0:00:45 | |
the menacing Jason Manford. | 0:00:45 | 0:00:47 | |
APPLAUSE AND CHEERING | 0:00:47 | 0:00:50 | |
The merciless Sandi Toksvig. | 0:00:51 | 0:00:54 | |
APPLAUSE AND CHEERING | 0:00:54 | 0:00:56 | |
The murderous Trevor Noah. | 0:00:56 | 0:00:59 | |
APPLAUSE AND CHEERING | 0:00:59 | 0:01:00 | |
And the mostly harmless Alan Davies. | 0:01:02 | 0:01:05 | |
APPLAUSE AND CHEERING | 0:01:05 | 0:01:07 | |
So, let's hear their homicidal death-knells. Sandi goes... | 0:01:11 | 0:01:15 | |
CLOCK CHIMES | 0:01:15 | 0:01:17 | |
Just once. Jason goes... | 0:01:17 | 0:01:20 | |
CROW CAWS | 0:01:20 | 0:01:23 | |
Trevor goes... | 0:01:23 | 0:01:24 | |
KNIVES SCRAPE | 0:01:24 | 0:01:25 | |
And Alan goes... | 0:01:27 | 0:01:28 | |
# Killing me softly with his song Killing me softly... # | 0:01:28 | 0:01:34 | |
Well, it was common in the Second World War, death by Flack. | 0:01:34 | 0:01:38 | |
So, name the world's second-best hunter. | 0:01:38 | 0:01:42 | |
I mean, human beings must be the first, surely. | 0:01:42 | 0:01:44 | |
We get rid of entire species without any trouble at all. | 0:01:44 | 0:01:47 | |
Which one is that? Second-best hunter... | 0:01:47 | 0:01:49 | |
Do you recognise him? Hemingway. | 0:01:49 | 0:01:51 | |
That's Hemingway, he was mad on hunting. | 0:01:51 | 0:01:54 | |
And man is indeed the most efficient, | 0:01:54 | 0:01:55 | |
we wipe out whole species. Yes, so who's second? | 0:01:55 | 0:01:57 | |
Sharks. Killer whale. | 0:01:57 | 0:01:59 | |
I always get... Killer whale is the right answer. | 0:01:59 | 0:02:02 | |
Very good. | 0:02:03 | 0:02:05 | |
He's even got it in his name. | 0:02:05 | 0:02:08 | |
That's how successful he is, he even called himself a killer. | 0:02:08 | 0:02:11 | |
He's even got the word killer in his name, you're right. | 0:02:11 | 0:02:13 | |
And the point about the killer whale is firstly, | 0:02:13 | 0:02:16 | |
that they're misnamed, that it was the Spanish name for them, | 0:02:16 | 0:02:20 | |
which we misinterpreted as killer whale. | 0:02:20 | 0:02:22 | |
They're actually whale killers. They kill whales. | 0:02:22 | 0:02:26 | |
I've seen a documentary where they pursued a mother and a baby. | 0:02:26 | 0:02:31 | |
Grey whale, yeah. | 0:02:31 | 0:02:32 | |
For hundreds of miles. Up the coast of California, probably. | 0:02:32 | 0:02:35 | |
Two or three of them, and eventually they get too tired to fend them off | 0:02:35 | 0:02:40 | |
and then they eat the baby whale. | 0:02:40 | 0:02:42 | |
I know, the point is they act in packs. And they're not whales. | 0:02:42 | 0:02:46 | |
They're people. | 0:02:46 | 0:02:47 | |
Can you tell from, almost from the arcing leap that he's making. | 0:02:49 | 0:02:52 | |
It's a dolphin. | 0:02:52 | 0:02:53 | |
They are dolphins that really, really are very intelligent. | 0:02:53 | 0:02:57 | |
And they have an amazing way of attacking their prey. | 0:02:57 | 0:03:00 | |
And apart from whales, they're particularly fond of a juicy...? | 0:03:00 | 0:03:04 | |
Seals. They eat... Yeah, they love their seals. | 0:03:04 | 0:03:06 | |
But what's so impressive is the technique they use | 0:03:06 | 0:03:09 | |
and also how they... Well, they beach themselves, don't they? | 0:03:09 | 0:03:11 | |
They actually... That's one way, | 0:03:11 | 0:03:13 | |
is they actually get them on land, yeah. | 0:03:13 | 0:03:15 | |
But there's an even more impressive way, which is they | 0:03:15 | 0:03:17 | |
try and tilt the little ice flow that the seals will be on... | 0:03:17 | 0:03:19 | |
Knock them off. And if the ice flow is too big, | 0:03:19 | 0:03:22 | |
they line up in a row with a leader who sort of blows a signal. | 0:03:22 | 0:03:26 | |
The young ones watch and they literally, | 0:03:26 | 0:03:28 | |
they sort of check that the young ones are watching so they learn | 0:03:28 | 0:03:31 | |
the technique, and then line abreast, they charge the ice flow, | 0:03:31 | 0:03:33 | |
creating a bow wave, which goes over the ice flow so the seal falls off. | 0:03:33 | 0:03:38 | |
We can show you that. Here they are. | 0:03:38 | 0:03:41 | |
There you are, there's the line of them. | 0:03:41 | 0:03:43 | |
And there's, the wave is going to go right over the...woof! | 0:03:43 | 0:03:46 | |
Knock the poor thing off. | 0:03:46 | 0:03:49 | |
But it's very cunning. And sad. And sad, it's true. | 0:03:49 | 0:03:54 | |
Clever. But, damn, it's clever. | 0:03:54 | 0:03:56 | |
Another smart move that was observed in 2005 by... | 0:03:58 | 0:04:02 | |
What is the other word for a killer whale? I'm sure you know. Orca. | 0:04:02 | 0:04:05 | |
Yeah. A group was found, or at least a single orca was seen, | 0:04:05 | 0:04:09 | |
regurgitating into the sea. | 0:04:09 | 0:04:11 | |
And herrings then flocked down to eat the puke... | 0:04:11 | 0:04:14 | |
Sorry, did I say herrings? I meant herring gulls. | 0:04:14 | 0:04:17 | |
And I come from the land of the herring | 0:04:17 | 0:04:19 | |
and I'd lost myself in this story. | 0:04:19 | 0:04:21 | |
These birds swooped down onto the puke and started to eat it | 0:04:22 | 0:04:25 | |
and it then ate the birds. So it was a clever strategy. Bait. | 0:04:25 | 0:04:29 | |
It was bait. It created its own bait by throwing up. | 0:04:29 | 0:04:31 | |
And then other orcas were seen to imitate it. | 0:04:31 | 0:04:33 | |
It had never been observed before and that's what's | 0:04:33 | 0:04:36 | |
so dolphin-like about them. | 0:04:36 | 0:04:37 | |
They learn new behaviours and transmit them. | 0:04:37 | 0:04:39 | |
Do you think it discovered it by accident? | 0:04:39 | 0:04:41 | |
It'd had a bit of a night on the sauce and... Probably. | 0:04:41 | 0:04:43 | |
Oh, hello, the gulls are coming. Almost certainly. | 0:04:43 | 0:04:46 | |
It'd probably eaten a dodgy prawn. Yes. | 0:04:46 | 0:04:49 | |
It's one of the worst things about being sea life. | 0:04:49 | 0:04:51 | |
Constantly eating seafood all the time. | 0:04:51 | 0:04:54 | |
That's right, they don't have a vegetarian option. | 0:04:54 | 0:04:56 | |
Also, as you rightly said, they do attack on land, | 0:04:56 | 0:05:00 | |
that's to say they come precariously close to beaching themselves. | 0:05:00 | 0:05:03 | |
They're always in disguise then, aren't they? | 0:05:03 | 0:05:05 | |
They wear hats and scarves. They look like lifeguards. | 0:05:05 | 0:05:08 | |
Seal moustaches. Two of them on each other's shoulders with a long coat. | 0:05:08 | 0:05:11 | |
We can see them doing it actually, | 0:05:11 | 0:05:13 | |
we've got a little bit of footage of the attack of the orca | 0:05:13 | 0:05:16 | |
on the poor old... | 0:05:16 | 0:05:17 | |
The seals think, "We're safe now..." Oh, no. | 0:05:17 | 0:05:22 | |
Ooh. | 0:05:22 | 0:05:24 | |
But, oh... | 0:05:24 | 0:05:26 | |
Well, it's in there somewhere. Oh, there we go. | 0:05:26 | 0:05:29 | |
You should voice-over more wildlife documentaries. | 0:05:29 | 0:05:32 | |
LAUGHTER | 0:05:32 | 0:05:33 | |
APPLAUSE | 0:05:35 | 0:05:36 | |
That one got away. | 0:05:36 | 0:05:37 | |
Bizarrely enough, I did voice-over one called Ocean Giants, | 0:05:40 | 0:05:43 | |
which was about dolphins and whales, yeah, precisely. | 0:05:43 | 0:05:47 | |
But fortunately it wasn't quite such a vague script. | 0:05:47 | 0:05:50 | |
I did a show for the BBC called Walk On The Wild Side. | 0:05:53 | 0:05:55 | |
Oh, yes, I did one of those, yeah. | 0:05:55 | 0:05:57 | |
And you did, you played a panda I think, that was over-eating | 0:05:57 | 0:06:00 | |
or something. And we also had Sir Tom Jones do one. | 0:06:00 | 0:06:03 | |
And everyone, like yourself, we just sent them the script | 0:06:03 | 0:06:06 | |
and, you know, it takes two minutes just to record it | 0:06:06 | 0:06:08 | |
and send it back in. And Tom Jones, | 0:06:08 | 0:06:10 | |
we just got a phone call one day in the studio, | 0:06:10 | 0:06:12 | |
