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APPLAUSE | 0:00:23 | 0:00:26 | |
Good evening, good evening, good evening, good evening, good evening | 0:00:30 | 0:00:33 | |
and welcome to QI, where tonight we're doing the Knowledge. | 0:00:33 | 0:00:37 | |
Please welcome the well-educated Jimmy Carr. | 0:00:37 | 0:00:40 | |
APPLAUSE | 0:00:40 | 0:00:42 | |
Thank you. | 0:00:42 | 0:00:44 | |
The well-informed Jo Brand. | 0:00:44 | 0:00:46 | |
APPLAUSE | 0:00:46 | 0:00:48 | |
The well-read Graham Linehan. | 0:00:50 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:53 | |
And the well, you know, it's Alan Davies. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:00 | |
And if you want to call me, you know what to do. | 0:01:04 | 0:01:07 | |
-Jimmy goes: -# Knowing me, knowing you, aha... # | 0:01:07 | 0:01:11 | |
-Graham goes: -# They don't know about us... # | 0:01:13 | 0:01:17 | |
-Jo goes: -# I know him so well... # | 0:01:17 | 0:01:22 | |
-And Alan goes: -# No, no. No, no, no, no No, no, there's no limits. # | 0:01:22 | 0:01:29 | |
There's a spelling issue there, Alan. | 0:01:31 | 0:01:34 | |
Now, um, I know what you want to know, | 0:01:34 | 0:01:36 | |
once and for all, how many moons does the earth have? | 0:01:36 | 0:01:40 | |
Nobody knows. | 0:01:40 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
-We're not doing that this year, are we? -No, we're not. -Three. | 0:01:44 | 0:01:47 | |
-Ooh! -KLAXON | 0:01:47 | 0:01:50 | |
What a pity. What a pity. | 0:01:50 | 0:01:52 | |
One. | 0:01:52 | 0:01:54 | |
-KLAXON -D'oh! -Well, it is! | 0:01:54 | 0:01:56 | |
Just because it's called "the moon" | 0:01:56 | 0:01:59 | |
doesn't mean it's the only one, it turns out. | 0:01:59 | 0:02:02 | |
The moons, it would be called. Yeah. | 0:02:02 | 0:02:05 | |
-Six -KLAXON | 0:02:05 | 0:02:07 | |
-You're not doing yourself any favours early doors. -Two. -Two, oh! | 0:02:09 | 0:02:13 | |
KLAXON | 0:02:13 | 0:02:15 | |
Now, this could go on for ages. | 0:02:15 | 0:02:17 | |
It could. So let me stop you right here. | 0:02:17 | 0:02:19 | |
The point is, very early on, in the A series, | 0:02:19 | 0:02:21 | |
-we said there were two. -Are you taking that back? -Yes. | 0:02:21 | 0:02:23 | |
-What do you mean? -Ah, this is... | 0:02:23 | 0:02:25 | |
I rely on this show. This is all I know. | 0:02:25 | 0:02:27 | |
This is the whole point of this round, in fact. | 0:02:27 | 0:02:30 | |
Facts are not permanent. | 0:02:30 | 0:02:31 | |
We thought there were two, and then we said, "Oh, no, | 0:02:31 | 0:02:33 | |
"it's either one or five," we said, in the B series. | 0:02:33 | 0:02:37 | |
Because we were acting on the latest info | 0:02:37 | 0:02:39 | |
that we had from the scientific community. | 0:02:39 | 0:02:41 | |
And this has changed. | 0:02:41 | 0:02:42 | |
Now NASA describes them as "mini moons" | 0:02:42 | 0:02:45 | |
but we have about 18,000 moons. | 0:02:45 | 0:02:47 | |
I thought it was the same moon. | 0:02:47 | 0:02:50 | |
LAUGHTER | 0:02:50 | 0:02:53 | |
-What, bits of it, you mean? -No, I thought | 0:02:53 | 0:02:55 | |
the ones that we keep seeing was the same one over and over again. | 0:02:55 | 0:03:00 | |
-That was the... -That's wrong? | 0:03:00 | 0:03:01 | |
-No! Are you talking about the mini moons? There was like one extra mini moon? -No. | 0:03:01 | 0:03:05 | |
Or just that whole... | 0:03:05 | 0:03:07 | |
-The actual moon. -So, every night, you're saying it's a different moon. | 0:03:07 | 0:03:11 | |
He is saying that. | 0:03:11 | 0:03:13 | |
There is a celestial body that we call the moon, which is | 0:03:13 | 0:03:16 | |
-obviously the one that is recognised and rises... -I'm not saying that. | 0:03:16 | 0:03:19 | |
-..every 28 days. -No, I'm saying it's the same... | 0:03:19 | 0:03:24 | |
I'm pretty sure... Until I came on to this show, | 0:03:24 | 0:03:27 | |
I was pretty sure it was the same moon. | 0:03:27 | 0:03:29 | |
I think I'm with you. I think it's just one moon. | 0:03:29 | 0:03:33 | |
That's our team's decision. | 0:03:33 | 0:03:34 | |
That's the same moon, as in this bottle is the same bottle is... | 0:03:34 | 0:03:39 | |
It's the same bottle as it is. | 0:03:39 | 0:03:40 | |
-How do you explain this? -That's another one. Exactly. | 0:03:40 | 0:03:43 | |
Well, it looks pretty similar. | 0:03:43 | 0:03:44 | |
They're not the same. That's my point. | 0:03:44 | 0:03:47 | |
And suddenly we've got three. | 0:03:47 | 0:03:50 | |
I'm not getting mine out, but can I just say...? | 0:03:50 | 0:03:52 | |
LAUGHTER | 0:03:52 | 0:03:54 | |
If there's so many, why haven't we noticed them before? | 0:03:54 | 0:03:56 | |
Well, the reason is they are actually tiny | 0:03:56 | 0:03:58 | |
and it's only recently they've run computer simulations to show 18,000. | 0:03:58 | 0:04:02 | |
One of those that has been observed, | 0:04:02 | 0:04:04 | |
has been given the exciting name RH120, | 0:04:04 | 0:04:06 | |
which orbited the Earth, four orbits, in 2006 and 2007. | 0:04:06 | 0:04:09 | |
They're also known as "temporarily captured objects". | 0:04:09 | 0:04:12 | |
They're captured into Earth orbit, perhaps for a short amount of time. | 0:04:12 | 0:04:15 | |
But as satellites of the Earth, non-man-made, they are moons. | 0:04:15 | 0:04:18 | |
-That's what a moon is. -But the man-made satellites are satellites? | 0:04:18 | 0:04:21 | |
Yes, but to be a moon you have to be a celestial body, | 0:04:21 | 0:04:23 | |
rather than... you COULD count a man... | 0:04:23 | 0:04:25 | |
Well, that makes me a moon, then. | 0:04:25 | 0:04:27 | |
Yes, exactly, there you are. Precisely. | 0:04:27 | 0:04:30 | |
-You orbit my life, Jo. -But you have to be in orbit for at least five years before you can claim benefits. | 0:04:30 | 0:04:34 | |
LAUGHTER | 0:04:34 | 0:04:36 | |
Exactly right. But the quite interesting thing about this is the point that raised | 0:04:36 | 0:04:40 | |
Jimmy Carr's tremendous eyebrows earlier, which is | 0:04:40 | 0:04:43 | |
that facts don't remain stable. | 0:04:43 | 0:04:45 | |
Things we know, or think we know, will be untrue. | 0:04:45 | 0:04:49 | |
LAUGHTER | 0:04:49 | 0:04:53 | |
Very good. Will be untrue in a number of years' time. | 0:04:53 | 0:04:56 | |
-Yes. Appropriately, you look a bit like Patrick Moore. -I'm trying to do a Mexican wave. | 0:04:56 | 0:05:00 | |
Yes, you do look like Patrick Moore. | 0:05:00 | 0:05:03 | |
"We just...we just don't know." | 0:05:03 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:06 | |
Can I just say, I did a course at university called... | 0:05:06 | 0:05:10 | |
Shut up! | 0:05:10 | 0:05:12 | |
-I bloody did. -No! | 0:05:12 | 0:05:14 | |
I bloody did, and it was called the Sociology of Science, and yes, | 0:05:14 | 0:05:17 | |
I got a grant for it. It was a complete waste of time. | 0:05:17 | 0:05:22 | |
But what I learnt during that course is there's no such thing as a fact. | 0:05:22 | 0:05:26 | |
Yes. This is precisely our point. And indeed, at medical colleges, | 0:05:26 | 0:05:29 | |
they usually teach that half of what the medical students are going | 0:05:29 | 0:05:32 | |
to learn will be considered untrue in about 10 or 20 years. | 0:05:32 | 0:05:37 | |
And this is known by academics as the half-life of facts. | 0:05:37 | 0:05:40 | |
That's to say, you know half of it will be untrue. | 0:05:40 | 0:05:43 | |
Unfortunately, you don't know exactly which half. | 0:05:43 | 0:05:45 | |
And on QI, an estimated 7% of the things | 0:05:45 | 0:05:48 | |
I tell you this evening will be shown to be untrue in a year's time. | 0:05:48 | 0:05:53 | |
And if you're watching a very old repeat on Dave, | 0:05:53 | 0:05:56 | |
-a much bigger proportion. -It's probably untrue now. | 0:05:56 | 0:05:58 | |
It's probably...even what I'm saying now is untrue. | 0:05:58 | 0:06:00 | |
-I'm not even saying it, it's so untrue. -I'm not on the show. | 0:06:00 | 0:06:03 | |
