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Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:32 | |
good evening, good evening, good evening, good evening, | 0:00:32 | 0:00:35 | |
good evening and welcome, ladies and gentlemen, to QI, | 0:00:35 | 0:00:41 | |
where this week we're looking at ladies and gentlemen. | 0:00:41 | 0:00:45 | |
And we have a pair of each. | 0:00:45 | 0:00:47 | |
A decorous Kathy Lette. | 0:00:47 | 0:00:48 | |
APPLAUSE | 0:00:48 | 0:00:53 | |
A distinguee Sue Perkins. | 0:00:53 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:00 | |
A dashing Ross Noble. | 0:01:03 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:09 | |
And a-dorable Alan Davies. | 0:01:12 | 0:01:15 | |
APPLAUSE | 0:01:15 | 0:01:17 | |
So let's listen to the ladies. | 0:01:20 | 0:01:23 | |
Kathy goes... | 0:01:23 | 0:01:25 | |
# Three times a lady... # | 0:01:25 | 0:01:29 | |
Ah. And that's Lionel, who has two Ls himself. | 0:01:29 | 0:01:32 | |
And Sue goes... It's also libellous. Yeah, libellous. | 0:01:32 | 0:01:34 | |
Sue goes... | 0:01:34 | 0:01:35 | |
# Oh, yes, it's ladies' night And the feeling's right | 0:01:35 | 0:01:39 | |
# Oh, yes, it's ladies' night... # | 0:01:39 | 0:01:42 | |
And lo, the gentlemen. | 0:01:42 | 0:01:43 | |
Ross goes... | 0:01:43 | 0:01:44 | |
# I'm a man | 0:01:44 | 0:01:47 | |
# I spell M-A-N... # | 0:01:47 | 0:01:55 | |
LAUGHTER | 0:01:55 | 0:01:58 | |
Good blues harping. | 0:01:58 | 0:01:59 | |
No, no, that was me adjusting my dentures. Oh, right. | 0:01:59 | 0:02:03 | |
And Alan goes... | 0:02:03 | 0:02:04 | |
# Boys and girls come out to play | 0:02:04 | 0:02:07 | |
# The moon is shining as bright as day... # | 0:02:07 | 0:02:11 | |
Aw, that's sweet. | 0:02:11 | 0:02:13 | |
Now don't forget our L series Spend A Penny joker. | 0:02:13 | 0:02:18 | |
JINGLE | 0:02:18 | 0:02:20 | |
FLUSHING | 0:02:20 | 0:02:22 | |
So, if you play your joker | 0:02:23 | 0:02:25 | |
because you think that the answer to the question | 0:02:25 | 0:02:27 | |
is something to do with the lavatory, you'll get extra points. | 0:02:27 | 0:02:30 | |
Right, now, ladies first. | 0:02:30 | 0:02:32 | |
Oh, you smoothie. | 0:02:32 | 0:02:34 | |
Oh! Why shouldn't you have the vote? | 0:02:34 | 0:02:36 | |
LAUGHTER That's a nice way to start, isn't it? | 0:02:37 | 0:02:40 | |
Finally. Your true colours, Stephen. | 0:02:40 | 0:02:43 | |
Because we'll find out the size of your election? No. | 0:02:43 | 0:02:45 | |
Hey, hey, very good. | 0:02:45 | 0:02:46 | |
You must be talking about, are you talking about in suffragette days? | 0:02:46 | 0:02:49 | |
What they... Yes. OK. | 0:02:49 | 0:02:51 | |
What were the reasons advanced for women not being given the vote? | 0:02:51 | 0:02:54 | |
Well, I mean, it's unnecessary, isn't it? | 0:02:54 | 0:02:56 | |
I imagine it was the aristocracy that were the most fervently against. | 0:02:56 | 0:03:00 | |
Oddly enough, in the days of the suffragette movement, possibly, | 0:03:00 | 0:03:04 | |
you could argue, it was socialists who had the most objection. | 0:03:04 | 0:03:07 | |
Because the suffragette movement | 0:03:07 | 0:03:09 | |
only asked for votes for property-owning women. | 0:03:09 | 0:03:13 | |
And the socialists regarded that as deeply wrong. | 0:03:13 | 0:03:15 | |
Because they said, well, that would just stuff parliament | 0:03:15 | 0:03:18 | |
with even more bourgeoisie. We wouldn't want that. Yeah. | 0:03:18 | 0:03:21 | |
And, in fact, a lot of the enemies of the votes for women were...? | 0:03:21 | 0:03:26 | |
Were women. Were women, exactly. Yeah. There you are. | 0:03:26 | 0:03:29 | |
These are the women against it and they didn't want it. | 0:03:29 | 0:03:32 | |
It's the one behind going... | 0:03:32 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
I'm late, I'm late! | 0:03:35 | 0:03:37 | |
For a lobotomy. Yeah, the one behind has a hammer, which is | 0:03:37 | 0:03:40 | |
obviously trying to suggest... Yes, she's off to perform a... | 0:03:40 | 0:03:43 | |
But there was sort of the Stockholm Syndrome. | 0:03:43 | 0:03:45 | |
That they were brainwashed. | 0:03:45 | 0:03:46 | |
They'd been brought up to be decorative and demure. Yeah. | 0:03:46 | 0:03:48 | |
And they had this idea they had to be home | 0:03:48 | 0:03:50 | |
looking after the children | 0:03:50 | 0:03:51 | |
and being domesticated and doing the home cooking. | 0:03:51 | 0:03:54 | |
Home cooking, that place where a husband thinks his wife is. Yes. | 0:03:54 | 0:03:57 | |
So... And also I think they were, the women who thought that way, | 0:03:57 | 0:04:00 | |
obviously they were also a bit braindead because of the corsetry. | 0:04:00 | 0:04:03 | |
Their corsets were so tight, | 0:04:03 | 0:04:04 | |
it had cut off all circulation to the brain. | 0:04:04 | 0:04:08 | |
Do you know where Constance Wilde, Oscar Wilde's wife, comes into this? | 0:04:08 | 0:04:12 | |
No. She was a very, very leading figure | 0:04:12 | 0:04:14 | |
in a movement which was a precursor to Votes For Women, | 0:04:14 | 0:04:17 | |
which was called the Rational Dress Society. | 0:04:17 | 0:04:19 | |
Oh, yes. Oh, right. Yeah. Yeah. | 0:04:19 | 0:04:20 | |
Women in Victorian eras, as you say, were corseted | 0:04:20 | 0:04:22 | |
to within an inch of their life. They could barely breathe. | 0:04:22 | 0:04:25 | |
And they wanted to loosen out. | 0:04:25 | 0:04:26 | |
And that's why they would faint so often, | 0:04:26 | 0:04:28 | |
in hot dinners and parties and things, balls. | 0:04:28 | 0:04:30 | |
But what you could do is, as the blood was cut off, | 0:04:30 | 0:04:33 | |
you could turn them upside down... LAUGHTER | 0:04:33 | 0:04:35 | |
And then it would rush to their legs... And make an egg timer. | 0:04:35 | 0:04:38 | |
And you could have a lovely egg. Yeah. Yeah. | 0:04:38 | 0:04:40 | |
The three-minute lady. Yeah. | 0:04:40 | 0:04:42 | |
And Constance Lloyd, then Wilde as she was, very intelligent, | 0:04:42 | 0:04:45 | |
splendid woman, she was one of the first to say, | 0:04:45 | 0:04:47 | |
well, we should wear rational dress, you know. | 0:04:47 | 0:04:49 | |
Straight, loose clothing that doesn't constrict us. | 0:04:49 | 0:04:51 | |
And that kind of was symbolic of a wider constriction | 0:04:51 | 0:04:54 | |
that existed in society, in terms of what they were allowed to do. | 0:04:54 | 0:04:58 | |
And it was a self-fulfilling prophecy. | 0:04:58 | 0:04:59 | |
Because women were not in engineering, were not in politics, | 0:04:59 | 0:05:02 | |
were not in anything involving the colonial system... | 0:05:02 | 0:05:05 | |
Therefore it was said, well, but they know nothing about politics. | 0:05:05 | 0:05:08 | |
They know nothing about... Therefore they shouldn't vote. | 0:05:08 | 0:05:11 | |
But it's because they... | 0:05:11 | 0:05:12 | |
But there should have been something, when she sort of, | 0:05:12 | 0:05:14 | |
you know, brought this up as a thing, rational dress, | 0:05:14 | 0:05:17 | |
she should have gone, | 0:05:17 | 0:05:18 | |
"But in the future, leggings must be approached with caution." | 0:05:18 | 0:05:21 | |
LAUGHTER That's the... That's true. Yeah. | 0:05:21 | 0:05:24 | |
Because there are certain people who, I think, | 0:05:24 | 0:05:26 | |
if you're not fighting crime - no, thanks to the Spandex. | 0:05:26 | 0:05:29 | |
Well, look at Spanx. Spanx are back, like corsets, aren't they? | 0:05:30 | 0:05:34 | |
What are Spanx? Oh, Spanx are life-savers. | 0:05:34 | 0:05:36 | |
They just move it around. What are Spanx? | 0:05:36 | 0:05:38 | |
It's basically anatomy roulette. | 0:05:38 | 0:05:40 | |
It's like, put them on, who knows where it'll end up? | 0:05:40 | 0:05:42 | |
What is a Spanx? | 0:05:42 | 0:05:43 | |
They're these tight pants that some women wear | 0:05:43 | 0:05:45 | |
to hold all their little bits of flesh in. | 0:05:45 | 0:05:47 | |
But, honestly, they're a contraceptive, | 0:05:47 | 0:05:49 | |
