Browse content similar to Lumped Together. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Go-o-ood evening, | 0:00:29 | 0:00:32 | |
good evening, good evening, good evening, | 0:00:32 | 0:00:34 | |
good evening, good evening, good evening and welcome to QI, | 0:00:34 | 0:00:37 | |
where tonight lice, love handles | 0:00:37 | 0:00:39 | |
and lingerie are all lumped together. | 0:00:39 | 0:00:42 | |
Let's meet the lacy Jimmy Carr. | 0:00:42 | 0:00:45 | |
CHEERING AND APPLAUSE Thank you very much. | 0:00:45 | 0:00:48 | |
The lusty Ronni Ancona. | 0:00:48 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:53 | |
The leggy David Mitchell. | 0:00:54 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:59 | |
And the lamentable Alan Davies. | 0:00:59 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
Now, before we even begin with the first question, | 0:01:07 | 0:01:11 | |
one of your buzzers has been investigated by the FBI. | 0:01:11 | 0:01:14 | |
Let's listen to all of them and see if you can get some early points | 0:01:14 | 0:01:18 | |
by guessing which one. Jimmy goes... | 0:01:18 | 0:01:20 | |
# Lola, la-la-la-la, Lola... # | 0:01:20 | 0:01:24 | |
Ronni goes... | 0:01:24 | 0:01:26 | |
# Lay, lady, lay | 0:01:26 | 0:01:29 | |
# Lay across my big brass bed... # | 0:01:29 | 0:01:33 | |
David goes... | 0:01:33 | 0:01:35 | |
# Louie Louie, oh, no | 0:01:35 | 0:01:38 | |
# Gotta go Yi-yi-yi-yi-yi... # | 0:01:38 | 0:01:42 | |
And Alan goes... | 0:01:42 | 0:01:44 | |
# Little Willy really won't go home... # | 0:01:44 | 0:01:49 | |
So, we've got Little Willy really won't go home. | 0:01:49 | 0:01:53 | |
Your song, do you recognise it? | 0:01:53 | 0:01:55 | |
I did... I think I've heard those noises before, | 0:01:55 | 0:01:58 | |
-but I couldn't put words to them. -You seem to know it? -Louie Louie. | 0:01:58 | 0:02:02 | |
-Louie Louie. -Which I think was investigated by the FBI. | 0:02:02 | 0:02:04 | |
-Aha! -Because I think they thought it was a drug reference. | 0:02:04 | 0:02:07 | |
-They couldn't figure out what the song was about. -Worse than... | 0:02:07 | 0:02:10 | |
Well, is it worse than drugs? No, it isn't, it's better than, well... | 0:02:10 | 0:02:13 | |
-Sex. -Oh, it's a moral conundrum. | 0:02:13 | 0:02:15 | |
Is sex better or worse than drugs, when it comes to the FBI? | 0:02:15 | 0:02:17 | |
-Well, it can... It can be better and worse. -Yeah, you're right. | 0:02:17 | 0:02:20 | |
-Stephen, why can't we do both? -Yeah. One might assist the other. | 0:02:20 | 0:02:24 | |
-What's sex again? Sorry. -Aw... | 0:02:24 | 0:02:27 | |
So this is, the FBI investigated the song? | 0:02:27 | 0:02:30 | |
-Yeah, they investigated Louie Louie. You. -Right. | 0:02:30 | 0:02:33 | |
Yes, your song, because they thought it had very lewd references. | 0:02:33 | 0:02:37 | |
We can see what the lyrics actually were. | 0:02:37 | 0:02:41 | |
-Filth. -Yes. Well, that's what the lyric was. -Filth! | 0:02:47 | 0:02:51 | |
Ban this filth! | 0:02:51 | 0:02:53 | |
What they thought was being sung was... | 0:02:53 | 0:02:57 | |
-And... -That's hysterical. -My God! | 0:03:02 | 0:03:05 | |
-The weird thing is... -They wrote a song about my pre-show ritual, Ronni. | 0:03:05 | 0:03:10 | |
The weird thing is, if you listen to it, | 0:03:10 | 0:03:12 | |
you can see why they thought that. | 0:03:12 | 0:03:14 | |
THE SONG PLAYS | 0:03:14 | 0:03:17 | |
LAUGHTER | 0:03:20 | 0:03:22 | |
It does sound like that, doesn't it? | 0:03:22 | 0:03:25 | |
So, they investigated it, played it slowly, | 0:03:25 | 0:03:27 | |
and they explained exactly what the lyrics were. | 0:03:27 | 0:03:29 | |
It's one of those effects, where if you look at the right lyrics and hear it back again, | 0:03:29 | 0:03:33 | |
-it does seem, "Oh, yes, I see what the words are." -Says more about them than it does about the artist. | 0:03:33 | 0:03:37 | |
Exactly. You're so right. | 0:03:37 | 0:03:39 | |
Well, that's early points then, for Jimmy Carr, who got that - | 0:03:39 | 0:03:42 | |
-that the FBI investigated Louie Louie. -Yeah! Go, early points! | 0:03:42 | 0:03:46 | |
APPLAUSE | 0:03:46 | 0:03:49 | |
Points early doors. Right, let's begin. | 0:03:50 | 0:03:54 | |
What did the man who invented the lava lamp do for leisure? | 0:03:54 | 0:03:58 | |
-There he is. -That's John Malkovich. | 0:03:58 | 0:04:01 | |
It does look a bit like John Malkovich. | 0:04:01 | 0:04:03 | |
In a Hawaiian shirt. | 0:04:03 | 0:04:04 | |
Was he into women? | 0:04:04 | 0:04:06 | |
Was he a lover man? | 0:04:06 | 0:04:09 | |
-Well, he was like most men. -I can't believe I did that. | 0:04:09 | 0:04:12 | |
-You know you said that out loud? -I know, I know, I know. | 0:04:12 | 0:04:15 | |
-You said, "Was he a lover man?" out loud, just now. -I know. | 0:04:15 | 0:04:18 | |
-They all heard. -Sorry. | 0:04:18 | 0:04:19 | |
Yeah, well, actually, I'm going to make a lava lamp... | 0:04:19 | 0:04:22 | |
-Have you got one? -..for your edification, pleasure and entertainment. | 0:04:22 | 0:04:25 | |
I have here a little tube. This is actually a tube that usually | 0:04:25 | 0:04:29 | |
contains tennis balls, and this is a mixture of vegetable oil and water. | 0:04:29 | 0:04:33 | |
And I have here a little syringe. | 0:04:33 | 0:04:36 | |
Quite hard to mix, by the way, those two things. | 0:04:36 | 0:04:38 | |
Yeah, they are, because... | 0:04:38 | 0:04:40 | |
They separate and... Don't they, David? | 0:04:40 | 0:04:42 | |
-Yes... -Hello. So you pump the colour in. | 0:04:42 | 0:04:46 | |
And I'm going to use Alka-Seltzer | 0:04:46 | 0:04:47 | |
or any effervescent hangover cure pill will do. | 0:04:47 | 0:04:52 | |
-And I... -Are you going to say, "Don't try this at home?" | 0:04:52 | 0:04:54 | |
Well, you can, actually. | 0:04:54 | 0:04:56 | |
Honestly, it's not like Mentos, it's not going to explode. | 0:04:56 | 0:04:59 | |
And cue light. There we go. Pop it on. | 0:04:59 | 0:05:01 | |
-And, then, as the... -Oh, it's a beautiful thing. | 0:05:01 | 0:05:04 | |
..effervescent works, it begins... | 0:05:04 | 0:05:06 | |
Yeah, there we are, beginning to get the effect. | 0:05:06 | 0:05:08 | |
There we are, the colour's now beginning to come into it. | 0:05:08 | 0:05:11 | |
And you're getting a, sort of, lava lamp there. | 0:05:11 | 0:05:13 | |
Obviously, professionally, they're made more permanent. | 0:05:13 | 0:05:16 | |
A lava lamp, ladies and gentlemen. | 0:05:16 | 0:05:18 | |
APPLAUSE | 0:05:18 | 0:05:20 | |
But you've all got the equipment, as it were, | 0:05:20 | 0:05:24 | |
-so you can make one yourselves. -Oh, so exciting! | 0:05:24 | 0:05:26 | |
-Aren't you lucky? -Yeah. -It's so exciting. | 0:05:26 | 0:05:28 | |
-We've begun with the thrilling excitement. -Awesome. | 0:05:28 | 0:05:30 | |
Let's try and get it done quick. | 0:05:30 | 0:05:32 | |
-Do you have to pay something to the format holders of the Generation Game? -Yeah. | 0:05:32 | 0:05:35 | |
-It is a bit Generation Game, you're right. -Yeah. -OK, let's just... | 0:05:35 | 0:05:39 | |
-What do we do with that? -We inject colour in, I think. | 0:05:39 | 0:05:42 | |
-Inject colour. You've all got different colours to make it thrilling. -So... | 0:05:42 | 0:05:45 | |
Don't put too much of the effervescent hangover cure... | 0:05:45 | 0:05:47 | |
-Oh, I put all of it in. -Did you? Oh, no. Did you? | 0:05:47 | 0:05:51 | |
-It's a slightly manic lava lamp. -Don't put too many pills in. | 0:05:51 | 0:05:54 | |
And now just put a little of the... | 0:05:54 | 0:05:56 | |
No, put loads in, it's brilliant. | 0:05:56 | 0:05:57 | |
-Yeah, just put a little in, yeah. -Look at that! | 0:05:57 | 0:05:59 | |
-Look at your bullshit lava lamp. -Mine has dried. | 0:05:59 | 0:06:02 | |
Ours is so brilliant. Look at that! | 0:06:02 | 0:06:03 | |
-Your lava lamp is... -Hey! -Give... Steal another one of the... | 0:06:03 | 0:06:06 | |
-RONNI: -It's happening. It's all happening in our corner. -I can feed it. | 0:06:06 | 0:06:09 | |
-Won't it explode now? -Hopefully. | 0:06:09 | 0:06:11 | |
I can... No! No, you don't. No! | 0:06:11 | 0:06:14 | |
You're no fun. Stick another one in, ours has gone mental. | 0:06:14 | 0:06:17 | |
I'm a responsible adult, there has to be one on this programme. | 0:06:17 | 0:06:20 | |
-RONNI: -Look at all these little balls. | 0:06:20 | 0:06:21 | |
