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APPLAUSE AND CHEERING | 0:00:23 | 0:00:27 | |
Good evening! | 0:00:31 | 0:00:33 | |
Welcome to QI. | 0:00:33 | 0:00:36 | |
Tonight, we have a show that promises to be | 0:00:37 | 0:00:41 | |
an outright omnishambles, | 0:00:41 | 0:00:43 | |
and trying to stay on top of it all, | 0:00:43 | 0:00:45 | |
we have the cack-handed Josh Widdicombe. | 0:00:45 | 0:00:48 | |
APPLAUSE AND CHEERING | 0:00:48 | 0:00:50 | |
The ham-fisted Stephen K Amos. | 0:00:50 | 0:00:53 | |
APPLAUSE AND CHEERING | 0:00:53 | 0:00:57 | |
The butter-fingered Cally Beaton. | 0:00:57 | 0:00:59 | |
APPLAUSE AND CHEERING | 0:00:59 | 0:01:02 | |
And the...Alan Davies. | 0:01:03 | 0:01:05 | |
APPLAUSE AND CHEERING | 0:01:05 | 0:01:08 | |
And their buzzers are going all over the place. Josh goes... | 0:01:11 | 0:01:14 | |
BARKING, MOOING | 0:01:14 | 0:01:17 | |
That doesn't sound good, does it? | 0:01:18 | 0:01:20 | |
No. It went on far longer than I'd expected, as well. | 0:01:20 | 0:01:23 | |
Stephen goes... | 0:01:23 | 0:01:24 | |
BARKING, NEIGHING, GALLOPING | 0:01:24 | 0:01:27 | |
Wow, that's terrifying. Cally goes... | 0:01:28 | 0:01:30 | |
BARKING, CLUCKING | 0:01:30 | 0:01:34 | |
And Alan goes... | 0:01:34 | 0:01:36 | |
BARKING Fenton! Fenton! Fenton! Fenton! | 0:01:36 | 0:01:39 | |
APPLAUSE | 0:01:41 | 0:01:43 | |
OK, what's this all about? | 0:01:45 | 0:01:48 | |
A disgrace! | 0:01:49 | 0:01:51 | |
Dangerous! | 0:01:51 | 0:01:53 | |
Not a very edifying spectacle! | 0:01:53 | 0:01:55 | |
Wretched women! What...? | 0:01:55 | 0:01:57 | |
Is this about women on panel shows? | 0:01:57 | 0:02:00 | |
Ah, yes. Only last year, in fact, I think! | 0:02:00 | 0:02:03 | |
-Horrified. -Yeah. -Yeah, a bit horrifying to be here. | 0:02:04 | 0:02:07 | |
So, panel shows, it's to do with games of some kind. | 0:02:07 | 0:02:11 | |
Is it women playing sport? | 0:02:11 | 0:02:13 | |
Yes, women doing sport. | 0:02:13 | 0:02:14 | |
It was thought to be one of the most shocking things in the world. | 0:02:14 | 0:02:17 | |
These are descriptions of the women's 800 metres | 0:02:17 | 0:02:21 | |
at the 1928 Olympics, OK? So, women had been allowed | 0:02:21 | 0:02:24 | |
to compete in the track and field events for the very first time, | 0:02:24 | 0:02:27 | |
and the media reported that it was a disaster. | 0:02:27 | 0:02:29 | |
According to these reports, | 0:02:29 | 0:02:30 | |
out of the 11 runners, five collapsed before getting to the end, | 0:02:30 | 0:02:33 | |
five fainted at the finish line and only one was still standing, | 0:02:33 | 0:02:37 | |
and she passed out in the dressing room moments later. | 0:02:37 | 0:02:40 | |
Some of the women took 15 minutes to regain consciousness. | 0:02:40 | 0:02:44 | |
Those who hadn't won sobbed hysterically. | 0:02:44 | 0:02:46 | |
And, as a result, the 800 metres race was deemed to be | 0:02:46 | 0:02:49 | |
just too injurious to these women and it was dropped | 0:02:49 | 0:02:52 | |
from the Olympics for 32 years. | 0:02:52 | 0:02:55 | |
We can see here the German, Lena Radca, | 0:02:55 | 0:02:57 | |
winning and Japan coming second. | 0:02:57 | 0:02:59 | |
She must have an early iPod in, cos she's doing something. | 0:02:59 | 0:03:01 | |
In reality, there were nine women runners, | 0:03:03 | 0:03:06 | |
they all completed it, no-one collapsed, | 0:03:06 | 0:03:08 | |
no-one became hysterical and six of them beat the existing world record. | 0:03:08 | 0:03:13 | |