We actually have a chart showing the rate of decay of QI facts. | 0:06:03 | 0:06:07 | |
And you can see, there's series A on the right, | 0:06:07 | 0:06:09 | |
-and plotted against it is the 10th series, J. -J. | 0:06:09 | 0:06:13 | |
And so, as you can see, the further you get away, | 0:06:13 | 0:06:15 | |
the greater the number of untruths. | 0:06:15 | 0:06:17 | |
60% of things in the first series are bollocks. | 0:06:17 | 0:06:20 | |
Yes, are now untrue. If that's true, yes, that's right. | 0:06:20 | 0:06:22 | |
We do talk a lot of bollocks, in fairness. | 0:06:22 | 0:06:26 | |
But the most important thing, you'll be excited to know, is that that means over the years, | 0:06:26 | 0:06:30 | |
cumulatively, you must be owed a lot of points. | 0:06:30 | 0:06:33 | |
And going according to this theory, things we have said are wrong, | 0:06:33 | 0:06:37 | |
a proportion of them are likely to have been right. | 0:06:37 | 0:06:40 | |
Therefore, we have actually calculated how many points | 0:06:40 | 0:06:44 | |
we owe you. Um, and... | 0:06:44 | 0:06:46 | |
-This is, suddenly this has gone brilliantly. Suddenly we're smiling. -Yeah. Jimmy... | 0:06:46 | 0:06:50 | |
Alan is going to be way out in front, isn't he? | 0:06:50 | 0:06:52 | |
Jimmy, we owe you 43.58 points. | 0:06:52 | 0:06:55 | |
Jo, 84.73. | 0:06:55 | 0:06:57 | |
Can I use them in Sainsbury's? | 0:06:57 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:02 | |
I'm giving you permission. If you work at Sainsbury's and she tries to claim them, yes, she can. | 0:07:02 | 0:07:06 | |
The audience are owed 23.24. Well done. | 0:07:06 | 0:07:10 | |
Even not having done anything. | 0:07:10 | 0:07:12 | |
APPLAUSE | 0:07:12 | 0:07:13 | |
Alan, you are owed 737.66! | 0:07:16 | 0:07:20 | |
APPLAUSE | 0:07:20 | 0:07:22 | |
There you are. | 0:07:22 | 0:07:24 | |
And, um... | 0:07:26 | 0:07:28 | |
Are those transferable? | 0:07:28 | 0:07:30 | |
If I went onto Have I Got News For You, | 0:07:30 | 0:07:32 | |
-could I use... -Yes. -Could I arrive and go, "I've got 24 points that I could use here?" | 0:07:32 | 0:07:35 | |
-Yeah. You can take this, yes. -I can just...? -Use them, yeah. -Oh, fabulous. Great news. | 0:07:35 | 0:07:39 | |
Mastermind, can I have it on Mastermind? | 0:07:39 | 0:07:42 | |
I don't think you could slip that in, somehow. | 0:07:42 | 0:07:44 | |
Someone's going to have to answer a lot of questions to beat that. | 0:07:44 | 0:07:47 | |
-And of course, unfortunately, Graham, you get nothing. -Yes. Yeah, no. -That's really unfair. | 0:07:47 | 0:07:52 | |
You're playing it first time and you get a huge disadvantage. | 0:07:52 | 0:07:55 | |
Yeah. Well, you needn't have pointed it out. Yes. | 0:07:55 | 0:07:59 | |
I'll try and find a way to make it up to you, in some way, | 0:07:59 | 0:08:02 | |
by giving you a random 600 points. | 0:08:02 | 0:08:04 | |
I'll give you some examples of facts that we gave in good faith on QI. | 0:08:04 | 0:08:08 | |
So in the I series we said nobody knows how to tell | 0:08:08 | 0:08:10 | |
the age of a lobster. Well, that was only a few years ago. | 0:08:10 | 0:08:14 | |
-Ask it. -I think that's what you said at the time. -And that's right. | 0:08:14 | 0:08:18 | |
-Is that now right? -It isn't now right. | 0:08:18 | 0:08:20 | |
We now know how to communicate with lobsters. | 0:08:20 | 0:08:23 | |
One, two, three, four, five, | 0:08:23 | 0:08:26 | |
six, seven, eight, nine... | 0:08:26 | 0:08:28 | |
10. Hold. 11... | 0:08:28 | 0:08:30 | |
Everyone knows that. | 0:08:33 | 0:08:35 | |
In the I series, we said that no-one could tell the age of lobsters | 0:08:35 | 0:08:38 | |
but, since then, Canadian scientists have discovered, | 0:08:38 | 0:08:41 | |
the way you do, that if you dissect their eye stalks | 0:08:41 | 0:08:44 | |
and count the rings, you know how old they are. | 0:08:44 | 0:08:47 | |
-Really? -What? -It's not a very kind thing to do. | 0:08:47 | 0:08:49 | |
What you mean is, you know how old they WERE. | 0:08:49 | 0:08:52 | |
LAUGHTER | 0:08:52 | 0:08:54 | |
I think that's a reasonable point. | 0:08:54 | 0:08:56 | |
There's a flaw in this plan. I still think you should ask them first. Before you dissect their eye stalks! | 0:08:56 | 0:09:02 | |
Another one was in the G series. We said giraffes' necks may have evolved for fighting each other, | 0:09:02 | 0:09:06 | |
which was commonly held by quite a few zoologists. But it now seems this hypothesis is not believed. | 0:09:06 | 0:09:11 | |
-And in the A series... -They used to like wading across deep rivers. | 0:09:11 | 0:09:14 | |
Yes, that, keeping their necks above, very, very deep. | 0:09:14 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
-As the river got higher... -Yeah. -..they evolved. | 0:09:21 | 0:09:23 | |
LAUGHTER | 0:09:23 | 0:09:26 | |
-That might prove to be correct. -It might, you see. Who am I to say it isn't? | 0:09:26 | 0:09:30 | |
In the A series, we said that the best-endowed millipede had 710 legs. | 0:09:30 | 0:09:35 | |
Soon afterwards, a millipede with 750 turned up, | 0:09:35 | 0:09:38 | |
but that's still the greatest number we know. | 0:09:38 | 0:09:40 | |
-Is there someone checking them? -Yes. That's superb. | 0:09:40 | 0:09:44 | |
I like the idea that counting a millipede's legs, you would lose... You'd have to keep going back. | 0:09:44 | 0:09:48 | |
-Yes, you would, exactly. -Argh! One, two... | 0:09:48 | 0:09:50 | |
Yeah, it's the same thing... | 0:09:50 | 0:09:52 | |
-Many times. -It's the same thing with all these things, | 0:09:52 | 0:09:55 | |
before they count the legs, they kill it. | 0:09:55 | 0:09:56 | |
LAUGHTER | 0:09:56 | 0:09:58 | |
-It's true. -So the legs are very still. Just pluck them off. | 0:09:58 | 0:10:02 | |
-Oh, dear! -One... | 0:10:02 | 0:10:05 | |
-She loves me. -Two, three... It might still be alive. | 0:10:05 | 0:10:10 | |
They might think it was dead, and then they'd just hear it go, "Argh!" | 0:10:10 | 0:10:13 | |
LAUGHTER | 0:10:13 | 0:10:15 | |
-"Argh! Argh!" -Do you know, that's an interesting fact, that's how they make worms. | 0:10:15 | 0:10:19 | |
LAUGHTER | 0:10:19 | 0:10:21 | |
-It's true. True story. -Brilliant. | 0:10:21 | 0:10:23 | |
Yeah, a worm would come along, | 0:10:23 | 0:10:25 | |
"Are you not doing anything with these legs? | 0:10:25 | 0:10:28 | |
"Now you've counted them off the millipede, can I have four?" | 0:10:28 | 0:10:32 | |
And a whole new species is born. | 0:10:32 | 0:10:34 | |
-Yeah. -And that is how sausage dogs are made. | 0:10:34 | 0:10:37 | |
-And Daschunds, exactly. -Yeah. -We've discovered a lot of new science here, none of which is | 0:10:37 | 0:10:41 | |
likely to be disproved, or possibly may come round again to be proved. | 0:10:41 | 0:10:44 | |
Now, how much do you know about Scotland's Mr Smellie? | 0:10:44 | 0:10:48 | |
Was he one of the Mr Men that was dropped? | 0:10:48 | 0:10:52 | |
That's a really good point. I can tell you his name. William Smellie. | 0:10:52 | 0:10:56 | |
-19th-century gentleman. He came from a family... -Billy Smellie. | 0:10:56 | 0:10:59 | |
We know little about him actually because he came from | 0:10:59 | 0:11:02 | |
a banned Protestant sect who were so persecuted that they didn't | 0:11:02 | 0:11:06 | |
keep any documents about their births, deaths and marriages. | 0:11:06 | 0:11:09 | |
I should think he was fairly persecuted at school as well. | 0:11:09 | 0:11:12 | |
-Being called Smellie. -SCOTTISH ACCENT: -Stinky Smellie! | 0:11:12 | 0:11:14 | |
"Oh, original, thanks." | 0:11:14 | 0:11:16 | |
Anyway, he rose from relative obscurity | 0:11:16 | 0:11:20 | |
and then he got paid £200 for heading up the team on something | 0:11:20 | 0:11:24 | |
that has a thistle as is emblem | 0:11:24 | 0:11:26 | |
-but has in its name something that means British. -The... | 0:11:26 | 0:11:29 | |
-Of course. The British... -Say it. -Encyclopaedia Britannica. | 0:11:29 | 0:11:32 | |