-DAVID: -I'm nervous of having them... -Stop saying that! | 0:06:21 | 0:06:25 | |
-I've got rather... -This genuinely reminds me so much of school, | 0:06:25 | 0:06:28 | |
when you said, "Don't put all the Alka-Seltzer in," | 0:06:28 | 0:06:32 | |
and then Alan said, "We're putting it all in," as a result. | 0:06:32 | 0:06:35 | |
And I've gone along with him and now I'm frightened. | 0:06:35 | 0:06:37 | |
You're the one in trouble. | 0:06:37 | 0:06:39 | |
LAUGHTER AND APPLAUSE | 0:06:39 | 0:06:43 | |
Is it going to blow?! | 0:06:48 | 0:06:50 | |
-Sir? Sir?! -Sir?! Sir?! | 0:06:50 | 0:06:53 | |
All right! | 0:06:53 | 0:06:55 | |
-Sir?! Sir?! -All right! | 0:06:55 | 0:06:57 | |
-All right. -Sir! | 0:06:57 | 0:06:58 | |
All right. | 0:06:58 | 0:07:00 | |
David Mitchell, you made me laugh. | 0:07:00 | 0:07:03 | |
You made me laugh, David. | 0:07:03 | 0:07:05 | |
-I've told you before... -You're in trouble! | 0:07:06 | 0:07:08 | |
It's not funny. | 0:07:08 | 0:07:10 | |
There's nothing funny about making people laugh. | 0:07:10 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:14 | |
Dear, oh, dear. I've got oily hands. | 0:07:15 | 0:07:17 | |
Mitchell's taken the lid off, sir! | 0:07:17 | 0:07:18 | |
Mitchell's taken the lid off, it's not sealed. | 0:07:18 | 0:07:21 | |
This is most unfortunate. | 0:07:21 | 0:07:23 | |
Are you...? Have you just...? | 0:07:24 | 0:07:25 | |
Why haven't you got any little balls in yours? | 0:07:25 | 0:07:27 | |
I beg your pardon? | 0:07:27 | 0:07:29 | |
This is not how it was supposed to happen, at all. | 0:07:29 | 0:07:32 | |
LAUGHTER | 0:07:32 | 0:07:33 | |
I love how broad Stephen's remit is. | 0:07:33 | 0:07:35 | |
That's industrial... | 0:07:37 | 0:07:39 | |
APPLAUSE | 0:07:39 | 0:07:41 | |
We all know why Alan has industrial strength tissues. | 0:07:44 | 0:07:47 | |
LAUGHTER | 0:07:47 | 0:07:49 | |
-RONNI: -You're not supposed to do that, Jimmy. | 0:07:51 | 0:07:53 | |
Right, everybody put their trays away. | 0:07:53 | 0:07:54 | |
-DAVID: -You've put gunk all on the eye. | 0:07:54 | 0:07:56 | |
Yeah. Rebel! | 0:07:56 | 0:07:58 | |
So, well done with your lava lamps, | 0:07:58 | 0:08:00 | |
he said, between gritted teeth. | 0:08:00 | 0:08:02 | |
The inventor was Edward Craven Walker, | 0:08:02 | 0:08:05 | |
who was born in 1918 and died in the year 2000. | 0:08:05 | 0:08:08 | |
I asked you at the very beginning | 0:08:08 | 0:08:10 | |
what his other leisure pursuits were. | 0:08:10 | 0:08:13 | |
Let me read you what he said about the lava lamp. | 0:08:13 | 0:08:16 | |
He said, "It starts from nothing, grows possibly a little feminine, | 0:08:16 | 0:08:19 | |
"then a little bit masculine, then breaks up and has children. | 0:08:19 | 0:08:21 | |
"It's a sexy thing." | 0:08:21 | 0:08:24 | |
He was having a "lava", wasn't he? | 0:08:24 | 0:08:26 | |
Sorry, I can't believe I did that again. | 0:08:26 | 0:08:29 | |
-Don't look at me like that. -Don't punish yourself, it's fine. | 0:08:29 | 0:08:32 | |
Not angry, I'm just disappointed. | 0:08:32 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:34 | |
He thought it was like he'd made an organism. | 0:08:34 | 0:08:37 | |
-A sort of lovely, sexy thing. -Yeah. | 0:08:37 | 0:08:39 | |
And he was that kind of a man, I'm afraid. | 0:08:39 | 0:08:42 | |
Was he a swinger? Was he one of the swingers? | 0:08:43 | 0:08:45 | |
-He was pretty much a swinger. -Oh, was he? | 0:08:45 | 0:08:46 | |
He directed nudist films. | 0:08:46 | 0:08:50 | |
-Nudist films? -Yeah. | 0:08:50 | 0:08:51 | |
He was a nudist, was he? | 0:08:51 | 0:08:52 | |
His were "nat-urist" films, yes, or naturist, depending on how... | 0:08:52 | 0:08:55 | |
The fact that that was his hobby, | 0:08:55 | 0:08:57 | |
did he not turn a profit on the porn? | 0:08:57 | 0:08:59 | |
It wasn't porn... | 0:08:59 | 0:09:01 | |
He had to subsidise his porn-making habit | 0:09:01 | 0:09:03 | |
with his lava lamp business. | 0:09:03 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:06 | |
He got the first naturist film that was on public release. | 0:09:06 | 0:09:10 | |
-That's the point. -That's not how you do it! | 0:09:10 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:13 | |
It's not porn. It's about people being naked. | 0:09:13 | 0:09:16 | |
And this was a ballet underwater. | 0:09:16 | 0:09:18 | |
-Vulcans do it like that. -Do they? -Yes. -Do they? | 0:09:18 | 0:09:22 | |
Is that one of his? Is that a still from one of his? | 0:09:22 | 0:09:24 | |
No, actually, we've made that up, apparently. | 0:09:24 | 0:09:26 | |
-Are those members of the production team? -Yes. | 0:09:26 | 0:09:28 | |
LAUGHTER | 0:09:28 | 0:09:30 | |
I don't think they're being paid enough to have to do that. | 0:09:30 | 0:09:32 | |
A couple of our elves...relaxing. | 0:09:32 | 0:09:34 | |
When you say the QI elves, | 0:09:34 | 0:09:35 | |
that's not the image that springs into my mind. | 0:09:35 | 0:09:37 | |
You think of sun-starved, specky creatures who are researching. | 0:09:37 | 0:09:40 | |
I don't want to be unkind, but, yes, I do. | 0:09:40 | 0:09:43 | |
Not a male and a female trying to do some sort of scissor sisters action. | 0:09:43 | 0:09:46 | |
Well, Edward Craven Walker founded the largest nudist colony in Britain, too, or one of the largest. | 0:09:46 | 0:09:51 | |
Milton Keynes! | 0:09:51 | 0:09:52 | |
LAUGHTER | 0:09:52 | 0:09:53 | |
Do you know the name of the company that still sells the lava lamps? | 0:09:53 | 0:09:57 | |
His company? | 0:09:57 | 0:09:58 | |
-It begins with... Something to do... It's Math... -Mathmos? | 0:09:58 | 0:10:03 | |
Mathmos. Share the points between you. | 0:10:03 | 0:10:06 | |
-Do you know where that name comes from? -Mathmos? -Yeah. | 0:10:06 | 0:10:09 | |
-The film starring Jane Fonda. -Ooh! -Barbarellis? | 0:10:09 | 0:10:12 | |
-Barbarella. -Oh, yes! -Barbarella. | 0:10:12 | 0:10:15 | |
Yes, it was a seething lake of oily substances. | 0:10:15 | 0:10:17 | |
-And Duran Duran comes in that movie as well? -It does, absolutely. | 0:10:17 | 0:10:20 | |
The city of Sogo in Barbarella had this lake of Mathmos. | 0:10:20 | 0:10:24 | |
At school, we used to call people who were good at maths "math-mos". | 0:10:24 | 0:10:27 | |
-That's right, that's still used. -Just a different pronunciation? | 0:10:27 | 0:10:30 | |
I like the idea at school you looked down on anyone. | 0:10:30 | 0:10:33 | |
-Like, "Good at maths, bloody idiots!" -No, I-I... | 0:10:33 | 0:10:36 | |
I deemed it a term of respect. | 0:10:36 | 0:10:39 | |
LAUGHTER | 0:10:39 | 0:10:41 | |
Were they calling you mathmos? | 0:10:41 | 0:10:43 | |
-Wear your mathmo badge with pride! And they did wear badges. -Yeah? | 0:10:43 | 0:10:48 | |
-Did they? -You DID wear badges! -I collected badges! | 0:10:48 | 0:10:52 | |
-RONNI: -Did you? -Aww! | 0:10:52 | 0:10:53 | |
Yeah, cos you go to, like, Warwick Castle and London Zoo, | 0:10:53 | 0:10:56 | |
and in order for the Western economy to prosper, | 0:10:56 | 0:10:59 | |
small children have to buy pointless objects. | 0:10:59 | 0:11:02 | |
In all of these places, you could buy a bookmark, | 0:11:02 | 0:11:05 | |
-you could buy a paperweight... -A pencil-topper! | 0:11:05 | 0:11:08 | |
Exactly. Or you could buy a badge. | 0:11:08 | 0:11:10 | |
And I always bought a badge, | 0:11:10 | 0:11:12 | |
and that's how I expressed my personality. | 0:11:12 | 0:11:14 | |
LAUGHTER | 0:11:14 | 0:11:16 | |
I didn't have to think, "What shall I buy? Ooh..." | 0:11:18 | 0:11:20 | |
No, didn't have to think. I always buy a badge. | 0:11:20 | 0:11:23 | |
It took him ages to take them all off before we came on here as well! | 0:11:23 | 0:11:27 | |
Now, how can I make sure that I dream about scantily clad women? | 0:11:29 | 0:11:34 | |
Does it work to look at a scantily-clad woman just before you go to sleep? | 0:11:34 | 0:11:38 | |
You're along the right lines, yes. | 0:11:38 | 0:11:40 | |
There was a Frenchman with the marvellous name of Marie-Jean-Leon Lecoq, the Marquis d'Hervey... | 0:11:40 | 0:11:46 | |
-"Lay-on The Cock"? -Leon Lecoq. | 0:11:46 | 0:11:48 | |
LAUGHTER | 0:11:48 | 0:11:50 | |
He was the Marquis d'Hervey de Saint-Denys, and he was a beardy old Victorian aristocrat, | 0:11:50 | 0:11:54 | |
as you can see from this picture of him. There he is, with his medals. | 0:11:54 | 0:11:57 | |
I thought you were going to say "pervert" there. | 0:11:57 | 0:11:59 | |