So, was this in the mainstream British press? | 0:03:15 | 0:03:18 | |
I know, it's shocking to think that the press might ever tell you | 0:03:18 | 0:03:21 | |
something that's not a fact. | 0:03:21 | 0:03:23 | |
Please don't tell me it was in the Murdoch papers! | 0:03:23 | 0:03:26 | |
This wasn't the first Olympics women competed in, though, was it? | 0:03:28 | 0:03:31 | |
-No. -They'd competed before. -Only in some sports. | 0:03:31 | 0:03:33 | |
So, the founder of the modern Olympics, Pierre de Coubertin, | 0:03:33 | 0:03:36 | |
he vehemently opposed female participation, | 0:03:36 | 0:03:38 | |
he absolutely wasn't having it. | 0:03:38 | 0:03:39 | |
That's Rowan Atkinson! | 0:03:39 | 0:03:41 | |
It does look like him, doesn't it?! | 0:03:44 | 0:03:46 | |
Anyway, him, Pierre de Coubertin, | 0:03:46 | 0:03:48 | |
he vehemently opposed female participation. | 0:03:48 | 0:03:50 | |
He said it would be, "impractical, uninteresting, unaesthetic | 0:03:50 | 0:03:53 | |
"and improper." | 0:03:53 | 0:03:54 | |
He said women's primary role should be, "to crown the victors, | 0:03:54 | 0:03:58 | |
"since they were, above all, a companion to men." | 0:03:58 | 0:04:00 | |
But you're absolutely right, | 0:04:00 | 0:04:02 | |
they had been allowed to compete from 1900, but only in five sports, | 0:04:02 | 0:04:05 | |
-and they were considered the kind of easy ones. -Sewing. | 0:04:05 | 0:04:07 | |
Sewing, yes, was a big one. LAUGHTER | 0:04:07 | 0:04:09 | |
It was tennis, croquet, golf, sailing and equestrian. | 0:04:09 | 0:04:12 | |
And the women got fed up with this. | 0:04:12 | 0:04:14 | |
So, in 1922, they held their own Olympics in Paris. | 0:04:14 | 0:04:18 | |
20,000 people attended. | 0:04:18 | 0:04:20 | |
-Oh, wow! -There were 18 world records set. | 0:04:20 | 0:04:23 | |
One of the more unusual events is that one on the right, | 0:04:23 | 0:04:25 | |
it's the two-handed javelin. | 0:04:25 | 0:04:27 | |
And athletes had to throw once with their right hand, then once | 0:04:27 | 0:04:30 | |
with their left hand, and the score was the combined distance | 0:04:30 | 0:04:33 | |
-of the two throws. -So a sort of ambidextrous javelin. | 0:04:33 | 0:04:36 | |
-Yes, yes. -Yeah. -And then your team-mate had to catch it! -Yes. | 0:04:36 | 0:04:39 | |
I wouldn't want to be the one who had to measure it | 0:04:39 | 0:04:41 | |
when people were throwing the javelin left-handed. | 0:04:41 | 0:04:44 | |
But one of the great... | 0:04:44 | 0:04:45 | |
Is that two together that you're doing? | 0:04:47 | 0:04:49 | |
That's two, that's getting the javelin and throwing them. | 0:04:49 | 0:04:52 | |
-Quite difficult, I'd have thought. -I would think it was quite tricky. | 0:04:52 | 0:04:56 | |
I think she's going too far up, that one, it's going to go straight up | 0:04:56 | 0:04:59 | |
-and down in front of her. -Her trajectory is all wrong. | 0:04:59 | 0:05:01 | |
One of the reasons why women wanted to take part in the Olympics was the | 0:05:01 | 0:05:04 | |
incredibly restricted clothing that they wore in the traditional games. | 0:05:04 | 0:05:07 | |
So, up until the mid 1900s, female swimmers had to wear blouses | 0:05:07 | 0:05:10 | |
and bloomers in the pool. | 0:05:10 | 0:05:12 | |
They used to play tennis in dresses that covered the ankle | 0:05:12 | 0:05:15 | |
and multiple petticoats and corsets, and so on. Shoes with heels. | 0:05:15 | 0:05:18 | |
