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APPLAUSE | 0:00:28 | 0:00:30 | |
Good evening and welcome to QI, | 0:00:34 | 0:00:38 | |
where tonight, we are ogling an odditorium of objects and ornaments. | 0:00:38 | 0:00:42 | |
Let's meet some ornaments to their profession. | 0:00:42 | 0:00:44 | |
The opulent Sarah Millican. | 0:00:44 | 0:00:46 | |
APPLAUSE | 0:00:46 | 0:00:48 | |
The ostentatious Cariad Lloyd. | 0:00:51 | 0:00:53 | |
APPLAUSE | 0:00:53 | 0:00:55 | |
The oratorical Alice Levine. | 0:00:57 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
And, objection! Alan Davies. | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
And their ornamental noises are from priceless objects | 0:01:13 | 0:01:15 | |
kindly lent to us by the Victoria and Albert Museum. So, Sarah goes... | 0:01:15 | 0:01:19 | |
GLASS WIND CHIMES RING | 0:01:19 | 0:01:21 | |
That's nice, pretty, isn't it? Cariad goes... | 0:01:23 | 0:01:25 | |
MANTLE CLOCK CHIMES | 0:01:25 | 0:01:27 | |
Lovely. Alice goes... | 0:01:29 | 0:01:32 | |
MUSIC BOX LULLABY CHIMES | 0:01:32 | 0:01:34 | |
LAUGHTER | 0:01:34 | 0:01:36 | |
And Alan goes... | 0:01:40 | 0:01:42 | |
TAPPING ON GLASS | 0:01:42 | 0:01:43 | |
Don't touch the exhibit, sir! | 0:01:43 | 0:01:45 | |
RUMBLING | 0:01:45 | 0:01:47 | |
GLASS BREAKS, CRASHING | 0:01:47 | 0:01:48 | |
Well, that's horribly familiar, that. | 0:01:50 | 0:01:52 | |
Right, top question, where are you most likely to come across a UFO? | 0:01:53 | 0:01:59 | |
GLASS WIND CHIMES Yes? Millican? | 0:01:59 | 0:02:01 | |
In the sky? | 0:02:01 | 0:02:03 | |
KLAXON | 0:02:03 | 0:02:04 | |
Anybody else? | 0:02:08 | 0:02:09 | |
-MANTLE CLOCK CHIMES Yes? -Reading. | 0:02:09 | 0:02:11 | |
Not much happens in Reading, so... | 0:02:13 | 0:02:15 | |
Don't you think they'd want to go somewhere where | 0:02:15 | 0:02:17 | |
-the stuff is happening? -No, because they want to be secret. | 0:02:17 | 0:02:20 | |
The whole of Reading could be aliens, you wouldn't even know. | 0:02:20 | 0:02:22 | |
Why do they want to be secret? | 0:02:22 | 0:02:24 | |
This big assumption that they come here all this way | 0:02:24 | 0:02:26 | |
-and then just hide. -That's true. | 0:02:26 | 0:02:28 | |
Somebody knows a lot about them, don't they? | 0:02:28 | 0:02:30 | |
Near airports, because they always look like planes, weirdly. | 0:02:30 | 0:02:33 | |
-Yes, that is quite a strange thing, isn't it? -Yeah. | 0:02:33 | 0:02:35 | |
They do look like planes. And the answer is the ocean. | 0:02:35 | 0:02:37 | |
The most common and most dangerous UFOs are | 0:02:37 | 0:02:40 | |
Unidentified Floating Objects. | 0:02:40 | 0:02:42 | |
These are pieces of lost cargo and they lie along the shipping routes, | 0:02:42 | 0:02:45 | |
just under the surface, and they can damage ships tremendously. | 0:02:45 | 0:02:48 | |
Between 2008-2013, | 0:02:48 | 0:02:49 | |
an average of about 1,700 shipping containers were lost at sea. | 0:02:49 | 0:02:53 | |
Look at this picture! | 0:02:53 | 0:02:54 | |
That is seriously bad packing, isn't it? That's... | 0:02:54 | 0:02:58 | |
Surely not in one go? | 0:02:58 | 0:02:59 | |
Well, about half of those 1,700 | 0:02:59 | 0:03:01 | |
came from a single ship, the MOL Comfort. | 0:03:01 | 0:03:03 | |
The ship actually broke in half and all the containers went into the sea. | 0:03:03 | 0:03:07 | |
-But that's fair enough, then. -Yeah. -That wasn't careless, was it? | 0:03:07 | 0:03:09 | |
No. No. | 0:03:09 | 0:03:11 | |
Some of the strange stuff that has washed up in the sea, | 0:03:11 | 0:03:14 | |
-in 2008, a six-foot-tall Lego man - my people... -What?! | 0:03:14 | 0:03:18 | |
-..washed up on Brighton beach. -Aw! -That's amazing. | 0:03:20 | 0:03:22 | |
The really extraordinary thing is, | 0:03:22 | 0:03:24 | |
I've been trying to find out what happened to it. | 0:03:24 | 0:03:26 | |
Did they just push it back out to the sea? | 0:03:26 | 0:03:29 | |
It just swam off. | 0:03:29 | 0:03:30 | |
If anybody knows, please, could you let me know? | 0:03:34 | 0:03:36 | |
I want to know where the Brighton Lego man is. | 0:03:36 | 0:03:38 | |
I'd like to come and say hello. | 0:03:38 | 0:03:39 | |
Why is it never a Lego woman that's washed up? | 0:03:39 | 0:03:42 | |
Because the Lego woman wasn't beach-ready. | 0:03:42 | 0:03:45 | |
APPLAUSE | 0:03:48 | 0:03:50 | |
So... | 0:03:50 | 0:03:52 | |
February 2017, £50 million worth of cocaine washed up | 0:03:53 | 0:03:58 | |
on a beach in Norfolk, and I don't know where that is either. | 0:03:58 | 0:04:01 | |
SHE SNIFFS | 0:04:01 | 0:04:02 | |
There is a National UFO Reporting Centre, which is | 0:04:02 | 0:04:05 | |
the UFOs that we normally think of, the Unidentified Flying Objects. | 0:04:05 | 0:04:08 | |
It was started by a man called Robert Gribble, | 0:04:08 | 0:04:10 | |
who's a fireman from Seattle and he collects UFO sightings. | 0:04:10 | 0:04:14 | |
And since 1905, there have been 105,000 reports of alien sightings. | 0:04:14 | 0:04:19 | |
A tenth of those have been here, in the UK. | 0:04:19 | 0:04:21 | |
But the photos are never on a camera that's more than one megapixel. | 0:04:21 | 0:04:24 | |
-Yeah. -It's always conveniently grainy. | 0:04:24 | 0:04:26 | |
-A little bit fuzzy. -Yeah. | 0:04:26 | 0:04:28 | |
Anybody know the best place in the UK to see a UFO? | 0:04:28 | 0:04:30 | |
-MANTLE CLOCK CHIMES Yes, Reading! -Reading! -No. | 0:04:30 | 0:04:33 | |
I think there's some near us. I think there's some aliens near us. | 0:04:33 | 0:04:37 | |
-Do you? -Because my dog barks at all other dogs, | 0:04:37 | 0:04:39 | |
but no people, apart from one family near us. | 0:04:39 | 0:04:41 | |
And whenever they walk past, we just... | 0:04:42 | 0:04:45 | |
We look at... My husband and I go, "Lizard people." | 0:04:45 | 0:04:48 | |
And I know that they're walking past going, "He knows." | 0:04:48 | 0:04:51 | |
-Norfolk. -No, it's not, | 0:04:53 | 0:04:54 | |
it's Scotland, it's Bonnybridge in Scotland. | 0:04:54 | 0:04:56 | |
-Oh, yeah, yeah. -It's the place where you are most likely. | 0:04:56 | 0:04:59 | |
-I don't know why. -Is that one of them? Is that guy an alien? | 0:04:59 | 0:05:01 | |
This is a man called Billy Buchanan, he's a councillor in Bonnybridge. | 0:05:01 | 0:05:04 | |
I'm not sure why he photo-bombed our shot of the sign. | 0:05:04 | 0:05:09 | |
They have 300 sightings a year, roughly, in Bonnybridge. | 0:05:09 | 0:05:12 | |
-Is it all by one man? -"I've seen another one, and another one." | 0:05:12 | 0:05:17 | |
He has 65 days off a year. | 0:05:17 | 0:05:18 | |
It's also known as the Falkirk Triangle. | 0:05:21 | 0:05:23 | |
The fact is that Bonnybridge is under three flight paths, | 0:05:23 | 0:05:27 | |
including those for Edinburgh and Glasgow Airports. | 0:05:27 | 0:05:29 | |
And just...it's your point there, Alice, isn't it? | 0:05:29 | 0:05:32 | |
I mean, just saying. | 0:05:32 | 0:05:33 | |
So the very first flying saucers, in fact, weren't even a saucer shape. | 0:05:33 | 0:05:36 | |
So in 1947, there was a pilot called Kenneth Arnold, | 0:05:36 | 0:05:39 | |
and he reported seeing nine objects | 0:05:39 | 0:05:42 | |
whose movement was "like a saucer if you skipped it across the water", | 0:05:42 | 0:05:45 | |
is what he actually said, he didn't say they looked like flying saucers. | 0:05:45 | 0:05:48 | |
In fact, they were more sort of crescent shaped or boomerang shaped. | 0:05:48 | 0:05:51 | |
But the place in America that you would most likely find a UFO | 0:05:51 | 0:05:54 | |
is Roswell, is the place that everybody thinks about them. | 0:05:54 | 0:05:57 | |
Again, 1947. I don't know. | 0:05:57 | 0:05:58 | |
So these are the street lamps in Roswell. Aren't they great? | 0:05:58 | 0:06:01 | |
-Well, you're not helping matters, are you? -No, not really. | 0:06:01 | 0:06:04 | |
Every night at around 7pm, they come out. | 0:06:04 | 0:06:07 | |
I really, really love these. They have an annual UFO festival | 0:06:07 | 0:06:10 | |