and he said, "I've been, I've been sent this script | 0:06:12 | 0:06:14 | |
"saying you want me to play a lion." I was like, "Yeah, that's right. | 0:06:14 | 0:06:17 | |
He went, "I don't really like lions." And I was like, "What?" | 0:06:17 | 0:06:20 | |
Like... | 0:06:20 | 0:06:21 | |
and I said, "Well, we're recording tomorrow, | 0:06:21 | 0:06:23 | |
"is there any animal you'd prefer?" | 0:06:23 | 0:06:25 | |
He went, "I'm a big fan of the penguin." | 0:06:25 | 0:06:27 | |
I had like 24 hours to write a penguin sketch. | 0:06:29 | 0:06:33 | |
Did it sing, the penguin? Did you get it to sing? | 0:06:33 | 0:06:35 | |
No, it was just, it was a penguin... It did when he'd finished with it. | 0:06:35 | 0:06:38 | |
Well, there you are. Killer whales, they're not whales, | 0:06:38 | 0:06:40 | |
but they are killers. | 0:06:40 | 0:06:42 | |
Now, how can a bottle of whisky save your life? | 0:06:42 | 0:06:45 | |
Ah. | 0:06:45 | 0:06:46 | |
Well, in a fight, I'm assuming. | 0:06:46 | 0:06:48 | |
Is it the bottle or the contents? | 0:06:48 | 0:06:50 | |
It's the contents, ingestion of whisky. | 0:06:50 | 0:06:52 | |
Well, if you suffer trauma and you've got ethanol | 0:06:52 | 0:06:54 | |
in your system, presumably you're going to be better off. Presumably... | 0:06:54 | 0:06:58 | |
Shut up! How did you know that?! | 0:06:58 | 0:07:00 | |
Because I've had a lot of trauma while drunk. | 0:07:03 | 0:07:06 | |
LAUGHTER | 0:07:06 | 0:07:08 | |
APPLAUSE | 0:07:08 | 0:07:09 | |
You are absolutely right. | 0:07:12 | 0:07:14 | |
There is a documented case where it was literally a bottle of whisky. | 0:07:14 | 0:07:17 | |
There was a New Zealand chef called Duthie, | 0:07:17 | 0:07:19 | |
who went on a vodka binge, and he went blind. | 0:07:19 | 0:07:21 | |
He was literally blind drunk. | 0:07:21 | 0:07:24 | |
They think it was because he was on diabetic medication, | 0:07:24 | 0:07:27 | |
and that this basically turned it all into formaldehyde, | 0:07:27 | 0:07:30 | |
which can cause blindness, as well as preserving you very nicely. | 0:07:30 | 0:07:34 | |
And the usual thing is to put someone on an ethanol drip. | 0:07:35 | 0:07:38 | |
They didn't have any medical ethanol in this particular hospital, | 0:07:38 | 0:07:42 | |
but they did have an offy, so they went and got a bottle | 0:07:42 | 0:07:44 | |
of Johnny Walker Black Label, and they put him on a drip, | 0:07:44 | 0:07:48 | |
and five days later, he woke up with sight fully restored. | 0:07:48 | 0:07:51 | |
Wow! Wow. | 0:07:51 | 0:07:53 | |
On a whisky drip. It was a whisky drip, literally a bottle of whisky. | 0:07:53 | 0:07:56 | |
Sounds like a good name for a pub, doesn't it? It does, actually. | 0:07:56 | 0:07:59 | |
The Whisky Drip. I think it's a fact, | 0:07:59 | 0:08:01 | |
if you have an accident or a serious injury and you're drunk at the time, | 0:08:01 | 0:08:04 | |
you're probably more likely to recover than if you are... | 0:08:04 | 0:08:07 | |
Shut up again! | 0:08:07 | 0:08:08 | |
..sober. Oh, sorry. | 0:08:08 | 0:08:11 | |
Did you sneak into my dressing rooms and look at my cards? | 0:08:11 | 0:08:14 | |
No, no, no! I mean, I know this. I wrote a play, | 0:08:14 | 0:08:18 | |
which was a lot about soldiers and how they deal with things. | 0:08:18 | 0:08:21 | |
And some of the soldiers who were intoxicated at the time | 0:08:21 | 0:08:23 | |
of the battle did better, they recovered better. | 0:08:23 | 0:08:25 | |
Well, you're absolutely right. Did you know this? | 0:08:25 | 0:08:27 | |
TREVOR: I always knew about the rag doll effect, | 0:08:27 | 0:08:29 | |
if you have the alcohol and then if you fall or if you're in a | 0:08:29 | 0:08:32 | |
car accident, because you don't brace, | 0:08:32 | 0:08:34 | |
it's the same as a baby, if you drop babies, they're fine, they just... | 0:08:34 | 0:08:38 | |
So if you're drunk, that's why you recover quicker, | 0:08:40 | 0:08:42 | |
because you just don't brace and then you, it just goes through you. | 0:08:42 | 0:08:45 | |
Do you think they probably end up in more situations | 0:08:45 | 0:08:47 | |
where you're likely to get hurt? | 0:08:47 | 0:08:49 | |
That is a true, because... | 0:08:49 | 0:08:51 | |
You get other injuries, you get other DRIs, don't you, | 0:08:51 | 0:08:53 | |
Drink Related Injuries. DRIs, I like the fact you know that. | 0:08:53 | 0:08:56 | |
That's a bit disturbing. Yeah, well a friend I know... | 0:08:56 | 0:08:58 | |
All right, we've got Mr Davies presenting with a DRI again. | 0:08:58 | 0:09:02 | |
I had a friend who had a great DRI where he managed to get home, | 0:09:02 | 0:09:05 | |
against all odds, and then fell asleep against a radiator. | 0:09:05 | 0:09:09 | |
Oh! | 0:09:09 | 0:09:11 | |
Quite a nasty burn on his arm, he had. Yeah. | 0:09:11 | 0:09:14 | |
There was like a practical joke, like kids did, | 0:09:14 | 0:09:16 | |
when I was growing up, which was to fill a ball, a football, | 0:09:16 | 0:09:20 | |
up with cement, for example, you know, from somebody's garden... | 0:09:20 | 0:09:23 | |
Oh, wow! You fill a football and leave it outside a pub. | 0:09:23 | 0:09:25 | |
And drunk men cannot resist. | 0:09:25 | 0:09:28 | |
Oh, Jesus! | 0:09:28 | 0:09:29 | |
They just can't resist a football. | 0:09:31 | 0:09:33 | |
"I've got this one, Dave!" | 0:09:33 | 0:09:35 | |
Oh, argh! | 0:09:35 | 0:09:37 | |
That is the... It's a hell of a practical joke, but it's... | 0:09:37 | 0:09:39 | |
Especially if you put a goal post on the wall. Yeah. | 0:09:39 | 0:09:42 | |
But this is extraordinary, all I have to do is fill in the dots here. | 0:09:46 | 0:09:48 | |
It was Lee Friedman of the University of Illinois in Chicago | 0:09:48 | 0:09:51 | |
who spent 14 years examining this effect. | 0:09:51 | 0:09:53 | |
He analysed the blood alcohol of 190,000 trauma patients. | 0:09:53 | 0:09:57 | |
He found that with the exception of burns, | 0:09:57 | 0:09:59 | |
death rates from all types of traumatic injury fell as | 0:09:59 | 0:10:01 | |
blood alcohol levels rose, which is extraordinary, isn't it? | 0:10:01 | 0:10:05 | |
190,000 seems like an enormous number of... | 0:10:05 | 0:10:07 | |
It's a big cohort, as they would say, isn't it? | 0:10:07 | 0:10:09 | |
Exactly. Which makes it quite a respected study. | 0:10:09 | 0:10:11 | |
Amongst the extremely drunk, mortality rates were cut by | 0:10:11 | 0:10:13 | |
nearly 50%. Gunshot and stab victims, however, | 0:10:13 | 0:10:16 | |
showed the greatest benefit, which wouldn't be the ragdoll effect, | 0:10:16 | 0:10:19 | |
I don't suppose. There's some kind of anaesthetic element to it really. | 0:10:19 | 0:10:22 | |
There is the anaesthetic element, which I suppose makes you behave | 0:10:22 | 0:10:26 | |
less dramatically in a way that increases blood flow. | 0:10:26 | 0:10:28 | |
Yeah... "Oh! I'm bleeding!" | 0:10:28 | 0:10:29 | |
You say, "Oh, look at that." "Oh, no! Oh, no! | 0:10:29 | 0:10:33 | |
"Awww. | 0:10:33 | 0:10:35 | |
"Must've been shot! | 0:10:36 | 0:10:38 | |
"Ha-ha-ha-ha! | 0:10:40 | 0:10:42 | |
"Oh, I'd better just have a short. | 0:10:43 | 0:10:46 | |
"And then I think I'll go to hospital, | 0:10:48 | 0:10:50 | |
"it's going to be so busy on a weekend." | 0:10:50 | 0:10:53 | |
"One more Jager Bomb couldn't do any harm, could it?" | 0:10:53 | 0:10:56 | |
"Well, this isn't going to wait..." | 0:10:56 | 0:10:58 | |
Yeah, exactly. | 0:10:58 | 0:10:59 | |
"Come on, let's go to hospital. | 0:10:59 | 0:11:01 | |
"They've got a bar, they'll have a bar there." | 0:11:01 | 0:11:04 | |
"Hobs, hobsital." | 0:11:04 | 0:11:06 | |
"I'm fine. I've been shot, but I'm fine." | 0:11:06 | 0:11:08 | |
Amongst drivers, however, you were two to four times more likely to die | 0:11:11 | 0:11:15 | |
in a car crash, or of a car crash, as it were, involved in a car crash. | 0:11:15 | 0:11:19 | |