That is the right answer. The Encyclopaedia Britannica. | 0:11:32 | 0:11:34 | |
That's surely worth... Nothing, really? | 0:11:34 | 0:11:36 | |
APPLAUSE | 0:11:36 | 0:11:39 | |
Surely it was easier to do that in the days before the Internet, though. | 0:11:41 | 0:11:45 | |
-Yes. -If you tried to research now, you'd get sidetracked. | 0:11:45 | 0:11:49 | |
I get very sidetracked very easily. | 0:11:50 | 0:11:52 | |
Yes, I'll just get to B for bras. Oh. | 0:11:52 | 0:11:55 | |
That's a day lost. | 0:11:57 | 0:11:59 | |
LAUGHTER | 0:11:59 | 0:12:01 | |
I hate Encyclopaedia Britannica because I had very aspirational | 0:12:01 | 0:12:05 | |
parents and everyone else in my class was reading Jackie magazine | 0:12:05 | 0:12:10 | |
and I had to read the bloody Encyclopaedia Britannica. | 0:12:10 | 0:12:13 | |
-It was a symbol of that, wasn't it? -Oh, my God. | 0:12:13 | 0:12:15 | |
It's like a dictionary that sort of just won't stop. | 0:12:15 | 0:12:18 | |
It gets the word and then goes, "And another thing..." | 0:12:18 | 0:12:21 | |
It is discursive. Very true. | 0:12:21 | 0:12:23 | |
Another of its early editors was called Andrew Bell, | 0:12:23 | 0:12:26 | |
who was four and a half feet tall | 0:12:26 | 0:12:28 | |
and had a very big nose, as you will see. | 0:12:28 | 0:12:30 | |
He looks slightly like me, disturbingly. | 0:12:30 | 0:12:32 | |
I'll be honest with you, I think that's a regular-sized nose on a tiny man. | 0:12:32 | 0:12:36 | |
He had a great sense of humour, though. | 0:12:36 | 0:12:38 | |
If anybody pointed out or laughed at his nose, he'd rush off | 0:12:38 | 0:12:40 | |
into another room and come back with a bigger one made of papier-mache. | 0:12:40 | 0:12:44 | |
I bet he could tell when Mr Smellie was coming round. | 0:12:44 | 0:12:46 | |
-I'll tell you what I know about that guy. -Yeah. | 0:12:46 | 0:12:50 | |
-Very little. -Hey! -LAUGHTER | 0:12:50 | 0:12:53 | |
That is quite good. I had to think about that. | 0:12:53 | 0:12:55 | |
Anyway, the first edition of the Encyclopaedia Britannica took | 0:12:55 | 0:12:58 | |
-three years to write, cost £12 for three volumes. -Three volumes! | 0:12:58 | 0:13:02 | |
-The world's knowledge? -Yes, but the first volume is A to B. | 0:13:02 | 0:13:05 | |
They obviously thought, "Oh, sod this. | 0:13:05 | 0:13:08 | |
"I've done A to B, I've only got one volume. | 0:13:08 | 0:13:11 | |
"I'll do C to Z in one volume." | 0:13:11 | 0:13:14 | |
-The deadline was looming. -Exactly. | 0:13:14 | 0:13:16 | |
With the decay of facts, I presume it's all bollocks. | 0:13:17 | 0:13:22 | |
This is a good test for that. What facts are in there? | 0:13:22 | 0:13:24 | |
One is K for Kensington. | 0:13:24 | 0:13:26 | |
See if you can come up with a good definition of Kensington. | 0:13:26 | 0:13:29 | |
A borough in London. A place. An area of London town. | 0:13:29 | 0:13:34 | |
No. Nowhere near. | 0:13:34 | 0:13:36 | |
A pleasant village two miles west of London. | 0:13:36 | 0:13:38 | |
-Which is what it was then, you see. -Wow. | 0:13:40 | 0:13:42 | |
And California here is spelt with two Ls | 0:13:42 | 0:13:45 | |
and it's called a large country in the West Indies. | 0:13:45 | 0:13:48 | |
Possibly an island or a peninsula, it's not known. | 0:13:48 | 0:13:51 | |
That's pretty way-off, isn't it? | 0:13:51 | 0:13:53 | |
I mean, there must come a point where he went, | 0:13:53 | 0:13:55 | |
-"We don't know anything about this. Shall I put it in?" -Yes. | 0:13:55 | 0:13:59 | |
"California. It could be a place or a thing. | 0:13:59 | 0:14:02 | |
"No-one knows. It might be a person. Good luck." How is that an entry? | 0:14:02 | 0:14:06 | |
What does Encyclopaedia mean? | 0:14:06 | 0:14:07 | |
Because it sounds like a kiddie fiddler on a bike. | 0:14:07 | 0:14:10 | |
LAUGHTER | 0:14:10 | 0:14:12 | |
APPLAUSE | 0:14:13 | 0:14:16 | |
There's a big difference between words with P-A-E and P-A-I. Paedos and paidos. | 0:14:20 | 0:14:26 | |
Sometimes it is very tricky, I grant you. | 0:14:26 | 0:14:28 | |
It could get an idiot into trouble. | 0:14:28 | 0:14:30 | |
LAUGHTER | 0:14:30 | 0:14:32 | |
-I didn't mean it in that way. -I don't know what you're laughing at. | 0:14:35 | 0:14:40 | |
The entry for woman in the original version just says, | 0:14:40 | 0:14:43 | |
"The female of man. See homo." | 0:14:43 | 0:14:45 | |
LAUGHTER | 0:14:45 | 0:14:48 | |
He will tell you everything you need to know. | 0:14:48 | 0:14:51 | |
-Because he's their best friend. -Aw! | 0:14:51 | 0:14:53 | |
Applause is defined as following. | 0:14:55 | 0:14:57 | |
An approbation of something signified by clapping the hands. | 0:14:57 | 0:15:00 | |
Still practised in theatres. | 0:15:00 | 0:15:02 | |
In the 1960s, an American called Dr Harvey Einbinder | 0:15:03 | 0:15:07 | |
-so hated Encyclopaedia Britannica he wrote a book... -I hate it! -Exactly. | 0:15:07 | 0:15:10 | |
He wrote a book where he listed all the things that were wrong in it. | 0:15:10 | 0:15:13 | |
-390 pages long. -Oh, I like the sound of him. -The Myth Of Britannica. | 0:15:13 | 0:15:17 | |
-What's his name? -Harvey Einbinder. | 0:15:17 | 0:15:19 | |
-Does he only have one binder? -We meet at last, Mr Einbinder. | 0:15:21 | 0:15:26 | |
With his massive binder. | 0:15:26 | 0:15:27 | |
Don't touch my binder! | 0:15:30 | 0:15:32 | |
-Maybe that's why he hated... -This is the binder you seek. | 0:15:32 | 0:15:35 | |
"Encyclopaedia Britannica has 52 binders and I only have one!" | 0:15:35 | 0:15:39 | |
Ein Binder! | 0:15:39 | 0:15:41 | |
He might have pronounced it Ein-BIN-der, for all we know. | 0:15:41 | 0:15:44 | |
Ein-BIN-der? | 0:15:44 | 0:15:47 | |
William Smellie was the first editor of the Encyclopaedia Britannica. | 0:15:47 | 0:15:50 | |
Now, what did the inventor of the thermometer | 0:15:50 | 0:15:52 | |
spend 30 years measuring? | 0:15:52 | 0:15:54 | |
I'm going to say temperature, OK? | 0:15:54 | 0:15:56 | |
-KLAXON -Oh! | 0:15:56 | 0:15:58 | |
-Wa-hey! -Do you know what, Alan? | 0:15:58 | 0:15:59 | |
You've got points to burn this evening. Just relax. | 0:15:59 | 0:16:02 | |
-Sometimes it's right, you know, sometimes he goes, "Yes, it is." -Exactly. | 0:16:02 | 0:16:05 | |
I know a joke about thermometers, about nurses and thermometers. | 0:16:05 | 0:16:08 | |
It's about a rectal thermometer. | 0:16:08 | 0:16:10 | |
-Go on. -Well, a nurse finds a rectal thermometer in her pocket | 0:16:10 | 0:16:13 | |
and goes, "Aw! Some arsehole's got my pen." | 0:16:13 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:18 | |
It's an old joke. It's an old joke. | 0:16:21 | 0:16:23 | |
It's very fine, though. Very fine. | 0:16:23 | 0:16:27 | |
One very old nurses' joke that we used to... | 0:16:27 | 0:16:29 | |
was that a nurse comes running in and says to the matron, | 0:16:29 | 0:16:31 | |
"Oh, dear, I think I've got something the wrong way round. | 0:16:31 | 0:16:34 | |
"You asked me to prick someone's boil." | 0:16:34 | 0:16:37 | |
LAUGHTER | 0:16:37 | 0:16:40 | |
-Very good. -I do know quite an interesting fact about thermometers. | 0:16:41 | 0:16:44 | |
-Thermometers. -The difference between an oral and rectal thermometer. | 0:16:44 | 0:16:47 | |
Yeah, I hope you do know the difference! | 0:16:47 | 0:16:50 | |
-Yeah. Taste. -Oh! | 0:16:50 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:54 | |
No, his name was Sanctorius Sanctorius. At least that | 0:16:54 | 0:16:56 | |
was his Latinised name. He was from Padua, and there you can see him. | 0:16:56 | 0:17:00 | |
-Right. -He's weighing himself, that's a special balance he had created. -Oh, he's weighing himself? | 0:17:00 | 0:17:04 | |
Every single day he'd weigh himself AND the food he ate. | 0:17:04 | 0:17:07 | |
And, indeed, the faeces and urine that he expelled, he excreted. | 0:17:07 | 0:17:12 | |
Was it some sort of weird Weight Watchers thing he was on? | 0:17:12 | 0:17:15 | |
What he discovered is that his urine and faeces weighed | 0:17:15 | 0:17:18 | |
