Browse content similar to Origins and Openings. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Good evening and welcome to QI | 0:00:32 | 0:00:35 | |
for a truly original episode about origins and openings. | 0:00:35 | 0:00:40 | |
Please welcome, with open arms, the open-eyed Rich Hall. | 0:00:40 | 0:00:43 | |
APPLAUSE | 0:00:43 | 0:00:46 | |
The open-minded Susan Calman. | 0:00:47 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:53 | |
The open-mouthed Josh Widdicombe. | 0:00:54 | 0:00:57 | |
APPLAUSE | 0:00:57 | 0:00:59 | |
And opening a can of worms, it's Alan Davies. | 0:01:01 | 0:01:04 | |
APPLAUSE | 0:01:04 | 0:01:07 | |
So, without further ado, I declare the show open. | 0:01:11 | 0:01:13 | |
Rich goes... | 0:01:13 | 0:01:14 | |
GRIEG'S PIANO CONCERTO | 0:01:14 | 0:01:20 | |
That's lovely. | 0:01:22 | 0:01:23 | |
-I have to wait for all of that before I can answer? -Yes. | 0:01:23 | 0:01:27 | |
Susan goes... | 0:01:27 | 0:01:28 | |
DRAMATIC ORCHESTRAL MUSIC | 0:01:28 | 0:01:34 | |
Some of the greatest openings in the world. Josh goes... | 0:01:37 | 0:01:40 | |
BEETHOVEN'S FIFTH SYMPHONY | 0:01:40 | 0:01:44 | |
Alan goes... | 0:01:44 | 0:01:45 | |
MUPPET SHOW OPENING THEME | 0:01:45 | 0:01:49 | |
APPLAUSE | 0:01:52 | 0:01:55 | |
Right, I'd like you to act out the opening scene | 0:01:55 | 0:01:58 | |
of the classic film All Together Passionately. | 0:01:58 | 0:02:01 | |
Sorry, am I on the wrong show? | 0:02:01 | 0:02:04 | |
I mean, I'm happy to do it, as long as I can go on top. | 0:02:04 | 0:02:07 | |
I think you should speak to Josh. | 0:02:09 | 0:02:11 | |
As long as you've got a cushion, I'm fine with it. | 0:02:11 | 0:02:13 | |
Anybody know All Together Passionately? | 0:02:15 | 0:02:17 | |
-A great film. -It's not ringing any bells. | 0:02:17 | 0:02:19 | |
It is the Italian name, I will tell you, for a very famous film. | 0:02:19 | 0:02:22 | |
Tutti Insieme Appassionatamente. | 0:02:22 | 0:02:26 | |
I'll be honest, if anything, I'm further away from the answer. | 0:02:26 | 0:02:29 | |
-OK, if I do this... -The Passion of the Christ. | 0:02:30 | 0:02:32 | |
-No. -Titanic. -Titanic? | 0:02:32 | 0:02:34 | |
No, and I'm twirling around on top of an Austrian mountain... | 0:02:34 | 0:02:37 | |
Oh, The Sound Of Music. | 0:02:37 | 0:02:38 | |
The Sound Of Music. It is the Italian name... | 0:02:38 | 0:02:40 | |
There's no Italian phrase for the sound of music? | 0:02:40 | 0:02:43 | |
Apparently, that's what they called it, All Together Passionately. | 0:02:43 | 0:02:46 | |
In Italy? | 0:02:46 | 0:02:47 | |
That sounds like a film you wouldn't watch on a train. | 0:02:47 | 0:02:50 | |
-Do you watch a lot of films on trains? -Lots of them. You have to... | 0:02:50 | 0:02:53 | |
Oh, yes, because you don't fly, so you spend your life on a train. | 0:02:53 | 0:02:55 | |
Yes, so you have to be very careful sometimes if you have a film | 0:02:55 | 0:02:58 | |
with a bit of... | 0:02:58 | 0:02:59 | |
-Naughtiness. -..naughtiness. You have to turn it to the window. | 0:02:59 | 0:03:02 | |
Does anybody here cry at movies on planes | 0:03:02 | 0:03:05 | |
that you wouldn't normally cry at? | 0:03:05 | 0:03:07 | |
Like Paul Blart - Mall Cop, that's... | 0:03:07 | 0:03:10 | |
I'm in floods. Floods! | 0:03:11 | 0:03:13 | |
Not just at movies, sometimes just a credit card ad. | 0:03:13 | 0:03:15 | |
Like, "Oh, my God, she lost her... | 0:03:15 | 0:03:17 | |
"Oh, she got it back. Thank God!" | 0:03:17 | 0:03:19 | |
So many emotions to handle in one commercial! | 0:03:20 | 0:03:23 | |
Well, here is a thing about The Sound Of Music. | 0:03:23 | 0:03:25 | |
It was so popular in South Korea when it was first released, | 0:03:25 | 0:03:29 | |
one theatre owner in Seoul made the film shorter | 0:03:29 | 0:03:33 | |
by cutting out all the musical numbers... | 0:03:33 | 0:03:35 | |
LAUGHTER | 0:03:35 | 0:03:37 | |
..so they could show it more often. | 0:03:37 | 0:03:40 | |
Do you know what? I've never seen it. | 0:03:40 | 0:03:42 | |
-GASPS -Josh! | 0:03:42 | 0:03:44 | |
-Oh, really, never? -You've never seen... | 0:03:44 | 0:03:46 | |
-THROATILY: -# You are 16, going on 17... # | 0:03:46 | 0:03:49 | |
Yeah, it's like that, but with a tune. | 0:03:49 | 0:03:51 | |
APPLAUSE | 0:03:52 | 0:03:55 | |
In 2004, the Sun reportedly saw a leaked document - | 0:03:58 | 0:04:01 | |
we don't know if it's true - that in the event of a nuclear bomb | 0:04:01 | 0:04:04 | |
going off, the advice is going to be to stay indoors and watch television. | 0:04:04 | 0:04:07 | |
And apparently, BBC bunkers will broadcast | 0:04:07 | 0:04:09 | |
-The Sound Of Music for 100 days, or until we're all dead. -Wow. | 0:04:09 | 0:04:14 | |
You're all going to go, "I've seen it." That's when I cash in! | 0:04:14 | 0:04:17 | |
Do you know, I was once lucky enough to meet Julie Andrews? | 0:04:19 | 0:04:21 | |
It's the only time in my entire life I have been completely speechless. | 0:04:21 | 0:04:24 | |
Because she wouldn't shut up? | 0:04:24 | 0:04:26 | |
Kept harping on about what her favourite things were. | 0:04:26 | 0:04:29 | |
It was very annoying. | 0:04:29 | 0:04:30 | |
-COCKNEY: -"Do you like them tied up with string? | 0:04:34 | 0:04:38 | |
"I bet you do, girl! I bet you do! | 0:04:38 | 0:04:41 | |
"What's a deer? What's a female deer? Come on!" | 0:04:41 | 0:04:44 | |
Julie, leave it alone! | 0:04:44 | 0:04:46 | |
"I'll get the puppets out. I'll get the puppets out! | 0:04:48 | 0:04:50 | |
"Do you want to see the goat herd? | 0:04:50 | 0:04:52 | |
" # High on the hill... # It wasn't me singing. | 0:04:54 | 0:04:56 | |
" # High on the hill... # | 0:04:56 | 0:04:57 | |
"I'm Maria. I'll be back with you. I'm Maria." | 0:04:59 | 0:05:01 | |
Shut up, Julie! God! | 0:05:02 | 0:05:05 | |
APPLAUSE | 0:05:05 | 0:05:08 | |
I'll be honest, I understood none of that. | 0:05:13 | 0:05:16 | |
OK, let's try five more original movie titles. | 0:05:17 | 0:05:20 | |
The top one, I can tell you, Please Don't Touch The Old Women, | 0:05:20 | 0:05:23 | |
an Italian version of a famous film. | 0:05:23 | 0:05:26 | |
Is it Cocoon? | 0:05:26 | 0:05:27 | |
No! | 0:05:30 | 0:05:31 | |
It's The Producers. | 0:05:31 | 0:05:33 | |
-What?! -The Producers. | 0:05:33 | 0:05:35 | |
Yes. Because, you know, the whole thing is about him raising money | 0:05:35 | 0:05:38 | |
from the old women, so I guess that's the bit they most focused on. | 0:05:38 | 0:05:41 | |
Try the next one - this is the Brazilian title of a famous film. | 0:05:41 | 0:05:44 | |
11 Men And A Secret. | 0:05:44 | 0:05:45 | |
Ah, it was 12 Angry Men, but one of them is transgender. | 0:05:45 | 0:05:48 | |
-Ocean's Eleven. -It is Ocean's Eleven, you're absolutely right. | 0:05:56 | 0:05:59 | |
-Yay! -OK, this one is also Italian, this next one. | 0:05:59 | 0:06:02 | |
Don't Open That Door! | 0:06:02 | 0:06:05 | |
Das Boot. | 0:06:05 | 0:06:06 | |
APPLAUSE | 0:06:08 | 0:06:10 | |
It's The Texas Chain Saw Massacre. | 0:06:13 | 0:06:15 | |
Right, this next one is Chinese. | 0:06:17 | 0:06:18 | |
I'll be honest, when you say which country it's from, | 0:06:18 | 0:06:21 | |
it's of no relevance. "Oh, it's Chinese, oh, yes." | 0:06:21 | 0:06:23 | |
It's Chinese, yes. His Great... | 0:06:23 | 0:06:24 | |
MUPPET SHOW OPENING THEME Yes? | 0:06:24 | 0:06:26 | |
The Man With The Golden Gun. | 0:06:26 | 0:06:28 | |
Come on! | 0:06:28 | 0:06:30 | |
No, it's Boogie Nights. | 0:06:30 | 0:06:31 | |
Oh! | 0:06:31 | 0:06:32 | |
No, no, no, no! | 0:06:36 | 0:06:38 | |