But I think you've covered everything quite brilliantly. | 0:11:19 | 0:11:21 | |
There's the ragdoll effect | 0:11:21 | 0:11:23 | |
and there seems to be an improvement in recovery from trauma. | 0:11:23 | 0:11:26 | |
So if you think you're going to get shot or stabbed, get drunk first. | 0:11:26 | 0:11:29 | |
Now you use a silver bullet for...? | 0:11:29 | 0:11:33 | |
Vampires. You could try it on a vampire, | 0:11:33 | 0:11:35 | |
I don't think it would do any good. Got to be a werewolf. | 0:11:35 | 0:11:37 | |
Or silver does, or silver... | 0:11:37 | 0:11:39 | |
Oh, is silver good for vampires? Silver's good for vampires. | 0:11:39 | 0:11:42 | |
Are these real now? You're very knowledgeable about this. | 0:11:42 | 0:11:44 | |
The reality of vampires. | 0:11:44 | 0:11:46 | |
Because part of the myth was that the silver came from the coins | 0:11:46 | 0:11:48 | |
that Judas got, you remember. Yes, 30 pieces. | 0:11:48 | 0:11:51 | |
The first vampire came from Judas when he was... | 0:11:51 | 0:11:54 | |
when he hung himself after Jesus... | 0:11:54 | 0:11:56 | |
SANDI: Did he turn into a vampire? | 0:11:56 | 0:11:57 | |
TREVOR: Well, they say that Judas became the first vampire, | 0:11:57 | 0:12:00 | |
and then the silver burns them | 0:12:00 | 0:12:02 | |
because that's what they gave Judas to betray. | 0:12:02 | 0:12:04 | |
He got the silver pieces. So that's why it's silver for all of them, | 0:12:04 | 0:12:07 | |
but you want a bullet for a wolf because they're fast. | 0:12:07 | 0:12:10 | |
Vampires, just, the gun is useless, so... | 0:12:10 | 0:12:13 | |
Well, that's covered the vampire side of the question | 0:12:18 | 0:12:21 | |
quite perfectly. But the square bullet, on the other hand, | 0:12:21 | 0:12:24 | |
these don't need to be silver. Against who would...? | 0:12:24 | 0:12:27 | |
I think this is... I think this is a very old gun | 0:12:27 | 0:12:31 | |
and I think it's something politically incorrect. | 0:12:31 | 0:12:33 | |
Is that right? Again, yeah. You've been... | 0:12:33 | 0:12:35 | |
I'm going to test my cards for your DNA and fingerprints. | 0:12:35 | 0:12:38 | |
No, it's the... I'm slightly distracted | 0:12:38 | 0:12:40 | |
cos that so looks like a woman I went out with, but... | 0:12:40 | 0:12:43 | |
APPLAUSE | 0:12:46 | 0:12:47 | |
Every morning I'd say the word orthodontist. | 0:12:53 | 0:12:57 | |
I don't think any man would ask for oral sex | 0:12:57 | 0:12:59 | |
from that particular werewolf, to be perfectly honest. | 0:12:59 | 0:13:02 | |
I think that would be a risk. | 0:13:02 | 0:13:04 | |
You're right, it was designed in the early part of the 18th century, | 0:13:04 | 0:13:07 | |
in fact in 1718. I think it was to kill Turks. Turks. | 0:13:07 | 0:13:09 | |
Turks, but most specifically Muslims, I think. | 0:13:09 | 0:13:11 | |
The square bullet was to show them how great Christianity was. | 0:13:11 | 0:13:14 | |
I think that was the kind of plan behind the square bullet. | 0:13:14 | 0:13:17 | |
There was a specific gun... | 0:13:17 | 0:13:18 | |
It was called the Puckle Gun. | 0:13:18 | 0:13:19 | |
Puckle Gun, James Puckle. James Puckle, invented it in 1718, | 0:13:19 | 0:13:24 | |
and his idea was that you used the round bullets for Christians, | 0:13:24 | 0:13:28 | |
and the square bullets were for the Ottoman Turks. | 0:13:28 | 0:13:31 | |
Quite a good idea, the square bullet, | 0:13:31 | 0:13:33 | |
because if you drop one, it won't roll away. | 0:13:33 | 0:13:35 | |
There is, however, a bad side to it. | 0:13:35 | 0:13:37 | |
You can't rifle a square bullet, | 0:13:37 | 0:13:39 | |
and it's the rifling that gives it accuracy through the air. | 0:13:39 | 0:13:41 | |
So are they a bit rubbish, the square bullets? | 0:13:41 | 0:13:43 | |
It makes it spin and go fast. It would just go wobble, wobble | 0:13:43 | 0:13:46 | |
wobble, wobble. Wouldn't hit anybody. | 0:13:46 | 0:13:47 | |
So if you were a Turk or a Muslim, | 0:13:47 | 0:13:49 | |
you'd be encouraging the square bullet. | 0:13:49 | 0:13:51 | |
"I think you should definitely use the square ones on us." | 0:13:51 | 0:13:53 | |
It was supposed to show the benefits of Christianity, | 0:13:53 | 0:13:55 | |
in fact it showed, it inferred, the deficiency of James Puckle's ideas | 0:13:55 | 0:13:58 | |
of aerodynamics and rifling. | 0:13:58 | 0:14:00 | |
You might hit a Christian! | 0:14:00 | 0:14:02 | |
You might accidentally hit a Christian. | 0:14:02 | 0:14:03 | |
It's not really right to call it the first machine gun, | 0:14:03 | 0:14:06 | |
but it was three times faster to load and fire | 0:14:06 | 0:14:10 | |
than the current musket. | 0:14:10 | 0:14:11 | |
It was nine rounds a minute, which wasn't bad for 1718. | 0:14:11 | 0:14:15 | |
It's interesting, cos I guess technically the first bulletproof | 0:14:15 | 0:14:20 | |
vests were created by the Zulus, when they were fighting the British. | 0:14:20 | 0:14:24 | |
And Shaka discovered that if you dip your leather shield in water | 0:14:24 | 0:14:28 | |
before you go into battle, then the pellets couldn't penetrate. | 0:14:28 | 0:14:32 | |
Oh, is it really, was that...? Yeah, yeah, that's... | 0:14:32 | 0:14:34 | |
It hardened the leather that much. Yeah, and that's how the Zulus | 0:14:34 | 0:14:37 | |
could kill so many. Because what will happen is, | 0:14:37 | 0:14:39 | |
they only needed one bullet and then they would advance so quickly | 0:14:39 | 0:14:42 | |
that then they would kill five or six British people | 0:14:42 | 0:14:44 | |
before they could reload. | 0:14:44 | 0:14:45 | |
Do you have Zulu blood in you? | 0:14:45 | 0:14:47 | |
I do, I guess, yes, because... | 0:14:47 | 0:14:48 | |
HE CLICKS TONGUE ..Xhosa people are of the Zulus. | 0:14:48 | 0:14:51 | |
Oh, you're Xhosa. Oh, do that again, I love that. I'm half Xhosa. | 0:14:51 | 0:14:53 | |
Oh, do it again. Xhosa. Xhosa. I can't do that. | 0:14:53 | 0:14:55 | |
It's given as an exclamation mark, isn't it? | 0:14:55 | 0:14:57 | |
No, that's the X. There's three clicks. | 0:14:57 | 0:14:59 | |
There's the X... LATERAL CLICK | 0:14:59 | 0:15:01 | |
There's the Q... POSTALVEOLAR CLICK | 0:15:01 | 0:15:03 | |
And the C, which is... CENTRAL CLICK | 0:15:03 | 0:15:05 | |
Those are the three different... | 0:15:05 | 0:15:06 | |
Oh, it's just... I love that. So that's the... You've seduced me. | 0:15:06 | 0:15:09 | |
Not that you wanted to, I'm sure. | 0:15:11 | 0:15:13 | |
Who was that wonderful... Was it Miriam Makeba who sang... | 0:15:13 | 0:15:16 | |
Yes, The Click Song. It goes... | 0:15:16 | 0:15:17 | |
HE SINGS THE CLICK SONG | 0:15:17 | 0:15:19 | |
That's the song. Oooooh! | 0:15:19 | 0:15:22 | |
APPLAUSE | 0:15:22 | 0:15:23 | |
Yeah, so the Xhosa's were technically... | 0:15:27 | 0:15:30 | |
they were basically pacifists of the Zulus, you know. | 0:15:30 | 0:15:32 | |
They were chased out, they separated from the tribe. Right. | 0:15:32 | 0:15:34 | |
So they weren't as... Like, the Zulus were really our pride... | 0:15:34 | 0:15:37 | |
In terms of military, they are our pride and joy, they are... | 0:15:37 | 0:15:40 | |
With the assegais... | 0:15:40 | 0:15:41 | |
Yeah. Everything they did was revolutionary, just like the first... | 0:15:41 | 0:15:44 | |
They were the first ones with the shortened spear, | 0:15:44 | 0:15:47 | |
so Shaka invented a spear that was quicker to stab with | 0:15:47 | 0:15:50 | |
and not as cumbersome to lug around. | 0:15:50 | 0:15:52 | |
Right, like a sort of javelin... Yes, yes, yes. | 0:15:52 | 0:15:54 | |
Cos the spear hadn't really been changed over all those years, | 0:15:54 | 0:15:57 | |
and he... So he changed that, he changed everything. | 0:15:57 | 0:15:59 | |
He was one of the best military, you know... Yeah. | 0:15:59 | 0:16:01 | |
