Browse content similar to Oddballs. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Hello, and welcome to QI, | 0:00:32 | 0:00:35 | |
which tonight is an omnibus of Oddballs. | 0:00:35 | 0:00:40 | |
Let's meet our obliging odd-fellows. An odd bod, Jason Manford. | 0:00:40 | 0:00:44 | |
-APPLAUSE -Odd? Odd bod? | 0:00:44 | 0:00:48 | |
An odd fish, Jimmy Carr. | 0:00:48 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:52 | |
Really? Odd fish? OK, fine. | 0:00:53 | 0:00:56 | |
An odd lot, Victoria Coren Mitchell. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:00 | |
What is an odd lot?! | 0:01:00 | 0:01:02 | |
And Odds Bodkins, Alan Davies. | 0:01:03 | 0:01:06 | |
-APPLAUSE -Hello. | 0:01:06 | 0:01:07 | |
Right, let's hear their Odd Ball buzzers. | 0:01:13 | 0:01:16 | |
Jason Manford goes... | 0:01:16 | 0:01:17 | |
TABLE TENNIS BALL BOUNCES | 0:01:18 | 0:01:20 | |
Very good. | 0:01:20 | 0:01:22 | |
Jimmy goes... | 0:01:22 | 0:01:23 | |
BALL BOUNCES HEAVILY | 0:01:23 | 0:01:24 | |
Oh. | 0:01:25 | 0:01:27 | |
Well, my apologies. | 0:01:27 | 0:01:28 | |
A Mexican lunch. | 0:01:28 | 0:01:30 | |
Victoria goes... | 0:01:30 | 0:01:31 | |
PINBALL MACHINE PINGS | 0:01:31 | 0:01:33 | |
Oh, you... And Alan goes... | 0:01:34 | 0:01:37 | |
# Bouncy bouncy | 0:01:37 | 0:01:38 | |
# Bouncy bouncy | 0:01:38 | 0:01:40 | |
# Bouncy bouncy | 0:01:40 | 0:01:41 | |
# Bouncy bouncy. # | 0:01:41 | 0:01:44 | |
Oddly enough, we start with Oddball games. | 0:01:44 | 0:01:48 | |
So you've each got a selection of odd balls under your desks. | 0:01:48 | 0:01:51 | |
Odd balls coming up. | 0:01:51 | 0:01:52 | |
Kindly invent a new ball game, and I would like you to use your heads. | 0:01:52 | 0:01:56 | |
LAUGHTER | 0:01:57 | 0:01:59 | |
-That was funny. -What did you do, just...? | 0:01:59 | 0:02:01 | |
I threw it at his head, look. | 0:02:01 | 0:02:02 | |
Not the baseball! | 0:02:08 | 0:02:10 | |
OK, can we get the orange one back again? | 0:02:10 | 0:02:12 | |
Can we have it thrown back by somebody? | 0:02:12 | 0:02:14 | |
-Somebody will throw it to us, I'm sure. Come on. -Oh, whoa! | 0:02:14 | 0:02:17 | |
-That was terrifying! -Do you know what? | 0:02:17 | 0:02:18 | |
If you can't throw, don't volunteer. | 0:02:18 | 0:02:20 | |
-Unbelievable! Unbelievable. -Underarm, as well. | 0:02:20 | 0:02:23 | |
If it comes over here again, I'll put a bloody knife through it! | 0:02:23 | 0:02:25 | |
-Curmudgeonly old man. -OK. | 0:02:29 | 0:02:30 | |
There is a German game called Headis, | 0:02:30 | 0:02:33 | |
and it is ping-pong played without a bat, | 0:02:33 | 0:02:35 | |
where you just hit it with your head. | 0:02:35 | 0:02:38 | |
So, it was invented by a sports science student. | 0:02:38 | 0:02:41 | |
-Push. -But don't forget the net. | 0:02:41 | 0:02:43 | |
-The net?! -Yes - so, there's a net in the way, right? | 0:02:43 | 0:02:46 | |
OK, are you ready? Try now. | 0:02:46 | 0:02:49 | |
Yes! | 0:02:49 | 0:02:50 | |
APPLAUSE | 0:02:50 | 0:02:51 | |
Can you get that? | 0:02:55 | 0:02:57 | |
-Result. -APPLAUSE | 0:03:00 | 0:03:02 | |
He caught the ball. | 0:03:02 | 0:03:04 | |
It was in 2006, his name is Rene Wegner, | 0:03:06 | 0:03:08 | |
and he invented this game Headis. | 0:03:08 | 0:03:10 | |
It is now played internationally. | 0:03:10 | 0:03:11 | |
It is on the official sports programme of 15 German universities, | 0:03:11 | 0:03:15 | |
and have a look at this, because the top players are extraordinary, | 0:03:15 | 0:03:18 | |
and they use sort of noms-de-guerre - | 0:03:18 | 0:03:20 | |
like, well there's things like "the Sausage Seller", "Leek Face", | 0:03:20 | 0:03:24 | |
-and "Bob Der Headmaster", which I'm... -Wow. -..very pleased with. | 0:03:24 | 0:03:28 | |
And they have astonishing rallies. | 0:03:28 | 0:03:29 | |
So they're replaced the bat with their heads. | 0:03:29 | 0:03:31 | |
I suppose it's better than the ball. | 0:03:31 | 0:03:34 | |
Oh! | 0:03:34 | 0:03:35 | |
ALL: Ooh! | 0:03:35 | 0:03:36 | |
APPLAUSE | 0:03:36 | 0:03:37 | |
I can't help thinking of the corners of the table. | 0:03:40 | 0:03:43 | |
I know, yes. | 0:03:43 | 0:03:45 | |
Another ball game we've discovered is a Swiss game | 0:03:45 | 0:03:47 | |
called Hornussen, and this is one of Switzerland's national sports. | 0:03:47 | 0:03:51 | |
You have two teams, but there seems to be no limit | 0:03:51 | 0:03:53 | |
to the size of the team, or the size of the pitch, | 0:03:53 | 0:03:55 | |
and there is a ball, which stands on this little thing like this, | 0:03:55 | 0:03:58 | |
and then what looks like a bendy golf club, right? | 0:03:58 | 0:04:01 | |
And you hit the ball and it goes out into a field, | 0:04:01 | 0:04:04 | |
and then the opposition have these enormous sort of placards. | 0:04:04 | 0:04:07 | |
So here's the guy who hits the ball. | 0:04:07 | 0:04:09 | |
It's a bendy golf club, yeah - | 0:04:11 | 0:04:13 | |
and then a guy with a placard... LAUGHTER | 0:04:13 | 0:04:18 | |
..tries to stop the ball, OK? | 0:04:18 | 0:04:21 | |
And yes, a lot of shouting... | 0:04:21 | 0:04:23 | |
..and then - oh, there they are - and there seems to be no limit. | 0:04:23 | 0:04:27 | |
-That is good. -It's good! -That is brilliant. | 0:04:27 | 0:04:29 | |
It's been around since the 17th century, | 0:04:29 | 0:04:31 | |
and it evolved from the ancient tradition | 0:04:31 | 0:04:33 | |
of hitting burning logs down the mountainside to expel evil spirits. | 0:04:33 | 0:04:38 | |
LAUGHTER | 0:04:38 | 0:04:39 | |
But the ball can go up to 306km per hour - | 0:04:39 | 0:04:42 | |
I mean, it's a fantastically fast thing. | 0:04:42 | 0:04:43 | |
Ah, well, that explains why that fellow in the video | 0:04:43 | 0:04:46 | |
-didn't have many teeth left. -Yeah, I think that's the thing. | 0:04:46 | 0:04:48 | |
-300km an hour? -Yeah, yeah. | 0:04:48 | 0:04:51 | |
-That's really fast, isn't it? -It's really fast. | 0:04:51 | 0:04:53 | |
This game I like the look of, | 0:04:53 | 0:04:54 | |
although I would not be able to play it. | 0:04:54 | 0:04:56 | |
It's called Cycle Ball, it was invented in 1893, | 0:04:56 | 0:04:59 | |
it is enormously popular in Germany. | 0:04:59 | 0:05:01 | |
Anybody work out how you play it? | 0:05:01 | 0:05:02 | |
Is it not like polo, but they're on bicycles? | 0:05:02 | 0:05:05 | |
Yes, and you have to use the front wheel of the bicycle - | 0:05:05 | 0:05:07 | |
and, again, just extraordinary skill that the players have with this. | 0:05:07 | 0:05:11 | |
Obviously, it's tremendously exciting. | 0:05:11 | 0:05:14 | |
-Wow! -Ooh, what a goal. Oh, nice. | 0:05:14 | 0:05:15 | |
-Yeah, yeah. Look. -Ooh, he's lobbed him. -He's lobbed him... | 0:05:15 | 0:05:17 | |
-Ooh, ooh! -Crikey O'Reilly. -Oh, this is a good show reel. | 0:05:17 | 0:05:20 | |
-Yeah, that's, I mean... -I would actually watch that. | 0:05:20 | 0:05:23 | |
-It's quite exciting, don't you think? -Yeah. | 0:05:23 | 0:05:25 | |
-I would totally watch that. -Yeah. | 0:05:25 | 0:05:26 | |
This is, I think, I seem to... | 0:05:26 | 0:05:28 | |
-For - I mean, for a bit. -Yeah. | 0:05:28 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:31 | |
One I like is a game called Pushball. | 0:05:32 | 0:05:34 | |
So, there's a guy called Moses Crane, in the 1890s, | 0:05:34 | 0:05:36 | |
who watched a lot of American football, and he got confused. | 0:05:36 | 0:05:38 | |
You know in American football they always have sort of like a scrum? | 0:05:38 | 0:05:41 | |
They couldn't find the ball, so he invented this game. | 0:05:41 | 0:05:43 | |
-"It's so big!" -It is. | 0:05:43 | 0:05:45 | |
It's a six foot ball that weighs 50 pounds. | 0:05:45 | 0:05:49 | |
Wow. | 0:05:49 | 0:05:50 | |
-So those guys are about to die. -Yeah! | 0:05:51 | 0:05:55 | |
No, the idea is you have to either get it across the line, | 0:05:55 | 0:05:57 | |
or you have to get it across a crossbar. | 0:05:57 | 0:06:00 | |
People played it on horseback. | 0:06:00 | 0:06:02 | |
Is that the... Is that the American remake of The Prisoner? | 0:06:04 | 0:06:07 | |
We did some filming once for Jonathan Creek | 0:06:10 | 0:06:12 | |
and there was a polo ground. | 0:06:12 | 0:06:14 | |
There was an Argentinian polo player milling around in jodhpurs. | 0:06:14 | 0:06:19 | |
The make-up and wardrobe department, I swear to God, | 0:06:19 | 0:06:21 | |
all began to ovulate simultaneously. | 0:06:21 | 0:06:23 | |
And I thought to myself, | 0:06:23 | 0:06:26 | |