-"Beardy old Victorian pervert." -His technique... | 0:11:59 | 0:12:02 | |
What are the medals for?! | 0:12:02 | 0:12:04 | |
He's looking at a scantily-clad lady right there. | 0:12:04 | 0:12:06 | |
I can tell you what they are. | 0:12:06 | 0:12:08 | |
The first one, he went to Warwick Castle... | 0:12:08 | 0:12:10 | |
LAUGHTER AND APPLAUSE | 0:12:10 | 0:12:12 | |
..the next one was London Zoo. That's a pencil-topper. | 0:12:12 | 0:12:16 | |
He was very much the French David Mitchell of his age. | 0:12:19 | 0:12:23 | |
So, what was his technique for dreaming of scantily-clad women? | 0:12:23 | 0:12:26 | |
Well, what he would do is he would paint a scantily-clad woman | 0:12:26 | 0:12:30 | |
all day while chewing an orris root. | 0:12:30 | 0:12:33 | |
Orris root is used in potpourris and perfumes and such things. | 0:12:33 | 0:12:36 | |
And then he would go to sleep and his servant would place, | 0:12:36 | 0:12:41 | |
while he was asleep, some orris root in his mouth, very gently. | 0:12:41 | 0:12:45 | |
And this would summon up the memory of scantily clad women | 0:12:45 | 0:12:48 | |
and he would have what is known, technically, as a lucid dream. | 0:12:48 | 0:12:51 | |
A dream which you are aware of and which you have a kind of control over. A bit like... | 0:12:51 | 0:12:55 | |
Presumably, it was an improvement for the servant on what | 0:12:55 | 0:12:58 | |
he was previously asked to do. | 0:12:58 | 0:13:00 | |
LAUGHTER | 0:13:00 | 0:13:02 | |
Yes, I imagine so! | 0:13:02 | 0:13:03 | |
But there are ways you can do this for yourself without a servant, | 0:13:03 | 0:13:06 | |
according to Richard Wiseman, | 0:13:06 | 0:13:08 | |
who has written a new book called Night School. | 0:13:08 | 0:13:10 | |
And one of them is you check your watch regularly, | 0:13:10 | 0:13:14 | |
as much as you can, being absolutely sure to | 0:13:14 | 0:13:16 | |
look at the numbers, the numerals on the watch, throughout the day. | 0:13:16 | 0:13:19 | |
Right. | 0:13:19 | 0:13:21 | |
And this is likely to cause you to dream of yourself | 0:13:21 | 0:13:24 | |
looking at the watch when you're asleep. | 0:13:24 | 0:13:26 | |
But you won't be able to see the numbers properly. | 0:13:26 | 0:13:28 | |
And this forces you, somehow, to be aware that you're in a dream. | 0:13:28 | 0:13:32 | |
You kind of know you're looking for the numbers and they're not there, | 0:13:32 | 0:13:35 | |
and that kind of puts you in control in the sort of Holodeck | 0:13:35 | 0:13:38 | |
of your dream, as it were. | 0:13:38 | 0:13:40 | |
-I can see a very serious flaw in this man's plan. -Yes? | 0:13:40 | 0:13:44 | |
What happens if, one day, when you're awake, | 0:13:44 | 0:13:46 | |
you put on a watch that doesn't have numbers, just has little lines. | 0:13:46 | 0:13:50 | |
You look at it later in the day and you think, | 0:13:50 | 0:13:53 | |
-"Oh, brilliant, I'm in a dream!" -LAUGHTER | 0:13:53 | 0:13:55 | |
"I can do what I like! I'm not really at work. | 0:13:55 | 0:13:58 | |
"The receptionist from work isn't really here. I can do what I like!" | 0:13:58 | 0:14:02 | |
It could be like Terry-Thomas, | 0:14:02 | 0:14:03 | |
-and call Sir Dennis an "old buffoon". -Exactly! | 0:14:03 | 0:14:06 | |
The people will be calling each other "old buffoons" all the time before you know it. | 0:14:06 | 0:14:10 | |
I imagine, in that scenario, you woke up in the office, you thought, "Oh, I'm in a dream." | 0:14:10 | 0:14:15 | |
I imagine you would quietly get on with your work. | 0:14:15 | 0:14:17 | |
LAUGHTER | 0:14:17 | 0:14:19 | |
Sad to say, but I think that's what would happen! | 0:14:19 | 0:14:22 | |
Apparently, 50% of us have had a lucid dream, in that sense, | 0:14:22 | 0:14:25 | |
in our lives. | 0:14:25 | 0:14:27 | |
And you're more likely to have one if you are a computer gamer as well. | 0:14:27 | 0:14:30 | |
Which is perhaps not surprising, spending your time... | 0:14:30 | 0:14:33 | |
sort of, you know, Grand-Thefting. | 0:14:33 | 0:14:35 | |
LAUGHTER | 0:14:35 | 0:14:37 | |
Now, on to lingerie. | 0:14:37 | 0:14:38 | |
Whom did your great-great- great-great-grandmother | 0:14:38 | 0:14:42 | |
throw her pants at? | 0:14:42 | 0:14:43 | |
-Great-great... How many greats? -Four greats and a grandmother. | 0:14:43 | 0:14:46 | |
-Great-great-great-great-grandmother. -That's...Victorian. -Yeah. | 0:14:46 | 0:14:49 | |
If that's Scouse, though, that could be the '70s. | 0:14:49 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:54 | |
Oh! Ohh! | 0:14:54 | 0:14:56 | |
APPLAUSE | 0:14:56 | 0:14:58 | |
What?! | 0:14:58 | 0:14:59 | |
-I love the way you go, "What?!" -I think they'll be all right. | 0:15:02 | 0:15:05 | |
They've got a sense of humour, don't panic! | 0:15:05 | 0:15:07 | |
Could you do the next five minutes in a Scouse voice, | 0:15:07 | 0:15:09 | |
so that we won't get letters of complaint? | 0:15:09 | 0:15:11 | |
-SCOUSE ACCENT: -OK. OK, then. | 0:15:11 | 0:15:13 | |
What were you going to say? | 0:15:13 | 0:15:15 | |
SCOUSE ACCENT: Oh, I want some chicken and a can of Coke. | 0:15:15 | 0:15:19 | |
I can do only Scouse if I say... | 0:15:19 | 0:15:21 | |
SCOUSE ACCENT: ..I want some chicken and a can of Coke. | 0:15:21 | 0:15:24 | |
That's what they say, isn't it? Sorry, no! No, no! | 0:15:24 | 0:15:28 | |
-DAVID: -Let's get on to something... -Disgraceful. Disgraceful. | 0:15:28 | 0:15:32 | |
Let's get on to Israel or something less contentious. | 0:15:32 | 0:15:34 | |
LAUGHTER | 0:15:34 | 0:15:36 | |
Would it have been kind of, like, at the time... So we're talking... | 0:15:36 | 0:15:39 | |
-that would be about 1850? -Yeah, early Victorian era. | 0:15:39 | 0:15:42 | |
Early Victorian. So, didn't they get...? | 0:15:42 | 0:15:44 | |
Their celebrities at the time | 0:15:44 | 0:15:45 | |
were people who were doing useful things, | 0:15:45 | 0:15:47 | |
-like Isambard Kingdom Brunel, or someone? -No. | 0:15:47 | 0:15:50 | |
-RP ACCENT: -No-one does suspension like him. | 0:15:50 | 0:15:53 | |
I love his cantilevers. | 0:15:53 | 0:15:55 | |
I love the fact that your great-great-great-great-grandmother | 0:15:55 | 0:15:58 | |
-was always old. -Yeah, I don't know why I did that. | 0:15:58 | 0:16:00 | |
Even when she was throwing her knickers at people, | 0:16:00 | 0:16:02 | |
she was an old lady. | 0:16:02 | 0:16:04 | |
I don't know... It was a celebrity of the time? | 0:16:04 | 0:16:06 | |
He was a celebrity. | 0:16:06 | 0:16:07 | |
And the most famous pant-throwing receptor was Tom Jones, | 0:16:07 | 0:16:10 | |
or is Tom Jones, of course - still very much alive and booming. | 0:16:10 | 0:16:14 | |
What do you mean, "still very much alive"? | 0:16:14 | 0:16:16 | |
Have you not seen The Voice? | 0:16:16 | 0:16:17 | |
LAUGHTER | 0:16:17 | 0:16:20 | |
I don't get this phenomenon of throwing your pants at someone, | 0:16:20 | 0:16:22 | |
because at what point... Do you go out with extra pants? | 0:16:22 | 0:16:25 | |
Do you, literally, go, "I've got the car keys, travel card, | 0:16:25 | 0:16:28 | |
"pants on, pants to throw?" | 0:16:28 | 0:16:30 | |
The gesture is meaningless | 0:16:30 | 0:16:32 | |
unless they're the pants you were wearing for functional reasons. | 0:16:32 | 0:16:34 | |
If you've just brought a bag of other pants, | 0:16:34 | 0:16:37 | |
-then it might as well be a term of abuse. -Yeah. | 0:16:37 | 0:16:39 | |
But what if it's David Cassidy? | 0:16:39 | 0:16:41 | |
What if you've got flares on, David, | 0:16:41 | 0:16:43 | |
and you're watching a David Cassidy thing, | 0:16:43 | 0:16:45 | |
do you take them off down one leg or do you take them all off? | 0:16:45 | 0:16:48 | |
We still haven't clearly approached... | 0:16:48 | 0:16:49 | |
-DAVID: -Garibaldi. -Not Garibaldi. | 0:16:49 | 0:16:51 | |
You're in the right area with music. | 0:16:51 | 0:16:53 | |
-He was popular, Garibaldi. -Yes, but he wasn't a musician! | 0:16:53 | 0:16:56 | |
-Oh, music. Oh, right. -Oh, is it a composer? | 0:16:56 | 0:16:57 | |
-Bourbon. Custard cream. -A composer, but a performer, | 0:16:57 | 0:17:00 | |
-the most extraordinary performer of his day. -Liszt! | 0:17:00 | 0:17:02 | |
Franz Liszt is the right answer. | 0:17:02 | 0:17:04 | |
Absolutely. Well done. | 0:17:04 | 0:17:05 | |
-APPLAUSE -Phew. We got there. | 0:17:05 | 0:17:07 | |
It looks more as if he'd been attacked by a swarm of bees, | 0:17:09 | 0:17:12 | |
