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APPLAUSE | 0:00:28 | 0:00:30 | |
Welcome to QI, where tonight's show is frankly a lot of nonsense. | 0:00:34 | 0:00:39 | |
Not helped by stultiloquent poppycock from Holly Walsh. | 0:00:39 | 0:00:44 | |
APPLAUSE | 0:00:44 | 0:00:45 | |
Nagmentory codswallop from Nish Kumar. | 0:00:49 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:53 | |
Fribbling gibberish from Phill Jupitus. | 0:00:57 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:01 | |
And the Alan Davies from Essex. | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
And their buzzers sound like nonsense too. Holly goes... | 0:01:13 | 0:01:15 | |
'The trouble with kittens is that...' | 0:01:15 | 0:01:18 | |
Nish goes... | 0:01:18 | 0:01:19 | |
'While they're sat on the mat, they get fat...' | 0:01:19 | 0:01:22 | |
And Phill goes... | 0:01:22 | 0:01:24 | |
'They grow and they grow, and the next thing you know...' | 0:01:24 | 0:01:26 | |
And Alan goes... | 0:01:26 | 0:01:28 | |
'Your kitten's a boring old cat.' | 0:01:28 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:32 | |
Love that. | 0:01:32 | 0:01:33 | |
So, your first task tonight is to say something | 0:01:33 | 0:01:35 | |
completely nonsensical, that sounds profound. | 0:01:35 | 0:01:40 | |
That's what I would like. | 0:01:40 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Nish, have you got any thoughts? | 0:01:44 | 0:01:46 | |
I always find that when people say, "I make my own luck," | 0:01:46 | 0:01:51 | |
-I think that is the biggest load of nonsense. -Yeah. | 0:01:51 | 0:01:54 | |
-Because, if you make it, that's not luck. -Yeah. | 0:01:54 | 0:01:58 | |
-That's not how luck works. -No. | 0:01:58 | 0:02:00 | |
Phill, have you got a profound sentiment for me? | 0:02:01 | 0:02:04 | |
It's the centenary this year of the establishment of the Dada art group, | 0:02:04 | 0:02:08 | |
set up at Cabaret Voltaire in Zurich. | 0:02:08 | 0:02:11 | |
Richard Huelsenbeck was a Dada artist | 0:02:11 | 0:02:15 | |
and he wrote a long poem called Fantastic Prayers. | 0:02:15 | 0:02:19 | |
And a couple of sections from it are... | 0:02:19 | 0:02:22 | |
"Birribum, birribum | 0:02:22 | 0:02:24 | |
"The ox runs down the circulum | 0:02:24 | 0:02:26 | |
"Voila, here are the engineers with their assignment | 0:02:26 | 0:02:29 | |
"Light minds to throw in a still-crude state. | 0:02:29 | 0:02:33 | |
"Some showers." | 0:02:33 | 0:02:35 | |
-Is it part poem, part weather report? -Basically. | 0:02:37 | 0:02:39 | |
Whenever you say anything nonsense like that, I always think... | 0:02:39 | 0:02:42 | |
-LOWERS INTONATION -..falling slightly at the end of it. | 0:02:42 | 0:02:45 | |
It just becomes shipping forecast to me. | 0:02:45 | 0:02:47 | |
What about you, Alan? | 0:02:47 | 0:02:49 | |
Well, I like things that sound like proverbs. | 0:02:49 | 0:02:52 | |
And the important thing about them is that they are always reversible. | 0:02:52 | 0:02:55 | |
So I've come up with a couple. | 0:02:55 | 0:02:57 | |
You can change your mind, but you can't change your brain. | 0:02:57 | 0:03:01 | |
-Oh... -That's so crazy. | 0:03:01 | 0:03:03 | |
The alternative is, you can't change your brain, | 0:03:03 | 0:03:07 | |
but you can change your mind. | 0:03:07 | 0:03:08 | |
Wow, that's the sort of thing a teacher would say to you | 0:03:08 | 0:03:11 | |
-and nod as if it meant something. -It means bugger all. | 0:03:11 | 0:03:13 | |
Another one is, you can't jump without landing. | 0:03:13 | 0:03:17 | |
Equally, you can't land without jumping. | 0:03:19 | 0:03:22 | |
I just need time to think about that. | 0:03:24 | 0:03:27 | |
This is the sort of thing we should definitely be smoking weed | 0:03:27 | 0:03:29 | |
and listening to. | 0:03:29 | 0:03:31 | |
Like, you would be a weed guru with this stuff. | 0:03:31 | 0:03:34 | |
You could say things like, a dry man is not swimming. | 0:03:36 | 0:03:39 | |
That's so messed up, man! | 0:03:41 | 0:03:43 | |
A swimming man is never dry. | 0:03:43 | 0:03:46 | |
There's a geezer with a sticker factory in Kettering now | 0:03:46 | 0:03:49 | |
who is writing all these down. | 0:03:49 | 0:03:51 | |
"This is gold!" | 0:03:51 | 0:03:53 | |
Have you got any profound thoughts for me? | 0:03:54 | 0:03:56 | |
Well, I just like, when you're standing on a train platform | 0:03:56 | 0:03:59 | |
and they go, "Any unattended items will be destroyed without warning." | 0:03:59 | 0:04:03 | |
And I'm always like... | 0:04:03 | 0:04:05 | |
-that IS a warning. -Yeah. | 0:04:05 | 0:04:07 | |
-It makes no sense to me. -Does that include a child? | 0:04:08 | 0:04:11 | |
Is a child an item? | 0:04:13 | 0:04:14 | |
I bet you'd sell a lot of children's T-shirts if it just said, | 0:04:16 | 0:04:18 | |
"I am not an unattended item." | 0:04:18 | 0:04:20 | |
"Do not destroy." | 0:04:22 | 0:04:23 | |
There's a fantastic website called the New Age Bullshit Generator. | 0:04:25 | 0:04:28 | |
What it does, it takes buzzwords from New Age tweets | 0:04:28 | 0:04:31 | |
and it combines them to create syntactically correct, | 0:04:31 | 0:04:34 | |
profound-sounding nonsense, such as, | 0:04:34 | 0:04:36 | |
"Hidden meaning transforms unparalleled abstract beauty." | 0:04:36 | 0:04:41 | |
That's a Coldplay B-side, isn't it? | 0:04:41 | 0:04:45 | |
"The infinite is calling to us via superpositions of possibilities." | 0:04:45 | 0:04:50 | |
These all just sound like Morrissey lyrics. | 0:04:50 | 0:04:54 | |
# The infinite is calling to us. # | 0:04:54 | 0:04:56 | |
I really like them. | 0:04:56 | 0:04:57 | |
"Perceptual reality transcends subtle truth." | 0:04:57 | 0:05:00 | |
I think we've all felt like that at some point. | 0:05:00 | 0:05:03 | |
"Consciousness is the growth of coherence, and of us." | 0:05:03 | 0:05:06 | |
So, here's the thing - Canadian researchers asked subjects | 0:05:08 | 0:05:11 | |
to rate the various sentences I have been reading out | 0:05:11 | 0:05:13 | |
on a scale of one to five, OK? | 0:05:13 | 0:05:15 | |
The statements received an average score of 2.6 - "somewhat profound". | 0:05:15 | 0:05:19 | |
And the researchers concluded, | 0:05:19 | 0:05:21 | |
"These results indicate that our participants largely failed | 0:05:21 | 0:05:24 | |
"to detect the statements are bullshit." | 0:05:24 | 0:05:27 | |
Yeah, and also, they are just trying to put a number in the middle, | 0:05:28 | 0:05:32 | |
-so they can't be wrong. -Yeah, it's got to be in here somewhere. | 0:05:32 | 0:05:34 | |
"How many out of five?" "Er, three. | 0:05:34 | 0:05:37 | |
"Don't ask me anything else." | 0:05:37 | 0:05:40 | |
It's like multiple-choice at your O Levels, isn't it? | 0:05:40 | 0:05:42 | |
C, C, C, C, | 0:05:42 | 0:05:44 | |
B for change, | 0:05:44 | 0:05:45 | |
C... | 0:05:45 | 0:05:46 | |
All sorts of sentences that people found profound, like, | 0:05:46 | 0:05:49 | |
"Most people enjoy some sort of music." | 0:05:49 | 0:05:51 | |
There's lots of nonsense out there, particularly on the internet. | 0:05:53 | 0:05:56 | |
In 2014, the German scientific publisher Springer | 0:05:56 | 0:05:58 | |
and also the American Institute Of Electrical And Electronic Engineers | 0:05:58 | 0:06:02 | |
had to remove more than 120 papers from their website | 0:06:02 | 0:06:05 | |
because they discovered they were computer-generated nonsense. | 0:06:05 | 0:06:08 | |
Have you ever seen those computer-generated novels? | 0:06:08 | 0:06:11 | |
So, they did Moby Dick, with the words swapped for meows of the same length, | 0:06:11 | 0:06:16 | |
so, "Call me Ishmael," is, "Meow me Meeeeoow." | 0:06:16 | 0:06:20 | |
