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CHEERING AND APPLAUSE | 0:00:24 | 0:00:29 | |
Ladies and gentlemen, welcome to QI, | 0:00:33 | 0:00:38 | |
where this week the name of the game is Naming Names. | 0:00:38 | 0:00:40 | |
There's an old Chinese proverb that says, | 0:00:40 | 0:00:42 | |
"The beginning of wisdom is to call things by their right names." | 0:00:42 | 0:00:46 | |
So let's get off on the right foot by naming my guests. | 0:00:46 | 0:00:49 | |
A household name - Romesh Ranganathan. | 0:00:49 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:55 | |
A rose by any other name - Cariad Lloyd. | 0:00:57 | 0:01:01 | |
-Ahh! -CHEERING AND APPLAUSE | 0:01:01 | 0:01:03 | |
A name to conjure with - Phill Jupitus. | 0:01:06 | 0:01:09 | |
CHEERING AND APPLAUSE | 0:01:09 | 0:01:11 | |
And old what's-his-name - | 0:01:14 | 0:01:16 | |
Alan Davies! | 0:01:16 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:18 | 0:01:20 | |
So, this week, their buzzers are their porn names, OK? | 0:01:24 | 0:01:28 | |
So that's... If you've not played that game, | 0:01:28 | 0:01:30 | |
it's the first pet's name and mother's maiden name. | 0:01:30 | 0:01:34 | |
So Phill goes... | 0:01:34 | 0:01:35 | |
BASS RIFF | 0:01:35 | 0:01:37 | |
-GRAVELLY MALE VOICE: -'Hi, it's Schroeder Swan.' | 0:01:37 | 0:01:40 | |
That's quite sexy. Very sexy. | 0:01:44 | 0:01:46 | |
I don't know how much you paid that bloke, | 0:01:46 | 0:01:47 | |
but I'd have done that for nothing. | 0:01:47 | 0:01:50 | |
-And more convincingly. -Well... -That sounded like you found | 0:01:50 | 0:01:53 | |
an asthmatic tramp on the South Bank out there. | 0:01:53 | 0:01:56 | |
-What was the name? -Schroeder Swan. | 0:01:56 | 0:01:58 | |
Oh, yes. No, that's very good. | 0:01:58 | 0:01:59 | |
Schroeder, Schroeder was a spiteful pub dog. | 0:01:59 | 0:02:02 | |
Right. | 0:02:02 | 0:02:04 | |
He used to attack Jock, our barman. | 0:02:04 | 0:02:06 | |
You had your own barman? I don't want to know. | 0:02:06 | 0:02:09 | |
We haven't started the show yet. | 0:02:09 | 0:02:11 | |
Cariad goes... | 0:02:11 | 0:02:12 | |
BASS RIFF | 0:02:12 | 0:02:13 | |
-SULTRY FEMALE VOICE: -'Hello. I'm Snuffy. | 0:02:13 | 0:02:16 | |
'Snuffy Storey.' | 0:02:16 | 0:02:18 | |
-And... -It does, though, mean you can now... | 0:02:21 | 0:02:24 | |
You can access my bank account, I think. | 0:02:24 | 0:02:26 | |
-That is a very, very specific kind of porn right there. -Mm-hm. Yeah. | 0:02:28 | 0:02:31 | |
Romesh goes... | 0:02:31 | 0:02:33 | |
BASS RIFF | 0:02:33 | 0:02:35 | |
-REEDY VOICE: -'Oh, hello. It's Goldie Silveragi.' | 0:02:35 | 0:02:38 | |
-CARIAD: -Why didn't you get a sexy voice? | 0:02:41 | 0:02:44 | |
-Why've -I -been given that one? | 0:02:44 | 0:02:46 | |
It's quite camp. | 0:02:46 | 0:02:48 | |
And Alan goes... | 0:02:48 | 0:02:49 | |
MUSIC: You're the First, the Last, My Everything by Barry White | 0:02:49 | 0:02:52 | |
-NORTHERN VOICE: -'Ey up, it's Nobby Stiles!' | 0:02:52 | 0:02:54 | |
LAUGHTER AND APPLAUSE | 0:02:54 | 0:02:56 | |
I have to say, Nobby Stiles is a very good porn name, isn't it? | 0:03:01 | 0:03:05 | |
-It suggests a certain... -It's very farming-specific, isn't it? | 0:03:07 | 0:03:11 | |
I'm not really good with my hands but... "Nobby" Stiles! | 0:03:11 | 0:03:14 | |
Now, here's my first, very simple question. | 0:03:16 | 0:03:20 | |
Who is offended by what? | 0:03:20 | 0:03:22 | |
Oh, God, everybody by everything. | 0:03:23 | 0:03:25 | |
Yes, well, there is that. | 0:03:25 | 0:03:27 | |
Anybody who reads a tweet and doesn't understand it immediately | 0:03:27 | 0:03:31 | |
-is offended by it. -Yeah. | 0:03:31 | 0:03:33 | |
-Do you tweet? -I do tweet. Yeah, I do. -Right. | 0:03:33 | 0:03:35 | |
But I'm often scared to tweet about anything that's, you know... | 0:03:35 | 0:03:40 | |
-controversial. -What do you do? | 0:03:40 | 0:03:42 | |
Just the colour beige, or...? | 0:03:42 | 0:03:43 | |
No, just like Emojis and, like, GIFs of Japanese girls | 0:03:43 | 0:03:47 | |
-cutting hairs with crab hands. -Right. | 0:03:47 | 0:03:49 | |
-ROMESH: -Well, that's... | 0:03:49 | 0:03:52 | |
The problem is with Twitter, even if you choose something, like, | 0:03:52 | 0:03:55 | |
that you think is really innocent and can't be offensive, it can be. | 0:03:55 | 0:03:59 | |
You tweet about porridge and somebody goes, | 0:03:59 | 0:04:01 | |
"Well, actually, I had a porridge-related incident | 0:04:01 | 0:04:04 | |
"many years ago and actually I find it highly offensive. | 0:04:04 | 0:04:06 | |
"I can't believe you'd even not bother to consider the feelings | 0:04:06 | 0:04:09 | |
"of people that had Ready Brek-related incidents | 0:04:09 | 0:04:11 | |
"in their childhood." | 0:04:11 | 0:04:12 | |
-Is that, then, @ThreeBears? Is that the sort of...? -Yeah. | 0:04:12 | 0:04:15 | |
APPLAUSE | 0:04:18 | 0:04:21 | |
It's not Twitter-related, so it's more to do with who. | 0:04:22 | 0:04:27 | |
-"Who is offended by what?" -Yes. | 0:04:27 | 0:04:29 | |
Um...Doctor offended by Daleks. | 0:04:29 | 0:04:31 | |
Er, doctor is the right area. | 0:04:31 | 0:04:33 | |
-But not Doctor Who. -Oh. | 0:04:33 | 0:04:35 | |
It is to do with doctors. | 0:04:35 | 0:04:37 | |
Generally medical practitioners? | 0:04:37 | 0:04:39 | |
It is a large organisation. | 0:04:39 | 0:04:41 | |
Think of it as an acronym. | 0:04:41 | 0:04:42 | |
World Health Organization. | 0:04:42 | 0:04:44 | |
The World Health Organization. Absolutely right. | 0:04:44 | 0:04:47 | |
And they're offended by What | 0:04:47 | 0:04:49 | |
which is the World Health Annual... | 0:04:49 | 0:04:52 | |
-CARIAD: -Trust? -ROMESH: -..Transportation convention. | 0:04:52 | 0:04:55 | |
No. | 0:04:55 | 0:04:56 | |
They are worried that scientists are naming diseases that offend people | 0:04:56 | 0:05:01 | |
and that, indeed, we've done this too much in the past. | 0:05:01 | 0:05:04 | |
So, for example, Spanish flu would be a good example. | 0:05:04 | 0:05:07 | |
It affects people in Spain, possibly, and tourism. | 0:05:07 | 0:05:11 | |
People might think, if you go to Spain, you'll get Spanish flu. | 0:05:11 | 0:05:13 | |
Legionnaires' disease. | 0:05:13 | 0:05:14 | |
There's not a legionnaire in the world | 0:05:14 | 0:05:16 | |
not been distressed by the thought. | 0:05:16 | 0:05:18 | |
Oh, I know one, Essex wind. | 0:05:18 | 0:05:20 | |
It's awful, innit, Phill? | 0:05:25 | 0:05:26 | |
Terrible. It blows right up your Thames corridor. | 0:05:26 | 0:05:29 | |
Creutzfeldt-Jakob disease, which I imagine... | 0:05:31 | 0:05:33 | |
I don't know who that would offend. People called Creutzfeldt? | 0:05:33 | 0:05:35 | |
Jakob Creutzfeldt, I would imagine, very offended. | 0:05:35 | 0:05:38 | |
Swine flu, apparently. | 0:05:38 | 0:05:40 | |
Very offensive to people who work with, I don't know, pigs. | 0:05:40 | 0:05:42 | |
-Mrs Swine. -Mrs Swine? -Mrs Swine is upset about it. | 0:05:42 | 0:05:45 | |
I'm very keen on paralytic shellfish | 0:05:45 | 0:05:48 | |
which I could only imagine would offend prawns that drink too much, | 0:05:48 | 0:05:52 | |
right? | 0:05:52 | 0:05:53 | |
I can't see how anyone would be offended by that. Apparently... | 0:05:53 | 0:05:56 | |
Staggering home sideways, crabs, hey? | 0:05:56 | 0:05:59 | |
Paralytic. | 0:06:00 | 0:06:02 | |
I'll be honest, I don't see how you get crabs | 0:06:04 | 0:06:06 | |
if you're staggering sideways but... | 0:06:06 | 0:06:09 | |
I'm doing a crab playing the piano, | 0:06:09 | 0:06:11 | |
I don't know why I'm doing that with my fingers. | 0:06:11 | 0:06:13 | |
Why am I doing that with my fingers? It's that, isn't it? | 0:06:13 | 0:06:17 | |