You guys...if it wasn't for the guns, you guys wouldn't be here. | 0:16:01 | 0:16:04 | |
I know, we wouldn't have had a chance. | 0:16:04 | 0:16:06 | |
Just do that bit of singing again. | 0:16:06 | 0:16:08 | |
With the...? Just do that bit of singing again. | 0:16:08 | 0:16:11 | |
SINGS THE CLICK SONG | 0:16:11 | 0:16:15 | |
That's the song. | 0:16:15 | 0:16:16 | |
You don't know me well, Trevor, but I'm on the turn, I'm telling you. | 0:16:16 | 0:16:20 | |
APPLAUSE | 0:16:20 | 0:16:21 | |
You've only got Jason and Alan left to seduce, Trevor, I have to say. | 0:16:26 | 0:16:30 | |
I think he's a cracking fella. | 0:16:30 | 0:16:32 | |
Well, there you go, that's your man Puckle and again, well done, Sandi. | 0:16:35 | 0:16:38 | |
The knowledge, just amazing. | 0:16:38 | 0:16:39 | |
Now, here's a killer question for you, Alan. We are both actors. | 0:16:39 | 0:16:42 | |
Why are we so grotesquely overpaid? | 0:16:42 | 0:16:45 | |
Market forces. | 0:16:45 | 0:16:47 | |
We're not in charge of the distribution of wealth. | 0:16:48 | 0:16:51 | |
Any excuse we can think of. | 0:16:52 | 0:16:54 | |
What profession within the film industry might think that | 0:16:54 | 0:16:58 | |
they are responsible entirely for the way an actor conveys... | 0:16:58 | 0:17:02 | |
Screenwriters? The screenwriter certainly has a lot, | 0:17:02 | 0:17:05 | |
as far as the story is concerned, but they can't control, | 0:17:05 | 0:17:07 | |
as it were, what an audience reads into an actor's eyes. | 0:17:07 | 0:17:11 | |
Cameraman? | 0:17:11 | 0:17:13 | |
The editor. The editor, yeah. | 0:17:13 | 0:17:14 | |
In 1919, when cinema was being born, there was | 0:17:14 | 0:17:17 | |
a film-maker called Lev Kuleshov | 0:17:17 | 0:17:19 | |
and he proposed putting together a film in which | 0:17:19 | 0:17:23 | |
you saw an actor looking at things | 0:17:23 | 0:17:26 | |
and you noticed that the audience read into the actor | 0:17:26 | 0:17:31 | |
different emotions according to what they are looking at. | 0:17:31 | 0:17:34 | |
So the idea is that we think they're looking melancholy | 0:17:34 | 0:17:37 | |
because they're looking at something... Or hungry. Or hungry. | 0:17:37 | 0:17:40 | |
But the actor has actually not changed. | 0:17:40 | 0:17:42 | |
It is exactly the same shot of the actor. That's the trick of acting. | 0:17:42 | 0:17:45 | |
All actors know that. Yes, it's not to act. | 0:17:45 | 0:17:47 | |
If in doubt, don't do anything at all. And directors will tell you. | 0:17:47 | 0:17:50 | |
Milos Forman famously shouts, "Stop acting! Somebody is acting here!" | 0:17:50 | 0:17:53 | |
There's a famous Bogart one. | 0:17:53 | 0:17:56 | |
At the end, he looks down on some carnage | 0:17:56 | 0:17:59 | |
and everyone was very impressed by the emotions he portrayed. | 0:17:59 | 0:18:02 | |
But the shot had been done much later and the camera went down low | 0:18:02 | 0:18:06 | |
and he stood up on a balcony and the director said, "Look bored." | 0:18:06 | 0:18:09 | |
Yes. It works like that. They cut it in. It's extraordinary how it is. | 0:18:09 | 0:18:13 | |
It is the effect, the timing of the story, | 0:18:13 | 0:18:15 | |
it's what the actor seems to be looking at | 0:18:15 | 0:18:18 | |
and it's the audience that does the work. | 0:18:18 | 0:18:19 | |
They read the emotion into the face. | 0:18:19 | 0:18:22 | |
Oh, look, we've actually cut our own together. | 0:18:22 | 0:18:24 | |
So you can see here, what's this emotion? Confusion. | 0:18:24 | 0:18:28 | |
He's looking hard at something. | 0:18:28 | 0:18:30 | |
HE GASPS Can he believe it's true? | 0:18:30 | 0:18:32 | |
LAUGHTER | 0:18:34 | 0:18:36 | |
Oh, no, Arsenal have lost again. | 0:18:36 | 0:18:38 | |
LAUGHTER | 0:18:40 | 0:18:41 | |
LAUGHTER | 0:18:42 | 0:18:44 | |
What a beautiful bike. | 0:18:44 | 0:18:46 | |
LAUGHTER | 0:18:48 | 0:18:51 | |
APPLAUSE | 0:18:51 | 0:18:52 | |
There you are. | 0:18:55 | 0:18:56 | |
Proof positive, as if it were needed. Anyway. | 0:18:59 | 0:19:02 | |
Thanks to the Kuleshov effect, good acting may be just good editing. | 0:19:02 | 0:19:07 | |
Now, Alan, be honest. Have you ever enjoyed a shower in chocolate sauce? | 0:19:07 | 0:19:11 | |
Is this a euphemism? | 0:19:16 | 0:19:17 | |
It emphatically is not. | 0:19:20 | 0:19:22 | |
And everybody is to put away those thoughts. | 0:19:22 | 0:19:25 | |
No, I've put my hand in a chocolate fountain... | 0:19:25 | 0:19:28 | |
KLAXON SOUNDS | 0:19:28 | 0:19:29 | |
We are almost certain you have enjoyed a shower in chocolate sauce. | 0:19:30 | 0:19:33 | |
Ooh! Oh, hello. | 0:19:33 | 0:19:35 | |
I was so drunk, Sandi. | 0:19:35 | 0:19:37 | |
I suspect that most of you... Not necessarily all of you. | 0:19:37 | 0:19:41 | |
It sounds a niche area of interest, certainly. | 0:19:41 | 0:19:43 | |
Well, let's think of films that have got showers in them. Psycho. | 0:19:43 | 0:19:47 | |
Did you enjoy it? Yeah, it was a good film. | 0:19:47 | 0:19:50 | |
Yeah. And the shower scene is the pivotal scene. Oh, now. | 0:19:50 | 0:19:52 | |
Oh, because it's black-and-white. | 0:19:52 | 0:19:54 | |
It's black and white. The water doesn't read on film. | 0:19:54 | 0:19:57 | |
The water does. No, it's the blood. Which was chocolate sauce. | 0:19:57 | 0:20:00 | |
Bosco chocolate sauce. | 0:20:00 | 0:20:02 | |
Bosco's chocolate sauce was used for the blood. | 0:20:02 | 0:20:04 | |
Actually, talking, as we were, of editing, | 0:20:04 | 0:20:07 | |
one of the reasons it is the most famous scene, possibly, | 0:20:07 | 0:20:10 | |
that Hitchcock directed | 0:20:10 | 0:20:11 | |
and one of the most famous scenes in all cinema is that it contains | 0:20:11 | 0:20:14 | |
77 different camera angles and 50 cuts and lasts only three minutes. | 0:20:14 | 0:20:19 | |
I have done this. | 0:20:19 | 0:20:20 | |
I've sat there, counting the number of cuts in three minutes. | 0:20:20 | 0:20:23 | |
You must get out, Stephen, really. | 0:20:23 | 0:20:25 | |
I'm never sitting next to you at the cinema. No, not at the cinema. | 0:20:26 | 0:20:30 | |
Who's brought Rain Man with them? | 0:20:30 | 0:20:32 | |
50 cuts there! Stop the clock. | 0:20:34 | 0:20:38 | |
When I was a kid in the States, we used to have ice cream with | 0:20:38 | 0:20:41 | |
Bosco chocolate sauce on it and you couldn't serve it without going... | 0:20:41 | 0:20:44 | |
IMITATES PSYCHO THEME | 0:20:44 | 0:20:45 | |
So you all knew. Have you seen Psycho? TREVOR: I have not, no. | 0:20:45 | 0:20:49 | |
Your generation, you just don't go for the classics. | 0:20:49 | 0:20:52 | |
Cos it's black-and-white, you go... HE YAWNS | 0:20:52 | 0:20:54 | |
I'm waiting for it to come out on Twitter and then I'll... | 0:20:54 | 0:20:57 | |
LAUGHTER | 0:20:57 | 0:20:58 | |
Exactly. The sound of the stabbing, I think, was a knife in a melon. | 0:20:58 | 0:21:02 | |
Absolutely right. | 0:21:02 | 0:21:03 | |
And, actually, Hitchcock first wanted the scene to be just, | 0:21:03 | 0:21:07 | |
as they say, effects. In other words, the sound of the water, | 0:21:07 | 0:21:10 | |
the sound of the shower curtain being torn | 0:21:10 | 0:21:12 | |
and the sound of the knife going into the melon. | 0:21:12 | 0:21:15 | |
But his favourite composer, who composed a lot of his films, | 0:21:15 | 0:21:18 | |
Bernard Herrmann, | 0:21:18 | 0:21:19 | |
wrote this astounding score with these jagged things | 0:21:19 | 0:21:22 | |
and begged him to listen to the version with it and Hitchcock | 0:21:22 | 0:21:25 | |
said, "You're right," and actually doubled his pay on the movie. | 0:21:25 | 0:21:28 | |
Hitchcock sounds like Jeremy from Top Gear. | 0:21:28 | 0:21:32 | |
He sounds exactly like that. | 0:21:32 | 0:21:34 | |
AS JEREMY CLARKSON/ALFRED HITCHCOCK: "You're right!" | 0:21:34 | 0:21:37 | |
Yes. "Just two seconds in and you're nursing a semi." | 0:21:37 | 0:21:42 | |
