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APPLAUSE How lovely. | 0:00:28 | 0:00:30 | |
How very nice. | 0:00:30 | 0:00:32 | |
Hello! | 0:00:32 | 0:00:34 | |
Good evening, and a very warm welcome to the next episode of QI. | 0:00:34 | 0:00:38 | |
Next to me tonight are the next best thing, Ross Noble. | 0:00:38 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:44 | |
Who's next? Lucy Porter. | 0:00:45 | 0:00:47 | |
APPLAUSE | 0:00:47 | 0:00:49 | |
Whatever next? It's Frankie Boyle. | 0:00:51 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:55 | |
And, better luck next time, Alan Davies. | 0:00:57 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
Next, let's hear their buzzers. Ross goes... | 0:01:05 | 0:01:09 | |
# I wanna get next to you. # | 0:01:09 | 0:01:13 | |
Ooh. Cocktails, half price. | 0:01:13 | 0:01:15 | |
Frankie goes... | 0:01:16 | 0:01:18 | |
-# And the next step is love -The next step is love. # | 0:01:18 | 0:01:23 | |
Aww. Lucy goes... | 0:01:23 | 0:01:25 | |
# For 24 years, I've been living next door to Alice. # | 0:01:25 | 0:01:28 | |
-Alice... -And... | 0:01:30 | 0:01:32 | |
Alan goes... | 0:01:34 | 0:01:36 | |
-BELL DINGS -'Next!' | 0:01:36 | 0:01:38 | |
Right, what's the difference between the next big thing and a turkey? | 0:01:41 | 0:01:46 | |
Well, a turkey is sometimes a disaster. | 0:01:46 | 0:01:49 | |
Yes, it's an American show business term for a flop. | 0:01:49 | 0:01:51 | |
-A terrible show. -Yeah. | 0:01:51 | 0:01:52 | |
So, the difference between the next big thing and abject failure. | 0:01:52 | 0:01:55 | |
It can be the length of the first half of the show. | 0:01:55 | 0:01:58 | |
By the interval, the next big thing was a turkey. | 0:01:59 | 0:02:03 | |
The worst show in the West End, the shortest show in the West End | 0:02:03 | 0:02:06 | |
where the iron - you know the thing that they to put in in the interval? | 0:02:06 | 0:02:09 | |
It got stuck in the interval and they thought, | 0:02:09 | 0:02:11 | |
"Oh, can't be arsed." And they never did the second half. | 0:02:11 | 0:02:16 | |
It got to the interval and even the theatre went, "No." | 0:02:16 | 0:02:20 | |
So, how can we tell? How can we tell that something is going to be | 0:02:21 | 0:02:23 | |
a big thing, or it's going to be a failure? | 0:02:23 | 0:02:25 | |
-Well, we don't know. -Yeah. | 0:02:25 | 0:02:27 | |
Till the curtain goes up and the audience comes in, who knows? | 0:02:27 | 0:02:29 | |
-But maybe you can know... -Well, here's the extraordinary thing. | 0:02:29 | 0:02:32 | |
There are certain people, consumers, | 0:02:32 | 0:02:34 | |
who systematically buy products that go on to fail. | 0:02:34 | 0:02:39 | |
And their lack of popular taste is unerringly reliable. | 0:02:39 | 0:02:43 | |
And they are called "harbingers of failure." | 0:02:44 | 0:02:48 | |
It doesn't conform to any pattern, age, sex, culture, | 0:02:48 | 0:02:51 | |
anything like that, or the region. | 0:02:51 | 0:02:52 | |
Unless he's the bloke... You know like on cop shows | 0:02:52 | 0:02:56 | |
where they drive through the boxes? | 0:02:56 | 0:02:57 | |
And he keeps getting hit by Starsky and Hutch | 0:02:57 | 0:03:00 | |
on a regular basis. | 0:03:00 | 0:03:02 | |
"I'm wearing the hi-viz, love. I'm sick of it." | 0:03:02 | 0:03:06 | |
But they did some research, | 0:03:06 | 0:03:07 | |
the Massachusetts Institute of Technology. | 0:03:07 | 0:03:09 | |
They analysed ten million transactions | 0:03:09 | 0:03:11 | |
at a chain of convenience stores, and what they discovered was, | 0:03:11 | 0:03:13 | |
people who buy the nail polish that fails | 0:03:13 | 0:03:16 | |
are also the people buying the ice cream that fails. | 0:03:16 | 0:03:19 | |
And there's some fantastic products that have been snapped up | 0:03:19 | 0:03:22 | |
by harbingers in the past. Watermelon-flavoured Oreo biscuits. | 0:03:22 | 0:03:25 | |
This is my favourite, there was a range of ready meals | 0:03:27 | 0:03:29 | |
made by a toothpaste manufacturer called Colgate's Kitchen Entrees. | 0:03:29 | 0:03:34 | |
-ROSS: -Oh, that, I would've bought that! | 0:03:34 | 0:03:36 | |
Would you have bought that, cleaned your teeth | 0:03:36 | 0:03:38 | |
-while you're eating? -You're eating the spaghetti | 0:03:38 | 0:03:40 | |
and flossing at the same time. That's genius! | 0:03:40 | 0:03:43 | |
But if you can find these people who've got what they call | 0:03:43 | 0:03:45 | |
a "flop affinity", then it's fantastic for market research. | 0:03:45 | 0:03:48 | |
There's a PH Wodehouse story, isn't there? About a producer | 0:03:48 | 0:03:51 | |
who brings his ten-year-old child to every show | 0:03:51 | 0:03:53 | |
and everyone thinks he's a really doting father, | 0:03:53 | 0:03:56 | |
but it's just that he thinks the public's expectations | 0:03:56 | 0:03:59 | |
are the same as a ten-year-old child. | 0:03:59 | 0:04:01 | |
And it helps him judge whether the show is going to be any good or not. | 0:04:01 | 0:04:05 | |
That's how Mork And Mindy got made. | 0:04:05 | 0:04:07 | |
-Because, erm, the guy that did Happy Days... -Yeah? | 0:04:07 | 0:04:10 | |
..his kid wanted an alien in Happy Days. | 0:04:10 | 0:04:13 | |
And he went, "Oh, yeah, go on, then. Put an alien in it." | 0:04:13 | 0:04:15 | |
So they put Robin Williams in as Mork in Happy Days, | 0:04:15 | 0:04:18 | |
and he was so successful, they did a spin-off series. | 0:04:18 | 0:04:20 | |
Biggest thing on telly. | 0:04:20 | 0:04:21 | |
-I'll tell you two things those harbingers have bought. -Yeah. | 0:04:21 | 0:04:25 | |
My book and my last DVD. | 0:04:25 | 0:04:27 | |
APPLAUSE | 0:04:30 | 0:04:32 | |
Well, I've got both those, so I feel terrible now! | 0:04:35 | 0:04:38 | |
90% of all new products fail, | 0:04:38 | 0:04:40 | |
and there is a Museum of Failed Products in Michigan. | 0:04:40 | 0:04:44 | |
It was meant to be a reference library of consumer goods, | 0:04:44 | 0:04:47 | |
but the vast majority are failures, and there's some fantastic things. | 0:04:47 | 0:04:50 | |
This is one of my favourites. | 0:04:50 | 0:04:51 | |
Pre-scrambled eggs in a cardboard tube, | 0:04:51 | 0:04:53 | |
designed to be eaten in the car. | 0:04:53 | 0:04:55 | |
I'll have that! | 0:04:58 | 0:04:59 | |
Breath mints that look like crack cocaine. | 0:04:59 | 0:05:01 | |
This is very good. | 0:05:04 | 0:05:05 | |
100% recycled pillow-soft "Shit Be Gone" loo paper. | 0:05:05 | 0:05:09 | |
"Shit be gone!" | 0:05:11 | 0:05:13 | |
You have to do that when you use it. | 0:05:13 | 0:05:15 | |
"Whack Off insect repellent." | 0:05:15 | 0:05:17 | |
We've all done that! | 0:05:21 | 0:05:22 | |
It's a funny way to get rid of insects! | 0:05:24 | 0:05:26 | |
Can I just say, I have got some fabulous information about turkeys | 0:05:26 | 0:05:29 | |
which is not totally relevant? But you know when you learn something, | 0:05:29 | 0:05:32 | |
and you just think, "I totally have to share this," OK? | 0:05:32 | 0:05:34 | |
So, in the 1950s, they discovered that males would mate | 0:05:34 | 0:05:38 | |
with a lifelike model of a female turkey as eagerly | 0:05:38 | 0:05:42 | |
as they would mate with the real thing. So, of course, | 0:05:42 | 0:05:44 | |
they decided to try and find out what was the minimal stimulus | 0:05:44 | 0:05:47 | |
that would get a turkey going, OK? | 0:05:47 | 0:05:49 | |
They gradually stripped the model of its tail, its feet and its wings. | 0:05:52 | 0:05:56 | |
This did not deter the male bird in any way. | 0:05:56 | 0:06:00 | |
When there was just a head left on a stick, they were still up for it! | 0:06:00 | 0:06:04 | |
That is why my range of turkey sex toys never took off. | 0:06:06 | 0:06:09 | |