They did another one, it's a novel made of unconnected excerpts | 0:06:23 | 0:06:26 | |
from online databases of teenage girls' accounts of their dreams. | 0:06:26 | 0:06:31 | |
But it's not just computers that can generate rubbish | 0:06:31 | 0:06:34 | |
or things you don't understand, | 0:06:34 | 0:06:36 | |
so the Delphic Oracle was proverbial for its ambiguous... | 0:06:36 | 0:06:39 | |
Wow, she's got weird legs. | 0:06:39 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:43 | |
That's a skill, isn't it, to hover on stilts like that? Fantastic. | 0:06:44 | 0:06:47 | |
-That's the sort of thing you'd see in Covent Gardens. -Yes. | 0:06:47 | 0:06:51 | |
But usually they have a Yoda costume over the top. | 0:06:51 | 0:06:54 | |
I'm quite alarmed because all of those men sort of look like me. | 0:06:54 | 0:06:58 | |
Oh, yeah! There is a look. | 0:06:59 | 0:07:01 | |
Blue WKD had a different sort of packaging in those days. | 0:07:01 | 0:07:04 | |
So, lots of ambiguous one-liners. Croesus, who was King of Lydia, | 0:07:04 | 0:07:08 | |
he asked for advice on whether he should attack Persia and was told, | 0:07:08 | 0:07:11 | |
"If you cross the river, a great empire will be destroyed," | 0:07:11 | 0:07:14 | |
and he thought, "Fantastic, she thinks I should do this!" | 0:07:14 | 0:07:16 | |
Of course, the great empire was his own that was destroyed. | 0:07:16 | 0:07:20 | |
And there is another piece of advice that was given. | 0:07:20 | 0:07:22 | |
"You will go, you will return, never in war will you perish." | 0:07:22 | 0:07:26 | |
So it's one of those things that it depends how you punctuate it. | 0:07:26 | 0:07:29 | |
"You will go, you will return, never in war will you perish," | 0:07:29 | 0:07:33 | |
or, "You will go, you will return never, in war will you perish." | 0:07:33 | 0:07:37 | |
And she never gave out the punctuation, | 0:07:37 | 0:07:39 | |
so it's impossible to tell. | 0:07:39 | 0:07:40 | |
-Lynne Truss would go mental if she saw the Delphic Oracle. -Yes, yes. | 0:07:40 | 0:07:44 | |
Many people can't tell profound truth from complete nonsense, | 0:07:44 | 0:07:47 | |
but then again, as a wise man once said, | 0:07:47 | 0:07:51 | |
no leg's too short to reach the ground. | 0:07:51 | 0:07:53 | |
Talking of legs of different lengths, why is netball nonsense? | 0:07:56 | 0:08:01 | |
-It's just the worst sport ever. -Oh, my goodness, yes. | 0:08:01 | 0:08:04 | |
I think you and I could do an hour on this. | 0:08:04 | 0:08:06 | |
It should be banned, because it's not fair, it's a load of crap, | 0:08:06 | 0:08:09 | |
it favours tall people, who already do better at school discos, | 0:08:09 | 0:08:12 | |
getting off with boys anyway, and the whole thing is not fair. | 0:08:12 | 0:08:15 | |
-It's just not fair! -Wow, Holly, we've really opened some old wounds. | 0:08:15 | 0:08:19 | |
Oh, yes. | 0:08:19 | 0:08:20 | |
They have a thing in netball called a chest pass, right? | 0:08:20 | 0:08:22 | |
And I used to get them in the face. | 0:08:22 | 0:08:25 | |
LAUGHTER | 0:08:25 | 0:08:27 | |
Did you used to have one of those bibs with SG on it? | 0:08:28 | 0:08:31 | |
For "short girl"? | 0:08:31 | 0:08:32 | |
But they put you against somebody, some girl, six foot tall, | 0:08:34 | 0:08:37 | |
who's going to mark you, and she just | 0:08:37 | 0:08:38 | |
-stands there for the whole time like this. -Just doing that. | 0:08:38 | 0:08:41 | |
This is what she does, she does this. For, like, 40 minutes. | 0:08:41 | 0:08:44 | |
That. And that's it, that's all you can do. It's so galling. | 0:08:44 | 0:08:46 | |
One of the great puzzles of netball, | 0:08:46 | 0:08:48 | |
apart from why anybody would want to play it, | 0:08:48 | 0:08:50 | |
is that it has tremendous restriction on movement. | 0:08:50 | 0:08:52 | |
So, why would you want to restrict players | 0:08:52 | 0:08:54 | |
to certain areas of the court? | 0:08:54 | 0:08:55 | |
Isn't it just to avoid contact? | 0:08:55 | 0:08:58 | |
-No... -Cos it's a very small court? | 0:08:58 | 0:08:59 | |
No, it's due to a misunderstanding. | 0:08:59 | 0:09:02 | |
So, what happened, the men's game, basketball, | 0:09:02 | 0:09:05 | |
invented by a man called James Naismith in 1891, | 0:09:05 | 0:09:07 | |
and there was a PE teacher called Clara Bear of New Orleans, | 0:09:07 | 0:09:11 | |
and she asked if he would send a copy of the rules. | 0:09:11 | 0:09:14 | |
So, he sent the rules and it contained a drawing of the court | 0:09:14 | 0:09:17 | |
with lines pencilled across it showing the area that various players | 0:09:17 | 0:09:20 | |
could best patrol, and she misinterpreted this to mean | 0:09:20 | 0:09:24 | |
that players couldn't leave those areas. | 0:09:24 | 0:09:27 | |
She then wrote that into her version. | 0:09:27 | 0:09:30 | |
Then it got worse. In 1983, a gym teacher in Massachusetts | 0:09:30 | 0:09:33 | |
called Senda Berenson modified it further, | 0:09:33 | 0:09:35 | |
because she thought it was unseemly for young women. | 0:09:35 | 0:09:38 | |
She wrote an essay about it | 0:09:38 | 0:09:39 | |
and she wrote, "Unless a game as exciting as basketball | 0:09:39 | 0:09:42 | |
"is carefully guided by such rules as will eliminate roughness, | 0:09:42 | 0:09:46 | |
"the great desire to win and the excitement of the game | 0:09:46 | 0:09:49 | |
"will make our women do sadly unwomanly things." | 0:09:49 | 0:09:52 | |
So she made them all miserable as they are in that picture. | 0:09:52 | 0:09:57 | |
So, she banned tackling and she instituted | 0:09:57 | 0:09:58 | |
the three-second time limit for holding the ball | 0:09:58 | 0:10:01 | |
and basically didn't think people should run backwards and forwards | 0:10:01 | 0:10:03 | |
because the girls' hearts | 0:10:03 | 0:10:05 | |
would become what she called hypertrophic if they ran too far. | 0:10:05 | 0:10:08 | |
Rounders was always the best of all sports. | 0:10:08 | 0:10:11 | |
Yeah, I liked rounders. | 0:10:11 | 0:10:12 | |
I was dreadful at all sports. | 0:10:12 | 0:10:14 | |
I was the first kid in my school to be put into remedial rugby. | 0:10:14 | 0:10:18 | |
They gave me a round ball, because they were like, | 0:10:18 | 0:10:20 | |
"This kid's going to have his eye out on the points." | 0:10:20 | 0:10:23 | |
At school we had three divisions for swimming. | 0:10:23 | 0:10:25 | |
We had A, B and C, and I was in F. | 0:10:25 | 0:10:27 | |
That's "floating". | 0:10:28 | 0:10:30 | |
LAUGHTER | 0:10:30 | 0:10:31 | |
-Do you like kabaddi? -Do I like kabaddi?! | 0:10:32 | 0:10:35 | |
I don't like it, I LOVE kabaddi. | 0:10:35 | 0:10:39 | |
Kabaddi is an Indian sport. If you don't know what it is, | 0:10:39 | 0:10:41 | |
it's like somebody looked at a game of rugby and thought, | 0:10:41 | 0:10:44 | |
you know what the problem with this is? The ball. | 0:10:44 | 0:10:46 | |
We just get rid of that. And it's also the only game | 0:10:46 | 0:10:48 | |
where the players stand there and just go, | 0:10:48 | 0:10:51 | |
"Kabaddi, kabaddi, kabaddi, kabaddi, kabaddi, kabaddi." | 0:10:51 | 0:10:54 | |
Is that it? Is that the whole thing? | 0:10:54 | 0:10:56 | |
What you have to do, one man will be sent out by one team | 0:10:56 | 0:10:58 | |
and he's got to try to touch the end zone. And the other team, | 0:10:58 | 0:11:02 | |
they're usually linking up and they've got to try to touch him, | 0:11:02 | 0:11:05 | |
but if he touches them, that's basically it. | 0:11:05 | 0:11:08 | |
-It's tag? -Is it British Bulldog? | 0:11:08 | 0:11:09 | |
It's sort of like British Bulldog and tag. | 0:11:09 | 0:11:11 | |
It's very much kabaddi, OK? | 0:11:11 | 0:11:13 | |
I won't have this imperialist conquest of our sports! | 0:11:13 | 0:11:16 | |