Would you like to see my great device? | 0:06:38 | 0:06:40 | |
-That's horrific. -OK, let's try a few the other way round. | 0:06:42 | 0:06:45 | |
I want you to think of better titles for these actual films. | 0:06:45 | 0:06:47 | |
So Jaws, I have the French title, | 0:06:47 | 0:06:49 | |
but what do you think would be a better title for Jaws? | 0:06:49 | 0:06:51 | |
Angry Halibut. | 0:06:51 | 0:06:53 | |
That was the original screenplay, it wasn't about a shark at all. | 0:06:55 | 0:06:59 | |
It's a furious halibut. | 0:06:59 | 0:07:00 | |
A Large Expanse Of Water That's Still On The Surface. | 0:07:00 | 0:07:03 | |
So the French title of Jaws is The Teeth From The Sea. | 0:07:03 | 0:07:06 | |
-Teeth From The Sea. -Try this one. | 0:07:06 | 0:07:08 | |
Free Willy - any better titles for that? | 0:07:08 | 0:07:10 | |
Oh! The Device Made Him Famous. | 0:07:10 | 0:07:13 | |
I don't know. | 0:07:13 | 0:07:14 | |
Release The Penis. | 0:07:14 | 0:07:16 | |
The Chinese title is A Very Powerful Whale Runs to Heaven. | 0:07:17 | 0:07:21 | |
-Quite... -It's like something you'd get in a fortune cookie. | 0:07:24 | 0:07:26 | |
It's quite literal, isn't it? Yes. Bad Santa? | 0:07:26 | 0:07:28 | |
Anybody got a better title for Bad Santa? | 0:07:28 | 0:07:31 | |
-Good Santa. -Good Santa. | 0:07:31 | 0:07:33 | |
The Czech Republic is Santa Is A Pervert. | 0:07:33 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:38 | |
Die Hard was released in Germany as Die Slowly, | 0:07:41 | 0:07:44 | |
in Greece as Very Hard To Die and in Norway as Action Skyscraper. | 0:07:44 | 0:07:48 | |
And SpongeBob Squarepants was originally going to be | 0:07:50 | 0:07:52 | |
SpongeBob Ahoy, | 0:07:52 | 0:07:53 | |
but that turned out to be the copyright for the name of a mop | 0:07:53 | 0:07:56 | |
and so they couldn't have that. | 0:07:56 | 0:07:58 | |
That's true. And Lion King's working title was King Of The Jungle. | 0:07:58 | 0:08:02 | |
-Why does that not work as a title, King Of The Jungle? -Cos... -Cos? | 0:08:02 | 0:08:06 | |
-..the lion... -Yes? -..is not... -Yes? -..in the jungle. | 0:08:06 | 0:08:09 | |
Correct, it does not live in the jungle. | 0:08:09 | 0:08:12 | |
So King Of The Jungle would be something else. | 0:08:12 | 0:08:14 | |
-I've never seen The Lion King. -Oh, my God! -Have you not? -No. | 0:08:14 | 0:08:16 | |
GASPS Ooh. | 0:08:16 | 0:08:18 | |
-I know! -Oh, it's not so nice when it happens to you, is it? -Yeah. | 0:08:18 | 0:08:22 | |
Now, what's the most original idea in this book? | 0:08:22 | 0:08:26 | |
-What year is this? -1831, it was published. | 0:08:26 | 0:08:29 | |
This fella, Patrick Matthew, is he by any chance Scottish? | 0:08:29 | 0:08:33 | |
-He is, he's a Scottish, or was... -From near Scone. | 0:08:33 | 0:08:36 | |
-..a Scottish horticulturalist. -Yes. -And what is he famous for? | 0:08:36 | 0:08:39 | |
I think he came up with some of the ideas which Darwin then | 0:08:39 | 0:08:42 | |
took on in The Origin Of The Species. | 0:08:42 | 0:08:45 | |
Well, you are right and not right, in that he did have the original | 0:08:45 | 0:08:49 | |
ideas about natural selection being the mechanism for evolution, | 0:08:49 | 0:08:52 | |
but Darwin had no idea that Matthew had come up with this. | 0:08:52 | 0:08:56 | |
So 30 years later, we're 1860, this guy is reading a review | 0:08:56 | 0:09:00 | |
in Gardeners' Chronicle about Darwin's Origin Of The Species, | 0:09:00 | 0:09:03 | |
and it said, "Darwin professes to have discovered the existence | 0:09:03 | 0:09:06 | |
"and the modus operandi of natural selection," | 0:09:06 | 0:09:08 | |
and he wrote to complain, saying that he had already written about this. | 0:09:08 | 0:09:11 | |
And Darwin wrote back and said, "I had no idea, I've never, ever read your work." | 0:09:11 | 0:09:15 | |
Oh, come on, Darwin! | 0:09:15 | 0:09:18 | |
And not only did Matthew get there before Darwin, | 0:09:18 | 0:09:21 | |
lots of his ideas were proved in the end to be more correct. | 0:09:21 | 0:09:23 | |
But there are actually three people who are thought to have independently | 0:09:23 | 0:09:27 | |
discovered the principle of natural selection | 0:09:27 | 0:09:29 | |
as the mechanism for speciation. | 0:09:29 | 0:09:30 | |
-Wallace? -Matthew, Darwin and Alfred Russel Wallace... -Yes. | 0:09:30 | 0:09:34 | |
..who also comes up with the idea about five years before Darwin. | 0:09:34 | 0:09:37 | |
Wallace wrote an essay | 0:09:37 | 0:09:39 | |
and Darwin very quickly then wrote On The Origin Of The Species, because | 0:09:39 | 0:09:42 | |
he wanted to make sure that he got his stuff out before anybody else. | 0:09:42 | 0:09:45 | |
Darwin very much emphasised competition between individuals | 0:09:45 | 0:09:48 | |
of the same species, and Wallace emphasised environmental | 0:09:48 | 0:09:50 | |
pressures, and in fact probably they were both right. | 0:09:50 | 0:09:53 | |
-He looks friendlier than the other two, the middle one. -Yeah, he looks nice. | 0:09:53 | 0:09:56 | |
-He looks like you could go to him with a problem. -Yeah. | 0:09:56 | 0:09:59 | |
The other two...the other two would be like, "Sort it out, Susan." Yeah. | 0:09:59 | 0:10:03 | |
So all three of these guys are proponents of natural selection | 0:10:03 | 0:10:07 | |
-and that we evolve in order to survive? -Yeah. | 0:10:07 | 0:10:10 | |
But they all have hair growing out of their ears. | 0:10:10 | 0:10:13 | |
Well, sometimes, personal grooming can just fall by the wayside, Rich. | 0:10:13 | 0:10:17 | |
Recently I've stopped plucking my toe hair, because I just... | 0:10:17 | 0:10:20 | |
..can't do it any more. | 0:10:22 | 0:10:24 | |
-It's a bit like a euphemism. -I used to, I used to... | 0:10:24 | 0:10:26 | |
-You can't reach or...? -No, I used to, I used to... | 0:10:26 | 0:10:31 | |
She's got like a selfie stick with tweezers on it. | 0:10:31 | 0:10:34 | |
I have quite hairy toes and I used to pluck them, | 0:10:35 | 0:10:38 | |
for fear of upsetting people, and then I stepped | 0:10:38 | 0:10:40 | |
out of the house one day in a pair of sandals, and you've | 0:10:40 | 0:10:42 | |
never lived until you've felt the wind through the hair on your toes. | 0:10:42 | 0:10:46 | |
And after that, I thought, "To hang with social convention, | 0:10:46 | 0:10:49 | |
"I'm just going to let it go." | 0:10:49 | 0:10:51 | |
So, when Darwin had The Origin Of The Species published, he gave the | 0:10:55 | 0:10:58 | |
original manuscript to his children to use as scrap drawing paper | 0:10:58 | 0:11:02 | |
-and the only surviving pages are illustrated by his children. -Ah. | 0:11:02 | 0:11:07 | |
There's a drawing of a fish with legs carrying an umbrella, | 0:11:07 | 0:11:10 | |
there's men riding horses made of vegetables. | 0:11:10 | 0:11:12 | |
And they wrote short stories on the paper. | 0:11:12 | 0:11:14 | |
The Fairies Of The Mountain is one story. | 0:11:14 | 0:11:17 | |
"Two fairies travel to the sun, | 0:11:17 | 0:11:18 | |
"where they find that life has adapted to the environment." | 0:11:18 | 0:11:21 | |
So I like the idea that they thought, "Oh, it must be different on the sun, they must evolve." | 0:11:21 | 0:11:24 | |
-They'd obviously read it before they drew on it. -Yes, I think so. | 0:11:24 | 0:11:27 | |
Anyway, what did Mr First think of Mr Second? | 0:11:27 | 0:11:30 | |
Oh! Didn't like him. | 0:11:31 | 0:11:34 | |
Also, what's wrong with this picture? | 0:11:34 | 0:11:36 | |
That's a very unrealistic snake. | 0:11:36 | 0:11:38 | |
Well, that wasn't my first thing, but, yes, | 0:11:39 | 0:11:42 | |