he was magnificent. | 0:06:26 | 0:06:28 | |
He was the sexiest thing you've ever seen in your life | 0:06:29 | 0:06:32 | |
just wandering about in jodhpurs and boots | 0:06:32 | 0:06:34 | |
looking for his pony. | 0:06:34 | 0:06:36 | |
There's a line in one of the Jilly Cooper books, | 0:06:36 | 0:06:38 | |
"Well, everyone looks sexy in jodhpurs." | 0:06:38 | 0:06:40 | |
No. | 0:06:40 | 0:06:42 | |
No. Some people look like badly packaged sausages. | 0:06:42 | 0:06:45 | |
Do you know a football club in Telemark in Norway | 0:06:49 | 0:06:51 | |
called the Odds Ballklub, do you know that? | 0:06:51 | 0:06:53 | |
I do not know of them. | 0:06:53 | 0:06:54 | |
It's just known as Odds, so its greatest claim to fame is that | 0:06:54 | 0:06:57 | |
it had a goal, believed to be the longest headed goal ever scored. | 0:06:57 | 0:07:01 | |
There was a man called Jone Samuelsen and he... | 0:07:01 | 0:07:04 | |
From within his own half... | 0:07:04 | 0:07:05 | |
Well, he's cheating, to be fair. | 0:07:05 | 0:07:07 | |
Yes. | 0:07:07 | 0:07:08 | |
Look at that beauty. | 0:07:08 | 0:07:10 | |
From within his own half, he headed the ball 190 feet. | 0:07:10 | 0:07:13 | |
So unbelievable, they called the police in to make sure it was real. | 0:07:13 | 0:07:18 | |
Someone would have thought it | 0:07:21 | 0:07:22 | |
and then someone would have had to agree with them. | 0:07:22 | 0:07:25 | |
-Yeah. -"Have you seen that header that went in from the other half? | 0:07:25 | 0:07:28 | |
-"We'd better ring the police." -Yeah. | 0:07:28 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:32 | |
The thing I really love is when football is played | 0:07:32 | 0:07:35 | |
in a district of Bangkok called Khlong Toei. | 0:07:35 | 0:07:38 | |
It's a really densely populated area, | 0:07:38 | 0:07:40 | |
there is no space to play football, | 0:07:40 | 0:07:42 | |
so what they have done is reclaimed patches of an odd size. | 0:07:42 | 0:07:45 | |
They carefully designed a pitch | 0:07:45 | 0:07:47 | |
so that it is exactly two different halves. | 0:07:47 | 0:07:50 | |
Look at that. That is just to make it fit in | 0:07:50 | 0:07:52 | |
so they can play a fair football game. | 0:07:52 | 0:07:54 | |
That's brilliant. | 0:07:54 | 0:07:55 | |
-They play round the corner? -Yes. | 0:07:55 | 0:07:57 | |
They can't even see the ball coming. | 0:07:57 | 0:07:59 | |
Wonderful, I love that. | 0:07:59 | 0:08:01 | |
You say it's a good use of the space, | 0:08:01 | 0:08:04 | |
but they could have built a hospital. | 0:08:04 | 0:08:06 | |
LAUGHTER | 0:08:06 | 0:08:08 | |
It's all relative. | 0:08:09 | 0:08:11 | |
I'm going to guess the football pitch was cheaper, | 0:08:11 | 0:08:13 | |
what do you think? OK, balls away, please. | 0:08:13 | 0:08:17 | |
-Balls away. -I should never have got them out. | 0:08:17 | 0:08:20 | |
Now, here's an odd question. | 0:08:20 | 0:08:22 | |
How can I persuade you to do what I want using only my thumb? | 0:08:22 | 0:08:26 | |
-Er... -Ah, well, now, well... | 0:08:26 | 0:08:28 | |
-I can think of a couple of possibilities. -Yeah. | 0:08:30 | 0:08:32 | |
-Just... -Yes? | 0:08:34 | 0:08:35 | |
-No, I've got nothing that isn't filth. -Nothing. | 0:08:35 | 0:08:37 | |
-Nothing, no? -Nothing that isn't filth. | 0:08:37 | 0:08:39 | |
It is known as the "thumb of power" and it's a hand gesture | 0:08:39 | 0:08:42 | |
used very widely by modern politicians when they make speeches. | 0:08:42 | 0:08:45 | |
Oh, it's to stop you doing this, isn't it? To stop you going... | 0:08:45 | 0:08:47 | |
-Yeah. -"You!" -Apparently it's more powerful - | 0:08:47 | 0:08:49 | |
don't do that because people don't like it, | 0:08:49 | 0:08:51 | |
-but if you do that, you look like you're a powerful person. -Yeah. | 0:08:51 | 0:08:54 | |
-Never do that as a politician. -No. | 0:08:54 | 0:08:56 | |
There's a science of oratorical hand gestures, | 0:08:56 | 0:08:59 | |
and it's called chironomia, | 0:08:59 | 0:09:01 | |
and it was set out in precise detail in 95AD, so a really long time ago, | 0:09:01 | 0:09:05 | |
Quintilian's Institutio Oratoria. | 0:09:05 | 0:09:07 | |
It says here, "One of the commonest of all the gestures | 0:09:07 | 0:09:10 | |
"consists in placing the middle finger against the thumb | 0:09:10 | 0:09:14 | |
"and extending the remaining three. | 0:09:14 | 0:09:16 | |
"It is suitable in the statement of facts, | 0:09:16 | 0:09:17 | |
"but in that case the hand must be moved with firmness | 0:09:17 | 0:09:20 | |
"and a little further forward | 0:09:20 | 0:09:21 | |
"while, if we are reproaching or refuting our adversary, | 0:09:21 | 0:09:24 | |
"the same movement may be employed with some vehemence and energy, | 0:09:24 | 0:09:27 | |
"since such passages permit of greater freedom of extension." | 0:09:27 | 0:09:30 | |
-You know, I'll tell you who does it... -Yes? | 0:09:30 | 0:09:33 | |
I think, Paulie Walnuts in the Sopranos. | 0:09:33 | 0:09:35 | |
-Does he? -And Spider-Man. | 0:09:35 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:38 | |
But the study of oratory and rhetoric | 0:09:39 | 0:09:41 | |
dates back a really long time - | 0:09:41 | 0:09:43 | |
and there's all sorts of rules about classic rhetoric | 0:09:43 | 0:09:46 | |
based around the rule of three, which is the same as in comedy. | 0:09:46 | 0:09:49 | |
So, tricolon, "I came, I saw, I conquered." | 0:09:49 | 0:09:52 | |
Or veni, vidi, Visa - "I came, I saw, I shopped." | 0:09:52 | 0:09:55 | |
Molossus, so that's three stressed syllables. | 0:09:55 | 0:09:59 | |
"Yes, we can." | 0:09:59 | 0:10:00 | |
And epizeuxis, so, "Location, location, location," | 0:10:00 | 0:10:03 | |
when you repeat the same word over and over again - | 0:10:03 | 0:10:05 | |
but it hasn't changed, it hasn't changed. | 0:10:05 | 0:10:07 | |
So you get ethos, logos and pathos, | 0:10:07 | 0:10:09 | |
those are the three modes of persuasion. | 0:10:09 | 0:10:12 | |
So, ethos is how you establish the credibility of the speaker. | 0:10:12 | 0:10:15 | |
So, "Watch QI, I'm on it." | 0:10:15 | 0:10:18 | |
Logos, you present the logical argument. | 0:10:18 | 0:10:20 | |
"Watch QI, it's really good." | 0:10:20 | 0:10:22 | |
And pathos, appeal to the emotions. | 0:10:22 | 0:10:24 | |
"Watch QI or we shoot this kitten." | 0:10:24 | 0:10:26 | |
LAUGHTER | 0:10:26 | 0:10:27 | |
I was just using it as a rough example. | 0:10:29 | 0:10:32 | |
There have been manuals about how you gesture | 0:10:32 | 0:10:35 | |
since there have been speeches. | 0:10:35 | 0:10:36 | |
-This is a wonderful one. -Oh, I've done this on a stag do. | 0:10:36 | 0:10:39 | |
-LAUGHTER -It's brilliant. | 0:10:39 | 0:10:42 | |
-Zorb - zorb football, it's called. -You run downhill. | 0:10:43 | 0:10:46 | |
It's a right laugh, 12 of you, "Boing, boing..." | 0:10:46 | 0:10:50 | |
We didn't dress like that. | 0:10:50 | 0:10:53 | |
Hob, dob, do. | 0:10:53 | 0:10:54 | |
Hob, dob, do. | 0:10:55 | 0:10:57 | |
Hob, dob, do. | 0:10:59 | 0:11:00 | |
Ao. | 0:11:00 | 0:11:01 | |
LAUGHTER | 0:11:01 | 0:11:02 | |
I think he might - I think he might be learning the Macarena. | 0:11:04 | 0:11:06 | |
LAUGHTER | 0:11:06 | 0:11:07 | |
I'm totally sure. | 0:11:07 | 0:11:09 | |
A study of TED talks - anybody given a TED talk? | 0:11:11 | 0:11:14 | |
Erm, no, I think we'd remember. | 0:11:14 | 0:11:16 | |
-No? -Have you given a TED talk? | 0:11:16 | 0:11:18 | |
-Of course I have, yes. -What was your TED talk? | 0:11:18 | 0:11:20 | |
I gave a TED talk on how feminism could save the world. | 0:11:20 | 0:11:22 | |
CHEERING | 0:11:22 | 0:11:24 | |
What about the other half of the audience? Nothing! | 0:11:28 | 0:11:31 | |
They know their place. | 0:11:31 | 0:11:33 | |
Anyway, no, it's cool. So, the most successful ones tend to be the ones | 0:11:37 | 0:11:40 | |
when people use lots of hand gestures. | 0:11:40 | 0:11:42 | |
And politicians can't help but use them. | 0:11:42 | 0:11:44 | |
My favourite example is Richard Nixon | 0:11:44 | 0:11:47 | |
on the day that he was made to resign as President, | 0:11:47 | 0:11:50 | |
that's what he chose to do as he left. | 0:11:50 | 0:11:52 | |
He clearly hadn't got the message it hadn't gone all that well. | 0:11:52 | 0:11:56 | |
I think I could play a young Nixon. | 0:11:56 | 0:11:58 | |
-Yes, actually, that's slightly terrifying, isn't it? -Yeah. | 0:11:58 | 0:12:01 | |
And Angela Merkel always holds her hands like that. | 0:12:02 | 0:12:04 | |