"Is that British Bulldog?" No, it's very much Indian kabaddi! | 0:11:17 | 0:11:20 | |
You may take our Koh-I-Noor diamond, but you'll never take our kabaddi! | 0:11:23 | 0:11:27 | |
-PHILL: -It sounds like a good game, | 0:11:27 | 0:11:29 | |
but it sounds like what it needs is kissing. | 0:11:29 | 0:11:32 | |
It's the only sport where, during the sport, | 0:11:32 | 0:11:35 | |
you just say the name of the sport. | 0:11:35 | 0:11:36 | |
It would be like a footballer kicking the ball | 0:11:36 | 0:11:38 | |
and just going, "Football." | 0:11:38 | 0:11:40 | |
-Do people get injured in it, do you get injured? -Is it rough? | 0:11:42 | 0:11:44 | |
I think it's one of those sports that LOOKS pretty rough. | 0:11:44 | 0:11:47 | |
The other thing that's weird about it | 0:11:47 | 0:11:48 | |
is they're sort of all in kind of loincloths. | 0:11:48 | 0:11:51 | |
Oh, wow! Now we're talking! | 0:11:51 | 0:11:54 | |
If you tuned in, you would think | 0:11:54 | 0:11:57 | |
you were watching a particularly strange piece of all-male erotica. | 0:11:57 | 0:12:02 | |
-Well, I was watching on YouTube yesterday... -Uh-oh. | 0:12:02 | 0:12:05 | |
..this Turkish sport where they all get oiled up - | 0:12:05 | 0:12:07 | |
this is genuinely true - and they wear leather trousers | 0:12:07 | 0:12:10 | |
and they wrestle each other and the competition is | 0:12:10 | 0:12:13 | |
to get their hands down the front of the trousers, | 0:12:13 | 0:12:15 | |
like that's how you win the points. | 0:12:15 | 0:12:17 | |
That's not a sport! | 0:12:17 | 0:12:19 | |
Is it possible the subtitles were less than correct? | 0:12:21 | 0:12:24 | |
Well, it was being done in this big field | 0:12:24 | 0:12:26 | |
and there were loads of people watching and elderly gentlemen | 0:12:26 | 0:12:28 | |
that you wouldn't imagine would be into that sort of thing | 0:12:28 | 0:12:31 | |
and they were... These younger men were doing it and they were... | 0:12:31 | 0:12:35 | |
It was really serious. | 0:12:35 | 0:12:36 | |
-I'm just... -You were on YouTube, watching Turkish dogging! | 0:12:38 | 0:12:42 | |
I'm not joking, I'm so serious. | 0:12:44 | 0:12:47 | |
I'm wondering if some of these Turkish rules | 0:12:47 | 0:12:50 | |
couldn't be introduced to kabaddi. How fantastic! | 0:12:50 | 0:12:52 | |
We should have a QI kabaddi team. | 0:12:52 | 0:12:55 | |
Would it be us versus other panel shows? | 0:12:55 | 0:12:57 | |
Oh, that's a very interesting idea. | 0:12:57 | 0:12:59 | |
I wouldn't want to go up against | 0:12:59 | 0:13:01 | |
the Have I Got News For You kabaddi team. | 0:13:01 | 0:13:03 | |
I reckon Hislop's got moves. | 0:13:03 | 0:13:04 | |
I think Pointless kabaddi. Me against Richard Osman. | 0:13:05 | 0:13:09 | |
We finally have the sport that television needs, that's what I think. | 0:13:12 | 0:13:16 | |
Celebrity Death Match Kabaddi. | 0:13:16 | 0:13:18 | |
-I can see it. -Write this down! | 0:13:18 | 0:13:21 | |
Fantastic. We've invented a new sport, | 0:13:21 | 0:13:23 | |
it was well worth the whole thing. | 0:13:23 | 0:13:25 | |
From nonsense to neuroscience. | 0:13:25 | 0:13:28 | |
What's the worst noise in the world? | 0:13:28 | 0:13:31 | |
'Do you know...?' | 0:13:32 | 0:13:34 | |
-Yes? -I believe I've mentioned it before tonight. | 0:13:34 | 0:13:36 | |
That would be Coldplay B-sides. | 0:13:36 | 0:13:38 | |
LAUGHTER AND APPLAUSE | 0:13:38 | 0:13:40 | |
Not everyone applauding. Quite a lot of people going, | 0:13:43 | 0:13:46 | |
"I LIKE Coldplay B-sides." | 0:13:46 | 0:13:49 | |
So, we have some props. You can make some noises. | 0:13:49 | 0:13:51 | |
-Oh, hello. -Let's have a look. | 0:13:51 | 0:13:53 | |
So, let's start with Nish and Alan. | 0:13:53 | 0:13:55 | |
BEEP | 0:13:55 | 0:13:56 | |
That's very irritating, isn't it? | 0:13:56 | 0:13:57 | |
Oh, God. All right, stop it. | 0:13:57 | 0:14:01 | |
LOUD HORN | 0:14:01 | 0:14:03 | |
Do you remember what that is, Nish? | 0:14:03 | 0:14:05 | |
-This is a vuvuzela. -It is a vuvuzela, yes. | 0:14:05 | 0:14:07 | |
Which ruined the 2010 World Cup. | 0:14:07 | 0:14:09 | |
It's a hideous noise, isn't it? | 0:14:09 | 0:14:10 | |
Luckily I have grade seven in vuvuzela, so we're fine. | 0:14:10 | 0:14:13 | |
HONK | 0:14:13 | 0:14:14 | |
SHRILL SCRATCHING Oh, Alan, Alan. | 0:14:14 | 0:14:16 | |
AUDIENCE GROANS | 0:14:16 | 0:14:18 | |
Fingers on a chalkboard! | 0:14:20 | 0:14:23 | |
That is awful. | 0:14:23 | 0:14:24 | |
A RECORDER IS PLAYED TUNELESSLY | 0:14:26 | 0:14:29 | |
We've got a band going, don't stop! | 0:14:33 | 0:14:35 | |
SCRATCHY VIOLIN | 0:14:37 | 0:14:39 | |
I've got a mirror and this cube of white stuff... | 0:14:39 | 0:14:43 | |
LAUGHTER | 0:14:43 | 0:14:45 | |
Is the most annoying sound in the world me on drugs? | 0:14:48 | 0:14:52 | |
I think...this is polystyrene. | 0:14:52 | 0:14:55 | |
-Yes. -And... | 0:14:55 | 0:14:56 | |
SQUEAKING Oh! | 0:14:56 | 0:14:58 | |
The Journal of Neuroscience did the top-10 most annoying sounds. | 0:14:58 | 0:15:01 | |
Apparently the most annoying is a knife on a bottle, | 0:15:01 | 0:15:04 | |
but we haven't been able to work out why that is. | 0:15:04 | 0:15:06 | |
This one we can do. This is number two. | 0:15:06 | 0:15:08 | |
-A fork... -Oh, God. | 0:15:08 | 0:15:11 | |
LAUGHTER | 0:15:11 | 0:15:13 | |
# I got the power! # | 0:15:13 | 0:15:15 | |
-FORK SCRAPING ON PLATE -Ugh, stop, stop, stop. | 0:15:15 | 0:15:18 | |
Aargh! | 0:15:18 | 0:15:19 | |
That's very unpleasant, isn't it? | 0:15:19 | 0:15:22 | |
The worst sound, I think, is Stan Collymore on talkSPORT. | 0:15:22 | 0:15:24 | |
There's going to be a long list of people who hate you now! | 0:15:27 | 0:15:30 | |
-I've got... This is the old... -Yes, yes. | 0:15:30 | 0:15:33 | |
SMOKE ALARM BEEPS | 0:15:33 | 0:15:35 | |
What is worse than this, is when it just goes... | 0:15:35 | 0:15:39 | |
Doot! | 0:15:39 | 0:15:40 | |
Oh, yes. | 0:15:40 | 0:15:42 | |
And four minutes later goes... | 0:15:42 | 0:15:44 | |
Doot! | 0:15:44 | 0:15:45 | |
And you can't work out which one it is. It's somewhere in the house. | 0:15:47 | 0:15:50 | |
Doot! | 0:15:51 | 0:15:52 | |
The thing I love about any sort of smoke alarm is that | 0:15:53 | 0:15:57 | |
we've advanced so far technologically, | 0:15:57 | 0:15:59 | |
and yet we still haven't got beyond the only way to solve a smoke alarm | 0:15:59 | 0:16:03 | |
is to have a tea towel and just do this underneath it. | 0:16:03 | 0:16:05 | |
I was in a hotel once, and I was...a bit pissed, | 0:16:05 | 0:16:08 | |
and I fell asleep on the bed in my clothes. | 0:16:08 | 0:16:11 | |
And then I was woken up by this terrible noise in the room | 0:16:11 | 0:16:15 | |
and I thought, "What is that?" This, "Whee-whee-whee!" | 0:16:15 | 0:16:18 | |
And there was this thing on the ceiling | 0:16:18 | 0:16:20 | |
and I started hitting it with my shoe, as hard as I could, | 0:16:20 | 0:16:23 | |
and then it fell off the ceiling and it was dangling by a wire. | 0:16:23 | 0:16:26 | |
And then I rang reception and said, | 0:16:26 | 0:16:28 | |
"There's a thing in my room making a terrible noise." | 0:16:28 | 0:16:31 | |
And they said, "That's the fire alarm, sir, will you please evacuate." | 0:16:31 | 0:16:34 | |
LAUGHTER | 0:16:34 | 0:16:36 | |
And I said, "Oh, just so you know, when it went off, | 0:16:39 | 0:16:42 | |
"it kind of fell from the ceiling." | 0:16:42 | 0:16:44 | |
Then I went out on the street and I was the only person in clothes. | 0:16:48 | 0:16:51 | |
So I can possibly top all the noises that we have had so far. | 0:16:55 | 0:16:59 | |
Has anybody ever seen these being played? | 0:16:59 | 0:17:02 | |