but that is supposed to indicate ladies | 0:17:12 | 0:17:14 | |
and their husbands trying to restrain them. | 0:17:14 | 0:17:16 | |
These women - some of them fainting, throwing kisses - | 0:17:16 | 0:17:18 | |
you can see, they're absolutely rapturous. | 0:17:18 | 0:17:21 | |
And they were completely astounded by this man, his virtuosity. | 0:17:21 | 0:17:26 | |
Was he as good as Liberace...? | 0:17:26 | 0:17:28 | |
I knew that would upset him. | 0:17:30 | 0:17:31 | |
Look at him - he's livid. | 0:17:31 | 0:17:33 | |
He was an astounding composer as well as a remarkable pianist. | 0:17:33 | 0:17:37 | |
And, of course, he was exploiting the new developments in pianos | 0:17:37 | 0:17:39 | |
and the arrival of the pianoforte | 0:17:39 | 0:17:41 | |
as opposed to the fortepiano, which preceded it. | 0:17:41 | 0:17:43 | |
And he was remarkable for many other reasons, as well. | 0:17:44 | 0:17:47 | |
He had affairs with a lot of people, including Lola Montez. | 0:17:47 | 0:17:50 | |
Do you know of Lola Montez? | 0:17:50 | 0:17:51 | |
An extraordinary Irish woman who'd had an affair | 0:17:51 | 0:17:53 | |
with Ludwig of Bavaria and caused a revolution in Bavaria, in fact. | 0:17:53 | 0:17:57 | |
There she is. | 0:17:57 | 0:17:58 | |
And then, amazingly, Liszt became an abbe - | 0:17:58 | 0:18:01 | |
an abbot, essentially. A man of the cloth. | 0:18:01 | 0:18:03 | |
"He is very thin and tall," Charles Halle said. | 0:18:03 | 0:18:05 | |
"He has perfectly lank hair so long | 0:18:05 | 0:18:07 | |
"that it spreads over his shoulders, which looks very odd. | 0:18:07 | 0:18:10 | |
"When he gets excited and gesticulates, | 0:18:10 | 0:18:11 | |
"it falls right over his face and one sees nothing of his nose." | 0:18:11 | 0:18:14 | |
So, he was like an old English sheepdog, perhaps, in that sense. | 0:18:14 | 0:18:17 | |
He had Olga Janina, | 0:18:17 | 0:18:18 | |
who was a former pupil with whom he'd had a fling, | 0:18:18 | 0:18:21 | |
who pursued him all over Europe | 0:18:21 | 0:18:22 | |
and eventually got so upset and hysterical | 0:18:22 | 0:18:25 | |
that she stalked him and tried to stab him and committed suicide. | 0:18:25 | 0:18:28 | |
So, he really, you know, was a star. | 0:18:28 | 0:18:30 | |
I mean, a real, real star in the most extraordinary way. | 0:18:30 | 0:18:32 | |
It's a very odd thing, that. | 0:18:32 | 0:18:34 | |
The guy that killed John Lennon was such a huge fan of John Lennon. | 0:18:34 | 0:18:36 | |
It's a very weird thing when people get so... | 0:18:36 | 0:18:38 | |
"For each man kills the thing he loves." | 0:18:38 | 0:18:40 | |
Let this be known. | 0:18:40 | 0:18:42 | |
The brave man does it with the sword, the coward, etc. | 0:18:42 | 0:18:44 | |
-How many fans have you got, Jimmy? -Not enough to be worried. | 0:18:44 | 0:18:47 | |
LAUGHTER | 0:18:47 | 0:18:49 | |
It's a lovely level of fame, a comedian, I think. | 0:18:49 | 0:18:51 | |
People come up and tell you jokes all day, which is very pleasant, | 0:18:51 | 0:18:53 | |
but no-one's ever outside your house going, | 0:18:53 | 0:18:56 | |
"I made you a cake." | 0:18:56 | 0:18:57 | |
Well, there's always the Daily Mail, Jimmy - they're always outside. | 0:18:59 | 0:19:02 | |
They're happy. | 0:19:04 | 0:19:06 | |
So, yeah, the ladies went loopy for Liszt, | 0:19:06 | 0:19:09 | |
the Justin Bieber of his day. | 0:19:09 | 0:19:10 | |
That's hardly right, come on, but you know what I mean. | 0:19:10 | 0:19:13 | |
All right, Harry Styles. | 0:19:13 | 0:19:14 | |
Stop it. He was a genius. Total genius. | 0:19:14 | 0:19:17 | |
Now for a game of Spot The Leaf. | 0:19:17 | 0:19:19 | |
I want you to tell me how many leaves are in this picture. | 0:19:19 | 0:19:21 | |
Oh, that's going to be easy. | 0:19:21 | 0:19:23 | |
# Lay, lady, lay... # | 0:19:23 | 0:19:24 | |
Six? Six... | 0:19:24 | 0:19:26 | |
-ALARM BLARES -Oh! | 0:19:26 | 0:19:28 | |
It's going to be five and a creepy-crawly. | 0:19:29 | 0:19:31 | |
Five and a creepy-crawly is the right... | 0:19:31 | 0:19:33 | |
Creepy-crawly is the technical term. He is pretty good, though, isn't he? | 0:19:33 | 0:19:36 | |
He is very impressive. | 0:19:36 | 0:19:38 | |
Even with the little, sort of, disease marks. | 0:19:38 | 0:19:40 | |
And you'll see - we have film of him - | 0:19:40 | 0:19:42 | |
he, kind of, waves in the wind, like a leaf. | 0:19:42 | 0:19:44 | |
Insects, of course, get eaten whole by birds, | 0:19:44 | 0:19:46 | |
and so his strategy is to look like that. But the problem is, | 0:19:46 | 0:19:49 | |
he occasionally gets bits of himself nibbled by caterpillars. So... | 0:19:49 | 0:19:53 | |
So you've got to be a bit careful when the you're looking like a leaf. | 0:19:53 | 0:19:56 | |
I imagine the caterpillar's livid. It's going, "I'm a vegetarian!" | 0:19:56 | 0:19:59 | |
Well, that's it, exactly. | 0:19:59 | 0:20:00 | |
They take one bite and go, "Eugh, that's not what I wanted at all! | 0:20:00 | 0:20:03 | |
-What does HE eat? -Good point. I think he eats leaves. | 0:20:03 | 0:20:06 | |
-So he looks like his own lunch? -Yes! | 0:20:06 | 0:20:08 | |
-LAUGHTER -That would disturb me, if I... | 0:20:08 | 0:20:11 | |
-That's what you call being hoisted by your own petard, that is. -Definitely. | 0:20:11 | 0:20:15 | |
If I looked at myself in the mirror and I looked like some delicious mashed potato... | 0:20:15 | 0:20:18 | |
-In a way, I do. -LAUGHTER | 0:20:18 | 0:20:21 | |
It's not... Doesn't do my self-esteem any good. | 0:20:21 | 0:20:24 | |
-You think he ever looks at his wife and goes, "Oh, she looks amazing." -"Tasty! Very tasty!" | 0:20:24 | 0:20:29 | |
-"I'm ravenous." -It's Phylliidae, called walking leaves, leaf insects, many other things. | 0:20:29 | 0:20:33 | |
They are found in southeast Asia and Australia. | 0:20:33 | 0:20:35 | |
But we have also the satanic leaf-tailed gecko, | 0:20:35 | 0:20:38 | |
which looks like an autumnal leaf. | 0:20:38 | 0:20:40 | |
-SHE GASPS -That is extraordinary! | 0:20:40 | 0:20:43 | |
Because it's in the dry deciduous forests of Madagascar. And there... | 0:20:43 | 0:20:47 | |
-It curls up like a curled up leaf. -That's amazing. | 0:20:47 | 0:20:50 | |
-But can he only come out in autumn? -Well, it's an interesting point. | 0:20:50 | 0:20:53 | |
I've been to the deciduous forests of Madagascar. | 0:20:53 | 0:20:55 | |
It was in the summer, and there was so much dead litter on the ground. | 0:20:55 | 0:20:59 | |
-It's dry, they are dry forests. -Yeah. -So I think he's probably... | 0:20:59 | 0:21:02 | |
All year round, it's kind of OK to be on this, kind of, stuff... | 0:21:02 | 0:21:05 | |
There he is. Amazing, really. | 0:21:05 | 0:21:07 | |
-Either that, or living in the '70s, he'd be fine. -Yeah, he would. | 0:21:07 | 0:21:10 | |
Or, they don't exist and someone has drawn eyes on a leaf. | 0:21:10 | 0:21:13 | |
LAUGHTER It's worth considering that. | 0:21:13 | 0:21:16 | |
Now, rather astonishingly, | 0:21:16 | 0:21:18 | |
there's a plant that is a master of disguise. | 0:21:18 | 0:21:21 | |
-See if you can spot which plant. -Looks like a badger! | 0:21:21 | 0:21:24 | |
LAUGHTER | 0:21:24 | 0:21:25 | |
I would say, if it's trying to not look like a plant, it's failed. | 0:21:25 | 0:21:29 | |
LAUGHTER | 0:21:29 | 0:21:31 | |
Does it look like another planet? Is that what it's doing? | 0:21:32 | 0:21:35 | |
That's it. One of those leaves is actually a totally different species | 0:21:35 | 0:21:38 | |
and it has made itself look like that species. | 0:21:38 | 0:21:41 | |
There it is, the arrow's pointing at it. | 0:21:41 | 0:21:43 | |
It's only recently been discovered that it's a totally different species. | 0:21:43 | 0:21:46 | |
I think the point is, it tries to look like a leaf | 0:21:46 | 0:21:49 | |
that isn't very digestible or pleasant. | 0:21:49 | 0:21:51 | |
Because it itself is, | 0:21:51 | 0:21:53 | |
and so it has learnt how to look like something that is not tasty. | 0:21:53 | 0:21:56 | |
Why didn't it learn not to be tasty? | 0:21:56 | 0:21:58 | |
LAUGHTER | 0:21:58 | 0:22:00 | |
Well, the deliciousness is a given, but... | 0:22:00 | 0:22:03 | |
Evolution... | 0:22:03 | 0:22:05 | |
Give living things millions of years | 0:22:05 | 0:22:06 | |
and they will just go through strange processes. | 0:22:06 | 0:22:09 | |
Did chocolate sauce evolve to look like diarrhoea? | 0:22:09 | 0:22:12 | |