The kind of idea is you're trying to minimise unnecessary distress. | 0:06:18 | 0:06:22 | |
So, for example, if you called something sudden death syndrome, | 0:06:22 | 0:06:25 | |
that's just too frightening. | 0:06:25 | 0:06:26 | |
Hold on a sec. If you're about to die imminently, | 0:06:26 | 0:06:29 | |
you can't just say something cuddly so they're not offended. | 0:06:29 | 0:06:32 | |
-No. -If they're going to die in the next 20 minutes, | 0:06:32 | 0:06:34 | |
-you can't just go, "You've just got the chills"... -Yeah. | 0:06:34 | 0:06:36 | |
..because you don't want them to be upset. | 0:06:36 | 0:06:38 | |
No, but here's the thing, | 0:06:38 | 0:06:39 | |
doctors have certain acronyms, and I love these. | 0:06:39 | 0:06:41 | |
There's SBI, | 0:06:41 | 0:06:43 | |
which is "something bad inside". | 0:06:43 | 0:06:44 | |
And it means the doctor knows there's something wrong, | 0:06:44 | 0:06:46 | |
not entirely sure what it is. | 0:06:46 | 0:06:48 | |
SVBI - "something VERY bad inside". | 0:06:48 | 0:06:51 | |
Again, don't know what it is, but it'll definitely kill you. | 0:06:52 | 0:06:55 | |
Which I like. | 0:06:55 | 0:06:56 | |
There's loads for fat people. There's CBT, | 0:06:56 | 0:06:58 | |
which is "chronic biscuit toxicity". | 0:06:58 | 0:07:00 | |
The other best one for fat people is BW. | 0:07:03 | 0:07:06 | |
"Beached whale". | 0:07:06 | 0:07:07 | |
AUDIENCE GROANS | 0:07:07 | 0:07:10 | |
And my favourite acronym, PRATFO. | 0:07:10 | 0:07:12 | |
"Patient reassured and told to F off". | 0:07:12 | 0:07:14 | |
APPLAUSE | 0:07:15 | 0:07:18 | |
There used to be loads of occupational diseases. | 0:07:20 | 0:07:23 | |
Certain diseases that were entirely... | 0:07:23 | 0:07:25 | |
Miners' cough. | 0:07:25 | 0:07:27 | |
Yeah, miners' lung. | 0:07:27 | 0:07:28 | |
Joggers' nipple. | 0:07:28 | 0:07:29 | |
Joggers' nipple, yes. | 0:07:29 | 0:07:31 | |
The very first one ever was chimney-sweep's scrotum. | 0:07:31 | 0:07:34 | |
-What?! -Yep. Chimney-sweep's scrotum. -What...? | 0:07:36 | 0:07:39 | |
Well, he should put the fire out! | 0:07:39 | 0:07:41 | |
-LAUGHING: -Bagpiper's fungus! Bagpiper's fungus! | 0:07:41 | 0:07:43 | |
Bagpiper's fungus is a terrible thing. | 0:07:43 | 0:07:45 | |
It's apparently if you don't clean the bagpipes, | 0:07:45 | 0:07:48 | |
you can get a sort of horrible microbe. | 0:07:48 | 0:07:50 | |
Imagine getting a fungus from an instrument that makes that noise. | 0:07:50 | 0:07:54 | |
Do you know what I mean? | 0:07:54 | 0:07:55 | |
Sounds like it's trying to kill you anyway, doesn't it? | 0:07:55 | 0:07:58 | |
I've seen all these things listed outside a flat in Amsterdam. | 0:07:58 | 0:08:02 | |
Is chimney-sweep's scrotum because once they're up there | 0:08:04 | 0:08:07 | |
and if you poke the sweep up...? | 0:08:07 | 0:08:10 | |
I'm just guessing. | 0:08:10 | 0:08:12 | |
Poor Dick Van Dyke. | 0:08:12 | 0:08:13 | |
-AS DICK VAN DYKE: -"Oh, Mary Poppins, | 0:08:16 | 0:08:18 | |
"me scrotum's playing me up something rotten. | 0:08:18 | 0:08:22 | |
"Step in time! | 0:08:23 | 0:08:25 | |
"ARRRRGH!" | 0:08:28 | 0:08:30 | |
That was the subplot they never managed in the film. | 0:08:30 | 0:08:33 | |
# A spoonful of... # | 0:08:33 | 0:08:35 | |
That's why they're all doing that! That's why they're all doing that! | 0:08:35 | 0:08:40 | |
APPLAUSE | 0:08:40 | 0:08:43 | |
Do you think he was in too much pain to do the accent properly? | 0:08:48 | 0:08:51 | |
So, anyway. Can you tell me what this bird's name is? | 0:08:52 | 0:08:57 | |
Is it a wagtail? | 0:08:58 | 0:09:00 | |
It is not a wag... | 0:09:00 | 0:09:01 | |
What I really want is I want its actual name. | 0:09:01 | 0:09:03 | |
Is it Phillip, Jeremy, Mabel? | 0:09:03 | 0:09:06 | |
Well, to assist you, you have some bird whistles beside you. | 0:09:06 | 0:09:09 | |
-Ooh! -Yeah. | 0:09:09 | 0:09:10 | |
See if you can come up with the actual name. | 0:09:10 | 0:09:13 | |
HE PLAYS A TRILL | 0:09:13 | 0:09:15 | |
Oh. That's better than mine. | 0:09:15 | 0:09:17 | |
SHE PLAYS LIKE A CLANGER | 0:09:17 | 0:09:19 | |
Oh, here we go. "..said Tiny Clanger." | 0:09:19 | 0:09:22 | |
Oh, you've got lots of different ones. | 0:09:22 | 0:09:24 | |
CARIAD CONTINUES PLAYING | 0:09:24 | 0:09:26 | |
ALAN PUFFS | 0:09:26 | 0:09:27 | |
HE LAUGHS | 0:09:27 | 0:09:28 | |
The famous calling sound of a goose with asthma. | 0:09:31 | 0:09:34 | |
THEY PLAY A CLANGER CONVERSATION | 0:09:36 | 0:09:38 | |
What is going on? | 0:09:38 | 0:09:39 | |
What are you doing? | 0:09:41 | 0:09:42 | |
It's just my ears popped. | 0:09:42 | 0:09:44 | |
HONKING CALL | 0:09:47 | 0:09:49 | |
Is that a duck call? | 0:09:49 | 0:09:50 | |
It's supposed to be a duck. A duck call. Sounds like a... | 0:09:50 | 0:09:52 | |
HALF-HONK AND PUFFING | 0:09:52 | 0:09:54 | |
Try the littlie. | 0:09:56 | 0:09:58 | |
HONKING CALL Hang on! | 0:09:58 | 0:10:00 | |
CHEERING AND APPLAUSE | 0:10:00 | 0:10:03 | |
Well... THEY ALL PLAY AT ONCE | 0:10:06 | 0:10:08 | |
..it could be any one of these tunes. | 0:10:08 | 0:10:09 | |
Here is the extraordinary thing. | 0:10:09 | 0:10:11 | |
This bird is called - and this is such a lovely name - | 0:10:11 | 0:10:13 | |
it's called a superb fairy-wren. | 0:10:13 | 0:10:16 | |
-Ah! -Isn't that the sweetest thing? | 0:10:16 | 0:10:18 | |
And every single nest has a family name. | 0:10:18 | 0:10:20 | |
So it's like it has a surname, and the surname is given to the mother | 0:10:20 | 0:10:24 | |
when the kids are all in the eggs | 0:10:24 | 0:10:25 | |
and what she does is she lays the eggs | 0:10:25 | 0:10:26 | |
and she waits for nine days and then she sits by the eggs | 0:10:26 | 0:10:29 | |
and she starts singing a unique tune. So it might be... | 0:10:29 | 0:10:32 | |
GASPING TWEETS | 0:10:32 | 0:10:33 | |
..better than that. | 0:10:33 | 0:10:35 | |
What beautiful song does she sing, Sandi? | 0:10:36 | 0:10:38 | |
UPBEAT TWITTERING | 0:10:38 | 0:10:41 | |
THEY ALL PLAY AT ONCE | 0:10:41 | 0:10:43 | |
Can I...? | 0:10:57 | 0:10:58 | |
CHEERING AND APPLAUSE | 0:10:59 | 0:11:02 | |
Basically, she sings the same tune every four minutes, | 0:11:06 | 0:11:09 | |
over and over, for a week. | 0:11:09 | 0:11:11 | |
Now, I would imagine this drives the chicks in the eggs completely barmy. | 0:11:11 | 0:11:15 | |
My daughter does that with Let It Go. | 0:11:15 | 0:11:17 | |
Oh, I hate that song. I can't be doing with it. | 0:11:17 | 0:11:19 | |
I didn't used to but, holy smokes, it's a test. | 0:11:19 | 0:11:23 | |
Anyway, what happens is the chicks in the egg, | 0:11:23 | 0:11:25 | |
they actually hear it and they commit it to memory, | 0:11:25 | 0:11:27 | |
and Mum and Dad and eggs, they all know the tune. It's a unique tune. | 0:11:27 | 0:11:30 | |
# Waterloo... # | 0:11:30 | 0:11:32 | |
I don't think there are lyrics. | 0:11:38 | 0:11:40 | |
What happens is she goes away and gets food, | 0:11:41 | 0:11:43 | |
when she returns to the nest, she sings this particular tune | 0:11:43 | 0:11:46 | |
that they all know and they have to sing it back to her | 0:11:46 | 0:11:48 | |
and that way she can be absolutely sure | 0:11:48 | 0:11:50 | |
there isn't a cuckoo in the nest. | 0:11:50 | 0:11:52 | |
So, they have, as it were, a surname just for that nest. | 0:11:52 | 0:11:56 | |
-That is amazing. -That really is amazing. | 0:11:56 | 0:11:58 | |
-But if they were people... -Yeah. | 0:11:58 | 0:12:00 | |
..how annoying would they be to have round for dinner? | 0:12:00 | 0:12:02 | |
Unbelievably irritating. | 0:12:02 | 0:12:03 | |
"Andrew, shall we do our song? | 0:12:03 | 0:12:05 | |
"We all know this song, we've sung it from when we were children. | 0:12:06 | 0:12:09 | |