where they have an alien pet competition - | 0:06:10 | 0:06:12 | |
how alien can you make your dog look? | 0:06:12 | 0:06:16 | |
-A lot of the sightings are near military bases, aren't they? -Yes. | 0:06:16 | 0:06:18 | |
Then people say that it's because | 0:06:18 | 0:06:20 | |
the military are trying to cover it up. | 0:06:20 | 0:06:21 | |
But is it actually that it's something military related | 0:06:21 | 0:06:24 | |
but they can't tell us, because top secret? | 0:06:24 | 0:06:26 | |
-Or... -Yes. -The military is entirely made up of aliens. | 0:06:26 | 0:06:29 | |
-LAUGHTER -Yes. | 0:06:29 | 0:06:30 | |
Just offering that out there. | 0:06:30 | 0:06:31 | |
-I think you're more likely to be right. -Oh. | 0:06:31 | 0:06:34 | |
As this is the case, I wondered if I could interest you | 0:06:34 | 0:06:36 | |
in an insurance policy against alien abduction? | 0:06:36 | 0:06:39 | |
How much is it? | 0:06:39 | 0:06:41 | |
Well, for about £120 a year, | 0:06:41 | 0:06:43 | |
I can protect you against alien impregnation. | 0:06:43 | 0:06:46 | |
What if I was on the pill? | 0:06:49 | 0:06:51 | |
Or 41, you know. | 0:06:51 | 0:06:53 | |
Well, men are also able to purchase impregnation insurance of this kind, | 0:06:53 | 0:06:58 | |
for protection against the unknown capabilities of alien technology. | 0:06:58 | 0:07:02 | |
So your pill, not really going to be anywhere. | 0:07:02 | 0:07:06 | |
-So far, more than 30,000 of these policies have been sold. -No! | 0:07:06 | 0:07:10 | |
-30,000?! -Yeah. One I like is called | 0:07:10 | 0:07:13 | |
the Goodfellow Rebecca Ingrams Pearson policy, | 0:07:13 | 0:07:16 | |
which, if you put that together, is GRIP. | 0:07:16 | 0:07:18 | |
So, "Get a GRIP policy." | 0:07:18 | 0:07:20 | |
LAUGHTER | 0:07:20 | 0:07:22 | |
I love these insurance policies. | 0:07:22 | 0:07:24 | |
In 2000, there were three sisters from Inverness | 0:07:24 | 0:07:26 | |
who insured themselves against the possibility | 0:07:26 | 0:07:29 | |
of miraculously conceiving and raising the second Christ. | 0:07:29 | 0:07:32 | |
-I hate it when that happens. -Hate it when that happens, yes. | 0:07:34 | 0:07:37 | |
But we have worried about UFOs for a very long time. | 0:07:37 | 0:07:40 | |
Probably the earliest picture that we have of a potential UFO | 0:07:40 | 0:07:43 | |
was 1561 over the skies in Nuremberg. | 0:07:43 | 0:07:47 | |
That's the sun, though, isn't it? | 0:07:47 | 0:07:50 | |
Bear in mind, this is the best they could do for a photo in 1561. | 0:07:50 | 0:07:53 | |
Is that what the sky looked like that day? | 0:07:53 | 0:07:55 | |
Yes. So they say. | 0:07:55 | 0:07:57 | |
It lasted for about an hour | 0:07:57 | 0:07:59 | |
and there were lights and flashes all over the place. | 0:07:59 | 0:08:01 | |
What we now think it is, it was something called a mock sun | 0:08:01 | 0:08:04 | |
or a sun dog. | 0:08:04 | 0:08:05 | |
What you get, you sometimes get ice crystals | 0:08:05 | 0:08:07 | |
up in the upper part of the sky. | 0:08:07 | 0:08:09 | |
So it is just the sun reflecting ice crystals, | 0:08:09 | 0:08:11 | |
but there was a report in the gazette of the town of Nuremberg - | 0:08:11 | 0:08:15 | |
"At the dawn of April 4th in the sky of Nuremberg, | 0:08:15 | 0:08:18 | |
"a lot of men and women saw a very alarming spectacle | 0:08:18 | 0:08:20 | |
"where various objects were involved, | 0:08:20 | 0:08:22 | |
"including balls approximately three in the length from time to time, | 0:08:22 | 0:08:25 | |
"four in a square, much remained insulated, | 0:08:25 | 0:08:28 | |
"and between these balls, one saw a number of crosses | 0:08:28 | 0:08:30 | |
"with the colour of blood. | 0:08:30 | 0:08:32 | |
"Then one saw two large pipes in which small and large pipes | 0:08:32 | 0:08:34 | |
"were three balls, also four or more. | 0:08:34 | 0:08:36 | |
"All these elements started to fight, one against the other." | 0:08:36 | 0:08:39 | |
How many balls did our vendor have? | 0:08:39 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:43 | |
It might have lost a bit in translation, I think. | 0:08:43 | 0:08:45 | |
Do you think so? Yeah. | 0:08:45 | 0:08:47 | |
Do you think they were, like, paid by the word as well? | 0:08:47 | 0:08:50 | |
Cos the "colour of blood" could just have been "red". | 0:08:50 | 0:08:54 | |
Anybody know where the word "gazette" comes from? | 0:08:54 | 0:08:56 | |
Just a little side bar. I'll give you an extra point if anybody knows. | 0:08:56 | 0:08:59 | |
I know. I just don't feel like I need to say it right now. | 0:08:59 | 0:09:01 | |
A small gazer, like a gaze-ette. | 0:09:01 | 0:09:03 | |
It does sound like that, doesn't it? | 0:09:03 | 0:09:05 | |
No, is the answer. | 0:09:05 | 0:09:06 | |
It's a Venetian coin. The very first newspapers in Venice, | 0:09:06 | 0:09:09 | |
so we're talking early to sort of mid-16th century, | 0:09:09 | 0:09:12 | |
were sold for a venetian coin called a gazzetta. | 0:09:12 | 0:09:15 | |
So the newspaper became known as the gazette, | 0:09:15 | 0:09:17 | |
but it's just the name of the coin, | 0:09:17 | 0:09:18 | |
like calling it a sixpence or a farthing or something. | 0:09:18 | 0:09:20 | |
Right - you wake up wrapped in a futon covered in orange paint, | 0:09:20 | 0:09:25 | |
there's confetti everywhere and you smell of smoke. | 0:09:25 | 0:09:28 | |
What the heck happened? | 0:09:28 | 0:09:30 | |
Tha-a-at's Tuesday! | 0:09:30 | 0:09:32 | |
Now, can anybody, first of all, spot whose face that is, in the picture? | 0:09:33 | 0:09:37 | |
-We've Photoshopped... -Cariad. -It's Cariad's face. | 0:09:37 | 0:09:40 | |
How do you not recognise your own face? | 0:09:40 | 0:09:42 | |
Yeah, I mean, no... | 0:09:42 | 0:09:43 | |
Sarah, to be honest, as a man, | 0:09:43 | 0:09:45 | |
sexily posing with spots all over his body and an orange haze, | 0:09:45 | 0:09:49 | |
I wasn't instantly sure it was me. | 0:09:49 | 0:09:51 | |
I was! | 0:09:51 | 0:09:52 | |
OK, so all of those things - smoke and confetti and the futon - | 0:09:52 | 0:09:55 | |
they are all... | 0:09:55 | 0:09:56 | |
It sounds like someone dressed as a hot dog maybe, doesn't it? | 0:09:56 | 0:09:59 | |
If you were to lie in the futon, roll yourself up, | 0:09:59 | 0:10:02 | |
the orange is almost the kind of mustard, | 0:10:02 | 0:10:04 | |
-or even the frankfurter... -Yeah. | 0:10:04 | 0:10:06 | |
My actual answer is going to be so boring by comparison. | 0:10:06 | 0:10:10 | |
-CARIAD: -Sandi, tell me, what is it? | 0:10:10 | 0:10:12 | |
They are all methods... | 0:10:12 | 0:10:14 | |
LAUGHTER | 0:10:14 | 0:10:17 | |
I would need to take more clothes off, but I'm not going to, | 0:10:17 | 0:10:20 | |
unlike the picture. | 0:10:20 | 0:10:21 | |
-Those are all methods of dealing with offenders. -What? | 0:10:21 | 0:10:23 | |
So, anybody waking up with those has probably committed a crime, | 0:10:23 | 0:10:26 | |
is the truth of it. Take the orange paintballs, | 0:10:26 | 0:10:29 | |
they're for shop staff in Japan to throw at offenders. | 0:10:29 | 0:10:32 | |
They are the size of a tennis ball | 0:10:32 | 0:10:34 | |
and they are known as "bohan yu kara boru" - | 0:10:34 | 0:10:36 | |
anti-crime colour balls. | 0:10:36 | 0:10:38 | |
And the idea, if somebody's committing a crime, | 0:10:38 | 0:10:41 | |
you throw it at them, and then they are marked and easier to track. | 0:10:41 | 0:10:44 | |
You have to be good at throwing. | 0:10:44 | 0:10:45 | |
Well, this is the main problem with them. | 0:10:45 | 0:10:47 | |
-You might hit the wrong person. -Yeah. -Yeah, God. | 0:10:47 | 0:10:49 | |
So, they are widely distributed, | 0:10:49 | 0:10:51 | |
and under moments of stress, staff either tend to forget they... | 0:10:51 | 0:10:54 | |
..the staff tend to forget they've got them... | 0:11:00 | 0:11:02 | |
-You have no reflexes at all. -No. | 0:11:02 | 0:11:03 | |
Cariad's reflex is just to go into the position in the photo. | 0:11:05 | 0:11:08 | |
And people forget they've got them or they freeze, | 0:11:10 | 0:11:12 | |