LAUGHTER | 0:22:12 | 0:22:13 | |
-So that people wouldn't eat it?! -Yeah. "It might be diarrhoea... | 0:22:13 | 0:22:16 | |
"This seems like quite a nice restaurant, | 0:22:16 | 0:22:18 | |
"I doubt it is diarrhoea, but... let me give it a sniff first." | 0:22:18 | 0:22:22 | |
That's why God gave us noses. I think! | 0:22:25 | 0:22:28 | |
Leaves aren't always what they seem. | 0:22:28 | 0:22:30 | |
Now, a question about larceny. | 0:22:30 | 0:22:32 | |
Where did the 40 shoplifting Elephants hide their loot? | 0:22:32 | 0:22:35 | |
LAUGHTER | 0:22:36 | 0:22:38 | |
-In a cave? -Mmm... | 0:22:38 | 0:22:41 | |
-Like Ali Baba's thieves? -Ali Baba's 40 thieves. | 0:22:41 | 0:22:44 | |
In their trunks. | 0:22:44 | 0:22:45 | |
-ALARM BLARES -Oh, dear, oh, dear! | 0:22:45 | 0:22:48 | |
Totally worth it, David. Totally worth it! | 0:22:48 | 0:22:50 | |
Somebody had to fall on their sword and that was very noble. | 0:22:50 | 0:22:52 | |
No, the Elephants existed from the 1700s all the way to the 1950s. | 0:22:52 | 0:22:57 | |
And they took their name from an area of London that has | 0:22:57 | 0:23:00 | |
-the word Elephant in it, which would be... -Elephant and Castle. | 0:23:00 | 0:23:03 | |
Elephant and Castle, that's right. | 0:23:03 | 0:23:05 | |
-Is this a pickpocket gang? -Not pickpocket. | 0:23:05 | 0:23:09 | |
They were a gang of shoplifters, and they had special clothing made | 0:23:09 | 0:23:12 | |
and special muffs and special false hands and all kinds of things, | 0:23:12 | 0:23:16 | |
and they would sometimes attack all types of shops at the same time, | 0:23:16 | 0:23:19 | |
and then have huge, lavish parties to celebrate. | 0:23:19 | 0:23:22 | |
-Tinfoil in your coats. -Yeah, or any number of clever little tactics. | 0:23:22 | 0:23:26 | |
It means when you got out, it doesn't go "bleep-bleep". | 0:23:26 | 0:23:28 | |
-Yeah. -That's... Don't tell the ladies and gentlemen...! | 0:23:28 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:32 | |
-I only tell them how they get caught. -Aha! | 0:23:32 | 0:23:35 | |
A friend of mine wrote an article about a current group | 0:23:35 | 0:23:37 | |
of really serious shoplifters called The Oysters. | 0:23:37 | 0:23:41 | |
And he called them up and said, "Why are you called The Oysters? | 0:23:41 | 0:23:43 | |
"Is it something to do with, you know, because you clamp things shut...?" | 0:23:43 | 0:23:47 | |
"Well, because we 'oist stuff, isn't it?" | 0:23:47 | 0:23:49 | |
LAUGHTER DROWNS SPEECH | 0:23:49 | 0:23:53 | |
He had to go through and change the spelling, do a global search | 0:23:53 | 0:23:57 | |
and replace to "Hoister". | 0:23:57 | 0:23:59 | |
-But these were The Hoisters. -The Hoister cult. -Yeah, The Hoisters. | 0:23:59 | 0:24:03 | |
We know other things about real elephants who are criminals. | 0:24:03 | 0:24:05 | |
In 2013, not that long ago, | 0:24:05 | 0:24:08 | |
the second-tallest elephant in India was arrested for murder. | 0:24:08 | 0:24:12 | |
-Which is rather unfair. -Did it run amok? That's what they do, isn't it? | 0:24:12 | 0:24:15 | |
They always run amok, that is the phrase. | 0:24:15 | 0:24:17 | |
There was an elephant that was hung. Is that one you're talking about, the elephant that was hung? | 0:24:17 | 0:24:21 | |
I think they're all pretty well hung! LAUGHTER | 0:24:21 | 0:24:24 | |
Yeah, yeah, there was one that was hanged, absolutely right. | 0:24:24 | 0:24:27 | |
-We've covered this. -I heard about some criminals... It was a smuggler. | 0:24:27 | 0:24:31 | |
Do you know the story? It's a famous story. | 0:24:31 | 0:24:33 | |
From Pakistan to Afghanistan, there was a famous smuggler | 0:24:33 | 0:24:36 | |
-who used to smuggle things across the border. -Right. | 0:24:36 | 0:24:38 | |
He was known as a brilliant smuggler. | 0:24:38 | 0:24:40 | |
And they used to stop him at border control | 0:24:40 | 0:24:42 | |
and they would check these elephants, like, "What have you got here?" | 0:24:42 | 0:24:45 | |
Go through all the bags, and they could never find the contraband. | 0:24:45 | 0:24:48 | |
And eventually, he was like... He was retiring. | 0:24:48 | 0:24:50 | |
They said, "You've got to tell us..." One of the guys bumped into him. | 0:24:50 | 0:24:53 | |
"What were you smuggling all those years?" He went, "Elephants." | 0:24:53 | 0:24:56 | |
There's something about that that's entirely beautiful. | 0:25:00 | 0:25:02 | |
So, the Forty Elephants were lady shoplifters, | 0:25:02 | 0:25:05 | |
with lots of loot in their muffs. | 0:25:05 | 0:25:07 | |
Who has the world's largest love handles | 0:25:07 | 0:25:09 | |
and what do they use them for? | 0:25:09 | 0:25:11 | |
Eric Pickles. | 0:25:12 | 0:25:13 | |
-ALARM BLARES -Oh, dear! | 0:25:13 | 0:25:15 | |
You're joking! You are joking! | 0:25:17 | 0:25:20 | |
You see. | 0:25:23 | 0:25:24 | |
# Lola... # | 0:25:24 | 0:25:26 | |
Oh, I'd forgotten about that. | 0:25:26 | 0:25:28 | |
Blue whale? | 0:25:28 | 0:25:29 | |
Not the blue whale. | 0:25:29 | 0:25:31 | |
Sorry, so it's not the blue whale, but I'm close? | 0:25:31 | 0:25:35 | |
-You are. -A barnacle. | 0:25:35 | 0:25:36 | |
Stay with setaceous creatures. Stay with a mammal. | 0:25:38 | 0:25:41 | |
-So, it's a type of whale? -A mammal that lives in the sea. | 0:25:41 | 0:25:44 | |
It's a whale. And it begins with a B. | 0:25:44 | 0:25:46 | |
Blue whale. | 0:25:46 | 0:25:47 | |
Have another look, Stephen, because I'm pretty sure I got it right. | 0:25:48 | 0:25:51 | |
There are other kinds of whale that begin with a B. | 0:25:51 | 0:25:53 | |
Bum whale, bull whale... | 0:25:53 | 0:25:55 | |
-Well, there's the bowhead. -RONNI: -Bull whale. Big whale. | 0:25:55 | 0:25:57 | |
What's the famous and expensive kind of caviar? | 0:25:57 | 0:25:59 | |
-Beluga. -RONNI: -Oh, beluga whale! | 0:25:59 | 0:26:01 | |
Beluga whale, yes. | 0:26:01 | 0:26:02 | |
There one is. | 0:26:02 | 0:26:04 | |
Look at it, that one's going, "Hello!" | 0:26:04 | 0:26:07 | |
It's lying on its side. | 0:26:07 | 0:26:08 | |
"Hello! | 0:26:08 | 0:26:09 | |
"Hello! | 0:26:10 | 0:26:12 | |
"I'm a beluga whale, you know. | 0:26:12 | 0:26:14 | |
"Ayoo! | 0:26:16 | 0:26:18 | |
"This is all I can do!" | 0:26:20 | 0:26:22 | |
He's very chirpy. They have no dorsal fin and amazingly... | 0:26:23 | 0:26:26 | |
"I haven't got a dorsal fin, you know!" | 0:26:26 | 0:26:28 | |
LAUGHTER AND APPLAUSE | 0:26:28 | 0:26:31 | |
"Whoo-hoo-hoo-hooo! | 0:26:35 | 0:26:38 | |
"I don't feel the cold! I don't feel it." | 0:26:38 | 0:26:41 | |
They don't, because of their blubber. | 0:26:41 | 0:26:43 | |
It's all in the blubber. | 0:26:43 | 0:26:45 | |
They have midriff blubber, which they can control... | 0:26:45 | 0:26:48 | |
"Feel my love handles, baby! Hello!" | 0:26:48 | 0:26:50 | |
They control their love handles with special muscles, | 0:26:51 | 0:26:54 | |
so that's how they move around and that's how they...you know. | 0:26:54 | 0:26:58 | |
-That's how I roll. -That's how they roll! | 0:26:58 | 0:27:00 | |
Exactly. Exactly right. | 0:27:00 | 0:27:03 | |
They move up and down with their love handles. | 0:27:09 | 0:27:11 | |
And they're hunted by the local Inupiat people in the Arctic. | 0:27:11 | 0:27:14 | |
"I hate them!" | 0:27:14 | 0:27:16 | |
You've got a career in animation ahead of you. | 0:27:17 | 0:27:20 | |
It's like Richard Attenborough's programmes | 0:27:22 | 0:27:24 | |
being revoiced by South Park. | 0:27:24 | 0:27:26 | |
LAUGHTER | 0:27:26 | 0:27:28 | |
There is no show that wouldn't be improved | 0:27:28 | 0:27:29 | |
by being revoiced by South Park. | 0:27:29 | 0:27:31 | |
It's true. | 0:27:32 | 0:27:34 | |
And their fat is called muktuk. | 0:27:34 | 0:27:36 | |
and is highly prized by the Inuits, and the Inupiat, | 0:27:36 | 0:27:39 | |
because it's high in vitamin C, surprisingly. | 0:27:39 | 0:27:41 | |
Oh, look at that. Double chips with that. | 0:27:41 | 0:27:43 | |
Mmm. There's one in Baltimore. | 0:27:43 | 0:27:45 | |
Yeah, the beluga whale. Full of love handles. | 0:27:45 | 0:27:49 | |
I've just spotted that guy pointing at it in the front there. | 0:27:49 | 0:27:52 | |
"Look at that. In case you haven't spotted it. | 0:27:52 | 0:27:54 | |
"Look, there's a whale." | 0:27:56 | 0:27:57 | |
The other guy's pointing, as well. | 0:27:58 | 0:28:00 | |
"Where? There!" | 0:28:00 | 0:28:02 | |