-Ah! -Is that...? | 0:17:02 | 0:17:03 | |
Yes, it's an extraordinary noise, but here's the thing, | 0:17:03 | 0:17:06 | |
1761, Benjamin Franklin was visiting in Cambridge, in England, | 0:17:06 | 0:17:10 | |
and he saw the glasses being played and he thought, | 0:17:10 | 0:17:13 | |
"I can improve on this." | 0:17:13 | 0:17:14 | |
And he developed something called a glass armonica. | 0:17:14 | 0:17:17 | |
It's 37 bowls and they are mounted horizontally on an iron spindle, | 0:17:17 | 0:17:22 | |
and they're turned by means of a foot pedal | 0:17:22 | 0:17:24 | |
and the sound is then produced by touching the rims. | 0:17:24 | 0:17:26 | |
There it is. It is the most extraordinary noise. | 0:17:26 | 0:17:30 | |
They're painted different colours, according to the pitch of the notes. | 0:17:30 | 0:17:33 | |
Franklin used to play this at dinner parties, | 0:17:35 | 0:17:37 | |
and it really took off, and thousands were built. | 0:17:37 | 0:17:40 | |
There was a factory employing over 100 people making glass armonicas. | 0:17:40 | 0:17:43 | |
Lots of the performers were women. | 0:17:43 | 0:17:45 | |
There was a woman, Marianne Davies, and she toured all over Europe. | 0:17:45 | 0:17:48 | |
She taught Marie Antoinette to play the glass armonica. | 0:17:48 | 0:17:51 | |
-There she is. -"Here we see Marie Antoinette pleasuring an armadillo." | 0:17:51 | 0:17:54 | |
That's one of the worst sounds in the world, | 0:17:57 | 0:17:59 | |
Marie Antoinette pleasuring an armadillo. | 0:17:59 | 0:18:01 | |
"I'll get a tune out of this armadillo, you just watch me." | 0:18:01 | 0:18:04 | |
I have important things to tell you about the glass armonica. | 0:18:07 | 0:18:09 | |
Crack on, girl, crack on. | 0:18:09 | 0:18:10 | |
No, I want to know about pleasuring an armadillo. | 0:18:10 | 0:18:13 | |
My brain's gone off in the wrong direction. | 0:18:13 | 0:18:15 | |
So, anyway, it got a very bad reputation, | 0:18:15 | 0:18:17 | |
because it was thought at first it had a sort of soothing effect | 0:18:17 | 0:18:20 | |
and then eventually people thought it drove you mad to listen to it | 0:18:20 | 0:18:23 | |
and that it would even summon the dead. | 0:18:23 | 0:18:25 | |
And people who played it said they got mental anguish | 0:18:25 | 0:18:28 | |
from the vibrations. | 0:18:28 | 0:18:29 | |
In fact, the chances are they were getting lead poisoning | 0:18:29 | 0:18:32 | |
because the lead was leaching out of the glass and into their system. | 0:18:32 | 0:18:35 | |
Do they revive them and get them out for the Proms | 0:18:35 | 0:18:38 | |
or anything like that? | 0:18:38 | 0:18:39 | |
The only time I ever heard one played | 0:18:39 | 0:18:41 | |
is outside Paul Revere's house in Boston. | 0:18:41 | 0:18:42 | |
There's a woman who plays and you give her money to stop. | 0:18:42 | 0:18:45 | |
How have we had this whole conversation | 0:18:47 | 0:18:49 | |
and no-one has mentioned bagpipes? | 0:18:49 | 0:18:51 | |
Yes, what do you think, are you in favour...? | 0:18:51 | 0:18:53 | |
-I'm against bagpipes. -Against. | 0:18:53 | 0:18:54 | |
What it was for me, I stayed at the Edinburgh Festival one year | 0:18:54 | 0:18:57 | |
and made the mistake of staying in a hotel on Princes Street | 0:18:57 | 0:18:59 | |
and there's a guy with a bagpipe comes out, 10am, | 0:18:59 | 0:19:03 | |
kicks off outside the Waverley Shopping Centre. | 0:19:03 | 0:19:07 | |
I was going to hire a sniper. | 0:19:07 | 0:19:09 | |
You were inside your hotel trying to hit the fire alarm. | 0:19:11 | 0:19:15 | |
But the weird thing is, if you are the other side of the hotel, | 0:19:15 | 0:19:19 | |
you've got the bloke with the panpipes. | 0:19:19 | 0:19:22 | |
-Oh, yes! -Oh, I love those! | 0:19:22 | 0:19:24 | |
The panpipe bloke, where did he come from? What's he doing in Scotland?! | 0:19:24 | 0:19:27 | |
I like the panpipes, except, | 0:19:27 | 0:19:30 | |
when you go up to the panpipers and you buy one of their tapes, | 0:19:30 | 0:19:33 | |
they're playing things like Greensleeves and that kind of thing. | 0:19:33 | 0:19:36 | |
You don't want that, you want traditional Peruvian... | 0:19:36 | 0:19:38 | |
Hits by John Williams, that kind of thing, yeah. | 0:19:38 | 0:19:40 | |
Do you think they have to pay rights to...Henry VIII or whatever? | 0:19:40 | 0:19:43 | |
I didn't think that through, but... | 0:19:43 | 0:19:45 | |
Have you ever tried saying to buskers, | 0:19:47 | 0:19:49 | |
"How much do you make an hour?" They say, "Oh, about £25." | 0:19:49 | 0:19:52 | |
You go, "Here's 26, now, just for an hour, ssh!" | 0:19:52 | 0:19:54 | |
Now, make of this nonsensical question what you will. | 0:19:54 | 0:19:58 | |
Who blows their nose for something to eat? | 0:19:58 | 0:20:02 | |
My children. | 0:20:02 | 0:20:03 | |
There might be some good bacteria in your mucus. | 0:20:05 | 0:20:07 | |
That's what I was told about children, | 0:20:07 | 0:20:09 | |
doing that does actually help their immune system, | 0:20:09 | 0:20:12 | |
-to consume their bogeys. -Yeah. | 0:20:12 | 0:20:14 | |
Was that one of your children that told you that? | 0:20:14 | 0:20:16 | |
"It's very good for me, actually." | 0:20:19 | 0:20:21 | |
There is a conflict of interest there. | 0:20:21 | 0:20:23 | |
Is it an anteater? | 0:20:23 | 0:20:25 | |
Is it an anteater?! | 0:20:25 | 0:20:26 | |
Well, they suck up ants through their noses, don't they? | 0:20:26 | 0:20:29 | |
Yes, but we are actually looking for something that blows its nose. | 0:20:29 | 0:20:33 | |
Blows its nose. | 0:20:33 | 0:20:34 | |
-Yes. -Bird? Mammal. | 0:20:34 | 0:20:36 | |
-Bird... -Mammal... -Mammal... -Bird? | 0:20:36 | 0:20:38 | |
Are you trying to psyche me out so I tell you? | 0:20:38 | 0:20:40 | |
-I'm trying, I'm trying. -OK, it's a worm! You did it. | 0:20:40 | 0:20:44 | |
Worms haven't got noses, they've got spiracles! | 0:20:44 | 0:20:46 | |
Oh, well, here's the extraordinary thing. | 0:20:46 | 0:20:49 | |
Have a look at this. | 0:20:49 | 0:20:50 | |
Prepare yourselves for this bit of footage. | 0:20:50 | 0:20:52 | |
This is... | 0:20:52 | 0:20:54 | |
AUDIENCE GROANS | 0:20:54 | 0:20:55 | |
Make it stop! | 0:21:05 | 0:21:06 | |
It's called a nemertea, or a ribbon worm, | 0:21:09 | 0:21:11 | |
and it literally blows its nose. | 0:21:11 | 0:21:13 | |
So it explosively injects its proboscis from its body | 0:21:13 | 0:21:17 | |
in search of food. | 0:21:17 | 0:21:18 | |
They are also known as proboscis worms. | 0:21:18 | 0:21:20 | |
-Is that snot, then? -No, it's its nose. | 0:21:20 | 0:21:22 | |
When they detect food or prey, the muscle contractions of the body wall | 0:21:22 | 0:21:26 | |
forces the proboscis, literally its nose, | 0:21:26 | 0:21:28 | |
out of the body and turns it inside-out, like a rubber glove. | 0:21:28 | 0:21:31 | |
-Right. -OK. And the one that's shown here is a gorgon worm, | 0:21:31 | 0:21:34 | |
and it's got these branching, spaghetti-like tentacles | 0:21:34 | 0:21:37 | |
on its proboscis which then envelops the prey | 0:21:37 | 0:21:41 | |
with a sticky toxin and draws it back into the body. | 0:21:41 | 0:21:44 | |
Are you telling me that it ate that bloke? | 0:21:44 | 0:21:47 | |
-Let's have another look. Let's have one more look. -No, let's not! | 0:21:50 | 0:21:54 | |
-It's amazing, isn't it? -No! | 0:21:58 | 0:22:00 | |
And again! | 0:22:04 | 0:22:05 | |
It's like those people on YouTube | 0:22:07 | 0:22:08 | |
who watch people squeezing spots and stuff like that. | 0:22:08 | 0:22:11 | |
I mean, what is wrong with people?! | 0:22:11 | 0:22:13 | |
What is wrong with your YouTube search history?! | 0:22:13 | 0:22:16 | |