or they see that the robber is armed and think, | 0:11:12 | 0:11:15 | |
"That paintball thing, not going to go so well." | 0:11:15 | 0:11:17 | |
They have signs in the shops where they've got the orange paintballs, | 0:11:17 | 0:11:20 | |
that does seem to put some people off from robbing them, but... | 0:11:20 | 0:11:23 | |
That's what they do in Poundland. | 0:11:23 | 0:11:24 | |
They have a picture of a policeman in the window, because | 0:11:24 | 0:11:27 | |
if they put a picture of a policeman in the window, people shoplift less. | 0:11:27 | 0:11:30 | |
-Do they? -Yeah. -So they could put a picture of the balls in the window. | 0:11:30 | 0:11:33 | |
That's all they need. | 0:11:33 | 0:11:35 | |
"I have the orange balls." | 0:11:35 | 0:11:36 | |
-How do you like my orange balls? -"I will take my business elsewhere." | 0:11:38 | 0:11:42 | |
Do you feel like you should say something though, | 0:11:42 | 0:11:44 | |
when you throw it, you should be like, "No!" | 0:11:44 | 0:11:46 | |
-Yeah, like, "Stop! -"Don't!" -"Stop it." -Yeah. | 0:11:46 | 0:11:48 | |
-"Bad." -"I've seen you." -I quite like that with a robber, | 0:11:48 | 0:11:51 | |
-"Stop it." -"Stop it!" | 0:11:51 | 0:11:52 | |
Do you know, I was on a train once, | 0:11:52 | 0:11:54 | |
and there were some boys who'd had a sherry too many, and they were being | 0:11:54 | 0:11:58 | |
very vulgar and loud and frightening some people over on the other side. | 0:11:58 | 0:12:01 | |
And I suddenly stood up and I went, "That will do!" | 0:12:01 | 0:12:04 | |
APPLAUSE | 0:12:08 | 0:12:09 | |
They said sorry. | 0:12:12 | 0:12:13 | |
The other technique was the futon technique, which is also Japanese. | 0:12:16 | 0:12:19 | |
It deals with drunk or violent people. | 0:12:19 | 0:12:20 | |
They wrap them up in plastic futons | 0:12:20 | 0:12:23 | |
and then carry them to cells to calm them down. | 0:12:23 | 0:12:26 | |
It apparently works. In 2014, the Japanese police fired only six shots | 0:12:26 | 0:12:30 | |
in the entire country. When the US, if you look at the comparison, | 0:12:30 | 0:12:33 | |
had 32,599 gun deaths. | 0:12:33 | 0:12:36 | |
-Whoa. -So this has got to be the answer. | 0:12:36 | 0:12:38 | |
Plastic futons, it seems to be very straightforward. | 0:12:38 | 0:12:40 | |
I imagine, somehow, that in the US, if they had orange balls, | 0:12:40 | 0:12:42 | |
-there'd be a lot more orange balls thrown. -Yeah, probably. | 0:12:42 | 0:12:45 | |
I think it's just general politeness in Japan. | 0:12:45 | 0:12:47 | |
Do you think that's what happened to Donald Trump, | 0:12:47 | 0:12:49 | |
somebody got him right in the face with an orange ball? | 0:12:49 | 0:12:51 | |
There's a Japanese office supply company that sells | 0:12:57 | 0:13:00 | |
wearable futon air mat sets. | 0:13:00 | 0:13:04 | |
They're sold as the perfect solution to people who sleep at work. | 0:13:04 | 0:13:07 | |
So you go to work wearing your futon, | 0:13:07 | 0:13:08 | |
and then you blow it up and lie down and sleep. | 0:13:08 | 0:13:10 | |
There's a big culture in Japan, it's called imeri, | 0:13:10 | 0:13:13 | |
-which is you sleep anywhere. -Inemuri. -Yeah. | 0:13:13 | 0:13:15 | |
It's because they have this thing of, like, you should work so hard | 0:13:15 | 0:13:18 | |
that you... It's OK to sleep literally anywhere. | 0:13:18 | 0:13:21 | |
You see people, like, on the side of motorways, | 0:13:21 | 0:13:23 | |
salary men they call them, just asleep on the side. | 0:13:23 | 0:13:25 | |
Yeah. So the other two I had, I had confetti and smoke machines. | 0:13:25 | 0:13:28 | |
Smoke machines, used in some stores in the UK, they set them off | 0:13:28 | 0:13:31 | |
and it obscures the view of any stuff in the shop, whatsoever. | 0:13:31 | 0:13:34 | |
And makes it like an '80s music video. | 0:13:34 | 0:13:36 | |
"So, we're really mad that you're robbing us, but..." | 0:13:37 | 0:13:40 | |
# Whooooaaa... # | 0:13:40 | 0:13:41 | |
And confetti is another safety mechanism. | 0:13:41 | 0:13:43 | |
When you fire a Taser gun, apparently, | 0:13:43 | 0:13:45 | |
it also releases a tiny amount of confetti. | 0:13:45 | 0:13:48 | |
-Oh, how lovely. -Well, you know, kind of, "Ow!", but, "Ooh, nice." | 0:13:48 | 0:13:51 | |
"My heart's stopped! Aaaah." | 0:13:53 | 0:13:55 | |
If you look in the middle picture, you can just see little bits, | 0:13:55 | 0:13:57 | |
-tiny, coloured bits of confetti. -Has somebody literally thought, | 0:13:57 | 0:14:00 | |
"Oh, I mean, it's so sad, let's jazz it up when they get tasered." | 0:14:00 | 0:14:04 | |
It's supposed to deter people using Tasers to commit crimes. | 0:14:04 | 0:14:07 | |
In order to get a Taser, you have to register it with the company, | 0:14:07 | 0:14:09 | |
and then you get a specific number, that number's on the confetti | 0:14:09 | 0:14:12 | |
to make sure that bad people don't use them. | 0:14:12 | 0:14:14 | |
You know what they could have done instead? | 0:14:14 | 0:14:16 | |
when I got married, people threw confetti, which was lovely, | 0:14:16 | 0:14:18 | |
cos it's, like, pretend-y flowers, but some people threw rice, | 0:14:18 | 0:14:21 | |
and I don't know if you know this, but rice really hurts. | 0:14:21 | 0:14:25 | |
It's like being pelted with grit. | 0:14:25 | 0:14:26 | |
So, anyway - | 0:14:28 | 0:14:29 | |
what was Lord Montagu's secretary doing on the bonnet of his car? | 0:14:29 | 0:14:34 | |
-Wow! -Hmm. | 0:14:34 | 0:14:36 | |
I don't know, but she called a lot of people before she did it. | 0:14:36 | 0:14:40 | |
It must have been a warm day. | 0:14:40 | 0:14:42 | |
Was she a cog in the patriarchy, but she was getting paid for it, | 0:14:42 | 0:14:45 | |
so in a way it was OK, because of the time? | 0:14:45 | 0:14:47 | |
It's possible I love you, Cariad. | 0:14:49 | 0:14:50 | |
Er, no. | 0:14:52 | 0:14:53 | |
He was Lord Montagu of...? | 0:14:53 | 0:14:55 | |
-Beaulieu. -Lord Montagu of Beaulieu. What is Beaulieu famous for? | 0:14:55 | 0:14:58 | |
-Motor Museum. -Motor Museum. So cars, we're talking about cars. | 0:14:58 | 0:15:02 | |
This is a bit like how they used to entice you to buy lots of things. | 0:15:02 | 0:15:05 | |
Like washing machines, you're like, "Do I want a washing machine? | 0:15:05 | 0:15:08 | |
"Oh, a sexy lady is sat on it! I now want that washing machine." | 0:15:08 | 0:15:11 | |
He was particularly associated with one motorcar. | 0:15:12 | 0:15:15 | |
-A British-made one? -Yes, beautiful, amazing... -A Bentley? | 0:15:15 | 0:15:18 | |
-No, possibly, I think, the... -A Ford Ka. | 0:15:18 | 0:15:20 | |
The most beautiful car of all time. | 0:15:23 | 0:15:25 | |
-Rolls-Royce? -Rolls-Royce! -Rolls-Royce, absolutely right. | 0:15:25 | 0:15:27 | |
-Oh, was she the lady? -Yes, the iconic figure. -Ah! | 0:15:27 | 0:15:30 | |
The Spirit of Ecstasy. | 0:15:32 | 0:15:33 | |
Eleanor Thornton, she was the secretary to | 0:15:33 | 0:15:36 | |
John Walter Douglas-Scott-Montagu, second Baron Montagu of Beaulieu. | 0:15:36 | 0:15:40 | |
A motoring pioneer. | 0:15:40 | 0:15:42 | |
And he commissioned a figure as a personal mascot | 0:15:42 | 0:15:45 | |
on the front of the 1910 Rolls-Royce Silver Ghost. | 0:15:45 | 0:15:47 | |
It was called The Whisper. | 0:15:47 | 0:15:48 | |
And so the original one was like that, | 0:15:48 | 0:15:51 | |
because, allegedly, it was a secret love affair that they were having. | 0:15:51 | 0:15:54 | |
It's not that secret if you've put it on the front of all the cars. | 0:15:54 | 0:15:58 | |
Was his wife like, "Oh, right, I see, | 0:15:58 | 0:16:00 | |
"so you based that on your secretary, but nothing's going on?" | 0:16:00 | 0:16:04 | |
Yeah, the figure was sometimes known as Ellie in her nightie. | 0:16:04 | 0:16:07 | |
That's the thing about it. | 0:16:07 | 0:16:08 | |
-Which doesn't sound dodgy at all, does it? -No, it doesn't. | 0:16:08 | 0:16:11 | |
To be fair, you wouldn't necessarily know who that was. | 0:16:11 | 0:16:13 | |