In fact, in Germany, it's known as the Merkel-Raute, | 0:12:04 | 0:12:07 | |
the Merkel diamond, that's just how she always holds her hands. | 0:12:07 | 0:12:10 | |
Trump, also, lots of signature hand signals. | 0:12:10 | 0:12:12 | |
When Donald Trump took to office, little did he know. | 0:12:12 | 0:12:14 | |
LAUGHTER | 0:12:15 | 0:12:17 | |
APPLAUSE | 0:12:17 | 0:12:18 | |
-JASON: -Very good. | 0:12:19 | 0:12:21 | |
-VICTORIA: -I like Angela Merkel's one - | 0:12:22 | 0:12:24 | |
it's like she's going to go, "Open the door, see all the people." | 0:12:24 | 0:12:26 | |
It does look like that! | 0:12:26 | 0:12:28 | |
GERMAN ACCENT: "I have ze steeple and zen - oh, look. | 0:12:28 | 0:12:30 | |
"Ah, zere's no British people." | 0:12:32 | 0:12:34 | |
LAUGHTER | 0:12:34 | 0:12:35 | |
-There's a whole conspiracy theory around that. -Oh? | 0:12:37 | 0:12:40 | |
It's about an Illuminati symbol. | 0:12:40 | 0:12:43 | |
I did it once inadvertently on a TV show, like, | 0:12:43 | 0:12:46 | |
for like a split second. | 0:12:46 | 0:12:47 | |
Someone did a freeze frame on it and went, | 0:12:47 | 0:12:49 | |
"Oh, Illuminati. That guy's in the Illuminati." | 0:12:49 | 0:12:51 | |
Which I am, but that's not... | 0:12:51 | 0:12:53 | |
If you Google it, there's lots of pictures of Jay-Z doing this... | 0:12:56 | 0:12:59 | |
-Like... -Jay-Z's in the Illuminati?! | 0:12:59 | 0:13:01 | |
-You heard it here first. -Oh, my! | 0:13:01 | 0:13:03 | |
Victoria, when you have your photograph taken, | 0:13:04 | 0:13:06 | |
isn't it awkward to know what to do with your hands? | 0:13:06 | 0:13:08 | |
If you're a woman, especially. | 0:13:08 | 0:13:10 | |
-You can't put your hands in your pockets, can you? -No, yes, terrible. | 0:13:10 | 0:13:12 | |
I've read things that say, you know, | 0:13:12 | 0:13:14 | |
if you put one foot forward, you look thinner. | 0:13:14 | 0:13:16 | |
I like the idea of the one foot forward. | 0:13:16 | 0:13:18 | |
-Just do that. Always just do that. -Why is that? | 0:13:18 | 0:13:21 | |
Because people will always remember you. | 0:13:21 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:24 | |
"Remember that man | 0:13:28 | 0:13:29 | |
"that thought there was a robbery going on all the time?" | 0:13:29 | 0:13:32 | |
"Yeah, I remember him, yeah." | 0:13:32 | 0:13:33 | |
-VICTORIA: -Am I alone in this? | 0:13:33 | 0:13:34 | |
When you see great-looking women at premieres, | 0:13:34 | 0:13:36 | |
and they have a picture and they're looking over... | 0:13:36 | 0:13:38 | |
Whenever I see a picture like that, I don't understand how they do it. | 0:13:38 | 0:13:41 | |
-No. -They used to have a pose they did on Page 3 | 0:13:41 | 0:13:44 | |
where it got the tits and the bum in the same shot. | 0:13:44 | 0:13:46 | |
Really? | 0:13:46 | 0:13:47 | |
Tits and the bum in the same shot? | 0:13:50 | 0:13:52 | |
AUDIENCE CHEERS | 0:13:52 | 0:13:53 | |
I think I've got it. | 0:13:55 | 0:13:57 | |
-Yeah? -You be the bum, you be the bum, and I'll... | 0:13:59 | 0:14:02 | |
Bend over, be the bum, like that. | 0:14:02 | 0:14:05 | |
There we go. | 0:14:05 | 0:14:06 | |
APPLAUSE | 0:14:06 | 0:14:09 | |
Enough oratory. | 0:14:11 | 0:14:13 | |
Let's look at some optical odds and sods. | 0:14:13 | 0:14:15 | |
Which of these paintings is awful? | 0:14:15 | 0:14:17 | |
-Is awful. -Awful. -As in terrible. | 0:14:18 | 0:14:22 | |
Which painting is awful? | 0:14:22 | 0:14:23 | |
Well, the bottom right, as I'm looking at it. | 0:14:23 | 0:14:26 | |
-You don't like that? -A kid's done that. | 0:14:26 | 0:14:28 | |
Yes, and you think it's awful? | 0:14:28 | 0:14:29 | |
Well, not, I mean... Er, yeah. | 0:14:29 | 0:14:31 | |
OK. | 0:14:31 | 0:14:33 | |
Some nice six-year-old called Eloise Fell | 0:14:33 | 0:14:35 | |
and now you've made her feel terrible. | 0:14:35 | 0:14:37 | |
LAUGHTER | 0:14:37 | 0:14:38 | |
-Top row. -You want to go top row, what do you think about it? | 0:14:40 | 0:14:43 | |
It's upside-down. | 0:14:43 | 0:14:44 | |
So this is actually rather a famous painting, | 0:14:44 | 0:14:47 | |
it is called Libre Mer and it is by Spain's premier abstract artist, | 0:14:47 | 0:14:51 | |
a man called Antoni Tapies. | 0:14:51 | 0:14:53 | |
So what we're talking about is what's known as | 0:14:53 | 0:14:55 | |
outsider art. It is called all sorts of things. | 0:14:55 | 0:14:57 | |
You know, people call it naive painting, | 0:14:57 | 0:14:59 | |
or they call it primitive painting, or whatever, | 0:14:59 | 0:15:01 | |
and now a lot of this work is worth an absolute fortune. | 0:15:01 | 0:15:04 | |
But have a look at some of the others, | 0:15:04 | 0:15:06 | |
-some of them you must recognise. -Lowry, we know Lowry. | 0:15:06 | 0:15:09 | |
Yeah. He was variously described in his day as a Sunday painter, | 0:15:09 | 0:15:12 | |
a concealed sophisticate, | 0:15:12 | 0:15:13 | |
deceptively simple, all those kind of things. | 0:15:13 | 0:15:15 | |
Primitivist. In fact, he had trained and he looked very annoyed | 0:15:15 | 0:15:18 | |
when people called him a Sunday painter. | 0:15:18 | 0:15:20 | |
He said, "I'm a Sunday painter who paints every day of the week." | 0:15:20 | 0:15:23 | |
He wasn't very well thought of and that is quite often the case | 0:15:23 | 0:15:25 | |
from people in the outsider art category. | 0:15:25 | 0:15:27 | |
It was also known as art brut, raw art. | 0:15:27 | 0:15:30 | |
In fact, the one on the top left there is Jean Debuffet, | 0:15:30 | 0:15:33 | |
it's actually a sculpture. | 0:15:33 | 0:15:35 | |
And he rejected what he called beauty in art. | 0:15:35 | 0:15:38 | |
He said he liked the savagery of it, | 0:15:38 | 0:15:40 | |
especially art that exists outside the normal tradition of art. | 0:15:40 | 0:15:43 | |
Initially it was people, as it were, outside of society, | 0:15:43 | 0:15:46 | |
it was people who had been put into an asylum, | 0:15:46 | 0:15:49 | |
rough sleepers, anybody who'd been socially excluded. | 0:15:49 | 0:15:52 | |
One of my favourites is Grandma Moses, | 0:15:52 | 0:15:54 | |
she didn't start painting until she was 78. | 0:15:54 | 0:15:56 | |
So bottom left there. | 0:15:56 | 0:15:58 | |
She was a friend of Norman Rockwell's. | 0:15:58 | 0:16:00 | |
What I like is that she was named as Mademoiselle's Magazine | 0:16:00 | 0:16:03 | |
Young Woman of the Year at the age of 88. | 0:16:03 | 0:16:05 | |
-Brilliant! -Isn't that wonderful? -That's great. | 0:16:05 | 0:16:08 | |
She hadn't started painting until she was 78. | 0:16:08 | 0:16:10 | |
There's a difference between the naive art and the bad art. | 0:16:10 | 0:16:12 | |
There is a Museum Of Bad Art in Boston, Massachusetts | 0:16:12 | 0:16:15 | |
and here are two examples from it. | 0:16:15 | 0:16:16 | |
You see, I have no confidence about this, | 0:16:16 | 0:16:19 | |
I don't... You could have told me these are hugely expensive paintings | 0:16:19 | 0:16:22 | |
that went for millions and everyone thinks they're wonderful | 0:16:22 | 0:16:26 | |
and I'd go, "Wow, OK." I don't know why they're awful. | 0:16:26 | 0:16:28 | |
Why are they worse than the ones we looked at before? | 0:16:28 | 0:16:30 | |
Yeah. | 0:16:30 | 0:16:31 | |
They say that the definition of bad art is that it lacks | 0:16:31 | 0:16:34 | |
both artistic inspiration and technical competence. | 0:16:34 | 0:16:37 | |
If it's meant to be a picture of a horse, | 0:16:37 | 0:16:39 | |
it lacks technical competence. | 0:16:39 | 0:16:40 | |
LAUGHTER | 0:16:40 | 0:16:41 | |
If it's a horse that's run into some French window... | 0:16:41 | 0:16:44 | |
My kids bring pictures home sometimes, we put them on the wall. | 0:16:47 | 0:16:51 | |
-Yeah. -I mean, a lot of them are rubbish. | 0:16:51 | 0:16:54 | |
Like, terrible. | 0:16:54 | 0:16:55 | |
Eloise Fell, who you picked out, our lovely six-year-old... | 0:16:55 | 0:16:58 | |
Be nice about my painting, or the dog gets it. | 0:16:58 | 0:17:01 | |
Pathos. Pathos. | 0:17:04 | 0:17:06 | |
What's the youngest someone's been taken seriously by the art world? | 0:17:06 | 0:17:09 | |
Well, Picasso, by the time he was 18 could draw anything to look | 0:17:09 | 0:17:12 | |
exactly the way it was supposed to. | 0:17:12 | 0:17:14 | |
He said he spent the rest of his life trying to draw like a child, | 0:17:14 | 0:17:16 | |
trying to release the child inside himself. | 0:17:16 | 0:17:18 | |
But, yeah, I guess because we're not trained in what to look for | 0:17:18 | 0:17:21 | |