that is a very unrealistic snake. | 0:11:42 | 0:11:43 | |
That hair would be difficult to keep control of in damp weather. | 0:11:43 | 0:11:46 | |
-Yeah. -Yeah. You should see their hairy toes - all over the shop. | 0:11:46 | 0:11:50 | |
It was in the very first QI ever. | 0:11:50 | 0:11:54 | |
Oh, don't ask me. | 0:11:54 | 0:11:57 | |
-It'll be to do with Adam cos it'll be A, right? -Yes. | 0:11:57 | 0:12:00 | |
So the very first man and therefore? He wouldn't have a... | 0:12:00 | 0:12:04 | |
-Oh, a bellybutton! -He wouldn't have a bellybutton. -Oh. | 0:12:04 | 0:12:06 | |
-And also, what are they eating? -A peach. -Apples. | 0:12:06 | 0:12:08 | |
Apples, there are no apples mentioned anywhere in the Bible whatsoever. | 0:12:08 | 0:12:11 | |
-So what was the forbidden fruit then? -We have no idea. It doesn't say. | 0:12:11 | 0:12:14 | |
Anyway, he's not the Mr First that we are talking about, | 0:12:14 | 0:12:16 | |
the first person that we are talking about is Omero Catan, | 0:12:16 | 0:12:19 | |
an American man who claimed | 0:12:19 | 0:12:21 | |
to have been the first person at over 500 opening events, | 0:12:21 | 0:12:25 | |
and he was known as Mr First. | 0:12:25 | 0:12:27 | |
And his brother Michael very occasionally took his place, | 0:12:27 | 0:12:30 | |
and he was known as Mr Second. | 0:12:30 | 0:12:32 | |
But the rivalry between the two was truly terrible. | 0:12:32 | 0:12:34 | |
So he would just turn up at openings? | 0:12:34 | 0:12:36 | |
So, when he was 13 years old, Omero Catan heard of a family friend | 0:12:36 | 0:12:39 | |
who had been the very first to cross the Brooklyn Bridge when it opened, | 0:12:39 | 0:12:43 | |
so that is 1883, and that inspired him, one year later, | 0:12:43 | 0:12:46 | |
when he was 14, to become the very first American passenger | 0:12:46 | 0:12:49 | |
aboard the Graf Zeppelin. | 0:12:49 | 0:12:51 | |
There it is, the Graf Zeppelin. Look at that thing! | 0:12:51 | 0:12:55 | |
You could fit three 747s on one of those airships. | 0:12:55 | 0:12:58 | |
But he was the very first American passenger to fly the Atlantic | 0:12:58 | 0:13:01 | |
-in that airship. -Yeah. | 0:13:01 | 0:13:02 | |
Which took four and a half days, in those days. | 0:13:02 | 0:13:04 | |
And then he rose to fame, he did all sorts of things. | 0:13:04 | 0:13:07 | |
He set up camp outside the Lincoln Tunnel for four days | 0:13:07 | 0:13:09 | |
so he could be the first to drive through. | 0:13:09 | 0:13:11 | |
He was the first person to buy a ticket for the 8th Avenue Subway, | 0:13:11 | 0:13:14 | |
first person to skate on the Rockefeller ice rink, first person | 0:13:14 | 0:13:17 | |
to drive across the Hudson Tappan Zee Bridge, and the | 0:13:17 | 0:13:20 | |
first person to put a quarter in a New York parking meter. | 0:13:20 | 0:13:22 | |
-You should never be first to do things like that. -Why not? | 0:13:22 | 0:13:24 | |
Because the danger aspect. You wait until a lot of people have done it, | 0:13:24 | 0:13:27 | |
and then you know it's safe, and then you pop on. | 0:13:27 | 0:13:30 | |
It's so good Neil Armstrong didn't make that speech. | 0:13:30 | 0:13:33 | |
Oh, I bet he hates Neil Armstrong, doesn't he, Mr First? | 0:13:35 | 0:13:38 | |
No, actually, he said, "I wouldn't have had the nerve," | 0:13:38 | 0:13:40 | |
is what he said about Neil Armstrong when he was asked. | 0:13:40 | 0:13:43 | |
I bet Mr First is an absolute bore at dinner parties. | 0:13:43 | 0:13:46 | |
-Yes. -"I've been here ages!" | 0:13:46 | 0:13:49 | |
But what happened was, in 1945, the third Lincoln Tunnel opened, | 0:13:49 | 0:13:53 | |
and Mr First was in the UK. And so his brother, Michael, | 0:13:53 | 0:13:57 | |
was asked if he would be there in his place. | 0:13:57 | 0:14:00 | |
He began to step in more and more regularly, and the papers started | 0:14:00 | 0:14:04 | |
to give them equal status, and Mr Second became Mr First. | 0:14:04 | 0:14:08 | |
GASPS | 0:14:08 | 0:14:09 | |
Terrible tensions. Terrible tensions between them! | 0:14:09 | 0:14:11 | |
-Oh, my God. -Omero became convinced that | 0:14:11 | 0:14:14 | |
his brother was trying to steal the limelight. | 0:14:14 | 0:14:16 | |
There were offers from Hollywood to make a movie, he wouldn't have it | 0:14:16 | 0:14:18 | |
because he didn't want his brother to get equal billing, | 0:14:18 | 0:14:21 | |
and his very last "first" was a drive through the newly-opened | 0:14:21 | 0:14:24 | |
I-595 highway from Fort Lauderdale Hollywood International Airport | 0:14:24 | 0:14:29 | |
to the Everglades. | 0:14:29 | 0:14:30 | |
-Not one of his classics, that, was it? -No. | 0:14:30 | 0:14:33 | |
But in the last 20 years of his life, | 0:14:33 | 0:14:36 | |
the brothers lived 20 minutes apart and they wouldn't speak. | 0:14:36 | 0:14:38 | |
You'd think one of them would go, | 0:14:38 | 0:14:40 | |
-"I was the first to get back in touch! Unlucky!" -Yeah. | 0:14:40 | 0:14:43 | |
So have you done no firsts at all, Susan? | 0:14:43 | 0:14:46 | |
I was the first person ever to get 100% in the Currys | 0:14:46 | 0:14:48 | |
electrical superstore exam. | 0:14:48 | 0:14:50 | |
-Wow! -Were you selling white goods? | 0:14:50 | 0:14:52 | |
I was in charge of microwaves and vacuum cleaners, | 0:14:52 | 0:14:55 | |
with an overall ambit for white goods. | 0:14:55 | 0:14:57 | |
I went down to Newcastle for a training course and you had to sit | 0:14:57 | 0:15:00 | |
an exam in not only the goods itself, | 0:15:00 | 0:15:02 | |
-but also PMA - Positive Mental Attitude. -Ha! | 0:15:02 | 0:15:05 | |
Because everyone in Currys had to have a positive mental attitude, | 0:15:05 | 0:15:08 | |
and I had a cravat and a badge that said, "Susan, happy to help". | 0:15:08 | 0:15:11 | |
And you got 100% in the exam? | 0:15:15 | 0:15:17 | |
I was the only person to ever get 100%. | 0:15:17 | 0:15:19 | |
Josh, done any firsts at all? | 0:15:19 | 0:15:21 | |
I once put a whole packet of Polo's in my mouth. | 0:15:21 | 0:15:25 | |
-That's less impressive. -That way? | 0:15:25 | 0:15:28 | |
Oh, I opened it, so it was just 20 Polo's. I wasn't like... | 0:15:30 | 0:15:33 | |
Rich, have you done any firsts of any kind? | 0:15:35 | 0:15:38 | |
I was the first person to Google myself to see if I was still alive. | 0:15:38 | 0:15:41 | |
-And were you? -Yeah. -Yeah. | 0:15:43 | 0:15:46 | |
If you Google "Rich Hall", my name will come up first | 0:15:46 | 0:15:49 | |
and the second is a dormitory at Boston University. | 0:15:49 | 0:15:53 | |
But last week, if you went on like Twitter or something, it said, | 0:15:53 | 0:15:57 | |
"Rich Hall was on fire last night." | 0:15:57 | 0:16:00 | |
And I was in Aylesbury, and I thought it was... | 0:16:00 | 0:16:03 | |
-But it's actually the dormitory caught fire. -Oh. | 0:16:03 | 0:16:05 | |
Just cut out the headline, it's a great review. | 0:16:05 | 0:16:08 | |
-Yeah, it's still going on my poster. -Yeah. | 0:16:08 | 0:16:10 | |
I think that's a wonderful thing. Have you done any firsts? | 0:16:10 | 0:16:12 | |
No, but someone did send me a thing to a website | 0:16:12 | 0:16:14 | |
and it said I died in 1997. | 0:16:14 | 0:16:16 | |
That was at Jongleurs. | 0:16:18 | 0:16:21 | |
I was the first person to do stand-up in Stockholm. | 0:16:21 | 0:16:24 | |
They had got the old Royal Yacht Britannia | 0:16:24 | 0:16:26 | |
and they'd turned it into a stand-up club. | 0:16:26 | 0:16:28 | |
And I went out to complete silence, I mean not a laugh, just total silence. | 0:16:28 | 0:16:31 | |