because once you get them on, you can never get them off again. | 0:05:49 | 0:05:52 | |
But the best thing about Spanx is, is if you go to a wedding | 0:05:52 | 0:05:54 | |
and at the start of the night there's these, | 0:05:54 | 0:05:57 | |
loads of women just looking amazing, | 0:05:57 | 0:05:59 | |
then they get a few drinks in them, have a bit of a dance | 0:05:59 | 0:06:01 | |
and then just boobs start appearing in different places. | 0:06:01 | 0:06:04 | |
LAUGHTER And you go, "Have you got leg boobs? | 0:06:04 | 0:06:06 | |
"I didn't know you could have leg boobs." | 0:06:06 | 0:06:08 | |
It does, it moves the boobs. It just, whoa, there's one. | 0:06:08 | 0:06:11 | |
And then you, look, I've got, I've got a side boob, | 0:06:11 | 0:06:13 | |
and then push that and then boom, out there. | 0:06:13 | 0:06:15 | |
And you get a nice shoulder tit. What, hey? Oh, oh, oh! | 0:06:15 | 0:06:18 | |
So what is it, is this like a body tube? | 0:06:18 | 0:06:20 | |
Yeah. Yes. Yeah. Wow! | 0:06:20 | 0:06:22 | |
So, anyway, just to sort of sum up what's happening here. | 0:06:22 | 0:06:25 | |
Um... LAUGHTER | 0:06:25 | 0:06:28 | |
Are you referring to what's happening in my Spanx right now? | 0:06:28 | 0:06:31 | |
The pro-suffrage movement was divided against itself. | 0:06:31 | 0:06:34 | |
There was the suffragists, who followed the Liberal Party, | 0:06:34 | 0:06:38 | |
and then there were the suffragettes, as you can see there, | 0:06:38 | 0:06:40 | |
Mrs Pankhurst being the most famous, | 0:06:40 | 0:06:42 | |
and they believed in smashing windows, | 0:06:42 | 0:06:44 | |
chaining themselves to railings, and in the worst possible case, | 0:06:44 | 0:06:47 | |
Emily Davidson, deliberate or not, throwing herself | 0:06:47 | 0:06:49 | |
in front of the King's horse and dying. It looked pretty deliberate. | 0:06:49 | 0:06:52 | |
Although I don't suppose she intended to die. | 0:06:52 | 0:06:54 | |
I think she intended to stop the horse. | 0:06:54 | 0:06:56 | |
There's the saddest thing, at the British Library | 0:06:56 | 0:06:58 | |
they've got her purse and in her purse is a return ticket. | 0:06:58 | 0:07:01 | |
Which, was she... But was she just being female and thinking, | 0:07:01 | 0:07:04 | |
"Oh, it's cheaper to get the return"? | 0:07:04 | 0:07:06 | |
Presumably, I don't know if this is true, but if, but pre-suffrage, | 0:07:07 | 0:07:10 | |
would women have been seen as sort of goods and chattels? | 0:07:10 | 0:07:13 | |
So if they did something wrong, would it then, would the husband be liable? | 0:07:13 | 0:07:17 | |
What a fabulously good idea. No, no, they'd just be... | 0:07:17 | 0:07:20 | |
Speaking as criminal stock, you know. They'd just be burned. | 0:07:20 | 0:07:23 | |
Well, burned is... That's going a long way back. | 0:07:23 | 0:07:25 | |
They would be burnt or ducked. | 0:07:25 | 0:07:27 | |
Or tried as witch or something like that. | 0:07:27 | 0:07:29 | |
But actually, Stephen, I don't think... | 0:07:29 | 0:07:31 | |
It's amazing women got the vote, | 0:07:31 | 0:07:32 | |
it's amazing they went out to protest. | 0:07:32 | 0:07:34 | |
Women weren't supposed to go out without a chaperone. | 0:07:34 | 0:07:36 | |
If you did, you were seen as a prostitute. | 0:07:36 | 0:07:38 | |
We're a couple of slappers being here right now. | 0:07:38 | 0:07:40 | |
I suppose the most amazing thing is those women who existed | 0:07:40 | 0:07:42 | |
before the vote, who managed to achieve things. | 0:07:42 | 0:07:45 | |
The trouble is, you could name them | 0:07:45 | 0:07:46 | |
almost on the fingers of a pair of hands, | 0:07:46 | 0:07:48 | |
the women who managed to break through, | 0:07:48 | 0:07:50 | |
what was not a glass ceiling, but basically a rock ceiling, you know. | 0:07:50 | 0:07:54 | |
Yeah, and they had crazy ideas. | 0:07:54 | 0:07:56 | |
There was one professor who said that women shouldn't be educated | 0:07:56 | 0:07:59 | |
and shouldn't vote because it would mean their brains would grow. | 0:07:59 | 0:08:02 | |
And if their brains grew, | 0:08:02 | 0:08:04 | |
their wombs would shrink. They would vote for Nigel Farage. | 0:08:04 | 0:08:06 | |
And he based that evidence on the fact that women who were educated | 0:08:06 | 0:08:09 | |
didn't have children, mainly because we were smart enough | 0:08:09 | 0:08:11 | |
to know that, you know, our careers would end. | 0:08:11 | 0:08:14 | |
He clearly didn't foresee the Katie Price scenario then, did he? | 0:08:14 | 0:08:17 | |
Well, we seem to have covered that very well. | 0:08:18 | 0:08:21 | |
The fact is, strange as it seems to us today, | 0:08:21 | 0:08:22 | |
many women were against votes for women. | 0:08:22 | 0:08:25 | |
When did women first get the vote in Britain, do you know? Either of you? | 0:08:25 | 0:08:30 | |
Either side? '21. '21? | 0:08:30 | 0:08:32 | |
1920, I think. | 0:08:32 | 0:08:34 | |
'20... | 0:08:34 | 0:08:36 | |
KLAXON Oh, the '20s generally, | 0:08:36 | 0:08:38 | |
I'm afraid, get the klaxon. Oh, dear. | 0:08:38 | 0:08:40 | |
Oh, dear, oh, dear. It's actually rather surprising. | 0:08:40 | 0:08:43 | |
You may think, of course, they were enfranchised, more or less | 0:08:43 | 0:08:48 | |
by the 1920s after the contribution | 0:08:48 | 0:08:51 | |
they clearly gave to the First World War. | 0:08:51 | 0:08:53 | |
It was nigh on impossible to doubt that they had earned the right. | 0:08:53 | 0:08:56 | |
But the first was in 1867. | 0:08:56 | 0:08:58 | |
The first woman to vote, so far as we know, | 0:08:58 | 0:09:01 | |
in the entire United Kingdom, was one Lily Maxwell in Manchester. | 0:09:01 | 0:09:05 | |
And she was a ratepayer. | 0:09:05 | 0:09:07 | |
And the law then was that ratepayers were allowed to vote. | 0:09:07 | 0:09:10 | |
And it never occurred to the good burghers of Manchester | 0:09:10 | 0:09:13 | |
that a female ratepayer would take it up and vote | 0:09:13 | 0:09:16 | |
because there just wasn't a rule. | 0:09:16 | 0:09:18 | |
It's like saying rabbits cannot vote. | 0:09:18 | 0:09:20 | |
And if a rabbit turned up and voted, you'd say, "Oh, gosh, there's no law | 0:09:20 | 0:09:23 | |
"that says rabbits can't vote." | 0:09:23 | 0:09:24 | |
That's what it was like to the Victorians. They closed that | 0:09:24 | 0:09:27 | |
loophole very quickly, but a few women snuck in under the wire | 0:09:27 | 0:09:31 | |
and voted, 1867. | 0:09:31 | 0:09:32 | |
When did the law that prohibited women from doing that come in? | 0:09:32 | 0:09:36 | |
Very shortly afterwards? It was the following year, 1868. | 0:09:36 | 0:09:40 | |
That is quick. They really stamped that out. And they burned them. Yep. | 0:09:40 | 0:09:44 | |
Get on the pyre. | 0:09:46 | 0:09:48 | |
Is that fella there, in the blue shirt, | 0:09:48 | 0:09:50 | |
is he wearing a false beard, by any chance? | 0:09:50 | 0:09:52 | |
You can see the straps there. That's a woman. | 0:09:52 | 0:09:56 | |
He's there going, "Yeah, yeah, you can have the vote there! | 0:09:56 | 0:09:59 | |
"Don't tell anyone. I'm a woman." | 0:10:01 | 0:10:03 | |
Must be a woman because she's got a box of chocolates next to her. | 0:10:03 | 0:10:07 | |
We can't go to the polling station without confectionery. Absolutely. | 0:10:08 | 0:10:12 | |
Who said this? | 0:10:12 | 0:10:14 | |
"Nothing would induce me to vote for giving women the franchise." | 0:10:14 | 0:10:18 | |
Said in 1905. | 0:10:18 | 0:10:20 | |
Churchill. Who? I bet it's a woman. Churchill. | 0:10:20 | 0:10:23 | |
Is the right answer! | 0:10:23 | 0:10:24 | |
Yes, I'm afraid so. | 0:10:24 | 0:10:26 | |
Yes, he did say that. | 0:10:31 | 0:10:32 | |
He was not, let's face it, the most liberal and progressive man | 0:10:32 | 0:10:35 | |
when it came to Empire and things like that, | 0:10:35 | 0:10:37 | |
marvellous as he was in all kinds of other ways. | 0:10:37 | 0:10:39 | |
So, "We will fight them on the beaches" was originally something | 0:10:39 | 0:10:41 | |