Turkish dogging, spot squeezing... Add this to the list - | 0:22:17 | 0:22:21 | |
freaky worm eating a bloke. | 0:22:21 | 0:22:23 | |
Wow, Holly, thank God we had you on the show | 0:22:23 | 0:22:25 | |
so you could take a break from these things! | 0:22:25 | 0:22:28 | |
What is that? What is that? | 0:22:28 | 0:22:30 | |
Well, OK, here's the thing that will upset you. | 0:22:30 | 0:22:33 | |
Oh, THIS will upset me! | 0:22:33 | 0:22:34 | |
They can regenerate lost body parts, | 0:22:36 | 0:22:39 | |
so any nemertean are able to do that, | 0:22:39 | 0:22:41 | |
but there is one species, and this is it, | 0:22:41 | 0:22:44 | |
the ramphogordius sanguineus, and it is exceptional. | 0:22:44 | 0:22:47 | |
Any body part that is severed, | 0:22:47 | 0:22:49 | |
apart from maybe the tip of the tail where there aren't any nerves, | 0:22:49 | 0:22:52 | |
can regrow into a new worm, | 0:22:52 | 0:22:53 | |
so you could take a worm that is only 15 centimetres long | 0:22:53 | 0:22:56 | |
and it is claimed that more than 200,000 worms could result | 0:22:56 | 0:23:00 | |
from that one tiny, little worm. | 0:23:00 | 0:23:03 | |
That's extraordinary, isn't it? | 0:23:03 | 0:23:05 | |
Isn't that unbelievable? | 0:23:05 | 0:23:06 | |
The most common nemertean around the UK is called the bootlace worm. | 0:23:06 | 0:23:10 | |
It can grow to ENORMOUS lengths. | 0:23:10 | 0:23:12 | |
There was one that washed ashore in St Andrews in Scotland in 1864 | 0:23:12 | 0:23:16 | |
that was said to be 180 feet long, | 0:23:16 | 0:23:19 | |
which makes it arguably the longest of all animals. | 0:23:19 | 0:23:21 | |
Extraordinary, aren't they? | 0:23:21 | 0:23:24 | |
And now a question from a master of nonsense, Mr Lewis Carroll. | 0:23:24 | 0:23:27 | |
Which is more useful, a clock which is right twice a day, | 0:23:27 | 0:23:31 | |
or a clock which is right once every two years? | 0:23:31 | 0:23:34 | |
Wow. Now, is it going to be | 0:23:34 | 0:23:37 | |
that all clocks are right once every two years | 0:23:37 | 0:23:41 | |
and the clock that has stopped is right twice a day, so it's the... | 0:23:41 | 0:23:44 | |
it's the first one? | 0:23:44 | 0:23:45 | |
Which was the first, sorry? LAUGHTER | 0:23:45 | 0:23:49 | |
-SHAKILY: -If you promise not to show me the worm... | 0:23:49 | 0:23:53 | |
I'll say anything you want. | 0:23:53 | 0:23:55 | |
I think that clocks are never quite right, | 0:23:55 | 0:23:58 | |
but every two years they are right. | 0:23:58 | 0:24:01 | |
That's one of those bullshit statements, isn't it? | 0:24:01 | 0:24:04 | |
If it's the two-year one, | 0:24:04 | 0:24:06 | |
is it like losing a second every hour or something like that, | 0:24:06 | 0:24:09 | |
so therefore you can kind of ballpark what time it is. | 0:24:09 | 0:24:12 | |
You're exactly right. So, the idea that the clock | 0:24:12 | 0:24:14 | |
that's right twice a day - yes, Alan, well done - | 0:24:14 | 0:24:16 | |
it has, of course, stopped, it can't tell us anything about the time, | 0:24:16 | 0:24:19 | |
-so you'd have no idea when it was right. -No. | 0:24:19 | 0:24:22 | |
But a clock that's right once every two years, | 0:24:22 | 0:24:24 | |
that's a clock that loses a minute a day, | 0:24:24 | 0:24:26 | |
but you could tell the time from it if you knew how slow it was | 0:24:26 | 0:24:29 | |
and it was a question that Lewis Carroll wrote about | 0:24:29 | 0:24:31 | |
in a wonderful miscellany that he wrote called The Rectory Umbrella | 0:24:31 | 0:24:34 | |
and it's one of the things that he was most passionate about. | 0:24:34 | 0:24:36 | |
If you think about Alice In Wonderland, | 0:24:36 | 0:24:38 | |
the rabbit has a watch and talks about being late, | 0:24:38 | 0:24:40 | |
there's a sense about time in a lot of his writing, | 0:24:40 | 0:24:42 | |
he was slightly obsessed with it. | 0:24:42 | 0:24:44 | |
Now, if we are talking about telling time, | 0:24:44 | 0:24:46 | |
I want you to have a look at this. | 0:24:46 | 0:24:48 | |
-So, this box, it contains... PHILL: -A worm! | 0:24:48 | 0:24:52 | |
It's got a worm in it. | 0:24:52 | 0:24:53 | |
It's got no dial, it's got... | 0:24:53 | 0:24:57 | |
You can see, it's got no obvious way of telling the time, | 0:24:57 | 0:25:01 | |
but it will tell you the time. | 0:25:01 | 0:25:02 | |
Any thoughts as to how you might do it? | 0:25:02 | 0:25:05 | |
-CLEARLY: -What's the time? | 0:25:05 | 0:25:06 | |
You don't need to take it outdoors? | 0:25:08 | 0:25:09 | |
-You don't need to take it outdoors, you don't... -Do you knock on it? | 0:25:09 | 0:25:12 | |
You do. It was designed at the Copenhagen Institute Of Design. | 0:25:12 | 0:25:16 | |
One of the things I'm putting in the show are random Scandinavian facts. | 0:25:16 | 0:25:20 | |
This is today's Randi Scandi. | 0:25:20 | 0:25:22 | |
LAUGHTER | 0:25:22 | 0:25:25 | |
So, if you have a listen, | 0:25:25 | 0:25:27 | |
I will knock on it to ask the time | 0:25:27 | 0:25:28 | |
and it will knock back what the time is. | 0:25:28 | 0:25:31 | |
NINE RHYTHMIC KNOCKS, PAUSE | 0:25:31 | 0:25:35 | |
PHILL IMPERSONATES COUNTDOWN CLOCK, TWO RHYTHMIC KNOCKS | 0:25:35 | 0:25:38 | |
So it did nine and then ten minute increments, | 0:25:38 | 0:25:40 | |
so it's 20 minutes past. | 0:25:40 | 0:25:41 | |
This was in fact built for us by Paul Plowman who is here. | 0:25:41 | 0:25:44 | |
Where is Paul? Let's give him a round of applause. There we are. | 0:25:44 | 0:25:47 | |
I want one of those. I think that's absolutely fantastic. | 0:25:51 | 0:25:55 | |
A clock that runs behind is better than one that doesn't work at all. | 0:25:55 | 0:25:58 | |
Now, name a nonsense museum. | 0:25:58 | 0:26:01 | |
-The Leicester Gas Museum? -Is there a gas museum? | 0:26:01 | 0:26:04 | |
-Yes! -I want to go. | 0:26:04 | 0:26:05 | |
I went there, it was amazing, | 0:26:05 | 0:26:07 | |
and the guy who runs it is a James Bond lookalike. | 0:26:07 | 0:26:09 | |
But he asked us to guess who he was a lookalike of | 0:26:09 | 0:26:11 | |
-and we didn't get it, so I'm not sure how successful he is. -That's not so good. | 0:26:11 | 0:26:15 | |
Does he look like a specific James Bond? | 0:26:15 | 0:26:17 | |
He looks like the Scottish guy. | 0:26:17 | 0:26:19 | |
Is it unlucky to mention him? | 0:26:19 | 0:26:21 | |
-"You're not allowed to say..." -The Scottish Bond! | 0:26:24 | 0:26:26 | |
"..The Scottish James Bond." | 0:26:26 | 0:26:28 | |
And because we were so enthusiastic, | 0:26:28 | 0:26:31 | |
he gave us some British Gas tracksuits from 1988. | 0:26:31 | 0:26:35 | |
Is he supposed to give away the exhibits? That doesn't seem right. | 0:26:35 | 0:26:38 | |
My favourite, there's a Pencil Museum in Cumbria. | 0:26:38 | 0:26:41 | |
-Yes. -It's brilliant. -In Keswick. | 0:26:41 | 0:26:43 | |
Keswick. It's got the world's biggest pencil, which is massive. | 0:26:43 | 0:26:46 | |
You go and they show you how they make pencils, | 0:26:46 | 0:26:49 | |
they show you how pencils were invented, | 0:26:49 | 0:26:51 | |
you can have a pencil with your name on it. | 0:26:51 | 0:26:53 | |
It's like the best museum in the world. | 0:26:53 | 0:26:56 | |
Until I went to McLean in Texas, | 0:26:56 | 0:26:58 | |
where they have the Barbed Wire Museum. | 0:26:58 | 0:27:00 | |
They do! | 0:27:00 | 0:27:01 | |
-NISH: -How do you get in? | 0:27:01 | 0:27:03 | |
Exactly! | 0:27:03 | 0:27:04 | |
Barbed wire is the thing that changed | 0:27:07 | 0:27:09 | |
the entire face of America, because that thing that we think about, | 0:27:09 | 0:27:12 | |
the Wild West, was only about a 20-year period of history | 0:27:12 | 0:27:14 | |
because barbed wire came in and it was impossible | 0:27:14 | 0:27:16 | |