They were too lifelike. | 0:06:09 | 0:06:11 | |
Yes, well... | 0:06:11 | 0:06:12 | |
A freshly-severed head on a stick was the most effective, | 0:06:12 | 0:06:15 | |
like, the sexiest thing. | 0:06:15 | 0:06:17 | |
That was followed by a dried male head. | 0:06:18 | 0:06:21 | |
And in third place, a two-year-old withered female head. | 0:06:21 | 0:06:25 | |
And in last place, but still eliciting a sexual response, | 0:06:25 | 0:06:28 | |
a plain balsawood model of a head. | 0:06:28 | 0:06:31 | |
I don't know if you've ever taken a turkey to a Punch and Judy show. | 0:06:32 | 0:06:36 | |
It's horrific. | 0:06:36 | 0:06:37 | |
Unbelievable. | 0:06:40 | 0:06:41 | |
-That's all I want to do now. -Yeah! | 0:06:41 | 0:06:44 | |
Anyway, the last people you want to buy your next big thing | 0:06:44 | 0:06:48 | |
are the first people to buy it. | 0:06:48 | 0:06:50 | |
Which of these would be nice next-door neighbours? | 0:06:50 | 0:06:53 | |
Galaxies, hyenas, newlyweds, octopuses or burglars? | 0:06:53 | 0:06:58 | |
That's more of a mime artist than a burglar. | 0:06:58 | 0:07:01 | |
It is, yes. | 0:07:01 | 0:07:02 | |
I imagine that burglars don't burgle their neighbours? | 0:07:02 | 0:07:05 | |
-Yes, that's absolutely right. -They go further afield? -Yeah. | 0:07:05 | 0:07:08 | |
-They're nice. -I won't do the neighbours. -They're not lazy, | 0:07:08 | 0:07:10 | |
-that's something in their defence. -No. | 0:07:10 | 0:07:11 | |
-FRANKIE: -It could be selfishness, though, couldn't it? | 0:07:11 | 0:07:14 | |
It could be that they just don't want to put | 0:07:14 | 0:07:15 | |
their own insurance premium up. | 0:07:15 | 0:07:17 | |
That's a very good point. | 0:07:18 | 0:07:20 | |
But you are right. Burglars are very good neighbours, | 0:07:20 | 0:07:22 | |
in that they're not going to burgle you. | 0:07:22 | 0:07:24 | |
Galaxies are bad neighbours. | 0:07:24 | 0:07:25 | |
So what happens, when they reach a certain age, | 0:07:25 | 0:07:27 | |
a galaxy stops spawning new stars | 0:07:27 | 0:07:28 | |
and they just swallow smaller galaxies. | 0:07:28 | 0:07:31 | |
So our own home galaxy, the Milky Way, is expected quite soon, | 0:07:31 | 0:07:35 | |
this is in astronomical terms, four billion years from now, | 0:07:35 | 0:07:40 | |
to eat two of its neighbours, the large and small Magellanic Clouds. | 0:07:40 | 0:07:43 | |
And then, about a billion years after that, | 0:07:43 | 0:07:45 | |
the Milky Way will get eaten itself by the Andromeda galaxy. | 0:07:45 | 0:07:48 | |
-Andromeda, yeah. -Yeah. What about hyenas? | 0:07:48 | 0:07:50 | |
-Good neighbours, bad neighbours? -All that laughing. | 0:07:50 | 0:07:53 | |
When Mrs Brown's Boys is on, it's probably a nightmare. | 0:07:53 | 0:07:56 | |
That's actually what they do in the studio audience. | 0:07:58 | 0:08:01 | |
They don't use canned laughter on that show, they have live hyenas. | 0:08:01 | 0:08:06 | |
The trouble with hyenas is, | 0:08:06 | 0:08:07 | |
-you spend days and days stalking your deer. -Yeah. | 0:08:07 | 0:08:10 | |
And then they just come and rob it off you. | 0:08:10 | 0:08:11 | |
So I bet they're terrible neighbours. | 0:08:11 | 0:08:13 | |
Terrible neighbours. Any more for any more, Frankie? | 0:08:13 | 0:08:15 | |
I just think, although you'd know that they weren't laughing at you, | 0:08:15 | 0:08:20 | |
-it'd be hard not to be a little paranoid. -Yeah. | 0:08:20 | 0:08:23 | |
They're extraordinary creatures, they're so aggressive. | 0:08:24 | 0:08:27 | |
There's so much testosterone in a hyena | 0:08:27 | 0:08:29 | |
that, when a baby hyena is born, the first thing it does | 0:08:29 | 0:08:32 | |
is it turns around and tries to kill the next one | 0:08:32 | 0:08:34 | |
that's trying to be born. So, they're really aggressive. | 0:08:34 | 0:08:36 | |
-However, very good neighbours. -Ah. | 0:08:36 | 0:08:38 | |
Most people who live in hyena-prone areas, in fact encourage hyenas, | 0:08:38 | 0:08:42 | |
because they control pests | 0:08:42 | 0:08:44 | |
and they clear up all diseased animal carcasses. | 0:08:44 | 0:08:46 | |
And they don't attack humans as much as that photograph might suggest. | 0:08:46 | 0:08:50 | |
That one's wearing a John Lydon wig. | 0:08:50 | 0:08:52 | |
What about newlyweds? | 0:08:55 | 0:08:57 | |
What do you think, good neighbours, bad neighbours? | 0:08:57 | 0:08:59 | |
Well, I enjoy hearing other people making love. | 0:08:59 | 0:09:02 | |
I so rarely do it myself these days. | 0:09:03 | 0:09:06 | |
Since my husband got a turkey's head on a stick, | 0:09:06 | 0:09:08 | |
he's not interested any more but... | 0:09:08 | 0:09:10 | |
-ROSS: -But also, all the wedding gifts, | 0:09:10 | 0:09:12 | |
all the boxes from the wedding, | 0:09:12 | 0:09:14 | |
they leave them in the garden, don't they? | 0:09:14 | 0:09:16 | |
So, yes, you get to hear the lovemaking, | 0:09:16 | 0:09:18 | |
but there's discarded boxes. | 0:09:18 | 0:09:20 | |
So, a tick in each column. | 0:09:20 | 0:09:23 | |
Anything else? | 0:09:23 | 0:09:24 | |
They did a survey in Colorado, | 0:09:24 | 0:09:26 | |
and they found that people are much happier if they think | 0:09:26 | 0:09:29 | |
they're having more sex than their neighbours. | 0:09:29 | 0:09:31 | |
That's a thing. And so, having a honeymoon couple move in next door | 0:09:31 | 0:09:34 | |
-makes you feel depressed. -But I would sort of think | 0:09:34 | 0:09:36 | |
that society's moved on. | 0:09:36 | 0:09:38 | |
So, like, in the old days, that would be the first time | 0:09:38 | 0:09:40 | |
they're having sex, when they get married. | 0:09:40 | 0:09:42 | |
Whereas now, they get married to try and save the relationship, | 0:09:42 | 0:09:46 | |
because the sex is gone. | 0:09:46 | 0:09:47 | |
What about gloomy octopuses? Good neighbours, bad neighbours? | 0:09:49 | 0:09:53 | |
They'd have lovely gardens. | 0:09:53 | 0:09:54 | |
Well, yes and no is the weird thing. | 0:09:56 | 0:09:58 | |
It's the common Sydney octopus, but it's known as the gloomy octopus. | 0:09:58 | 0:10:01 | |
Look at those eyes! Aren't they fantastic? | 0:10:01 | 0:10:05 | |
What it does is, it throws rubbish at its neighbours. | 0:10:05 | 0:10:08 | |
It lives in Jervis Bay in Australia, and it gathers debris into its arms, | 0:10:09 | 0:10:14 | |
and then it uses the jet propulsion siphons on the sides of its body | 0:10:14 | 0:10:17 | |
to hurl it at the neighbours. | 0:10:17 | 0:10:19 | |
It's really unusual to find projectile weapons in animals. | 0:10:19 | 0:10:23 | |
So it may just be over-enthusiastic housework, I don't know. | 0:10:23 | 0:10:26 | |
-Is it cos the octopuses next door are having more sex? -Yeah. | 0:10:26 | 0:10:30 | |
-LUCY: -The sound of the suckers... -SHE MAKES SUCKER SOUNDS | 0:10:30 | 0:10:33 | |
OK, that thought is never going to leave me now. | 0:10:33 | 0:10:36 | |
Now, the next question isn't a next question, | 0:10:38 | 0:10:41 | |
it's a NECKS question. | 0:10:41 | 0:10:43 | |
So, I have... | 0:10:43 | 0:10:45 | |
I think that would look nice on you. | 0:10:45 | 0:10:47 | |
-And you can have this one here. -Lovely. | 0:10:47 | 0:10:50 | |
And there we go. | 0:10:50 | 0:10:52 | |
This one there. Right, make yourselves a prat. | 0:10:53 | 0:10:56 | |
Now, who knows how to make a prat? | 0:10:58 | 0:11:00 | |
What have you done, darling, what knot have you done? | 0:11:01 | 0:11:03 | |
I don't know. It's what I used to do at school. | 0:11:03 | 0:11:06 | |
Did you ever have that thing called "peanutting" at school? | 0:11:06 | 0:11:08 | |
-When people pull your tie tight? -They pull it really tight | 0:11:08 | 0:11:10 | |
-and then you can't get it undone. -Yes, that happened a lot. | 0:11:10 | 0:11:13 | |