You'd be like, "Does he work with anyone with one eye, | 0:16:13 | 0:16:15 | |
"a moustache, a crew cut | 0:16:15 | 0:16:18 | |
"and one mono-boob?" | 0:16:18 | 0:16:20 | |
"His secretary!" | 0:16:20 | 0:16:22 | |
Over the years, people have put lots of ornaments | 0:16:22 | 0:16:24 | |
and the choice is not always suitable for the sort of things that people have had. | 0:16:24 | 0:16:28 | |
So there's been... | 0:16:28 | 0:16:29 | |
-Oh, my God. -So that's why they standardised it. | 0:16:31 | 0:16:33 | |
The Whisper became the Spirit of Ecstasy, | 0:16:33 | 0:16:35 | |
because they didn't want people doing that kind of thing. | 0:16:35 | 0:16:37 | |
-And then... -The middle one says Spirit of Ecstasy to me, though. | 0:16:37 | 0:16:40 | |
We couldn't actually get the car ornament, | 0:16:40 | 0:16:42 | |
so this is a little model. | 0:16:42 | 0:16:44 | |
You've skewered a robin. | 0:16:44 | 0:16:46 | |
In 1907, a picture was circulated of a robin impaled on a car ornament, | 0:16:46 | 0:16:49 | |
and there was a terrible backlash against having ornaments at all. | 0:16:49 | 0:16:52 | |
They were banned. In fact, if you have them today, | 0:16:52 | 0:16:54 | |
they have to be spring-loaded and all kinds of things. | 0:16:54 | 0:16:56 | |
The ornithologists are going to be on, Sandi. | 0:16:56 | 0:16:58 | |
-I know. -They're going to be curious. | 0:16:58 | 0:17:00 | |
The DVLA has a banned list of licence plates that runs | 0:17:00 | 0:17:02 | |
to 46 pages, things that you may not have as your licence. | 0:17:02 | 0:17:06 | |
-Bollocks. -Well, kind of. | 0:17:06 | 0:17:08 | |
So, this one is supposed to be rude | 0:17:08 | 0:17:11 | |
if you read it in your rear view mirror. | 0:17:11 | 0:17:13 | |
So can anybody work it out? | 0:17:13 | 0:17:15 | |
-Oral... -I nearly just did that! | 0:17:15 | 0:17:18 | |
I haven't got a mirror with me. | 0:17:19 | 0:17:20 | |
Yeah, it's supposed to be oral sex. Anyway, it's banned, it's banned. | 0:17:20 | 0:17:24 | |
"Banned! Banned! | 0:17:24 | 0:17:26 | |
"Ban! Possible humour - banned!" | 0:17:26 | 0:17:28 | |
"Possible smiling - banned! | 0:17:30 | 0:17:32 | |
"No smiling on the road - banned! | 0:17:32 | 0:17:35 | |
"Do not think of sex! Banned! | 0:17:35 | 0:17:37 | |
"Stop it, stop it!" | 0:17:37 | 0:17:40 | |
-See if you can work out these other ones? -"Filth!" | 0:17:40 | 0:17:44 | |
-Top left? -Doggers. -Doggers. | 0:17:44 | 0:17:46 | |
Doggers. "Banned! Banned! No intercourse." | 0:17:46 | 0:17:49 | |
-Heroin? -Heroin. -Oh, scrotum. -Scrotum. | 0:17:49 | 0:17:52 | |
-SARAH: -Oh, scrotum. -"How dare you! I feel sick!" | 0:17:52 | 0:17:54 | |
-What's the bottom one? -Alcohol. -Oh. | 0:17:54 | 0:17:56 | |
"Banned! No!" | 0:17:56 | 0:17:58 | |
It's fair enough to ban alcohol. | 0:17:58 | 0:18:00 | |
I love that Sarah just went, "Oh, scrotum, are these available ones? | 0:18:00 | 0:18:04 | |
-In America, you can buy these, OK? -Oh, Sandi. -I know. | 0:18:05 | 0:18:08 | |
-Do you know how to handle them? -Hang on a second... | 0:18:08 | 0:18:11 | |
Hang on a minute. | 0:18:12 | 0:18:14 | |
I've totally got this. "Cough." | 0:18:14 | 0:18:16 | |
When you said cough, did you just breathe in a little, | 0:18:16 | 0:18:19 | |
-have a little sniff? -She did, she went, "Cough," | 0:18:19 | 0:18:22 | |
-and then she went, "Wahey!" -Hey! | 0:18:22 | 0:18:25 | |
This is a sight you will see nowhere else in the world. | 0:18:25 | 0:18:28 | |
Alan, is that normal size? | 0:18:28 | 0:18:31 | |
Well, they're a little small. | 0:18:31 | 0:18:32 | |
-They're called... -Jesus! | 0:18:35 | 0:18:36 | |
They're called truck nuts. | 0:18:37 | 0:18:39 | |
-Wow! -And they are genitals for your car. | 0:18:41 | 0:18:43 | |
-Do you know what, I'm all right thanks. -Oh, come on. "Banned!" | 0:18:43 | 0:18:47 | |
Well, they have been banned in some states. | 0:18:47 | 0:18:49 | |
Have they? Truck nuts? What, you hang them on your truck? | 0:18:49 | 0:18:52 | |
Yes, look, there. See the picture. | 0:18:52 | 0:18:53 | |
What's wrong with that? | 0:18:57 | 0:18:58 | |
Some states have banned them for indecency. | 0:18:59 | 0:19:02 | |
In Virginia, the law states, | 0:19:02 | 0:19:03 | |
"No person shall display upon or equip any motor vehicle | 0:19:03 | 0:19:06 | |
"with any device that depicts, represents or resembles | 0:19:06 | 0:19:08 | |
"human genitalia, regardless of size or scale." | 0:19:08 | 0:19:11 | |
LAUGHTER | 0:19:11 | 0:19:14 | |
Right, moving on. | 0:19:14 | 0:19:15 | |
Describe the world's best-dressed crab. | 0:19:15 | 0:19:19 | |
MUSIC BOX LULLABY CHIMES Alice? | 0:19:19 | 0:19:21 | |
I'm going to say a little bit of lime, some chilli, some mayo, | 0:19:21 | 0:19:25 | |
and then just, yeah, served with, like, brown bread, probably. | 0:19:25 | 0:19:28 | |
-That does sound delicious. -Sounds good, doesn't it? -Yeah. | 0:19:28 | 0:19:30 | |
-But I'm actually talking about a live crab. -You didn't say that. | 0:19:30 | 0:19:33 | |
No, I didn't. I should be clearer. | 0:19:33 | 0:19:34 | |
-A lot of the things you've said tonight have been ambiguous. -Yes. | 0:19:34 | 0:19:37 | |
-And that's difficult for me. -Welcome to the show. | 0:19:37 | 0:19:40 | |
Is it in a shell suit? | 0:19:42 | 0:19:44 | |
APPLAUSE | 0:19:44 | 0:19:46 | |
I'm proud to be your friend. | 0:19:49 | 0:19:51 | |
No. There's something called a dresser crab, | 0:19:51 | 0:19:54 | |
or indeed the decorator crab. | 0:19:54 | 0:19:55 | |
And what it does is it gathers material from all around itself | 0:19:55 | 0:19:59 | |
in order to blend in with the surroundings. | 0:19:59 | 0:20:01 | |
So it's basically making camouflage clothing. | 0:20:01 | 0:20:03 | |
They cover their shells in seaweed, in sponge and pearls, | 0:20:03 | 0:20:06 | |
chewing on the material in order to make it fibrous, | 0:20:06 | 0:20:09 | |
and then it attaches it to itself. | 0:20:09 | 0:20:10 | |
It's got, like, little, tiny Velcro bits on its claws and legs. | 0:20:10 | 0:20:14 | |
I love this one, it's seriously getting dressed-up. | 0:20:14 | 0:20:16 | |
That's Cardiff on a Saturday night, that is. | 0:20:18 | 0:20:20 | |
That's proper getting ready. | 0:20:20 | 0:20:22 | |
And they're found off the coast of Australia. They're tiny. | 0:20:22 | 0:20:25 | |
Just over 1.5 inches. | 0:20:25 | 0:20:26 | |
And sometimes what they do is they put noxious stuff on them | 0:20:26 | 0:20:28 | |
to ward off predators. It's called aposematism. | 0:20:28 | 0:20:31 | |
It's called Lynx. | 0:20:31 | 0:20:32 | |
Other sprays are available. | 0:20:36 | 0:20:38 | |
But there are lots of what we call augmented animals, | 0:20:38 | 0:20:41 | |
so, animals who make themselves look a bit different. | 0:20:41 | 0:20:43 | |
One of my favourites, Uraba lugens caterpillar. | 0:20:43 | 0:20:46 | |
-It keeps its old heads and wears them as hats. -What?! | 0:20:46 | 0:20:50 | |
Oh, my God. | 0:20:52 | 0:20:54 | |
That is hoarding gone mad. | 0:20:54 | 0:20:56 | |
As it grows, it sheds its exoskeleton | 0:20:56 | 0:20:58 | |
and the protrusion on the top of the head remains, | 0:20:58 | 0:21:02 | |
and eventually it has a stack, which it uses both as a weapon | 0:21:02 | 0:21:05 | |
and as a false target for any would-be predators. | 0:21:05 | 0:21:08 | |
It's known as the Mad Hatterpillar. | 0:21:08 | 0:21:10 | |
-Yeah, I mean it would be, wouldn't it? -Yeah. | 0:21:10 | 0:21:12 | |
Found in Australia and New Zealand. Isn't it wonderful? | 0:21:12 | 0:21:15 | |
-That's incredible. -He doesn't even need that. | 0:21:15 | 0:21:17 | |
Look how much you'd remember him anyway. | 0:21:17 | 0:21:20 | |
-Yeah. -"You know the one, do you remember the guy, | 0:21:20 | 0:21:22 | |
"you met him last week, he had five heads on his, five heads as a hat." | 0:21:22 | 0:21:25 | |
-Five-Head Gary, yeah. -Oh, yeah, yeah, yeah. | 0:21:25 | 0:21:27 | |
There's another one which is a beetle that lives | 0:21:27 | 0:21:30 | |
in the Costa Rican rainforest. It's called Nymphister kronaueri | 0:21:30 | 0:21:33 | |