to drive cattle across the country, so it's hugely important. | 0:27:16 | 0:27:19 | |
-But it is an extraordinary museum. -Oh, yeah, yeah. It's great. | 0:27:19 | 0:27:22 | |
-AMERICAN ACCENT: -"That piece of barbed wire there, | 0:27:22 | 0:27:25 | |
"that's over 200 year old." | 0:27:25 | 0:27:27 | |
The best museum I've ever been to is the Margaret Mitchell Museum, | 0:27:28 | 0:27:31 | |
which is in Atlanta, Georgia. Margaret Mitchell, of course, | 0:27:31 | 0:27:33 | |
wrote Gone With The Wind and there was a big picture | 0:27:33 | 0:27:35 | |
behind the woman selling the tickets and it was of a massive fire. | 0:27:35 | 0:27:38 | |
I said, "Oh, what's the picture for?" | 0:27:38 | 0:27:39 | |
She said, "Well, unfortunately, 1982, the museum burned down." | 0:27:39 | 0:27:44 | |
I said, "Oh, that's a shame. You rebuilt it?" | 0:27:44 | 0:27:47 | |
She said, "Yes, we rebuilt it. | 0:27:47 | 0:27:48 | |
"Then, unfortunately, four years later, | 0:27:48 | 0:27:50 | |
"darned thing burned down again." | 0:27:50 | 0:27:52 | |
And the result is they have nothing | 0:27:52 | 0:27:54 | |
that ever belonged to Margaret Mitchell. | 0:27:54 | 0:27:57 | |
So you get shown around and they say, "This chair here is very like..." | 0:27:58 | 0:28:03 | |
Everything is "very like". | 0:28:07 | 0:28:09 | |
The Titanic Museum in Belfast, they've got a reproduction | 0:28:09 | 0:28:12 | |
of the central staircase in the main atrium on the Titanic | 0:28:12 | 0:28:16 | |
and the thing is, you're not allowed to see the staircase, | 0:28:16 | 0:28:19 | |
it's in a shut-off bit and you go, "Where's the staircase?" | 0:28:19 | 0:28:22 | |
They go, "That's upstairs and you can only go if you have Sunday tea." | 0:28:22 | 0:28:26 | |
-Seriously? You can't...? -I go, "It's Wednesday!" | 0:28:26 | 0:28:28 | |
"Come back Sunday... | 0:28:28 | 0:28:30 | |
"and have tea! | 0:28:30 | 0:28:32 | |
"Then you can see the stairs! | 0:28:32 | 0:28:34 | |
"It's great! | 0:28:34 | 0:28:36 | |
"They've got carpet on them!" | 0:28:36 | 0:28:40 | |
Then you go in the museum and you think, | 0:28:40 | 0:28:42 | |
"Oh, there's going to be all manner of Titanic knick-knacks." | 0:28:42 | 0:28:45 | |
They've got one letter. | 0:28:45 | 0:28:46 | |
One letter, written by a doctor that was actually on the Titanic. | 0:28:46 | 0:28:50 | |
A letter. One... | 0:28:50 | 0:28:51 | |
It's a Titanic MUSEUM! | 0:28:51 | 0:28:54 | |
Yeah, but I liked it because of all the things | 0:28:54 | 0:28:57 | |
-about how many rivets there were. -Yeah. | 0:28:57 | 0:29:00 | |
I was once on one of those tours around Manhattan | 0:29:00 | 0:29:02 | |
and we went under the Verrazano-Narrows Bridge | 0:29:02 | 0:29:04 | |
and the guy said, "This bridge is enormous," he said how many rivets it had. | 0:29:04 | 0:29:07 | |
He said, "If you took all the pieces it took to make this bridge | 0:29:07 | 0:29:10 | |
"and you laid them end to end, | 0:29:10 | 0:29:11 | |
"the bridge would fall down." | 0:29:11 | 0:29:13 | |
Anyway, there is actually a Nonsense Museum. | 0:29:17 | 0:29:20 | |
The Nonseum in Herrnbaumgarten in Austria. | 0:29:20 | 0:29:23 | |
It was founded in 1994 and it houses a collection of absurdist items. | 0:29:23 | 0:29:28 | |
So it has things like the selfie rifle. | 0:29:28 | 0:29:32 | |
One previous owner. | 0:29:34 | 0:29:36 | |
This crockery set, I think, is a very useful thing. | 0:29:36 | 0:29:39 | |
This is divorce crockery. | 0:29:39 | 0:29:41 | |
And these are keyhole-shaped spectacles for voyeurs. | 0:29:42 | 0:29:46 | |
LAUGHTER | 0:29:46 | 0:29:49 | |
And the next one is something I absolutely would like to have. | 0:29:51 | 0:29:54 | |
This is a biological lawnmower. | 0:29:54 | 0:29:56 | |
That's not a real sheep! | 0:29:58 | 0:30:01 | |
But there's also some very good stuff. | 0:30:01 | 0:30:03 | |
The US Patent Office is a tremendous place to look for nonsensical items. | 0:30:03 | 0:30:07 | |
For example, the Behringer vacuum cleaner, this is a depressing thing. | 0:30:07 | 0:30:10 | |
It's from before the time of the electric vacuum cleaner. | 0:30:10 | 0:30:13 | |
Basically, the man's had a busy day and he comes home | 0:30:13 | 0:30:15 | |
and he sits in his rocking chair, reads the paper, smokes a pipe, | 0:30:15 | 0:30:18 | |
and he rocks, and the action of rocking enables the woman, | 0:30:18 | 0:30:21 | |
quite rightly, to do the hoovering. | 0:30:21 | 0:30:26 | |
What happens in figures 1-11? | 0:30:26 | 0:30:29 | |
Is that where the dust goes down? | 0:30:33 | 0:30:35 | |
I think 13 is where she throttles him with that long hose. | 0:30:35 | 0:30:37 | |
The worst example of these is the centrifugal birthing machine. | 0:30:39 | 0:30:43 | |
So this was invented in the 1960s by George and Charlotte Blonsky, | 0:30:43 | 0:30:47 | |
who I can only imagine did not actually have children. | 0:30:47 | 0:30:49 | |
So, women were strapped to it and rotated | 0:30:49 | 0:30:52 | |
at a speed dictated by the doctor. | 0:30:52 | 0:30:54 | |
And when it was delivered, the baby landed in a net... | 0:30:54 | 0:30:57 | |
LAUGHTER | 0:30:57 | 0:30:59 | |
..which triggered the machine to stop. | 0:31:00 | 0:31:03 | |
I love the idea that all other midwives were like, | 0:31:03 | 0:31:05 | |
"Kabaddi, kabaddi, kabaddi..." | 0:31:05 | 0:31:07 | |
That would be awesome. What a way to come out. | 0:31:10 | 0:31:12 | |
Something that would be like that would be a birthing trebuchet. | 0:31:12 | 0:31:15 | |
Yeah. | 0:31:15 | 0:31:16 | |
So you're labouring away | 0:31:16 | 0:31:18 | |
and then they strap you to a catapult, but then, bang! | 0:31:18 | 0:31:22 | |
It's like getting ketchup out the bottom of the...thing. | 0:31:22 | 0:31:25 | |
Just the force of the boom. They'd be, "Whoa!" | 0:31:27 | 0:31:29 | |
You've forgotten the cord, Phill. | 0:31:29 | 0:31:32 | |
That baby's coming back. | 0:31:32 | 0:31:34 | |
LAUGHTER | 0:31:34 | 0:31:37 | |
APPLAUSE | 0:31:37 | 0:31:40 | |
Anyway, moving on... | 0:31:40 | 0:31:42 | |
The other invention that I like is the pedestrian catcher. | 0:31:42 | 0:31:45 | |
When they first got trams in Los Angeles, | 0:31:45 | 0:31:47 | |
they were very worried that it was going to hit some pedestrians | 0:31:47 | 0:31:50 | |
and on old-fashioned American trains | 0:31:50 | 0:31:52 | |
there used to be a thing called a cow catcher | 0:31:52 | 0:31:53 | |
and they wanted something rather similar, | 0:31:53 | 0:31:55 | |
but they didn't want to knock people out of the way, | 0:31:55 | 0:31:57 | |
so they put a long, thin, upholstered sofa across the front of the tram. | 0:31:57 | 0:32:03 | |
The idea was that it would comfortably catch you. | 0:32:03 | 0:32:06 | |
Just carry on. | 0:32:06 | 0:32:07 | |
What they really should have is a bouncy castle on the front... | 0:32:07 | 0:32:11 | |
-Yeah, yeah. -..of every vehicle. -Everything, yeah. | 0:32:11 | 0:32:13 | |
Do you know what they call a bouncy castle in America? | 0:32:13 | 0:32:16 | |
-A bounce house. -Do they? | 0:32:16 | 0:32:18 | |
Yeah, we call it a bouncy castle. | 0:32:18 | 0:32:19 | |
-I think that says so much about our regard for history. -Yes. | 0:32:19 | 0:32:22 | |
Peasants! | 0:32:22 | 0:32:24 | |
In America, there are three places called Fort Nonsense | 0:32:26 | 0:32:29 | |
but only one called Nowhere. | 0:32:29 | 0:32:31 | |
What's the official name for the middle of nowhere? | 0:32:31 | 0:32:34 | |
There is a place in the world that is the middle of nowhere. | 0:32:35 | 0:32:38 | |
Where, Croydon? | 0:32:38 | 0:32:39 | |
AUDIENCE MEMBER GROANS | 0:32:39 | 0:32:41 | |
I'm from Croydon, so I can say that, OK? | 0:32:41 | 0:32:43 | |