OK, do you know the answer to stop that happening? | 0:11:13 | 0:11:15 | |
Oh, I wish you'd been around in 1976! | 0:11:15 | 0:11:17 | |
If you put a 2p coin inside the knot, | 0:11:18 | 0:11:21 | |
then it's impossible to peanut somebody. | 0:11:21 | 0:11:23 | |
-I shall tell my boys. -Pass it on. | 0:11:23 | 0:11:25 | |
So, the prat, basically you have to have it back to front, | 0:11:25 | 0:11:29 | |
like this, in order to tie it. | 0:11:29 | 0:11:31 | |
I haven't worn a tie since I gave up the pipe. Erm... | 0:11:31 | 0:11:34 | |
Like this. | 0:11:37 | 0:11:38 | |
And this is a self-releasing version of the prat, | 0:11:38 | 0:11:41 | |
it's called a Nicky knot. | 0:11:41 | 0:11:43 | |
And the reason it's self-releasing, | 0:11:43 | 0:11:44 | |
is that, when you pull it out like that, you can just let it go. | 0:11:44 | 0:11:48 | |
And it won't end up in a knot. | 0:11:48 | 0:11:50 | |
APPLAUSE Thank you very much! | 0:11:50 | 0:11:52 | |
They're difficult to follow. So, here's what happened. | 0:11:54 | 0:11:56 | |
1999, there were two Cambridge mathematicians, | 0:11:56 | 0:11:58 | |
Thomas Fink and Yong Mao, | 0:11:58 | 0:12:00 | |
and they calculated the maximum number of ways to tie a tie. | 0:12:00 | 0:12:03 | |
They worked out it was 85. | 0:12:03 | 0:12:05 | |
And then there was a Swedish mathematician watching | 0:12:05 | 0:12:08 | |
The Matrix Reloaded - came out in 2003. | 0:12:08 | 0:12:10 | |
-Fantastic film. It's great. -Amazing. -Slow-motion bullet avoiding? | 0:12:10 | 0:12:14 | |
Brilliant. | 0:12:14 | 0:12:16 | |
LAUGHTER | 0:12:16 | 0:12:18 | |
I absolutely loved it. | 0:12:20 | 0:12:21 | |
But he's watching this film and instead of thinking, | 0:12:21 | 0:12:24 | |
"Here's a great film for learning how to..." | 0:12:24 | 0:12:27 | |
And it gets so much better in a chair. | 0:12:27 | 0:12:29 | |
This Swedish mathematician called Mikael Vejdemo-Johansson, | 0:12:31 | 0:12:34 | |
he's watching it and he realises that there is a tie | 0:12:34 | 0:12:37 | |
tied in a knot that isn't on the main list of 85. | 0:12:37 | 0:12:41 | |
And so, he re-worked the list and he came up | 0:12:41 | 0:12:45 | |
with a total number of ways to tie a normal tie - | 0:12:45 | 0:12:47 | |
177,147. | 0:12:47 | 0:12:52 | |
He did slightly change the rules, | 0:12:52 | 0:12:54 | |
but every time you face having to put on a tie, | 0:12:54 | 0:12:56 | |
177,147 different ways in which you might decide to tie it. | 0:12:56 | 0:13:01 | |
I hate ties. | 0:13:01 | 0:13:03 | |
I just sort of think the minute you get a really depressing job, | 0:13:03 | 0:13:06 | |
the one thing you have to wear is a sort of suicide kit. | 0:13:06 | 0:13:09 | |
Anybody know how long we've been wearing ties for? | 0:13:13 | 0:13:15 | |
-How long they've been around? -About five minutes, now. | 0:13:15 | 0:13:19 | |
We've had ties since the Thirty Years' War, which was 1618. | 0:13:19 | 0:13:23 | |
It was the Croatians who first brought the notion | 0:13:23 | 0:13:25 | |
of wearing something. They wore a little small, knotted... | 0:13:25 | 0:13:28 | |
Am I a time traveller? | 0:13:28 | 0:13:29 | |
Just turn sideways. Turn this... | 0:13:31 | 0:13:33 | |
APPLAUSE | 0:13:36 | 0:13:38 | |
-That is quite spooky. -My God, they've found out my secret! | 0:13:42 | 0:13:46 | |
Fire up the machine, we must travel back! | 0:13:46 | 0:13:49 | |
It's where we get "cravat" from. It's from the Croatians. | 0:13:49 | 0:13:51 | |
Then it took off, and the Parisians loved it. | 0:13:51 | 0:13:53 | |
King Louis XIV was so obsessed with his cravats, | 0:13:53 | 0:13:55 | |
he had a cravateur who used to lay out cravats for him to choose. | 0:13:55 | 0:14:00 | |
God, I've put on a bit of weight, haven't I?! | 0:14:00 | 0:14:02 | |
We could do a show with you just being characters from history! | 0:14:08 | 0:14:12 | |
Somebody once heckled me by saying, | 0:14:12 | 0:14:14 | |
"You look like every single character from Lord Of the Rings." | 0:14:14 | 0:14:17 | |
While we're doing knots, now, I've been practising this, | 0:14:20 | 0:14:23 | |
and I can do it about one in three. | 0:14:23 | 0:14:25 | |
So, you've all got an opportunity to give this a go. | 0:14:25 | 0:14:29 | |
There we go. That was pretty cool! | 0:14:30 | 0:14:32 | |
APPLAUSE | 0:14:32 | 0:14:34 | |
OK, so, it is just a length of chain, | 0:14:37 | 0:14:41 | |
and then you place the ring up in like this... | 0:14:41 | 0:14:43 | |
Now, if you hold it with your thumb, | 0:14:43 | 0:14:46 | |
and then hold it with one of your fingers and, what you need to do, | 0:14:46 | 0:14:50 | |
you just let the finger go and not the thumb. | 0:14:50 | 0:14:53 | |
Just try and let the... Yeah, Ross has got it! | 0:14:53 | 0:14:55 | |
APPLAUSE | 0:14:55 | 0:14:57 | |
-Just a few more goes... -All right, you're determined. | 0:14:59 | 0:15:02 | |
Put the chain... OK. | 0:15:02 | 0:15:04 | |
Don't make me get up and show you! | 0:15:04 | 0:15:06 | |
So, make your hand wide like this, OK? | 0:15:08 | 0:15:12 | |
And then, hook your thumb like this, but don't hook the chain. | 0:15:12 | 0:15:15 | |
Just hold that like that and only let your finger go. | 0:15:15 | 0:15:18 | |
LAUGHTER AND APPLAUSE | 0:15:20 | 0:15:22 | |
I feel like a teaching assistant. | 0:15:28 | 0:15:29 | |
And where can you get one of those, this time of day? | 0:15:29 | 0:15:32 | |
Oh, yes! APPLAUSE AND CHEERING | 0:15:32 | 0:15:34 | |
I feel my time here has been worthwhile. | 0:15:40 | 0:15:43 | |
Right. Is this the neck verse thing? | 0:15:43 | 0:15:47 | |
CHORAL SINGING | 0:15:47 | 0:15:50 | |
Isn't it beautiful? | 0:15:59 | 0:16:02 | |
It's not worth losing your nuts for, though, is it? | 0:16:06 | 0:16:08 | |
Well, you might lose more than that... | 0:16:13 | 0:16:16 | |
Really? Is it about hanging? | 0:16:16 | 0:16:18 | |
It is about dying, certainly. | 0:16:18 | 0:16:21 | |
It's known as the neck verse. Does anybody know why? | 0:16:21 | 0:16:24 | |
-FRANKIE: -The neck verse is how a German doctor tells you | 0:16:24 | 0:16:26 | |
you have whiplash. | 0:16:26 | 0:16:28 | |
-I do know this. -Yes? | 0:16:32 | 0:16:33 | |
-There used to be a thing called benefit of clergy. -Yep. | 0:16:33 | 0:16:36 | |
Where if people could prove that they were in the clergy | 0:16:36 | 0:16:39 | |
-by reciting a verse of the Bible... -Yep. | 0:16:39 | 0:16:41 | |
..then they were tried under ecclesiastical law | 0:16:41 | 0:16:44 | |
instead of normal law, where they'd be more likely to get hung. | 0:16:44 | 0:16:47 | |
Yeah, you're absolutely right, it's brilliant. | 0:16:47 | 0:16:49 | |
APPLAUSE | 0:16:49 | 0:16:51 | |
It's Psalm 51 and it was known as the neck verse, | 0:16:55 | 0:16:58 | |
and you had to be able to recite it in Latin. | 0:16:58 | 0:17:00 | |
"O God, have mercy upon me, | 0:17:00 | 0:17:01 | |
"according to thine heartfelt mercifulness." | 0:17:01 | 0:17:04 | |
And, the benefit of the clergy, it existed for about 600 years, | 0:17:04 | 0:17:06 | |
from about the 12th century to 1841. | 0:17:06 | 0:17:09 | |
And some crimes, the clergy would get lesser sentences. | 0:17:09 | 0:17:13 | |
And so it used to be you had to prove you were clergy. | 0:17:13 | 0:17:16 | |
But over time, it was enough to prove you were literate, | 0:17:16 | 0:17:18 | |
so, obviously, in Latin, and this created a loophole. | 0:17:18 | 0:17:21 | |
So, illiterate people could learn that verse by heart, | 0:17:21 | 0:17:25 | |
and the courts were happy to go along with this legal fiction, | 0:17:25 | 0:17:28 | |
because there were many crimes which it was felt | 0:17:28 | 0:17:30 | |
that the punishment was too harsh. So, they would allow this fiction | 0:17:30 | 0:17:33 | |