And I finished by saying, "I've been Sandi Toksvig, thank you very much, good night." | 0:16:31 | 0:16:35 | |
And they went nuts, they went crazy. The audience were going wild. | 0:16:35 | 0:16:38 | |
-Is that cos you were leaving? -Clapping, clapping... | 0:16:38 | 0:16:40 | |
Well, I had no idea what was going on, | 0:16:40 | 0:16:42 | |
so I went backstage and the organiser says, | 0:16:42 | 0:16:44 | |
"Oh, you were so funny, it was very, very funny." | 0:16:44 | 0:16:46 | |
I said, "But nobody laughed." "No, we didn't like to interrupt." | 0:16:46 | 0:16:49 | |
I've got an audience that doesn't like to interrupt | 0:16:54 | 0:16:57 | |
all round the country. | 0:16:57 | 0:16:58 | |
This whole thing about people want... | 0:16:58 | 0:17:00 | |
-None of these people want to go to Mars. -Yeah, why? | 0:17:00 | 0:17:02 | |
I'll tell you why, just so they can dominate every conversation afterwards. | 0:17:02 | 0:17:07 | |
"I've been to Mars!" | 0:17:09 | 0:17:11 | |
There's not much point in going to Mars. | 0:17:12 | 0:17:14 | |
Oh, it would be awful. They're going... "It's got water." | 0:17:14 | 0:17:17 | |
That is the... If you went, "I'm moving." "What's it like?" | 0:17:17 | 0:17:20 | |
"Well, they've got water." That's the bare minimum! | 0:17:20 | 0:17:23 | |
They're going to habitatise it. | 0:17:23 | 0:17:25 | |
-Habitatise? Is that a thing? -Yeah. Habitatise. | 0:17:25 | 0:17:28 | |
Put loads of furniture from Habitat on it. | 0:17:28 | 0:17:31 | |
I'm going to wait till they find a planet that has Diet Sprite on it. | 0:17:34 | 0:17:38 | |
Yeah, I would need a planet that had Angel Delight. | 0:17:38 | 0:17:41 | |
Oh, have you set fire to Angel Delight? Have we discussed that? | 0:17:41 | 0:17:44 | |
What? | 0:17:44 | 0:17:45 | |
Butt out, Josh. Yes, it's very good. | 0:17:45 | 0:17:48 | |
-It's good, isn't it? -Yes. | 0:17:48 | 0:17:49 | |
Do you set fire to the powder, or when it's made? | 0:17:49 | 0:17:51 | |
So, what you do... Don't do this, OK, | 0:17:51 | 0:17:53 | |
cos it's really dangerous, but it's fun. | 0:17:53 | 0:17:55 | |
So, what you do is, you get some of the powder | 0:17:55 | 0:17:57 | |
and you put a tea light on the floor and then from a height, sprinkle the | 0:17:57 | 0:18:00 | |
powder and it does a phosphorescence, a little kind of... It's marvellous. | 0:18:00 | 0:18:05 | |
I tell you what, tomorrow morning, the supermarkets are going to go, | 0:18:05 | 0:18:08 | |
"Angel Delight's suddenly very popular." | 0:18:08 | 0:18:11 | |
"Get some more tea lights and some more Angel Delight. | 0:18:11 | 0:18:15 | |
"It's going crazy in here!" | 0:18:15 | 0:18:18 | |
Don't do it, do not do it. | 0:18:18 | 0:18:20 | |
Mr First hated Mr Second because, when Mr First was seconded, | 0:18:20 | 0:18:24 | |
Mr Second started coming first. | 0:18:24 | 0:18:27 | |
What's the worst thing that can happen when you open something? | 0:18:27 | 0:18:30 | |
Well, if it's the gentleman that pressed the button | 0:18:30 | 0:18:33 | |
on the Virgin Train from Glasgow to London, he'd say | 0:18:33 | 0:18:36 | |
it's seeing me on the toilet, which is what happened today. | 0:18:36 | 0:18:39 | |
Those doors take so long to open! | 0:18:43 | 0:18:46 | |
Especially... If you're a gentleman, you can go, "Oh, gosh!" | 0:18:49 | 0:18:52 | |
If you're a lady, you just have to sit and go... | 0:18:52 | 0:18:54 | |
But the problem is... | 0:18:57 | 0:18:59 | |
The problem is, because I'm so short, my legs were swinging. | 0:18:59 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:04 | |
I love that you felt you needed to explain that to ME! | 0:19:05 | 0:19:08 | |
We used to take the train to visit my aunt in California | 0:19:11 | 0:19:13 | |
and it took five days to get there, | 0:19:13 | 0:19:14 | |
and so it's quite boring for children, so what we used to do | 0:19:14 | 0:19:17 | |
was go to the toilet on the train, and then flush, | 0:19:17 | 0:19:19 | |
and then run to the back of the train. | 0:19:19 | 0:19:21 | |
And there was a little sort of platform, and you could watch all | 0:19:21 | 0:19:23 | |
the toilet paper rushing out across the desert. | 0:19:23 | 0:19:25 | |
The most marvellous entertainment for children. It was very good. | 0:19:25 | 0:19:30 | |
When did you grow up?! | 0:19:30 | 0:19:31 | |
It was a black and white time. | 0:19:33 | 0:19:35 | |
I was born in 1958. | 0:19:37 | 0:19:39 | |
That is astonishing. | 0:19:39 | 0:19:41 | |
-What, that I'm still working? -Five days! No... | 0:19:41 | 0:19:43 | |
Josh, just a wee thing for you, sweetie pie. See when a woman | 0:19:44 | 0:19:48 | |
talks about her past, don't go, "When did you grow up?!" | 0:19:48 | 0:19:51 | |
I was... | 0:19:52 | 0:19:54 | |
Like it's the 18th century. | 0:19:54 | 0:19:56 | |
In the '60s, yes. | 0:19:56 | 0:19:57 | |
No, that's what I presumed. | 0:19:57 | 0:19:59 | |
-I presumed the '70s or '80s, actually. -Thank you. | 0:19:59 | 0:20:02 | |
And this week's winner is Josh! | 0:20:02 | 0:20:04 | |
APPLAUSE | 0:20:06 | 0:20:09 | |
OK, what's the worst thing that can happen when you open something? | 0:20:09 | 0:20:13 | |
Is it something that begins with O? | 0:20:13 | 0:20:14 | |
Well, it's lots of opening nights that have not | 0:20:14 | 0:20:17 | |
-gone as well as possible. -Oh. -So the O-lympics, we could start with. | 0:20:17 | 0:20:21 | |
-There will be no doves at the Tokyo 2020... -Oh, no! | 0:20:21 | 0:20:24 | |
..which is because they were banned after the 1988 Seoul Olympics, | 0:20:24 | 0:20:29 | |
when instead of flying out, as this photograph suggests... | 0:20:29 | 0:20:31 | |
GASPS | 0:20:31 | 0:20:33 | |
..into the sky, they decided to perch on the huge saucer | 0:20:33 | 0:20:35 | |
in the centre of the stadium with the Olympic Flame, | 0:20:35 | 0:20:38 | |
and several birds were incinerated. | 0:20:38 | 0:20:41 | |
-You say incinerated, do you mean roasted? -I do, yes. | 0:20:41 | 0:20:44 | |
-Mm! Just a little bit more! -Absolutely delicious. | 0:20:44 | 0:20:48 | |
Most delicious opening ceremony I've ever been at! | 0:20:48 | 0:20:51 | |
-Opening night of BBC Two was a disaster. -Oh, that's... | 0:20:51 | 0:20:54 | |
There was a power outage | 0:20:54 | 0:20:55 | |
and the whole of Television Centre went dark that night. | 0:20:55 | 0:20:58 | |
But the best bit of the story is, to publicise the launch, | 0:20:58 | 0:21:00 | |
they had been using a graphic of a kangaroo. | 0:21:00 | 0:21:03 | |
So the kangaroo represented BBC One and then, in the pouch, | 0:21:03 | 0:21:06 | |
the little joey is BBC Two. | 0:21:06 | 0:21:08 | |
So they thought, "For opening night, let's get some real kangaroos..." | 0:21:08 | 0:21:11 | |
-Oh, no. -"..in the studio". | 0:21:11 | 0:21:12 | |
And they had just got them into the lift | 0:21:12 | 0:21:14 | |
and pressed the button at the moment when the power went... | 0:21:14 | 0:21:17 | |
Oh, my word! | 0:21:17 | 0:21:19 | |
..and, apparently, the kangaroos went berserk! | 0:21:19 | 0:21:21 | |
I'd like to think that there was just some guy in the lift, | 0:21:23 | 0:21:26 | |
going, "Oh, my God!" | 0:21:26 | 0:21:27 | |
Also, some opening nights of plays have been disastrous. | 0:21:29 | 0:21:31 | |
So Balzac wrote a play called Les Ressources De Quinola, | 0:21:31 | 0:21:34 | |
and it opened to a completely empty house on March 19th, 1842. | 0:21:34 | 0:21:39 | |
So he had hoped to create a buzz about the play, | 0:21:39 | 0:21:42 | |
and he told everybody that the tickets were sold out, | 0:21:42 | 0:21:45 | |
it was impossible to get a ticket. | 0:21:45 | 0:21:47 | |