It's the centre of the least-populated bit? | 0:32:43 | 0:32:46 | |
You're absolutely in the right area. | 0:32:46 | 0:32:48 | |
So where would you find the least number of people? | 0:32:48 | 0:32:50 | |
Not necessarily on the land, maybe? | 0:32:50 | 0:32:51 | |
-Oh. -The ocean? | 0:32:51 | 0:32:53 | |
It's a part of the Pacific. | 0:32:53 | 0:32:55 | |
It is as far from land as it is possible to get on the Earth | 0:32:55 | 0:32:58 | |
and it's called Point Nemo. | 0:32:58 | 0:33:00 | |
It is 1,700 miles from any coast. | 0:33:00 | 0:33:03 | |
Named, of course, after the submarine captain | 0:33:03 | 0:33:06 | |
in 20,000 Leagues Under The Sea. | 0:33:06 | 0:33:07 | |
-And there's a Starbucks there, right? -Yeah, there's a Starbucks. | 0:33:07 | 0:33:11 | |
Nemo, Latin rendering of the ancient Greek Outis, meaning "nobody". | 0:33:11 | 0:33:15 | |
It's also known as the oceanic pole of inaccessibility. | 0:33:15 | 0:33:18 | |
And here is the extraordinary thing - | 0:33:18 | 0:33:20 | |
you'd think there's nothing there, but it is a spacecraft graveyard. | 0:33:20 | 0:33:23 | |
There are more than 160 spacecraft littering the ocean floor there. | 0:33:23 | 0:33:27 | |
I have to say, they're mostly Russian. | 0:33:27 | 0:33:29 | |
So here's the thing - it's much cheaper to allow | 0:33:29 | 0:33:32 | |
the orbit to decay naturally than to push it out into space. | 0:33:32 | 0:33:35 | |
But when they know they're going to do this to a spacecraft | 0:33:35 | 0:33:37 | |
they have to see if there are any sailors in the area | 0:33:37 | 0:33:39 | |
and ring them or contact them by radio and make sure that they know. | 0:33:39 | 0:33:42 | |
And if you pass Point Nemo at the right time of day | 0:33:42 | 0:33:46 | |
you'll be closer to the astronauts on the space station, | 0:33:46 | 0:33:49 | |
250 miles away, than to any other human being on Earth. | 0:33:49 | 0:33:53 | |
Isn't that extraordinary? | 0:33:53 | 0:33:56 | |
And now it's time for the most nonsensical bit of all, | 0:33:56 | 0:33:58 | |
general ignorance. Fingers on buzzers, please. | 0:33:58 | 0:34:02 | |
More than 1,000 stone examples of what are found on Easter Island? | 0:34:02 | 0:34:06 | |
'..old cat.' | 0:34:06 | 0:34:07 | |
Giant heads. | 0:34:08 | 0:34:09 | |
KLAXON | 0:34:09 | 0:34:11 | |
APPLAUSE | 0:34:13 | 0:34:15 | |
There are giant heads, they're called Moai. | 0:34:15 | 0:34:17 | |
There's 887 of them, | 0:34:17 | 0:34:18 | |
but it isn't the thing that there's more than 1,000 of. | 0:34:18 | 0:34:21 | |
There are more than 1,000 - 1,233, in fact - | 0:34:21 | 0:34:25 | |
chicken stone houses. | 0:34:25 | 0:34:27 | |
There they are. And here's the extraordinary thing - | 0:34:27 | 0:34:29 | |
there are no trees on Easter Island. | 0:34:29 | 0:34:31 | |
I thought you were going to say there were no chickens! | 0:34:31 | 0:34:34 | |
No chickens, they live in hope! | 0:34:34 | 0:34:37 | |
The chief came out and said, "We must build houses for the chickens. | 0:34:37 | 0:34:40 | |
"When the chickens come..." | 0:34:40 | 0:34:42 | |
But the chickens, they never came. | 0:34:43 | 0:34:45 | |
"What shall we put in the chicken houses?" | 0:34:45 | 0:34:47 | |
"Wait for the chickens!" | 0:34:47 | 0:34:49 | |
"Make some heads. Make some heads!" | 0:34:49 | 0:34:51 | |
Just one empty Nando's on the outer island. | 0:34:52 | 0:34:55 | |
No, there are chickens, it's their main source of food, | 0:34:57 | 0:34:59 | |
but there are no trees at all on Easter Island. | 0:34:59 | 0:35:02 | |
There used to be, thousands of them. | 0:35:02 | 0:35:03 | |
So, what are you going to do to protect your chickens? | 0:35:03 | 0:35:06 | |
And what you did was, you built a house like this, | 0:35:06 | 0:35:08 | |
with a single, small entrance that you could close up | 0:35:08 | 0:35:11 | |
with a suitable, flush-fitting stone, | 0:35:11 | 0:35:13 | |
and your neighbour would be unable to find the entrance. | 0:35:13 | 0:35:15 | |
I think I've lived in London for too long, | 0:35:15 | 0:35:17 | |
because I'm looking at that, thinking, "Looks all right." | 0:35:17 | 0:35:21 | |
600 a month? Yes, please. | 0:35:23 | 0:35:25 | |
Let's have a look at the heads. What's missing from this picture? | 0:35:27 | 0:35:30 | |
Hair. | 0:35:30 | 0:35:32 | |
Well, weirdly enough they used to have a sort of topknot, | 0:35:32 | 0:35:34 | |
a red topknot. So huge kind of headpieces. | 0:35:34 | 0:35:36 | |
We don't know why or indeed how they got them up there, | 0:35:36 | 0:35:39 | |
-but something else is missing. -The rest of his body is underground. | 0:35:39 | 0:35:41 | |
The body. Absolutely right. People used to think that | 0:35:41 | 0:35:44 | |
they were only heads but, in fact, they have bodies as well. | 0:35:44 | 0:35:46 | |
And the other thing they used to have, they used to have eyes. | 0:35:46 | 0:35:48 | |
Extraordinary eyes that were detachable. | 0:35:48 | 0:35:50 | |
They were made of coral and they were inserted for special occasions. | 0:35:50 | 0:35:53 | |
Like my nan. | 0:35:53 | 0:35:54 | |
Stick her eye in for a special occasion? | 0:35:56 | 0:35:58 | |
Christmas. | 0:35:58 | 0:35:59 | |
"I'll pop me coral eyes in." | 0:35:59 | 0:36:02 | |
The volcano where the stones come from, Rano Raraku, | 0:36:02 | 0:36:04 | |
which is where they were carved... | 0:36:04 | 0:36:06 | |
The only volcano named by Scooby-Doo. | 0:36:06 | 0:36:09 | |
-SHAGGY VOICE: -"What volcano are we going to, Scoob?" | 0:36:09 | 0:36:12 | |
-SCOOBY VOICE: -"Rano Raraku!" | 0:36:12 | 0:36:13 | |
LAUGHTER | 0:36:13 | 0:36:15 | |
APPLAUSE | 0:36:15 | 0:36:17 | |
We now think that it was a sacred site | 0:36:20 | 0:36:22 | |
and all the statues fan out from the volcano, | 0:36:22 | 0:36:24 | |
so it's not the workplace, it's the actual sacred site. | 0:36:24 | 0:36:27 | |
Lads, lads, lads, beautiful sunset. | 0:36:27 | 0:36:30 | |
Lads! Behind you! | 0:36:30 | 0:36:32 | |
It does look like an ancient stone carving of a stag do. | 0:36:34 | 0:36:38 | |
And the one with the brick on his head, he was the stag. | 0:36:38 | 0:36:43 | |
Anyway, how many Rex Britanniae have been called Alan? | 0:36:44 | 0:36:49 | |
One. | 0:36:49 | 0:36:51 | |
One is the absolutely right answer. | 0:36:51 | 0:36:54 | |
APPLAUSE | 0:36:54 | 0:36:55 | |
-Kabaddi! -Kabaddi! | 0:36:55 | 0:36:57 | |
Well done. It means "King of Brittany". | 0:37:00 | 0:37:02 | |
And there's been one. He was called Alan the Great. | 0:37:02 | 0:37:04 | |
The Great Alan, he was a lovely man. | 0:37:04 | 0:37:06 | |
He was given the title by the Emperor Charles the Fat. | 0:37:06 | 0:37:09 | |
Yeah, he was around 876, until his death in 907. | 0:37:11 | 0:37:15 | |
By the time he died, there was another Emperor, Charles the Simple. | 0:37:15 | 0:37:18 | |
When did they switch to the number system for naming the Charleses? | 0:37:18 | 0:37:21 | |
When you had to have Hotmail addresses. | 0:37:21 | 0:37:24 | |
Yeah, that's true. | 0:37:24 | 0:37:26 | |
Alan's main adversary, | 0:37:27 | 0:37:28 | |
you have to say it very carefully, because it's called F-U-L-K. | 0:37:28 | 0:37:31 | |
What do you think, Falk? Foolk? | 0:37:31 | 0:37:33 | |
-Fulk of Angou? -Yeah. | 0:37:33 | 0:37:34 | |
I don't fulking know. | 0:37:34 | 0:37:36 | |
What's that's depicting? | 0:37:37 | 0:37:39 | |
Well, after Alan died, Brittany was overrun by Vikings | 0:37:39 | 0:37:41 | |
and they were in turn driven out by Alan's grandson who was Alan II, | 0:37:41 | 0:37:44 | |
but he wasn't a king so he doesn't count as a Rex. | 0:37:44 | 0:37:47 | |
What you can see in this picture is Alan the Simple, | 0:37:47 | 0:37:49 | |