LAUGHTER | 0:21:42 | 0:21:43 | |
APPLAUSE | 0:21:43 | 0:21:44 | |
Everybody was against him making the film. | 0:21:51 | 0:21:53 | |
He'd just made North By Northwest, | 0:21:53 | 0:21:55 | |
one of his most lavish, colourful, beautiful, extraordinary thrillers | 0:21:55 | 0:21:58 | |
and he wanted to be known for a different kind of film | 0:21:58 | 0:22:00 | |
cos he was always experimenting, always trying different things. | 0:22:00 | 0:22:03 | |
That film was so clever, Psycho. | 0:22:03 | 0:22:05 | |
You're with Janet Leigh all the way from the beginning. | 0:22:05 | 0:22:08 | |
She hatches this plan, she's got this money. | 0:22:08 | 0:22:10 | |
She steals 40 grand. You can't wait to see what's going to happen. | 0:22:10 | 0:22:13 | |
And then she's gone, halfway through the film. | 0:22:13 | 0:22:16 | |
Oh, thanks for spoiling it! | 0:22:16 | 0:22:18 | |
LAUGHTER | 0:22:18 | 0:22:20 | |
APPLAUSE | 0:22:20 | 0:22:21 | |
I don't feel I have, really, | 0:22:24 | 0:22:26 | |
given the picture of her being murdered in the shower. | 0:22:26 | 0:22:30 | |
Do you remember the last shot of the shower scene? | 0:22:30 | 0:22:32 | |
Just to get really nerdy. | 0:22:32 | 0:22:34 | |
Isn't the eye and the plughole? | 0:22:34 | 0:22:36 | |
Her head is sideways down. All the shots are... | 0:22:36 | 0:22:39 | |
There's no long shots, it's all mid-shots and mostly close-ups. | 0:22:39 | 0:22:42 | |
He was so concerned to get it right that there just wasn't | 0:22:42 | 0:22:45 | |
time for her to get accustomed to these contact lenses that would give | 0:22:45 | 0:22:48 | |
her dilated pupils, which freshly stabbed people have, apparently. | 0:22:48 | 0:22:51 | |
So that was the one inaccuracy he was rather annoyed with. | 0:22:51 | 0:22:54 | |
No-one wanted to make it. Paramount said they wouldn't. | 0:22:54 | 0:22:56 | |
He said, "I'll make it black and white. It'll be cheaper." | 0:22:56 | 0:22:59 | |
They said, "No." He said, "I'll use my TV crew." | 0:22:59 | 0:23:01 | |
He used a TV crew to make it, not a film crew. | 0:23:01 | 0:23:03 | |
It's one of the most successful movies of all time. | 0:23:03 | 0:23:05 | |
Nominated for Best Picture Oscar. | 0:23:05 | 0:23:08 | |
It's worth seeing, Trevor, but not with Stephen. No. | 0:23:08 | 0:23:11 | |
Sandi'll take you. | 0:23:13 | 0:23:14 | |
Do you know, this evening has changed my life? | 0:23:19 | 0:23:21 | |
Now, describe the curriculum at the British Hate Training Academy. | 0:23:23 | 0:23:27 | |
Oh, dear. Watching Jeremy Kyle all day and all night. | 0:23:31 | 0:23:35 | |
Yeah, that would be... That would be good hate training. | 0:23:35 | 0:23:37 | |
It would, actually, wouldn't it? | 0:23:37 | 0:23:39 | |
I would imagine that maybe it's very difficult to get soldiers | 0:23:39 | 0:23:42 | |
to hate anybody. Kill, yeah. | 0:23:42 | 0:23:44 | |
I would imagine maybe there was some scheme to try and get them... | 0:23:44 | 0:23:47 | |
In the Second World War, we had hate schools. | 0:23:47 | 0:23:50 | |
Has there ever been a more pointless padlock in the world? | 0:23:50 | 0:23:53 | |
"You're not getting my shirts! | 0:23:59 | 0:24:01 | |
"Back orff!" | 0:24:04 | 0:24:05 | |
It's a pretty astonishing look, isn't it? | 0:24:06 | 0:24:09 | |
But, no, Sandi, you're right. | 0:24:09 | 0:24:10 | |
There were hate schools. | 0:24:10 | 0:24:12 | |
"These medals are sticking into my chest! Arrrgh!" | 0:24:12 | 0:24:16 | |
LAUGHTER | 0:24:16 | 0:24:18 | |
"Aaargh, God! | 0:24:21 | 0:24:24 | |
"All of them are pinning me in the chest! | 0:24:24 | 0:24:26 | |
"My hat is too small! | 0:24:28 | 0:24:30 | |
"Get me a new hat!" | 0:24:35 | 0:24:37 | |
What do you suppose the chances are | 0:24:41 | 0:24:43 | |
of twins getting the same number of medals? | 0:24:43 | 0:24:46 | |
It's a good point. | 0:24:48 | 0:24:50 | |
Do you know, I've gone deaf in my left ear now? | 0:24:50 | 0:24:53 | |
Very sorry. | 0:24:53 | 0:24:55 | |
Back to the serious and terrible fact, is that in order | 0:24:55 | 0:24:58 | |
supposedly to encourage British troops of the Second World War, | 0:24:58 | 0:25:01 | |
we put them into rooms and showed them appalling atrocities. | 0:25:01 | 0:25:04 | |
Rotting corpses, starving people. | 0:25:04 | 0:25:07 | |
They were then taken to slaughter houses, where they watched sheep | 0:25:07 | 0:25:10 | |
being killed and they were smeared with their blood, and made to... | 0:25:10 | 0:25:13 | |
This was common, though, wasn't it? Because didn't they say to | 0:25:13 | 0:25:16 | |
the Vietcong that the US Marines ate babies, that kind of... | 0:25:16 | 0:25:20 | |
Oh, it was certainly true that this black propaganda was given out. | 0:25:20 | 0:25:23 | |
You know, in the First World War the Germans raped nuns and all that. | 0:25:23 | 0:25:26 | |
But this was actually being made to witness really awful things, | 0:25:26 | 0:25:30 | |
in order to get your blood up, was the idea. | 0:25:30 | 0:25:32 | |
But when the papers and the public found out, | 0:25:32 | 0:25:34 | |
there was an absolute uproar. | 0:25:34 | 0:25:36 | |
No less a figure than the Bishop of St Albans said, | 0:25:36 | 0:25:39 | |
"The attempt to inculcate hatred in the fighting forces | 0:25:39 | 0:25:42 | |
"and civilians is doing the devil's work." | 0:25:42 | 0:25:45 | |
And General Sir Bernard Paget, | 0:25:45 | 0:25:46 | |
who was Commander in Chief of the home forces, he agreed. | 0:25:46 | 0:25:49 | |
He said that, "Hate was foreign to British temperament. | 0:25:49 | 0:25:52 | |
"And we hate it." | 0:25:52 | 0:25:53 | |
But it is a... It is a... | 0:25:53 | 0:25:55 | |
He didn't say that bit. | 0:25:55 | 0:25:57 | |
It is a very serious issue. | 0:25:57 | 0:25:59 | |
I think it was after the Second World War, | 0:25:59 | 0:26:01 | |
they estimated only between 15 and 20% of anybody | 0:26:01 | 0:26:06 | |
in any armed force had ever fired their gun. Yeah. | 0:26:06 | 0:26:09 | |
Because mostly people don't want to. That's right. | 0:26:09 | 0:26:12 | |
And if they do fire their gun, they tend to try and miss. | 0:26:12 | 0:26:15 | |
All of us know stories of people who have survived wars, and | 0:26:15 | 0:26:17 | |
the one thing that absolutely tears them up is the fact | 0:26:17 | 0:26:20 | |
that they've killed someone. The closer you are to the actual kill... | 0:26:20 | 0:26:23 | |
If you kill somebody with a bayonet rather than shoot them at a distance, | 0:26:23 | 0:26:26 | |
the more likely you are to suffer trauma. | 0:26:26 | 0:26:28 | |
TREVOR: They very famously said the most gentlemanly fighters | 0:26:28 | 0:26:32 | |
in the wars were the air forces, | 0:26:32 | 0:26:34 | |
because they almost had an unspoken rule that they wouldn't shoot a plane | 0:26:34 | 0:26:38 | |
that's already going down. | 0:26:38 | 0:26:39 | |
And you wouldn't shoot a guy on a parachute either, you would... | 0:26:39 | 0:26:42 | |
He's down, he's out, so you wouldn't... No, never do that. | 0:26:42 | 0:26:45 | |
And if it was a good fight, and you respected them | 0:26:45 | 0:26:47 | |
and they were going down, they would do a little wing tip salute | 0:26:47 | 0:26:50 | |
as they flew away from them, which is just touching. | 0:26:50 | 0:26:52 | |
Yeah, that would be like, "Argh... Oh, that's nice. | 0:26:52 | 0:26:54 | |
"Arrgh! | 0:26:54 | 0:26:56 | |
"Oh, fair enough, right." | 0:26:58 | 0:27:00 | |
APPLAUSE | 0:27:00 | 0:27:00 | |
Anyway, the fact is they stopped them, | 0:27:05 | 0:27:07 | |
not because of public outrage but because it didn't work. | 0:27:07 | 0:27:10 | |
The effect it had on soldiers was to depress them. | 0:27:10 | 0:27:12 | |
It's interesting cos the Germans, | 0:27:12 | 0:27:14 | |
instead of showing videos of the opposing side to get | 0:27:14 | 0:27:17 | |