-Oh, no! -So nobody bothered. -Oh, no! | 0:21:47 | 0:21:50 | |
-Yeah. Nobody came. -Did they do the play? | 0:21:50 | 0:21:52 | |
Well, the Equity rule is you don't have to do the play | 0:21:52 | 0:21:54 | |
if there are fewer members in the audience than there are in the play, | 0:21:54 | 0:21:57 | |
-so whether it was... -That's true. | 0:21:57 | 0:21:58 | |
Once, I was doing a gig at Willesden Library Centre... | 0:21:58 | 0:22:02 | |
LAUGHTER | 0:22:02 | 0:22:05 | |
Bill Bailey was there, in The Rubber Bishops. | 0:22:05 | 0:22:07 | |
So there was the two of them, I think Bob Mills, me, | 0:22:07 | 0:22:09 | |
someone else, and then there were seven people in the audience. | 0:22:09 | 0:22:12 | |
So we're thinking, "Oh, shit, there's more of them than there are of us." | 0:22:12 | 0:22:15 | |
And then this couple came over to us and said, | 0:22:15 | 0:22:17 | |
"Would it help if we left?" | 0:22:17 | 0:22:19 | |
LAUGHTER | 0:22:19 | 0:22:20 | |
And we said, "As a matter of fact, technically, it would." | 0:22:22 | 0:22:25 | |
So they left, and we didn't have to do the gig! | 0:22:25 | 0:22:27 | |
At the Fringe you, contractually, if one punter turns up, | 0:22:29 | 0:22:33 | |
you have to do your 55-minute show directly to them. | 0:22:33 | 0:22:39 | |
And what could be a light-hearted show could become | 0:22:39 | 0:22:42 | |
quite an aggressive diatribe. | 0:22:42 | 0:22:45 | |
Just saying, "So this happened to me, | 0:22:45 | 0:22:49 | |
"and then this happened to me." | 0:22:49 | 0:22:51 | |
And they don't want to leave, | 0:22:51 | 0:22:53 | |
because you're clearly distressed at this point. | 0:22:53 | 0:22:56 | |
I had a friend who, at one point, | 0:22:56 | 0:22:58 | |
was doing exactly that to one person, | 0:22:58 | 0:23:01 | |
and she turned round at one point to pick up a prop and turned round | 0:23:01 | 0:23:04 | |
and she just saw him sprinting. | 0:23:04 | 0:23:07 | |
I remember going to see Arthur Smith doing a show in Edinburgh | 0:23:09 | 0:23:12 | |
and it was 50p to get in, and he'd go round... | 0:23:12 | 0:23:15 | |
As the audience were coming in, he was offering everyone a quid to go. | 0:23:15 | 0:23:18 | |
So, when Disneyland opened, the very first Disneyland in California, | 0:23:21 | 0:23:24 | |
July 17th, 1955, it's known as Black Sunday because so much went wrong. | 0:23:24 | 0:23:29 | |
The first thing was there were 15,000 gate-crashers. | 0:23:29 | 0:23:32 | |
Apparently, it was incredibly easy to counterfeit the tickets, | 0:23:32 | 0:23:35 | |
plus somebody got a ladder to the parking lot | 0:23:35 | 0:23:38 | |
and people could pay 5 to climb over the hedge. | 0:23:38 | 0:23:40 | |
The asphalt had been poured at 6.00 that morning, | 0:23:42 | 0:23:44 | |
so all the guests' shoes got stuck in it. | 0:23:44 | 0:23:46 | |
There was a circus parade in which a tiger and a panther broke loose | 0:23:46 | 0:23:49 | |
-and had a fight. -I mean, if they're going to break loose, | 0:23:49 | 0:23:53 | |
-at least they've cancelled each other out. -Yes. | 0:23:53 | 0:23:55 | |
Yeah, lucky there were two of them out - | 0:23:55 | 0:23:58 | |
not the tiger looking for a fight. | 0:23:58 | 0:24:00 | |
"Release the panther! The tiger's already out!" | 0:24:00 | 0:24:05 | |
There was a plumbers' strike and so they had to choose | 0:24:05 | 0:24:07 | |
between drinking fountains and flushing toilets. | 0:24:07 | 0:24:10 | |
-Definitely flushing toilets. -Yeah! | 0:24:10 | 0:24:11 | |
If I go to someone's house, "Have you got a toilet?" | 0:24:11 | 0:24:13 | |
"No, but I've got a drinking fountain." | 0:24:13 | 0:24:15 | |
There's a drinking fountain, | 0:24:17 | 0:24:18 | |
but Susan Calman's sitting on it at the moment. | 0:24:18 | 0:24:21 | |
The premiere of Pinocchio in 1940 is one of my favourite stories. | 0:24:21 | 0:24:24 | |
So Disney had had a huge success | 0:24:24 | 0:24:26 | |
with the opening of Snow White, and so they thought they would hire | 0:24:26 | 0:24:28 | |
11 people of restricted growth, and they put them on the roof of the | 0:24:28 | 0:24:32 | |
theatre in Pinocchio costumes, they were to just dance around, entertain. | 0:24:32 | 0:24:35 | |
It was a fantastically hot day, so it was lunchtime, | 0:24:35 | 0:24:38 | |
so they hoisted up a load of beer to try and calm them down a bit. | 0:24:38 | 0:24:40 | |
And by three o'clock, apparently, they were belching loudly | 0:24:40 | 0:24:44 | |
and playing cards in the nude on the roof. | 0:24:44 | 0:24:47 | |
They refused to either dress or come down, | 0:24:50 | 0:24:53 | |
and police were sent up on ladders | 0:24:53 | 0:24:55 | |
and, in the end, the 11 gentlemen were carted away in pillow cases. | 0:24:55 | 0:24:59 | |
APPLAUSE | 0:24:59 | 0:25:02 | |
Now, I'm open to a bit of artistic paper folding. | 0:25:04 | 0:25:09 | |
Of course, the art of making folded paper models | 0:25:09 | 0:25:12 | |
without cutting the paper comes from... | 0:25:12 | 0:25:14 | |
Japan. | 0:25:14 | 0:25:15 | |
KLAXON | 0:25:15 | 0:25:17 | |
-No. -I forgot about that bit! -Yes! | 0:25:19 | 0:25:22 | |
It does not come from Japan. | 0:25:23 | 0:25:25 | |
"Ori" means folding and "kami" means paper, | 0:25:25 | 0:25:27 | |
so the word "origami" comes from Japan, that is correct. | 0:25:27 | 0:25:29 | |
But Japanese paper folding was done with white paper, | 0:25:29 | 0:25:33 | |
which was both folded and cut. | 0:25:33 | 0:25:34 | |
The modern version, in which we only fold and we don't cut it, | 0:25:34 | 0:25:37 | |
often done with the coloured paper on one side | 0:25:37 | 0:25:39 | |
and the white paper on the other side. | 0:25:39 | 0:25:41 | |
It's actually imported from German kindergartens into Japan, | 0:25:41 | 0:25:44 | |
after Japan opened its borders in 1860. | 0:25:44 | 0:25:46 | |
So the answer is that origami as we now understand it is German. | 0:25:46 | 0:25:51 | |
-Is anybody good at origami? -I did that thing... -Oh, yeah, that one. | 0:25:51 | 0:25:53 | |
The only thing I've done is that thing where it goes, | 0:25:53 | 0:25:56 | |
"Pick a number, Josh". | 0:25:56 | 0:25:57 | |
-Oh... -Three. -SUSAN MUMBLES | 0:25:57 | 0:25:58 | |
-"Pick a colour." -Red. | 0:25:58 | 0:26:00 | |
SUSAN MUMBLES | 0:26:00 | 0:26:01 | |
"He fancies you!" That's all I've done. | 0:26:01 | 0:26:04 | |
How is it so accurate?! | 0:26:04 | 0:26:05 | |
-I've got some very good ones for you. So, Josh, you can have... -Oh! | 0:26:08 | 0:26:13 | |
-A frog. -A little jumping frog. | 0:26:13 | 0:26:15 | |
And, Rich, you have a jack rabbit. There's a jack rabbit for you. | 0:26:15 | 0:26:18 | |
-And, Susan, you've got an elephant. -Oh! | 0:26:20 | 0:26:23 | |
-And, Alan, what's this? -That's a blue whale. | 0:26:23 | 0:26:26 | |
KLAXON | 0:26:26 | 0:26:29 | |
APPLAUSE | 0:26:29 | 0:26:31 | |
-No, THIS is a blue whale. -Oh, of course. | 0:26:34 | 0:26:37 | |
All these years, still don't recognise it. | 0:26:39 | 0:26:41 | |
There you are, there's your blue whale. | 0:26:41 | 0:26:44 | |
These are rather good, these are origami sunglasses. There you are. | 0:26:44 | 0:26:48 | |
-There's some origami sunglasses. -Thank you. -Thank you very much. | 0:26:48 | 0:26:51 | |
I'm really not sure what the point of them is because you... | 0:26:51 | 0:26:54 | |
You actually can't see anything at all. | 0:26:54 | 0:26:56 | |
We've got some origami boomerangs. Do you want to give these a go? | 0:26:56 | 0:27:00 | |
-Oh, yes, please. -Yeah. -OK, there's some origami boomerangs. | 0:27:00 | 0:27:04 | |
There we go, have a go. OK, give it a go. | 0:27:04 | 0:27:07 | |