But I think that's why it took so long for women | 0:05:18 | 0:05:21 | |
to get involved in sports, because I run, and it's all about two bras. | 0:05:21 | 0:05:24 | |
-Yeah. -Keeping... Nothing should move. | 0:05:24 | 0:05:26 | |
Because otherwise, honestly, take your eye out. | 0:05:26 | 0:05:28 | |
Yeah. Yeah. | 0:05:28 | 0:05:30 | |
I feel like giving tips out at race days, | 0:05:30 | 0:05:32 | |
sometimes to middle-aged men, to be honest. | 0:05:32 | 0:05:35 | |
I was not a really big sports fan at school at all, because I come | 0:05:37 | 0:05:41 | |
from quite a big family, and all my stuff was hand-me-downs. | 0:05:41 | 0:05:44 | |
So I'd be the only boy on the sports field with a training bra. | 0:05:44 | 0:05:47 | |
So, I know what you're talking about, yeah. | 0:05:49 | 0:05:51 | |
The very first American woman to win an Olympic medal, | 0:05:52 | 0:05:55 | |
she never knew she'd done it. | 0:05:55 | 0:05:57 | |
Her name was Margaret Abbott, she won the golf in 1900, | 0:05:57 | 0:06:01 | |
but the entire tournament was such a shambles that she assumed | 0:06:01 | 0:06:04 | |
-it was just a regular sports contest. -What, she didn't realise | 0:06:04 | 0:06:07 | |
-it was the Olympics? -She didn't realise it was the Olympics. | 0:06:07 | 0:06:09 | |
In fact she died in 1955 without ever realising | 0:06:09 | 0:06:12 | |
that she'd earned an Olympic medal. And, in fact, her mother | 0:06:12 | 0:06:14 | |
also entered the same competition in 1900. | 0:06:14 | 0:06:16 | |
That's the only instance we have of mother and daughter taking part | 0:06:16 | 0:06:19 | |
-in the same Olympics. -During the London Olympics... -Yeah? | 0:06:19 | 0:06:22 | |
..I went for a run and I live in East London, | 0:06:22 | 0:06:24 | |
so there's a chance I don't know that I've won gold. | 0:06:24 | 0:06:28 | |
And now is the moment that we can... | 0:06:28 | 0:06:30 | |
Surprise, surprise! | 0:06:31 | 0:06:33 | |
-Have you run marathons, Cally, have you done...? -Yes, I have. -You have? | 0:06:33 | 0:06:37 | |
-Have you? -I ran the London marathon, I wore three bras that day. | 0:06:37 | 0:06:41 | |
-Because it was a special occasion. -Yeah, no. | 0:06:41 | 0:06:43 | |
So, I did, I quite enjoyed it in a strange way. | 0:06:43 | 0:06:45 | |
But I've got two teenage kids at home, | 0:06:45 | 0:06:48 | |
-so I'm just glad to get out of the house. -Yes. | 0:06:48 | 0:06:50 | |
Well, there was a huge thing about the marathon, so, 1967, | 0:06:51 | 0:06:54 | |
there was a woman in the United States called Kathy Switzer, | 0:06:54 | 0:06:57 | |
and she attempted to run the Boston marathon, | 0:06:57 | 0:06:59 | |
there's a very famous photograph. | 0:06:59 | 0:07:00 | |
The person on the right of her is the race official | 0:07:00 | 0:07:04 | |
called Jock Semple. | 0:07:04 | 0:07:05 | |
He attempted to tear the number off her back, he was so angry, | 0:07:05 | 0:07:08 | |
and that's her boyfriend trying to make sure | 0:07:08 | 0:07:11 | |
that she can actually finish. | 0:07:11 | 0:07:12 | |
And afterwards the man in charge of the race, | 0:07:12 | 0:07:14 | |
the Boston Athletic Association Director, Will Cloney, | 0:07:14 | 0:07:17 | |
asked his opinion of her competing in the race. | 0:07:17 | 0:07:19 | |
He said, "I don't make the rules, but I try to carry them out. | 0:07:19 | 0:07:22 | |
"We have no space in the marathon | 0:07:22 | 0:07:23 | |
"for any unauthorised person, even a man. | 0:07:23 | 0:07:26 | |