"Let's do it, shall we?" | 0:12:09 | 0:12:10 | |
They're not even real, I'm going to leave! | 0:12:10 | 0:12:12 | |
I knew a family that did that. | 0:12:12 | 0:12:13 | |
They had a whistle and in the supermarket, | 0:12:13 | 0:12:16 | |
the mum would do a certain whistle and the kid would whistle back. | 0:12:16 | 0:12:18 | |
No, darling, that's the Von Trapps. That's a film. | 0:12:18 | 0:12:21 | |
They did, they had a whistle in the supermarket in case they got lost. | 0:12:21 | 0:12:24 | |
My mum would summon me home by whistling. | 0:12:24 | 0:12:26 | |
-Seriously? -Yeah. | 0:12:26 | 0:12:27 | |
She taught me how to do it with the two fingers. | 0:12:27 | 0:12:29 | |
HE WHISTLES LOUDLY | 0:12:29 | 0:12:31 | |
-Wow. -Now, I could hear that, er... | 0:12:31 | 0:12:35 | |
three miles away. | 0:12:35 | 0:12:36 | |
So me and me brother would be playing with mates | 0:12:36 | 0:12:39 | |
and we'd be out all day and then, at tea-time, | 0:12:39 | 0:12:41 | |
my mum would go out the back door and go... | 0:12:41 | 0:12:43 | |
HE WHISTLES LOUDLY | 0:12:43 | 0:12:44 | |
-And then we would... -Wow. That is a seriously good whistle. | 0:12:44 | 0:12:46 | |
-We would come back. -One time, do you remember, we were in Manchester? | 0:12:46 | 0:12:50 | |
-Oh, yeah, yeah. -And I had to get a train... -Yeah. | 0:12:50 | 0:12:53 | |
..and a taxi went by and I went, "TAXI!" like that, | 0:12:53 | 0:12:56 | |
and he ignored me and it went about 50 yards | 0:12:56 | 0:12:58 | |
and he did that and it braked. | 0:12:58 | 0:13:00 | |
-PHILL IMITATES SQUEALING BRAKES -And he did a U-turn and came back. | 0:13:00 | 0:13:03 | |
-ROMESH: -Oh, was the taxi driver your mum? | 0:13:03 | 0:13:06 | |
APPLAUSE | 0:13:06 | 0:13:08 | |
Here is the thing about the birds which is extraordinary, | 0:13:11 | 0:13:13 | |
it isn't just birds who do this. | 0:13:13 | 0:13:15 | |
Horses also do this. They have a signature whinny. | 0:13:15 | 0:13:18 | |
Wow. | 0:13:18 | 0:13:20 | |
Serious. | 0:13:22 | 0:13:23 | |
-Has the picture budget been slashed? -Yeah. -Why...? | 0:13:24 | 0:13:27 | |
That's from Horses And Orthodontistry. | 0:13:27 | 0:13:30 | |
I'm so allergic to horses | 0:13:31 | 0:13:32 | |
-that I just sneezed at the sight of that picture. -Seriously? | 0:13:32 | 0:13:35 | |
I don't think it's an allergy. That photo is terrifying. | 0:13:35 | 0:13:39 | |
He's going, "WHERE ARE MY EYES?! WHERE ARE MY EYES? | 0:13:39 | 0:13:44 | |
"THE CROWS HAVE GOT MY EYES! | 0:13:44 | 0:13:46 | |
"AAAAARRRRGH!" | 0:13:48 | 0:13:50 | |
That's the mother horse going, | 0:13:52 | 0:13:53 | |
"WHERE ARE YOU?! COME HOME!" | 0:13:53 | 0:13:56 | |
"KIDS, BRING MY EYES BACK!" | 0:13:56 | 0:13:58 | |
That overbite reminds me of my games teacher at school. | 0:14:00 | 0:14:04 | |
So, here's the thing. Horses have signature whinnies. | 0:14:05 | 0:14:07 | |
So, say, for example, you have a horse - shall we call it Alan? - | 0:14:07 | 0:14:10 | |
in a stall, and another horse called Shergar walks by | 0:14:10 | 0:14:14 | |
and goes out of sight behind a barrier. | 0:14:14 | 0:14:16 | |
Alan notices that and... | 0:14:16 | 0:14:18 | |
You're being Alan the horse? | 0:14:18 | 0:14:19 | |
..goes back to eating. If, when Shergar is behind the barrier, | 0:14:19 | 0:14:22 | |
scientists play his identifying whinny, | 0:14:22 | 0:14:24 | |
Alan won't really pay any attention. | 0:14:24 | 0:14:26 | |
If they play the identifying whinny of a different horse, | 0:14:26 | 0:14:30 | |
Alan gets really freaked out because he knows | 0:14:30 | 0:14:32 | |
that the horse he saw walk past wasn't the one that he's just heard. | 0:14:32 | 0:14:36 | |
This is on the list of things scientists can be arsed to do. | 0:14:36 | 0:14:39 | |
So horses have a signature whinny and dolphins as well. | 0:14:41 | 0:14:45 | |
PHILL MIMICS A DOLPHIN | 0:14:45 | 0:14:48 | |
Flipper's here. There's two children down a mine shaft! | 0:14:49 | 0:14:52 | |
A dolphin taxi is going to come through now. | 0:14:54 | 0:14:56 | |
They meet at sea, dolphins, and one of the very first things they do | 0:14:58 | 0:15:01 | |
is to introduce themselves with their unique whistle | 0:15:01 | 0:15:03 | |
and then when they hear someone calling that unique whistle, | 0:15:03 | 0:15:06 | |
-they answer with the same whistle so it's sort of... -Wow. | 0:15:06 | 0:15:08 | |
-.."I'm here" kind of thing. -Oh, dolphins. -I know. | 0:15:08 | 0:15:12 | |
-Are they nice, really? -Well, I once swam with wild dolphins, | 0:15:12 | 0:15:15 | |
I've never been more terrified in my life, frankly. | 0:15:15 | 0:15:18 | |
Wrens, horses and dolphins all give themselves names. | 0:15:18 | 0:15:23 | |
Who sold seashells on the seashore? | 0:15:23 | 0:15:27 | |
Is it someone who's got no idea | 0:15:27 | 0:15:28 | |
about the laws of sort of supply and demand? | 0:15:28 | 0:15:31 | |
APPLAUSE | 0:15:34 | 0:15:37 | |
Interestingly, there were plenty of seashells, | 0:15:38 | 0:15:41 | |
and lots of people who wanted to buy them. So who...? | 0:15:41 | 0:15:44 | |
-The answer is "she", isn't it? -KLAXON | 0:15:44 | 0:15:46 | |
Yay! | 0:15:46 | 0:15:48 | |
Er, well, it is in the rhyme. Can you do the rhyme? | 0:15:49 | 0:15:51 | |
-Do you know the rhyme? -She... No, I can't, because I've got a lisp. | 0:15:51 | 0:15:54 | |
Ah! | 0:15:54 | 0:15:56 | |
What a fantastically mean thing to do to you. | 0:15:56 | 0:15:59 | |
Make him do it, Sandi! Make him do it! | 0:15:59 | 0:16:01 | |
-CARIAD: -She sells seashells on the seashore. -Mm-hm. | 0:16:01 | 0:16:04 | |
And then she goes home again. I don't know the second bit. | 0:16:04 | 0:16:07 | |
The shells she sells are seashells, I'm sure | 0:16:07 | 0:16:10 | |
For if she sells seashells on the seashore | 0:16:10 | 0:16:12 | |
Then I'm sure she sells seashore shells. | 0:16:12 | 0:16:15 | |
-Wow. -Is the full rhyme. | 0:16:15 | 0:16:16 | |
AUDIENCE OOHS Thank you very much. Oh, yes. | 0:16:16 | 0:16:19 | |
APPLAUSE Oh, yes. | 0:16:19 | 0:16:21 | |
-That is not... -I know, I know! | 0:16:21 | 0:16:23 | |
That is the first time I've heard that typical British reaction | 0:16:23 | 0:16:27 | |
to a tongue twister. | 0:16:27 | 0:16:29 | |
And it is "Ooooh!" | 0:16:29 | 0:16:32 | |
That's what we think of articulate people. | 0:16:34 | 0:16:37 | |
"Ooooh!" | 0:16:37 | 0:16:39 | |
I didn't know we had that in our make-up. | 0:16:43 | 0:16:46 | |
So "she", but who was "she"? | 0:16:46 | 0:16:48 | |
The woman who sold seashells? | 0:16:48 | 0:16:50 | |
Was she a Cockney woman who some white Victorian man | 0:16:50 | 0:16:54 | |
made up a nice rhyme about, but actually, she was probably | 0:16:54 | 0:16:57 | |
a prostitute who died of syphilis? | 0:16:57 | 0:16:59 | |
Well... | 0:17:01 | 0:17:02 | |
That turned Dickens really quickly. | 0:17:04 | 0:17:07 | |
-That was... -I wonder why they didn't include that bit in the rhyme. | 0:17:07 | 0:17:11 | |
-"..and then she got syphilis." -It's like those nursery rhymes... | 0:17:11 | 0:17:13 | |
-What a dark place your head is, Cariad. -Yes, it's very dark. | 0:17:13 | 0:17:17 | |
It was an actual woman, she worked in Lyme Regis. | 0:17:18 | 0:17:20 | |
-Aargh! -"Aargh!" | 0:17:20 | 0:17:22 | |
Have you had that seizure or do you want me to get somebody... | 0:17:22 | 0:17:24 | |
-No. -..or are you all right? | 0:17:24 | 0:17:26 | |
-No, no, it's the... -AUDIENCE MEMBER SNEEZES | 0:17:26 | 0:17:28 | |
-..Dorset lady... -Yeah. -Bless you. | 0:17:28 | 0:17:30 | |
We're a caring, sharing show. | 0:17:30 | 0:17:32 | |
It was the Dorset lady. | 0:17:33 | 0:17:35 | |
-She's a killer! Look at the weapon! -There she is. | 0:17:35 | 0:17:37 | |