-"I've spotted him. There he is." -"Where is it? There!" | 0:28:02 | 0:28:05 | |
"What do you mean you can't see? He's there!" | 0:28:05 | 0:28:07 | |
-"Oh, there? Oh!" -He's there. | 0:28:07 | 0:28:09 | |
And the other guy there, he's there. | 0:28:09 | 0:28:11 | |
"I'm sorry, I don't recognise anything that's not wearing a hat." | 0:28:11 | 0:28:15 | |
Anyway, the beluga whales steady themselves | 0:28:17 | 0:28:20 | |
with the world's largest love handles. | 0:28:20 | 0:28:22 | |
"All that we caught, we left behind, | 0:28:22 | 0:28:25 | |
"and carry away all that we did not catch." | 0:28:25 | 0:28:28 | |
What am I talking about? | 0:28:29 | 0:28:30 | |
Venereal disease. | 0:28:30 | 0:28:32 | |
LAUGHTER | 0:28:32 | 0:28:35 | |
Somewhere along the line, I'm sure. | 0:28:35 | 0:28:37 | |
What I'd already caught, I left behind, | 0:28:37 | 0:28:39 | |
by giving it to other people. | 0:28:39 | 0:28:41 | |
-Yeah. -By breathing it out? | 0:28:41 | 0:28:43 | |
Well, it is a riddle. | 0:28:43 | 0:28:44 | |
It was a riddle given to a man of mythic status, | 0:28:44 | 0:28:47 | |
so much so, we don't even know if he existed, | 0:28:47 | 0:28:49 | |
and yet his name is incredibly famous and there are statues of him, | 0:28:49 | 0:28:52 | |
even though we don't know that he existed. | 0:28:52 | 0:28:54 | |
-King Arthur? -No, older than that. An oracle. | 0:28:54 | 0:28:56 | |
The most famous of the oracles in the Western Canon of Delphi | 0:28:56 | 0:29:01 | |
told him that he would die on the island of Ios | 0:29:01 | 0:29:04 | |
and that he should beware the riddles of young children. | 0:29:04 | 0:29:07 | |
And this man went round the Greek islands as a minstrel, | 0:29:07 | 0:29:10 | |
because that's what he did - | 0:29:10 | 0:29:12 | |
he sang poems to a lyre. | 0:29:12 | 0:29:15 | |
So, they were lyric, but they're known as epic, in fact. | 0:29:15 | 0:29:18 | |
And the great epic poems of Greek civilisation, the two are...? | 0:29:18 | 0:29:23 | |
-Homer. -Homer. -Homer. And it's Homer we're thinking of. | 0:29:23 | 0:29:25 | |
Homer, supposedly, in this story, | 0:29:25 | 0:29:27 | |
went to Ios where he encountered a group of fisher boys. | 0:29:27 | 0:29:30 | |
He went to Ios? But the guy just said don't go! | 0:29:30 | 0:29:32 | |
I know, but this always happens in Greek myths | 0:29:32 | 0:29:34 | |
when to do with the Delphi. I mean, think of Oedipus and... | 0:29:34 | 0:29:37 | |
-RONNI: -They don't listen. | 0:29:37 | 0:29:38 | |
Well, sometimes, the Oracle is quite enigmatic and difficult. | 0:29:38 | 0:29:40 | |
-Yes. -But if he said, "Don't go to Ios..." | 0:29:40 | 0:29:42 | |
-That's really straightforward. -..and he goes, you know... | 0:29:42 | 0:29:45 | |
Anyway, Homer went to Ios and he encountered a group of fisher boys. | 0:29:45 | 0:29:48 | |
He asked them what they'd caught and they gave him this riddle. | 0:29:48 | 0:29:51 | |
And I'll repeat it again. "All that we caught, we left behind, | 0:29:51 | 0:29:53 | |
"and carry away all that we did not catch." | 0:29:53 | 0:29:56 | |
And he suddenly remembered, Homer, | 0:29:56 | 0:29:57 | |
"Oh, my God, I shouldn't have asked riddles AND I'm on Ios." | 0:29:57 | 0:30:00 | |
And maybe that's the thing about being cursed or having a prophecy, | 0:30:00 | 0:30:02 | |
that you stop concentrating. He slipped, cracked his head, died. | 0:30:02 | 0:30:05 | |
Should've gone to Argos. | 0:30:07 | 0:30:08 | |
LAUGHTER | 0:30:08 | 0:30:09 | |
-Absolutely right. -You can get everything there. | 0:30:09 | 0:30:12 | |
Argos was Jason's ship, of course, wasn't it? Hence the Argonauts. | 0:30:12 | 0:30:15 | |
-Yes. Yes. -Yes. | 0:30:15 | 0:30:17 | |
LAUGHTER | 0:30:17 | 0:30:19 | |
In fact, Argos, the chain, | 0:30:19 | 0:30:20 | |
call their staff Argonauts to this day. | 0:30:20 | 0:30:22 | |
-Oh, do they? -No. | 0:30:22 | 0:30:23 | |
LAUGHTER AND APPLAUSE | 0:30:23 | 0:30:27 | |
Oh, ladies and gentlemen. | 0:30:28 | 0:30:30 | |
Oh, wow! | 0:30:32 | 0:30:34 | |
-I'm going to give you two riddles from the Essex Book... -By the way, what's the solution...? | 0:30:36 | 0:30:40 | |
-I haven't given you the solution, what am I thinking?! -Yeah! -The solution is lice. | 0:30:40 | 0:30:43 | |
Lice, you see. | 0:30:43 | 0:30:44 | |
-You catch the lice in your hair, you leave them behind. -Yes? | 0:30:44 | 0:30:47 | |
And you carry away those you don't catch, | 0:30:47 | 0:30:48 | |
-because they're stuck in your hair. -The nits? | 0:30:48 | 0:30:50 | |
-Yeah, the nits. Exactly. -Those are the worst fishermen ever. | 0:30:50 | 0:30:53 | |
Yeah, I know. | 0:30:53 | 0:30:54 | |
But I've got the Essex Book, one of the great Anglo-Saxon books. | 0:30:54 | 0:30:57 | |
-I've got an Essex riddle. -It is filled with riddles. | 0:30:57 | 0:30:59 | |
-No, Exeter, sorry. -Oh, sorry. -Go on with your riddle. We know you want to say it. | 0:30:59 | 0:31:03 | |
How do you turn the lights on after sex? | 0:31:03 | 0:31:04 | |
-Open the car door. -Oh! Very good! | 0:31:04 | 0:31:08 | |
So, moving way west, way west, all the way to Devon, we're in Exeter. | 0:31:08 | 0:31:11 | |
One of the great works of Anglo-Saxon literature, | 0:31:11 | 0:31:13 | |
the Exeter Book, written in the 10th century, | 0:31:13 | 0:31:15 | |
contains more than 90 riddles, most of which are rather rude. | 0:31:15 | 0:31:18 | |
Here's one. "My stem is erect. | 0:31:18 | 0:31:20 | |
"I stand up over the bed, hairy somewhere down below. | 0:31:20 | 0:31:24 | |
"A peasant's daughter lays her hand on me, seizes me, | 0:31:24 | 0:31:28 | |
"red, plunders my head, confines me in a stronghold. | 0:31:28 | 0:31:32 | |
"Wet be that eye." | 0:31:32 | 0:31:33 | |
What is being referred to? | 0:31:35 | 0:31:37 | |
-Shagging. -My junk! | 0:31:37 | 0:31:39 | |
Surely, it's shagging. | 0:31:39 | 0:31:41 | |
That's the point, it's a riddle. | 0:31:41 | 0:31:43 | |
It makes you think that it's full of double entendres. | 0:31:43 | 0:31:46 | |
-Obviously made to sound like a penis. -Is it a plant or something? | 0:31:46 | 0:31:49 | |
It is a plant. But, "Wet be that eye." What plant wets your eye? | 0:31:49 | 0:31:53 | |
And is hairy down below...when you pull it out of the ground? | 0:31:53 | 0:31:57 | |
-Like a novelty flower... -Audience? | 0:31:57 | 0:32:00 | |
AUDIENCE: Onions! | 0:32:00 | 0:32:01 | |
You must feel ashamed of yourselves! | 0:32:01 | 0:32:03 | |
-LAUGHTER -Another one. | 0:32:03 | 0:32:05 | |
"A curiosity hangs by the thigh of a man under its master's cloak. | 0:32:05 | 0:32:09 | |
"It is pierced through in the front, | 0:32:09 | 0:32:12 | |
"it is stiff and hard, and when the man pulls up | 0:32:12 | 0:32:14 | |
"his own robe above his knee, | 0:32:14 | 0:32:15 | |
"he means to poke with the head of his hanging thing | 0:32:15 | 0:32:18 | |
"that familiar hole of matching length which he has often | 0:32:18 | 0:32:22 | |
"filled before." | 0:32:22 | 0:32:24 | |
Just kiss me, Stephen. | 0:32:27 | 0:32:28 | |
LAUGHTER AND APPLAUSE | 0:32:28 | 0:32:31 | |
All this messing around! | 0:32:33 | 0:32:35 | |
-Sounds like shagging again. -It does, yeah! | 0:32:37 | 0:32:41 | |
"It hangs by his thigh"? | 0:32:41 | 0:32:42 | |
-RONNI: -Is it a hilt, the hilt of a sword? | 0:32:42 | 0:32:44 | |
-Keys in a hole? -Keys is the right answer. It is a key. | 0:32:44 | 0:32:47 | |
"A curiosity hangs by the thigh of a man." | 0:32:47 | 0:32:49 | |
They hang that by their belt. "Under its master's cloak." | 0:32:49 | 0:32:51 | |
It's pierced through in the front, as it is a pierced piece of iron. | 0:32:51 | 0:32:54 | |
"It is stiff and hard." No question about that. | 0:32:54 | 0:32:56 | |
"When the man pulls up his own robe above his knee, | 0:32:56 | 0:32:59 | |
"he means to poke with the head of his hanging thing that | 0:32:59 | 0:33:02 | |
"familiar hole of matching length," which is the keyhole. | 0:33:02 | 0:33:05 | |
Which he's often filled before. | 0:33:05 | 0:33:07 | |
Because he has unlocked the door before. And it is a key. | 0:33:07 | 0:33:09 | |
-Quite clever. -Had a lot of time on their hands, didn't they? | 0:33:09 | 0:33:12 | |
They did! Absolutely right. | 0:33:12 | 0:33:13 | |
"The job for today, | 0:33:13 | 0:33:15 | |
"let's find an incredibly rude way of referring to a key." | 0:33:15 | 0:33:18 | |
LAUGHTER | 0:33:18 | 0:33:19 | |
And they were presumably religious figures, | 0:33:19 | 0:33:21 | |