"If that girl were my daughter, I would spank her." | 0:07:26 | 0:07:28 | |
She did finish, but it would be another five years before | 0:07:28 | 0:07:31 | |
-the rules changed. It was just... -Tell you what, men are wankers. | 0:07:31 | 0:07:35 | |
LAUGHTER | 0:07:35 | 0:07:37 | |
CHEERING AND APPLAUSE | 0:07:37 | 0:07:39 | |
Anyway, moving on. | 0:07:42 | 0:07:43 | |
When is it cool to wet your pants? | 0:07:43 | 0:07:46 | |
Is it when it's, like, in a hot situation? | 0:07:47 | 0:07:50 | |
Obviously, we're going to be, yes, somewhere hot. | 0:07:50 | 0:07:52 | |
Somewhere where your wee is cooler than everything else around you. | 0:07:52 | 0:07:55 | |
OK. It's... | 0:07:55 | 0:07:57 | |
Or if you've had a really cold drink and you get it out quick. | 0:07:57 | 0:08:00 | |
Is it to do with, um, jellyfish, you know, | 0:08:00 | 0:08:03 | |
when you have to pee on a... | 0:08:03 | 0:08:04 | |
-Because my daughter got stung by a jellyfish in South Africa. -Right. | 0:08:04 | 0:08:07 | |
And she was crying, really upset, and so I pulled my tankini - | 0:08:07 | 0:08:10 | |
which is what older women wear instead of a bikini - | 0:08:10 | 0:08:13 | |
I pulled it to the side to pee, and the sight | 0:08:13 | 0:08:16 | |
of my pulled-to-the-side gusset fully stopped her crying. | 0:08:16 | 0:08:19 | |
I would imagine. | 0:08:19 | 0:08:20 | |
It worked really well. | 0:08:20 | 0:08:22 | |
And she begged me not to pee on the sting. | 0:08:22 | 0:08:24 | |
-No. -Is it to do...? No. -Does she still have dreams about this? | 0:08:24 | 0:08:26 | |
-She does. We're working on it. -It's best. -We're working it through. | 0:08:26 | 0:08:29 | |
I think we're all going to have dreams about it, aren't we? | 0:08:29 | 0:08:31 | |
Is it in space? | 0:08:33 | 0:08:35 | |
It is not in space. | 0:08:35 | 0:08:36 | |
We're not doing people at all, | 0:08:36 | 0:08:38 | |
and "wet their pants" is more of a... | 0:08:38 | 0:08:40 | |
What's another expression for pant? | 0:08:40 | 0:08:42 | |
-An animal panting. -Oh. -An animal panting. It is ostriches, in fact. | 0:08:43 | 0:08:46 | |
Ostriches have a phenomenal capacity for water. | 0:08:46 | 0:08:49 | |
They can swallow up to ten litres of water in one go. | 0:08:49 | 0:08:52 | |
And then what they do is, they pant really quickly, | 0:08:52 | 0:08:55 | |
so that the air that they bring into their bodies evaporates | 0:08:55 | 0:08:57 | |
the water, and it works exactly the same way as us | 0:08:57 | 0:08:59 | |
evaporating sweat on our skin, in order to keep us cool. | 0:08:59 | 0:09:03 | |
And they have to avoid getting too much oxygen | 0:09:03 | 0:09:05 | |
into their bloodstream while they do this, and so, | 0:09:05 | 0:09:07 | |
as they pant, their windpipe redirects the air away | 0:09:07 | 0:09:10 | |
from the lungs. Essentially, they pant without breathing. | 0:09:10 | 0:09:12 | |
Did you know this? They're the only birds to have a bladder. | 0:09:12 | 0:09:15 | |
Birds do not wee, because they'd be too heavy to be | 0:09:15 | 0:09:17 | |
carrying around a big bladder, and so on. | 0:09:17 | 0:09:19 | |
But the flightless ostrich can cope with the extra thing. | 0:09:19 | 0:09:21 | |
So there's a little takeaway for you - birds don't wee. | 0:09:21 | 0:09:24 | |
-Who knew that? -Wow! | 0:09:24 | 0:09:26 | |
Any creature that's got an eye here | 0:09:26 | 0:09:28 | |
-and an eye there that goes that way, nah. -Yes. | 0:09:28 | 0:09:31 | |
It's not right! | 0:09:32 | 0:09:35 | |