and it disguises itself as an army ant's bottom. | 0:21:33 | 0:21:36 | |
So, that looks like it's just an ant, | 0:21:36 | 0:21:39 | |
but the bit that is a protrusion, | 0:21:39 | 0:21:40 | |
as if the ant has got terrible haemorrhoids, is actually a beetle. | 0:21:40 | 0:21:44 | |
And what it does is, it bites onto the ant | 0:21:44 | 0:21:47 | |
and then it rides around disguised as an army ant's bottom. | 0:21:47 | 0:21:50 | |
-What a life. -We've all done it. -What a life, I know. | 0:21:50 | 0:21:55 | |
There are lots of creatures that live with ants. | 0:21:55 | 0:21:58 | |
They're called myrmecophiles, so they love ants. | 0:21:58 | 0:22:01 | |
This is the very first one that attaches itself for a ride. | 0:22:01 | 0:22:04 | |
Do you think the ant knows what's happening, | 0:22:04 | 0:22:07 | |
why it's got an extra bum? | 0:22:07 | 0:22:10 | |
Or do you think the ant is like, "Oh, my God, the piles are back?" | 0:22:10 | 0:22:13 | |
Yeah. | 0:22:13 | 0:22:15 | |
-It'd keep going like that, wouldn't it? -"What the hell is that?" | 0:22:15 | 0:22:18 | |
"There's something... I'm sure there's something..." | 0:22:18 | 0:22:21 | |
And the beetle's like that... | 0:22:21 | 0:22:23 | |
"Oh, no, no. | 0:22:25 | 0:22:27 | |
"You never see me." | 0:22:27 | 0:22:29 | |
-And every now and then it goes... -HUMS TWILIGHT ZONE THEME | 0:22:31 | 0:22:34 | |
"I can hear something, I can hear something." | 0:22:34 | 0:22:36 | |
But then the ant will shit in its face. | 0:22:36 | 0:22:39 | |
"Ugh, you ruined it!" | 0:22:39 | 0:22:41 | |
"You were behind me, you cheeky beetle!" | 0:22:41 | 0:22:43 | |
All the other ants are going, | 0:22:45 | 0:22:46 | |
"You haven't put on any weight, you look fine." | 0:22:46 | 0:22:48 | |
"Oh, really, are you sure?" "You look fine." | 0:22:48 | 0:22:50 | |
Then the five-head caterpillar goes, | 0:22:50 | 0:22:51 | |
"Have you seen him? He's hanging onto his arse." | 0:22:51 | 0:22:53 | |
"Shut up!" "He's hanging onto his arse." | 0:22:53 | 0:22:55 | |
"Well, he can't possibly be living down there." | 0:22:55 | 0:22:57 | |
"He is, he's on his arse!" | 0:22:57 | 0:22:59 | |
"There's a beetle on the ant's arse." | 0:23:02 | 0:23:03 | |
"There's a beetle on the ant's arse?" | 0:23:03 | 0:23:05 | |
"Yes, I can see it from here." | 0:23:05 | 0:23:06 | |
"Swap places, swap places." "All right." | 0:23:06 | 0:23:08 | |
"Oh, there is, there is, there's a beetle on the ant's arse! | 0:23:10 | 0:23:14 | |
"Go and have a look." "All right." | 0:23:14 | 0:23:15 | |
"I can't get up there, why am I always at the bottom?" | 0:23:16 | 0:23:20 | |
APPLAUSE | 0:23:20 | 0:23:22 | |
-Something like that. -I like that they're all from the same animal, | 0:23:29 | 0:23:31 | |
but they're all from different regions, different places. | 0:23:31 | 0:23:34 | |
Isn't there a thing - you can have your bottom made bigger? | 0:23:34 | 0:23:36 | |
-Can you do that? -Bottom implants, yeah. -Can you? | 0:23:36 | 0:23:39 | |
I just eat more. | 0:23:39 | 0:23:41 | |
How do you guarantee that it goes to the bottom? | 0:23:41 | 0:23:43 | |
-You just sit a lot. -OK. | 0:23:43 | 0:23:45 | |
Now, what is the lady at the back of this picture saying? | 0:23:47 | 0:23:51 | |
"What's going on?" | 0:23:51 | 0:23:53 | |
-Has she got a mask on? -She has got a mask on. | 0:23:53 | 0:23:56 | |
Is she wondering how she's keeping her mask on? | 0:23:56 | 0:23:58 | |
Because I can't see any elastic. | 0:23:58 | 0:24:00 | |
That is exactly the question. So, these are black velvet masks. | 0:24:00 | 0:24:03 | |
We haven't got black velvet ones, but we have got masks for you. | 0:24:03 | 0:24:06 | |
They were worn in the 16th century, and the way you kept them on, | 0:24:06 | 0:24:09 | |
there's a sort of a bead, but we've done a button for you there. | 0:24:09 | 0:24:12 | |
And you put that in your mouth. | 0:24:12 | 0:24:13 | |
If anyone turns on now, this is like an episode of Black Mirror. | 0:24:13 | 0:24:16 | |
So the answer is, she's not saying anything, because she's using... | 0:24:18 | 0:24:21 | |
-MUFFLED: -Because she's got a button in her mouth. -Sorry, what? | 0:24:21 | 0:24:24 | |
-She's got a button... -MOCK MUFFLED: She's got a button in her mouth. | 0:24:24 | 0:24:26 | |
Is exactly right. | 0:24:26 | 0:24:28 | |
She's saying, "I'm not marrying a hippo." | 0:24:28 | 0:24:30 | |
Why...? | 0:24:34 | 0:24:35 | |
The glasses are a triumph, if I may say so. | 0:24:40 | 0:24:44 | |
I have a re-occurring nightmare and it's this. This, right here. | 0:24:44 | 0:24:47 | |
Why might she be wearing it? What's the reason? | 0:24:47 | 0:24:49 | |
Is it scars from horrible sexually transmitted diseases? | 0:24:49 | 0:24:52 | |
She's proving how rich she is. So how is she doing that? | 0:24:52 | 0:24:54 | |
Oh, to keep her skin so white? | 0:24:54 | 0:24:56 | |
-I was going to say, she looks almost as pale as me. -Yeah. | 0:24:56 | 0:24:59 | |
So, the idea is to avoid sunburn. | 0:24:59 | 0:25:01 | |
The most complete example that we have of one of these | 0:25:01 | 0:25:03 | |
is the Daventry Mask, which was discovered - there it is - | 0:25:03 | 0:25:06 | |
in Northamptonshire, found inside a wall while they were | 0:25:06 | 0:25:08 | |
renovating a 16th-century building. And the idea is... | 0:25:08 | 0:25:10 | |
They've spent about five seconds making that, haven't they? | 0:25:10 | 0:25:13 | |
"You'd be better off not going out!" | 0:25:19 | 0:25:21 | |
The idea was to say, "I'm too rich to get a tan, | 0:25:23 | 0:25:25 | |
"I don't work in the fields, I'm a fantastically wealthy person." | 0:25:25 | 0:25:27 | |
They do that in Vietnam, you know. | 0:25:27 | 0:25:29 | |
You'll go on a beach and all the girls are completely covered. | 0:25:29 | 0:25:32 | |
Their face is covered, arms covered right up to there | 0:25:32 | 0:25:34 | |
cos they want to have white skin, otherwise you look like a peasant. | 0:25:34 | 0:25:37 | |
-I have to wear factor 50. -Do you burn badly? | 0:25:37 | 0:25:40 | |
I don't take a glowing tan. | 0:25:40 | 0:25:42 | |
Yeah, I look like a newborn fish. You can see, like, through my skin | 0:25:43 | 0:25:46 | |
and see my organs, yeah. | 0:25:46 | 0:25:47 | |
-That's deeply unpleasant. -Yeah, it is. | 0:25:47 | 0:25:49 | |
The lady in our painting is actually wearing something called | 0:25:51 | 0:25:54 | |
a moretta muta, it was a Venetian variation on the mask. | 0:25:54 | 0:25:57 | |
Does anybody know what this painting is? | 0:25:57 | 0:25:59 | |
It's a wonderful painting of Clara the Rhinoceros, from 1751. | 0:25:59 | 0:26:02 | |
This is a sort of sad story. | 0:26:02 | 0:26:03 | |
17 years, she was toured round Europe, and of course it was | 0:26:03 | 0:26:06 | |
an extraordinary thing, nobody had ever seen rhinoceroses. | 0:26:06 | 0:26:08 | |
They've just taken the horn off, is that what they've done? | 0:26:08 | 0:26:11 | |
Well, as far as we know, the year before she was displayed in Venice, | 0:26:11 | 0:26:14 | |
she had rubbed the horn off in Rome, where she was on display. | 0:26:14 | 0:26:17 | |
So, clearly, an animal in some distress. And she eventually... | 0:26:17 | 0:26:20 | |
Whenever I'm in distress, I rub a horn. Always. Yeah. | 0:26:20 | 0:26:23 | |
Eventually, she came to Britain. In fact, she died in Lambeth, | 0:26:23 | 0:26:26 | |
at the Horse and Groom pub, where she was being shown for sixpence. | 0:26:26 | 0:26:28 | |
We've all died at the Horse and Groom. | 0:26:28 | 0:26:31 | |
So, your factor 50 - | 0:26:33 | 0:26:34 | |
in 1938, there was a chemistry student called Franz Greiter. | 0:26:34 | 0:26:37 | |
He got sunburned while he was climbing | 0:26:37 | 0:26:40 | |
the Piz Buin peak in the Alps. | 0:26:40 | 0:26:42 | |
He went on to develop sunscreen, | 0:26:42 | 0:26:44 | |
which he called glacier cream, | 0:26:44 | 0:26:46 | |
but we now know it as the company that is named after the mountain. | 0:26:46 | 0:26:48 | |
That's what they say in Wales, | 0:26:48 | 0:26:50 | |