he said about women, he just modified it. We'll fight them on the bitches. Bitches! | 0:10:41 | 0:10:45 | |
ALAN: Supposedly, he did not say, "Golf is a good walk spoiled." | 0:10:46 | 0:10:50 | |
That was somebody else. Mark Twain, I've always heard. | 0:10:50 | 0:10:52 | |
Apparently not Mark Twain either. | 0:10:52 | 0:10:54 | |
It's what's known as Churchillian drift. | 0:10:54 | 0:10:57 | |
It's all these witty remarks get attributed to | 0:10:57 | 0:11:00 | |
people like Churchill, Noel Coward, Oscar Wilde, Mark Twain... | 0:11:00 | 0:11:03 | |
Stephen Fry. George Bernard Shaw. It's always, like... | 0:11:03 | 0:11:08 | |
it's always the real highfalutin one, isn't it, | 0:11:08 | 0:11:11 | |
the real amazing bits of wit that then get attributed to somebody else. | 0:11:11 | 0:11:15 | |
It's never, like, Cannon and Ball, is it? No! | 0:11:15 | 0:11:18 | |
I think it was Churchill who once said, | 0:11:18 | 0:11:20 | |
"Oh, Tommy, you've got me skin." | 0:11:20 | 0:11:22 | |
IMPERSONATES: I've got my eye on you! I've got my eye on you! Rock on. Right. | 0:11:24 | 0:11:29 | |
I mean, that was Churchill, wasn't it? | 0:11:29 | 0:11:31 | |
I believe it was... | 0:11:31 | 0:11:33 | |
Now, I've got some little toys for you to play with. | 0:11:34 | 0:11:37 | |
What would you use them for? Oh, hello. | 0:11:37 | 0:11:39 | |
You can have the blue one. | 0:11:41 | 0:11:43 | |
Well... Hello? Hello? It's an alarm key. | 0:11:45 | 0:11:49 | |
LOUD WHIRRING | 0:11:49 | 0:11:51 | |
Ah, you've pressed the button. That's a very good start. | 0:11:51 | 0:11:55 | |
It's the world's worst rape alarm. | 0:11:55 | 0:11:56 | |
If you're wearing a microphone, | 0:11:58 | 0:12:00 | |
it sounds like a million voles having a heart attack. | 0:12:00 | 0:12:02 | |
If you can hold them away from the mics, | 0:12:02 | 0:12:04 | |
because you're sending the audience mad. | 0:12:04 | 0:12:06 | |
I can't turn it off! No. Yes, you can. Just leave it. | 0:12:06 | 0:12:09 | |
It's a tiny stadium audience in a box. | 0:12:09 | 0:12:13 | |
And you just go, "Good evening, Wembley!" | 0:12:13 | 0:12:15 | |
It seems to be white noise. | 0:12:15 | 0:12:17 | |
This is what it's trying to do. Oh, go on. | 0:12:17 | 0:12:19 | |
SOUND OF RUSHING WATER | 0:12:19 | 0:12:21 | |
That's just frightening. Oh, that's better. | 0:12:21 | 0:12:23 | |
That's like a toilet. | 0:12:23 | 0:12:25 | |
Yeah. Why, is the word? | 0:12:26 | 0:12:28 | |
Why would you want to replicate the sound of a flushing toilet | 0:12:28 | 0:12:31 | |
wherever you go? | 0:12:31 | 0:12:32 | |
More to the point, why has Stephen got an app on his phone? | 0:12:32 | 0:12:35 | |
LAUGHTER | 0:12:35 | 0:12:37 | |
Because there is nothing I wouldn't do to make things clear for you, | 0:12:37 | 0:12:40 | |
because of my love for you all. | 0:12:40 | 0:12:42 | |
Is it to make people urinate after an operation or something? | 0:12:42 | 0:12:45 | |
Yes, it's not exactly to make people urinate. | 0:12:45 | 0:12:48 | |
It's designed by the Japanese for the Japanese. | 0:12:48 | 0:12:51 | |
Oh, to cover the sound of yourself in the toilet, you put it on. | 0:12:51 | 0:12:54 | |
Yes, I bet that's it. | 0:12:54 | 0:12:56 | |
You could have played your Spend A Pennies here. | 0:12:56 | 0:12:58 | |
Oh, I could have done. Oh, we could. | 0:12:58 | 0:12:59 | |
It's to cover the noise of peeing. | 0:12:59 | 0:13:02 | |
Because Japanese are traditionally rather pee-shy, | 0:13:02 | 0:13:05 | |
and it's called a Sound Princess. | 0:13:05 | 0:13:07 | |
A Sound Princess! LAUGHTER | 0:13:07 | 0:13:10 | |
Oh, that's marvellous. | 0:13:10 | 0:13:12 | |
They're actually built into some lavatories in Japan, | 0:13:12 | 0:13:14 | |
but these are the ones for if you don't have a built-in one. | 0:13:14 | 0:13:16 | |
"This clever little key chain gadget from Japan | 0:13:16 | 0:13:19 | |
"solves a real problem for those that are shy, | 0:13:19 | 0:13:22 | |
"namely the embarrassing sounds of our noises as we go to the bathroom. | 0:13:22 | 0:13:26 | |
"Push the button and 25 seconds of continuous sounds | 0:13:26 | 0:13:29 | |
"of a running refilling toilet permeate the room | 0:13:29 | 0:13:31 | |
"in a natural, unobtrusive way." | 0:13:31 | 0:13:33 | |
25 seconds! It's just going to run out. | 0:13:33 | 0:13:35 | |
25 seconds is not going to do it. "Masking the sounds you make..." | 0:13:35 | 0:13:38 | |
It finishes and then you hear... HE BLOWS A RASPBERRY | 0:13:38 | 0:13:42 | |
Yeah. Do they do another one for sort of number twos, | 0:13:42 | 0:13:44 | |
the sound of sort of an avalanche or something? You'd think so. | 0:13:44 | 0:13:47 | |
"Press it again, press it again." RASPBERRY | 0:13:47 | 0:13:49 | |
Well, push the button again for another 25 seconds of bliss. | 0:13:49 | 0:13:52 | |
"I've dropped it!" RASPBERRY | 0:13:52 | 0:13:54 | |
You mean in the cubicles. | 0:13:55 | 0:13:57 | |
I thought you had to hang it off your downstairs. | 0:13:57 | 0:13:59 | |
Oh, no! | 0:13:59 | 0:14:01 | |
And then you're stood at the urinal, just weeing. | 0:14:01 | 0:14:04 | |
The fella next to you hears. | 0:14:04 | 0:14:05 | |
"Why is there cheering coming from the...?" | 0:14:05 | 0:14:08 | |
"We will rock you!" | 0:14:10 | 0:14:12 | |
Imagine that whacking off your plums. | 0:14:15 | 0:14:18 | |
It comes in three colour-ways. We've got two. | 0:14:20 | 0:14:22 | |
"It comes pink with a cute little heart, | 0:14:22 | 0:14:24 | |
"for the inner girl in every woman." | 0:14:24 | 0:14:26 | |
But this is... I don't want... Do you have an inner girl? | 0:14:26 | 0:14:29 | |
Well, not with that in it, no. No, you don't. No. | 0:14:29 | 0:14:31 | |
"Baby blue with a ribbon for that free and fresh feeling." Yeah. | 0:14:31 | 0:14:34 | |
"And a white Save The Earth unisex model for both men and women." | 0:14:34 | 0:14:37 | |
But it's an Eco Otome, | 0:14:37 | 0:14:38 | |
because it saves you having to flush the loo to disguise your noise. | 0:14:38 | 0:14:42 | |
So you're saving water, in theory. | 0:14:42 | 0:14:45 | |
Why don't you just go into the cubicle, close the door, | 0:14:45 | 0:14:49 | |
you hear somebody come in, just go, "Brace yourself!" | 0:14:49 | 0:14:53 | |
He'll go, "Oh, no, I'm not having this." And leave. | 0:14:54 | 0:14:56 | |
But also the sound of that, you turn that on and you hear... | 0:14:58 | 0:15:01 | |
MAKES FAINT GROWLING NOISE | 0:15:01 | 0:15:03 | |
The person - it's Japan, isn't it - | 0:15:03 | 0:15:05 | |
what's the first thing they're going to think of? | 0:15:05 | 0:15:07 | |
"Hang on, I can hear Godzilla." | 0:15:07 | 0:15:09 | |
Another person might be halfway through their business. | 0:15:11 | 0:15:14 | |
"Oh, my God, Godzilla's here." And then runs out. | 0:15:14 | 0:15:16 | |
The floor gets slippy, they fly over, smash their head, | 0:15:16 | 0:15:20 | |
and it leads to all kinds of... It's a health and safety nightmare. | 0:15:20 | 0:15:23 | |
This should be banned. It should be off the shelves. | 0:15:23 | 0:15:26 | |
I'm writing to Watchdog. | 0:15:26 | 0:15:29 | |
I took my children to the toilet today... | 0:15:29 | 0:15:31 | |
Yes? They're 18 and 19. | 0:15:34 | 0:15:35 | |
And we all went in, we were all in a cubicle together. | 0:15:35 | 0:15:37 | |
They're two and four. Right. | 0:15:37 | 0:15:39 | |
And then someone went into the next door cubicle and started | 0:15:39 | 0:15:41 | |
going about some, obviously some quite serious business. | 0:15:41 | 0:15:45 | |
After about four minutes of this, my little girl started saying, | 0:15:45 | 0:15:48 | |
"Oh, oh, that stinks! | 0:15:48 | 0:15:51 | |
"Oh, that's terrible! It's really smelly in here! Oh! | 0:15:53 | 0:15:57 | |
"That's awful!" | 0:15:57 | 0:16:00 | |
If only you'd had this! Princess poo! If only you'd had your princess. | 0:16:00 | 0:16:03 | |
And I could hear the person in the next cubicle laughing. | 0:16:03 | 0:16:06 | |