She found the first dinosaur in the UK, didn't she? | 0:17:37 | 0:17:39 | |
-The first whole...? -She was the inspiration for the tongue twister. | 0:17:39 | 0:17:42 | |
She's a Victorian fossil hunter called Mary Anning. | 0:17:42 | 0:17:45 | |
-Mary Anning. -Oh, she's the fossil hunter - | 0:17:45 | 0:17:47 | |
-she's all over the Natural History Museum. -Yeah. | 0:17:47 | 0:17:49 | |
All over the Natural History Museum, and she's incredible. | 0:17:49 | 0:17:51 | |
She was very brave, because it's very dangerous. | 0:17:51 | 0:17:53 | |
That is a picture of her with her dog, Tray. | 0:17:53 | 0:17:55 | |
-She's about to kill it and put it in that bag. -Well... | 0:17:55 | 0:17:58 | |
I can't tell if the dog is already... | 0:17:58 | 0:18:00 | |
"And now I shall make a fossil!" | 0:18:00 | 0:18:01 | |
Bang! Bang! | 0:18:04 | 0:18:06 | |
"Finish your painting, please, before the dog wakes up." | 0:18:07 | 0:18:11 | |
I don't know if the picture shows the dog already dead. | 0:18:15 | 0:18:18 | |
It died in a landslide, and she was very fond of it. | 0:18:18 | 0:18:21 | |
In a landslide caused by...? | 0:18:21 | 0:18:23 | |
Well, it is... I don't know if you... | 0:18:24 | 0:18:27 | |
-She found HUGE fossils. -Yeah. | 0:18:29 | 0:18:31 | |
She is really an extraordinary woman. | 0:18:31 | 0:18:34 | |
And her findings absolutely made important changes | 0:18:34 | 0:18:36 | |
in scientific thinking because, up until the 1820s, | 0:18:36 | 0:18:39 | |
lots of people didn't believe extinctions could happen, | 0:18:39 | 0:18:41 | |
cos it would imply that God's creations were less than perfect. | 0:18:41 | 0:18:44 | |
But she, in fact, discovered the very first | 0:18:44 | 0:18:47 | |
ichthyosaur skeleton correctly identified, | 0:18:47 | 0:18:49 | |
the first two plesiosaur skeletons | 0:18:49 | 0:18:51 | |
and the first pterosaur skeleton outside Germany. | 0:18:51 | 0:18:54 | |
She also found... I'm going to give you some examples. She found these, | 0:18:54 | 0:18:58 | |
and she's the very first person who worked out what they are. | 0:18:58 | 0:19:00 | |
So I'm going to pass you one there for you to share. | 0:19:00 | 0:19:04 | |
Do you know what that is? | 0:19:04 | 0:19:06 | |
Oh. This is... | 0:19:06 | 0:19:07 | |
£9.50 in a Cornwall gift shop. | 0:19:07 | 0:19:09 | |
Is this dinosaur shit? | 0:19:10 | 0:19:13 | |
It is. It is absolutely that. | 0:19:13 | 0:19:15 | |
OK. Now I feel weird. | 0:19:15 | 0:19:17 | |
These have been tumbled to prove you can, in fact, polish a turd. | 0:19:19 | 0:19:22 | |
But, um... | 0:19:22 | 0:19:23 | |
That's amazing. | 0:19:25 | 0:19:27 | |
People thought they were bezoars, so stomach stones, | 0:19:27 | 0:19:29 | |
something from the inside of the stomach, but what she did, | 0:19:29 | 0:19:32 | |
she cracked one open and she discovered... | 0:19:32 | 0:19:34 | |
PHILL LAUGHS | 0:19:34 | 0:19:35 | |
-Oh, God! -It's science, it's science! | 0:19:37 | 0:19:39 | |
She discovered fish scales and teeth, | 0:19:39 | 0:19:40 | |
and she's the first person who realised that, in fact, coprolites - | 0:19:40 | 0:19:43 | |
which is the correct term for them - is in fact dinosaur poo. | 0:19:43 | 0:19:45 | |
Isn't that extraordinary? | 0:19:45 | 0:19:47 | |
To have a dinosaur's bit of poo in your hands, I think it's incredible. | 0:19:47 | 0:19:50 | |
I feel a bit sorry for her, that, you know, | 0:19:50 | 0:19:52 | |
she's done all these amazing things | 0:19:52 | 0:19:53 | |
and when they decide to come up with a rhyme about her | 0:19:53 | 0:19:56 | |
they made up one about she used to knock out seashells. | 0:19:56 | 0:19:59 | |
Well, here's the thing. That's how she made a living. | 0:19:59 | 0:20:01 | |
She was very poor. Her father was a cabinet-maker, | 0:20:01 | 0:20:03 | |
he died when she was 11. And so she had to make a living. | 0:20:03 | 0:20:05 | |
And actually, people selling fossils | 0:20:05 | 0:20:06 | |
has been a big thing on the Lyme Regis coast... | 0:20:06 | 0:20:08 | |
She did start finding them when she was 12 or 13, didn't she? | 0:20:08 | 0:20:11 | |
Yeah. She could sell them to tourists. | 0:20:11 | 0:20:13 | |
It was one of the very first... | 0:20:13 | 0:20:14 | |
So your £9.50 for a coprolite is probably about right. | 0:20:14 | 0:20:17 | |
She really sort of pains me slightly, | 0:20:17 | 0:20:19 | |
because she sold things to men | 0:20:19 | 0:20:20 | |
who then wrote scientific articles about them, | 0:20:20 | 0:20:22 | |
and she didn't get the credit. She wasn't allowed to join, | 0:20:22 | 0:20:24 | |
for example, the Geological Society of London. | 0:20:24 | 0:20:26 | |
They didn't admit women until 1904. | 0:20:26 | 0:20:29 | |
She didn't get full credit until, 163 years after her death, | 0:20:29 | 0:20:34 | |
the Royal Society included Anning in a list of the ten British women | 0:20:34 | 0:20:37 | |
who have most influenced the history of science. | 0:20:37 | 0:20:39 | |
Was she not allowed to join the society because she was a woman? | 0:20:39 | 0:20:42 | |
Or because she killed that dog? | 0:20:42 | 0:20:44 | |
I think the dog didn't help, if I'm honest with you. | 0:20:45 | 0:20:48 | |
Right, time for a look in Mother Toksvig's | 0:20:48 | 0:20:50 | |
Bumper Book Of Neological Novelties, I think. | 0:20:50 | 0:20:53 | |
Here are some new names for things. | 0:20:53 | 0:20:55 | |
But can you tell me what any of them are? | 0:20:55 | 0:20:59 | |
-Adorkable? -Adorkable. Do you know what it is? | 0:20:59 | 0:21:01 | |
Is that when somebody's, like, really into comic books, | 0:21:01 | 0:21:03 | |
-but it's quite cute? -CARIAD: -It's manic pixie dream girl syndrome. | 0:21:03 | 0:21:06 | |
Adorably dorkish, so socially inept but charming with it. | 0:21:06 | 0:21:09 | |
Are these...? | 0:21:09 | 0:21:10 | |
These are new words that have recently... What's happening here? | 0:21:10 | 0:21:14 | |
They're what's known as neologisms, | 0:21:14 | 0:21:16 | |
so they are new terms that have entered the language. | 0:21:16 | 0:21:18 | |
-Oh, I see. -Al desco is having your lunch... | 0:21:18 | 0:21:21 | |
-Having your lunch at your desk. -Yeah. | 0:21:21 | 0:21:24 | |
A belfie, I can't remember what a belfie is. | 0:21:24 | 0:21:26 | |
A belfie is where you take a selfie, but you have a bell. | 0:21:26 | 0:21:29 | |
-Really? -No, it is a selfie, but what of? | 0:21:30 | 0:21:33 | |
What part of you is a belfie? | 0:21:33 | 0:21:35 | |
-Oh, my God! -Yes. | 0:21:35 | 0:21:36 | |
-CARIAD: -Oh! -ROMESH: -Really? | 0:21:37 | 0:21:39 | |
-Your bell end? -It's... | 0:21:39 | 0:21:40 | |
APPLAUSE | 0:21:42 | 0:21:44 | |
I thought that was a dick pic. | 0:21:46 | 0:21:47 | |
-It's your bottom. -Oh, your bottom? | 0:21:47 | 0:21:49 | |
-Yes, it's a picture of your... -That's a bumfie! | 0:21:49 | 0:21:51 | |
A bumfie? | 0:21:51 | 0:21:52 | |
How is "belfie" bum? | 0:21:54 | 0:21:55 | |
I don't... Darling, I didn't write them. | 0:21:55 | 0:21:57 | |
I'm just telling you. These are all examples | 0:21:57 | 0:21:59 | |
that have been included in the OED in recent years. | 0:21:59 | 0:22:02 | |
The OED have got to stop adding now. | 0:22:02 | 0:22:04 | |
-Stop adding. -Those are just... | 0:22:04 | 0:22:05 | |
It's like the OED has been taken over | 0:22:05 | 0:22:07 | |
by a 14-year-old boy who's bored. | 0:22:07 | 0:22:10 | |
-BREAKING VOICE: -"Yeah, we'll put 'em all in! Ha-ha! | 0:22:10 | 0:22:12 | |
"And I'll make up 12." | 0:22:12 | 0:22:13 | |
I like that one, stoor-sooker. | 0:22:13 | 0:22:15 | |
-What is that? -Is that Scottish? | 0:22:15 | 0:22:16 | |
Yes. It's to do with sucking. It's to do with sucking. | 0:22:16 | 0:22:19 | |
-Really? -Oh, it's something nasty again. | 0:22:19 | 0:22:20 | |