only a fraction of what he'd eaten and drunk, but despite that, | 0:17:18 | 0:17:22 | |
he stayed the same weight, which is amazing, he thought. | 0:17:22 | 0:17:25 | |
He thought, "Why is it if I put in, say, 100 pounds of food, | 0:17:25 | 0:17:29 | |
"but I poo out only 30 pounds of faeces..." | 0:17:29 | 0:17:33 | |
It had taken him 30 years... | 0:17:33 | 0:17:35 | |
Did he not work out that there's a fuel thing? | 0:17:35 | 0:17:38 | |
It is easy to look back at past generations and say, | 0:17:38 | 0:17:41 | |
"How can you not have known?" But, of course, NONE of them knew. | 0:17:41 | 0:17:44 | |
And really, before people like him, who was almost one of the world's first scientists, | 0:17:44 | 0:17:48 | |
-they hadn't measured and calibrated things. -You're absolutely right about all of those things. | 0:17:48 | 0:17:52 | |
-Well, as right as we know. -However... -Yeah? -30 Years! | 0:17:52 | 0:17:55 | |
I mean, really, after three years with the same... | 0:17:55 | 0:17:58 | |
Oh, no, he had a theory, but his theory was wrong, that's all. | 0:17:58 | 0:18:00 | |
His theory was that the rest came out of your skin | 0:18:00 | 0:18:03 | |
so it was very dangerous to cover most of your skin, because you wouldn't let the poison out. | 0:18:03 | 0:18:07 | |
He knew that faeces was poisonous, or at least toxic and bad for you. | 0:18:07 | 0:18:10 | |
Its smell is a big warning, obviously. | 0:18:10 | 0:18:12 | |
Sorry, your faeces smell? | 0:18:12 | 0:18:14 | |
Of Parma Violets. Yeah. | 0:18:16 | 0:18:18 | |
Jimmy's make a noise. | 0:18:18 | 0:18:21 | |
They point at him. | 0:18:22 | 0:18:23 | |
They emit a totally different... | 0:18:23 | 0:18:26 | |
They're very unusual. | 0:18:26 | 0:18:27 | |
It's one in a million people who have noisy faeces. | 0:18:27 | 0:18:31 | |
-"Aah!" -HE IMITATES TOILET FLUSHING | 0:18:33 | 0:18:36 | |
Very good. He co-invented, with his fellow at Padua, | 0:18:36 | 0:18:39 | |
a much better-known scientist. | 0:18:39 | 0:18:41 | |
Who would that be, in the same period? | 0:18:41 | 0:18:44 | |
-Co-invented? -Da Vinci. -His co-inventor. Not Da Vinci, no. | 0:18:44 | 0:18:47 | |
Is he going to be Centigrade, or... | 0:18:47 | 0:18:49 | |
-JO: Galileo. -It won't be future. -Galileo. | 0:18:49 | 0:18:51 | |
-Galileo is the right answer. -Oh, I nearly said Galileo! | 0:18:51 | 0:18:54 | |
-APPLAUSE -Thank you. | 0:18:54 | 0:18:57 | |
I was going to say Scaramouche or Fandango. | 0:18:57 | 0:19:00 | |
Galileo Galilei. | 0:19:01 | 0:19:03 | |
Can do the Fandango! | 0:19:03 | 0:19:04 | |
Yes, he could, darling, that's right. | 0:19:04 | 0:19:07 | |
Thunderbolt and lightning! | 0:19:08 | 0:19:10 | |
-Oh, no. Please! -Very, very frightening! | 0:19:10 | 0:19:13 | |
-Stop. Behave. -That's what one of Jimmy's poos sounds like! -No. | 0:19:13 | 0:19:17 | |
"Galileo, Galileo! You all right in there, Jimmy?!" | 0:19:17 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:22 | |
Be out in a minute, I'm reading a very interesting article! | 0:19:22 | 0:19:25 | |
Your faeces is made up of 70%... | 0:19:25 | 0:19:27 | |
-Shit. -..liquid! | 0:19:27 | 0:19:29 | |
30% solid. It just takes a bit of separating out. | 0:19:31 | 0:19:33 | |
Not that I would urge you to do it when you get home! | 0:19:33 | 0:19:36 | |
When I get home? Why wait?! | 0:19:36 | 0:19:38 | |
I've got a centrifuge in my dressing room! | 0:19:39 | 0:19:43 | |
Oh, dear, oh, dear, oh, dear. Of that dry weight, 30% is what? | 0:19:43 | 0:19:49 | |
Corn on the cob. | 0:19:49 | 0:19:51 | |
-More than 30%. If you've had two. -Oh, dear. Heavens. | 0:19:53 | 0:19:59 | |
Do you know that when they go into space in a weightless environment, | 0:19:59 | 0:20:02 | |
-they poo into the wall? -What do you mean into the wall? | 0:20:02 | 0:20:05 | |
-Like a hole in the wall? -A hole in the wall, yeah. | 0:20:05 | 0:20:08 | |
They don't smear it on the wall. | 0:20:08 | 0:20:10 | |
It turns out the best way to relieve yourself | 0:20:12 | 0:20:14 | |
in a weightless environment is through a hole in the wall. | 0:20:14 | 0:20:18 | |
-It's easier to do that than go down or up. -I do that with the shower. | 0:20:18 | 0:20:22 | |
You admitted it, which many people wouldn't. | 0:20:22 | 0:20:25 | |
Who doesn't poo in the shower? | 0:20:25 | 0:20:26 | |
LAUGHTER | 0:20:26 | 0:20:28 | |
You bad man. | 0:20:28 | 0:20:30 | |
Everyone would know if Jimmy pooed in the shower. | 0:20:31 | 0:20:36 | |
Pooing into the wall of a... | 0:20:36 | 0:20:37 | |
So, the space station is built with a little glory hole thing... | 0:20:37 | 0:20:41 | |
If you want to call it that. | 0:20:41 | 0:20:43 | |
You're too much slightly in the know to know what that is. | 0:20:43 | 0:20:45 | |
Like in a Welcome Break services, they've got that... | 0:20:45 | 0:20:49 | |
On the second junction. What? | 0:20:49 | 0:20:51 | |
What is your problem? Everyone knows that. Never on a Tuesday. | 0:20:52 | 0:20:56 | |
A glory hole on a spaceship! | 0:20:57 | 0:21:00 | |
There's also about three people on this station at any one time. | 0:21:02 | 0:21:07 | |
By a process of elimination, | 0:21:07 | 0:21:09 | |
it's only going to be one of two other people. | 0:21:09 | 0:21:11 | |
-That's true. You can't... -This is John. It's not Elaine. | 0:21:11 | 0:21:15 | |
You'd recognise... | 0:21:15 | 0:21:17 | |
I thought there was a fourth one and that was their role in the mission. | 0:21:17 | 0:21:21 | |
I mean, if you're going to Mars, it's going to take five years. | 0:21:21 | 0:21:25 | |
Your job is a very important job. | 0:21:25 | 0:21:28 | |
-You go in this room with a hole in the wall. -Oh, dear. | 0:21:29 | 0:21:33 | |
And people guess your name. | 0:21:33 | 0:21:35 | |
But the other thing that happens | 0:21:35 | 0:21:37 | |
when you go into space is you don't snore, I believe. Do you know this? | 0:21:37 | 0:21:40 | |
I didn't. That's a beautiful little fact. | 0:21:40 | 0:21:42 | |
-So far. -You sleep in these... Well... -Yes, of course. | 0:21:42 | 0:21:45 | |
Cos there's no gravity, it doesn't affect your vocal cords. | 0:21:45 | 0:21:48 | |
That's an extreme cure, though, isn't it? | 0:21:48 | 0:21:50 | |
I'm going to try the little things first. | 0:21:50 | 0:21:52 | |
-That's the next step. -It's quite expensive to go intergalactic. | 0:21:52 | 0:21:55 | |
I imagine there are wives watching this going, | 0:21:55 | 0:21:57 | |
"Yeah, it's going to have to be space. | 0:21:57 | 0:21:59 | |
"Even then, I think he might wake me." | 0:21:59 | 0:22:02 | |
Anyway, what can you find out by hiding under a student's bed? | 0:22:02 | 0:22:07 | |
-BUZZER -Yes, Jo? | 0:22:08 | 0:22:10 | |
I've got to go for this. Is it a massive pile of porn mags? | 0:22:10 | 0:22:14 | |
-That's probably true. -I thought that would go off. -Those were the days. | 0:22:14 | 0:22:17 | |
I think, I think now you've got the internet, it's... | 0:22:17 | 0:22:19 | |
Yeah, you wouldn't, really. | 0:22:19 | 0:22:21 | |
Broadband are doing a terrific job now. Terrific. | 0:22:21 | 0:22:24 | |
I think that's a bit sad though, in a way. | 0:22:24 | 0:22:26 | |
It's not, yeah, they were... | 0:22:26 | 0:22:27 | |
-You prefer mags. -Not for men. -No, not personally. | 0:22:27 | 0:22:29 | |
LAUGHTER | 0:22:29 | 0:22:31 | |
They did this in the 1930s, it was extremely unethical, | 0:22:31 | 0:22:34 | |
but we're in pursuit of knowledge, which is our theme today. | 0:22:34 | 0:22:37 | |
-Oh, scientists? -So they were researchers. | 0:22:37 | 0:22:38 | |
They were researching, and the only way to find out | 0:22:38 | 0:22:41 | |
what people are saying without knowing they're being overheard | 0:22:41 | 0:22:43 | |
was to hide somewhere and take notes while they were talking. | 0:22:43 | 0:22:47 | |
And they wanted to know what sort of things students spoke about. | 0:22:47 | 0:22:49 | |
-So they used to hide underneath the beds? -Yeah, and take notes. | 0:22:49 | 0:22:52 | |