we would...if you said that was done by a genius, | 0:17:21 | 0:17:24 | |
we'd go, "Oh, right." And that's worth £12 million. | 0:17:24 | 0:17:26 | |
"All right, fair enough." Like the Tracey Emin unmade bed thing, | 0:17:26 | 0:17:29 | |
we've all got unmade beds but she's made millions of pounds out of it. | 0:17:29 | 0:17:33 | |
Like, how... What separates that from the rest of us? | 0:17:33 | 0:17:35 | |
Pure evil. | 0:17:35 | 0:17:37 | |
LAUGHTER | 0:17:37 | 0:17:39 | |
I sometimes think it would be nice if artists | 0:17:43 | 0:17:45 | |
would think inside the box, for a change. | 0:17:45 | 0:17:47 | |
Now, here's another kind of outsider. | 0:17:47 | 0:17:49 | |
How did this man's bare bottom help Britain win World War I? | 0:17:49 | 0:17:53 | |
He looks really different with his suit off, doesn't he? | 0:17:53 | 0:17:55 | |
LAUGHTER | 0:17:55 | 0:17:57 | |
Like, you wouldn't even know that was him. | 0:17:57 | 0:18:00 | |
Do you know what that bit's called, the cleft there? | 0:18:00 | 0:18:02 | |
-Do you know what that's called? -The fun bit? | 0:18:02 | 0:18:05 | |
Which cleft are we talking about? | 0:18:05 | 0:18:07 | |
Where you might park your bicycle? | 0:18:07 | 0:18:08 | |
No, I don't know what that's called. I'm excited to learn. | 0:18:08 | 0:18:11 | |
It's called the intergluteal cleft. | 0:18:11 | 0:18:13 | |
You old romantic, you. | 0:18:13 | 0:18:15 | |
It's just a great thing to say to a builder as you go past. | 0:18:17 | 0:18:20 | |
"Oh, hello, intergluteal cleft on display. | 0:18:20 | 0:18:22 | |
"And your sacral dimples." | 0:18:22 | 0:18:24 | |
Give us a clue about the man - | 0:18:24 | 0:18:26 | |
-did something go into his bottom or come out of it? -Well... | 0:18:26 | 0:18:29 | |
-The man is called William Lawrence Bragg... -Oh! | 0:18:30 | 0:18:33 | |
..he was a physicist. He was a Nobel laureate. | 0:18:33 | 0:18:36 | |
In fact, he remains the youngest recipient of the Nobel Prize - | 0:18:36 | 0:18:40 | |
he received it in 1915, along with his father, a famous physicist. | 0:18:40 | 0:18:43 | |
In 1915, he was serving as a subaltern in Flanders, | 0:18:43 | 0:18:46 | |
trying to find out ways to use sound to locate enemy artillery. | 0:18:46 | 0:18:50 | |
So, one day he was sitting on the latrine | 0:18:50 | 0:18:53 | |
at the house where he was billeted - it was a tight little closet, | 0:18:53 | 0:18:56 | |
with no window at all, and he'd shut the door, | 0:18:56 | 0:18:57 | |
and so there was no other opening to the outside world | 0:18:57 | 0:19:00 | |
apart from the one that he was sitting on - | 0:19:00 | 0:19:02 | |
and he noticed that when there was gunfire nearby, | 0:19:02 | 0:19:04 | |
his backside momentarily lifted off the seat. | 0:19:04 | 0:19:07 | |
Even when he didn't really hear the explosion, | 0:19:07 | 0:19:09 | |
there was a sort of a thing, like this - | 0:19:09 | 0:19:11 | |
and meanwhile, another physicist he was working with, | 0:19:11 | 0:19:13 | |
a man called William Tucker, was billeted in a tar paper hut, | 0:19:13 | 0:19:17 | |
and he noticed that by his cot there were just a couple of little holes, | 0:19:17 | 0:19:20 | |
and even on a day when there was no wind, | 0:19:20 | 0:19:22 | |
little puffs of air were blowing through, | 0:19:22 | 0:19:24 | |
and they compared notes, the two of them, | 0:19:24 | 0:19:26 | |
one from the loo and one from these two little holes, | 0:19:26 | 0:19:29 | |
and they deduced that this was the result | 0:19:29 | 0:19:31 | |
of inaudible low frequency sounds of artillery, | 0:19:31 | 0:19:34 | |
and they set about devising detectors, | 0:19:34 | 0:19:36 | |
and by 1917 it was so advanced | 0:19:36 | 0:19:38 | |
that the allies had a really devastating advantage | 0:19:38 | 0:19:40 | |
in locating and targeting enemy guns... | 0:19:40 | 0:19:43 | |
-Wow. -..and it all came about | 0:19:43 | 0:19:44 | |
-because his backside lifted off the lavatory. -Ooh! | 0:19:44 | 0:19:46 | |
Is this maybe the most inspiring story I have ever heard... | 0:19:46 | 0:19:49 | |
-About a lavatory. -..about a men's toilet and holes in a wall. | 0:19:49 | 0:19:51 | |
LAUGHTER | 0:19:51 | 0:19:53 | |
-Normally, these end super differently. -Yeah, yeah. | 0:19:55 | 0:19:57 | |
Normally it's, "Then they had to shut down that garage." | 0:19:57 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:01 | |
And did they have to use his specific arse on all of this? | 0:20:01 | 0:20:04 | |
No, I don't... | 0:20:04 | 0:20:05 | |
Did he have to go round the whole - "Oh, it's over there." | 0:20:05 | 0:20:07 | |
That's how he discovered it. You get other ones in history. | 0:20:07 | 0:20:10 | |
Martin Luther, so 16th century, | 0:20:10 | 0:20:11 | |
he also had his eureka moment sitting on the privy. | 0:20:11 | 0:20:13 | |
Martin Luther, the man who led to the Reformation, | 0:20:13 | 0:20:16 | |
suffered from terrible constipation and he was sitting there for so long | 0:20:16 | 0:20:19 | |
-that he decided to read the New Testament in Greek. -Yeah. | 0:20:19 | 0:20:22 | |
That's when you start reading the back of the Domestos bottle. | 0:20:22 | 0:20:25 | |
LAUGHTER | 0:20:25 | 0:20:26 | |
Why is there a phone number...? | 0:20:27 | 0:20:30 | |
And his theological breakthrough, the Justification By Faith, | 0:20:30 | 0:20:33 | |
happened while he was sitting on the loo, suffering from constipation. | 0:20:33 | 0:20:36 | |
There are still 40,000 outside lavatories in the UK. | 0:20:36 | 0:20:39 | |
I'm surprised they've not all been turned into cereal cafes or summat. | 0:20:39 | 0:20:42 | |
That's the sort of thing people keep doing now, | 0:20:42 | 0:20:45 | |
turning toilets into bars. | 0:20:45 | 0:20:46 | |
-Yeah, there's one not far from here. -Yeah? | 0:20:46 | 0:20:48 | |
-It's a toilet. -That turned into a bar? | 0:20:48 | 0:20:50 | |
It's called The Toilet, I think. | 0:20:50 | 0:20:52 | |
I think it is, actually, that's right! | 0:20:52 | 0:20:55 | |
Where you go to the loo, God knows. | 0:20:55 | 0:20:58 | |
You can go out on the street and do it up the side of a pub, like... | 0:20:58 | 0:21:00 | |
There used to be a thing, | 0:21:02 | 0:21:04 | |
when people were peeing up the sides of buildings, boys, let's be honest. | 0:21:04 | 0:21:07 | |
-Let's be honest, yeah. -Boys peeing outside buildings. | 0:21:07 | 0:21:10 | |
-And talented girls. -Yeah, and talented - very talented girls | 0:21:10 | 0:21:12 | |
who were straight from Page 3, | 0:21:12 | 0:21:14 | |
showing their arse and their tits at the same time. | 0:21:14 | 0:21:16 | |
Lots of London buildings had special tilted metal bars, | 0:21:16 | 0:21:19 | |
so that if somebody did pee against it, | 0:21:19 | 0:21:22 | |
the pee would splash back on the person's shoes. | 0:21:22 | 0:21:25 | |
The most southerly public loo in Britain | 0:21:25 | 0:21:28 | |
is on the island of the Minquiers. | 0:21:28 | 0:21:30 | |
Here is a picture of it. It says, "This toilet has the distinction | 0:21:30 | 0:21:33 | |
"of being the most southern building in the British Isles. | 0:21:33 | 0:21:35 | |
"Please use with care as the nearest alternative is in Jersey, which is 11 miles away." | 0:21:35 | 0:21:39 | |
LAUGHTER | 0:21:39 | 0:21:40 | |
It looks like those rocks are leaning against the toilet. | 0:21:40 | 0:21:43 | |
It looks like they're queuing up, doesn't it? | 0:21:43 | 0:21:46 | |
It does look like a queue, doesn't it, and they've solidified waiting. | 0:21:46 | 0:21:49 | |
LAUGHTER | 0:21:49 | 0:21:51 | |
"Oh, hello, we're the Minquiers. | 0:21:51 | 0:21:55 | |
"Is there anyone in there?" | 0:21:55 | 0:21:57 | |
That's a great title for a band. | 0:21:57 | 0:21:59 | |
-"Hey, hey, we're The Minquiers." -"Hey, hey, we're The Minquiers." | 0:21:59 | 0:22:02 | |
On a lighter note, who takes their mother-in-law to a lunatic asylum? | 0:22:02 | 0:22:06 | |
-LAUGHTER -Ooh... | 0:22:06 | 0:22:09 | |
-Terrible picture. -Look at us there. | 0:22:09 | 0:22:11 | |
-I'm just thinking of mother-in-law jokes now. -Go on, then. | 0:22:11 | 0:22:13 | |
Well, the Les Dawson one is the best mother... | 0:22:13 | 0:22:15 | |
KLAXON Ah! | 0:22:15 | 0:22:17 | |
-I haven't even told a joke! -APPLAUSE | 0:22:17 | 0:22:21 | |
Damn you! That is not fair! | 0:22:21 | 0:22:23 | |
He had the cl..., | 0:22:26 | 0:22:28 | |
I was walking down the street with my wife | 0:22:28 | 0:22:31 | |
and I saw my mother-in-law, | 0:22:31 | 0:22:33 | |