-I think I'll leave the quiz now. -No, no, it's fine. | 0:22:20 | 0:22:23 | |
It's a Scottish neologism for a vacuum cleaner. | 0:22:23 | 0:22:25 | |
It's a stair-sucker, a stoor-sooker. PHILL LAUGHS | 0:22:25 | 0:22:28 | |
Oh, right. What's honkenbonkers? | 0:22:28 | 0:22:30 | |
Honkenbonkers, it just means amazing. | 0:22:30 | 0:22:32 | |
Is that the one you were thinking, | 0:22:32 | 0:22:34 | |
"That's the one I might take from this"? | 0:22:34 | 0:22:36 | |
Yeah. | 0:22:36 | 0:22:38 | |
"What am I just going to throw into casual conversation?" | 0:22:38 | 0:22:40 | |
The good thing about any of these words, | 0:22:40 | 0:22:42 | |
is if I hear someone using them, | 0:22:42 | 0:22:43 | |
I can beat them to death with the OED, which is quite a hefty book. | 0:22:43 | 0:22:47 | |
Wabsteid is another Scottish one for website. | 0:22:47 | 0:22:51 | |
What's cauldpress? | 0:22:51 | 0:22:53 | |
Cauldpress is a Scottish neologism for a fridge. | 0:22:53 | 0:22:55 | |
These are just Scottish words! | 0:22:55 | 0:22:58 | |
Does anybody know where the word "quiz" comes from? | 0:22:58 | 0:23:00 | |
As we're doing a kind of quiz. | 0:23:00 | 0:23:01 | |
I feel like I do know, but I can't remember. | 0:23:01 | 0:23:04 | |
-I feel like that. -ROMESH: -Do we get a point for that? | 0:23:05 | 0:23:08 | |
Alan can have a point for that, I'm fine with that, yeah. | 0:23:10 | 0:23:12 | |
So when you say it, I'm going to go... | 0:23:12 | 0:23:14 | |
"Oh, yeah..." | 0:23:14 | 0:23:15 | |
-You watch. Watch, watch. -OK. | 0:23:18 | 0:23:20 | |
-We don't really know. -Oh... Oh! | 0:23:20 | 0:23:22 | |
So it used to mean a sort of eccentric person. | 0:23:26 | 0:23:28 | |
How it has come to mean asking people questions for points, | 0:23:28 | 0:23:32 | |
we don't really know. There's a story that Richard Daley, | 0:23:32 | 0:23:34 | |
who was a proprietor, a theatre proprietor in Dublin in 1791, | 0:23:34 | 0:23:37 | |
made a bet that, within 48 hours, | 0:23:37 | 0:23:39 | |
he could get a word into common parlance. | 0:23:39 | 0:23:41 | |
And he distributed the word "quiz" | 0:23:41 | 0:23:43 | |
to be put up on walls all over Dublin, | 0:23:43 | 0:23:45 | |
and it became part of the language. | 0:23:45 | 0:23:47 | |
So really, when they say the police are quizzing the suspect, | 0:23:47 | 0:23:50 | |
that's wrong, isn't it? | 0:23:50 | 0:23:51 | |
No, that's from inquisitive. And inquisition. | 0:23:51 | 0:23:54 | |
So that's a separate... | 0:23:54 | 0:23:56 | |
You've got it, you're in the right chair. | 0:23:56 | 0:23:58 | |
I had a little cold feeling then! | 0:23:59 | 0:24:02 | |
CHEERING AND APPLAUSE | 0:24:04 | 0:24:07 | |
Right, OK. | 0:24:17 | 0:24:19 | |
A new word is created in English every 98 minutes or so. | 0:24:19 | 0:24:24 | |
Now, we're going to name our little piggies. | 0:24:24 | 0:24:26 | |
You all know the rhyme. Come on, let's do this together. | 0:24:26 | 0:24:28 | |
This little piggy went to market... | 0:24:28 | 0:24:30 | |
-ALL: -This little piggy stayed home This little piggy had roast beef | 0:24:30 | 0:24:33 | |
This little piggy had none... | 0:24:33 | 0:24:34 | |
And what did the last one do? | 0:24:34 | 0:24:36 | |
-ALL: -This little piggy went "wee-wee-wee" all the way home. | 0:24:36 | 0:24:39 | |
Unbelievably irritating. | 0:24:39 | 0:24:40 | |
So, what we're going to do is we're going to play with Alan's feet. | 0:24:40 | 0:24:44 | |
-Are we all right to play with your feet, darling? -Yes. | 0:24:44 | 0:24:47 | |
I don't really like feet, can I just say this? | 0:24:47 | 0:24:49 | |
I consider them the frayed edges of the body. I don't... | 0:24:49 | 0:24:51 | |
-Do you want both feet? -We just need one. | 0:24:53 | 0:24:55 | |
-In fact, do you want to play? -I believe my feet died in 1987... | 0:24:55 | 0:24:59 | |
..and the rest of my body will catch up eventually | 0:25:00 | 0:25:02 | |
but I think my feet went some time ago. | 0:25:02 | 0:25:04 | |
Right. So, here's what we're going to do. | 0:25:04 | 0:25:06 | |
-Oh... -What's that noise? | 0:25:06 | 0:25:09 | |
What is that noise?! | 0:25:09 | 0:25:12 | |
We've never had an audience that's so judgmental. | 0:25:12 | 0:25:14 | |
-When you hear a tongue twister... -OK. -"Urgh!" | 0:25:14 | 0:25:18 | |
-What's the matter with you? -Very nice... | 0:25:18 | 0:25:20 | |
Someone else will get their foot out and you'll go, "Yay!" | 0:25:20 | 0:25:24 | |
OK. Romesh, there's a little stick... | 0:25:27 | 0:25:30 | |
APPLAUSE AND CHEERING | 0:25:30 | 0:25:33 | |
So, imagine that your big toe is number one | 0:25:37 | 0:25:39 | |
and the next toe is number two, three... | 0:25:39 | 0:25:41 | |
So number five is your little toe. | 0:25:41 | 0:25:42 | |
-OK. -I want you to shut your eyes and Romesh... | 0:25:42 | 0:25:45 | |
Romesh is going to gently touch one of your toes | 0:25:45 | 0:25:48 | |
and you tell us which one it is he's touching. | 0:25:48 | 0:25:52 | |
I can't actually see which ones are being touched | 0:25:52 | 0:25:54 | |
so let me just come and have a look. I'm coming behind you! | 0:25:54 | 0:25:58 | |
OK, go ahead, then. Do it again. | 0:25:58 | 0:26:00 | |
-Yep, which one? -Four. | 0:26:01 | 0:26:03 | |
Yeah. And keep going. | 0:26:03 | 0:26:04 | |
-Three? -Ah, so, OK. | 0:26:07 | 0:26:09 | |
So, you can stop now, that's fantastic | 0:26:09 | 0:26:11 | |
because rather marvellously and rather pleasingly | 0:26:11 | 0:26:13 | |
you've entirely proved the point | 0:26:13 | 0:26:14 | |
that I was trying to make which is very nice. | 0:26:14 | 0:26:16 | |
So, you said it was number three and, in fact, it was number two. | 0:26:16 | 0:26:19 | |
-Was it? -Yeah, it was actually number two that was being poked | 0:26:19 | 0:26:22 | |
-and here's the extraordinary thing. -I can't get my leg down, hang on. | 0:26:22 | 0:26:25 | |
Are you all right? | 0:26:25 | 0:26:27 | |
So, people at Oxford University research this kind of thing, | 0:26:29 | 0:26:32 | |
in 2015, so they asked people to close their eyes | 0:26:32 | 0:26:35 | |
while somebody pressed on one of their fingers | 0:26:35 | 0:26:37 | |
and they were correctly able to identify, 99% of the case, | 0:26:37 | 0:26:40 | |
which finger was being simulated. | 0:26:40 | 0:26:42 | |
-It sort of defeats the object... -You can't do it yourself. | 0:26:42 | 0:26:44 | |
Yeah, to go home and do it yourself. | 0:26:44 | 0:26:46 | |
-You know which one you're prodding. -Yeah, yeah. | 0:26:46 | 0:26:49 | |
-And also... -I'll actually admit I went right through with it | 0:26:49 | 0:26:51 | |
and I did one of the toes myself and then thought, | 0:26:51 | 0:26:54 | |
"Oh, that's number one," and of course it was! | 0:26:54 | 0:26:56 | |
Have you ever been involved in scientific research in anything? | 0:26:57 | 0:27:02 | |
I just have to let myself down, Sandi, all the time. | 0:27:02 | 0:27:04 | |
-I'm an unbelievable idiot. -I think you're lovely. | 0:27:04 | 0:27:08 | |
So you can recognise your big and little toes about 94% of the time | 0:27:09 | 0:27:12 | |
but the ones in the middle are the troublesome ones. | 0:27:12 | 0:27:15 | |
We particularly struggle, as you did, | 0:27:15 | 0:27:17 | |
between the second and the third toes | 0:27:17 | 0:27:19 | |
and about half the people when the second toe was pressed, | 0:27:19 | 0:27:22 | |
actually, think it's the third one. And also, even more strangely, | 0:27:22 | 0:27:26 | |
lots of people find it difficult to keep track of their toes entirely. | 0:27:26 | 0:27:29 | |
Nearly half the testers reported feeling as if one toe was gone. | 0:27:29 | 0:27:33 | |
A huge number of people with their eyes shut | 0:27:35 | 0:27:37 | |