that you were a member of the clergy, | 0:17:33 | 0:17:35 | |
and therefore you could get away with it. | 0:17:35 | 0:17:37 | |
In fact, Ben Jonson, the playwright, in 1598, | 0:17:37 | 0:17:39 | |
he avoided being hanged for killing an actor in a duel, | 0:17:39 | 0:17:42 | |
an actor called Gabriel Spenser, by pleading benefit of clergy. | 0:17:42 | 0:17:45 | |
I know a bit about Ben Jonson. | 0:17:45 | 0:17:47 | |
He murdered someone that he acted in a play with, | 0:17:47 | 0:17:50 | |
the play was called The Isle Of Dogs. | 0:17:50 | 0:17:52 | |
And it was so offensive that it was suppressed so completely | 0:17:52 | 0:17:56 | |
nobody's ever worked out what it was about. | 0:17:56 | 0:17:58 | |
-We don't even have a record of the script or anything? -No. | 0:17:58 | 0:18:00 | |
-And then you released it on DVD! -Yeah! | 0:18:00 | 0:18:03 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
Do you know why priests wear a dog collar? | 0:18:08 | 0:18:10 | |
It's something that we associate with the clergy, | 0:18:10 | 0:18:12 | |
-but it's fairly recent. -I mean, I am going grey, I'll give you that. | 0:18:12 | 0:18:16 | |
You need to do that double chin a bit more. | 0:18:16 | 0:18:19 | |
That's it. | 0:18:19 | 0:18:20 | |
Is it just for ID? | 0:18:20 | 0:18:21 | |
It's just for ID. It's a Scottish Presbyterian invention | 0:18:21 | 0:18:24 | |
that was then adopted by the Anglicans in the 1840s. | 0:18:24 | 0:18:26 | |
So, it didn't really become widespread until the 1880s | 0:18:26 | 0:18:29 | |
and those bands that hang down, they're called preaching bands. | 0:18:29 | 0:18:32 | |
So it's like an early bar code? | 0:18:32 | 0:18:34 | |
Yes. Exactly like, exactly like that. | 0:18:34 | 0:18:37 | |
We don't have them in Denmark. | 0:18:37 | 0:18:38 | |
In Denmark, it's a Lutheran church, so they wear the Elizabethan ruff. | 0:18:38 | 0:18:41 | |
-Still got the ruff going on? -Yeah, going on. Oh, yeah. | 0:18:41 | 0:18:43 | |
Bring back the ruff! | 0:18:43 | 0:18:44 | |
-Very forgiving, a ruff. Very, erm... -But the vicar now would get a lot | 0:18:44 | 0:18:48 | |
of biscuit crumbs in the ruff, wouldn't he? | 0:18:48 | 0:18:50 | |
So, what's the best thing about clickbait? | 0:18:51 | 0:18:55 | |
There's nothing good about it at all, it's horrifying. | 0:18:55 | 0:18:59 | |
Why would you think it's horrifying? | 0:18:59 | 0:19:00 | |
Because there's nothing about me taking a quiz | 0:19:00 | 0:19:03 | |
saying which Game Of Thrones character I am | 0:19:03 | 0:19:06 | |
that suggests that I am in the market for a brand-new Lexus. | 0:19:06 | 0:19:10 | |
But why do you do it? That's the question, why do you do it? | 0:19:10 | 0:19:13 | |
Boredom. I think it's also the internet tries to sell itself as, | 0:19:13 | 0:19:17 | |
oh, it's connective, you're connecting with people | 0:19:17 | 0:19:19 | |
and you're not. The other day, I saw a thing about the FA Cup Final | 0:19:19 | 0:19:22 | |
on the BBC website and, at the bottom, it said "Get involved." | 0:19:22 | 0:19:25 | |
What, in the FA Cup Final?! | 0:19:25 | 0:19:27 | |
How?! | 0:19:29 | 0:19:31 | |
Can somebody describe clickbait for anybody who doesn't know what it is? | 0:19:31 | 0:19:34 | |
-LUCY: -The worst ones are the... | 0:19:34 | 0:19:35 | |
"23 things you never knew about ducks. | 0:19:35 | 0:19:38 | |
-"Number 12 will astonish you!" -Yeah. | 0:19:38 | 0:19:41 | |
They call them "listicles," | 0:19:41 | 0:19:42 | |
which is portmanteau of "list" and "testicles" cos... | 0:19:42 | 0:19:46 | |
..they're all complete bollocks. | 0:19:47 | 0:19:49 | |
So, here's the weird thing. | 0:19:49 | 0:19:50 | |
The research suggests that the pleasure we get | 0:19:50 | 0:19:52 | |
from cute and funny or shocking videos, | 0:19:52 | 0:19:54 | |
the ones that do the rounds on the internet, | 0:19:54 | 0:19:56 | |
we get the pleasure from anticipating them | 0:19:56 | 0:19:58 | |
and not from actually seeing them. | 0:19:58 | 0:20:00 | |
So it releases dopamine when we think we're going to see something. | 0:20:00 | 0:20:03 | |
So dopamine... This is a neuroscientist put it this way - | 0:20:03 | 0:20:05 | |
dopamine is not about pleasure, it's about the anticipation of pleasure. | 0:20:05 | 0:20:09 | |
It's about the pursuit of happiness rather than happiness itself. | 0:20:09 | 0:20:11 | |
That's quite interesting, because, if you click on one of those things, | 0:20:11 | 0:20:14 | |
like, sometimes it will say, | 0:20:14 | 0:20:16 | |
"40 actresses, you won't believe what they look like now. | 0:20:16 | 0:20:19 | |
"Number 37 is amazing!" | 0:20:19 | 0:20:21 | |
-But you have to go through... -By the time you get to about 19, | 0:20:21 | 0:20:25 | |
the dopamine's worn off. | 0:20:25 | 0:20:27 | |
You never get to 37. | 0:20:27 | 0:20:29 | |
And people seldom get what's promised, | 0:20:29 | 0:20:31 | |
but we carry on and it's called intermittent re-enforcement. | 0:20:31 | 0:20:35 | |
And we keep getting more dopamine, | 0:20:35 | 0:20:37 | |
it's more addictive as you keep going through. | 0:20:37 | 0:20:39 | |
We're slaves to curiosity. | 0:20:39 | 0:20:41 | |
I find this profoundly depressing. | 0:20:41 | 0:20:43 | |
-I think so too. -All we're ever doing is anticipating stuff | 0:20:43 | 0:20:46 | |
and the only thing that's really going to deliver is Tinder | 0:20:46 | 0:20:49 | |
and the actual relationship is going to be terrible. | 0:20:49 | 0:20:51 | |
And we sort of know that's true, don't we? | 0:20:51 | 0:20:54 | |
But I don't think it's a new thing. I mean, "To travel hopefully | 0:20:54 | 0:20:56 | |
"is better than to arrive" is an old idea. | 0:20:56 | 0:20:58 | |
There's also a thing called the spoiler paradox, | 0:20:58 | 0:21:00 | |
which has a similar effect. People enjoy a story more, | 0:21:00 | 0:21:03 | |
when they know how it's going to turn out. | 0:21:03 | 0:21:05 | |
And we think maybe the story's easier for the brain to process, | 0:21:05 | 0:21:08 | |
without the distraction of wondering how it's going to end. | 0:21:08 | 0:21:11 | |
So, spoiler alert, Alan's going to come last today. | 0:21:11 | 0:21:14 | |
Already, the audience having a much better time! | 0:21:16 | 0:21:19 | |
Looking forward to something is more than half the fun, it seems. | 0:21:20 | 0:21:24 | |
And the next question is absolutely fantastic! | 0:21:24 | 0:21:28 | |
Who has green sponge balls? | 0:21:28 | 0:21:31 | |
-FRANKIE: -Is it...? -MAN: -SpongeBob SquarePants! -Ah... | 0:21:33 | 0:21:36 | |
KLAXON | 0:21:36 | 0:21:38 | |
APPLAUSE | 0:21:38 | 0:21:41 | |
That's why you're sitting over there! | 0:21:45 | 0:21:47 | |
-ROSS: -Can you imagine that bloke, for the rest of his life, | 0:21:47 | 0:21:51 | |
he's going to go, "And I knew the answer, and I shouted it... | 0:21:51 | 0:21:53 | |
-"Oh, God!" -Who was it? Hand up, hand up, who was it? | 0:21:53 | 0:21:57 | |
-Welcome to my world. -Let's have a clear shot of you. | 0:21:57 | 0:21:59 | |
-What's your name? -Nick! -You're going to be so sorry. OK. | 0:21:59 | 0:22:03 | |
You're a harbinger of failure, Nick. | 0:22:05 | 0:22:07 | |
-Anybody else know? OK. So... -Green sponge balls... | 0:22:09 | 0:22:12 | |
-Green sponge balls. -..is what they have on a snooker table | 0:22:12 | 0:22:14 | |
in a tinnitus clinic. | 0:22:14 | 0:22:16 | |
So, who has, in the UK, who has green sponge balls? | 0:22:20 | 0:22:26 | |
-LUCY: -Erm... -Is it a medical thing? -No, it's a species. | 0:22:26 | 0:22:29 | |
Would it be a sponge? | 0:22:29 | 0:22:31 | |
-It's not a sponge, but is in the sea. -Seaweed? | 0:22:31 | 0:22:33 | |
It is seaweed. It is a kind of seaweed. Absolutely right. | 0:22:33 | 0:22:36 | |