and she was being beaten and robbed by six men. | 0:22:33 | 0:22:36 | |
And my wife said, "Aren't you going to help?" | 0:22:36 | 0:22:38 | |
-I said, "No, six should be enough." -LAUGHTER | 0:22:38 | 0:22:41 | |
-AS LES DAWSON: -I knew the mother-in-law was around, | 0:22:41 | 0:22:43 | |
-because all the mice were throwing themselves on the trap. -Yeah! | 0:22:43 | 0:22:46 | |
-He's amazing, amazing. -Fantastic comic. | 0:22:49 | 0:22:51 | |
-Is this the old school... Like, the day out? -Yeah. | 0:22:51 | 0:22:53 | |
-Like you would take... -Yeah. -..to watch. -Absolutely right. | 0:22:53 | 0:22:55 | |
-It was just down the road from here, wasn't it? Bethlem Hospital. -Yeah. | 0:22:55 | 0:22:58 | |
You could go and they had a viewing gallery, | 0:22:58 | 0:23:00 | |
-where you used to watch the crazy people. -Yeah. | 0:23:00 | 0:23:02 | |
In 19th-century America, if you could afford a honeymoon, | 0:23:02 | 0:23:05 | |
you would go on a grand tour, like you'd go to Niagara Falls, | 0:23:05 | 0:23:07 | |
but you would also take an excursion to an insane asylum, prisons, | 0:23:07 | 0:23:10 | |
battlefields, homes for the deaf and dumb, orphanages - | 0:23:10 | 0:23:13 | |
and it was normal practice to take your new in-laws along with you. | 0:23:13 | 0:23:16 | |
Can you imagine? | 0:23:16 | 0:23:18 | |
It's funny how, like, there's a part of you that hears about that, | 0:23:18 | 0:23:22 | |
and you suddenly think, "Oh, well, I'm glad we've moved on," | 0:23:22 | 0:23:24 | |
and then you think, "Isn't Big Brother still on the telly?" | 0:23:24 | 0:23:27 | |
-Yeah, yeah. -And Britain's Got Talent auditions. | 0:23:27 | 0:23:31 | |
-Yeah, I know! -It's pretty much the same thing. | 0:23:31 | 0:23:33 | |
I only actually watch those at the beginning, | 0:23:33 | 0:23:35 | |
when you've got the nutters. "Where are you from?" "Hull." | 0:23:35 | 0:23:38 | |
"Where are you from?" "Carlisle." "Where are you from?" "Narnia!" | 0:23:38 | 0:23:41 | |
"Right, you're in." | 0:23:41 | 0:23:42 | |
LAUGHTER | 0:23:42 | 0:23:44 | |
So, odd outings, and odd days out, if you were interested - | 0:23:44 | 0:23:47 | |
-sewage treatment works, for example. -Oh, yeah. | 0:23:47 | 0:23:50 | |
The Sha Tin sewage works in Hong Kong | 0:23:50 | 0:23:52 | |
offers, "Thematic tours, display panels, | 0:23:52 | 0:23:55 | |
"model exhibitions and game booths," | 0:23:55 | 0:23:57 | |
as well as "stage performances, | 0:23:57 | 0:23:59 | |
"a fun area for kids and photo-taking corners." | 0:23:59 | 0:24:01 | |
Can you see the guy in the bottom right? | 0:24:01 | 0:24:04 | |
LAUGHTER | 0:24:04 | 0:24:06 | |
That really, that's very much like, "Oh, this is a terrible..." | 0:24:06 | 0:24:09 | |
-Yeah! -"I thought it was a funny idea, | 0:24:09 | 0:24:11 | |
"and now I'm here and it's bad." | 0:24:11 | 0:24:13 | |
There's a treatment plant in New Zealand. | 0:24:13 | 0:24:15 | |
"Sturdy, flat-soled and closed-in shoes are required, | 0:24:15 | 0:24:19 | |
"and rain coats are recommended." | 0:24:19 | 0:24:20 | |
AUDIENCE GROANS | 0:24:20 | 0:24:22 | |
That sounds like they need a redesign, | 0:24:22 | 0:24:24 | |
-if you've got to wear a raincoat. -Yeah. | 0:24:24 | 0:24:26 | |
-Going on a log flume. -LAUGHTER | 0:24:26 | 0:24:28 | |
Yeah. "Close your mouth!" | 0:24:35 | 0:24:37 | |
The Dubbo Sewage Treatment Plant in New South Wales, | 0:24:40 | 0:24:42 | |
their open day includes "spectacular drone footage plus a free barbecue." | 0:24:42 | 0:24:47 | |
As the man in charge said, "I would be surprised | 0:24:47 | 0:24:49 | |
"if we didn't have at least dozens of people through." | 0:24:49 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:54 | |
Other open days on offer, a halal abattoir in the West Midlands. | 0:24:55 | 0:24:59 | |
A cigarette filter factory being demolished because of asbestos. | 0:24:59 | 0:25:03 | |
-That is the one that you want to go and see. -Wow! | 0:25:03 | 0:25:05 | |
-There's an open day there. -Yes. -You can go... | 0:25:05 | 0:25:07 | |
-You can go. -Well, that's date night sorted. -Mmm. | 0:25:07 | 0:25:10 | |
The council tip in Padworth, Berkshire holds a free | 0:25:10 | 0:25:12 | |
family fun day. | 0:25:12 | 0:25:14 | |
LAUGHTER | 0:25:14 | 0:25:15 | |
A chance for children to sit in a bin lorry. | 0:25:15 | 0:25:19 | |
Now, here's something rather odd, who keeps their cheese in the bank? | 0:25:19 | 0:25:22 | |
The Swiss. | 0:25:22 | 0:25:24 | |
It should be, shouldn't it? | 0:25:24 | 0:25:26 | |
You're not far off, though, it is about cheese and money. | 0:25:26 | 0:25:29 | |
In this case, it is about overdrafts. | 0:25:29 | 0:25:32 | |
Since the 1950s, the regional banks in Emiliano have accepted | 0:25:32 | 0:25:35 | |
Parmesan as collateral against overdrafts of cheese producers. | 0:25:35 | 0:25:40 | |
The bank needs to help with cash flow, and so they accept young | 0:25:40 | 0:25:43 | |
wheels of Parmesan as security. | 0:25:43 | 0:25:45 | |
-What's the deal with the Parmesan? I like the taste of Parmesan. -Mmm. | 0:25:45 | 0:25:48 | |
But it smells like sick, what's going on? | 0:25:48 | 0:25:50 | |
Well, it does give off bacteria. | 0:25:50 | 0:25:52 | |
Cheese and the stuff that's growing in your feet | 0:25:52 | 0:25:54 | |
is almost exactly the same kind of bacteria that it's giving off. | 0:25:54 | 0:25:57 | |
I'm really working up an appetite. | 0:25:57 | 0:25:59 | |
So next time the guy comes round, no. | 0:25:59 | 0:26:01 | |
"Parmesan?" "No, you're all right, mate." | 0:26:01 | 0:26:03 | |
"You're all right, but can I have a lick of your sock?" | 0:26:03 | 0:26:06 | |
-The banks have special cheese vaults... -They actually take it? | 0:26:06 | 0:26:09 | |
They take it. Millions of pounds' worth of Parmesan | 0:26:09 | 0:26:12 | |
in a climate-controlled vault. | 0:26:12 | 0:26:14 | |
There are specialist staff who clean the cheese | 0:26:14 | 0:26:16 | |
and hit it with little metal hammers to make sure it hasn't gone soft. | 0:26:16 | 0:26:19 | |
-To this day, they do this? -Yes. | 0:26:19 | 0:26:21 | |
It is thought that without it, the Parmesan industry would have died | 0:26:21 | 0:26:24 | |
because it takes so long for it to mature. | 0:26:24 | 0:26:27 | |
As with any valuable commodity, of course, | 0:26:27 | 0:26:29 | |
it's a wonderful thing for thieves. | 0:26:29 | 0:26:31 | |
Parmesan is the most stolen food on the planet. | 0:26:31 | 0:26:33 | |
-Wow! -In fact, more than 3% of all cheese produced in the world | 0:26:33 | 0:26:37 | |
is stolen each year. | 0:26:37 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:40 | |
And the most large-scale theft of cheese is Parmesan in Italy. | 0:26:40 | 0:26:43 | |
2013-15, six million euros' worth stolen, | 0:26:43 | 0:26:46 | |
most notably from Italian bank vaults. | 0:26:46 | 0:26:48 | |
So 2009, they tunnelled into a vault and made off with | 0:26:48 | 0:26:51 | |
570, 40kg wheels of cheese. | 0:26:51 | 0:26:54 | |
Imagine being the kids of those robbers. | 0:26:54 | 0:26:56 | |
Every day... "What's for dinner? | 0:26:56 | 0:26:58 | |
"Oh, you're joking!" | 0:26:58 | 0:26:59 | |
LAUGHTER | 0:26:59 | 0:27:01 | |
It's the most shoplifted item in Italy, Parmesan. | 0:27:01 | 0:27:03 | |
It is 10% of all goods stolen from shops and, in fact, | 0:27:03 | 0:27:06 | |
they've now started microchipping some cheeses | 0:27:06 | 0:27:09 | |
to make them traceable. | 0:27:09 | 0:27:11 | |
-You can get it up your sleeve, I suppose. -Yeah. | 0:27:11 | 0:27:13 | |
It's easy, it's a good shape. | 0:27:13 | 0:27:15 | |
The world's most expensive cheese, Pule, | 0:27:16 | 0:27:18 | |
anybody know what it's made from? | 0:27:18 | 0:27:20 | |
It's from the Balkans. It's a creature that... | 0:27:20 | 0:27:22 | |
A war criminal? | 0:27:22 | 0:27:23 | |
It's a wa... LAUGHTER | 0:27:23 | 0:27:25 | |
APPLAUSE | 0:27:29 | 0:27:31 | |
It's made from the Balkan donkey's milk. | 0:27:33 | 0:27:36 | |
-Oh. -Yeah. | 0:27:36 | 0:27:37 | |
That sounds like a euphemism, doesn't it? | 0:27:37 | 0:27:40 | |
-LAUGHTER -Donkey cheese. -Donkey cheese. | 0:27:40 | 0:27:42 | |
-About £1,000 a kilo. -Wow! | 0:27:42 | 0:27:44 | |
The weirdest and the most disgusting is casu marzu. | 0:27:44 | 0:27:46 | |
It's a sheep cheese from Sardinia. | 0:27:46 | 0:27:48 | |
It means rotten cheese | 0:27:48 | 0:27:50 | |
and it is literally filled with maggots. | 0:27:50 | 0:27:53 | |
AUDIENCE GROANS | 0:27:53 | 0:27:55 | |