thought they only had four toes. | 0:27:37 | 0:27:39 | |
Wouldn't you have just thought | 0:27:39 | 0:27:41 | |
-"We've picked the wrong person for the experiment"? -Yeah. | 0:27:41 | 0:27:43 | |
Just gone entirely. | 0:27:43 | 0:27:45 | |
Right, a question for all of us here on the panel, | 0:27:45 | 0:27:48 | |
which of us is the most common? | 0:27:48 | 0:27:51 | |
-It's either me or Alan. -Why? -Oh, why? | 0:27:51 | 0:27:55 | |
No, hang on, no! | 0:27:55 | 0:27:56 | |
There's more women in the world so it's one of you two. | 0:27:56 | 0:27:59 | |
-It's not that. It isn't that. -It must be Romesh. | 0:27:59 | 0:28:02 | |
No, in fact, the most common... | 0:28:02 | 0:28:05 | |
You've got to give an argument, "It must be Romesh." | 0:28:07 | 0:28:09 | |
-Him... -Oh, I see! OK. | 0:28:11 | 0:28:14 | |
-I had a look to see whose name was the most common. -Oh. | 0:28:14 | 0:28:17 | |
So whose name do we think is the most common? | 0:28:17 | 0:28:20 | |
It's quite... Well, I'd say Romesh, Sandi and Cariad probably not... | 0:28:20 | 0:28:23 | |
-Not going to be... -..going to be top of the list, yeah. -No. | 0:28:23 | 0:28:25 | |
-Davies is a very common name. -I'm afraid it is you, Alan. | 0:28:25 | 0:28:28 | |
I had a look. | 0:28:28 | 0:28:29 | |
Ranganathan is used, according to a website called Namespedia, | 0:28:29 | 0:28:33 | |
is used 1,789 times in at least 26 countries. | 0:28:33 | 0:28:36 | |
So, what does it mean, the name? Do you know what the name means? | 0:28:36 | 0:28:39 | |
I think it means, like... | 0:28:39 | 0:28:40 | |
"Love God." | 0:28:40 | 0:28:42 | |
OK, so... | 0:28:43 | 0:28:45 | |
I... | 0:28:45 | 0:28:47 | |
I broke it down. | 0:28:50 | 0:28:51 | |
APPLAUSE | 0:28:55 | 0:28:57 | |
I broke it down, Romesh. Ranga means "source of amusement for others." | 0:29:00 | 0:29:03 | |
-Right. -And Nathan means "he will give." | 0:29:03 | 0:29:06 | |
Oh, right. | 0:29:06 | 0:29:08 | |
Lloyd is used 65,467 times | 0:29:08 | 0:29:11 | |
in at least 46 countries. | 0:29:11 | 0:29:14 | |
-We get about, the Welsh. -There is that. | 0:29:14 | 0:29:16 | |
Phill, I searched your name, honestly, you come up, | 0:29:16 | 0:29:19 | |
there's nothing, you Lithuanian bastard. | 0:29:19 | 0:29:22 | |
It's an accidental name because it's actually Seputis | 0:29:22 | 0:29:25 | |
but when they arrived in 1917 in the UK, | 0:29:25 | 0:29:28 | |
some bloke at Tilbury, when they arrived, went "Name." | 0:29:28 | 0:29:32 | |
And they go, "Seputis." | 0:29:32 | 0:29:33 | |
And he went, "Jupitus." | 0:29:33 | 0:29:35 | |
So he just wrote down what he heard | 0:29:35 | 0:29:37 | |
and so that's why it came out as Jupitus. | 0:29:37 | 0:29:40 | |
I have lovely hair. | 0:29:40 | 0:29:42 | |
-No wonder I'm so smug. -Yeah. | 0:29:47 | 0:29:50 | |
I don't know who's upset Alan. | 0:29:50 | 0:29:53 | |
I look like I've been pulled over for speeding. | 0:29:53 | 0:29:55 | |
You're like, "Ugh, come on." | 0:29:55 | 0:29:58 | |
Davies is the most popular, 47 different countries, it appears. | 0:29:58 | 0:30:02 | |
Did you know there was an entire group of Indo-Iranian people | 0:30:02 | 0:30:04 | |
in the Caucasus Mountains that were called the Alans? | 0:30:04 | 0:30:07 | |
I did not know that. | 0:30:07 | 0:30:08 | |
They've died out. | 0:30:08 | 0:30:10 | |
She gives and she takes away. | 0:30:13 | 0:30:15 | |
And my own name I looked up on this thing, Toksvig, | 0:30:15 | 0:30:17 | |
and it said that it is used at least 23 times in three countries | 0:30:17 | 0:30:21 | |
-and then it listed all the people. -# Da-da-dah! # | 0:30:21 | 0:30:24 | |
And all of them... | 0:30:24 | 0:30:26 | |
All of them are relatives of mine and I'm not on the list. | 0:30:26 | 0:30:29 | |
What does Toksvig mean? | 0:30:33 | 0:30:34 | |
It means "river by the burial ground." | 0:30:34 | 0:30:37 | |
Oh, that's nice. Poetic. | 0:30:37 | 0:30:39 | |
Having a huge name can help with your uniqueness. | 0:30:39 | 0:30:41 | |
Have a look at these, these are some of the longest names in history. | 0:30:41 | 0:30:44 | |
Look at that. | 0:30:44 | 0:30:45 | |
That's one person's name, this was a woman, | 0:30:45 | 0:30:48 | |
the long-reigning ruler of Yemen in the 11th and 12th century | 0:30:48 | 0:30:52 | |
and she was the greatest of the rulers of the Sulayhid dynasty | 0:30:52 | 0:30:55 | |
and she is sometimes referred to as the Little Queen of Sheba. | 0:30:55 | 0:30:58 | |
Imagine how annoyed you'd be if you were doing the school trophy, | 0:30:58 | 0:31:01 | |
she won the hundred. | 0:31:01 | 0:31:03 | |
-Look at that name, that's great, isn't it? -Wow. | 0:31:04 | 0:31:06 | |
That's a fantastic name. Queen of Bali, circa 1088 to 1101. | 0:31:06 | 0:31:10 | |
Do you think she fell asleep and just collapsed onto the keyboard? | 0:31:10 | 0:31:13 | |
That last bit at the end, that ain't a name. That is a... | 0:31:18 | 0:31:21 | |
That is a two-year-old, | 0:31:21 | 0:31:22 | |
that's a two-year-old on an iPhone. | 0:31:22 | 0:31:25 | |
Now, would you rather be in a non-routine operation | 0:31:27 | 0:31:31 | |
or a mass deposition event? | 0:31:31 | 0:31:33 | |
It looks like Alan's in The Simpsons from here. | 0:31:33 | 0:31:36 | |
Well, I don't like the sound of a non-routine operation. | 0:31:39 | 0:31:42 | |
-I'd prefer a non-routine operation. -Do you? | 0:31:42 | 0:31:44 | |
-I just think, if it's routine... -It's a better story. | 0:31:44 | 0:31:46 | |
Well, if it's routine, | 0:31:46 | 0:31:48 | |
the person's more likely to be a bit blase about it | 0:31:48 | 0:31:50 | |
if you've done it loads of times. | 0:31:50 | 0:31:51 | |
Where, if it's non-routine, he'll think, | 0:31:51 | 0:31:53 | |
"I probably should stay awake while I'm doing this." | 0:31:53 | 0:31:55 | |
If it's non-routine, they're going to have the book open. | 0:31:55 | 0:31:57 | |
Exactly. Like they're doing it for the first time. | 0:31:57 | 0:32:01 | |
-I imagine it being like a chef. -If it's routine, they'll go, | 0:32:01 | 0:32:04 | |
"Just for a game, I'm going to do it with my blindfold on." | 0:32:04 | 0:32:07 | |
I can tell you that the non-routine operation | 0:32:07 | 0:32:09 | |
is a phrase used by Trans-Florida Airlines. | 0:32:09 | 0:32:12 | |
OK. Crash landing? | 0:32:12 | 0:32:14 | |
-It is. It is their word for a plane crash. -Oh-ho! | 0:32:14 | 0:32:17 | |
-"Notice to passengers..." -Must be in the lead! | 0:32:17 | 0:32:20 | |
"..in case of a non-routine operation, | 0:32:20 | 0:32:22 | |
"we'd like you to be familiar with the location of the airplane exits." | 0:32:22 | 0:32:26 | |
-You'd hope they'd call that non-routine, wouldn't you? -Yeah. | 0:32:26 | 0:32:28 | |
What a damning indictment of the airline if they don't. | 0:32:28 | 0:32:31 | |
Can I show you my favourite airport sign? | 0:32:31 | 0:32:33 | |
Cos you know you never get proper information. | 0:32:33 | 0:32:35 | |
I think this is absolutely fantastic. There we go. | 0:32:35 | 0:32:38 | |
It kind of says everything, doesn't it? | 0:32:45 | 0:32:47 | |
-It's fair enough. -Loses something in translation. | 0:32:47 | 0:32:49 | |
-It's honest. -It's absolutely fine. | 0:32:49 | 0:32:51 | |
The other thing is, a mass deposition event is, in fact, | 0:32:51 | 0:32:54 | |
a huge pile of poo. | 0:32:54 | 0:32:55 | |
In fact, it's a rather specific pile of poo. | 0:32:55 | 0:32:57 | |
It's a euphemistic term given by archaeologists | 0:32:57 | 0:32:59 | |
to the discovery of a thick layer of horse dung | 0:32:59 | 0:33:02 | |
at a site called the Col de la Traversette, | 0:33:02 | 0:33:04 | |
and it's believed to be associated | 0:33:04 | 0:33:06 | |