It sounds to me, Stephen, I don't want to, you know, throw stones | 0:22:52 | 0:22:55 | |
at these lovely scientists, but it sounds to me like a cover story. | 0:22:55 | 0:22:58 | |
You wait, you wait till I get to some other unethical scientists, | 0:22:58 | 0:23:00 | |
-you hold that back. Because it gets worse. -Oh, tell me more! | 0:23:00 | 0:23:03 | |
We're on the subject of unethical research. | 0:23:03 | 0:23:05 | |
And basically, this was the only way you can have of being sure | 0:23:05 | 0:23:07 | |
that you know what people are talking about with absolute clarity. | 0:23:07 | 0:23:10 | |
Because people change what they say | 0:23:10 | 0:23:12 | |
when they know someone's listening, someone outside their circle. | 0:23:12 | 0:23:15 | |
But the idea was to discover what the main subject was, that people spoke about. | 0:23:15 | 0:23:18 | |
They listened to... | 0:23:18 | 0:23:19 | |
They just thought, "They'll never look under the bed!" | 0:23:19 | 0:23:22 | |
Why would you look under a bed?! | 0:23:22 | 0:23:24 | |
There's nothing interesting down there! | 0:23:24 | 0:23:26 | |
Yeah, where they could overhear them. | 0:23:26 | 0:23:28 | |
And they discovered that 40% of their conversation was devoted to? | 0:23:28 | 0:23:31 | |
-The opposite sex. -No, it wasn't that. It was themselves. | 0:23:31 | 0:23:34 | |
It was a study in egocentricity. They spoke about themselves. | 0:23:34 | 0:23:37 | |
-I would never do that. -A-ha-ha! | 0:23:37 | 0:23:39 | |
Jimmy Carr would never let that happen! | 0:23:39 | 0:23:41 | |
Oh, don't, that's the worst thing in the world you can do! | 0:23:41 | 0:23:44 | |
So, there are other dodgy experiments. | 0:23:44 | 0:23:46 | |
There was a Personal Space Invasion In The Men's Restroom, | 0:23:46 | 0:23:49 | |
-a study of 1976. -GRAHAM SNORTS | 0:23:49 | 0:23:51 | |
Someone hid a camera under the partition, | 0:23:51 | 0:23:53 | |
under the sort of floor space. | 0:23:53 | 0:23:55 | |
"Someone", Stephen? "Someone?" | 0:23:55 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:23:59 | |
You seem to know a lot about this, Stephen! | 0:23:59 | 0:24:01 | |
I've got a couple of questions. | 0:24:01 | 0:24:03 | |
You like technology, don't you? | 0:24:03 | 0:24:05 | |
And there's a camera in the men's room! | 0:24:05 | 0:24:08 | |
"Oh, I'm just doing a study." "Are you?!" | 0:24:08 | 0:24:11 | |
-It was... -Apologise, Stephen! | 0:24:11 | 0:24:14 | |
It was to see how they filled space when, if there was one person, | 0:24:14 | 0:24:17 | |
say the third in a row of six, where would the average person go? | 0:24:17 | 0:24:21 | |
Would it be as far away apart, or would that look too obvious? | 0:24:21 | 0:24:24 | |
It's very interesting when you go in there, because I used to be, I don't have it any more, | 0:24:24 | 0:24:28 | |
but I used to be quite a shy pee-er, are you aware of shy peeing? | 0:24:28 | 0:24:30 | |
-Yeah, of course. -I have a technique for that. -What's your technique? | 0:24:30 | 0:24:33 | |
My technique for shy peeing is, | 0:24:33 | 0:24:36 | |
I think of the most embarrassing thing I can do. | 0:24:36 | 0:24:38 | |
I just think of doing something like saying, "I think I love you", | 0:24:38 | 0:24:44 | |
or just something like that, and then it's all go. | 0:24:44 | 0:24:47 | |
-When you say, "I love you", you will automatically pee. -Have a little wee. | 0:24:47 | 0:24:52 | |
I don't need to say it, I just need to THINK it. | 0:24:52 | 0:24:54 | |
And I always have to imagine it very, very realistically. | 0:24:54 | 0:24:57 | |
I imagine the guy going, "What?! Did he really say that?" | 0:24:57 | 0:25:00 | |
And then the next thing it's just, you know, it's no longer a problem. | 0:25:00 | 0:25:04 | |
It is very maddening when you've been absolutely bursting to go | 0:25:04 | 0:25:08 | |
and then, hello. "Come on! Come on!" | 0:25:08 | 0:25:10 | |
I find men's rooms... | 0:25:10 | 0:25:11 | |
There's a story about Bono going into a men's room | 0:25:11 | 0:25:15 | |
and standing up there and the guy standing beside him, a long silence, | 0:25:15 | 0:25:19 | |
and then eventually the guy saying, "Bit of stage fright, Bono?" | 0:25:19 | 0:25:23 | |
JIMMY HOOTS UPROARIOUSLY | 0:25:23 | 0:25:26 | |
But in 1942, and this is the one | 0:25:26 | 0:25:28 | |
where you're going to go, "Yeah, right(!)", | 0:25:28 | 0:25:31 | |
a psychologist called Lawrence LeShan | 0:25:31 | 0:25:33 | |
tried to use sleep-learning at a summer camp... | 0:25:33 | 0:25:35 | |
-Yeah, right(!) -..to cure some boys of nail-biting. | 0:25:35 | 0:25:38 | |
-Oh, no. -He recorded the phrase, | 0:25:38 | 0:25:40 | |
"My fingernails are terribly bitter," on a phonograph, | 0:25:40 | 0:25:44 | |
and then played it 300 times a night in the boys' tent, or room or whatever it was. | 0:25:44 | 0:25:47 | |
And they all went on to kill and kill again? | 0:25:47 | 0:25:49 | |
One boy appeared to respond positively, | 0:25:49 | 0:25:51 | |
but then after five weeks the phonograph broke. | 0:25:51 | 0:25:54 | |
So, to keep the experiment running, | 0:25:54 | 0:25:57 | |
he stood in the boys' dormitory through the night | 0:25:57 | 0:26:01 | |
and repeated the phrase himself. | 0:26:01 | 0:26:03 | |
"My fingernails taste terribly bitter." | 0:26:03 | 0:26:05 | |
This seemed to work, and he claimed it as a success. | 0:26:05 | 0:26:07 | |
It's thought, generally, these days, that the boys were awake | 0:26:07 | 0:26:10 | |
and just freaked out by the experience | 0:26:10 | 0:26:12 | |
and they stopped biting their nails to make the nasty man go away. | 0:26:12 | 0:26:15 | |
It's all very peculiar. Anyway, moving on. | 0:26:15 | 0:26:18 | |
How did the Romans tell their Keiths from their Kevins? | 0:26:18 | 0:26:21 | |
Some Keiths and Kevins there, in case you don't know what they are. | 0:26:22 | 0:26:25 | |
-Keith Richards. -Kevin Bacon... Kevin Keegan. Keith Lemon. | 0:26:25 | 0:26:29 | |
Well done, that's enough. That's all, you won't get any more. | 0:26:29 | 0:26:31 | |
The other ones don't look real. | 0:26:31 | 0:26:33 | |
-No... And they're looking... -Are they the actual Romans? | 0:26:33 | 0:26:36 | |
I think on the far left, that's Burger King, isn't it? | 0:26:36 | 0:26:40 | |
I think it might be, it does look a bit like it. | 0:26:40 | 0:26:42 | |
They could have... Because in Latin they both mean the same? | 0:26:42 | 0:26:45 | |
It's not that. It doesn't have to be Keiths and Kevins, | 0:26:45 | 0:26:47 | |
it means how did Romans know people's names? | 0:26:47 | 0:26:49 | |
-How do they know people's names? -Because we all forget them... | 0:26:49 | 0:26:52 | |
-JO: Did they remember them? -No. That's the point, they'd forgotten. | 0:26:52 | 0:26:55 | |
-Badge, they had a badge. -No. | 0:26:55 | 0:26:57 | |
You have a special servant. | 0:26:57 | 0:26:59 | |
A servant to say your name? | 0:26:59 | 0:27:01 | |
A nomenclator. Not to say YOUR name! | 0:27:01 | 0:27:03 | |
LAUGHTER | 0:27:03 | 0:27:05 | |
-I'm assuming you'll remember your own name! -This is Pepe! | 0:27:05 | 0:27:08 | |
It's when you forget other people's. So you come in and the person whispers, "Alan Davies", | 0:27:08 | 0:27:12 | |
and you go, "Alan, how lovely to see you!" | 0:27:12 | 0:27:14 | |
Because otherwise you've forgotten, like a politician. | 0:27:14 | 0:27:16 | |
-That's very useful. -Yeah. Absolutely right. And politicians... | 0:27:16 | 0:27:20 | |
-I have a technique for names. -Yeah? | 0:27:20 | 0:27:21 | |
If I've forgotten someone's name, I just say, | 0:27:21 | 0:27:23 | |
"Excuse me for a second", and then I go home. | 0:27:23 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:28 | |
APPLAUSE | 0:27:29 | 0:27:31 | |
Works every time! | 0:27:31 | 0:27:33 | |
-If you're the nomenclator... -Yes? | 0:27:34 | 0:27:37 | |
..and you keep saying, "This is Steve. This is Fiona." | 0:27:37 | 0:27:40 | |