APPLAUSE | 0:22:36 | 0:22:38 | |
But you know, what's sad is that there isn't any any more. | 0:22:40 | 0:22:43 | |
It's all gone, | 0:22:43 | 0:22:44 | |
but it used to be one of the must-have species | 0:22:44 | 0:22:47 | |
in the mid-19th century for seaweed collectors. | 0:22:47 | 0:22:50 | |
So there was a brief craze, | 0:22:50 | 0:22:51 | |
it gripped the daughters of Victorian well-to-do. | 0:22:51 | 0:22:54 | |
In fact, even Queen Victoria herself had a seaweed album. | 0:22:54 | 0:22:57 | |
-FRANKIE: -Before TV, people were just so bored. | 0:22:57 | 0:23:00 | |
They were just sitting there going, | 0:23:00 | 0:23:01 | |
-"Collect some seaweed, invade India..." -Yeah. | 0:23:01 | 0:23:03 | |
"Let's just try and get through this." | 0:23:03 | 0:23:06 | |
But it was a bit like pressed flowers. | 0:23:06 | 0:23:08 | |
You placed the seaweed onto the page, you weighted it down, | 0:23:08 | 0:23:11 | |
and then some gelatinous matter oozed out | 0:23:11 | 0:23:13 | |
and that stuck the seaweed to the paper. | 0:23:13 | 0:23:16 | |
But it was a huge thing. There were hobby shops | 0:23:16 | 0:23:18 | |
that sold specialist equipment, you could get special scissors | 0:23:18 | 0:23:21 | |
and pliers and stick with a needle on the end and all kinds of things. | 0:23:21 | 0:23:24 | |
For really lazy daughters, | 0:23:24 | 0:23:26 | |
there were ready-made seaweed albums available. | 0:23:26 | 0:23:29 | |
What happened - it was a bit like egg collecting and butterflies, | 0:23:29 | 0:23:32 | |
it caused the depletion of certain species, | 0:23:32 | 0:23:34 | |
some of which still have never recovered | 0:23:34 | 0:23:35 | |
and the green sponge ball is thought to be extinct because of that. | 0:23:35 | 0:23:39 | |
At least in the UK. | 0:23:39 | 0:23:40 | |
"Thought to be extinct"? | 0:23:40 | 0:23:42 | |
Ah, well, I've not done the whole coastline of Britain looking. | 0:23:42 | 0:23:45 | |
So there's a possibility. | 0:23:45 | 0:23:46 | |
-Yeah, I suppose there must be. -Well, the anticipation | 0:23:46 | 0:23:49 | |
of the green sponge ball is out there somewhere. | 0:23:49 | 0:23:53 | |
-Oh... -I tell you what's great about this story. | 0:23:53 | 0:23:56 | |
The very first book of photographs ever published in the world | 0:23:56 | 0:23:59 | |
is called Photographs Of British Algae | 0:23:59 | 0:24:01 | |
by Anna Atkins. | 0:24:01 | 0:24:03 | |
And she's thought to be the very first female photographer | 0:24:03 | 0:24:06 | |
and she did this wonderful... It's in the British Library. | 0:24:06 | 0:24:09 | |
I mean, seaweed's amazing. | 0:24:09 | 0:24:10 | |
There's thought to be 200,000-800,000 species | 0:24:10 | 0:24:13 | |
of micro-algae, which we can't even see. | 0:24:13 | 0:24:15 | |
-Too small to see with the naked eye. -That was a rubbish book. -Yeah. | 0:24:15 | 0:24:20 | |
Tiny book with nothing in it. | 0:24:20 | 0:24:23 | |
Incidentally, do you know why there's been a huge increase | 0:24:23 | 0:24:26 | |
in seaweed farming recently? | 0:24:26 | 0:24:28 | |
Sushi? People like the sushi? | 0:24:28 | 0:24:30 | |
KLAXON | 0:24:30 | 0:24:33 | |
Quick on it, aren't they? | 0:24:33 | 0:24:35 | |
Is it to do with Ben and Jerry? | 0:24:35 | 0:24:38 | |
Well, there is certainly seaweed in ice cream, | 0:24:38 | 0:24:40 | |
that is absolutely correct. | 0:24:40 | 0:24:41 | |
-LUCY: -Is it fuel? | 0:24:41 | 0:24:42 | |
Bio-fuel is exactly right. | 0:24:42 | 0:24:44 | |
It's very important as a renewable fuel. | 0:24:44 | 0:24:46 | |
The leading nations are China and Japan, South Korea, | 0:24:46 | 0:24:49 | |
but it is part of the UK's renewable energy strategy, | 0:24:49 | 0:24:52 | |
so we have farms that have been started off the Scottish coast. | 0:24:52 | 0:24:55 | |
And, in fact, there's an incredible seaweed farm in China | 0:24:55 | 0:24:58 | |
called the Sangou Bay. | 0:24:58 | 0:25:00 | |
It stretches for 10km out to sea and, unlike the wall, | 0:25:00 | 0:25:04 | |
it can be seen from space. | 0:25:04 | 0:25:05 | |
It is so huge, this seaweed farm. | 0:25:05 | 0:25:07 | |
The one that we eat, the red marine algae, Pyropia tenera, | 0:25:07 | 0:25:11 | |
that's been prized as a food since ancient times | 0:25:11 | 0:25:13 | |
in both Japan and Wales. | 0:25:13 | 0:25:14 | |
So in Japan, known as nori. What's it known as in Wales? | 0:25:14 | 0:25:18 | |
-WELSH ACCENT: -Nor-ri. | 0:25:18 | 0:25:19 | |
-I'll have some nor-ri, if you don't mind. -I like yours better. | 0:25:21 | 0:25:23 | |
-I love a bit of nor-ri. -What did you say? | 0:25:23 | 0:25:25 | |
-It's laver in laver bread, isn't it? -It is laver in laver bread. | 0:25:25 | 0:25:28 | |
So here's a great story. OK, so, for centuries, you could only harvest | 0:25:28 | 0:25:31 | |
seaweed from the wild, OK? | 0:25:31 | 0:25:33 | |
It couldn't be farmed. | 0:25:33 | 0:25:34 | |
And then there's an incredible woman in the 1940s | 0:25:34 | 0:25:37 | |
called Dr Kathleen Drew-Baker. | 0:25:37 | 0:25:38 | |
And she worked out the life cycle of laver and how it reproduced | 0:25:38 | 0:25:42 | |
and nobody in Britain paid any attention. | 0:25:42 | 0:25:44 | |
But the Japanese went crazy. It kick-started the gigantic | 0:25:44 | 0:25:49 | |
modern nori industry and thus the world-wide sushi craze. | 0:25:49 | 0:25:53 | |
It is because of Dr Kathleen Drew-Baker. | 0:25:53 | 0:25:55 | |
She never, ever went to Japan, but she is famous in Japan | 0:25:55 | 0:25:58 | |
as she's revered as the mother of the sea. | 0:25:58 | 0:26:00 | |
They hold a festival in her honour every April the 14th. | 0:26:00 | 0:26:03 | |
They sing songs at the Drew-Baker monument. | 0:26:03 | 0:26:05 | |
She didn't like posing for her picture, though, did she? | 0:26:05 | 0:26:08 | |
Also, what people don't know about her is that, | 0:26:08 | 0:26:11 | |
towards the end of her life, | 0:26:11 | 0:26:12 | |
she really angered Darth Vader. | 0:26:12 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:17 | |
That's very good. | 0:26:19 | 0:26:21 | |
Some years ago, an anthropologist asked Welsh youngsters | 0:26:21 | 0:26:24 | |
why they don't eat seaweed now, | 0:26:24 | 0:26:25 | |
and they said it's slimy, it's poor people's food, it's old-fashioned. | 0:26:25 | 0:26:29 | |
And so they were asked to name a fashionable food | 0:26:29 | 0:26:31 | |
and what did they say? | 0:26:31 | 0:26:32 | |
-ALL: -Sushi. -Sushi, yeah. | 0:26:32 | 0:26:34 | |
It's lovely, isn't it? But we probably eat it every day. | 0:26:34 | 0:26:36 | |
We eat it in ice cream, we have it in chocolate, toothpaste, beer... | 0:26:36 | 0:26:39 | |
-FRANKIE: -They eat it in Donegal. Dulse, it's called. | 0:26:39 | 0:26:41 | |
-As a snack or with food? -As a snack. | 0:26:41 | 0:26:43 | |
-Yeah. -Raw off the beach! | 0:26:43 | 0:26:45 | |
On all fours. | 0:26:45 | 0:26:47 | |
That picture on the right is slightly worrying. Erm... | 0:26:48 | 0:26:51 | |
Hang on a second, didn't you market that? | 0:26:54 | 0:26:56 | |
It's a harbinger of something, anyway. | 0:26:58 | 0:27:01 | |
It's because seaweed is also used as a sexual lubricant. | 0:27:01 | 0:27:04 | |
-It's incredibly effective at... -Seaweed?! | 0:27:04 | 0:27:06 | |
-Yes, seaweed. -Good lord! -Well, it's an extract called carrageenan. | 0:27:06 | 0:27:09 | |
It's incredibly effective at preventing | 0:27:09 | 0:27:11 | |
the spread of genital HPV, so, yeah. | 0:27:11 | 0:27:13 | |
That's worrying, if Godzilla actually exists, | 0:27:13 | 0:27:15 | |
that he's going to emerge already lubed up. | 0:27:15 | 0:27:18 | |
But handy if you're a little bit down there. | 0:27:22 | 0:27:24 | |
Just rub yourself against his foot. | 0:27:24 | 0:27:28 | |