-Do you want me to throw this? -Yeah. -Can I stand up for this? | 0:27:07 | 0:27:10 | |
-Will it make a difference? -Yes. | 0:27:10 | 0:27:13 | |
APPLAUSE | 0:27:13 | 0:27:15 | |
I never get to say that to somebody else! OK, go. | 0:27:17 | 0:27:21 | |
-Oh! Oh. -Oh, not bad, not bad, yes, very good. | 0:27:24 | 0:27:28 | |
Right, Josh is off and running. | 0:27:28 | 0:27:30 | |
Oh, that was very good. | 0:27:31 | 0:27:33 | |
Rich, are you going to give it a go? | 0:27:33 | 0:27:35 | |
I like yours. | 0:27:39 | 0:27:40 | |
CHEERING | 0:27:42 | 0:27:44 | |
A friend of mine, Chris Buddle, is brilliant at origami and he made... | 0:27:49 | 0:27:52 | |
This is a little badge. | 0:27:52 | 0:27:54 | |
It is a 1 bill, which he has made into a badge for me. | 0:27:54 | 0:27:57 | |
Isn't it stunning? | 0:27:57 | 0:27:58 | |
-And that is without any cutting, it's all folded and beautiful. -Wow! | 0:27:58 | 0:28:01 | |
Josh, your frog is rather marvellous. | 0:28:01 | 0:28:02 | |
If you press the back of it, it will... Yes. | 0:28:02 | 0:28:05 | |
-Well, be less violent with it. -Oh, sorry. -It will jump. | 0:28:05 | 0:28:09 | |
Be gentle, like you're touching a woman. | 0:28:09 | 0:28:12 | |
Let me show you. Let me show you, darling. | 0:28:12 | 0:28:15 | |
APPLAUSE | 0:28:15 | 0:28:17 | |
I've never wanted someone to fail so much at anything! | 0:28:19 | 0:28:22 | |
Right, so let's put our origami away, please. | 0:28:25 | 0:28:28 | |
-Still playing. -My rabbit, look out for the car! | 0:28:28 | 0:28:31 | |
ASTONISHED LAUGHTER | 0:28:31 | 0:28:33 | |
Right. I've got oysters, ox horns, wood, | 0:28:38 | 0:28:41 | |
and a walrus penis. | 0:28:41 | 0:28:43 | |
What are my plans? | 0:28:43 | 0:28:44 | |
That's like those old ads in Loot. "I've got... | 0:28:44 | 0:28:48 | |
"..oysters...ox horns, wood, | 0:28:48 | 0:28:51 | |
"and a walrus penis. | 0:28:51 | 0:28:53 | |
"No time-wasters, please. | 0:28:54 | 0:28:56 | |
"It's a set, I can't break it up." | 0:28:58 | 0:29:00 | |
Sometimes I watch Nigella Lawson and she always goes, | 0:29:05 | 0:29:08 | |
"I went to my pantry to make some supper | 0:29:08 | 0:29:10 | |
"and I had what everyone has, which is some oysters, some oxtails, | 0:29:10 | 0:29:14 | |
"some wood, and a walrus penis. | 0:29:14 | 0:29:15 | |
"I'm going to make myself a frittata." | 0:29:15 | 0:29:18 | |
It's like she's in the room! | 0:29:20 | 0:29:21 | |
The answer is that all of those materials | 0:29:23 | 0:29:26 | |
can be used to make windows. | 0:29:26 | 0:29:28 | |
Can you imagine making windows out of penises? | 0:29:28 | 0:29:30 | |
Well, let's start with the oyster. | 0:29:30 | 0:29:32 | |
The windowpane oyster is found in the Philippines | 0:29:32 | 0:29:35 | |
and the shells... Look at those beautiful windows, | 0:29:35 | 0:29:38 | |
the stuff in-between the wood there is windowpane oyster. | 0:29:38 | 0:29:42 | |
The shell lets 80% of the incident light through | 0:29:42 | 0:29:46 | |
and it's been used for thousands of years. | 0:29:46 | 0:29:47 | |
It's also incredibly strong. Despite being 99% calcite, | 0:29:47 | 0:29:51 | |
which is a really brittle mineral, it can withstand multiple blows | 0:29:51 | 0:29:54 | |
because of the way the material is structured. And it may have | 0:29:54 | 0:29:57 | |
some uses for the military. They may even have a look at | 0:29:57 | 0:29:59 | |
windowpane oysters for visors you can see through | 0:29:59 | 0:30:01 | |
but are also bulletproof. You wouldn't think that from an oyster. | 0:30:01 | 0:30:04 | |
-Isn't it beautiful? -It's a pity | 0:30:04 | 0:30:06 | |
they put those two big pillars in front of it. | 0:30:06 | 0:30:08 | |
Wood, you can have see-through wood. It's being developed, much stronger, | 0:30:08 | 0:30:12 | |
and more insulating than glass, so we're not really | 0:30:12 | 0:30:15 | |
interested in the leaves, but to show how much you can see through. | 0:30:15 | 0:30:18 | |
What you do is you boil the wood in water, sodium hydroxide | 0:30:18 | 0:30:21 | |
and other chemicals, to remove the lignin, | 0:30:21 | 0:30:23 | |
so that's the bit that gives wood its colour. | 0:30:23 | 0:30:25 | |
And then epoxy resin is poured over it to make it stronger. | 0:30:25 | 0:30:28 | |
-But look how much you can see through. -Wow. | 0:30:28 | 0:30:29 | |
And cow horn used for windows in medieval times. | 0:30:29 | 0:30:32 | |
So all of that stuff between is cow horn, and it becomes translucent | 0:30:32 | 0:30:35 | |
if you soak it in water for three months, | 0:30:35 | 0:30:37 | |
and then it becomes malleable. | 0:30:37 | 0:30:39 | |
Now, the walrus penis, and who hasn't wanted to think, | 0:30:39 | 0:30:42 | |
-"What am I going to do with...?" -"Made a sofa out of the walrus..." | 0:30:42 | 0:30:45 | |
Yes, historically used in the construction of Arctic dwellings. | 0:30:45 | 0:30:47 | |
It's stretched over window openings a bit... I don't know how to say this. | 0:30:47 | 0:30:51 | |
A bit like clingfilm, really. | 0:30:51 | 0:30:53 | |
-It stretches out? -Well, it depends how excited the walrus is, really. | 0:30:53 | 0:30:57 | |
Yes, it's a stretchy thing, | 0:30:57 | 0:30:58 | |
and you can stretch it out and use it a bit like clingfilm. | 0:30:58 | 0:31:01 | |
-So, it'd be the skin of the penis and not the...the...the... -Penis. | 0:31:01 | 0:31:05 | |
-I don't know... -Doesn't feel good in your mouth, does it? | 0:31:07 | 0:31:11 | |
APPLAUSE | 0:31:11 | 0:31:13 | |
So, the walrus has to stand outside your window | 0:31:18 | 0:31:21 | |
for the rest of its life, with its cock stretched out. | 0:31:21 | 0:31:25 | |
A really annoyed walrus. | 0:31:29 | 0:31:32 | |
-"How did I get this gig?" -"I'm not getting paid enough." | 0:31:32 | 0:31:34 | |
There's a really wonderful, wonderful thing called Liter of Light, | 0:31:36 | 0:31:39 | |
and it provides environmentally friendly and cheap lighting through the roofs of small houses. | 0:31:39 | 0:31:43 | |
What you do is, you cut a small hole in the roof, | 0:31:43 | 0:31:46 | |
you put a large plastic bottle full of water in it, | 0:31:46 | 0:31:49 | |
so half the bottle is inside and half the bottle is outside. | 0:31:49 | 0:31:51 | |
And the bottle acts like a prism. | 0:31:51 | 0:31:53 | |
And in the daytime you get up to 40 to 60 watts of sunlight | 0:31:53 | 0:31:56 | |
refracted into the house. | 0:31:56 | 0:31:57 | |
-Isn't that...? A fantastic project, I think. -Clever. | 0:31:57 | 0:32:00 | |
But you have to...you have to hold it up like that the whole... | 0:32:00 | 0:32:02 | |
Yes, the whole time, yeah. | 0:32:02 | 0:32:05 | |
With a walrus with his penis out. | 0:32:05 | 0:32:08 | |
Every now and then one of them drops through and kills a child, | 0:32:08 | 0:32:11 | |
but, apart from that, they're awesome. | 0:32:11 | 0:32:13 | |
Largest window in the world, anybody? | 0:32:13 | 0:32:15 | |
-Largest window in the world... -What is one you've seen? | 0:32:15 | 0:32:17 | |
-I'll narrow it down - Paris. -Oh, in the Pompidou. | 0:32:17 | 0:32:20 | |
No, it's in Notre Dame, it is the rose window in Notre Dame. | 0:32:20 | 0:32:23 | |
-Oh, is it? -It's absolutely the largest window in the world. | 0:32:23 | 0:32:25 | |
Did you see they've just announced that the world's | 0:32:25 | 0:32:28 | |
largest passenger aircraft windows are going to be, in 2018, | 0:32:28 | 0:32:32 | |
it's going to be four and a half feet by a foot and a half. | 0:32:32 | 0:32:34 | |
-Oh, I wouldn't like that. -Would you not? -No, no. | 0:32:34 | 0:32:37 | |