-Stevius, Fiona. -After a while he goes, "I know. I know that one!" | 0:27:40 | 0:27:43 | |
Yes, you would. You're allowed to tell them... | 0:27:43 | 0:27:45 | |
Just tell me the ones I don't know. She thinks I've forgotten her name! | 0:27:45 | 0:27:49 | |
I really thought I was in there, | 0:27:49 | 0:27:52 | |
and now you've just gone "Fiona", | 0:27:52 | 0:27:54 | |
as if I didn't know it was... Look at her face now! | 0:27:54 | 0:27:57 | |
Go over there and say, "He knew, I was just doing my job. | 0:27:57 | 0:28:00 | |
"He wants you to know that he knew you were Fiona." | 0:28:00 | 0:28:03 | |
"This is your wife, Susan. You've been married 15 years." | 0:28:03 | 0:28:08 | |
I actually do have a system involving my wife, | 0:28:08 | 0:28:11 | |
which is, we go over to someone whose name I don't know, | 0:28:11 | 0:28:13 | |
and I just stand there in total silence, | 0:28:13 | 0:28:16 | |
and then eventually my wife says, "I'm sorry, my name's Helen." | 0:28:16 | 0:28:19 | |
And the guy says, "Oh, I'm Gary," and I go, "I'm sorry. This is Gary! Gary, Helen. Helen, Gary." | 0:28:19 | 0:28:23 | |
-Didn't I introduce you? I thought I, yeah... -Yeah. | 0:28:23 | 0:28:25 | |
Just as soon as they say it, you go, "Ah!" And then you sort of... | 0:28:25 | 0:28:29 | |
Is that a system, per se? LAUGHTER | 0:28:29 | 0:28:31 | |
-Sounds like you being awkward at a party. -I'm sorry, I am... | 0:28:31 | 0:28:35 | |
So, moving on to self knowledge. | 0:28:35 | 0:28:37 | |
How do you know when you have enough? | 0:28:37 | 0:28:40 | |
Everyone always tells me. | 0:28:40 | 0:28:42 | |
-It's normally... It's a tap on the shoulder, isn't it? -I think, Jimmy... | 0:28:44 | 0:28:48 | |
-Jimmy... -It's the cold steel around both wrists. | 0:28:48 | 0:28:50 | |
And the clanging of the door, and the one phone call. | 0:28:53 | 0:28:56 | |
"I've had enough. | 0:28:58 | 0:29:00 | |
"Who am I speaking to?" | 0:29:01 | 0:29:04 | |
-Oh, dear. -Are we talking food here? -We are talking food. | 0:29:07 | 0:29:12 | |
JO: I don't, really. | 0:29:12 | 0:29:14 | |
The fact is this is about knowledge and you think you're full when, | 0:29:16 | 0:29:19 | |
as it were, you know you've had enough, which is | 0:29:19 | 0:29:22 | |
obviously not knowledge - it is memory. | 0:29:22 | 0:29:24 | |
You can test this on people with short-term memory loss. | 0:29:24 | 0:29:26 | |
I mean amnesiacs, who immediately forget what's just happened. | 0:29:26 | 0:29:29 | |
-I'm sorry, what were you saying? -Exactly. Thank you very much. | 0:29:29 | 0:29:33 | |
So, there are people who have this condition. | 0:29:33 | 0:29:35 | |
They forget that they've eaten, say, 20 minutes, half an hour afterwards. | 0:29:35 | 0:29:39 | |
And you ask them if they'd like to eat and they will eat three or four | 0:29:39 | 0:29:42 | |
heavy meals when they are obviously completely stuffed | 0:29:42 | 0:29:45 | |
because they don't remember eating. They literally don't remember it. | 0:29:45 | 0:29:49 | |
There is a trick you can do with a bowl of thick soup which has | 0:29:49 | 0:29:52 | |
got a clever little mechanism on it so that, while people aren't | 0:29:52 | 0:29:55 | |
looking, it fills itself up again or empties itself ahead of time. | 0:29:55 | 0:29:58 | |
Some people think they've had the full bowl of soup | 0:29:58 | 0:30:00 | |
when they've actually had less or they've actually had a lot more. | 0:30:00 | 0:30:04 | |
I've got a similar device for desserts, which is my girlfriend. | 0:30:04 | 0:30:08 | |
She won't order one but I'll order one and then it just goes missing. | 0:30:08 | 0:30:12 | |
-It works with chips as well. -Very good. | 0:30:14 | 0:30:16 | |
She hasn't had dessert in ten years. | 0:30:16 | 0:30:19 | |
I've had a lot of half desserts. | 0:30:19 | 0:30:21 | |
Anyway, that's enough about that sort of thing. Diet. | 0:30:22 | 0:30:25 | |
We feel full after a meal not just because we are | 0:30:25 | 0:30:28 | |
but because we think we are. A question about kith and kin now. | 0:30:28 | 0:30:31 | |
What's the best way of avoiding talking to your mother-in-law? | 0:30:31 | 0:30:34 | |
BUZZER | 0:30:34 | 0:30:37 | |
-Yes, Jo? -Removing her vocal cords, | 0:30:37 | 0:30:40 | |
with some pliers! | 0:30:40 | 0:30:42 | |
That's the best way of avoiding HER talking to YOU. | 0:30:42 | 0:30:45 | |
JIMMY: Well, lean in for the kiss. | 0:30:45 | 0:30:47 | |
-Ugh! Oddly enough, you're in the right, hideous area. -Really? | 0:30:47 | 0:30:51 | |
Prince Charles's hair is being stealthily removed | 0:30:51 | 0:30:55 | |
from his head by Camilla's hair-grabbing, hair-eating hat. | 0:30:55 | 0:30:59 | |
LAUGHTER | 0:30:59 | 0:31:01 | |
It's like a Triffid. | 0:31:01 | 0:31:04 | |
And she's operating it slyly with her hand and going like that. | 0:31:04 | 0:31:07 | |
And the hair is being sucked into that hat. | 0:31:07 | 0:31:10 | |
-She's looking down at the dial. -The hat devours it! | 0:31:10 | 0:31:13 | |
If you don't like your mother-in-law, | 0:31:13 | 0:31:15 | |
what hope is there for you? | 0:31:15 | 0:31:17 | |
I view the mother-in-law as, it's Christmas Future. | 0:31:17 | 0:31:20 | |
-Yes, that's true. -If you don't like your mother-in-law, | 0:31:20 | 0:31:23 | |
you're in trouble, 20 years down the line. That's what you're buying into. | 0:31:23 | 0:31:27 | |
My mother-in-law makes absolutely no sound when she moves. | 0:31:27 | 0:31:32 | |
LAUGHTER | 0:31:32 | 0:31:33 | |
That's remarkable. Like Jeeves. | 0:31:35 | 0:31:37 | |
She is the stealthiest person. | 0:31:37 | 0:31:40 | |
You've got a stealth mother-in-law. Is she sprayed black? | 0:31:40 | 0:31:42 | |
Honestly, she could be a brilliant spy, you know? | 0:31:42 | 0:31:45 | |
You might be in a room and you're looking in a thing or something, | 0:31:45 | 0:31:49 | |
and then suddenly she'll go, "Hello." "Oh, Jesus! | 0:31:49 | 0:31:52 | |
"Where did you come from?! Where did you come from?! | 0:31:52 | 0:31:55 | |
"It's a long way from the door!" | 0:31:55 | 0:31:57 | |
Anybody would have gone, "Ahem," made a little noise. Nothing. | 0:31:57 | 0:32:00 | |
Oh, that's terrible. It's like the famous story | 0:32:00 | 0:32:03 | |
of the boy who was, you know, | 0:32:03 | 0:32:04 | |
having a play with himself in his bedroom, with his eyes closed. | 0:32:04 | 0:32:07 | |
And by the way, I was not doing, I was not playing with myself! | 0:32:07 | 0:32:10 | |
-No, not you. -In this story, before you conflate them. | 0:32:10 | 0:32:13 | |
-No, that's true. -What's that story or that thing where Alan Davies, | 0:32:13 | 0:32:17 | |
and his mother-in-law comes up behind him? | 0:32:17 | 0:32:19 | |
Let's just separate those two things! | 0:32:19 | 0:32:21 | |
All right. But he closes his eyes in bliss | 0:32:21 | 0:32:24 | |
and when he opens them afterwards, | 0:32:24 | 0:32:26 | |
he just finds a cup of tea next to him! | 0:32:26 | 0:32:28 | |
LAUGHTER | 0:32:28 | 0:32:30 | |
It sounds so appalling! | 0:32:30 | 0:32:32 | |
She thought, "Well, your father always likes a cup of tea afterwards!" | 0:32:32 | 0:32:37 | |
And a biscuit! | 0:32:37 | 0:32:39 | |
APPLAUSE | 0:32:39 | 0:32:41 | |
Oh, gracious! Oh, Alan! | 0:32:41 | 0:32:45 | |
Les Dawson gets a hard time for mother-in-law jokes. | 0:32:45 | 0:32:48 | |
-And they are the best mother-in-law jokes. -Remind us of some. | 0:32:48 | 0:32:52 | |
-Copyright Les Dawson. -Copyright Les Dawson was the, | 0:32:52 | 0:32:54 | |
"Walking down the street with my wife. | 0:32:54 | 0:32:56 | |
"I saw my mother-in-law and she was being beaten up by six men. | 0:32:56 | 0:32:59 | |
"My wife said, 'Aren't you going to help?' | 0:32:59 | 0:33:01 | |
"I said, 'Six should be enough.'" | 0:33:01 | 0:33:03 | |
LAUGHTER | 0:33:03 | 0:33:05 | |
Brilliant. | 0:33:05 | 0:33:06 | |
The weird... When I was growing up, starting in comedy, it was like, | 0:33:09 | 0:33:13 | |
-"Oh, yeah, he just tells mother-in-law jokes." -I know. | 0:33:13 | 0:33:16 | |