Where was the loo? | 0:16:08 | 0:16:10 | |
The O2 Centre on the Finchley Road. | 0:16:10 | 0:16:12 | |
Oh, no. Oh, look, was it you? | 0:16:12 | 0:16:15 | |
It was me. I know the very one. | 0:16:15 | 0:16:19 | |
Well, there's only one other thing that's vaguely connected to this, | 0:16:19 | 0:16:22 | |
and that's the architect, Sir Edmund Beckett, the 1st Baron Grimthorpe, | 0:16:22 | 0:16:26 | |
and he was considered the best locksmith of the century. | 0:16:26 | 0:16:30 | |
And he hated it when people didn't pull the flush in his lavatory. | 0:16:30 | 0:16:34 | |
So he set it up such that if you went into his loo | 0:16:34 | 0:16:37 | |
and locked the door, then if you didn't flush, you couldn't get out. | 0:16:37 | 0:16:42 | |
It was locked. | 0:16:42 | 0:16:43 | |
Only when you flushed did it unlock the door. | 0:16:43 | 0:16:46 | |
Isn't that brilliant? That is quite brilliant. Yeah. | 0:16:46 | 0:16:48 | |
And maybe, for the ladies' sake, it would be the same | 0:16:48 | 0:16:51 | |
if you lifted the seat or lowered it, rather than lifted it. | 0:16:51 | 0:16:54 | |
Which is it you like? I always forget. | 0:16:54 | 0:16:56 | |
Well, we like it where you do the wee in the hole bit. Oh, really? | 0:16:56 | 0:16:59 | |
As opposed to all the way round. That never occurred to me. | 0:16:59 | 0:17:02 | |
Just the rest of the toilet, anywhere in the rest of the toilet. | 0:17:02 | 0:17:06 | |
It takes all the fun out of it. | 0:17:06 | 0:17:08 | |
I suppose we could try that, couldn't we? | 0:17:08 | 0:17:10 | |
The difference between the sexes here is that men seem to think | 0:17:10 | 0:17:13 | |
sitting on the toilet is a leisure activity, | 0:17:13 | 0:17:15 | |
which women just don't get that, do we? No, you're quite quick about it. | 0:17:15 | 0:17:18 | |
Yes. Who wants to stay in there? | 0:17:18 | 0:17:20 | |
Well, maybes if you weren't outside the door giving it all that... | 0:17:20 | 0:17:23 | |
Well now... I am joking. | 0:17:25 | 0:17:27 | |
I am joking. I am joking. | 0:17:27 | 0:17:29 | |
Of course you are. | 0:17:29 | 0:17:30 | |
Who made the ladies' toilet, was it George Bernard Shaw? | 0:17:30 | 0:17:33 | |
I think he definitely was the one who pushed for it, as it were. | 0:17:33 | 0:17:36 | |
Because they'd previously... | 0:17:36 | 0:17:38 | |
Previously there'd been lots of public conveniences for men, | 0:17:38 | 0:17:41 | |
but never for women, because it was thought rather... Women didn't wee. | 0:17:41 | 0:17:44 | |
..inappropriate for women to go, you know, outside their own home. | 0:17:44 | 0:17:47 | |
Well, the building of theatres in the 19th century | 0:17:47 | 0:17:50 | |
did not take women into account, did it? | 0:17:50 | 0:17:51 | |
And to this day, you can see it at the intervals of plays, | 0:17:51 | 0:17:54 | |
women are having to queue up, | 0:17:54 | 0:17:56 | |
while men are just peeing all over the place. | 0:17:56 | 0:17:58 | |
Just one bog and a tannoy bellowing, | 0:17:58 | 0:18:01 | |
"You've got one minute till the..." You know. Minute to go, yeah. | 0:18:01 | 0:18:03 | |
Till View From A Bridge starts | 0:18:03 | 0:18:05 | |
and you've got a bladder the size of a spaceship | 0:18:05 | 0:18:07 | |
and then you just do it on the seat and cry. | 0:18:07 | 0:18:10 | |
And go home with a wet bottom on the night bus. | 0:18:10 | 0:18:12 | |
LAUGHTER I imagine. Aw! | 0:18:12 | 0:18:14 | |
That's the title of your autobiography already, | 0:18:16 | 0:18:19 | |
Wet Bottom on the Night Bus. Wet Bottom on the Night Bus. I love it. | 0:18:19 | 0:18:23 | |
Anyway, next question. | 0:18:23 | 0:18:25 | |
What can you catch from a lavatory seat? | 0:18:25 | 0:18:27 | |
A tennis ball. | 0:18:27 | 0:18:28 | |
If you position it right, | 0:18:30 | 0:18:31 | |
so that they're just serving through a slightly open window. | 0:18:31 | 0:18:34 | |
Yeah, you can just get it. Very good. Lob it through. Nothing. | 0:18:34 | 0:18:37 | |
Nothing? No, that's not right. KLAXON | 0:18:37 | 0:18:40 | |
It's so not right, you get a klaxon. | 0:18:40 | 0:18:41 | |
Something. | 0:18:41 | 0:18:42 | |
Everything. Not good enough. Everything is not right either. | 0:18:44 | 0:18:46 | |
There are quite a few diseases. | 0:18:46 | 0:18:48 | |
Gonorrhoea. | 0:18:48 | 0:18:49 | |
Um... Syphilis. | 0:18:49 | 0:18:51 | |
Is it the crabs? Is it the tiny crabs? | 0:18:51 | 0:18:55 | |
Well, there are a number that are very much known to be caught. | 0:18:55 | 0:18:58 | |
Hepatitis, dysentery, fungal infections, puerperal fever. Ugh! | 0:18:58 | 0:19:03 | |
Viral gastro-enteritis, | 0:19:03 | 0:19:04 | |
but the only way you catch it from the loo seat | 0:19:04 | 0:19:08 | |
is from the loo seat to your hand | 0:19:08 | 0:19:10 | |
to what is nicely known as a "soft entry point." Oh. | 0:19:10 | 0:19:14 | |
Which tends to be the nose or the mouth. | 0:19:14 | 0:19:16 | |
So as long as you wash your hands, you're perfectly safe. | 0:19:16 | 0:19:19 | |
You don't get it through the thighs and bottom. | 0:19:19 | 0:19:21 | |
Yes, that would be weird. That would be weird. | 0:19:21 | 0:19:23 | |
Surely the bottom is something of a soft entrance, isn't it? | 0:19:23 | 0:19:26 | |
It is, but unless you're doing it very, very wrong, | 0:19:26 | 0:19:29 | |
it should be hovering over a nice hole in-between the seat. | 0:19:29 | 0:19:32 | |
Well, you just stand up. I tend to slide off onto the floor like that. | 0:19:32 | 0:19:35 | |
Do you? Well, I advise you from now on not to. | 0:19:35 | 0:19:39 | |
That is why they have a gap under the door. | 0:19:39 | 0:19:41 | |
Just so your feet can go through. No, what I do, what I do is... | 0:19:42 | 0:19:45 | |
That's brilliant. So you leave all your doings, | 0:19:45 | 0:19:47 | |
and then get out with the door locked. | 0:19:47 | 0:19:49 | |
What's happened here? Yes. | 0:19:50 | 0:19:52 | |
So somebody goes, "Oh, my God, he didn't even flush it." | 0:19:52 | 0:19:54 | |
"I don't need to flush it. | 0:19:54 | 0:19:55 | |
"It will not unlock the door." Whoosh! Like that. | 0:19:55 | 0:19:58 | |
In fact sometimes, if you time it right... | 0:19:58 | 0:20:00 | |
Don't you catch your testicles, as they go under? | 0:20:00 | 0:20:03 | |
No, no, it's a sort of a reverse limbo, you pull them in like a sumo. | 0:20:03 | 0:20:06 | |
Oh, right, OK. | 0:20:06 | 0:20:07 | |
But what you do is, you time it right so that | 0:20:07 | 0:20:09 | |
when the fella or the lady is mopping the floor, | 0:20:09 | 0:20:12 | |
I slip out from under the door, it's like the curling, like that. | 0:20:12 | 0:20:15 | |
And then somebody opens the door, all the way down, | 0:20:17 | 0:20:19 | |
"What are you doing?" "I'm fine, I'm fine." | 0:20:19 | 0:20:21 | |
And then as you're moving, it pulls your trousers up. | 0:20:21 | 0:20:24 | |
Superb. KATHY: That should be an Olympic category, I think. | 0:20:24 | 0:20:26 | |
It should be an Olympic category, that is superb. Yeah, excellent. | 0:20:26 | 0:20:29 | |
Never do it on the ice though, never on the ice. | 0:20:29 | 0:20:32 | |
No. Never. Those of us who use lavatories in a more, | 0:20:32 | 0:20:34 | |
shall we say, normal... Conventional. | 0:20:34 | 0:20:36 | |
..usual, conventional way, tend not to do that. | 0:20:36 | 0:20:39 | |
We tend to keep the soft entry points of our bottoms... | 0:20:39 | 0:20:42 | |
That is why I'm riddled with disease. | 0:20:42 | 0:20:44 | |
Yes. Riddled, riddled with disease. | 0:20:44 | 0:20:46 | |
That would explain it. Yeah, absolutely. | 0:20:46 | 0:20:48 | |
But who was responsible for the myth that you can catch | 0:20:48 | 0:20:51 | |
sexually transmitted diseases from lavatory seats? | 0:20:51 | 0:20:53 | |
It's, erm, Brian Blessed. Brian. | 0:20:53 | 0:20:56 | |
"Yes!" "Oh, you can!" "No, I don't think... No, no, no." | 0:20:56 | 0:20:59 | |
"My soft entrance has been violated! | 0:20:59 | 0:21:04 | |