No. Too... I mean, you could fit out of that. | 0:32:37 | 0:32:40 | |
I don't think they open. | 0:32:40 | 0:32:42 | |
That's not a standard measurement of window. | 0:32:42 | 0:32:45 | |
"Can we have the window one and a half Calmans, please?" | 0:32:45 | 0:32:48 | |
Is it big enough to shove Susan out at 30,000 feet? | 0:32:48 | 0:32:52 | |
-Is that what this is? -I never said I'd shove you out! | 0:32:52 | 0:32:54 | |
It sounded like he wanted to throw me out of the plane, I'll be honest with you. | 0:32:54 | 0:32:57 | |
I'll be honest, I never get in a London taxi without thinking about you, Susan, because? | 0:32:57 | 0:33:01 | |
I can stand up completely straight in the back of a black cab. | 0:33:01 | 0:33:05 | |
Wow! | 0:33:05 | 0:33:06 | |
APPLAUSE | 0:33:06 | 0:33:08 | |
Now for a question on job openings. | 0:33:12 | 0:33:14 | |
What will be the first occupation done exclusively by robots? | 0:33:14 | 0:33:19 | |
Oh, I hope it's not people on panel shows, otherwise... | 0:33:19 | 0:33:22 | |
LAUGHTER | 0:33:22 | 0:33:24 | |
-I would think something like surgery. -OK. Which kind of surgery? | 0:33:24 | 0:33:28 | |
Keyhole heart surgery, maybe, something like that, | 0:33:28 | 0:33:31 | |
or brain surgery, where they can be incredibly precise. | 0:33:31 | 0:33:34 | |
-So, I need you to go the other end. -It would be...anal surgery. | 0:33:34 | 0:33:38 | |
Wiping arses. | 0:33:39 | 0:33:41 | |
You have to try and imagine that you are training to be a proctologist | 0:33:41 | 0:33:45 | |
and you need to, at some point, have a look inside a rectum, | 0:33:45 | 0:33:49 | |
that's going to be your basic training. | 0:33:49 | 0:33:52 | |
Until recently, the UK has had only one registered | 0:33:52 | 0:33:56 | |
rectal teaching assistant, who travels around the country, | 0:33:56 | 0:34:01 | |
visiting medical schools and offering up his rectum to students. | 0:34:01 | 0:34:06 | |
-Oh, no, Sandi. -Oh, yes. -But somebody says, "I'll do it!" | 0:34:06 | 0:34:11 | |
It's a job. "Leave that with me." | 0:34:11 | 0:34:13 | |
So, there are some problems with this. | 0:34:13 | 0:34:15 | |
You'd definitely make up what you did for a living, wouldn't you? | 0:34:15 | 0:34:19 | |
There are a few problems with this. First of all, the strain of training | 0:34:19 | 0:34:22 | |
an entire country of doctors with one rectum, I think...is pressing. | 0:34:22 | 0:34:26 | |
And then the problem with using a real person is that the professor, | 0:34:26 | 0:34:30 | |
who is teaching you, can't really tell | 0:34:30 | 0:34:32 | |
if you're doing it properly because they can't see what you're doing. | 0:34:32 | 0:34:35 | |
Sorry, can I just...? | 0:34:35 | 0:34:37 | |
-Sorry. For the profession of proctologist... -Yes. | 0:34:37 | 0:34:41 | |
-..everyone in the country... -Yeah. -..is using the same person? | 0:34:41 | 0:34:46 | |
-You can see the problem with this, can't you? -So... | 0:34:46 | 0:34:50 | |
..you apply for it, or does it...? | 0:34:50 | 0:34:52 | |
Well, they only got one applicant. | 0:34:52 | 0:34:54 | |
It's been a problem, so Imperial College | 0:34:56 | 0:34:58 | |
have come up with a robotic rectum, | 0:34:58 | 0:35:00 | |
so this guy can go home and sit down. | 0:35:00 | 0:35:02 | |
There are tiny robotic arms that apply pressure | 0:35:02 | 0:35:05 | |
to a silicon rectal passage. SUSAN SQUIRMS | 0:35:05 | 0:35:07 | |
And then the hardware can be changed to different levels of difficulty. | 0:35:07 | 0:35:11 | |
You can change the size and shape of the rectum... | 0:35:11 | 0:35:14 | |
..you can change the prostate. | 0:35:15 | 0:35:17 | |
Eventually, you get to a boss fight at the end. | 0:35:17 | 0:35:19 | |
And each one of these arseholes costs £25,000. | 0:35:21 | 0:35:24 | |
So, once the current rectal teaching assistant retires, we will go from | 0:35:26 | 0:35:30 | |
a workforce of one to a workforce of none, and there will be just robots. | 0:35:30 | 0:35:34 | |
My arse definitely needs a good looking at. | 0:35:34 | 0:35:36 | |
CONSTERNATED LAUGHTER | 0:35:36 | 0:35:40 | |
I've been wondering what to give as a prize this evening. | 0:35:40 | 0:35:43 | |
The UK's a rectal trailblazer in more ways than one. | 0:35:49 | 0:35:53 | |
People who have rectums that no longer function | 0:35:53 | 0:35:56 | |
-can be fitted with a bionic rectum. -Oh, yeah! | 0:35:56 | 0:35:59 | |
They can fire out their shit over 40 feet! | 0:35:59 | 0:36:02 | |
Or they just pull their pants down and launch themselves up. | 0:36:05 | 0:36:09 | |
You know, like Steve Austin, they can get onto the roofs of buildings. | 0:36:10 | 0:36:13 | |
MAKES LOUD FARTING NOISE | 0:36:14 | 0:36:17 | |
So was the Six Million Dollar Man technically a robot? | 0:36:17 | 0:36:20 | |
-Well, depends how much percentage... -He was a cyborg. -Cyborg, yeah. | 0:36:20 | 0:36:24 | |
-What's the difference? -Depends on how much of you is a robot | 0:36:24 | 0:36:27 | |
and how much of you is still a human being. | 0:36:27 | 0:36:29 | |
-RICH: -So, what about Robbie Williams? | 0:36:29 | 0:36:31 | |
-What about him? -Cyborg or robot? | 0:36:31 | 0:36:33 | |
LAUGHTER | 0:36:33 | 0:36:35 | |
That's a game we could play for a very long time. | 0:36:35 | 0:36:37 | |
I'm going to carry on with my bionic rectum, if it kills me. | 0:36:37 | 0:36:40 | |
I hope someone's just tuned in at that point. | 0:36:40 | 0:36:43 | |
Anyway, you take a muscle from the inside of the leg | 0:36:47 | 0:36:49 | |
and you wrap it around the anus, | 0:36:49 | 0:36:51 | |
and then you hook it up to the device with electrodes that makes | 0:36:51 | 0:36:53 | |
the muscle contract or relax with an electric signals. | 0:36:53 | 0:36:55 | |
So, basically, it can be activated by remote control. | 0:36:55 | 0:36:58 | |
The only thing I think is, if you have a bionic rectum, | 0:36:58 | 0:37:00 | |
keep hold of the controls. Don't let your... | 0:37:00 | 0:37:02 | |
Don't let the children... | 0:37:03 | 0:37:05 | |
Imagine the panic when you've lost that remote down the sofa. | 0:37:06 | 0:37:09 | |
Anyway, we salute the passage of the UK's only rectal teaching | 0:37:11 | 0:37:15 | |
assistant and welcome our new robot bottom overlords. | 0:37:15 | 0:37:19 | |
Now, it's time to open the floodgates to General Ignorance. | 0:37:19 | 0:37:24 | |
Fingers on buzzers. When's the best time to rob a bank? | 0:37:24 | 0:37:29 | |
Yes, Susan? | 0:37:29 | 0:37:31 | |
-Thursday morning. -Why? | 0:37:32 | 0:37:35 | |
It's when I'm most free and... | 0:37:35 | 0:37:37 | |
I think I can fit it in around ten | 0:37:40 | 0:37:42 | |
and then I've got coffee with Sandi Toksvig. | 0:37:42 | 0:37:45 | |
Ski season cos everybody would have a ski mask on. | 0:37:46 | 0:37:49 | |
-There would be a lot more suspects. -Yes. -Alan, do you want | 0:37:51 | 0:37:54 | |
-to give it a go? -Well, it's either when it's open | 0:37:54 | 0:37:56 | |
or when it's closed... | 0:37:56 | 0:37:57 | |
KLAXON | 0:37:57 | 0:37:59 | |
Bless you. Here's the thing, | 0:38:03 | 0:38:05 | |
you cannot rob a bank when nobody's there. | 0:38:05 | 0:38:07 | |
-Why is that? -No-one can open anything. | 0:38:07 | 0:38:10 | |
No, a robbery's when you steal something by threatening somebody. | 0:38:10 | 0:38:13 | |
So, if you steal from somewhere and nobody sees you, you know this, | 0:38:13 | 0:38:16 | |
-you're a lawyer, it's a burglary. -Yeah. | 0:38:16 | 0:38:18 | |
So, the Hatton Garden heist was actually a burglary, not a robbery. | 0:38:18 | 0:38:23 | |
I always find, like, a Friday about four o'clock, I think | 0:38:23 | 0:38:26 | |