-He was frowned on. -He was sort of a genius. -A complete genius. | 0:33:16 | 0:33:18 | |
-AS LES DAWSON: -My mother-in-law came round. | 0:33:18 | 0:33:20 | |
The mice were throwing themselves on the traps. | 0:33:20 | 0:33:24 | |
LAUGHTER | 0:33:24 | 0:33:26 | |
STEPHEN LAUGHS HYSTERICALLY | 0:33:29 | 0:33:30 | |
That piano playing act is one of the greatest things of all time. | 0:33:32 | 0:33:36 | |
-Which is very difficult to do. -Yeah, so I believe. | 0:33:36 | 0:33:39 | |
-He'd do The Blue Danube... -HE HUMS TUNE | 0:33:39 | 0:33:41 | |
-..like that. -Hit the bum note. | 0:33:41 | 0:33:43 | |
Enough. We haven't even begun to answer this question yet. | 0:33:43 | 0:33:45 | |
It's about sexual taboos with mothers-in-laws... | 0:33:45 | 0:33:48 | |
Sexual taboos with mother-in-laws?! | 0:33:48 | 0:33:49 | |
Taboos, and there is this particular language | 0:33:49 | 0:33:51 | |
-where you have a special language... -What?! -..in which to speak to your mother-in-law. | 0:33:51 | 0:33:55 | |
It's called an avoidance language, | 0:33:55 | 0:33:57 | |
so you have your own, the natural line of language. | 0:33:57 | 0:33:59 | |
We've got one of those, haven't we? It's called small talk. | 0:33:59 | 0:34:02 | |
But this has a different vocabulary and it's absolutely different. | 0:34:02 | 0:34:05 | |
A whole language where you can talk to your mother-in-law so it's just safe subjects? | 0:34:05 | 0:34:08 | |
You also have to avert the eyes and look at the ground, which is part of using that language. | 0:34:08 | 0:34:12 | |
And there are certain words that don't exist in that language, | 0:34:12 | 0:34:15 | |
-most notably things like pubic hair and sweaty smells. -JO: But why? | 0:34:15 | 0:34:18 | |
Because there is a taboo and a sense of respect | 0:34:18 | 0:34:21 | |
that is given by the male to the mother of his wife. | 0:34:21 | 0:34:24 | |
It's in Australia. | 0:34:24 | 0:34:25 | |
There's some Aboriginal peoples who have these avoidance languages. | 0:34:25 | 0:34:28 | |
And it's really fascinating, isn't it? | 0:34:28 | 0:34:30 | |
In Japan, they have a special language when talking about the royal family. | 0:34:30 | 0:34:34 | |
Is there a phrase for "You've spilt the Tippex," | 0:34:34 | 0:34:37 | |
in their culture? | 0:34:37 | 0:34:38 | |
Someone needs to address that. | 0:34:39 | 0:34:41 | |
You're so bad. You're so bad! | 0:34:41 | 0:34:43 | |
Now, what did this bird bring to the German city of Klutz? | 0:34:43 | 0:34:46 | |
-Chlamydia. -Chlamydia! | 0:34:48 | 0:34:50 | |
-The Chlamydia Stork. -It's a good idea. The Chlamydia Stork! | 0:34:52 | 0:34:54 | |
Sounds like a desperate man back from a business trip in Holland, | 0:34:54 | 0:34:57 | |
-going, "Ah, ah, the thing is, storks." -Yes! | 0:34:57 | 0:35:01 | |
Is that a particular, like a giant stork that you only find in Germany? | 0:35:01 | 0:35:05 | |
I'll show you a picture of it. It's been stuffed and is in a museum. | 0:35:05 | 0:35:08 | |
How big is it, really? | 0:35:08 | 0:35:09 | |
Well, it's hard to tell the scale, but storks are quite big. | 0:35:09 | 0:35:12 | |
But that's an arrow through it, or spear, rather. | 0:35:12 | 0:35:14 | |
They call it an arrow in German, which is Pfeil, | 0:35:14 | 0:35:17 | |
and it's known as the Pfeilstorch, | 0:35:17 | 0:35:19 | |
which is just literally "arrow stork". | 0:35:19 | 0:35:21 | |
Now, you may say what's odd about that? Nothing, particularly. | 0:35:21 | 0:35:24 | |
But what they recognised was that the arrow was not German. | 0:35:24 | 0:35:28 | |
Indeed it was not even European. | 0:35:28 | 0:35:30 | |
-But they recognised right away that it was African. -That it had flown a very long way. | 0:35:30 | 0:35:34 | |
What on earth would a bird be doing | 0:35:34 | 0:35:36 | |
with an African spear in its neck, they thought? | 0:35:36 | 0:35:38 | |
So they puzzled out the possibility that birds, | 0:35:38 | 0:35:41 | |
rather than disappearing at winter... | 0:35:41 | 0:35:44 | |
-Oh, went to Africa. -Yes, migrated. | 0:35:44 | 0:35:46 | |
-Sorry, are you saying it flew back with that... -Yes. | 0:35:46 | 0:35:48 | |
-It survived. -No way! -I know, yeah. | 0:35:48 | 0:35:50 | |
-I was just... I mean, no way! -It happened. Yes, it did. | 0:35:50 | 0:35:53 | |
It flew to Germany going, "Well, I'm never going back there." | 0:35:53 | 0:35:57 | |
LAUGHTER | 0:35:57 | 0:35:59 | |
"The worst holiday ever!" | 0:35:59 | 0:36:02 | |
APPLAUSE | 0:36:02 | 0:36:04 | |
I find that... The survival of that bird, I find extraordinary, that it arrived. | 0:36:04 | 0:36:08 | |
It is. But you hear stories of bullets piercing people's heads | 0:36:08 | 0:36:11 | |
without somehow managing to... | 0:36:11 | 0:36:12 | |
Not an arrow travelling the length of | 0:36:12 | 0:36:15 | |
its neck and through its head. | 0:36:15 | 0:36:17 | |
I know. It is astounding that it flew. | 0:36:17 | 0:36:20 | |
-"Something's different!" -Yeah. | 0:36:20 | 0:36:21 | |
Do you think it was originally from Germany? Or it got kind of... | 0:36:21 | 0:36:24 | |
It was from England and somehow, "Whoa, we're going right a bit!" | 0:36:24 | 0:36:27 | |
It might have slightly tilted to the right, we don't know. It was in the 1820s. | 0:36:27 | 0:36:31 | |
In the Spanish Inquisition, they used to put people on spikes. | 0:36:31 | 0:36:34 | |
-They'd put the spike up your bum hole... -Oh, don't. | 0:36:34 | 0:36:37 | |
..and right up through you and it'd come out your shoulder | 0:36:37 | 0:36:40 | |
and it would miss all the vital organs and you'd be alive. | 0:36:40 | 0:36:43 | |
-That's not nice, is it? -And they'd put you up in the square. | 0:36:43 | 0:36:45 | |
I'm beginning really to think less and less of the Spanish Inquisition, | 0:36:45 | 0:36:48 | |
-let's be honest. -350 years, it went on. | 0:36:48 | 0:36:51 | |
-I thought it was, you know... -Oh, no. | 0:36:51 | 0:36:53 | |
..a couple of weeks. | 0:36:53 | 0:36:55 | |
LAUGHTER | 0:36:55 | 0:36:57 | |
Then it was safe to go back! Back to Marbella. | 0:36:57 | 0:37:00 | |
-350 years! -It wasn't always as torturous as it is. | 0:37:00 | 0:37:03 | |
-They did some terrible things. -They did. But not for 300 years solid. | 0:37:03 | 0:37:07 | |
When it wasn't torturous, what would they do? | 0:37:07 | 0:37:09 | |
Well, they would test your faith, but they wouldn't punish you by... | 0:37:09 | 0:37:12 | |
There was a lot of tickling. | 0:37:12 | 0:37:14 | |
There was 100 years where it was mainly Chinese burns. | 0:37:14 | 0:37:17 | |
"You do believe in God. Yes, you do! Yes, you do! Yes, you bloody do. | 0:37:17 | 0:37:22 | |
Anyway, until that time, people had observed birds disappearing, | 0:37:22 | 0:37:26 | |
and they'd assumed all kinds of things, that they went underwater, | 0:37:26 | 0:37:29 | |
that, you know, they changed into other animals, but there was no | 0:37:29 | 0:37:32 | |
-particular evidence, except they disappeared. -It was 18...? -1820. | 0:37:32 | 0:37:35 | |
This was the first kind of clear evidence, as it were, that the bird had been to Africa. | 0:37:35 | 0:37:38 | |
And so things began to get put together. | 0:37:38 | 0:37:41 | |
Samuel Johnson wrote that, "Swallows certainly sleep in the winter. | 0:37:41 | 0:37:44 | |
"A number of them conglobulate together by flying round and round | 0:37:44 | 0:37:47 | |
"and then all in a heap throw themselves underwater and lie on the bed of the river." | 0:37:47 | 0:37:51 | |
That's what he thought, because swallows disappear in winter. | 0:37:51 | 0:37:53 | |
He assumed they hibernated, like other animals. | 0:37:53 | 0:37:56 | |
Butterflies, of course, the migrate thousands of miles | 0:37:56 | 0:37:59 | |
but we never see them. | 0:37:59 | 0:38:00 | |
-Why don't we see butterflies migrating? -They're invisible. | 0:38:00 | 0:38:03 | |
They're caterpillars. They migrate as caterpillars. | 0:38:03 | 0:38:07 | |