"Yes! I can't believe it!" | 0:21:04 | 0:21:07 | |
"It's hairier than the rest of me." | 0:21:10 | 0:21:13 | |
So who put it about? My grandmother, I think. | 0:21:13 | 0:21:16 | |
Your grandmother may have... | 0:21:16 | 0:21:17 | |
Would it be a pharmaceutical company with profits to be made? | 0:21:17 | 0:21:20 | |
No, it's actually doctors. Doctors suggested that you could catch it. | 0:21:20 | 0:21:23 | |
I love that show. | 0:21:23 | 0:21:26 | |
They suggested you could catch it from lavatory seats. | 0:21:26 | 0:21:29 | |
There's something very, very wrong with that torso. There is. | 0:21:29 | 0:21:32 | |
I think she's past hope. Is it a she or a he? | 0:21:32 | 0:21:35 | |
It's very hard to tell. | 0:21:35 | 0:21:37 | |
Your problem is... It's Tilda Swinton. | 0:21:37 | 0:21:40 | |
It's beautiful Tilda Swinton with gangrene of the upper rib. | 0:21:40 | 0:21:43 | |
Yeah. | 0:21:43 | 0:21:44 | |
"Your head is much too small for your body." | 0:21:44 | 0:21:47 | |
That's not a usual... It's not a usual soft opening part, | 0:21:47 | 0:21:50 | |
that he's poking his tube into. | 0:21:50 | 0:21:52 | |
I don't know what... He's draining it, presumably. | 0:21:52 | 0:21:54 | |
He's harvesting tit juice. | 0:21:54 | 0:21:56 | |
All right. He's harvesting tit juice. Gangrenous tit juice. | 0:21:56 | 0:21:58 | |
No, it was doctors. Doctors suggested it because they thought | 0:21:58 | 0:22:01 | |
it would make more people come forward with STDs, | 0:22:01 | 0:22:05 | |
because they would be less embarrassed to say they caught it | 0:22:05 | 0:22:07 | |
from a lavatory seat than | 0:22:07 | 0:22:08 | |
that they caught it from a whore, strumpet, harlot. Sex worker. | 0:22:08 | 0:22:12 | |
Or parent. Puttanesco. Or parent. Parent?! | 0:22:12 | 0:22:15 | |
Don't make me repeat things without thinking. It's all wrong. | 0:22:17 | 0:22:22 | |
This is a thing that's happened to me. | 0:22:22 | 0:22:24 | |
I'll share, cos I feel I'm amongst friends. All right. | 0:22:24 | 0:22:27 | |
I went to the doctor, had terrible, like a sort of a... | 0:22:27 | 0:22:29 | |
It was almost like welts... Did you say whelks? Welts. | 0:22:29 | 0:22:33 | |
Welts. Not whelks. It was a red... No, welts with a T, not with a K. | 0:22:33 | 0:22:36 | |
I thought you said whelks, as in cockles and... | 0:22:36 | 0:22:39 | |
There was... You know, whelks. I was bothered by Cockneys. | 0:22:39 | 0:22:43 | |
And all the time I had chimney sweeps around me, | 0:22:43 | 0:22:46 | |
I was batting them off. "Feed the birds." | 0:22:46 | 0:22:49 | |
Went to the doctor and I thought, I've got some sort of... | 0:22:49 | 0:22:53 | |
MUMBLES: ..sexually transmitted disease. | 0:22:53 | 0:22:58 | |
Went into the doctor, he went, "Pants are too tight." | 0:22:58 | 0:23:02 | |
That's what he said. | 0:23:02 | 0:23:03 | |
He said "Your pants are too tight." You had your Spanx on. Just had... | 0:23:03 | 0:23:06 | |
So you were kidding yourself that you were a medium | 0:23:06 | 0:23:08 | |
and in fact you were an extra, extra large. | 0:23:08 | 0:23:10 | |
I've done it, I've been there. Yeah. | 0:23:10 | 0:23:13 | |
And you do get welts, you get awful webbing marks, you get... | 0:23:13 | 0:23:15 | |
Webbing? Yeah, well, the... You know, the webbing of the... | 0:23:15 | 0:23:18 | |
You need to just loosen that banana hammock and let it fly. | 0:23:18 | 0:23:21 | |
I got the larger... I went for the larger pant, | 0:23:23 | 0:23:25 | |
and since, trouble-free. It's been simple. Yeah, I know. | 0:23:25 | 0:23:27 | |
What a wonderful, wonderful thing. So, there you are. | 0:23:27 | 0:23:30 | |
So, there you are. Now, here's one for the gentlemen. | 0:23:30 | 0:23:34 | |
How could your mother-in-law help you run things at tiny bit better? | 0:23:34 | 0:23:37 | |
Well, my mother-in-law... | 0:23:38 | 0:23:40 | |
There's a rather classy version of Deal Or No Deal going on. | 0:23:41 | 0:23:45 | |
It's the picnic special. The wicker version. Exactly. | 0:23:47 | 0:23:50 | |
Fortnum and Mason Deal or no Deal. "Oh, chutney." | 0:23:50 | 0:23:53 | |
It's a hell of an episode of Blind Date as well. | 0:23:55 | 0:23:58 | |
"Who'd date number one? The older lady..." | 0:23:58 | 0:24:00 | |
They look like they've just emerged from them. | 0:24:00 | 0:24:03 | |
Put them back in them. | 0:24:03 | 0:24:04 | |
Anyway, they're two daughters-in-law with their mother-in-law, | 0:24:04 | 0:24:07 | |
but that's just an example, obviously. Run things? Yes. | 0:24:07 | 0:24:10 | |
Talk about running things, I mean runs companies and things. CEOs. | 0:24:10 | 0:24:15 | |
CEOs is exactly what we're after, actually. | 0:24:15 | 0:24:18 | |
A study of 6,753 deaths among CEOs | 0:24:18 | 0:24:23 | |
and their families found they caused a statistically significant | 0:24:23 | 0:24:28 | |
and economically large decline in the profitability | 0:24:28 | 0:24:31 | |
of their companies. But there was one exception. | 0:24:31 | 0:24:34 | |
The death of a CEO's mother-in-law | 0:24:34 | 0:24:36 | |
led to a positive effect on performance. | 0:24:36 | 0:24:39 | |
You're now advocating that mother-in-laws of successful CEOs | 0:24:39 | 0:24:43 | |
should do the decent thing, ladies, and top yourselves. | 0:24:43 | 0:24:46 | |
It was marked as positive but statistically insignificant, | 0:24:46 | 0:24:48 | |
which makes it rather, sort of, peculiar. | 0:24:48 | 0:24:50 | |
But there is one feature that CEOs should have in America, | 0:24:50 | 0:24:54 | |
which WILL make them the more successful. | 0:24:54 | 0:24:56 | |
Do you know what that is? A face. Is it a face? | 0:24:56 | 0:24:58 | |
It's not a face, but it is physical. It's rather good news for me. | 0:24:58 | 0:25:01 | |
Height. Height is the answer. | 0:25:01 | 0:25:04 | |
Height is more important than race, sex, | 0:25:04 | 0:25:06 | |
or ability when it comes to CEOs. | 0:25:06 | 0:25:08 | |
Only 14.5% of US men are over six foot. | 0:25:08 | 0:25:13 | |
But 58% of CEOs are. | 0:25:13 | 0:25:17 | |
Which is going to piss on Janette Krankie's attempt to lead. | 0:25:17 | 0:25:21 | |
You'd think it'd be a towering intellect they'd need. | 0:25:21 | 0:25:24 | |
I always think the only important organ in a man is the big, | 0:25:24 | 0:25:28 | |
throbbing organ between the ears. | 0:25:28 | 0:25:29 | |
The only place where size does count. | 0:25:29 | 0:25:32 | |
Stephen has a big throbbing organ. Bless you, darling. | 0:25:32 | 0:25:34 | |
And, in the US, there's also the issue of the pay differential | 0:25:34 | 0:25:37 | |
between large company CEOs and their average employees. | 0:25:37 | 0:25:41 | |
But the fact that I haven't yet given you is that CEOs anyway, | 0:25:41 | 0:25:46 | |
no matter how much they're paid, | 0:25:46 | 0:25:48 | |
have absolutely no effect on the performance of a company. | 0:25:48 | 0:25:50 | |
So the idea that they are worth what they're paid, | 0:25:50 | 0:25:54 | |
which apparently only applies to them | 0:25:54 | 0:25:55 | |
and not to average workers anyway, is complete nonsense. | 0:25:55 | 0:25:58 | |
And there are perfect examples of this which I can give you. | 0:25:58 | 0:26:01 | |
A report in 2013 found that during the years 1993-2012, | 0:26:01 | 0:26:05 | |
40% of the highest paid CEOs in the US had either | 0:26:05 | 0:26:09 | |
had their companies bailed out by the taxpayer, | 0:26:09 | 0:26:12 | |
or had their companies charged with fraudulent activity, | 0:26:12 | 0:26:16 | |
or been fired for poor performance, | 0:26:16 | 0:26:18 | |
or overseen the death of their companies. | 0:26:18 | 0:26:20 | |
These are people paid millions a year. | 0:26:20 | 0:26:23 | |
So the fact is, 40% of them have been shown to have | 0:26:23 | 0:26:25 | |
a disastrous effect on their companies. | 0:26:25 | 0:26:28 | |
In the UK, women get 58p for every pound that men get. | 0:26:28 | 0:26:32 | |
I know. 100 years since Emmeline Pankhurst tied herself | 0:26:32 | 0:26:34 | |