"If you're a little bit down there"? | 0:27:28 | 0:27:31 | |
Come on, this is the BBC. | 0:27:31 | 0:27:33 | |
I can't say... | 0:27:33 | 0:27:35 | |
If you're a little bit down there | 0:27:35 | 0:27:36 | |
-and you've got a touch of the ahem... -Ahem! -And don't want to... | 0:27:36 | 0:27:39 | |
With the... Get the Godzilla and work with the, er, on the, er... | 0:27:39 | 0:27:43 | |
Yeah. | 0:27:43 | 0:27:44 | |
And this information video also available online. | 0:27:44 | 0:27:47 | |
A nuclear question for you next. | 0:27:49 | 0:27:50 | |
How does atomic gardening work? | 0:27:50 | 0:27:53 | |
Is that where you keep atomic kittens? In the atomic garden? | 0:27:53 | 0:27:57 | |
-That's so sweet, but no. -No. | 0:27:57 | 0:27:59 | |
What is atomic gardening? | 0:28:00 | 0:28:01 | |
It's a new Chanel 5 format. | 0:28:01 | 0:28:04 | |
Starring Alan Titchmarsh | 0:28:06 | 0:28:08 | |
and the unquiet ghost of Robert Oppenheimer. | 0:28:08 | 0:28:12 | |
LAUGHTER | 0:28:12 | 0:28:13 | |
-LUCY: -They're mutating Alan Titchmarsh. I love the idea. | 0:28:17 | 0:28:20 | |
We're going to have three heads on one Alan Titchmarsh. | 0:28:20 | 0:28:23 | |
-That's terrifying! -That's like every old lady's dream. | 0:28:23 | 0:28:26 | |
So it was a thing, atomic gardening. It was a thing, in fact, | 0:28:26 | 0:28:29 | |
almost all the peppermint oil used around the world to flavour things | 0:28:29 | 0:28:32 | |
like chewing gum and toothpaste comes from one cultivar | 0:28:32 | 0:28:35 | |
of peppermint. It's this Todd's Mitcham | 0:28:35 | 0:28:37 | |
which resulted from a very odd episode in 20th-century science | 0:28:37 | 0:28:40 | |
called atomic gardening. It was also known as gamma gardening. | 0:28:40 | 0:28:43 | |
So, after the Second World War, there was an Atoms For Peace | 0:28:43 | 0:28:45 | |
programme and it sought peaceful use for the science | 0:28:45 | 0:28:48 | |
that had led to the atomic bombs. | 0:28:48 | 0:28:49 | |
And people thought, if they exposed plants and seeds to radiation, | 0:28:49 | 0:28:52 | |
maybe some interesting mutations would result and there were some. | 0:28:52 | 0:28:56 | |
Red grapefruits and super-sweet sweetcorn, | 0:28:56 | 0:28:58 | |
both resulted from atomic gardening. | 0:28:58 | 0:29:00 | |
So various ways you could do it. You could strap the packets of seeds | 0:29:00 | 0:29:02 | |
to the inside of a hospital X-ray machine. | 0:29:02 | 0:29:05 | |
You could leave them in the fallout zone of a nuclear testing site. | 0:29:05 | 0:29:08 | |
Or you could do this, which is a circular garden | 0:29:08 | 0:29:11 | |
with a source of radiation in the middle. | 0:29:11 | 0:29:13 | |
And so the plant seeds RADIATE out. | 0:29:13 | 0:29:15 | |
-FRANKIE: -I think this could be an amazing episode of Countryfile. | 0:29:15 | 0:29:20 | |
"Welcome. I, John Craven, can now see through lead." | 0:29:20 | 0:29:24 | |
There was a wonderful woman called Muriel Howarth. | 0:29:28 | 0:29:31 | |
She was the doyenne of British nuclear gardening | 0:29:31 | 0:29:33 | |
and, in 1959, she grew the first atomic peanut. | 0:29:33 | 0:29:38 | |
It germinated in four days and was two foot tall. | 0:29:38 | 0:29:41 | |
I mean, sort of terrifying. | 0:29:41 | 0:29:44 | |
Wow. That's a hell of an M&M. | 0:29:44 | 0:29:46 | |
That is. Yeah. | 0:29:46 | 0:29:48 | |
There's an old movie, isn't there? | 0:29:48 | 0:29:49 | |
-The Effect Of Gamma Rays... -On Man-in-the-Moon Marigolds. | 0:29:49 | 0:29:52 | |
Do you know what's a really weird story about that film? | 0:29:52 | 0:29:54 | |
So, I was living in New York. Paul Newman directed it | 0:29:54 | 0:29:56 | |
and I auditioned to play the part of the daughter in the film. | 0:29:56 | 0:29:59 | |
-Really? -And I didn't get it. I was second. And do you know who got it? | 0:29:59 | 0:30:03 | |
Paul Newman's daughter! LAUGHTER | 0:30:03 | 0:30:06 | |
-Wow, that's amazing. -That is weird, isn't it? | 0:30:08 | 0:30:10 | |
So there are lots of things that we have today | 0:30:10 | 0:30:12 | |
which come from that period of gardening. | 0:30:12 | 0:30:14 | |
New varieties of rose and dahlias, snap dragons, carnations and so on. | 0:30:14 | 0:30:17 | |
There they were, Super Atomic Energized Seeds. | 0:30:17 | 0:30:20 | |
And so today, genetic engineering | 0:30:20 | 0:30:22 | |
has largely superseded the gamma garden. | 0:30:22 | 0:30:24 | |
Now to the NEST question. | 0:30:24 | 0:30:26 | |
Why would your mum have you for breakfast? | 0:30:26 | 0:30:29 | |
-Is there a species that eats its young? -Yes. | 0:30:31 | 0:30:34 | |
-Not all of the young, I presume? -Some. -It would be short-lived. | 0:30:34 | 0:30:37 | |
But why might that be? | 0:30:37 | 0:30:38 | |
Is it that the babies are just particularly delicious? | 0:30:38 | 0:30:42 | |
You think they just can't resist that. | 0:30:42 | 0:30:44 | |
Yeah, exactly, like a little quail or something. | 0:30:44 | 0:30:46 | |
You go, "Ooh... | 0:30:46 | 0:30:48 | |
"Ooh, lovely. Lovely bit of butter on that." | 0:30:48 | 0:30:50 | |
Yeah, it's lucky that chickens don't like eggs, really, isn't it? | 0:30:50 | 0:30:53 | |
-Yeah, that's true. -Yeah. | 0:30:53 | 0:30:54 | |
They're all sitting there eating omelettes and dying out. | 0:30:54 | 0:30:57 | |
Maybe it's that thing where you sniff your own baby | 0:30:58 | 0:31:00 | |
and they seem to you so delicious, you almost want to eat them. | 0:31:00 | 0:31:03 | |
-Yeah. -Maybe insects just go, | 0:31:03 | 0:31:05 | |
"There's no society to hold me back, I'm going to follow through." | 0:31:05 | 0:31:09 | |
I often say I could eat my son with a spoon. | 0:31:09 | 0:31:11 | |
-I don't mean it, but... LUCY: -Yeah. It's the knees. | 0:31:11 | 0:31:13 | |
I could just eat babies' knees all day long. | 0:31:13 | 0:31:16 | |
-I really could. Just the knees. -They are just gorgeous. | 0:31:16 | 0:31:18 | |
-They could have the rest. -Yeah. Even their feet are... | 0:31:18 | 0:31:21 | |
-Oh, yeah. -Delicious. | 0:31:21 | 0:31:22 | |
No, we are talking about a burrowing beetle and its larva. | 0:31:22 | 0:31:26 | |
And it chooses to make its life in a rotting corpse | 0:31:26 | 0:31:29 | |
of some kind or other, and that's where it has its babies. | 0:31:29 | 0:31:32 | |
And it has to adjust the size of the brood to the size of the carcass. | 0:31:32 | 0:31:36 | |
There's got to be enough food. | 0:31:36 | 0:31:38 | |
And so, researchers at the University of Edinburgh | 0:31:38 | 0:31:40 | |
have established that she will choose to eat the ones | 0:31:40 | 0:31:43 | |
that nag her most. | 0:31:43 | 0:31:44 | |
-This is great parenting. -Yeah. -This is what we all need, isn't it? | 0:31:47 | 0:31:50 | |
So, the burrowing beetle baby that keeps going, "I want a snack, | 0:31:50 | 0:31:53 | |
"I want a snack..." Gone. | 0:31:53 | 0:31:55 | |
-Finished. -If my children are watching, I am learning a lot. | 0:31:56 | 0:31:59 | |
Your children aren't watching, | 0:32:01 | 0:32:02 | |
they're in their bedrooms with their knees missing. | 0:32:02 | 0:32:05 | |
APPLAUSE | 0:32:07 | 0:32:10 | |
Are you a nagger, Lucy? Do you nag your children? | 0:32:15 | 0:32:17 | |
No, they nag me. Absolutely. | 0:32:17 | 0:32:19 | |
Well, apparently, nagging does work. | 0:32:19 | 0:32:21 | |
They did some research at Harvard Business School | 0:32:21 | 0:32:23 | |
and the best way for managers to get staff to do something | 0:32:23 | 0:32:26 | |
is to nag them continually. | 0:32:26 | 0:32:28 | |
They found the most effective managers repeat themselves | 0:32:28 | 0:32:31 | |
at least once and often in two different ways. | 0:32:31 | 0:32:33 | |