the soldiers desensitised, they famously made them kill their dogs. | 0:27:17 | 0:27:21 | |
I don't know if you remember... Not remember it, like you were there. | 0:27:21 | 0:27:24 | |
But I mean... | 0:27:24 | 0:27:26 | |
Stories where they would have a dog, a puppy to raise their whole lives, | 0:27:26 | 0:27:30 | |
and when they graduated from training, then the last assignment | 0:27:30 | 0:27:33 | |
was to kill the dog, which you obviously have grown to... | 0:27:33 | 0:27:36 | |
SS training. Yeah, it was the SS. That must have been absolutely... | 0:27:36 | 0:27:39 | |
That's unspeakably brutal to ask someone to shoot a puppy. Or a dog. | 0:27:39 | 0:27:42 | |
Anyway, which is most dangerous - 1,000 bananas, | 0:27:45 | 0:27:50 | |
half a litre of wine, | 0:27:50 | 0:27:52 | |
1.4 cigarettes or two days in New York? | 0:27:52 | 0:27:55 | |
You could fall on quite a lot of those banana peels. | 0:27:57 | 0:27:59 | |
Slip, yes, you could. You could. Or spiders inside. | 0:27:59 | 0:28:02 | |
Yes, you could have a tarantula on the inside, yeah, yeah. | 0:28:02 | 0:28:04 | |
But they're all quite dangerous, I suppose. | 0:28:04 | 0:28:06 | |
In fact, we know that they're all equally dangerous. | 0:28:06 | 0:28:10 | |
Oh. And how can we know that? | 0:28:10 | 0:28:12 | |
Is there a scale of dangerousness-ness-ness? | 0:28:12 | 0:28:16 | |
TREVOR: There's the banana-cigarette-New York scale | 0:28:16 | 0:28:18 | |
that they generally use. Exactly. That's the scale. | 0:28:18 | 0:28:22 | |
Is it about toxins, that you absorb or take in? | 0:28:22 | 0:28:25 | |
Well, it's a Professor from Stanford called Ronald Howard, | 0:28:25 | 0:28:29 | |
as long as it's not the guy who was in Happy Days, | 0:28:29 | 0:28:32 | |
and directed Apollo 13. | 0:28:32 | 0:28:34 | |
It was in 1968 he developed the micromort. | 0:28:34 | 0:28:37 | |
And a micromort is a one-in-a-million chance of death. | 0:28:37 | 0:28:41 | |
So the higher the risk, the more micromorts, obviously. | 0:28:41 | 0:28:44 | |
So if a million outings on a hang glider result in eight deaths, | 0:28:44 | 0:28:49 | |
then there's a fatal risk of eight micromorts attached to hang gliding. | 0:28:49 | 0:28:53 | |
So how many micromorts in a banana? Well, I'll tell you. | 0:28:53 | 0:28:56 | |
If you take the normal background risk in the UK, | 0:28:56 | 0:29:00 | |
it's actually 41.6 micromorts. | 0:29:00 | 0:29:03 | |
So the chances of sudden death in Britain, | 0:29:03 | 0:29:05 | |
from leading a normal life are about four in 100,000. | 0:29:05 | 0:29:08 | |
What, four people die unexpectedly from eating a banana? | 0:29:08 | 0:29:11 | |
No, no, just that's background. This is just background. | 0:29:11 | 0:29:14 | |
We've not come to the bananas yet. | 0:29:14 | 0:29:16 | |
Oh, sorry, I'm over-excited. | 0:29:16 | 0:29:18 | |
Yeah. | 0:29:18 | 0:29:19 | |
Your ordinary risk... Yes. | 0:29:20 | 0:29:23 | |
..of dying suddenly is four in 100,000. | 0:29:23 | 0:29:25 | |
I've got it now. Right. | 0:29:25 | 0:29:27 | |
But activities that raise the level of risk... | 0:29:27 | 0:29:30 | |
Have you died suddenly? I died suddenly. | 0:29:32 | 0:29:34 | |
There you are. Activities that raise the level of risk | 0:29:34 | 0:29:37 | |
from 41.6 micromorts, which is the average risk we all share, | 0:29:37 | 0:29:41 | |
by one micromort alone, are smoking 1.4 cigarettes yourself, | 0:29:41 | 0:29:45 | |
living for two months with someone else who smokes. | 0:29:45 | 0:29:49 | |
Half a litre of wine. | 0:29:49 | 0:29:50 | |
Not doing a wee when you really need one. | 0:29:50 | 0:29:52 | |
1,000 bananas is actually because of their radioactivity. SANDI: What? | 0:29:54 | 0:29:57 | |
They do contain a lot of potassium. Ah, yes. | 0:29:57 | 0:29:59 | |
But they are faintly radioactive. Wow. | 0:29:59 | 0:30:01 | |
Very faintly. 40 tablespoons of peanut butter... | 0:30:01 | 0:30:04 | |
So, I'm still on the bananas, you have to... | 0:30:04 | 0:30:07 | |
You have to eat 1,000 bananas? | 0:30:08 | 0:30:11 | |
If you ate 1,000 bananas, not necessarily all at once, | 0:30:11 | 0:30:13 | |
cos that would kill you straightaway. Yes. | 0:30:13 | 0:30:16 | |
Obviously, you would burst. | 0:30:16 | 0:30:18 | |
The point is, for every 1,000 bananas you eat... Yes. | 0:30:18 | 0:30:21 | |
..your chances of sudden death increase by one micromort, | 0:30:21 | 0:30:24 | |
which is... What is the matter with scientists?! | 0:30:24 | 0:30:27 | |
Who? Who is going to eat 1,000 bananas? | 0:30:27 | 0:30:29 | |
Why would you even work this out?! | 0:30:29 | 0:30:31 | |
Over your lifetime. I've eaten 1,000 bananas. | 0:30:31 | 0:30:34 | |
So should you be counting how many bananas you've had? No. | 0:30:34 | 0:30:37 | |
It's only one micromort, it's a one-in-a-million chance. | 0:30:37 | 0:30:39 | |
But how does the thousandth banana kill you? | 0:30:39 | 0:30:41 | |
Because of the level of radioactivity. Oh, God! | 0:30:41 | 0:30:45 | |
For every 1,000 you eat, you're... | 0:30:47 | 0:30:49 | |
You've already got 41.6 micromorts, which is... | 0:30:49 | 0:30:51 | |
I feel unwell. | 0:30:51 | 0:30:52 | |
I'll give you a book to read afterwards and it'll explain it. | 0:30:55 | 0:30:58 | |
Thank you, darling. Cos it takes too long. | 0:30:58 | 0:31:00 | |
But go to New York, have a cigarette with a glass of wine | 0:31:00 | 0:31:02 | |
and a banana split. | 0:31:02 | 0:31:03 | |
And say, "Fuck you, world!" | 0:31:03 | 0:31:06 | |
APPLAUSE | 0:31:06 | 0:31:08 | |
All of these increase your... | 0:31:12 | 0:31:15 | |
They're such tiny margins, that's all. | 0:31:15 | 0:31:18 | |
"I'm going down." | 0:31:18 | 0:31:20 | |
My headmistress at boarding school was always in a terrible panic | 0:31:20 | 0:31:23 | |
about fruit. Fruit? | 0:31:23 | 0:31:25 | |
Fruit, yes. She found that... | 0:31:25 | 0:31:26 | |
She spent hours teaching us how to eat a banana correctly, | 0:31:31 | 0:31:34 | |
because of the manners, and I remember her saying... | 0:31:34 | 0:31:37 | |
Which mustn't make the cheeks bulge, no... | 0:31:37 | 0:31:39 | |
And you don't, you don't do this either. | 0:31:41 | 0:31:44 | |
LAUGHTER AND APPLAUSE | 0:31:44 | 0:31:46 | |
So she didn't like... She taught you how to eat a banana. | 0:31:53 | 0:31:55 | |
She was very worried and she'd spent a long time on bananas, and I said, | 0:31:55 | 0:31:58 | |
"How do you eat an orange," and she looked over the top of her glasses | 0:31:58 | 0:32:01 | |
and said, "No young woman should ever embark upon an orange." | 0:32:01 | 0:32:05 | |
Wise words. | 0:32:05 | 0:32:06 | |
Scuba-diving adds five micromorts to background levels. | 0:32:06 | 0:32:10 | |
Taking heroin adds 30. | 0:32:10 | 0:32:11 | |
A night in hospital adds 75. | 0:32:11 | 0:32:13 | |
Just one night in hospital. | 0:32:13 | 0:32:15 | |
But giving birth raises the risk to 80 micromorts. | 0:32:15 | 0:32:18 | |
So it is double the background. | 0:32:18 | 0:32:20 | |
So, if you're feeling ill, | 0:32:20 | 0:32:22 | |
you'd be better off taking a bit of heroin than going to the hospital. | 0:32:22 | 0:32:26 | |
A night in hospital can be rather perilous. | 0:32:26 | 0:32:29 | |
Is it a myth that heroin is | 0:32:29 | 0:32:32 | |
the only thing in the world that cures a cold? | 0:32:32 | 0:32:34 | |
Is that a myth? I think the guy underneath the arches... | 0:32:36 | 0:32:39 | |
A guy trying to sell me some heroin, yeah. | 0:32:39 | 0:32:42 | |
Is that how they peddle it in Manchester? | 0:32:42 | 0:32:44 | |
"Cure your cold, this will, lad." | 0:32:44 | 0:32:48 | |
Do you know the Irish cure for a cold? | 0:32:48 | 0:32:50 | |
My dad always used to say, "What you do is you get into bed with | 0:32:50 | 0:32:52 | |
"a hat and a bottle of whiskey and you put the hat on the end | 0:32:52 | 0:32:56 | |