There's live insect larvae in there | 0:27:55 | 0:27:57 | |
and locals consider it unsafe to eat once the larvae have died. | 0:27:57 | 0:28:01 | |
So it's served while these translucent white worms, | 0:28:01 | 0:28:04 | |
about a third of an inch long, | 0:28:04 | 0:28:06 | |
-are still squiggling. -Wow. | 0:28:06 | 0:28:08 | |
Some people clear the maggots from the cheese before consuming, | 0:28:08 | 0:28:11 | |
others think, "Get right in there!" | 0:28:11 | 0:28:13 | |
-You don't have to eat everything. -No. | 0:28:13 | 0:28:14 | |
LAUGHTER | 0:28:14 | 0:28:15 | |
The people who leave the maggots, they have to cover the cheese | 0:28:15 | 0:28:18 | |
with their hands because when disturbed, | 0:28:18 | 0:28:20 | |
the maggots can jump six inches in the air. | 0:28:20 | 0:28:22 | |
Stop it! | 0:28:22 | 0:28:23 | |
It's like my dad still eats tripe. | 0:28:23 | 0:28:25 | |
I'm like, "Dad, we're not even at war." | 0:28:25 | 0:28:27 | |
LAUGHTER | 0:28:27 | 0:28:28 | |
"People are making food now that's nice." | 0:28:30 | 0:28:33 | |
So another way to secure your overdraft, | 0:28:33 | 0:28:35 | |
hunting, shooting, fishing types in the UK | 0:28:35 | 0:28:37 | |
would deposit their valuable shotguns after the end | 0:28:37 | 0:28:39 | |
of the shooting season. | 0:28:39 | 0:28:41 | |
With their stockbrokers they would buy shares, | 0:28:41 | 0:28:44 | |
and this was a perfectly reasonable way to do it. | 0:28:44 | 0:28:46 | |
When the shooting season reopened | 0:28:46 | 0:28:47 | |
they would sell their shares and buy their guns back. | 0:28:47 | 0:28:49 | |
That was another way of having an overdraft. | 0:28:49 | 0:28:51 | |
So you go in with a gun and you say, "Give me some money?" | 0:28:51 | 0:28:54 | |
-It seems like it. -It feels like an armed robber | 0:28:54 | 0:28:57 | |
that's sort of lost his bottle. | 0:28:57 | 0:28:59 | |
They walk into a bank with a shotgun and they go, | 0:28:59 | 0:29:01 | |
"What are you doing?" | 0:29:01 | 0:29:02 | |
"Er, I want to buy some shares." | 0:29:02 | 0:29:04 | |
Then he just styled it out. | 0:29:07 | 0:29:09 | |
He went, "Yeah, yeah, I thought maybe you could just..." | 0:29:09 | 0:29:11 | |
"Why is it loaded?" "No reason." | 0:29:11 | 0:29:13 | |
Anyway, moving on. | 0:29:14 | 0:29:16 | |
Which is the odd one out of these four? | 0:29:16 | 0:29:20 | |
Odd, odd, odd or odd? | 0:29:20 | 0:29:22 | |
Um... | 0:29:22 | 0:29:24 | |
Er... | 0:29:24 | 0:29:25 | |
KLAXON | 0:29:25 | 0:29:27 | |
It feels like this is... | 0:29:28 | 0:29:30 | |
I can't... Yeah. | 0:29:30 | 0:29:31 | |
I think the last one we pick is going to be the good one, right? | 0:29:31 | 0:29:34 | |
-Do you think? -One. | 0:29:34 | 0:29:35 | |
KLAXON | 0:29:35 | 0:29:37 | |
Does someone get paid when that sound effect goes off? | 0:29:38 | 0:29:42 | |
KLAXON | 0:29:42 | 0:29:44 | |
LAUGHTER | 0:29:44 | 0:29:45 | |
APPLAUSE | 0:29:45 | 0:29:47 | |
They've been waiting 15 years for that gag! | 0:29:50 | 0:29:53 | |
So they are all acronyms. | 0:29:56 | 0:29:58 | |
The number one ODD is One-Day Decorating. | 0:29:58 | 0:30:01 | |
And this is a service you can get, particularly in California. | 0:30:01 | 0:30:03 | |
It's called the One-Day Decorating. | 0:30:03 | 0:30:05 | |
Anybody have any idea what that might be? | 0:30:05 | 0:30:07 | |
Um, decorating in a single day. | 0:30:07 | 0:30:10 | |
No, it's slightly weirder than that. | 0:30:10 | 0:30:12 | |
It's professional furniture rearranging. | 0:30:12 | 0:30:15 | |
-Ah. -So, it's a person who comes in, looks at how you've had it for ages | 0:30:15 | 0:30:19 | |
and goes, "It's not working." | 0:30:19 | 0:30:20 | |
And just moves everything around. | 0:30:20 | 0:30:22 | |
That's it. | 0:30:22 | 0:30:23 | |
It's a rearrangement specialist. | 0:30:23 | 0:30:26 | |
-I like that. -Yeah. OK, here's the next one. | 0:30:26 | 0:30:28 | |
Outdoors And Dirty - they're pastimes for the person | 0:30:28 | 0:30:31 | |
who likes to be active. | 0:30:31 | 0:30:32 | |
That's presumably on, like, dating sites and things. | 0:30:32 | 0:30:35 | |
-It's things like camping and hiking and climbing. -OK. | 0:30:35 | 0:30:37 | |
Paintballing, that sort of thing. | 0:30:37 | 0:30:39 | |
The other that we had was the Official Designated Driver. | 0:30:39 | 0:30:42 | |
This is an idea that began in Scandinavia as early as the 1920s | 0:30:42 | 0:30:45 | |
but in the 1980s, the US had a campaign | 0:30:45 | 0:30:47 | |
led by the Harvard School of Public Health | 0:30:47 | 0:30:50 | |
because at the time drink-driving | 0:30:50 | 0:30:51 | |
was one of the leading causes of death in the US, | 0:30:51 | 0:30:53 | |
aged between 15 and 24. | 0:30:53 | 0:30:54 | |
What they did is, they approached Hollywood script writers, | 0:30:54 | 0:30:57 | |
people writing sitcoms and movies and so on | 0:30:57 | 0:30:59 | |
and they got them to put lines in. | 0:30:59 | 0:31:02 | |
So he'd say to somebody, "Would you like a drink?" | 0:31:02 | 0:31:04 | |
"No, thanks, I'll just have a soft drink because I'm driving these guys home." | 0:31:04 | 0:31:08 | |
That was how they introduced the idea | 0:31:08 | 0:31:10 | |
of the Official Designated Driver. | 0:31:10 | 0:31:12 | |
When it became part of culture, death figures dropped dramatically, | 0:31:12 | 0:31:15 | |
it really did work. So the odd one out, obviously, | 0:31:15 | 0:31:17 | |
-is the other ODD. -Ah. | 0:31:17 | 0:31:19 | |
How could we possibly have got this? | 0:31:19 | 0:31:21 | |
It's the word "odd" four times. | 0:31:21 | 0:31:23 | |
-I know. The point of the game is for you not to win. -Oh. | 0:31:23 | 0:31:26 | |
LAUGHTER | 0:31:26 | 0:31:28 | |
It is an actual thing, Oppositional Defiance Disorder. | 0:31:29 | 0:31:32 | |
It is the odd one out | 0:31:32 | 0:31:33 | |
because it's the only bona fide medical condition. | 0:31:33 | 0:31:36 | |
And, I don't really get this, OK, | 0:31:36 | 0:31:38 | |
because it's when children, or teenagers exhibit | 0:31:38 | 0:31:41 | |
an ongoing pattern of defiance. | 0:31:41 | 0:31:42 | |
-Is it teenagers being...? -Yeah. | 0:31:42 | 0:31:44 | |
You know, argumentative, angry. | 0:31:44 | 0:31:46 | |
-So you can actually go and see a doctor... -My child's a bit ODD. | 0:31:46 | 0:31:50 | |
-You child, ODD. -Yeah. | 0:31:50 | 0:31:52 | |
Just, it's a diagnosis. | 0:31:52 | 0:31:54 | |
It turns out that ODD was the odd one out. | 0:31:54 | 0:31:56 | |
What were the odds? | 0:31:56 | 0:31:58 | |
LAUGHTER | 0:31:58 | 0:32:00 | |
Now, what do vegetarian goatsuckers eat? | 0:32:00 | 0:32:03 | |
LAUGHTER | 0:32:03 | 0:32:05 | |
-Right, wow... -Can you show that on television? | 0:32:05 | 0:32:09 | |
I think that's taking vaping too far. | 0:32:09 | 0:32:11 | |
Is that a goat bagpipe? | 0:32:12 | 0:32:14 | |
It is a goat bagpipe. | 0:32:14 | 0:32:16 | |
He's done something odd to his hair. | 0:32:16 | 0:32:18 | |
Yeah, his hair, that's the problem with that picture. | 0:32:18 | 0:32:20 | |
LAUGHTER | 0:32:20 | 0:32:21 | |
So vegetarian goatsuckers, what do they eat? | 0:32:23 | 0:32:26 | |
He must eat the rest of the goat, surely, | 0:32:26 | 0:32:27 | |
before it becomes his instrument? | 0:32:27 | 0:32:29 | |
It's a vegetarian goatsucker. | 0:32:29 | 0:32:31 | |
-VICTORIA: -So... | 0:32:31 | 0:32:33 | |
-Not goats. -It's no use saying that. | 0:32:33 | 0:32:34 | |
What's a goatsucker? | 0:32:34 | 0:32:36 | |
-It's a kind of bird, it's an order of birds called goatsuckers... -Oh. | 0:32:36 | 0:32:39 | |
..and they were named | 0:32:39 | 0:32:40 | |
because there was an ancient belief that they lived nocturnally | 0:32:40 | 0:32:43 | |
sucking the milk from the teats of goats, | 0:32:43 | 0:32:44 | |
-which sent them blind. -Ooh, God! -Ooh, hello. | 0:32:44 | 0:32:46 | |
-Feels like a fun-size owl. -Well... | 0:32:46 | 0:32:49 | |
Like, if you're like, "Oh, I want to get an owl, | 0:32:49 | 0:32:51 | |
-"but I haven't got the space." -Yeah. | 0:32:51 | 0:32:52 | |
LAUGHTER | 0:32:52 | 0:32:54 | |
"I'll get one of these." | 0:32:54 | 0:32:55 | |
They're called oilbirds, also known as guacharo, | 0:32:55 | 0:32:58 | |
and they are the only vegetarian species of goatsuckers. | 0:32:58 | 0:33:02 | |
Most goatsuckers eat insects. | 0:33:02 | 0:33:03 | |
These oilbirds eat fruit. | 0:33:03 | 0:33:05 | |
Sorry, you said that like it's like a huge surprise to us. | 0:33:05 | 0:33:07 | |
-What? -We only just heard they existed, | 0:33:07 | 0:33:09 | |