So you have a conversation and you follow it up by an e-mail. | 0:32:33 | 0:32:36 | |
So nagging your staff is hugely successful. | 0:32:36 | 0:32:39 | |
How irritating is that? | 0:32:39 | 0:32:41 | |
I read a parenting book that said, | 0:32:41 | 0:32:43 | |
instead of couching everything in words, | 0:32:43 | 0:32:45 | |
you just say the salient word. So if you want them to put their shoes on, | 0:32:45 | 0:32:48 | |
you just go, "Shoes!" | 0:32:48 | 0:32:49 | |
"Teeth!" | 0:32:49 | 0:32:50 | |
And, in the morning, it's like I've got some really weird Tourette's. | 0:32:50 | 0:32:54 | |
Just... "Shoes! Teeth! Mummy's gin!" | 0:32:54 | 0:32:56 | |
Apparently daughters nagged by their mothers grow up to be high earners. | 0:32:58 | 0:33:02 | |
The thing I like is, in Japan, men who are trying to diet | 0:33:02 | 0:33:05 | |
can subscribe to a virtual wife | 0:33:05 | 0:33:08 | |
and she will nag you four times a day by e-mail | 0:33:08 | 0:33:12 | |
and there's different wife varieties on offer. | 0:33:12 | 0:33:14 | |
You can have a maid, a businesswoman, | 0:33:14 | 0:33:16 | |
a nurse or a manicurist. | 0:33:16 | 0:33:18 | |
Any of you boys do half the housework in your homes? | 0:33:20 | 0:33:22 | |
Don't be stupid! | 0:33:22 | 0:33:24 | |
Because here's an extraordinary thing. | 0:33:26 | 0:33:27 | |
In heterosexual relationships, even if the man does half the housework, | 0:33:27 | 0:33:31 | |
it's usually the woman who's in charge of allocating the tasks, | 0:33:31 | 0:33:34 | |
and making sure it gets done. | 0:33:34 | 0:33:36 | |
So, in other words, nagging itself, | 0:33:36 | 0:33:38 | |
yet another job about the house which women are expected to do, | 0:33:38 | 0:33:42 | |
and men wriggle out of. | 0:33:42 | 0:33:45 | |
Moving on now. All the way from Pennsylvania, | 0:33:45 | 0:33:48 | |
the marvel from Philadelphia, Euphonia! | 0:33:48 | 0:33:51 | |
What's her act? | 0:33:51 | 0:33:54 | |
She removes her legs... | 0:33:54 | 0:33:55 | |
..and hovers above a man on a knitting machine. | 0:33:56 | 0:34:00 | |
Well, you're not far off. It is a machine. | 0:34:00 | 0:34:03 | |
She looks rather hirsute, doesn't she? | 0:34:03 | 0:34:05 | |
She's called Euphonia, she's from 1845. | 0:34:05 | 0:34:08 | |
-FRANKIE: -Were they trying to do the turkey experiment with a human? | 0:34:08 | 0:34:11 | |
It's heading more and more towards the head. | 0:34:13 | 0:34:15 | |
She's stolen his beard, he's stolen her legs... | 0:34:15 | 0:34:19 | |
-Oh, that's scary. -Yeah. | 0:34:19 | 0:34:20 | |
So, 1845, a German inventor called Joseph Faber | 0:34:20 | 0:34:23 | |
exhibited this incredible machine. | 0:34:23 | 0:34:25 | |
It could talk, it had bellows for lungs, | 0:34:25 | 0:34:27 | |
a tongue and a larynx made of wires and reeds and levers, | 0:34:27 | 0:34:30 | |
and it was operated by a piano-like keyboard. | 0:34:30 | 0:34:32 | |
So there were 16 keys, plus one to open the glottis, the vocal cords, | 0:34:32 | 0:34:36 | |
and foot pedals, and sounds came out of her mouth. | 0:34:36 | 0:34:39 | |
She could laugh, she could whisper, she could sing God Save The Queen. | 0:34:39 | 0:34:42 | |
But the fundamental problem with her is that she scared people. | 0:34:42 | 0:34:45 | |
-Yeah, she's scaring me now! -Yeah. She had... | 0:34:45 | 0:34:47 | |
Urgh! | 0:34:47 | 0:34:49 | |
The turkeys have kicked off! | 0:34:49 | 0:34:51 | |
"That's the one." | 0:34:53 | 0:34:54 | |
HE IMITATES AN EXCITED TURKEY | 0:34:54 | 0:34:56 | |
It's like a frustrated turkey was in the room! | 0:34:59 | 0:35:01 | |
Apparently, her tongue lolled about in her mouth | 0:35:03 | 0:35:05 | |
-and her voice was awful. -Oh, no. | 0:35:05 | 0:35:07 | |
It was as if it came from the depths of a tomb. | 0:35:07 | 0:35:09 | |
It was very, sort of, hoarse and hideous. | 0:35:09 | 0:35:11 | |
And Faber, who made it, | 0:35:11 | 0:35:13 | |
twice he destroyed the Euphonia out of frustration. | 0:35:13 | 0:35:15 | |
And the first time, he rebuilt it, and the second time, well, | 0:35:15 | 0:35:18 | |
-he took his own life. -So it's basically like Siri. | 0:35:18 | 0:35:21 | |
It is a kind of Siri. | 0:35:21 | 0:35:23 | |
Now, how does a dog know another dog is a dog if it can't smell it? | 0:35:23 | 0:35:29 | |
It can see it? | 0:35:29 | 0:35:30 | |
-That's all there is too it. -Really? | 0:35:32 | 0:35:35 | |
Sometimes, it's right. That's why I keep saying it! | 0:35:35 | 0:35:38 | |
Sometimes, it's just right. | 0:35:38 | 0:35:39 | |
So the extraordinary thing about dogs is they come in such a variety | 0:35:39 | 0:35:42 | |
of shapes and sizes, more so than really any other animal species. | 0:35:42 | 0:35:46 | |
But a Labrador knows that a Chihuahua or a Newfoundland | 0:35:46 | 0:35:49 | |
all belong in the same category. So smell and hearing help, | 0:35:49 | 0:35:52 | |
but they actually recognise one another by their faces. | 0:35:52 | 0:35:55 | |
So they can be shown a range of dog breeds | 0:35:55 | 0:35:57 | |
and they're able to indicate which ones are dogs. | 0:35:57 | 0:36:00 | |
They can see. | 0:36:00 | 0:36:01 | |
-ROSS: -So is a dog more likely to buy car insurance... | 0:36:01 | 0:36:05 | |
off the one on the left? | 0:36:05 | 0:36:06 | |
Yes, that's right. | 0:36:11 | 0:36:13 | |
Do you think... Could a person tell another person by smell alone? | 0:36:14 | 0:36:18 | |
Ah, well, I could be blindfolded | 0:36:18 | 0:36:19 | |
and have my three children be in the room | 0:36:19 | 0:36:22 | |
and I would be able to know which one was which. | 0:36:22 | 0:36:23 | |
-You know if it's a human poo or a dog poo by smell. -Yes. | 0:36:23 | 0:36:28 | |
And by the feel of it when you stand in it. | 0:36:28 | 0:36:30 | |
LAUGHTER AND GROANING | 0:36:30 | 0:36:32 | |
Dogs can tell that dogs are dogs just by looking at them. | 0:36:34 | 0:36:37 | |
Now, fingers next to buzzers, please, | 0:36:37 | 0:36:39 | |
for the General Ignorance round. | 0:36:39 | 0:36:41 | |
Why are dock leaves good for nettle stings? | 0:36:41 | 0:36:43 | |
# Next to you. # | 0:36:43 | 0:36:45 | |
-Ross? -They're not. | 0:36:45 | 0:36:47 | |
You're absolutely right. | 0:36:47 | 0:36:49 | |
The fact is, we don't even know why nettle stings hurt quite so much, | 0:36:49 | 0:36:52 | |
or last so long. What we do know | 0:36:52 | 0:36:54 | |
is that nettles are covered with tiny little hollow hairs, | 0:36:54 | 0:36:56 | |
which break off when you touch them and they act like needles | 0:36:56 | 0:36:59 | |
and they inject, oh, it's a cocktail of unpleasantness into your skin... | 0:36:59 | 0:37:03 | |
But yet, delightful as soup. | 0:37:03 | 0:37:06 | |
Very good as soup and, in theory, very, very good medicine. | 0:37:06 | 0:37:08 | |
So, there's a thing called urtification, | 0:37:08 | 0:37:10 | |
-do you know what that is? -I don't, no. | 0:37:10 | 0:37:12 | |
It's beating yourself with stinging nettles, fundamentally. | 0:37:12 | 0:37:15 | |
And the Romans used to do it in Britain, because there was damp | 0:37:15 | 0:37:17 | |
and it gave them arthritis. | 0:37:17 | 0:37:19 | |
And so urtification apparently got rid of it. | 0:37:19 | 0:37:21 | |
And they did a study in 2000, | 0:37:21 | 0:37:23 | |
and the Royal Society of Medicine confirmed it is a safe | 0:37:23 | 0:37:25 | |
and effective treatment for rheumatic pain, so you can use it. | 0:37:25 | 0:37:29 | |
-Not many people know that the actor John Nettles... -Yes. | 0:37:29 | 0:37:32 | |
..you shake his hand, burns your skin. | 0:37:32 | 0:37:34 | |
-It's horrible, horrible. -But if you throw yourself against him, | 0:37:34 | 0:37:38 | |
gets rid of your rheumatism. | 0:37:38 | 0:37:40 | |
Very much so. Romans can't help themselves. | 0:37:40 | 0:37:43 | |