to the railings, and we still don't have equal pay. She never called for | 0:26:34 | 0:26:37 | |
equal pay, of course. That only arrived in the '70s. | 0:26:37 | 0:26:39 | |
Should we do a riot? Let's do a riot. | 0:26:39 | 0:26:42 | |
Do a riot. Do a riot. There's three people that are ready to take arms. | 0:26:42 | 0:26:46 | |
So, the death of the CEO's mother-in-law helps businesses | 0:26:46 | 0:26:49 | |
a little bit. Now, staying with lady relatives for a moment, | 0:26:49 | 0:26:52 | |
can you finish these real suggestions from agony aunts? | 0:26:52 | 0:26:55 | |
Here they are. | 0:26:55 | 0:26:57 | |
"There is no more harm in a kiss than...?" | 0:26:57 | 0:26:59 | |
Shaving a monkey and pretending it's a woman. | 0:26:59 | 0:27:02 | |
I don't know where that's coming from or where it's going. | 0:27:05 | 0:27:09 | |
Sorry. Sorry, I'm so sorry. Is it the common cold? | 0:27:09 | 0:27:12 | |
It's actually a loaded revolver. | 0:27:12 | 0:27:14 | |
It's from Ally Sloper's Half Holiday of 1911. | 0:27:14 | 0:27:17 | |
Next one. "Kidney troubles, coughs, colds, toothache and neuralgia, | 0:27:17 | 0:27:21 | |
"diarrhoea and stomach catarrh are frequently brought on by...?" | 0:27:21 | 0:27:24 | |
Kissing? Exposing one of your soft entrances. | 0:27:24 | 0:27:27 | |
In a public convenience. | 0:27:29 | 0:27:30 | |
I tell you, it's true. | 0:27:30 | 0:27:32 | |
"Kidney troubles, coughs, colds, toothache and neuralgia, diarrhoea | 0:27:32 | 0:27:35 | |
"and stomach catarrh are frequently brought on by...paddling, rowing." | 0:27:35 | 0:27:39 | |
Paddling is the right answer! Yes. Bizarrely. | 0:27:39 | 0:27:42 | |
It's Mother and Home, 1910. | 0:27:42 | 0:27:44 | |
And finally, "If your friend is too fat, she should..." | 0:27:44 | 0:27:47 | |
Only be seen... Try presenting Bake Off. | 0:27:47 | 0:27:49 | |
KLAXON | 0:27:49 | 0:27:52 | |
Ta-dum, boom! | 0:27:54 | 0:27:56 | |
Well, well, we... | 0:27:58 | 0:28:00 | |
Should not live in glass houses. | 0:28:00 | 0:28:03 | |
This is a very strange 1928 cure for obesity, which is, | 0:28:03 | 0:28:06 | |
"She should try doing rolling exercises on the floor." | 0:28:06 | 0:28:10 | |
For the amusement of the family. | 0:28:11 | 0:28:14 | |
The world's first agony aunt was actually a man. | 0:28:14 | 0:28:16 | |
He was called John Dunton. | 0:28:16 | 0:28:18 | |
He started a twice weekly periodical called the Athenian Gazette... | 0:28:18 | 0:28:22 | |
How could a man with hair like that give advice to anybody? | 0:28:22 | 0:28:27 | |
Everybody had a perruque in those days. | 0:28:27 | 0:28:29 | |
What kind of advice did the agony aunts give? Quite interesting. | 0:28:29 | 0:28:33 | |
Mostly literary, political, scientific or religious. "Never bathe." | 0:28:33 | 0:28:36 | |
He got a letter from a lady and he was rather surprised. | 0:28:36 | 0:28:39 | |
She asked if she could submit questions. | 0:28:39 | 0:28:41 | |
This led to a spin-off, "Reasonable questions sent in to us by the fair sex," | 0:28:41 | 0:28:45 | |
and the spin-off was called the Ladies' Mercury, not surprisingly. | 0:28:45 | 0:28:48 | |
the first women's magazine. | 0:28:48 | 0:28:49 | |
Yeah! Its mission was "to answer all most nice and curious questions | 0:28:49 | 0:28:53 | |
"concerning love, marriage, behaviour, dress and humour of the female sex, | 0:28:53 | 0:28:57 | |
"whether virgins, wives or widows." | 0:28:57 | 0:28:59 | |
Is there any other type? LAUGHTER | 0:28:59 | 0:29:01 | |
There are no other types. Stephen, no lady will ever touch you or hurt you. | 0:29:01 | 0:29:06 | |
It only lasted a month but things would never be the same. | 0:29:06 | 0:29:09 | |
He was asked at one point by a woman saying she was lonely, | 0:29:09 | 0:29:12 | |
he advised her to go down to the docks and find a randy sailor. | 0:29:12 | 0:29:16 | |
He didn't use the word "randy", | 0:29:16 | 0:29:18 | |
but said there would be sailors aplenty to oblige her. | 0:29:18 | 0:29:21 | |
Another asked for "the opinions you have met concerning the capricious | 0:29:21 | 0:29:25 | |
"and extravagant humours of women." | 0:29:25 | 0:29:27 | |
And he replied, | 0:29:27 | 0:29:29 | |
"The word 'capricious' is used to signify the extravagant | 0:29:29 | 0:29:32 | |
"humours of most women, because there is no animal | 0:29:32 | 0:29:34 | |
"they resemble more than a goat." LAUGHTER | 0:29:34 | 0:29:36 | |
Which is pretty odd, | 0:29:36 | 0:29:38 | |
because he actually dressed up as a woman to avoid tax and debt. | 0:29:38 | 0:29:40 | |
Yeah. Gary Barlow didn't think of that one! | 0:29:40 | 0:29:44 | |
No! Did he look like a goat when he dressed up as a woman? | 0:29:44 | 0:29:48 | |
"How shall I do it? They look like this, don't they?" | 0:29:48 | 0:29:52 | |
Horns, four hooves and going up a mountain. | 0:29:52 | 0:29:54 | |
But that's fascinating that he gave such ribald advice. | 0:29:54 | 0:29:58 | |
in Victorian times agony aunts were dipped in penicillin. | 0:29:58 | 0:30:03 | |
Telling her to go down and look for a sailor... | 0:30:03 | 0:30:06 | |
A horny sailor who just wants anything with a hole and a heartbeat, is quite... | 0:30:06 | 0:30:11 | |
It's very impressive. | 0:30:11 | 0:30:13 | |
That's the second volume of my autobiography. A Hole And A Heart. LAUGHTER | 0:30:13 | 0:30:17 | |
They're all collected in a book, Never Kiss A Man In A Canoe, | 0:30:17 | 0:30:21 | |
Words of Wisdom From The Golden Age Of Agony Aunts, by Tanith Carey. | 0:30:21 | 0:30:24 | |
Who's collected them all for your pleasure and enjoyment. | 0:30:24 | 0:30:28 | |
So now let's man the lifeboats. | 0:30:28 | 0:30:29 | |
What was the seventh most common cause of death among German submariners in World War I? | 0:30:29 | 0:30:35 | |
Was it banging their heads on low doorways? | 0:30:35 | 0:30:39 | |
Bulkheads, I believe they are called. | 0:30:39 | 0:30:41 | |
Being shot? Shot, yes, kind of, but shot in a particular way. | 0:30:41 | 0:30:46 | |
Can I do one? I think toilets, | 0:30:46 | 0:30:48 | |
the water coming in rather than flushing out, maybe. | 0:30:48 | 0:30:52 | |
How ironic to die of an overflowing toilet in a submarine! | 0:30:52 | 0:30:55 | |
Being fired out of a torpedo tube? Friendly fire. | 0:30:55 | 0:30:58 | |
Well, not friendly fire. | 0:30:58 | 0:31:00 | |
Very unfriendly fire and deeply unsporting unfriendly fire. | 0:31:00 | 0:31:03 | |
Soft tissue access, so communicable diseases... | 0:31:03 | 0:31:07 | |
No, I'll tell you what it is. | 0:31:07 | 0:31:09 | |
The Germans, who were very sporting and gentlemanly, | 0:31:09 | 0:31:11 | |
they used protocols which meant that if they | 0:31:11 | 0:31:15 | |
approached a merchantman, in other words, not a warship, | 0:31:15 | 0:31:18 | |
what they would do is rise to the surface | 0:31:18 | 0:31:21 | |
and they would give an opportunity for everyone on board to | 0:31:21 | 0:31:26 | |
get into the lifeboat and sail away to safety. | 0:31:26 | 0:31:31 | |
Then they would sink the ship and its supplies, because that was a legitimate war target. | 0:31:31 | 0:31:35 | |
So the Royal Navy got these ships that they disguised as merchant ships | 0:31:35 | 0:31:41 | |
and they got their sailors to dress up in drag and walk up and down as if they were women... | 0:31:41 | 0:31:46 | |
Like goats! As if they were perfectly natural civilians, | 0:31:46 | 0:31:51 | |
and the German U-boat would approach and call out and say, "Man your lifeboats!" | 0:31:51 | 0:31:57 | |
The captain of the boat would pull a lever, reveal all the weapons | 0:31:57 | 0:32:02 | |
and shoot down and destroy the U-boat. | 0:32:02 | 0:32:04 | |
And it was mean. That's not the Marquess of Queensbury! It's not cricket. | 0:32:04 | 0:32:09 | |
So did they learn their lesson and perhaps disguise themselves as a hen party, a sort of...? | 0:32:09 | 0:32:15 | |