and you went, "These are the only ones that are vegetarians." | 0:33:09 | 0:33:12 | |
Well, I've just found out. I mean, I literally couldn't care less. | 0:33:12 | 0:33:14 | |
LAUGHTER | 0:33:14 | 0:33:15 | |
And I'm speaking on behalf of everyone in the room | 0:33:15 | 0:33:18 | |
when I say, "No, really, these are the only vegetarian ones?! | 0:33:18 | 0:33:21 | |
"Wow, let's get this down." | 0:33:21 | 0:33:23 | |
What are you talking about? You've lost your mind! | 0:33:24 | 0:33:27 | |
They live in caves in the northern part of South America. | 0:33:30 | 0:33:32 | |
Well, no wonder they're vegetarian - what is there to eat in there? | 0:33:32 | 0:33:35 | |
Well, the thing about them is that they get so fat | 0:33:35 | 0:33:38 | |
from the fruit that they eat that they become incredibly plump | 0:33:38 | 0:33:42 | |
and there's an annual oil harvest, | 0:33:42 | 0:33:44 | |
where people take the plump babies in their thousands, | 0:33:44 | 0:33:46 | |
the local people, and they render them for the oil. | 0:33:46 | 0:33:49 | |
Because apparently, it's excellent for fuel, and also for cooking. | 0:33:49 | 0:33:51 | |
Do they still suck the goats? | 0:33:51 | 0:33:53 | |
Nobody sucks goats, it's... | 0:33:53 | 0:33:55 | |
There is no goat-sucking. | 0:33:55 | 0:33:57 | |
-How do you get the oil out of the bird? -This is like a...! | 0:33:57 | 0:34:00 | |
Well, you can render any bird for its fat. | 0:34:00 | 0:34:02 | |
If you've ever cooked a duck, | 0:34:02 | 0:34:03 | |
you can get an enormous amount of duck fat out of it. | 0:34:03 | 0:34:05 | |
-Imagine a world where I've never cooked a duck. -OK. | 0:34:05 | 0:34:08 | |
-LAUGHTER -Imagine - I mean, it's... | 0:34:08 | 0:34:10 | |
I mean, it's like... | 0:34:12 | 0:34:13 | |
We're not really on the same wavelength here at all. | 0:34:13 | 0:34:16 | |
But fat runs off a chicken. | 0:34:17 | 0:34:19 | |
Have you cooked a bird of any kind? | 0:34:19 | 0:34:20 | |
-You'll have a drip tray. -Yes. Yes, you have a drip tray. | 0:34:20 | 0:34:23 | |
-You've got one under your bed. -Yeah. | 0:34:23 | 0:34:25 | |
LAUGHTER | 0:34:25 | 0:34:26 | |
APPLAUSE | 0:34:28 | 0:34:29 | |
Do you remember when Sandi had a breakdown on television | 0:34:33 | 0:34:36 | |
and she was talking about goatsuckers? | 0:34:36 | 0:34:38 | |
And then we just gave up, we asked about three times, | 0:34:38 | 0:34:40 | |
"What has this goat got to do with anything?" | 0:34:40 | 0:34:42 | |
and she just went, "Oh, it's a bird," | 0:34:42 | 0:34:44 | |
and then she kept on talking about goats for ages before, | 0:34:44 | 0:34:47 | |
but then we just let it go. | 0:34:47 | 0:34:48 | |
You could look back on it as the tipping point, | 0:34:48 | 0:34:50 | |
they say that was it, it was one show too many - | 0:34:50 | 0:34:51 | |
and she explained to everyone, | 0:34:51 | 0:34:53 | |
"It's the only vegetarian goatsucker, | 0:34:53 | 0:34:54 | |
"but it doesn't suck goats, doesn't do it," | 0:34:54 | 0:34:56 | |
-and she thought it made sense. -Yeah, and then...and then she was... | 0:34:56 | 0:34:59 | |
..she was someone's mother-in-law, and then she ended up in an asylum. | 0:34:59 | 0:35:02 | |
LAUGHTER | 0:35:02 | 0:35:03 | |
And we went to visit her. Yeah. | 0:35:03 | 0:35:05 | |
It was an ancient belief that they sucked | 0:35:05 | 0:35:08 | |
the teats of goats for the milk, but they don't. | 0:35:08 | 0:35:11 | |
Sometimes, in the old days, they got things wrong. | 0:35:11 | 0:35:15 | |
I'd quite like to live in a cave. | 0:35:16 | 0:35:18 | |
Would you? Why? | 0:35:18 | 0:35:19 | |
I don't know, I always like being in a cave. | 0:35:19 | 0:35:22 | |
Whenever I'm in a cave, I feel quite relaxed. | 0:35:24 | 0:35:27 | |
This is the weirdest therapy session of all time. | 0:35:27 | 0:35:30 | |
I went into some really big caves once, and it was great in there. | 0:35:30 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:36 | |
I'd say whatever Sandi's got is catching. | 0:35:38 | 0:35:41 | |
LAUGHTER | 0:35:41 | 0:35:42 | |
And do you know what? | 0:35:42 | 0:35:44 | |
If my calculations are correct, I think the wind's blowing that way. | 0:35:44 | 0:35:47 | |
I don't think Jason's got much hope. | 0:35:47 | 0:35:50 | |
But you talk about the things that - | 0:35:50 | 0:35:51 | |
you say they're called goatsuckers and you don't believe me, | 0:35:51 | 0:35:54 | |
-there are... -Oh, we're back to this, are we? | 0:35:54 | 0:35:56 | |
I mean, God bless Alan for taking one for the team, | 0:35:56 | 0:35:59 | |
but you really... Oh, yeah, no, back to the goatsuckers, yeah, | 0:35:59 | 0:36:03 | |
let's pull this round, because this lot can't believe it. | 0:36:03 | 0:36:06 | |
There is a thing that's also known as an oilbird, | 0:36:07 | 0:36:09 | |
but the type of bird it is a goatsucker. | 0:36:09 | 0:36:12 | |
That's just the - what they became called | 0:36:12 | 0:36:14 | |
even though it isn't actually the... | 0:36:14 | 0:36:16 | |
Hundreds, thousands of years ago somebody went, | 0:36:16 | 0:36:18 | |
-"I bet they suck the teats of goats." -Yes, exactly. | 0:36:18 | 0:36:22 | |
-"Let's call them goatsuckers." -Yes, and it stuck. | 0:36:22 | 0:36:24 | |
Everyone else went, "But they don't do that." | 0:36:24 | 0:36:26 | |
-"I've named them now!" -Yes. | 0:36:26 | 0:36:28 | |
"OK? I've written it down in the bird book!" | 0:36:28 | 0:36:32 | |
LAUGHTER | 0:36:32 | 0:36:33 | |
It's like that joke, "You shag one sheep..." | 0:36:34 | 0:36:37 | |
Yeah, exactly. | 0:36:37 | 0:36:38 | |
One of them mistook a goat's nipple for a berry... | 0:36:38 | 0:36:42 | |
..and the whole species was named. | 0:36:42 | 0:36:45 | |
Right, moving on. | 0:36:45 | 0:36:48 | |
The oilbird is the only vegetarian goatsucker. | 0:36:48 | 0:36:51 | |
It eats nothing but fruit. Right. | 0:36:51 | 0:36:54 | |
Let us move on to the outer limits of knowledge, | 0:36:54 | 0:36:56 | |
the odd world of General Ignorance. | 0:36:56 | 0:36:58 | |
Fingers on buzzers, please. | 0:36:58 | 0:37:00 | |
How many time zones are there in China? | 0:37:00 | 0:37:03 | |
Ooh. | 0:37:03 | 0:37:04 | |
Yes, Jimmy? | 0:37:04 | 0:37:06 | |
One. | 0:37:06 | 0:37:07 | |
-Yes. -Come on! -You're absolutely right, one. | 0:37:07 | 0:37:10 | |
APPLAUSE | 0:37:10 | 0:37:11 | |
-So... -No, no, no, don't even explain, let's just... | 0:37:13 | 0:37:16 | |
Let's just enjoy that moment for a second. | 0:37:16 | 0:37:18 | |
I mean, I've never got anything on this bloody show. | 0:37:18 | 0:37:20 | |
-You're absolutely right. -It's one, actually. -Why do you think that? | 0:37:20 | 0:37:23 | |
Well, do you know what? That's not important. What matters is... | 0:37:23 | 0:37:26 | |
LAUGHTER | 0:37:26 | 0:37:27 | |
-..there's one time zone in China. -Yeah. | 0:37:27 | 0:37:29 | |
-You can take that to the bank. -Yeah. | 0:37:29 | 0:37:31 | |
I imagine the Communist Party decided what the time was | 0:37:31 | 0:37:34 | |
-and that was it. -Yeah. You're absolutely right. | 0:37:34 | 0:37:36 | |
So, given the size of the nation, | 0:37:36 | 0:37:37 | |
-you would think that it would be many different... -At least four. | 0:37:37 | 0:37:40 | |
At least four - but it's always Beijing time, | 0:37:40 | 0:37:42 | |
no matter where you are. So, if it is noon in Beijing, | 0:37:42 | 0:37:44 | |
then 3,000 miles away, it is also noon. | 0:37:44 | 0:37:46 | |
It was standardised, time, in 1949, | 0:37:46 | 0:37:47 | |
following the revolution and the civil war. | 0:37:47 | 0:37:49 | |
Are there people in the middle of the night forcing lunch down them? | 0:37:49 | 0:37:52 | |
-Yes. -"Ooh, lunchtime again." | 0:37:52 | 0:37:55 | |
HE YAWNS Yes. | 0:37:55 | 0:37:57 | |
In the summer, there are places where the sun sets | 0:37:57 | 0:37:59 | |
in the middle of the night, and then in the winter | 0:37:59 | 0:38:01 | |
the sunrise might not come until ten o'clock in the morning. | 0:38:01 | 0:38:04 | |
Hang on, what's this? Is this an eye cutting out salon? | 0:38:04 | 0:38:06 | |
That's right. | 0:38:06 | 0:38:07 | |
LAUGHTER | 0:38:07 | 0:38:09 | |
He's the village blinder. | 0:38:10 | 0:38:12 | |
I'm looking for a haircut, | 0:38:15 | 0:38:17 | |
have you got anything near an oil pipeline? | 0:38:17 | 0:38:19 | |
First adoption of standard time in Britain? | 0:38:20 | 0:38:23 | |
-Why did we adopt it? -Was that wartime? | 0:38:23 | 0:38:25 | |
No. 1847, so we're talking about the railways. | 0:38:25 | 0:38:27 | |