if you've been sick the next morning from alcohol, | 0:26:50 | 0:26:53 | |
-"I was piz buin." Instead of spewing. -Is that right? | 0:26:53 | 0:26:55 | |
"I was hanging and I've been piz buin all morning." | 0:26:55 | 0:26:59 | |
Wouldn't he be proud to know that? | 0:27:00 | 0:27:03 | |
-So, Alan, I've got a question just for you. -Oh. | 0:27:03 | 0:27:05 | |
What is the largest creature that gets sunburn? | 0:27:05 | 0:27:08 | |
Blue whale? | 0:27:12 | 0:27:13 | |
Yes, it is! | 0:27:13 | 0:27:15 | |
CHEERING AND APPLAUSE | 0:27:15 | 0:27:17 | |
It spends less time breathing at the surface, | 0:27:23 | 0:27:25 | |
about two minutes, than the sperm whale, | 0:27:25 | 0:27:27 | |
which spends about ten minutes, | 0:27:27 | 0:27:28 | |
but the blue pigmentation means it is more likely to get sunburned. | 0:27:28 | 0:27:32 | |
Very vulnerable. Yes. It's a lot of Ambre Solaire. | 0:27:32 | 0:27:34 | |
Where would you find these ornaments? | 0:27:35 | 0:27:39 | |
-MANTLE CLOCK CHIMES -Oh. -Yes? | 0:27:39 | 0:27:41 | |
-That is an orchid. -It is. | 0:27:41 | 0:27:43 | |
That's genuinely called something like the... | 0:27:43 | 0:27:45 | |
Oh, like, the hanging willy man, or something. | 0:27:45 | 0:27:47 | |
-It's called the Orchis italica. -Oh, OK! | 0:27:47 | 0:27:49 | |
"Ha-ha-ha! The Orchis italica!" | 0:27:51 | 0:27:53 | |
"Ha-ha-ha-ha!" | 0:27:55 | 0:27:58 | |
It's known amongst gardeners as, like, the naked man, isn't it? | 0:27:58 | 0:28:00 | |
-It is called the naked man orchid, is its nickname. -People who can't do Latin, like. | 0:28:00 | 0:28:04 | |
-FARMER VOICE: -"My naked man's come up lovely this year." | 0:28:04 | 0:28:07 | |
"I've got 16 naked men in my garden." | 0:28:07 | 0:28:09 | |
"I've been giving a lot of attention to my naked man." | 0:28:09 | 0:28:13 | |
Which is funny, because the orchid is named after the female genitalia. | 0:28:13 | 0:28:16 | |
That's where the Latin comes from. | 0:28:16 | 0:28:18 | |
I think the orchid's name means testicles. | 0:28:18 | 0:28:20 | |
You've got your genitalia round the wrong way, which... | 0:28:20 | 0:28:23 | |
-That could explain a lot. -I can help you with that. | 0:28:23 | 0:28:26 | |
But orchids come in the most wonderful shapes. | 0:28:29 | 0:28:32 | |
There's one shaped like the laughing bumblebee, on the left there. | 0:28:32 | 0:28:35 | |
-Wow. -The other one is the swaddled baby. -Yeah, yeah. | 0:28:35 | 0:28:38 | |
And then the one on the right, it's a birthwort flower. | 0:28:38 | 0:28:41 | |
-Do you not think it looks a bit like Darth Vader? -Yes. | 0:28:41 | 0:28:44 | |
That's an STI. | 0:28:44 | 0:28:45 | |
"I'm not going to come in, | 0:28:49 | 0:28:51 | |
"I'm just going to send you a photograph of it." | 0:28:51 | 0:28:53 | |
"I can't get any clothes on with this thing. | 0:28:54 | 0:28:57 | |
"Could we Skype? Could we Skype it?" | 0:28:57 | 0:29:00 | |
It is known as a Dutchman's pipe, is its nickname. | 0:29:00 | 0:29:02 | |
Oh! You do not want one of those. | 0:29:02 | 0:29:04 | |
Apparently it stinks, it smells of rotting flesh. | 0:29:04 | 0:29:06 | |
So what it does - those membranes, which look like eyes, | 0:29:06 | 0:29:09 | |
are really, really thin and it lets the light through. | 0:29:09 | 0:29:11 | |
The insects are attracted to the smell of the rotting flesh. | 0:29:11 | 0:29:14 | |
Then they go down into those little holes there, | 0:29:14 | 0:29:16 | |
and they get trapped in hairs and it makes them shake about, | 0:29:16 | 0:29:19 | |
like that, and they get pollen all over themselves, | 0:29:19 | 0:29:22 | |
and then the hairs wither away just before the insect dies | 0:29:22 | 0:29:24 | |
and the insect can release itself from the flower | 0:29:24 | 0:29:26 | |
and go and pollinate. Isn't it amazing? | 0:29:26 | 0:29:28 | |
-No, orchid means testicles, because in... -Sorry, I got my... | 0:29:28 | 0:29:31 | |
In middle English it was called bollockwort. | 0:29:31 | 0:29:35 | |
I think you would have got that one. You would have known that one. | 0:29:35 | 0:29:38 | |
The next time you're backstage with somebody and a marvellous orchid | 0:29:38 | 0:29:41 | |
has been delivered, you go, "Oh, nice bollockwort." | 0:29:41 | 0:29:43 | |
I think we should bring that back. | 0:29:43 | 0:29:45 | |
Bollockwort is much better than orchids. | 0:29:45 | 0:29:47 | |
I've got two lovely bollockworts, actually, on my windowsill. | 0:29:47 | 0:29:50 | |
-Good for you. -Hmm. | 0:29:50 | 0:29:52 | |
Talking about mimicry, have a look at these. | 0:29:52 | 0:29:55 | |
-These are snapdragons. -Oh, yeah, skull ones. Yeah. | 0:29:55 | 0:29:57 | |
-Oooh. -Snapdragon skulls. Amazing. | 0:29:57 | 0:30:00 | |
So there was a mania for collecting orchids, | 0:30:00 | 0:30:02 | |
it was called orchid delirium. | 0:30:02 | 0:30:04 | |
It hit the UK in the early 19th century. | 0:30:04 | 0:30:06 | |
There was a naturalist called William John Swainson, | 0:30:06 | 0:30:08 | |
and he packed some orchids which hadn't flowered, | 0:30:08 | 0:30:11 | |
he mistook them for weeds, and he used them as packaging material. | 0:30:11 | 0:30:14 | |
When they arrived in Britain, they burst into bloom, | 0:30:14 | 0:30:16 | |
and people couldn't believe it. | 0:30:16 | 0:30:17 | |
Flowers were beginning to change hands | 0:30:17 | 0:30:19 | |
for more than 1,000 per plant. Amazing amounts of money. | 0:30:19 | 0:30:22 | |
About 25 grand they were exchanging for a single plant. | 0:30:22 | 0:30:25 | |
-Isn't it amazing? -For one bollockwort? | 0:30:25 | 0:30:27 | |
For one bollockwort, yes. | 0:30:27 | 0:30:28 | |
What you really want is a pair, obviously. | 0:30:28 | 0:30:31 | |
One of the UK's rarest plants is an orchid, | 0:30:31 | 0:30:33 | |
it's a beautiful thing called the ghost orchid. | 0:30:33 | 0:30:35 | |
It was first discovered in Britain in 1845, | 0:30:35 | 0:30:37 | |
and isn't it delicate and amazing? | 0:30:37 | 0:30:40 | |
They were seen 11 more times in the 1950s, | 0:30:40 | 0:30:42 | |
sometimes a few... | 0:30:42 | 0:30:44 | |
It was one of the rarest things. Anybody who was interested in plants | 0:30:44 | 0:30:46 | |
wanted to find one of these ghost orchids. | 0:30:46 | 0:30:49 | |
There's a sweet story, | 0:30:49 | 0:30:50 | |
there was a motorbike salesman called Mark Jannink. | 0:30:50 | 0:30:52 | |
He was searching and searching, and in 2009 he finally found one. | 0:30:52 | 0:30:56 | |
Apparently when he saw it, he said, "Hello, you. So there you are." | 0:30:56 | 0:30:59 | |
-Aw! You can see some today in the Welsh National Herbarium. -Of course. | 0:30:59 | 0:31:04 | |
-There's a lovely vase of them. -Yes. | 0:31:04 | 0:31:06 | |
So they get their name, partly because of the colour, | 0:31:09 | 0:31:11 | |
but also they were a little bit spooky, they have no chlorophyll | 0:31:11 | 0:31:13 | |
at all, so all plants, we think, have photosynthesis, | 0:31:13 | 0:31:16 | |
that's how they stay alive. But it's a parasite. | 0:31:16 | 0:31:18 | |
It steals energy from funguses below, | 0:31:18 | 0:31:19 | |
so it can live in the dark, shaded woods. | 0:31:19 | 0:31:21 | |
That's another reason why we can't find them. Aren't they gorgeous? | 0:31:21 | 0:31:24 | |
I like the one with the cock more. | 0:31:24 | 0:31:25 | |
What I like about you, Sarah, is you're reliable. | 0:31:27 | 0:31:29 | |
Now, name an object that is designed to fail. | 0:31:35 | 0:31:39 | |
MUSIC BOX LULLABY CHIMES Yes, Alice. | 0:31:39 | 0:31:41 | |
I feel like all phones and laptops are designed to fail | 0:31:41 | 0:31:45 | |
after exactly 24 months. | 0:31:45 | 0:31:47 | |
Weirdly, when your contract's up, they just... | 0:31:47 | 0:31:49 | |
They just stop working immediately. | 0:31:49 | 0:31:51 | |
There does seem to be something in that, doesn't there? | 0:31:51 | 0:31:53 | |
It's a thing called planned obsolescence. | 0:31:53 | 0:31:55 | |
Built-in obsolescence. All white goods have it. | 0:31:55 | 0:31:58 | |