with Hannibal's crossing of the Alps into Italy in 218 BC. | 0:33:06 | 0:33:11 | |
I love this. The team analysing the poo, OK, | 0:33:11 | 0:33:14 | |
are hoping to find signs of elephant droppings. | 0:33:14 | 0:33:17 | |
Here's a quote from one of the team. | 0:33:17 | 0:33:18 | |
"There's even the possibility of finding an elephant tapeworm egg. | 0:33:18 | 0:33:21 | |
"This would really be the pot of gold at the end of the rainbow." | 0:33:21 | 0:33:25 | |
Tapeworm egg. | 0:33:27 | 0:33:29 | |
-Not even a tapeworm... -No. -..just a tapeworm egg. | 0:33:29 | 0:33:31 | |
Just a tapeworm egg. While we're on euphemisms, | 0:33:31 | 0:33:33 | |
what is a nondiscernible microbionoculator? | 0:33:33 | 0:33:37 | |
-Something you can't see. -It's very small, very small. | 0:33:37 | 0:33:40 | |
You don't want to have it. | 0:33:40 | 0:33:42 | |
-So, like a parasite? -It's nondiscernible, you can't see it. | 0:33:42 | 0:33:44 | |
It's a man-made thing. | 0:33:44 | 0:33:46 | |
Bullet. | 0:33:46 | 0:33:47 | |
-Sort of. -A lethal injection. | 0:33:47 | 0:33:49 | |
You're absolutely in the right area, it's a poison dart gun, | 0:33:49 | 0:33:52 | |
devised by the CIA in 1975. | 0:33:52 | 0:33:55 | |
I'm on fire, I'm bound to win! | 0:33:55 | 0:33:56 | |
-You're doing... -I've only had one klaxon. -Yeah. -Yeah. | 0:33:56 | 0:33:58 | |
I have to say this during the show to flag it up. | 0:33:58 | 0:34:01 | |
-Yeah. -Yeah. -You've done fantastic. | 0:34:01 | 0:34:03 | |
Otherwise they would just give me -40 and tell me to piss off. | 0:34:03 | 0:34:07 | |
That looks like a particularly tough night at the Rotary Club. | 0:34:07 | 0:34:11 | |
"I think I'm going to kill Alan." | 0:34:11 | 0:34:14 | |
-He's got the sight on back to front. -The thing I don't understand... -Yes. | 0:34:14 | 0:34:18 | |
The bloke on the right is saying, "Back to front, you idiot!" | 0:34:18 | 0:34:20 | |
"He's bloody miles away, the dart will never get him!" | 0:34:20 | 0:34:24 | |
Why wouldn't you want to get caught in bed with a Norfolk Howard? | 0:34:28 | 0:34:32 | |
Cos it's probably cattle, is it, or something like that? | 0:34:32 | 0:34:35 | |
No, but it is a creature of some kind. | 0:34:35 | 0:34:38 | |
Oh, some sort of a bug or a flea or a tick... | 0:34:38 | 0:34:40 | |
Oh, yes, you are on fire. Yes. | 0:34:40 | 0:34:41 | |
-What's going on with you today? -Yeah. | 0:34:41 | 0:34:44 | |
-Suddenly you know shit. -Oh, it's a sub... | 0:34:44 | 0:34:47 | |
It's, like, a substandard panel this week. | 0:34:47 | 0:34:50 | |
APPLAUSE DROWNS SPEECH | 0:34:52 | 0:34:56 | |
It's, in fact, it's a euphemism for a bedbug, | 0:34:58 | 0:35:01 | |
a Norfolk Howard. | 0:35:01 | 0:35:02 | |
Turn of the 20th century, there was a guy, | 0:35:02 | 0:35:04 | |
he's either called Bugsy or Joshua Bug. | 0:35:04 | 0:35:06 | |
Anyway, he really hated being called Bug | 0:35:06 | 0:35:08 | |
and so he changed his name to Norfolk Howard | 0:35:08 | 0:35:11 | |
and his friends, to take the mickey, | 0:35:11 | 0:35:13 | |
referred to all bedbugs as Norfolk Howards and in the end, | 0:35:13 | 0:35:17 | |
bedbugs became known as Norfolk Howard. | 0:35:17 | 0:35:20 | |
Oh, that's horrible. | 0:35:20 | 0:35:21 | |
I think that is a beautifully designed... | 0:35:21 | 0:35:25 | |
-It's an amazing things. -..and coloured... -Yeah. | 0:35:25 | 0:35:27 | |
-I mean... -They are amazing, bedbugs, yeah. -..that is a stunner. | 0:35:27 | 0:35:29 | |
-Look at the shell on that. -You wouldn't accept that from a hotel, | 0:35:29 | 0:35:32 | |
though, if they said that to you, would you? | 0:35:32 | 0:35:35 | |
"Bedbugs, yeah, but look how beautiful..." | 0:35:35 | 0:35:38 | |
And so we reach that round that dare not speak its name. | 0:35:40 | 0:35:43 | |
Fingers on buzzers, please, for General Ignorance. | 0:35:43 | 0:35:46 | |
Name the place where all the Vikings who died in battle went. | 0:35:46 | 0:35:50 | |
'Schroeder Swan.' | 0:35:51 | 0:35:53 | |
I'll take the hit, Valhalla. | 0:35:53 | 0:35:55 | |
KLAXON | 0:35:55 | 0:35:58 | |
No. | 0:35:59 | 0:36:00 | |
You'd think, right, that any warrior, death in battle, | 0:36:00 | 0:36:03 | |
you'd get to go to the Hall of the Fallen in Asgard. | 0:36:03 | 0:36:06 | |
It's amazing, it has a roof entirely made of golden shields, | 0:36:06 | 0:36:10 | |
it's got 540 doors, you can get 800 men in and out, whenever you like. | 0:36:10 | 0:36:15 | |
-Sounds brilliant. -It's amazing, it's amazing. | 0:36:15 | 0:36:18 | |
But only half of the Viking heroes actually go to Valhalla. | 0:36:18 | 0:36:21 | |
So in Viking mythology, there are actually two sets of gods, | 0:36:21 | 0:36:24 | |
the Aesir, which is Odin and co, | 0:36:24 | 0:36:27 | |
and the Vanir and both sets get to choose their dead. | 0:36:27 | 0:36:31 | |
So half go to Valhalla, | 0:36:31 | 0:36:32 | |
which is where they all want to go, basically, | 0:36:32 | 0:36:34 | |
and the other half go to the goddess Freya's field of Folkvangr, | 0:36:34 | 0:36:39 | |
which was probably, you know, a blow, I would imagine. | 0:36:39 | 0:36:41 | |
I have never been more aroused on a TV show than I am right now. | 0:36:41 | 0:36:45 | |
-Same, same. -Do the voice, do the voice, do the voice. | 0:36:45 | 0:36:47 | |
-Folkvangr. -Folkvangr. -Folkvangr. | 0:36:47 | 0:36:49 | |
See, I think you'd like to go there, Phill. | 0:36:49 | 0:36:51 | |
Yes, I would like to go to Folkvangr. | 0:36:51 | 0:36:55 | |
-Because there are women there. -There's no women in Valhalla? | 0:36:55 | 0:36:58 | |
No, just the Valkyries riding in and out. | 0:36:58 | 0:37:00 | |
That's a great name of a porn film. | 0:37:00 | 0:37:02 | |
No Women In Valhalla! | 0:37:02 | 0:37:04 | |
So, if you didn't die in battle you died a natural death, | 0:37:04 | 0:37:07 | |
where did you go? | 0:37:07 | 0:37:08 | |
Because you didn't go to Valhalla and you didn't go to Folkvangr. | 0:37:08 | 0:37:11 | |
Did you go to Loki's Kingdom of Mischief? | 0:37:11 | 0:37:14 | |
It's place we don't want to go today when we die. | 0:37:14 | 0:37:16 | |
-We don't want to go... -Hell. -We don't want to go to hell. | 0:37:16 | 0:37:18 | |
Fantastic, it's exactly right. They went to hell, yeah. | 0:37:18 | 0:37:21 | |
-Indeed they did. -If they died of natural causes? | 0:37:21 | 0:37:24 | |
If they died of natural causes, they went to hell which was... | 0:37:24 | 0:37:27 | |
"I feel terrible. Quick, start a fight!" | 0:37:27 | 0:37:30 | |
"There's that battle today..." | 0:37:31 | 0:37:33 | |
"Oh, this is so unfair. | 0:37:33 | 0:37:35 | |
"I've been in all the battles, trying to get killed." | 0:37:35 | 0:37:39 | |
Hell is ruled over by a goddess called Hell, | 0:37:39 | 0:37:41 | |
it's where we get the word hell from. | 0:37:41 | 0:37:43 | |
Anyway, only half of Viking warriors ever got to Valhalla. | 0:37:43 | 0:37:47 | |
Name a self-confessed Nazi. | 0:37:47 | 0:37:48 | |
LAUGHTER DROWNS SPEECH | 0:37:51 | 0:37:53 | |
-Phill Jupitus. -OK. | 0:37:53 | 0:37:55 | |
-Erm... -All those guys. | 0:37:55 | 0:37:57 | |
They're like "Me, it's me." | 0:37:57 | 0:37:59 | |
They didn't call themselves Nazis. | 0:37:59 | 0:38:01 | |
Absolutely right. There are none, | 0:38:01 | 0:38:02 | |
there are none because they didn't call themselves Nazis. | 0:38:02 | 0:38:05 | |
You are just doing brilliantly. | 0:38:05 | 0:38:07 | |
Yep. Absolutely right. | 0:38:07 | 0:38:09 | |
APPLAUSE | 0:38:11 | 0:38:14 | |
-All this time... -Yep. | 0:38:17 | 0:38:19 | |
All this time you've been intimidated to say what you know | 0:38:19 | 0:38:22 | |
and now you can just, you can just speak! It's lovely, Alan. | 0:38:22 | 0:38:26 | |