It's because there's no point in having the railways | 0:38:27 | 0:38:30 | |
-if you're all on different times. -Oh. | 0:38:30 | 0:38:32 | |
You say that, but I don't know if you've used Southern Rail... | 0:38:32 | 0:38:34 | |
LAUGHTER | 0:38:34 | 0:38:36 | |
GMT. You start to get it - | 0:38:38 | 0:38:39 | |
1855, about 98% of the country is using it, | 0:38:39 | 0:38:42 | |
and then it became Britain's legal time in 1880 - | 0:38:42 | 0:38:45 | |
but there were still places, | 0:38:45 | 0:38:47 | |
some British clocks have got two minute hands, | 0:38:47 | 0:38:49 | |
so there is a still working public clock | 0:38:49 | 0:38:52 | |
over the old Corn Exchange in Bristol, | 0:38:52 | 0:38:53 | |
and it has a black minute hand for GMT | 0:38:53 | 0:38:56 | |
and it has a red minute hand for what was known as Bristol Time, | 0:38:56 | 0:38:59 | |
and it's ten minutes behind, | 0:38:59 | 0:39:01 | |
and that clock is still working. | 0:39:01 | 0:39:03 | |
Ten minutes behind! | 0:39:03 | 0:39:04 | |
-I've done some gigs in Bristol, that makes sense. -Yeah. | 0:39:04 | 0:39:06 | |
LAUGHTER | 0:39:06 | 0:39:08 | |
Sometimes they don't get it straight away. | 0:39:08 | 0:39:10 | |
RENEWED LAUGHTER | 0:39:10 | 0:39:11 | |
I think they might be in. | 0:39:11 | 0:39:13 | |
-That reaction. -What should I do if my child has got flat feet? | 0:39:15 | 0:39:19 | |
Oh, store them on a flat surface. | 0:39:19 | 0:39:22 | |
LAUGHTER | 0:39:22 | 0:39:24 | |
Why would I mind? | 0:39:24 | 0:39:25 | |
Ah, well, you're absolutely right, it doesn't matter. | 0:39:25 | 0:39:28 | |
-Nothing, nothing. -It doesn't matter in the slightest. | 0:39:28 | 0:39:30 | |
-I've got very flat feet. -Yes, it doesn't matter. | 0:39:30 | 0:39:32 | |
I mean it doesn't matter to me. | 0:39:32 | 0:39:33 | |
I don't give a damn about your feet. LAUGHTER | 0:39:33 | 0:39:35 | |
You've... You've really changed. | 0:39:35 | 0:39:37 | |
You were super-friendly earlier. | 0:39:37 | 0:39:39 | |
Why has it ever mattered? | 0:39:39 | 0:39:41 | |
You used to be able to get out of military service. | 0:39:41 | 0:39:43 | |
-Yeah. -Pike in Dad's Army - it was his feet, wasn't it? | 0:39:43 | 0:39:46 | |
-Yeah. -That and his stupidity. | 0:39:46 | 0:39:48 | |
LAUGHTER | 0:39:48 | 0:39:49 | |
It's an old wives' tale, and we have no idea | 0:39:49 | 0:39:51 | |
why both the medical and the military establishment | 0:39:51 | 0:39:54 | |
decided to adopt it as something that was important - | 0:39:54 | 0:39:56 | |
and you could indeed be given exclusion from service | 0:39:56 | 0:39:58 | |
in the Armed Forces because you had flat feet. | 0:39:58 | 0:40:00 | |
-Not any more. -Those are nice little feet. | 0:40:00 | 0:40:02 | |
-They're so... I love babies' feet. -Mm. -They're just so... | 0:40:02 | 0:40:04 | |
Like little slices of rare roast beef. | 0:40:04 | 0:40:06 | |
LAUGHTER | 0:40:06 | 0:40:08 | |
OK, that wasn't where I was going, but, yes. | 0:40:08 | 0:40:10 | |
LAUGHTER | 0:40:10 | 0:40:11 | |
-JASON: -I've got a feeling the wind's blowing the other way now. | 0:40:11 | 0:40:14 | |
LAUGHTER | 0:40:14 | 0:40:15 | |
It's really, it used to be seen as a disability. | 0:40:17 | 0:40:19 | |
Some people thought it needed treatment, even surgery, | 0:40:19 | 0:40:21 | |
-but nowadays it's... -That would feel like taking the piss, | 0:40:21 | 0:40:24 | |
if you parked in a disabled bay and went, "Yeah, I've got..." | 0:40:24 | 0:40:26 | |
-Flat feet, mate. -Flat feet. -"I've got very flat feet." | 0:40:26 | 0:40:29 | |
What we think now is that feet just come in different shapes and sizes. | 0:40:29 | 0:40:32 | |
-That'll be it. -Like ears and noses, | 0:40:32 | 0:40:33 | |
they come - you know, there's no right or wrong. | 0:40:33 | 0:40:35 | |
It's possible that the whole concept of arched feet | 0:40:35 | 0:40:38 | |
is just a cosmetic ideal. | 0:40:38 | 0:40:39 | |
People thought it was rather beautiful. | 0:40:39 | 0:40:41 | |
I don't really get the foot fetish thing. | 0:40:41 | 0:40:42 | |
-Do you not? -Like, how did that start? | 0:40:42 | 0:40:45 | |
Well, there was a goatsucker and... | 0:40:45 | 0:40:47 | |
LAUGHTER | 0:40:47 | 0:40:48 | |
APPLAUSE | 0:40:48 | 0:40:49 | |
The best treatment for flat feet is no treatment at all. | 0:40:53 | 0:40:56 | |
When a boa constrictor squeezes its prey, | 0:40:56 | 0:40:58 | |
what is the cause of death? | 0:40:58 | 0:41:00 | |
Oh, that's so horrible. | 0:41:00 | 0:41:01 | |
No, snakes are brilliant. | 0:41:01 | 0:41:03 | |
It'll be something creepy. | 0:41:03 | 0:41:04 | |
-Yeah. -Snakes are real murderers. | 0:41:04 | 0:41:07 | |
Is the answer, you're beaten to death with a candlestick? | 0:41:07 | 0:41:10 | |
Oh! In the library by the boa constrictor. | 0:41:10 | 0:41:13 | |
They are the absolute Agatha Christie of killers. | 0:41:13 | 0:41:16 | |
Do you know, I normally quite like snakes, | 0:41:16 | 0:41:18 | |
-but that one is just rude. -Yeah. | 0:41:18 | 0:41:20 | |
Don't they, don't they sort of trigger a heart attack? | 0:41:20 | 0:41:23 | |
-Yes, that is exactly right. -Is that their thing? -Yeah. -Yeah. | 0:41:23 | 0:41:25 | |
It used to be thought that they squeezed so hard | 0:41:25 | 0:41:27 | |
that the victim couldn't breathe, | 0:41:27 | 0:41:29 | |
and that each time the prey exhaled, | 0:41:29 | 0:41:31 | |
the snake would tighten its grip | 0:41:31 | 0:41:32 | |
until they couldn't breathe any more - | 0:41:32 | 0:41:34 | |
but what they've now discovered is, | 0:41:34 | 0:41:35 | |
it's stopping the blood flow to the vital organs. | 0:41:35 | 0:41:37 | |
They've done these studies | 0:41:37 | 0:41:38 | |
to know how the snake knows when to stop squeezing. | 0:41:38 | 0:41:40 | |
Dickinson College in Pennsylvania, they gave their boa constrictor | 0:41:40 | 0:41:44 | |
dead rats into which little robot hearts had been inserted. | 0:41:44 | 0:41:49 | |
So, although the rat was dead, it still had a heartbeat, | 0:41:49 | 0:41:51 | |
and the snakes didn't relax their grip | 0:41:51 | 0:41:53 | |
until they turned off the heartbeat. | 0:41:53 | 0:41:55 | |
They seemed to have the ability to work out, to monitor the heartbeat. | 0:41:55 | 0:41:58 | |
They're like a, they're like a demon blood pressure cuff. | 0:41:58 | 0:42:01 | |
LAUGHTER | 0:42:01 | 0:42:02 | |
Listen to the things people have done, | 0:42:02 | 0:42:03 | |
and you haven't even cooked a duck! | 0:42:03 | 0:42:05 | |
LAUGHTER | 0:42:05 | 0:42:07 | |
APPLAUSE | 0:42:07 | 0:42:09 | |
That's told me! That's told me. | 0:42:14 | 0:42:18 | |
Time to look at some odd numbers. | 0:42:18 | 0:42:20 | |
It is the final scores - | 0:42:20 | 0:42:22 | |
and our winner, with minus four, this is very exciting, | 0:42:22 | 0:42:26 | |
is Victoria. | 0:42:26 | 0:42:27 | |
-Oh, fair play. -APPLAUSE AND CHEERING | 0:42:27 | 0:42:30 | |
In joint second place, with minus eight, | 0:42:33 | 0:42:36 | |
it's Jason and Alan. | 0:42:36 | 0:42:38 | |
-APPLAUSE AND CHEERING -Oh! -That's good. | 0:42:38 | 0:42:40 | |
We came second. | 0:42:40 | 0:42:42 | |
I've never even cooked a duck! | 0:42:44 | 0:42:45 | |
Or sucked a goat. | 0:42:45 | 0:42:47 | |
In... | 0:42:47 | 0:42:48 | |
-LAUGHTER -Well... | 0:42:48 | 0:42:50 | |
-Too much information. -I had a fabulous gap year, | 0:42:51 | 0:42:54 | |
I don't want to discuss it. | 0:42:54 | 0:42:55 | |
With minus 23, last place goes to Jimmy! | 0:42:55 | 0:42:58 | |
CHEERING AND APPLAUSE | 0:42:58 | 0:43:00 | |
So, Victoria takes home | 0:43:07 | 0:43:08 | |
our objectionable object of the week. | 0:43:08 | 0:43:10 | |
It's this lovely piece of outsider art by her six-year-old. | 0:43:10 | 0:43:14 | |
APPLAUSE | 0:43:14 | 0:43:16 | |
So, it's thanks to Victoria, Jimmy, Jason and Alan - | 0:43:17 | 0:43:20 | |
and we leave you with a memory of Winston Churchill, | 0:43:20 | 0:43:23 | |
who was not only a great orator, but a great student of oratory. | 0:43:23 | 0:43:26 | |
He used to rehearse his speeches constantly | 0:43:26 | 0:43:28 | |
to make them sound natural. | 0:43:28 | 0:43:29 | |
He'd practise in the bath, for instance, | 0:43:29 | 0:43:31 | |
and it's said that the first time his valet heard him doing this, | 0:43:31 | 0:43:33 | |
he asked, "Were you speaking to me, sir?" | 0:43:33 | 0:43:35 | |
"No," said Churchill, "I was addressing the House of Commons." | 0:43:35 | 0:43:38 | |
Good night. | 0:43:38 | 0:43:39 | |
APPLAUSE | 0:43:39 | 0:43:40 |