who's trying to hit a fire alarm. | 0:37:49 | 0:37:51 | |
-Just to the right, off shot. -Got his shoe off. | 0:37:52 | 0:37:55 | |
Just a sandal. | 0:37:57 | 0:37:58 | |
Brittany was the original Little Britain, as opposed to Great Britain. | 0:37:58 | 0:38:01 | |
That's absolutely right and lots of the names that we have now | 0:38:01 | 0:38:04 | |
-come from there, cos of after the Normans' names. -Exactly. | 0:38:04 | 0:38:07 | |
David, Robert, Alan, all our names are French, | 0:38:07 | 0:38:10 | |
we're just saying them wrong. | 0:38:10 | 0:38:12 | |
-We just... Yeah. -Even Nish?! | 0:38:12 | 0:38:14 | |
Not... But not Nish. | 0:38:14 | 0:38:16 | |
I don't know if you came with the Normans, | 0:38:16 | 0:38:19 | |
part of the Norman kabaddi team. | 0:38:19 | 0:38:22 | |
Oh, wow! Imagine that! | 0:38:24 | 0:38:25 | |
-FRENCH ACCENT: -"Kabaddi, kabaddi, kabaddi! Huh?!" | 0:38:25 | 0:38:29 | |
It's all on a tapestry, going on for... | 0:38:29 | 0:38:32 | |
In days of yore, Alan the Great was a celebrated King of Brittany. | 0:38:34 | 0:38:39 | |
Now, this spider is called the house spider, | 0:38:39 | 0:38:42 | |
but what is its natural habitat? | 0:38:42 | 0:38:45 | |
'..get fat' | 0:38:45 | 0:38:47 | |
-Yes, Nish? -A house. | 0:38:47 | 0:38:49 | |
You're absolutely right. | 0:38:49 | 0:38:51 | |
APPLAUSE | 0:38:51 | 0:38:53 | |
-Kabaddi! -Kabaddi! -Yeah! | 0:38:57 | 0:38:59 | |
House spiders really do live in houses. | 0:38:59 | 0:39:01 | |
Whenever I catch them, I put them outside, which must drive them mad. | 0:39:01 | 0:39:05 | |
-No, it kills them. -It kills them? -It absolutely kills them. | 0:39:05 | 0:39:07 | |
They're one of a very small number of species | 0:39:07 | 0:39:10 | |
specially adapted to living indoors. | 0:39:10 | 0:39:12 | |
The same as if you take a garden spider and you invite it in | 0:39:12 | 0:39:15 | |
from the cold and you think, it's a bit chilly out there, it will die. | 0:39:15 | 0:39:18 | |
Who's doing that?! | 0:39:18 | 0:39:19 | |
What idiot is going out looking for feral spiders to bring indoors? | 0:39:20 | 0:39:25 | |
-So really you need a spider cupboard? -Yes. | 0:39:25 | 0:39:28 | |
A special cupboard in your house, when you catch a spider, | 0:39:28 | 0:39:31 | |
you put it in the spider cupboard, they're all in there together. | 0:39:31 | 0:39:34 | |
-Yeah. -What kind of hellish arrangement is that? | 0:39:34 | 0:39:38 | |
I just think it's probably a good thing that Peter Parker | 0:39:38 | 0:39:41 | |
wasn't bitten by a radioactive house spider. | 0:39:41 | 0:39:43 | |
Because it would have been a very short film | 0:39:43 | 0:39:46 | |
of him just going, "I've got all this power." | 0:39:46 | 0:39:49 | |
He walks out of the house - dead immediately. | 0:39:49 | 0:39:51 | |
He has to stay indoors going, "There's a criminal!" | 0:39:51 | 0:39:54 | |
-He's able to phone the police! -"Chase him, chase him!" | 0:39:56 | 0:39:59 | |
"Spider-Man, come out." "I can't come out. I can't come out. | 0:39:59 | 0:40:03 | |
"I'm a House Spider-Man." | 0:40:03 | 0:40:05 | |
Iron Man would go rusty, right? | 0:40:08 | 0:40:10 | |
-Yeah, exactly. -That's another... "I can't come out, it's raining. | 0:40:10 | 0:40:13 | |
-"I'll seize up." -And Batman just gets smacked by someone's shoe. | 0:40:13 | 0:40:17 | |
Certain people get really itchy eyes around Catwoman. | 0:40:17 | 0:40:20 | |
Bruce Banner's in therapy, never gets annoyed. | 0:40:21 | 0:40:24 | |
Anyway, moving on... | 0:40:26 | 0:40:27 | |
What phrase do you use to end a radio conversation? | 0:40:28 | 0:40:32 | |
-Come on, someone, don't make me do it. -Uh... -Go on, Holly. | 0:40:32 | 0:40:34 | |
Do you go, "Over and out"? | 0:40:34 | 0:40:36 | |
KLAXON | 0:40:36 | 0:40:38 | |
I bought my kids walkie-talkies and they knew about over and out, | 0:40:39 | 0:40:43 | |
but they didn't know how to say it, and they would say, | 0:40:43 | 0:40:45 | |
I could hear them in the house going, "Out and in, out and in." | 0:40:45 | 0:40:49 | |
LAUGHTER | 0:40:49 | 0:40:50 | |
No. Over means, | 0:40:52 | 0:40:53 | |
"This is the end of my transmission to you and a response is necessary. | 0:40:53 | 0:40:57 | |
"Go ahead, transmit." | 0:40:57 | 0:40:59 | |
Out means, "This is the end of my transmission to you | 0:40:59 | 0:41:01 | |
"and no answer is required and expected." | 0:41:01 | 0:41:04 | |
So over and out would technically mean, "You can talk now if you want, | 0:41:04 | 0:41:08 | |
"but I'm not going to be listening." | 0:41:08 | 0:41:09 | |
You know when you're on the phone to someone and they drop out | 0:41:12 | 0:41:14 | |
of reception and it goes beep, beep, beep, and you know they've cut off. | 0:41:14 | 0:41:18 | |
I'd love to be able to do that in normal conversation with someone. | 0:41:18 | 0:41:22 | |
So if they just bore me, I just sit there and go, "Beep, beep, beep," | 0:41:22 | 0:41:26 | |
-and they just know to give up. -The thing I do if I'm on a train | 0:41:26 | 0:41:30 | |
and my signal's gone | 0:41:30 | 0:41:32 | |
but I've continued talking for at least another minute, | 0:41:32 | 0:41:35 | |
then you have to save face by having a full hour-long conversation. | 0:41:35 | 0:41:38 | |
You just go, "Yeah, no, it is, yeah, yeah, yeah. | 0:41:38 | 0:41:41 | |
"I am SO on the phone!" | 0:41:41 | 0:41:44 | |
-So, what about roger wilco? -Lovely fella. There he is. | 0:41:46 | 0:41:50 | |
He was quite a looker, I reckon. | 0:41:50 | 0:41:52 | |
Quite a looker? I thought you said "licker". It was hard to say! | 0:41:52 | 0:41:55 | |
Roger wilco, that's, "I understand, I will cooperate," isn't it? | 0:41:55 | 0:42:00 | |
So, roger is, "I have received your last transmission satisfactorily, | 0:42:00 | 0:42:03 | |
"radio check is loud and clear," | 0:42:03 | 0:42:04 | |
but wilco is, "I understand and will comply," | 0:42:04 | 0:42:06 | |
so the roger part is redundant, you would never use the two together. | 0:42:06 | 0:42:10 | |
That's quite enough of this nonsense. | 0:42:10 | 0:42:12 | |
Let's have a look at the scores. | 0:42:12 | 0:42:13 | |
And I can tell you, oh, we have a tie for first place. | 0:42:13 | 0:42:17 | |
-They both have... -Fight, fight, fight... | 0:42:17 | 0:42:19 | |
Kabaddi, kabaddi, kabaddi... | 0:42:19 | 0:42:22 | |
They both have three points, it's Phill and Nish! | 0:42:22 | 0:42:26 | |
APPLAUSE | 0:42:26 | 0:42:27 | |
A very creditable third place, with -4, it's Alan. | 0:42:32 | 0:42:36 | |
APPLAUSE | 0:42:36 | 0:42:37 | |
Pleased with that. | 0:42:37 | 0:42:38 | |
And in last place, and what an honourable place it is to be, | 0:42:38 | 0:42:42 | |
with -6, it's Holly! | 0:42:42 | 0:42:43 | |
APPLAUSE | 0:42:43 | 0:42:44 | |
It only remains for me to thank Holly, Phill, Nish and Alan. | 0:42:51 | 0:42:54 | |
And I leave you with this account of a bit of old nonsense | 0:42:54 | 0:42:56 | |
from the London Evening Standard. | 0:42:56 | 0:42:58 | |
"'Their behaviour was disgusting. | 0:42:58 | 0:43:00 | |
"'She and her friends pulled their clothes up for pictures, | 0:43:00 | 0:43:03 | |
"'lay about on the floor in compromising positions | 0:43:03 | 0:43:06 | |
"'and pulled a man's trousers and pants down,' | 0:43:06 | 0:43:09 | |
"a club member told the tribunal. | 0:43:09 | 0:43:11 | |
"'I was absolutely horrified. | 0:43:11 | 0:43:13 | |
"'You don't go for an evening out at a Conservative Club | 0:43:13 | 0:43:16 | |
"'expecting to see behaviour like that. | 0:43:16 | 0:43:18 | |
"'We stayed to see midnight in and then left.'" | 0:43:18 | 0:43:21 | |
Goodnight. | 0:43:21 | 0:43:22 | |
APPLAUSE | 0:43:22 | 0:43:24 |