-No, indeed and... -Hang on, I'll throw him off his game. | 0:38:26 | 0:38:28 | |
-AS STEPHEN FRY: -Maa! Maa! | 0:38:28 | 0:38:31 | |
Although I like that Churchill called them "Nazzies". | 0:38:33 | 0:38:35 | |
-"Nazzies", yeah. -And he referred to the Gestapo as the "Jester-po". | 0:38:35 | 0:38:39 | |
That was very good. You're absolutely right. | 0:38:40 | 0:38:42 | |
No self-respecting Nazi ever called themselves a Nazi, | 0:38:42 | 0:38:46 | |
it was the German exiles who called them that. | 0:38:46 | 0:38:48 | |
Name the cause of the first mass extinction? | 0:38:48 | 0:38:51 | |
Oh, now this is a trick one, | 0:38:51 | 0:38:53 | |
because you're trying to get us to do the dinosaur one, | 0:38:53 | 0:38:56 | |
but there was one before that, wasn't there? | 0:38:56 | 0:38:58 | |
After 14 years, he understands the format! | 0:38:58 | 0:39:00 | |
APPLAUSE | 0:39:03 | 0:39:06 | |
And the thing I still can't do is think in my head. | 0:39:10 | 0:39:15 | |
Where do you think, then? | 0:39:19 | 0:39:22 | |
-In my mouth. -In your mouth. | 0:39:22 | 0:39:24 | |
Is it ice? Ice? | 0:39:24 | 0:39:26 | |
-It is not ice, no. CARIAD: -Baby! | 0:39:26 | 0:39:28 | |
-Very good. -They had a problem, but they didn't solve it. | 0:39:30 | 0:39:33 | |
There was a massive extinction. | 0:39:33 | 0:39:35 | |
It's sea anemone greed and, really, the invention of the mouth. | 0:39:36 | 0:39:41 | |
So what happens is... | 0:39:41 | 0:39:43 | |
So many problems come when we invent the mouth! | 0:39:43 | 0:39:46 | |
These are ediacarans, | 0:39:46 | 0:39:47 | |
and ediacarans are the very first complex life forms on earth. | 0:39:47 | 0:39:51 | |
And they hung around on the sea floor for about 37 million years. | 0:39:51 | 0:39:55 | |
They didn't have a mouth, they didn't have an anus. | 0:39:55 | 0:39:57 | |
They just lived through osmosis. | 0:39:57 | 0:39:59 | |
They got along fine! | 0:39:59 | 0:40:00 | |
They were just fine. And then, what happens is, the Cambrian explosion, | 0:40:00 | 0:40:04 | |
so that's - give or take a Tuesday - about 542 million years ago. | 0:40:04 | 0:40:08 | |
You suddenly get life forms suddenly rocketing | 0:40:08 | 0:40:10 | |
cos there's more oxygen around, | 0:40:10 | 0:40:12 | |
and you get sea anemone-like creatures, they have a mouth. | 0:40:12 | 0:40:14 | |
-And do you know what they did? -They ate them. -They ate them. | 0:40:14 | 0:40:17 | |
Absolutely right. They ate the lot of them. | 0:40:17 | 0:40:19 | |
And the terrible, tragic thing | 0:40:19 | 0:40:20 | |
was that they couldn't tell each other what was happening. | 0:40:20 | 0:40:22 | |
-Oh, don't! That's so sad! -Yeah. -No mouth. | 0:40:22 | 0:40:25 | |
-Just lying there being eaten and not being able to... -Or warn each other. | 0:40:27 | 0:40:30 | |
I've had boyfriends like that, and I understand how they feel. | 0:40:30 | 0:40:33 | |
Nothing you can do. Just let them get on with it. | 0:40:38 | 0:40:41 | |
It's been a learning experience being with you, Cariad. | 0:40:41 | 0:40:43 | |
That's why I'm adorkable! | 0:40:44 | 0:40:46 | |
I thought for a moment you meant you'd had boyfriends | 0:40:46 | 0:40:48 | |
with no mouth or anus. | 0:40:48 | 0:40:50 | |
-It felt like that, Alan. -They can't cry for help. -No. | 0:40:50 | 0:40:54 | |
-Can't speak. -Anyway... | 0:40:54 | 0:40:56 | |
what's French for nom de plume? | 0:40:56 | 0:40:59 | |
Oh, hang on a minute. | 0:40:59 | 0:41:01 | |
'Snuffy Storey.' | 0:41:01 | 0:41:03 | |
Is it that they don't have, | 0:41:03 | 0:41:05 | |
that doesn't mean pseudonym in French? | 0:41:05 | 0:41:09 | |
-Er, yeah, kind of. -They don't have... | 0:41:09 | 0:41:11 | |
In fact, the French for when an author chooses to write | 0:41:11 | 0:41:13 | |
-under a different name is nom de guerre. -Oh, yeah. | 0:41:13 | 0:41:16 | |
It is now nom de plume in French | 0:41:16 | 0:41:17 | |
but the British didn't like nom de guerre, | 0:41:17 | 0:41:19 | |
they didn't think it was a good idea | 0:41:19 | 0:41:21 | |
and so they changed it to nom de plume | 0:41:21 | 0:41:22 | |
and now the French have used it, they've taken it from us. | 0:41:22 | 0:41:24 | |
That's unusual that they would take it | 0:41:24 | 0:41:26 | |
because normally they hold on to their French words... | 0:41:26 | 0:41:28 | |
Yeah, like "le weekend." Like crazy they hold on to those words. | 0:41:28 | 0:41:32 | |
My favourite nom de plume... | 0:41:32 | 0:41:34 | |
-Voltaire had loads and he had about 173. -What?! | 0:41:34 | 0:41:36 | |
Defoe had loads and loads, in fact, including Daniel Defoe, | 0:41:36 | 0:41:40 | |
his real name was Daniel Foe, | 0:41:40 | 0:41:41 | |
-he just bigged himself up with the "De" part. -Oh. | 0:41:41 | 0:41:45 | |
-And Benjamin Franklin. -He lived in Stoke Newington. | 0:41:45 | 0:41:47 | |
-Who did? Daniel Defoe? -Daniel Defoe. | 0:41:47 | 0:41:50 | |
See, I like that because that is where somebody like that | 0:41:50 | 0:41:52 | |
ought to live. There's a wonderful story about a book written by | 0:41:52 | 0:41:55 | |
a man called T Lobsang Rampa. | 0:41:55 | 0:41:57 | |
He was supposedly a Tibetan monk and it was a huge hit, this book, | 0:41:57 | 0:42:00 | |
it was called The Third eye, it was published in 1954, massive hit. | 0:42:00 | 0:42:04 | |
In fact, it was written by a plumber from Plympton... | 0:42:04 | 0:42:08 | |
his name was Cyril Henry Hoskin. | 0:42:08 | 0:42:10 | |
-Hoax, a total hoax. -A total hoax but what I like about it... -Brilliant. | 0:42:10 | 0:42:13 | |
..he didn't, he wouldn't back down, right? | 0:42:13 | 0:42:15 | |
So he claimed that the soul of the original Lobsang Rampa | 0:42:15 | 0:42:19 | |
had inhabited his body after he fell out of a fir tree in his garden | 0:42:19 | 0:42:24 | |
in Thames Ditton while attempting to photograph an owl. | 0:42:24 | 0:42:28 | |
-If you're going to lie... -Lie big. Go for it. -Yeah. | 0:42:30 | 0:42:33 | |
The French for nom de plume is nom de guerre. | 0:42:33 | 0:42:36 | |
So our panellists emerge at the scores, | 0:42:36 | 0:42:39 | |
but let's see who has made a name for themselves, | 0:42:39 | 0:42:42 | |
and who has a black mark next to theirs. | 0:42:42 | 0:42:45 | |
In fourth place, with a magnificent -2, | 0:42:45 | 0:42:49 | |
it is Phill! | 0:42:49 | 0:42:51 | |
CHEERING AND APPLAUSE | 0:42:51 | 0:42:54 | |
-Yes! -In third place, with 4 points, | 0:42:56 | 0:42:59 | |
it's Romesh! | 0:42:59 | 0:43:00 | |
CHEERING AND APPLAUSE | 0:43:00 | 0:43:02 | |
OK, I don't know if you're going to be able to guess who wins | 0:43:05 | 0:43:07 | |
if I tell you who's in second place. With 5 points, | 0:43:07 | 0:43:10 | |
it's Cariad. | 0:43:10 | 0:43:11 | |
CHEERING AND APPLAUSE | 0:43:11 | 0:43:13 | |
Alan! Oh, my God! | 0:43:13 | 0:43:15 | |
And the winner is Alan, with 7. | 0:43:15 | 0:43:18 | |
EXCITED CHEERING AND APPLAUSE | 0:43:18 | 0:43:20 | |
It only remains for me to thank... | 0:43:29 | 0:43:30 | |
I'm going to be UNBEARABLE! | 0:43:30 | 0:43:32 | |
SANDI LAUGHS | 0:43:32 | 0:43:34 | |
I shall bear with it. | 0:43:34 | 0:43:35 | |
It only remains for me to thank Cariad, Phill, Romesh and Alan. | 0:43:35 | 0:43:38 | |
Finally, let me leave you with this Neolithic newspaper nugget | 0:43:38 | 0:43:42 | |
from the Johannesburg Star. | 0:43:42 | 0:43:43 | |
The Sunday morning quiet of the city centre was shattered | 0:43:43 | 0:43:46 | |
when a man went berserk in Plain Street. | 0:43:46 | 0:43:49 | |
He smashed about 4,000 rands' worth of shop windows | 0:43:49 | 0:43:51 | |
before being shot in the thigh | 0:43:51 | 0:43:53 | |
by a passing churchgoer. | 0:43:53 | 0:43:55 | |
Goodnight. | 0:43:56 | 0:43:57 | |
CHEERING AND APPLAUSE | 0:43:57 | 0:44:00 |