-Yeah. -Eventually they fall apart and you have to buy another one. | 0:31:58 | 0:32:01 | |
So it started in the 1920s. There was a group of light bulb companies | 0:32:01 | 0:32:04 | |
known as the Phoebus cartel. | 0:32:04 | 0:32:06 | |
They got together to reduce the lifespan of a light bulb | 0:32:06 | 0:32:10 | |
down to 1,000 hours. They used to test each other's light bulbs. | 0:32:10 | 0:32:13 | |
There were fines levied if your light bulb was able to last longer. | 0:32:13 | 0:32:16 | |
The idea was that you deliberately gave all your products | 0:32:16 | 0:32:18 | |
a limited life span. | 0:32:18 | 0:32:20 | |
Aren't there still light bulbs that work from yesteryear? | 0:32:20 | 0:32:23 | |
Ooh, there's a light bulb in a Californian fire station | 0:32:23 | 0:32:25 | |
which is still going after 115 years. | 0:32:25 | 0:32:28 | |
Weirdly, there's a webcam... | 0:32:28 | 0:32:30 | |
Oh, I totally want to look at that. | 0:32:31 | 0:32:33 | |
..that you can look at to make sure that it's actually working. | 0:32:33 | 0:32:36 | |
But, I mean, the modern energy saving light bulb, | 0:32:36 | 0:32:39 | |
I can see nothing when they're on. | 0:32:39 | 0:32:41 | |
What about the ones that come on a bit, | 0:32:41 | 0:32:43 | |
-and then they come on really slowly... -I like those ones. | 0:32:43 | 0:32:46 | |
You can use those ones for, like, sort of sexy time. | 0:32:46 | 0:32:48 | |
-Yeah. -If you're quick. | 0:32:48 | 0:32:50 | |
"Getting brighter! It's getting brighter!" | 0:32:50 | 0:32:52 | |
"Oh, I'm getting... Oh, no! Aaaarrrrgh!" | 0:32:54 | 0:32:58 | |
"Get the mask! Get the mask!" | 0:33:00 | 0:33:02 | |
Well, those modern energy saving light bulbs, | 0:33:03 | 0:33:05 | |
they last about 2,500 hours. | 0:33:05 | 0:33:07 | |
But there are lots of planned obsolescences. | 0:33:07 | 0:33:09 | |
So DuPont, who invented nylon in the 1930s. | 0:33:09 | 0:33:12 | |
Nylon, tough stuff, you make parachutes out of it, right? | 0:33:12 | 0:33:14 | |
It's fantastic stuff. But they were reportedly told to make it fragile | 0:33:14 | 0:33:18 | |
-for making nylon tights. -That's so irritating. | 0:33:18 | 0:33:20 | |
Why did they do that to us? | 0:33:20 | 0:33:22 | |
Do people still put nail polish on their...? | 0:33:22 | 0:33:23 | |
Yeah, I used to put nail polish on, and then you'd forget, | 0:33:23 | 0:33:26 | |
-and it had stuck to your leg. -Yeah. -Took a couple of hairs out, | 0:33:26 | 0:33:28 | |
if you were lucky, so you didn't have to shave that bit. | 0:33:28 | 0:33:31 | |
I only ever had red nail polish. I looked like a mild burns victim. | 0:33:31 | 0:33:35 | |
You have to use the clear nail polish. | 0:33:35 | 0:33:37 | |
Yeah. In the 1920s, the American car market was saturated, | 0:33:37 | 0:33:40 | |
and the head of General Motors, a man called Alfred P Sloan, | 0:33:40 | 0:33:43 | |
he came up with the idea of changing the design each year. | 0:33:43 | 0:33:46 | |
That was the idea. It's called dynamic obsolescence. | 0:33:46 | 0:33:49 | |
The idea is you say, "I want the new car." | 0:33:49 | 0:33:52 | |
There was a man called Bernard London in 1932, wrote a book | 0:33:52 | 0:33:55 | |
called Ending The Depression Through Planned Obsolescence. | 0:33:55 | 0:33:58 | |
That's why they invented that ham with the face on it. | 0:33:58 | 0:34:00 | |
-Sorry? -Because people bought ham, but then they were like, | 0:34:00 | 0:34:04 | |
"How do we change up ham?" | 0:34:04 | 0:34:05 | |
So then they put a face on it, and everyone was like, "Great. | 0:34:05 | 0:34:08 | |
"Face meat. This is so much better." | 0:34:08 | 0:34:10 | |
There's meat with a face on it? | 0:34:11 | 0:34:13 | |
That's called a pig. | 0:34:13 | 0:34:14 | |
The other thing, of course, that seems to me | 0:34:17 | 0:34:20 | |
to have planned obsolescence is bloody printer cartridges. | 0:34:20 | 0:34:23 | |
-Yeah. -Finally, someone's talking about the big issues. -I know! | 0:34:23 | 0:34:27 | |
In North America, more than 350 million | 0:34:27 | 0:34:30 | |
often not empty cartridges are dumped every single year. | 0:34:30 | 0:34:33 | |
-That's a lot. -Does everybody have a printer that doesn't work, though, | 0:34:33 | 0:34:36 | |
-under a chest of drawers? -Yes. | 0:34:36 | 0:34:37 | |
I don't remember mine ever working, but it must have printed once. | 0:34:37 | 0:34:40 | |
Now I just keep it under a chest of drawers. | 0:34:40 | 0:34:42 | |
Why are you keeping it? | 0:34:42 | 0:34:44 | |
Well, exactly. You've got one. We've all got one. | 0:34:44 | 0:34:46 | |
-Why do we keep them? -Yeah, I've got a couple of those. | 0:34:46 | 0:34:48 | |
-Yeah. -About four computers and eight phones. | 0:34:48 | 0:34:50 | |
Someone's doing all right for themselves. | 0:34:50 | 0:34:53 | |
I had a fax machine until fairly recently. | 0:34:56 | 0:34:59 | |
Shall I tell you what I've got? | 0:34:59 | 0:35:00 | |
No matter how many times you clear out the under stairs cupboard, | 0:35:00 | 0:35:03 | |
there's a fondue set. | 0:35:03 | 0:35:04 | |
You clear it out, you get rid of it, it goes to the charity shop. | 0:35:06 | 0:35:09 | |
Next time you clear it, there's a bloody fondue set. | 0:35:09 | 0:35:11 | |
Do you know what? That's the most relatable thing I've heard all day. | 0:35:11 | 0:35:15 | |
Now, the object of the game is to avoid the klaxons, | 0:35:15 | 0:35:17 | |
as we play General Ignorance. | 0:35:17 | 0:35:19 | |
So, fingers on buzzers, please. | 0:35:19 | 0:35:20 | |
What would a medieval knight call this? | 0:35:21 | 0:35:24 | |
-Chain mail. -Chain mail. KLAXON | 0:35:24 | 0:35:26 | |
-No, it's just mail. -Oh. -I know. | 0:35:31 | 0:35:34 | |
Is that like saying PIN number? | 0:35:34 | 0:35:36 | |
Yes, it is what's called a Victorian pleonasm. | 0:35:36 | 0:35:38 | |
It's when you use many more words to explain something | 0:35:38 | 0:35:41 | |
than is necessary, you don't really need that many words. | 0:35:41 | 0:35:44 | |
-Isn't that QI? -It is QI, yes. | 0:35:44 | 0:35:47 | |
It's only been called chain mail since the turn of the 19th century. | 0:35:47 | 0:35:50 | |
We could save valuable time, | 0:35:50 | 0:35:52 | |
couldn't we, by dropping the extra word? | 0:35:52 | 0:35:54 | |
I think I'd save days a year. | 0:35:54 | 0:35:56 | |
It's the same for suit of armour, because, of course, | 0:35:56 | 0:35:58 | |
armour is a suit, so you don't need suit of armour. | 0:35:58 | 0:36:01 | |
In Lord Of The Rings, you know they had all that chain mail? | 0:36:01 | 0:36:03 | |
It took seven years to film the Lord Of The Rings films, | 0:36:03 | 0:36:06 | |
and there was a man whose only job was to slice a thin plastic tube | 0:36:06 | 0:36:09 | |
every single day, and in that plastic tube he made the chain mail. | 0:36:09 | 0:36:13 | |
And on the special features of the DVD of Lord Of The Rings - | 0:36:13 | 0:36:15 | |
it's, like, 40 hours, you can watch it... | 0:36:15 | 0:36:17 | |
-Wow! We're lucky you're here tonight. -Yeah, I know. | 0:36:17 | 0:36:19 | |
And this man, they said to him at the end, "So, you've been doing this for seven years." | 0:36:19 | 0:36:23 | |
He went, "I wouldn't take back a day, it's been the best experience of my whole entire life." | 0:36:23 | 0:36:27 | |
-But what's it for? -To make fake chain mail, | 0:36:27 | 0:36:29 | |
they couldn't give them real, cos it's too heavy. | 0:36:29 | 0:36:31 | |
So they made it out of plastic and sprayed it silver. | 0:36:31 | 0:36:33 | |
-So, why are they remaking it every day? -Cos there were so many extras, | 0:36:33 | 0:36:36 | |
there was so much to make, they had to constantly make it. | 0:36:36 | 0:36:38 | |
Had everyone thrown it away at the end of the day? | 0:36:38 | 0:36:40 | |
No, it's plastic, so it just kept breaking. | 0:36:40 | 0:36:42 | |
And also, Viggo Mortensen probably was, like, really living it, because he was so... | 0:36:42 | 0:36:46 | |
LAUGHTER | 0:36:48 | 0:36:49 | |
Seriously, between that and the ham with the face, | 0:36:50 | 0:36:53 | |