Getting John Nettles to smack himself against them. | 0:37:43 | 0:37:47 | |
Old ladies, he's like a faith healer. | 0:37:47 | 0:37:50 | |
You know when they're like... "Have you got rheumatism in your body? | 0:37:50 | 0:37:53 | |
"I want you to come down." | 0:37:53 | 0:37:54 | |
John Nettles slaps you on the knees. | 0:37:54 | 0:37:56 | |
Your kids would like him. | 0:37:58 | 0:37:59 | |
The longer I work with Ross, the more I believe him, | 0:38:02 | 0:38:04 | |
which is... LAUGHTER DROWNS SPEECH | 0:38:04 | 0:38:06 | |
Now, what kind of questions are barristers never allowed | 0:38:06 | 0:38:09 | |
to ask the witness? | 0:38:09 | 0:38:12 | |
Leading questions. | 0:38:12 | 0:38:14 | |
KLAXON | 0:38:14 | 0:38:16 | |
# Next door... # | 0:38:20 | 0:38:22 | |
-Lucy? -Multiple choice? | 0:38:22 | 0:38:24 | |
APPLAUSE | 0:38:27 | 0:38:29 | |
"Did you A, kill them, B, have a takeaway, C...?" | 0:38:33 | 0:38:38 | |
"Oh, mostly Cs, you're a Gemini!" | 0:38:38 | 0:38:40 | |
So, you can sometimes have leading questions. | 0:38:42 | 0:38:45 | |
They are allowed in cross-examination. | 0:38:45 | 0:38:47 | |
So, when you're questioning the other side's witness, | 0:38:47 | 0:38:49 | |
it's absolutely fine. They're not allowed in what's called | 0:38:49 | 0:38:51 | |
evidence in chief. So, that's when you're questioning your own side. | 0:38:51 | 0:38:55 | |
You couldn't, for example, say, | 0:38:55 | 0:38:56 | |
"And did the accused hit you about the buttocks with the cucumber?" | 0:38:56 | 0:39:00 | |
You're not allowed to say that... | 0:39:00 | 0:39:02 | |
-"Or, did he B..." -Yeah. -"..put the cucumber between the buttocks?" | 0:39:04 | 0:39:08 | |
"Or, was it C, the actor John Nettles, | 0:39:08 | 0:39:12 | |
-"who was just trying to help?" -Yeah, you're not allowed to do that. | 0:39:12 | 0:39:15 | |
You have to say "what happened next", is basically the thing. | 0:39:15 | 0:39:17 | |
But, in cross-examination, | 0:39:17 | 0:39:19 | |
you're not only allowed to ask leading questions, | 0:39:19 | 0:39:21 | |
most people say you SHOULD ask them. | 0:39:21 | 0:39:23 | |
Is the fellow on the right, by any chance, saying "tattyfilarious"? | 0:39:23 | 0:39:28 | |
"Oh, what a lovely day, what a lovely day for committing murder." | 0:39:28 | 0:39:32 | |
That's why I didn't become a lawyer, | 0:39:35 | 0:39:36 | |
there's not enough funny voices in the law. | 0:39:36 | 0:39:38 | |
Now, what kind of evidence isn't going to get you convicted | 0:39:40 | 0:39:43 | |
under any circumstances? | 0:39:43 | 0:39:46 | |
Circumstantial. | 0:39:46 | 0:39:48 | |
KLAXON | 0:39:48 | 0:39:50 | |
And that was a leading question! | 0:39:51 | 0:39:53 | |
We think it's the case that you can't use circumstantial, | 0:39:56 | 0:39:59 | |
but in fact most convictions depend entirely on circumstantial evidence. | 0:39:59 | 0:40:02 | |
Because fingerprints and DNA samples and phone records, | 0:40:02 | 0:40:06 | |
credit card receipts, bloodstains, lack of an alibi, | 0:40:06 | 0:40:09 | |
that can all be circumstantial evidence, | 0:40:09 | 0:40:11 | |
stuff from which you can infer that somebody was present at a crime. | 0:40:11 | 0:40:16 | |
And finally, a male black widow spider | 0:40:16 | 0:40:19 | |
and a female black widow spider have just finished having sex. | 0:40:19 | 0:40:23 | |
What happens next? | 0:40:23 | 0:40:25 | |
-# Next to you. # -Yeah, Ross? | 0:40:25 | 0:40:28 | |
Tiny cigarette. | 0:40:28 | 0:40:30 | |
APPLAUSE | 0:40:30 | 0:40:33 | |
-Oh, no, no! It wouldn't be a tiny cigarette, would it? -No. | 0:40:33 | 0:40:36 | |
It'd be eight tiny cigarettes. Like that. | 0:40:36 | 0:40:39 | |
"Shall we do it again?" | 0:40:48 | 0:40:49 | |
Maybe she could try and kill him in that way, rather than by eating him, | 0:40:51 | 0:40:53 | |
which I think is the answer that we were being led towards. | 0:40:53 | 0:40:56 | |
Ah, she eats him. | 0:40:56 | 0:40:58 | |
KLAXON | 0:40:58 | 0:41:00 | |
No, she does not, if she's a black widow. | 0:41:06 | 0:41:08 | |
So, there is one species in the widow group in which the female, | 0:41:08 | 0:41:12 | |
let's say, routinely eats the male... | 0:41:12 | 0:41:14 | |
-Scottish widows? -The Scottish widow! | 0:41:14 | 0:41:16 | |
Yes, but at least she's insured. | 0:41:20 | 0:41:22 | |
It's the redback spider of Australia, it's the only one. | 0:41:23 | 0:41:26 | |
There are three species found in North America | 0:41:26 | 0:41:29 | |
and post-coital cannibalism in one of the three is rare | 0:41:29 | 0:41:32 | |
and, in the other two, it's completely unknown. | 0:41:32 | 0:41:34 | |
And they get their name "widow" | 0:41:34 | 0:41:35 | |
probably because people have watched their behaviour in captivity, | 0:41:35 | 0:41:39 | |
when they're not behaving normally, I think. | 0:41:39 | 0:41:40 | |
So how dangerous do you think a black widow bite is to humans? | 0:41:40 | 0:41:43 | |
-Very. -No. | 0:41:43 | 0:41:45 | |
It's almost unheard of, in fact, for anybody to die from it. | 0:41:45 | 0:41:48 | |
-Right. -Bit of soap and water, that'll get rid of it. | 0:41:48 | 0:41:50 | |
Unless you have a particular allergic reaction to it. | 0:41:50 | 0:41:52 | |
Actually, it's surprisingly hard to get bitten in the first place, | 0:41:52 | 0:41:55 | |
because the venom is metabolically costly to the spider, | 0:41:55 | 0:41:58 | |
so she's not going to use it unless she absolutely has to. | 0:41:58 | 0:42:00 | |
And so they've done lots of tests and they've been poking and prodding | 0:42:00 | 0:42:03 | |
with jelly fingers and mostly it's a dry bite that you'd get, | 0:42:03 | 0:42:06 | |
so there's no venom in it. It's not, er... | 0:42:06 | 0:42:09 | |
Are they commercially available, the jelly fingers? | 0:42:09 | 0:42:11 | |
I think you could make your own. | 0:42:14 | 0:42:15 | |
Get that down! That'll be in that warehouse of things | 0:42:15 | 0:42:18 | |
that people don't buy. | 0:42:18 | 0:42:19 | |
The Museum of Failed Products. | 0:42:19 | 0:42:22 | |
Post-coital cannibalism amongst black widows is the exception, | 0:42:22 | 0:42:25 | |
not the rule. What usually happens is that the male says he'll text her | 0:42:25 | 0:42:30 | |
and then he never... | 0:42:30 | 0:42:32 | |
OK, next, it's the scores and, in first place, | 0:42:32 | 0:42:34 | |
with a magnificent 6 points, it's Ross! | 0:42:34 | 0:42:36 | |
APPLAUSE | 0:42:36 | 0:42:38 | |
And in second, just one point behind with 5, it's Frankie! | 0:42:41 | 0:42:45 | |
APPLAUSE | 0:42:45 | 0:42:47 | |
In third place, with -4, Lucy! | 0:42:49 | 0:42:52 | |
APPLAUSE | 0:42:52 | 0:42:54 | |
APPLAUSE DROWNS SPEECH | 0:42:54 | 0:42:57 | |
And in fourth place, with -10, | 0:42:57 | 0:43:00 | |
it's the audience! | 0:43:00 | 0:43:02 | |
Which means that, in last place of the next show, is, was, | 0:43:07 | 0:43:12 | |
or will be, with -25, Alan. | 0:43:12 | 0:43:14 | |
APPLAUSE | 0:43:14 | 0:43:16 | |
My thanks to Frankie, Ross, Lucy and Alan. | 0:43:22 | 0:43:24 | |
I leave you with this news from the Western Daily Press, | 0:43:24 | 0:43:27 | |
concerning what people plan to do next, after they retire. | 0:43:27 | 0:43:31 | |
A survey of 1,000 over-50-year-olds found that many | 0:43:31 | 0:43:35 | |
intended to travel more, write a book, do a parachute jump, | 0:43:35 | 0:43:38 | |
or take up a new hobby when they reach 60. | 0:43:38 | 0:43:40 | |
Some of those polled said they wanted to become a volunteer, | 0:43:40 | 0:43:43 | |
or raise money for charity. | 0:43:43 | 0:43:45 | |
While others just wanted to eat more cakes, and have more sex. | 0:43:45 | 0:43:48 | |
Until next time, goodbye. | 0:43:48 | 0:43:50 | |
APPLAUSE | 0:43:50 | 0:43:53 |