-They migrate, like, super, super slowly. -A long time to get there. | 0:38:07 | 0:38:11 | |
They are very, very hungry. I read a book about them. | 0:38:11 | 0:38:13 | |
The reason is that they are actually a kilometre up. | 0:38:13 | 0:38:16 | |
-They are incredibly high. -Are they? -Yeah. It's really astonishing that | 0:38:16 | 0:38:20 | |
these fragile, delicate creatures manage to get the height | 0:38:20 | 0:38:22 | |
and then, when they are in there, | 0:38:22 | 0:38:24 | |
to orient themselves in such a way that they know they are | 0:38:24 | 0:38:26 | |
all facing the right direction and get thousands of miles. | 0:38:26 | 0:38:30 | |
They're like this, "Whoa!" | 0:38:30 | 0:38:32 | |
It is astonishing, isn't it? | 0:38:32 | 0:38:34 | |
JO: Well, I remember being on a school bus once. | 0:38:34 | 0:38:37 | |
There was a beautiful butterfly on it fluttering around, | 0:38:37 | 0:38:39 | |
trying to get out and I caught it in my hands. | 0:38:39 | 0:38:42 | |
I went, "Go free," | 0:38:42 | 0:38:43 | |
-and I let it out the window and a bird swooped in and ate it. -Oh, no. | 0:38:43 | 0:38:47 | |
That is a metaphor for life, that. | 0:38:47 | 0:38:49 | |
It is, isn't it? It completely is. | 0:38:49 | 0:38:51 | |
Now, get this right and you can have your weight in points. | 0:38:51 | 0:38:54 | |
I'd like you to add these numbers up. | 0:38:54 | 0:38:56 | |
-Look at the screen, add up the numbers. -Hang on. Hang on. Pen. | 0:38:56 | 0:38:59 | |
JO: Oh! | 0:38:59 | 0:39:01 | |
That's silly. | 0:39:01 | 0:39:03 | |
-Nine, nine, nine, nine. -No. | 0:39:03 | 0:39:05 | |
-431. -No. I'll let you have, | 0:39:05 | 0:39:08 | |
which the winner of this competition did not have, | 0:39:08 | 0:39:11 | |
the opportunity to see it again. All right, again. Two-second burst. | 0:39:11 | 0:39:14 | |
Add that up. | 0:39:16 | 0:39:17 | |
Oh, it's about 897. | 0:39:17 | 0:39:19 | |
No. It would be astonishing if you got it, | 0:39:19 | 0:39:21 | |
but in Japan - where else? - | 0:39:21 | 0:39:22 | |
they have this. It's called Flash Anzan. | 0:39:22 | 0:39:24 | |
And actually the world record-holder had a shorter time than that. | 0:39:24 | 0:39:28 | |
You have to correctly add 15 three-digit numbers, | 0:39:28 | 0:39:31 | |
and he did it in 1.7 seconds. | 0:39:31 | 0:39:34 | |
There's a particular reason Japanese people are very good at this. | 0:39:34 | 0:39:37 | |
I think I know the reason. It's in Malcolm Gladwell's book. | 0:39:37 | 0:39:39 | |
It's because of how they process... how the language processes numbers. | 0:39:39 | 0:39:43 | |
There is a strange thing in Chinese and Japanese, | 0:39:43 | 0:39:45 | |
in both languages, with the number, if you say the numbers together, | 0:39:45 | 0:39:49 | |
it automatically adds them up, sort of linguistically. | 0:39:49 | 0:39:52 | |
Yes, but there's a really interesting addition to that, | 0:39:52 | 0:39:54 | |
which is that what they're doing, | 0:39:54 | 0:39:56 | |
and their fingers are the giveaway, they do this. | 0:39:56 | 0:39:58 | |
What do you think that is? | 0:39:58 | 0:39:59 | |
That, that is a living one of those! | 0:39:59 | 0:40:02 | |
LAUGHTER AND APPLAUSE | 0:40:02 | 0:40:05 | |
Come on! | 0:40:05 | 0:40:06 | |
Genius! You see? | 0:40:06 | 0:40:09 | |
I've always said, "He's a savant!" | 0:40:09 | 0:40:12 | |
Or it's a herd of those! | 0:40:12 | 0:40:14 | |
I read that book and isn't there a thing...? | 0:40:16 | 0:40:19 | |
It's a Malcolm Gladwell book called Outliers. It's brilliant. | 0:40:19 | 0:40:22 | |
The thing about it is they use fewer syllables in the numbers | 0:40:22 | 0:40:26 | |
so that they have greater aptitude for adding them up | 0:40:26 | 0:40:30 | |
-more quickly as children. -That might help them. | 0:40:30 | 0:40:33 | |
The answer, incidentally was 1,966. | 0:40:33 | 0:40:36 | |
But the secret actually is in the Chinese, Japanese abacus. | 0:40:36 | 0:40:41 | |
They're actually doing the action of the abacus. | 0:40:41 | 0:40:43 | |
And the more amazing thing, perhaps, | 0:40:43 | 0:40:46 | |
is that, at the same time, they can have a conversation with someone. | 0:40:46 | 0:40:50 | |
Because it's another part of the brain that's being engaged. | 0:40:50 | 0:40:52 | |
And they'll say the answer, but they won't remember a single one | 0:40:52 | 0:40:55 | |
of the numbers they added up. | 0:40:55 | 0:40:57 | |
I thought about this and thought, "This is crazy." | 0:40:57 | 0:40:59 | |
I've got a composer friend who came round to my house and I happen | 0:40:59 | 0:41:01 | |
to have a full orchestral score of Don Giovanni for the piano and he... | 0:41:01 | 0:41:05 | |
Of course you did! | 0:41:05 | 0:41:06 | |
LAUGHTER | 0:41:06 | 0:41:08 | |
I did! People do! | 0:41:08 | 0:41:10 | |
Anyway, he just opened it like that and he started playing it, | 0:41:10 | 0:41:14 | |
sight-reading, like that, on the piano. And talking to me about it. | 0:41:14 | 0:41:17 | |
"This is the bit where it does that." And I somehow took apart what he was doing. | 0:41:17 | 0:41:21 | |
It's not written out as a piano score, | 0:41:21 | 0:41:23 | |
it's written out as violins, oboes, flutes, cor anglais, | 0:41:23 | 0:41:26 | |
which you have to transpose in your head while doing it, | 0:41:26 | 0:41:28 | |
cos it's written in a different key from the rest of everything else. | 0:41:28 | 0:41:31 | |
So, he's doing that and playing a beautiful transcription | 0:41:31 | 0:41:34 | |
-and talking to me. -The people that do that, they're slightly magic. | 0:41:34 | 0:41:37 | |
-I agree. -And that's a spell they're saying and I go, | 0:41:37 | 0:41:40 | |
-"Yeah, fine, I'll believe that. Might as well be." -I know. | 0:41:40 | 0:41:44 | |
-Conductors, trained musicians. -10,000 hours. 10,000 hours. | 0:41:44 | 0:41:47 | |
That's it. The Beatles, Mozart, all of them, as we know. We think... | 0:41:47 | 0:41:50 | |
-It's a very convincing... -I've done 10,000 hours. -Of this. | 0:41:50 | 0:41:54 | |
Of sitting around, vacantly thinking... | 0:41:54 | 0:41:57 | |
-And you're really getting good at it now. -Being wrong about stuff. | 0:41:57 | 0:42:02 | |
Which brings me to some very complicated adding up of my own, as a matter of fact. | 0:42:02 | 0:42:05 | |
Oh, my gracious goodness, heavens! | 0:42:05 | 0:42:08 | |
The scores are unusual, because we have, of course, been giving scores | 0:42:08 | 0:42:12 | |
to make up for our errors on account of the half-life of facts. | 0:42:12 | 0:42:17 | |
So, in last place, I'm afraid, | 0:42:17 | 0:42:18 | |
it's magnificent for a first appearance, minus 19, | 0:42:18 | 0:42:21 | |
Graham Linehan. | 0:42:21 | 0:42:22 | |
APPLAUSE AND CHEERING | 0:42:22 | 0:42:24 | |
-Graham, congratulations. -Thank you. | 0:42:24 | 0:42:26 | |
In fourth place, with 23.24, it's the audience! | 0:42:28 | 0:42:32 | |
Well done! | 0:42:32 | 0:42:33 | |
-And in third place... -So I'm behind the audience? | 0:42:38 | 0:42:40 | |
Yes, I'm afraid so. It's deeply unfair. | 0:42:40 | 0:42:43 | |
-The Star Wars guy's in the audience. -I'm on the show! | 0:42:43 | 0:42:46 | |
I'm so sorry. | 0:42:48 | 0:42:49 | |
And in third place, with plus 33.58, is Jimmy Carr. | 0:42:49 | 0:42:55 | |
APPLAUSE AND CHEERING | 0:42:55 | 0:42:56 | |
Come on. | 0:42:56 | 0:42:57 | |
In second place, with plus 85.73, Jo Brand. | 0:43:00 | 0:43:05 | |
APPLAUSE AND CHEERING | 0:43:05 | 0:43:07 | |
Not bad for a lady! | 0:43:07 | 0:43:08 | |
And today's out-and-out winner, | 0:43:10 | 0:43:14 | |
with 689.66, is Alan Davies! | 0:43:14 | 0:43:18 | |
APPLAUSE AND WHOOPING | 0:43:18 | 0:43:20 | |
It was worth it. | 0:43:25 | 0:43:26 | |
And, so, it's thank you and good night | 0:43:26 | 0:43:30 | |
from Graham, Jimmy, Jo, Alan and me. | 0:43:30 | 0:43:32 | |
Be useful and lovely to yourselves, good night. | 0:43:32 | 0:43:35 | |
APPLAUSE | 0:43:35 | 0:43:38 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:52 |