They should have done, but 14 German submarines were felled that way, | 0:32:15 | 0:32:20 | |
making cross-dressing sailors the seventh leading cause. | 0:32:20 | 0:32:23 | |
That's hilarious! Amazing, isn't it? | 0:32:23 | 0:32:25 | |
In 1927, HMS M2 was the very first submarine to carry aeroplanes. | 0:32:25 | 0:32:31 | |
Carry aeroplanes? Yeah. | 0:32:31 | 0:32:34 | |
Not only carry them, but they had a deck. A slightly flawed plan. | 0:32:34 | 0:32:37 | |
Yeah, obviously they would only allow them to land and take off when they'd risen to the surface. | 0:32:37 | 0:32:42 | |
A small, specially designed seaplane took off next to the sub | 0:32:42 | 0:32:46 | |
and could be winched aboard and stowed in the hangar. | 0:32:46 | 0:32:49 | |
Unfortunately they once opened the hangar too early and the whole thing was sunk. Very sad. | 0:32:49 | 0:32:55 | |
Now, ladies, you should be covering your ears, because you're very sensitive, I know. | 0:32:55 | 0:33:00 | |
Can you name an Anglo-Saxon swearword? | 0:33:00 | 0:33:03 | |
BLEEP. I would say... Oh. KLAXON | 0:33:03 | 0:33:08 | |
That's... We've covered all bases there. | 0:33:11 | 0:33:14 | |
In for a penny. BLEEP, BLEEP, BLEEP...! KLAXON CONTINUES | 0:33:14 | 0:33:17 | |
Knob-gobbler. Knob-gobbler?! | 0:33:21 | 0:33:24 | |
Knob-gobbler is Anglo-Saxon. It's also a delightful wading bird. | 0:33:27 | 0:33:32 | |
The amount of times Bill Oddie's gone after a knob-gobbler on the... | 0:33:32 | 0:33:36 | |
He does spend a lot of time on Hampstead Heath, | 0:33:36 | 0:33:38 | |
it's certainly true. That's where he comes from. | 0:33:38 | 0:33:41 | |
Yeah. "Ooh, look at the plumage on that knob-gobbler." | 0:33:41 | 0:33:43 | |
This isn't rude, it's a type of... No. It's a type of bird. | 0:33:43 | 0:33:46 | |
You know, who wouldn't want to stroke a knob-gobbler? | 0:33:46 | 0:33:48 | |
But no, you see the fact is, | 0:33:50 | 0:33:52 | |
we have no knowledge whatsoever of Anglo-Saxons swearing, | 0:33:52 | 0:33:55 | |
because the only Saxons we know of are those who wrote. | 0:33:55 | 0:33:58 | |
And those who wrote were in Holy Orders, and tended not to swear. | 0:33:58 | 0:34:02 | |
And didn't swear, of course. | 0:34:02 | 0:34:03 | |
But we have no evidence for them. There must have been swear words. | 0:34:03 | 0:34:06 | |
But we do know that Vikings swore, because we actually know, | 0:34:06 | 0:34:08 | |
there's a particular word, and this is rassragr. | 0:34:08 | 0:34:11 | |
It's such an appalling word that | 0:34:11 | 0:34:14 | |
if one Viking called another Viking rassragr, | 0:34:14 | 0:34:18 | |
the Viking who was called it | 0:34:18 | 0:34:20 | |
would be entitled to kill the man who called him that. Gosh! | 0:34:20 | 0:34:22 | |
And indeed, if he didn't try and kill him, | 0:34:22 | 0:34:25 | |
he would be expelled from the community | 0:34:25 | 0:34:27 | |
and indeed be proved to be a rassragr. | 0:34:27 | 0:34:29 | |
I've been told what rassragr means, but I just cannot tell you. Aw! | 0:34:29 | 0:34:32 | |
Is it... I just can't. Rassragr. Rassragr. Rassragr. | 0:34:32 | 0:34:34 | |
Is it to do with colouring? I just can't. | 0:34:34 | 0:34:38 | |
Russet beard or something? My mind has got the idea of it in its head | 0:34:38 | 0:34:40 | |
and I will never be the same. He must tell us! | 0:34:40 | 0:34:42 | |
I don't know what it means. We all want to know, right? Rassragr. | 0:34:42 | 0:34:45 | |
Anyway, the fact is, there are no known Anglo-Saxon swear words, | 0:34:45 | 0:34:48 | |
in the sense that Anglo-Saxon peoples use them. | 0:34:48 | 0:34:50 | |
It's time for a maths test and it's ladies versus gents. | 0:34:50 | 0:34:54 | |
Which team will let itself down? | 0:34:54 | 0:34:57 | |
Oh, lord. What happened to our faces? | 0:34:57 | 0:35:01 | |
You're eating your thumb. Disturbing, isn't it? Which team will let itself down? | 0:35:01 | 0:35:06 | |
If it's the pair of us, we will lose because I'm really bad at maths. | 0:35:06 | 0:35:10 | |
Because women are always told that that's ten inches. LAUGHTER | 0:35:10 | 0:35:14 | |
That isn't ten inches? Exactly, yeah. | 0:35:14 | 0:35:18 | |
And also, on our team the little boy at the back has had a severe head injury. | 0:35:18 | 0:35:22 | |
LAUGHTER Look at him, he's concussed. | 0:35:22 | 0:35:26 | |
He's sat there going, "I can do maths but I've been smashed in the face with a ruler." | 0:35:26 | 0:35:33 | |
This is a gender fulfilling... It is a self-fulfilling prophecy. | 0:35:33 | 0:35:38 | |
Because women are told we are bad at maths. | 0:35:38 | 0:35:40 | |
And we did it - we said, "We'll never be able to do it because we are rubbish." | 0:35:40 | 0:35:45 | |
Indeed, yes. and it's been tested because there is a general feeling | 0:35:45 | 0:35:50 | |
that seems to be, again, self fulfilling, | 0:35:50 | 0:35:52 | |
that Asian people are very good at maths. | 0:35:52 | 0:35:55 | |
So if you take a group of Asian women and say, | 0:35:55 | 0:35:58 | |
"You're women and you're going to do a maths test | 0:35:58 | 0:36:01 | |
"and the men are going to do a maths test," they tend to get 60%. | 0:36:01 | 0:36:06 | |
And then you take a group of Asian women and say, "You're Asian | 0:36:06 | 0:36:11 | |
"and you're playing against a group of European men," | 0:36:11 | 0:36:15 | |
they tend to get, at the same level of difficulty, | 0:36:15 | 0:36:18 | |
80% or 90%. So it's really about being told what you are, | 0:36:18 | 0:36:21 | |
and the very fact that you're told you're a woman makes you think, | 0:36:21 | 0:36:25 | |
"Oh, God, I'm no good at this." | 0:36:25 | 0:36:26 | |
And your self-esteem is lower than Lady Gaga's bikini line. | 0:36:26 | 0:36:29 | |
I'm rubbish at maths, but when I go, "You're an Asian woman," boom! | 0:36:29 | 0:36:33 | |
Brilliant, honestly. I'm on Countdown next week. | 0:36:33 | 0:36:38 | |
Now, some might say that's borderline racist, what I've got planned, | 0:36:38 | 0:36:42 | |
but I'm going to win, that's all that matters. | 0:36:42 | 0:36:45 | |
It's about tribal affiliations. | 0:36:45 | 0:36:48 | |
So if you are oriented to affiliate with a more successful... | 0:36:48 | 0:36:53 | |
You could be a woman or you could be a redhead or a European or | 0:36:53 | 0:36:57 | |
an Antipodean or whatever, so you find the right one. | 0:36:57 | 0:37:01 | |
Similarly, some retailers have tried to make their toy displays | 0:37:01 | 0:37:05 | |
gender neutral, but they have a toy tool box and a toy handbag | 0:37:05 | 0:37:09 | |
and one is blue and the other is pink! | 0:37:09 | 0:37:10 | |
How is that in any way neutral? Lego has a pink brick box. | 0:37:10 | 0:37:13 | |
"It has everything young girls need to create a world of building fun." | 0:37:13 | 0:37:18 | |
And it includes a female mini figure. A mini finger? Mini figure! | 0:37:18 | 0:37:23 | |
LAUGHTER Just a slightly smaller version of your own finger. | 0:37:23 | 0:37:28 | |
"This is a shit gift. | 0:37:28 | 0:37:32 | |
"I've got five and now I've just got a really small one." | 0:37:32 | 0:37:35 | |
OK. Women who are reminded they are women do worse at maths. | 0:37:35 | 0:37:39 | |
And now hold your horses, ladies, fingers on buzzers, gentlemen, | 0:37:39 | 0:37:44 | |
because it's time for a bit of General Ignorance. | 0:37:44 | 0:37:46 | |
Right, what did Lady Godiva do? # A lady... # | 0:37:46 | 0:37:50 | |
Yes? Well, of course she rode naked through the town, | 0:37:50 | 0:37:53 | |
because she wanted to... I forget, what was it she was doing it for? | 0:37:53 | 0:37:56 | |
She had... She wanted... No. KLAXON | 0:37:56 | 0:37:59 | |
Whoa. No. | 0:37:59 | 0:38:00 | |
No, which town was it that she didn't ride naked through? | 0:38:00 | 0:38:02 | |
Birmingham, I think. Birmingham! No. | 0:38:02 | 0:38:05 | |
Coventry is the one that people suppose that she... | 0:38:05 | 0:38:08 | |
She owned Coventry, interestingly. Did she? Yes, she owned it. | 0:38:08 | 0:38:11 | |