I have no idea what anybody is talking about. | 0:36:53 | 0:36:56 | |
Moving on, medieval battles were full of mail-on-mail action. | 0:36:56 | 0:37:01 | |
AUDIENCE GROANS | 0:37:01 | 0:37:02 | |
Working me arse off here, people. | 0:37:05 | 0:37:07 | |
What would you have seen tumbling across the prairie | 0:37:08 | 0:37:11 | |
after George Washington made a terrible joke? | 0:37:11 | 0:37:15 | |
ALICE GROANS | 0:37:15 | 0:37:16 | |
MUSIC BOX LULLABY CHIMES Alice? | 0:37:16 | 0:37:18 | |
-Tumbleweed... -KLAXON | 0:37:18 | 0:37:21 | |
The answer is, we don't know whether he ever made a joke, | 0:37:24 | 0:37:26 | |
is the truth of it. But we do know it wasn't tumbleweed, | 0:37:26 | 0:37:29 | |
because during his lifetime there was...? | 0:37:29 | 0:37:31 | |
-No tumbleweed? -No tumbleweed. | 0:37:31 | 0:37:33 | |
It's native to Russia, not to the USA, and it arrived in the USA | 0:37:33 | 0:37:38 | |
long after he had passed away, in the late 19th century. | 0:37:38 | 0:37:41 | |
It was accidentally imported in shipments of flax seed from Russia. | 0:37:41 | 0:37:45 | |
Although when you drive now, you do see it just like that. | 0:37:45 | 0:37:48 | |
And a single tumbleweed can become the size of a Volkswagen Beetle. | 0:37:48 | 0:37:53 | |
They can bury houses, they can fuel forest fires, | 0:37:53 | 0:37:55 | |
-I mean, it is fearful stuff. -Oh, my God! | 0:37:55 | 0:37:58 | |
As it tumbles, it scatters seeds up to 250,000 per plant. | 0:37:58 | 0:38:03 | |
So it keeps perpetuating itself. | 0:38:03 | 0:38:04 | |
And in 2016, there's a rural city in Australia called Wangaratta, | 0:38:04 | 0:38:09 | |
and they were hit by a type of tumbleweed called hairy panic. | 0:38:09 | 0:38:13 | |
-That could be your wrestling name, Sandi. -Yeah. | 0:38:15 | 0:38:17 | |
"Here she comes, all the way from Denmark, it's Hairy Panic! | 0:38:19 | 0:38:24 | |
"She's small, but she's fierce!" | 0:38:24 | 0:38:26 | |
The truth is we don't know whether George Washington ever told a joke, | 0:38:26 | 0:38:29 | |
but when I was a child, I grew up in the United States, | 0:38:29 | 0:38:31 | |
and we celebrated Washington's birthday. | 0:38:31 | 0:38:33 | |
You were made to tell George Washington jokes. | 0:38:33 | 0:38:35 | |
So I've got a couple to see what you think of them, that I have recalled. | 0:38:35 | 0:38:38 | |
What would George Washington be if he were alive today? | 0:38:38 | 0:38:41 | |
Dead. | 0:38:41 | 0:38:42 | |
If he were alive today. | 0:38:45 | 0:38:46 | |
-Old. -Yes, really, really old. Well done. | 0:38:48 | 0:38:50 | |
Oh. | 0:38:50 | 0:38:51 | |
How did George Washington speak to his army? | 0:38:51 | 0:38:54 | |
Up his sleevies? No. | 0:38:54 | 0:38:56 | |
-Loudly? -In general terms. | 0:38:58 | 0:39:01 | |
GROANING | 0:39:01 | 0:39:03 | |
They're as good as they were when I was eight. | 0:39:03 | 0:39:06 | |
-They haven't aged a day. -Not a day. | 0:39:06 | 0:39:09 | |
Right, does anybody fancy a cup of tea? | 0:39:09 | 0:39:11 | |
-Yes. -Tea all round? -Yes, please. Yes. -Ooh, yes. | 0:39:11 | 0:39:14 | |
Yes, I feel there's not enough tea breaks. | 0:39:14 | 0:39:16 | |
-So what I'm going to do, I'm going to... -Do you have any herbal? | 0:39:16 | 0:39:19 | |
Jesus Christ! | 0:39:19 | 0:39:20 | |
No, I haven't. | 0:39:22 | 0:39:24 | |
Right, anybody know, to the nearest 100ml, | 0:39:24 | 0:39:28 | |
how much water did it take to make this tea? | 0:39:28 | 0:39:31 | |
-To make the whole pot? -To make the cup of tea I'm giving you. | 0:39:31 | 0:39:34 | |
So one cup of tea, I'm going to... I've given you a little bit of milk. | 0:39:34 | 0:39:37 | |
And everybody gets two sugars, you don't have to use them, but I'm... | 0:39:37 | 0:39:40 | |
So, that's what I'm asking. There's a cup of tea. | 0:39:40 | 0:39:43 | |
-Tea, Cariad? -Thanks, darling. -Thanks. -Do you want sugar? | 0:39:43 | 0:39:46 | |
-Do you guys want sugar? -That's piss weak, Sandi. | 0:39:46 | 0:39:49 | |
I didn't actually... I didn't make the tea. | 0:39:49 | 0:39:52 | |
I have people for that. | 0:39:52 | 0:39:54 | |
To the nearest 100ml? | 0:39:54 | 0:39:57 | |
-300. -300! KLAXON | 0:39:57 | 0:39:59 | |
Do you mean to the cup or in the flask? | 0:40:03 | 0:40:05 | |
Yes, so one cup, to the nearest 100ml, | 0:40:05 | 0:40:06 | |
-how much water did it take to make the tea? -200. | 0:40:06 | 0:40:09 | |
KLAXON | 0:40:09 | 0:40:11 | |
-I sense a pattern here. -Any more? | 0:40:11 | 0:40:13 | |
-100? -100! KLAXON | 0:40:13 | 0:40:15 | |
Ten litres. | 0:40:17 | 0:40:18 | |
-Ten... You're getting closer. -Oh? | 0:40:18 | 0:40:20 | |
Yes. The answer is 52,000ml. | 0:40:20 | 0:40:25 | |
-Oh, to grow the tea plants? -That's why it's so weak. | 0:40:25 | 0:40:28 | |
-That wasn't the question! -It was, to make this... | 0:40:28 | 0:40:30 | |
I'm trying to work out how much that is. | 0:40:30 | 0:40:32 | |
Yes, but it's QI. | 0:40:32 | 0:40:35 | |
Oh, I forgot what programme I was on! | 0:40:35 | 0:40:37 | |
52 litres of water, roughly, go into white tea with two sugars. | 0:40:37 | 0:40:41 | |
So we'll see how it breaks down. | 0:40:41 | 0:40:43 | |
Around 30 litres to make the amount of tea in a single tea bag. | 0:40:43 | 0:40:47 | |
Ten litres to make the dash of milk. | 0:40:47 | 0:40:49 | |
And six litres needed for every teaspoon of sugar. | 0:40:49 | 0:40:51 | |
So, 60 billion cups of tea consumed in Britain every year. | 0:40:51 | 0:40:55 | |
So that gives us a footprint of 3,000 billion litres of water. | 0:40:55 | 0:40:59 | |
That's about ten times the volume of water in Lake Windermere | 0:40:59 | 0:41:02 | |
that is needed to make the tea for Britain. | 0:41:02 | 0:41:04 | |
Imagine making Lake Windermere into a giant cup of tea. | 0:41:04 | 0:41:07 | |
So, what are your cups made of? | 0:41:07 | 0:41:10 | |
# Polystyrene. # | 0:41:10 | 0:41:13 | |
Styrofoam? | 0:41:13 | 0:41:14 | |
KLAXON | 0:41:14 | 0:41:16 | |
Duh! | 0:41:21 | 0:41:22 | |
APPLAUSE | 0:41:25 | 0:41:26 | |
No. You're right, they're polystyrene, they're not Styrofoam. | 0:41:29 | 0:41:32 | |
All right, don't pick on me. | 0:41:32 | 0:41:34 | |
-That's what we have new people on for. -Oh, OK. | 0:41:34 | 0:41:37 | |
Welcome to the show. So they're totally different. | 0:41:37 | 0:41:41 | |
Styrofoam is extruded polystyrene, which is the stuff on the left. | 0:41:41 | 0:41:45 | |
Does it come out of her bum? | 0:41:45 | 0:41:46 | |
The strawberry laces she's got through. | 0:41:49 | 0:41:51 | |
"How much did you want?" | 0:41:51 | 0:41:53 | |
So there's a difference between extruded polystyrene, | 0:41:56 | 0:41:58 | |
which is Styrofoam, and the stuff that we're drinking out of, | 0:41:58 | 0:42:01 | |
which is expanded polystyrene. | 0:42:01 | 0:42:02 | |
Now that you have dodged that round, let's take a look at the scores. | 0:42:02 | 0:42:06 | |
And in fourth place, with a magnificent -34, it's Alan. | 0:42:06 | 0:42:10 | |
-Thank you very much. -APPLAUSE | 0:42:10 | 0:42:12 | |
In third place, with a very creditable -29, Sarah. | 0:42:14 | 0:42:18 | |
APPLAUSE | 0:42:18 | 0:42:19 | |
In second place, and considering it's her first show, | 0:42:21 | 0:42:23 | |
what an incredible score, -18, Alice. | 0:42:23 | 0:42:25 | |
APPLAUSE | 0:42:25 | 0:42:27 | |
And, finally, in first place, with four points, Cariad! | 0:42:28 | 0:42:33 | |
APPLAUSE | 0:42:33 | 0:42:35 | |
Tonight's prize, Cariad, obviously... | 0:42:40 | 0:42:45 | |
This lovely pair of truck nuts. There you are, congratulations. | 0:42:45 | 0:42:48 | |
Thank you, thank you. | 0:42:48 | 0:42:49 | |
APPLAUSE | 0:42:49 | 0:42:50 | |
It only remains for me to thank Alice, Sarah, Cariad and Alan, | 0:42:55 | 0:42:58 | |
and you've all been so great it's practically criminal, so let's | 0:42:58 | 0:43:02 | |
break out my favourite object - confetti cannons. There we are. | 0:43:02 | 0:43:07 | |
Ready? Steady, fire! | 0:43:07 | 0:43:10 | |
CHEERING | 0:43:10 | 0:43:12 | |
Good night. APPLAUSE | 0:43:14 | 0:43:16 |