because they were reading and writing in the 10th century. So, there you are. | 0:33:21 | 0:33:25 | |
Now for the riddle of the sphincter that we call general ignorance. | 0:33:25 | 0:33:29 | |
Fingers on mushroomoids, please. | 0:33:29 | 0:33:31 | |
How many Spartans died at the Battle of Thermopylae? | 0:33:31 | 0:33:34 | |
Oh! | 0:33:34 | 0:33:35 | |
# Lola... # | 0:33:35 | 0:33:36 | |
It's going to be 300. | 0:33:36 | 0:33:38 | |
ALARM BLARES | 0:33:38 | 0:33:40 | |
Well... | 0:33:40 | 0:33:41 | |
I saw a documentary about this | 0:33:41 | 0:33:43 | |
and I'm pretty sure it's definitely 300. | 0:33:43 | 0:33:45 | |
The film is called 300. | 0:33:45 | 0:33:47 | |
Is there not a thing that one... | 0:33:47 | 0:33:48 | |
because there weren't just Spartans there. | 0:33:48 | 0:33:50 | |
-Sparta! -There were... | 0:33:50 | 0:33:52 | |
That is how it's pronounced. | 0:33:54 | 0:33:55 | |
There weren't just "Spartans!" there. | 0:33:55 | 0:33:58 | |
There were other... But I think one of the Spartans... | 0:33:58 | 0:34:01 | |
The Spartans sound nasty. | 0:34:01 | 0:34:02 | |
There was a narrow coastal pass that was defended just by Spartans, | 0:34:02 | 0:34:05 | |
300 of them, plus their king - | 0:34:05 | 0:34:07 | |
-played by Gerard Butler - who was... -Spartan! | 0:34:07 | 0:34:10 | |
-..called? -The 301st? | 0:34:10 | 0:34:12 | |
His name was? He was the 301st. | 0:34:12 | 0:34:14 | |
-Leoni... -AUDIENCE MEMBER CALLS OUT | 0:34:14 | 0:34:15 | |
-Leonidas, if you prefer. -Leonidas? | 0:34:15 | 0:34:18 | |
He's now got a chain of chocolate shops, hasn't he? | 0:34:18 | 0:34:20 | |
I was brought up to call him Leon-idas, | 0:34:20 | 0:34:23 | |
but Leonidas seems to be the way now. | 0:34:23 | 0:34:25 | |
I don't know, who knows? But Leon-idas or Leonidas, thank you. | 0:34:25 | 0:34:28 | |
He defended a narrow coastal pass, and so there were 301. | 0:34:28 | 0:34:30 | |
Only 299 Spartans died, though, so it leaves two who didn't. | 0:34:30 | 0:34:34 | |
Leonidas did. Two survived because they never took part. | 0:34:34 | 0:34:38 | |
Mike and Bernie Winters. | 0:34:38 | 0:34:40 | |
A lot of nudity going on, which was a very Spartan thing. | 0:34:41 | 0:34:44 | |
The couple by the tree seem very fond of each other - | 0:34:44 | 0:34:47 | |
one's grasping the nipple of the other. | 0:34:47 | 0:34:49 | |
LAUGHTER | 0:34:50 | 0:34:52 | |
Oh, yeah. | 0:34:52 | 0:34:53 | |
Their swords casually laid against the... | 0:34:53 | 0:34:55 | |
To go to so much effort and not put your pants on. | 0:34:55 | 0:34:58 | |
-I know. -LAUGHTER | 0:34:58 | 0:35:00 | |
Isn't there something about one of the ones, | 0:35:00 | 0:35:02 | |
that they were ashamed, the two that didn't die? | 0:35:02 | 0:35:04 | |
They were desperately ashamed. | 0:35:04 | 0:35:06 | |
One called, rather wonderfully, "Pantitties"... | 0:35:06 | 0:35:08 | |
LAUGHTER | 0:35:08 | 0:35:10 | |
-It's a bit like the... -Do you mean Pantites? | 0:35:10 | 0:35:12 | |
There was an MP who was introduced to Churchill, his name was Bossom, | 0:35:14 | 0:35:19 | |
and Churchill said, "Neither one thing nor the other." | 0:35:19 | 0:35:22 | |
But anyway, "Pantitties", or "Pant-titties" | 0:35:24 | 0:35:26 | |
or whatever he was, Pantites, | 0:35:26 | 0:35:28 | |
went off to deliver a diplomatic message, apparently, at the embassy, | 0:35:28 | 0:35:31 | |
but he hanged himself from shame when he got back | 0:35:31 | 0:35:33 | |
and saw that he was the only survivor. | 0:35:33 | 0:35:35 | |
But he wasn't the only survivor. | 0:35:35 | 0:35:36 | |
Eurytus couldn't fight because of an eye infection. | 0:35:36 | 0:35:38 | |
The Spartans have taken all the credit | 0:35:38 | 0:35:40 | |
for winning the battle of Thermopylae, | 0:35:40 | 0:35:42 | |
but it was a combined effort with the Athenians, | 0:35:42 | 0:35:44 | |
who were their allies at the time. | 0:35:44 | 0:35:45 | |
Herodotus, known as the Father of History, | 0:35:45 | 0:35:47 | |
and was born four years after the battle, | 0:35:47 | 0:35:49 | |
is the closest contemporary source. | 0:35:49 | 0:35:50 | |
He estimated the Greeks numbered about 5,000. | 0:35:50 | 0:35:52 | |
He was born four years after it had happened | 0:35:52 | 0:35:54 | |
and he's the best we can do? | 0:35:54 | 0:35:55 | |
He's the closest. I'm afraid so. No-one else wrote... | 0:35:55 | 0:35:58 | |
-That's better than a lot of ancient history. -It is. | 0:35:58 | 0:36:02 | |
-The Father of History, what's he called? -Herodotus. | 0:36:02 | 0:36:04 | |
Herodotus. It must have been a lot easier when he was around. | 0:36:04 | 0:36:07 | |
-I'm not having a go at him. -No, it's a fair point. | 0:36:07 | 0:36:09 | |
But less things had happened back then. | 0:36:09 | 0:36:11 | |
-Fewer things... -Yes. -..I think you mean. | 0:36:11 | 0:36:12 | |
LAUGHTER | 0:36:12 | 0:36:15 | |
Some of the audience had you there. | 0:36:15 | 0:36:16 | |
Common usage, play the common usage card. | 0:36:16 | 0:36:18 | |
It's so like being back at school, it's unbelievable. | 0:36:18 | 0:36:21 | |
Apparently, you can say less if you want to now. Apparently, you can. | 0:36:22 | 0:36:26 | |
You can just say what you like, these days. | 0:36:26 | 0:36:28 | |
Apparently, that's the new thing. | 0:36:28 | 0:36:30 | |
Apparently, you're not allowed to scream "Idiot!" at people. | 0:36:30 | 0:36:33 | |
LAUGHTER | 0:36:33 | 0:36:35 | |
What is the point in getting an education at all?! | 0:36:35 | 0:36:38 | |
I know how to use the apostrophe. Apparently, now it doesn't matter! | 0:36:38 | 0:36:41 | |
CHEERING AND APPLAUSE | 0:36:41 | 0:36:44 | |
What I want, I want the time it took me to learn that back! | 0:36:51 | 0:36:55 | |
You need to be less bothered about this, or fewer bothered. | 0:36:57 | 0:36:59 | |
LAUGHTER | 0:36:59 | 0:37:01 | |
You need to be fewer bothered about this kind of thing. | 0:37:01 | 0:37:03 | |
Just let it go. Be fewer upset. | 0:37:03 | 0:37:07 | |
Now, what type of birds did the Birdman keep | 0:37:07 | 0:37:10 | |
in his cell in Alcatraz? | 0:37:10 | 0:37:11 | |
Is it, is it a canary? | 0:37:13 | 0:37:15 | |
-ALARM BLARES -A canary? Or canaries. | 0:37:15 | 0:37:17 | |
I can't believe I got a buzzer again. | 0:37:18 | 0:37:20 | |
I might be close, because last time I said 300, it was 299. | 0:37:20 | 0:37:22 | |
Yeah, you were one off. | 0:37:22 | 0:37:24 | |
Did he keep them in the cell or did they come to the window? | 0:37:24 | 0:37:26 | |
I can't remember the film. Burt Lancaster, wasn't it? | 0:37:26 | 0:37:29 | |
-AUDIENCE MEMBER CALLS OUT: -It wasn't allowed! | 0:37:29 | 0:37:31 | |
It wasn't allowed is the right... Well done, audience. Very good. | 0:37:31 | 0:37:34 | |
APPLAUSE | 0:37:34 | 0:37:35 | |
You weren't allowed birds in your cell, were you? | 0:37:38 | 0:37:40 | |
He was in his previous prison, | 0:37:40 | 0:37:41 | |
which is why he was called the Birdman. | 0:37:41 | 0:37:43 | |
He ended up in Alcatraz, | 0:37:43 | 0:37:44 | |
which is why, I suppose, he was called the Birdman of Alcatraz. | 0:37:44 | 0:37:47 | |
He was an amazing expert on canaries, | 0:37:47 | 0:37:49 | |
so that was his bird of choice. | 0:37:49 | 0:37:51 | |
-And sparrows. -But I said that. | 0:37:51 | 0:37:53 | |
I know. But he didn't keep them in Alcatraz. | 0:37:53 | 0:37:55 | |
299, I was one away! Canaries, I said canaries. | 0:37:55 | 0:37:57 | |
-What do you want from me? -Do you know his name? | 0:37:57 | 0:38:00 | |
Robert Franklin Stroud. | 0:38:00 | 0:38:02 | |
He was moved to the Great Rock, as they call it, | 0:38:02 | 0:38:06 | |
from which no-one escapes, according to Patrick McGoohan. | 0:38:06 | 0:38:08 | |
-"Welcome to the Rock." -Yes. -I think Sean Connery got out, yeah. | 0:38:08 | 0:38:11 | |
"Welcome to the Rock." | 0:38:11 | 0:38:14 | |
"WELCOME TO THE ROCK!" | 0:38:14 | 0:38:15 | |
One more time, we'll go again. "Welcome to the Rock." | 0:38:18 | 0:38:21 | |
Thank you. So kind. | 0:38:21 | 0:38:23 | |
We can have a look at Alcatraz, that's the inside. | 0:38:23 | 0:38:25 | |
-You can do a tour of it. -I've done a tour of it. | 0:38:25 | 0:38:27 | |
-Have you? -RONNI: -You've been? | 0:38:27 | 0:38:28 | |
It's great, I liked it a lot. | 0:38:28 | 0:38:29 | |
But they used to put people in the cells... | 0:38:29 | 0:38:31 | |