"left bedpost and then you drink until you can see it on the right." | 0:32:56 | 0:33:00 | |
That's brilliant. | 0:33:01 | 0:33:03 | |
Absolutely superb. | 0:33:03 | 0:33:05 | |
There is one man whose micromorts we don't know. | 0:33:05 | 0:33:08 | |
He is Yasuhiro Kubo and he's a Japanese skydiver | 0:33:08 | 0:33:11 | |
who jumps out of a plane without a parachute | 0:33:11 | 0:33:14 | |
and then collects it from a partner on the way down. | 0:33:14 | 0:33:17 | |
We don't know his micromort because he is still alive | 0:33:17 | 0:33:21 | |
and it may be that he'll do 4,000 jumps and then die. | 0:33:21 | 0:33:24 | |
It'd be a good dumb show. If you see them falling and then he | 0:33:24 | 0:33:29 | |
goes over to the bloke who has the parachute and you see them going... | 0:33:29 | 0:33:32 | |
I knew there was something! | 0:33:34 | 0:33:36 | |
Oh, that is so distressing. Anyway... | 0:33:44 | 0:33:46 | |
Now, what can we do to stop the killer robots? | 0:33:48 | 0:33:51 | |
SANDI: Oh! | 0:33:53 | 0:33:54 | |
Go upstairs. Go upstairs! Daleks have shown that doesn't work now. | 0:33:54 | 0:33:59 | |
They can hover. Is this a Robot Wars one? Yes, Robot Wars. | 0:33:59 | 0:34:02 | |
It's about legislation, isn't it? | 0:34:02 | 0:34:04 | |
Are they not trying to legislate against these...? They are indeed. | 0:34:04 | 0:34:07 | |
There's a global campaign led by a group of academics | 0:34:07 | 0:34:09 | |
and Nobel Peace Prize winners, who see a very real threat. | 0:34:09 | 0:34:12 | |
And they're not wrong. | 0:34:12 | 0:34:13 | |
Look at the development of drones in the American army. | 0:34:13 | 0:34:16 | |
Robotic killing machines are very close indeed and yet... | 0:34:16 | 0:34:19 | |
The thing about the drone is that the drone has a human, as it were, | 0:34:19 | 0:34:23 | |
in the loop. But I think the thing with the idea of the killer robots | 0:34:23 | 0:34:27 | |
is that there is no human... That's the idea. ..in the loop. | 0:34:27 | 0:34:30 | |
It's Dr Noel Sharkey, professor of computer science at Sheffield, | 0:34:30 | 0:34:33 | |
who was, in fact, the consultant and appeared on Robot Wars, | 0:34:33 | 0:34:37 | |
that '90s TV show. | 0:34:37 | 0:34:39 | |
Did you have such a thing on South Africa television? | 0:34:39 | 0:34:42 | |
I think we might have gotten your Robot Wars. We had none. | 0:34:42 | 0:34:45 | |
I was very astonished when I first went to South Africa | 0:34:45 | 0:34:48 | |
and I was in Cape Town asking for directions, and they said, | 0:34:48 | 0:34:52 | |
"Turn right at the third robot." | 0:34:52 | 0:34:54 | |
Oh, yeah, we call... | 0:34:54 | 0:34:55 | |
I said, "What?" We call traffic... We call them robots. | 0:34:55 | 0:34:58 | |
We call traffic lights robots. | 0:34:58 | 0:35:00 | |
We have a very low bar for... | 0:35:00 | 0:35:03 | |
These are the same guys who invented apartheid so, I mean, | 0:35:05 | 0:35:08 | |
if you look at the... They were impressed. They were impressed. | 0:35:08 | 0:35:13 | |
Even more shocking was when I was filming there and it was | 0:35:13 | 0:35:17 | |
incredibly hot and someone asked me if I wanted some arse cream. | 0:35:17 | 0:35:21 | |
LAUGHTER | 0:35:21 | 0:35:23 | |
SOUTH AFRICAN ACCENT: "Do you want some arse cream?" | 0:35:23 | 0:35:25 | |
And I realise they were saying, "Ice cream," of course. | 0:35:25 | 0:35:30 | |
Chocolate arse cream. | 0:35:30 | 0:35:32 | |
Oh, dear, oh, dear. | 0:35:32 | 0:35:33 | |
You just always go that bit too far. | 0:35:35 | 0:35:37 | |
Yes, he does, doesn't he? I know. | 0:35:39 | 0:35:40 | |
Presumably, the robots, | 0:35:40 | 0:35:41 | |
they're not covered by the Geneva Convention in any way. | 0:35:41 | 0:35:44 | |
That's the problem. They are not regulated. | 0:35:44 | 0:35:46 | |
That is the real issue. | 0:35:46 | 0:35:48 | |
Do you not think we are just slowly going towards a video game? | 0:35:48 | 0:35:51 | |
That's what we're building towards. | 0:35:51 | 0:35:53 | |
Trevor, guess who the US Army is recruiting right as we speak? | 0:35:53 | 0:35:56 | |
If you play video games, they say you are at least 50% better than | 0:35:56 | 0:35:59 | |
just an average recruit off the street. | 0:35:59 | 0:36:01 | |
They're the ones they're hiring for... | 0:36:01 | 0:36:03 | |
What I'm saying is if we get to a point where we are fighting | 0:36:03 | 0:36:05 | |
the things only on video game... | 0:36:05 | 0:36:07 | |
Farting? You said it. | 0:36:07 | 0:36:09 | |
LAUGHTER | 0:36:09 | 0:36:10 | |
That's what you do in war. You can't control yourself and you just... | 0:36:10 | 0:36:14 | |
I don't know how you fight, Stephen, but that's how we... | 0:36:14 | 0:36:17 | |
SANDI: Surely, the really civil thing would be | 0:36:17 | 0:36:20 | |
to not have fighting at all. You have a game of Twister. | 0:36:20 | 0:36:22 | |
That's just ridiculous. How do you settle things? | 0:36:22 | 0:36:25 | |
Vladimir Putin and... Or Risk. Yes, Risk. | 0:36:25 | 0:36:29 | |
Or Scrabble. Lovely. Lovely games. | 0:36:29 | 0:36:32 | |
Vladimir Putin versus Obama at Scrabble. Or Twister. | 0:36:32 | 0:36:35 | |
Anyway, killer robots don't exist yet | 0:36:36 | 0:36:39 | |
but now might be a good time to make sure they never do. | 0:36:39 | 0:36:42 | |
So, here are some killers, but what do they prey on? | 0:36:42 | 0:36:45 | |
I'll perhaps give you a clue, if you don't know its name. | 0:36:45 | 0:36:48 | |
Sea food, that's a seal. It's a seal. | 0:36:48 | 0:36:50 | |
It is, it's called the crab-eater seal. It eats fish. | 0:36:50 | 0:36:53 | |
So the clue... | 0:36:53 | 0:36:54 | |
CROW CAWS | 0:36:54 | 0:36:56 | |
Yes? | 0:36:56 | 0:36:57 | |
Crab. Oh! Hey! | 0:36:57 | 0:36:58 | |
KLAXON SOUNDS | 0:36:58 | 0:37:00 | |
Surely you'd know better. Just getting it out of the way, | 0:37:00 | 0:37:04 | |
just so we could all move on and find out what the real answer is. | 0:37:04 | 0:37:08 | |
If we show you its teeth more close up, | 0:37:08 | 0:37:10 | |
you might get a sense of it. It's pretty... | 0:37:10 | 0:37:13 | |
SANDI: Oooh. | 0:37:13 | 0:37:14 | |
That's weird, why would you have teeth like that? | 0:37:14 | 0:37:16 | |
To be on a show like this? | 0:37:16 | 0:37:18 | |
It's to sieve. It's like a baleen plate in a whale. | 0:37:19 | 0:37:22 | |
It sieves out all the bigger things, so it actually just has, | 0:37:22 | 0:37:25 | |
like a whale...? | 0:37:25 | 0:37:26 | |
Krill. Krill. | 0:37:26 | 0:37:27 | |
Yeah. It just eats krill. And our next contender is... | 0:37:27 | 0:37:32 | |
Oh, I say. | 0:37:33 | 0:37:34 | |
Yes. That's called the Bagheera Kiplingi spider. | 0:37:34 | 0:37:38 | |
Does that ring a bell? | 0:37:38 | 0:37:39 | |
TREVOR: They kill tigers, don't they? | 0:37:39 | 0:37:42 | |
Well, bagha is the Hindi for tiger, and Bagheera is? The Jungle Book. | 0:37:42 | 0:37:46 | |
Is in the Jungle Book, and is a panther. Is it the panther? | 0:37:46 | 0:37:48 | |
Panther, and hence the Kiplingi, | 0:37:48 | 0:37:50 | |
so for some reason it's named after Rudyard Kipling. | 0:37:50 | 0:37:53 | |
It eats Bakewell tarts. | 0:37:53 | 0:37:54 | |
Lemon slices. | 0:37:57 | 0:37:59 | |
Oh, the Bakewell tart. I could eat five of them. Easy. | 0:38:00 | 0:38:05 | |
They don't do five in a pack, do you know what I'm saying? | 0:38:05 | 0:38:08 | |
You have probably no idea what we're talking about, poor Trevor. | 0:38:10 | 0:38:14 | |
They've surely got Kipling cakes in South Africa. No, we don't. | 0:38:14 | 0:38:17 | |
No? Really? | 0:38:17 | 0:38:19 | |
They're exceedingly good. | 0:38:19 | 0:38:20 | |
LAUGHTER | 0:38:20 | 0:38:22 | |
APPLAUSE | 0:38:22 | 0:38:23 | |
Do you not think the spider looks like he's trying to be cute | 0:38:26 | 0:38:29 | |
for the photograph? He does, he's posing. "Hi." | 0:38:29 | 0:38:32 | |
"Hiya, you all right?" | 0:38:32 | 0:38:32 | |