-the best time to do anything... -Is Friday at four? | 0:38:26 | 0:38:29 | |
-..is Friday about four o'clock. -How are you going to get | 0:38:29 | 0:38:31 | |
into the safe? You can't even get into a train toilet. | 0:38:31 | 0:38:34 | |
LAUGHTER AND APPLAUSE | 0:38:34 | 0:38:36 | |
She could get in the safe, but then it would shut her in again. | 0:38:38 | 0:38:41 | |
Did you ever study...? I did law, we have it common that we did law. | 0:38:45 | 0:38:48 | |
-Did you do Harman's Case? -No, no. | 0:38:48 | 0:38:50 | |
It was a case in 1620 that rather establishes this principle. | 0:38:50 | 0:38:53 | |
There was a man called Harman and he stole a purse from a man called Halfpenny, or Ha'penny. | 0:38:53 | 0:38:57 | |
And he was indicted for robbery, so robbery is a felony, and the | 0:38:57 | 0:38:59 | |
conviction would have meant that he couldn't claim Benefit of Clergy. | 0:38:59 | 0:39:02 | |
"But the facts were Harman came by him | 0:39:02 | 0:39:05 | |
"and slipped his hand into his pocket and took out his purse. | 0:39:05 | 0:39:08 | |
"Halfpenny not suspecting the taking of his purse until turning | 0:39:08 | 0:39:11 | |
"his eye, he saw it in Harman's hand and then he demanded it. | 0:39:11 | 0:39:13 | |
"Harman answered him, 'Villain, if thou speakest of thy purse, | 0:39:13 | 0:39:16 | |
" 'I will pluck thy house over thine ears and drive thee out | 0:39:16 | 0:39:19 | |
" 'of the country as I did John Somers,' then went away with his purse." | 0:39:19 | 0:39:22 | |
The physical threat only came after the theft. | 0:39:22 | 0:39:25 | |
That means he had done it by stealth, that means it wasn't robbery, | 0:39:25 | 0:39:28 | |
it meant he could claim Benefit of Clergy. | 0:39:28 | 0:39:30 | |
So, the only time you can rob a bank is when there's somebody there. | 0:39:30 | 0:39:34 | |
What colour is the pigment in this person's eyes? | 0:39:34 | 0:39:38 | |
BEETHOVEN'S FIFTH SYMPHONY | 0:39:38 | 0:39:41 | |
-Yes, Josh? -Mauve. | 0:39:41 | 0:39:44 | |
Mauve is a very good colour that we hadn't thought of, so... | 0:39:44 | 0:39:47 | |
APPLAUSE | 0:39:49 | 0:39:52 | |
I'm going to give you a point for your colour knowledge | 0:39:57 | 0:40:01 | |
but not because it's correct. | 0:40:01 | 0:40:03 | |
-OK. -Obviously, it's a bluey-green colour, isn't it? | 0:40:03 | 0:40:05 | |
KLAXON | 0:40:05 | 0:40:07 | |
So, everybody has melanin in the iris of their eye | 0:40:11 | 0:40:14 | |
and all melanin is dark brown in colour. | 0:40:14 | 0:40:17 | |
The thing is that people with blue eyes have less melanin | 0:40:17 | 0:40:20 | |
and people with brown eyes have more. | 0:40:20 | 0:40:23 | |
This is called the Tyndall effect. So, melanin absorbs light - | 0:40:23 | 0:40:26 | |
if you have less of it, so you have blue eyes, that means that the | 0:40:26 | 0:40:30 | |
light is not absorbed and, instead, some of the light is reflected back. | 0:40:30 | 0:40:34 | |
So, people with blue eyes are reflecting back more light. | 0:40:34 | 0:40:38 | |
So, people with dark brown eyes, are they better, then? | 0:40:38 | 0:40:40 | |
You just checked my eyes before you said that! | 0:40:42 | 0:40:45 | |
You looked at me and thought, "I'm going to win this one!" | 0:40:46 | 0:40:49 | |
So you could have some melanin taken out? | 0:40:49 | 0:40:51 | |
Change your eye colour - that'll be the latest thing being offered. | 0:40:51 | 0:40:54 | |
So, it wouldn't be about taking melanin out. | 0:40:54 | 0:40:57 | |
The easiest way to do it is a corneal tattoo. So what they do is... | 0:40:57 | 0:41:00 | |
GASPS I know, they inject ink into your cornea. | 0:41:00 | 0:41:03 | |
No! | 0:41:03 | 0:41:04 | |
But this has been happening... | 0:41:04 | 0:41:06 | |
The first recorded incidence that we know of corneal tattooing | 0:41:06 | 0:41:09 | |
is the 2nd century. The ancient Greek physician, Galen, used ink | 0:41:09 | 0:41:12 | |
made from pomegranates to change eyes that were disfigured by disease. | 0:41:12 | 0:41:16 | |
I'm going to get my eyes tattooed with "love" and "hate". | 0:41:16 | 0:41:19 | |
So, even if your eyes look blue, they are in fact brown. | 0:41:20 | 0:41:24 | |
To finish off, let's go right back to the origin of man. | 0:41:24 | 0:41:27 | |
What is happening in this diagram? | 0:41:27 | 0:41:29 | |
If you reverse that, it's the story of Alabama. | 0:41:29 | 0:41:32 | |
-Very good. What do we think it is? -Well, it's not right, is it? | 0:41:36 | 0:41:40 | |
-Why is it not right? -We didn't evolve from monkeys in that way. | 0:41:40 | 0:41:44 | |
There are various branches of the tree of evolution, aren't there? | 0:41:44 | 0:41:47 | |
Yeah, the diagram's originally called The Road To Homo Sapiens. | 0:41:47 | 0:41:50 | |
It was done by an illustrator called Rudolph Zallinger | 0:41:50 | 0:41:52 | |
and it was to illustrate a book called Early Man. | 0:41:52 | 0:41:55 | |
Remember those Time-Life Books that were incredibly popular? | 0:41:55 | 0:41:58 | |
It's most famously known nowadays as the March Of Progress, | 0:41:58 | 0:42:01 | |
but all of these things are incredibly misleading | 0:42:01 | 0:42:03 | |
because the road from early primates | 0:42:03 | 0:42:05 | |
to humans cannot be shown in such a neat diagram. | 0:42:05 | 0:42:08 | |
So, the first four figures there are in fact offshoots | 0:42:08 | 0:42:11 | |
to The Road To Homo Sapiens. They aren't ancestors of us at all. | 0:42:11 | 0:42:14 | |
The original drawing had 15 figures in it and there they are. | 0:42:14 | 0:42:18 | |
Slightly better. Again, it's got some blind alleys in it - | 0:42:18 | 0:42:20 | |
species that died out or didn't evolve into modern humans at all. | 0:42:20 | 0:42:24 | |
And the author said it was not supposed to imply | 0:42:24 | 0:42:27 | |
-that one led to the other... -But it clearly does. | 0:42:27 | 0:42:29 | |
What you need in the middle | 0:42:29 | 0:42:31 | |
are the four Beatles crossing the zebra crossing. | 0:42:31 | 0:42:33 | |
What is, in terms of human evolution, | 0:42:35 | 0:42:38 | |
what is the biggest problem with this particular picture? | 0:42:38 | 0:42:42 | |
Is it the guy second from the left? He's the best one. | 0:42:42 | 0:42:44 | |
He's spoiling for a fight. Look at him! | 0:42:44 | 0:42:47 | |
So, this is a picture of the whole of human evolution. | 0:42:47 | 0:42:49 | |
-There's no women. -There's no bloody women in it! | 0:42:49 | 0:42:52 | |
There we are, you're absolutely right. | 0:42:52 | 0:42:55 | |
APPLAUSE | 0:42:55 | 0:42:57 | |
It's like watching an episode of Mock The Week. | 0:42:58 | 0:43:01 | |
Which brings us to the open and shut case of the scores. | 0:43:04 | 0:43:07 | |
And, in fourth place, well, it's magnificent, | 0:43:07 | 0:43:10 | |
with -25, it's Alan! | 0:43:10 | 0:43:12 | |
APPLAUSE | 0:43:12 | 0:43:14 | |
In third place, with -8 points, it's Josh! | 0:43:16 | 0:43:19 | |
APPLAUSE | 0:43:19 | 0:43:22 | |
I'll take -8. | 0:43:22 | 0:43:24 | |
In second place, with 3 points, it's Rich! | 0:43:24 | 0:43:27 | |
APPLAUSE | 0:43:27 | 0:43:29 | |
And, tonight's winner, with a magnificent 9 points, it's Susan! | 0:43:30 | 0:43:33 | |
CHEERING AND APPLAUSE | 0:43:33 | 0:43:36 | |
So, thank you to Susan, Josh, Rich and Alan, | 0:43:42 | 0:43:45 | |
and I leave you with advice that Professor Walter Kotschnig | 0:43:45 | 0:43:49 | |
once gave his students at Holyoke College - "Keep an open mind, | 0:43:49 | 0:43:53 | |
"but not so open that your brains fall out." Thank you and good night. | 0:43:53 | 0:43:56 |