And the first story of her riding naked is the early 13th century, | 0:38:11 | 0:38:16 | |
but actually, that's some 200 years after she lived. | 0:38:16 | 0:38:19 | |
And this story was a fellow called Roger of Wendover, | 0:38:19 | 0:38:22 | |
who was a notoriously unreliable purveyor of anecdotes and gossip. | 0:38:22 | 0:38:27 | |
In fact, the story that he gave was that her husband, | 0:38:27 | 0:38:31 | |
who was the Earl of Mercia, | 0:38:31 | 0:38:32 | |
had put large taxes on the citizens of Coventry, | 0:38:32 | 0:38:35 | |
and she thought this was unfair, | 0:38:35 | 0:38:37 | |
and she said, "You must get rid of these taxes." | 0:38:37 | 0:38:39 | |
He said, "I'll do it if you ride naked through Coventry." | 0:38:39 | 0:38:42 | |
And so she thought, "All right, | 0:38:42 | 0:38:43 | |
"I like the people of Coventry, I'll ride naked." | 0:38:43 | 0:38:46 | |
And they all obediently closed their eyes. | 0:38:46 | 0:38:49 | |
But there's no evidence for any of this. All this is later. | 0:38:49 | 0:38:52 | |
Do you think that would work today | 0:38:52 | 0:38:54 | |
if we suggested that to Boris Johnson, | 0:38:54 | 0:38:56 | |
if we rode naked through the town, we could stop paying our taxes? | 0:38:56 | 0:38:59 | |
To bicycle on a Boris bike through the streets of London. | 0:38:59 | 0:39:01 | |
Yeah. Yes, naked. | 0:39:01 | 0:39:03 | |
Yeah. The story of Lady Godiva is horseshit, frankly. | 0:39:03 | 0:39:06 | |
So what did Mary Magdalene do for a living? | 0:39:06 | 0:39:08 | |
Mary Magdalene, what did she do for a living? | 0:39:08 | 0:39:10 | |
Ah... Oh. Are we? Do we dare? | 0:39:10 | 0:39:13 | |
# Ladies' night... # | 0:39:13 | 0:39:14 | |
I just want to hear that again, | 0:39:14 | 0:39:16 | |
because I am so in the groove with that shit. Yay. | 0:39:16 | 0:39:19 | |
She was a... | 0:39:19 | 0:39:21 | |
DUTCH ACCENT: Sex worker. A sex worker, a prostitute? KLAXON | 0:39:21 | 0:39:24 | |
We call them sex workers now. | 0:39:24 | 0:39:25 | |
Sex workers. They are called sex workers. | 0:39:25 | 0:39:27 | |
The sex workers, like prostitutes. | 0:39:27 | 0:39:28 | |
No. In as much as we know anything about her, | 0:39:28 | 0:39:30 | |
or anything about anybody in the "Bibble". | 0:39:30 | 0:39:32 | |
She's got jaundice, that's what we know about her. Well, that's true. | 0:39:32 | 0:39:36 | |
I think we've taken faces | 0:39:36 | 0:39:37 | |
from some sort of Sienese school rendering of her. | 0:39:37 | 0:39:40 | |
But she's mentioned in each of the four Gospels, Mary Magdalene. | 0:39:40 | 0:39:43 | |
And not one of them says she was a prostitute or even a sinner. | 0:39:43 | 0:39:46 | |
All you need to do is to have sex once. | 0:39:46 | 0:39:49 | |
If you're a girl, then you are a prostitute. | 0:39:49 | 0:39:51 | |
It did say that she spent a lot of time on the docks, wink, wink. | 0:39:51 | 0:39:56 | |
At some point she became confused with two other women | 0:39:56 | 0:40:00 | |
in the Bible - Mary, the sister of Martha | 0:40:00 | 0:40:02 | |
and the unnamed sinner from Luke's Gospital, chapter... | 0:40:02 | 0:40:05 | |
Gospital?! | 0:40:05 | 0:40:06 | |
Gospel, both of whom washed Jesus' feet with hair, if you remember. | 0:40:06 | 0:40:10 | |
That's the third chapter of your book, The Unnamed Sinner From Luke's Gospel. | 0:40:10 | 0:40:14 | |
In the sixth century, | 0:40:14 | 0:40:16 | |
Pope Gregory the Great made this confusion official by declaring | 0:40:16 | 0:40:19 | |
in a sermon that these three characters were the same person. | 0:40:19 | 0:40:22 | |
This remained the official line for over 1,000 years | 0:40:22 | 0:40:24 | |
until the Catholic church finally ruled that Mary Magdalene was not the penitent sinner in 1969. | 0:40:24 | 0:40:29 | |
And the whole world went, "Ooh!" | 0:40:29 | 0:40:31 | |
Oh, I've been calling her a slag for 2,000 years. | 0:40:31 | 0:40:34 | |
Can I just ask, right? I'm no art historian, | 0:40:34 | 0:40:37 | |
but why is there a severed baby's head with no body attached, just...? | 0:40:37 | 0:40:45 | |
It's like a flying tray with a head on it, isn't it? | 0:40:45 | 0:40:48 | |
Just the wing ears. | 0:40:48 | 0:40:51 | |
You will get these in baroque paintings, putti, as they're called. | 0:40:51 | 0:40:54 | |
It... But how do we know that that is a cherub | 0:40:54 | 0:40:56 | |
and not just, like, a fat-faced bird? | 0:40:56 | 0:40:59 | |
That's a knob-gobbler, that's what that is. | 0:40:59 | 0:41:01 | |
Well, it's... The Baroque did go rather crazy, | 0:41:03 | 0:41:06 | |
and there's no real excuse for it. | 0:41:06 | 0:41:08 | |
It's overdone, to say the least. | 0:41:08 | 0:41:10 | |
But the one thing that we know about Mary Magdalene | 0:41:10 | 0:41:13 | |
is that she wasn't a prostitute. | 0:41:13 | 0:41:15 | |
What happens nine months after a blackout? Ah. | 0:41:15 | 0:41:19 | |
# A lady... # | 0:41:19 | 0:41:21 | |
Many, many babies. | 0:41:21 | 0:41:23 | |
Ah... No, no... KLAXON | 0:41:23 | 0:41:25 | |
Oh, you've been doing so well. Aw. | 0:41:25 | 0:41:27 | |
Is it the power company finally give you the cheque for a refund? | 0:41:27 | 0:41:32 | |
That's probably right. Yeah. Yes, you finally get your refund. | 0:41:32 | 0:41:35 | |
No, there is no evidence, although it is a commonly held belief, | 0:41:35 | 0:41:38 | |
absolutely no evidence whatsoever from demographers | 0:41:38 | 0:41:41 | |
and other such people that this is true. | 0:41:41 | 0:41:43 | |
There was a famous 1965 blackout in New York and everybody said, | 0:41:43 | 0:41:45 | |
nine months later, including the New York Times, | 0:41:45 | 0:41:48 | |
that there was a sharp increase of births. | 0:41:48 | 0:41:49 | |
But they then, after it was proved to be inaccurate, | 0:41:49 | 0:41:52 | |
issued an acknowledgment that they had made a mistake. | 0:41:52 | 0:41:54 | |
I mean, lights do go out every night. | 0:41:54 | 0:41:56 | |
I mean, it's not like we're permanently in sort of spotlights. | 0:41:56 | 0:41:59 | |
Precisely, exactly. No. And so it's such a rare thing we go, | 0:41:59 | 0:42:02 | |
"God, the lights are finally off. We can have sex!" Exactly. | 0:42:02 | 0:42:05 | |
"Oh, telly's not working. Go on, then." | 0:42:05 | 0:42:07 | |
I always go to the main fuse box. "Sorry, love." | 0:42:10 | 0:42:15 | |
"Our leccy's gone." | 0:42:15 | 0:42:17 | |
That's your foreplay, is it? Clever, clever, clever. Yeah. | 0:42:17 | 0:42:20 | |
No, there is no evidence that people have more sex during a power cut. | 0:42:20 | 0:42:23 | |
So, not with a boom, but a whimper, we come to the scores. | 0:42:23 | 0:42:28 | |
Oh, my good night. HE CHUCKLES | 0:42:28 | 0:42:32 | |
Well, we're going to start in last place, and I'm sorry to say, | 0:42:32 | 0:42:35 | |
because of her filthy mouth, in last place with minus 48, | 0:42:35 | 0:42:40 | |
it's Sue Perkins. Oh. | 0:42:40 | 0:42:41 | |
APPLAUSE | 0:42:41 | 0:42:43 | |
And hardly less Anglo-Saxon, with minus 28 is Kathy Lette. | 0:42:46 | 0:42:53 | |
APPLAUSE Thank you. Thank you. | 0:42:53 | 0:42:56 | |
APPLAUSE DROWNS SPEECH | 0:42:56 | 0:42:58 | |
And not losing again, with minus 8, it's Alan Davies. | 0:43:01 | 0:43:05 | |
APPLAUSE | 0:43:05 | 0:43:08 | |
Second place, you must be very proud. | 0:43:12 | 0:43:14 | |
It only means there's one winner, with plus 2, Ross Noble. | 0:43:14 | 0:43:17 | |
APPLAUSE | 0:43:17 | 0:43:19 | |
So, all that's left for me to do is to thank Kathy, Sue, Ross and Alan. | 0:43:25 | 0:43:30 | |
And I leave you with the last words of former | 0:43:30 | 0:43:32 | |
British Prime Minister, Pitt the Younger. | 0:43:32 | 0:43:34 | |
"I think I could eat one of Bellamy's meat pies." | 0:43:34 | 0:43:37 | |
What greater last words could you ever have? Good night. | 0:43:37 | 0:43:40 | |
The heat in the Den is rising. | 0:44:10 | 0:44:12 | |
You're coming across as, frankly, ridiculous. | 0:44:12 | 0:44:15 |