Spiders are known to be feeders on what? Flies. | 0:38:32 | 0:38:35 | |
Flies. They're known to be carnivorous. | 0:38:35 | 0:38:37 | |
But this is the only vegetarian spider on earth. | 0:38:37 | 0:38:41 | |
Well, no wonder he's cute. Yeah. Exactly. | 0:38:41 | 0:38:43 | |
They actually go out of their way to avoid rather nasty-looking ants | 0:38:43 | 0:38:46 | |
and hide round corners, until they can get to their staple food, | 0:38:46 | 0:38:49 | |
which is the buds of acacia trees. The acacia is very thorny. | 0:38:49 | 0:38:52 | |
They're the laughing stock of the spider community. | 0:38:52 | 0:38:55 | |
Yeah, they are, they're probably... | 0:38:55 | 0:38:56 | |
"Call yourself a spider? You're a disgrace." | 0:38:56 | 0:38:58 | |
Yes. They occasionally, to be fair, will eat meat. | 0:38:58 | 0:39:01 | |
It's a bit like, I don't know, the spectacled bear... | 0:39:01 | 0:39:04 | |
If they've had a drink. ..will be known to eat, you know, ants. | 0:39:04 | 0:39:06 | |
He'll have a kebab on the way home. Yes. | 0:39:06 | 0:39:10 | |
They can't resist it. | 0:39:10 | 0:39:11 | |
Oh! Let's have a kebab. | 0:39:11 | 0:39:13 | |
Would you like to see a great tit? Always. There you go. | 0:39:13 | 0:39:16 | |
There is a great tit. Great. That's a good picture. | 0:39:16 | 0:39:19 | |
It's a lovely picture of a great tit, isn't it? They mostly eat... | 0:39:19 | 0:39:23 | |
Insects. Yes. Caterpillars, in particular. | 0:39:23 | 0:39:25 | |
They are very fond of a good, juicy caterpillar. | 0:39:25 | 0:39:27 | |
Which is, of course, part of the cycle of an insect. | 0:39:27 | 0:39:29 | |
And, in Hungary, something very astonishing | 0:39:29 | 0:39:31 | |
has been observed with great tits. | 0:39:31 | 0:39:33 | |
They eat goulash. | 0:39:33 | 0:39:34 | |
They have been observed, | 0:39:36 | 0:39:37 | |
possibly because of lack of caterpillars in Hungary... | 0:39:37 | 0:39:40 | |
Eating chips. No, it's rather gross, actually. | 0:39:40 | 0:39:42 | |
They've been eating roosting bats. | 0:39:42 | 0:39:44 | |
They've been eating the entire innards and brains | 0:39:44 | 0:39:46 | |
and scooping out every part of a sleeping bat. Which is really... | 0:39:46 | 0:39:50 | |
That's a lovely story. Isn't it? It's quite a move for a great tit. | 0:39:50 | 0:39:54 | |
And we come finally to this chap. | 0:39:54 | 0:39:56 | |
Piranha. It looks like a piranha. It's a distant relative, though. | 0:39:58 | 0:40:01 | |
It lives in a completely different part of the world. | 0:40:01 | 0:40:03 | |
In Papua New Guinea. And is known as a pacu fish, | 0:40:03 | 0:40:05 | |
but has a nickname, which might give you a hint. | 0:40:05 | 0:40:08 | |
The teeth it has are designed to deal with its main food source, | 0:40:08 | 0:40:10 | |
which are seeds and nuts which fall down from trees above. | 0:40:10 | 0:40:13 | |
Which quite a lot of fish do. | 0:40:13 | 0:40:15 | |
But, if you happen to be swimming naked, | 0:40:15 | 0:40:17 | |
as many a Papua New Guinean might... | 0:40:17 | 0:40:19 | |
Uh-oh. ..it fully deserves its nickname, the ball-cutter fish. | 0:40:19 | 0:40:24 | |
AUDIENCE GROAN | 0:40:24 | 0:40:25 | |
There are at least two recorded examples of people | 0:40:25 | 0:40:29 | |
dying from castration from these. | 0:40:29 | 0:40:31 | |
Oh, does that count...? Does that count as a background mort? | 0:40:31 | 0:40:33 | |
Yes, that's definitely a micromort. | 0:40:33 | 0:40:36 | |
Presumably you can tell as the screams get higher and higher. Yes. | 0:40:36 | 0:40:39 | |
SHE SCREAMS | 0:40:39 | 0:40:40 | |
Until they're beyond the range of human hearing. | 0:40:40 | 0:40:42 | |
So they're pretty nasty. Wow. | 0:40:42 | 0:40:43 | |
But, what's the worst thing a swan can do to you? | 0:40:43 | 0:40:46 | |
They can famously break a child's arm. | 0:40:46 | 0:40:48 | |
Aaah! | 0:40:48 | 0:40:49 | |
KLAXON SOUNDS | 0:40:49 | 0:40:51 | |
No, there is no recorded example ever. | 0:40:53 | 0:40:55 | |
They have hollow bones, and the chances are they would break | 0:40:55 | 0:40:58 | |
their own wings if they attempted to swipe hard on the human bone. | 0:40:58 | 0:41:01 | |
Oh, I've been cautious of them ever since primary school. | 0:41:01 | 0:41:04 | |
Well, they're aggressive, they'll chase after you. | 0:41:04 | 0:41:06 | |
And I dare say, if anyone rings in and says I know someone who | 0:41:06 | 0:41:09 | |
claims their arm was broken, the chances are almost certain... | 0:41:09 | 0:41:12 | |
The school liar. Well, not if they were the school liar, | 0:41:12 | 0:41:14 | |
or they might well have... If you're running away and fell. | 0:41:14 | 0:41:17 | |
They might well have fallen over. Yeah. Exactly. | 0:41:17 | 0:41:19 | |
Where is that place where the swan goes and rings a bell? Fairyland. | 0:41:19 | 0:41:22 | |
No, no... LAUGHTER | 0:41:22 | 0:41:24 | |
Somebody shouting in the audience? AUDIENCE MEMBER: Wells in Somerset. | 0:41:24 | 0:41:27 | |
Wells in Somerset. | 0:41:27 | 0:41:28 | |
In Wells in Somerset there's a bell on the outside | 0:41:28 | 0:41:30 | |
and the swans learned to ring the bell and then they get fed. | 0:41:30 | 0:41:33 | |
That's marvellous. Little Pavlovian swans. | 0:41:33 | 0:41:35 | |
And if you don't feed them, they break your arm. | 0:41:35 | 0:41:39 | |
You're absolutely right. I mean, you're absolutely wrong. | 0:41:39 | 0:41:42 | |
Everyone else is marvellously right. | 0:41:42 | 0:41:43 | |
They are very aggressive. They can't break your arm, so there. | 0:41:43 | 0:41:47 | |
And now it's time for one of my Knick Knacks. | 0:41:47 | 0:41:50 | |
Crikey, how did that get there?! | 0:41:50 | 0:41:52 | |
I'm now, I'm going to demonstrate. | 0:42:00 | 0:42:02 | |
What a marvellous outing for the word "crikey". Yes. | 0:42:02 | 0:42:04 | |
I'm going to demonstrate to you how a chain reaction takes place. | 0:42:04 | 0:42:08 | |
Imagine these are little atoms, | 0:42:08 | 0:42:11 | |
and what I have is a series of mouse trap... Ow! | 0:42:11 | 0:42:15 | |
Mouse traps. Used for, | 0:42:15 | 0:42:17 | |
obviously, killing...mice! | 0:42:17 | 0:42:20 | |
And, fortunately, no mice will be harmed in this experiment. | 0:42:20 | 0:42:23 | |
All you will see | 0:42:23 | 0:42:25 | |
is the spectacular sight of random and explosive chain reaction | 0:42:25 | 0:42:30 | |
caused by one atom touching another, which are all in... | 0:42:30 | 0:42:33 | |
"Ball number 16, the eighth appearance this year." | 0:42:33 | 0:42:36 | |
LAUGHTER | 0:42:36 | 0:42:37 | |
So are you ready? Yes. | 0:42:37 | 0:42:39 | |
Here we go. | 0:42:39 | 0:42:40 | |
CHEERING AND APPLAUSE | 0:42:44 | 0:42:46 | |
All that for three seconds. | 0:42:46 | 0:42:49 | |
It's a lot of effort for the money. | 0:42:51 | 0:42:53 | |
On that nuclear bombshell, we reach the final curtain. | 0:42:57 | 0:43:00 | |
It's time for the scores. And how fascinating they are. | 0:43:00 | 0:43:05 | |
Way out in front, as you might imagine, | 0:43:05 | 0:43:07 | |
with her astonishing knowledge is Sandi Toksvig on 14 points! | 0:43:07 | 0:43:11 | |
APPLAUSE AND CHEERING | 0:43:11 | 0:43:12 | |
Points-wise, one of the greatest debuts of all time, | 0:43:14 | 0:43:18 | |
Trevor Noah has plus nine! | 0:43:18 | 0:43:20 | |
APPLAUSE AND CHEERING | 0:43:20 | 0:43:21 | |
And in third place, with minus six, Jason Manford. | 0:43:24 | 0:43:27 | |
APPLAUSE AND CHEERING I'll take that. I'll take that. | 0:43:27 | 0:43:31 | |
Colour me astonished! In last place, | 0:43:31 | 0:43:33 | |
but with a deeply encouraging minus 28, Alan Davies! | 0:43:33 | 0:43:36 | |
APPLAUSE AND CHEERING | 0:43:36 | 0:43:38 | |
Thank you. | 0:43:45 | 0:43:47 | |
And it only remains for me to thank Trevor, Jason, Sandi and Alan. | 0:43:47 | 0:43:50 | |
Good night. | 0:43:50 | 0:43:51 | |
Subtitles by Red Bee Media Ltd | 0:43:59 | 0:44:02 |