All the cell doors, they can open them from one end, and they slide, | 0:38:31 | 0:38:34 | |
-because they don't have doors that open. -Yes. That's right. | 0:38:34 | 0:38:37 | |
They used to put prisoners in them...tourists, I mean, in them. | 0:38:37 | 0:38:39 | |
And then, one day, they couldn't get them out. | 0:38:39 | 0:38:41 | |
So they had some tourists in there for ten hours. | 0:38:41 | 0:38:44 | |
And lots of other tourists coming past. | 0:38:44 | 0:38:46 | |
LAUGHTER | 0:38:46 | 0:38:48 | |
Who were all, suddenly, on much better behaviour. | 0:38:49 | 0:38:52 | |
LAUGHTER | 0:38:52 | 0:38:53 | |
They didn't buy anything from the gift shop. | 0:38:53 | 0:38:55 | |
LAUGHTER | 0:38:55 | 0:38:57 | |
You can see it very clearly from San Francisco. | 0:38:57 | 0:38:59 | |
It looks so near, and it was quite easy to escape from your jail | 0:38:59 | 0:39:02 | |
and swim, but nobody survived the swim, | 0:39:02 | 0:39:04 | |
even though it seems quite a short distance. | 0:39:04 | 0:39:06 | |
Because the currents are so strong, you get swept away. | 0:39:06 | 0:39:10 | |
And Alcatraz, of course, is a word of what origin, would you imagine? | 0:39:10 | 0:39:14 | |
Mexico. | 0:39:14 | 0:39:15 | |
Well, Spanish, the language. Yes, indeed. | 0:39:15 | 0:39:17 | |
And a lot of the Spanish words come from? | 0:39:17 | 0:39:19 | |
Spain. | 0:39:19 | 0:39:20 | |
LAUGHTER | 0:39:20 | 0:39:21 | |
APPLAUSE | 0:39:21 | 0:39:23 | |
I can't fault you. I can't fault you. | 0:39:23 | 0:39:25 | |
It begins with Al. So, like Alhambra and... | 0:39:27 | 0:39:31 | |
-Oh, the Moors. -The Moors. It's an Arabic word. From Arabic. | 0:39:31 | 0:39:35 | |
And, oddly enough, in Spanish, Alcatraz means "gannets", sea birds, | 0:39:35 | 0:39:39 | |
but it used to mean "pelicans". | 0:39:39 | 0:39:41 | |
So when they've called the rock Alcatraz, | 0:39:41 | 0:39:43 | |
they were calling it after the pelicans. | 0:39:43 | 0:39:45 | |
But the actual Arabic words mean something completely different - | 0:39:45 | 0:39:49 | |
"the sea eagle". | 0:39:49 | 0:39:51 | |
So, it's a strange thing. | 0:39:51 | 0:39:52 | |
Alcatraz was "the sea eagle", then it was used to mean the pelican | 0:39:52 | 0:39:56 | |
by the Spanish, then they changed it to mean the gannet. | 0:39:56 | 0:39:58 | |
So, confusing, but that was how it changed its meaning. | 0:39:58 | 0:40:02 | |
You were allowed hot showers in Alcatraz, but not cold ones. | 0:40:02 | 0:40:05 | |
Why would that be? | 0:40:05 | 0:40:07 | |
-Hot showers, but not cold ones... -I don't know, cos... I don't know. | 0:40:07 | 0:40:10 | |
It's so that you wouldn't be acclimatised to the cold water. | 0:40:10 | 0:40:13 | |
-Acclimatised to the cold water! -Yes! | 0:40:13 | 0:40:15 | |
LAUGHTER | 0:40:15 | 0:40:16 | |
But if you are going to be that determined, you wouldn't just | 0:40:16 | 0:40:19 | |
dip your foot in and go, "Ooh, bit nippy, I think I'll got back in. That was a mistake." | 0:40:19 | 0:40:23 | |
Have they not done it now...? | 0:40:23 | 0:40:24 | |
You get these Ironmen that do these swims. Someone must've done it. | 0:40:24 | 0:40:27 | |
But some of the prisoners who did escape were never found, so... | 0:40:27 | 0:40:30 | |
It was assumed, I think, to keep the reputation. | 0:40:30 | 0:40:32 | |
-Assumed dead, but they may have escaped. -Yeah. | 0:40:32 | 0:40:35 | |
It probably suited everyone. | 0:40:35 | 0:40:36 | |
Yeah, because they didn't want the myth of Alcatraz to die. | 0:40:36 | 0:40:39 | |
Who was the first person to put stuff | 0:40:39 | 0:40:42 | |
between two slices of bread and eat it? | 0:40:42 | 0:40:43 | |
# Lay, lady, lay... # | 0:40:43 | 0:40:45 | |
Lord Sandwich. | 0:40:46 | 0:40:47 | |
ALARM BLARES | 0:40:47 | 0:40:48 | |
Oh, what a shame. What a pity. You were doing so well. | 0:40:48 | 0:40:50 | |
I knew that. | 0:40:50 | 0:40:52 | |
The Earl of Sandwich certainly gave his NAME to what we call | 0:40:52 | 0:40:54 | |
the sarnie or the sandwich or the butty, | 0:40:54 | 0:40:56 | |
and all kinds of words for it, but... | 0:40:56 | 0:40:58 | |
Was it the Earl of Butty? | 0:40:58 | 0:41:00 | |
LAUGHTER | 0:41:00 | 0:41:02 | |
We know that mankind has been making bread for 30,000 years, | 0:41:02 | 0:41:05 | |
and it seems inconceivable that no human being decided | 0:41:05 | 0:41:08 | |
to put something between two of those. | 0:41:08 | 0:41:11 | |
So, we're just assuming it must have been ages ago. | 0:41:11 | 0:41:14 | |
Someone must have done it ages ago. | 0:41:14 | 0:41:16 | |
Well, yes, we do know for a fact that 1,200 years ago, | 0:41:16 | 0:41:18 | |
there was a Hillel the Elder, a rabbi, in the first century BC - | 0:41:18 | 0:41:21 | |
the first person known to have made and eaten a sandwich. | 0:41:21 | 0:41:24 | |
He started the Passover custom of putting a mixture | 0:41:24 | 0:41:26 | |
of chopped nuts, apples, spices and wine between two flat breads. | 0:41:26 | 0:41:29 | |
That's a Peshwari naan. | 0:41:29 | 0:41:30 | |
LAUGHTER | 0:41:30 | 0:41:32 | |
-Oh, I love a Peshwari naan. -Oh, now you've said Peshwari... | 0:41:32 | 0:41:35 | |
Oh, I'd have one right now, wouldn't you? | 0:41:35 | 0:41:36 | |
-ALAN AND JIMMY: -O-o-oh! | 0:41:36 | 0:41:38 | |
Just mopping up the end... Ohh! | 0:41:38 | 0:41:41 | |
Just out of the bag, when it comes. | 0:41:41 | 0:41:43 | |
Don't, it's so good. | 0:41:43 | 0:41:44 | |
With all the almonds and the coconut in it. O-o-oh! | 0:41:44 | 0:41:46 | |
We've put in a good shift. Shall we...? | 0:41:46 | 0:41:48 | |
I'm drooling, stop it. | 0:41:48 | 0:41:49 | |
I prefer a plain naan. | 0:41:49 | 0:41:51 | |
Oh, what's the matter with you?! | 0:41:51 | 0:41:53 | |
LAUGHTER | 0:41:53 | 0:41:54 | |
Have you got a badge for that? | 0:41:54 | 0:41:56 | |
There's always one, isn't there? At every party. | 0:41:56 | 0:41:58 | |
Plain naan?! | 0:41:58 | 0:42:01 | |
So, we'll have five Peshwari naans and one for him. | 0:42:01 | 0:42:03 | |
-RONNI: -And one plain. | 0:42:03 | 0:42:05 | |
So, anyway, John Montagu was the 4th Earl of Sandwich, | 0:42:05 | 0:42:08 | |
certainly gave his name to it in our culture, as it were, in our... | 0:42:08 | 0:42:11 | |
-He's on Gogglebox now, the Earl of Sandwich. -Is he? | 0:42:11 | 0:42:14 | |
LAUGHTER | 0:42:14 | 0:42:16 | |
Oh, why do I fall for these?! | 0:42:16 | 0:42:18 | |
APPLAUSE | 0:42:18 | 0:42:20 | |
I fall for everything. | 0:42:20 | 0:42:22 | |
The idea was that he just called for it because he was very busy. | 0:42:24 | 0:42:27 | |
Most people think gambling, because he was an inveterate gambler, | 0:42:27 | 0:42:30 | |
though his biography says, | 0:42:30 | 0:42:31 | |
actually, he was very busy with his ministerial work. | 0:42:31 | 0:42:33 | |
He was Postmaster General, he was First Lord of the Admiralty. | 0:42:33 | 0:42:36 | |
Before that, he was... | 0:42:36 | 0:42:37 | |
Never mind all that. When he got together with Mr Branston... | 0:42:37 | 0:42:41 | |
-It was magic. -NEW YORK ACCENT: -It was moy-der. | 0:42:41 | 0:42:43 | |
When they got together, it was moy-der. | 0:42:43 | 0:42:46 | |
So anyway, that's the last of the questions. | 0:42:47 | 0:42:50 | |
Let's see who's victor ludorum. | 0:42:50 | 0:42:53 | |
Oh, my actual God. | 0:42:53 | 0:42:54 | |
I'm sorry to say, in last place, with -29, | 0:42:56 | 0:42:59 | |
is the girl of many faces and voices, Ronni Ancona. | 0:42:59 | 0:43:02 | |
Stop that. Can't be! | 0:43:02 | 0:43:04 | |
APPLAUSE | 0:43:04 | 0:43:05 | |
-29! | 0:43:05 | 0:43:06 | |
And in third place, with -11, is Jimmy Carr. | 0:43:08 | 0:43:11 | |
APPLAUSE | 0:43:11 | 0:43:12 | |
Perfectly acceptable. -11 is fine. Fine. | 0:43:12 | 0:43:16 | |
In second place, with -7, it's David Mitchell. | 0:43:16 | 0:43:18 | |
APPLAUSE | 0:43:18 | 0:43:20 | |
Can I be uttering these words? With a plus score... | 0:43:22 | 0:43:26 | |
three points, | 0:43:26 | 0:43:27 | |
Alan Davies! | 0:43:27 | 0:43:29 | |
CHEERING AND APPLAUSE | 0:43:29 | 0:43:31 | |
And that is all from Ronni, Jimmy, David, Alan and me. | 0:43:37 | 0:43:41 | |
And I leave you with the last words of Nancy, Lady Astor. | 0:43:41 | 0:43:44 | |
Waking up to find her bed surrounded by her entire family | 0:43:44 | 0:43:47 | |
as she was dying, she said, "Am I dying? | 0:43:47 | 0:43:49 | |
"Or is it my birthday?" Good night. | 0:43:49 | 0:43:52 | |
APPLAUSE | 0:43:52 | 0:43:54 |