The thing that we know about them is that it's possible that they dream. | 0:09:35 | 0:09:39 | |
What do you think an ostrich would dream of? | 0:09:39 | 0:09:41 | |
-Flying, it might dream it could fly like we do. -Yeah. | 0:09:41 | 0:09:43 | |
-Because it can't, can it? -No, they're just too heavy, | 0:09:43 | 0:09:46 | |
because they are between six and nine foot in height. | 0:09:46 | 0:09:48 | |
And they're 140lbs to sometimes as much as 300lbs. | 0:09:48 | 0:09:51 | |
But look at that massive wingspan. | 0:09:51 | 0:09:53 | |
I really do think they're quite creepy. | 0:09:53 | 0:09:54 | |
Would you like them more if they could fly? Can you imagine that? | 0:09:54 | 0:09:57 | |
This thing in the sky, argh! | 0:09:57 | 0:09:59 | |
-Ugh! -Do you think they'd fly with their necks up, | 0:09:59 | 0:10:02 | |
or would they just put their necks forward? | 0:10:02 | 0:10:04 | |
Or their neck up, looking behind them. | 0:10:06 | 0:10:09 | |
"WHOA!" | 0:10:09 | 0:10:10 | |
"Whoa-ho! Ho-ho-ho!" | 0:10:12 | 0:10:16 | |
I imagine they'd do that all the time. | 0:10:16 | 0:10:19 | |
The first one that went up would do that. | 0:10:19 | 0:10:20 | |
I'd like to have an ostrich, though, | 0:10:20 | 0:10:22 | |
because one scrambled ostrich egg is the same as 25 chicken eggs, | 0:10:22 | 0:10:25 | |
so you'd only have to go and collect the one. That would be... | 0:10:25 | 0:10:28 | |
And that would save you time, because normally you have to make | 0:10:28 | 0:10:31 | |
25 chicken eggs in the morning. | 0:10:31 | 0:10:32 | |
I know. It's a nightmare. | 0:10:32 | 0:10:34 | |
The other thing about them is, their legs go the wrong way. | 0:10:34 | 0:10:37 | |
So, when they're running, if you show an ostrich running | 0:10:37 | 0:10:41 | |
and reverse the film, it looks like a person. | 0:10:41 | 0:10:43 | |
It looks like Bernie Clifton. | 0:10:43 | 0:10:45 | |
There, you can see, right, if you look at it, | 0:10:47 | 0:10:49 | |
it looks like it's running that way, but its body is on backwards. | 0:10:49 | 0:10:52 | |
-Yeah. Yeah. -Do you get it, are you seeing it now?! | 0:10:52 | 0:10:55 | |
-So if it was running that way, you'd think, "Yeah." -"Yeah, fair enough." | 0:10:55 | 0:10:58 | |
-Yeah. -That's like, that's Bernie Clifton, right. | 0:10:58 | 0:11:00 | |
But Bernie's got to get his... | 0:11:00 | 0:11:01 | |
-If he'd had major surgery in about 1972... -Yeah. | 0:11:01 | 0:11:05 | |
Alan, it sounds like you've done quite a lot of research on this. | 0:11:05 | 0:11:08 | |
I did, I shared a dressing room with Bernie Clifton at the recent | 0:11:08 | 0:11:10 | |
-Royal Variety Performance. -Did you? | 0:11:10 | 0:11:12 | |
-Did you? -Oh. -Me, Bernie Clifton and the Chuckle Brothers. | 0:11:12 | 0:11:15 | |
-I swear to God, it was... -Talk about knowing your place in showbiz. | 0:11:17 | 0:11:20 | |
-I'll tell you what... -I'm 51 now, right... | 0:11:22 | 0:11:24 | |
I've been doing stand-up for a very long time, nearly 30 years, | 0:11:24 | 0:11:27 | |
and I was such a junior person in that room. | 0:11:27 | 0:11:31 | |
I loved it, absolutely loved it! | 0:11:31 | 0:11:33 | |
And the older... I cannot remember the Chuckle Brothers' names. | 0:11:33 | 0:11:36 | |
-Paul and Barry. -Paul and Barry, but, yeah, I can't remember... | 0:11:36 | 0:11:39 | |
LAUGHTER | 0:11:39 | 0:11:40 | |
CHEERING AND APPLAUSE | 0:11:40 | 0:11:43 | |
I knew that one day I'd get something on QI! | 0:11:43 | 0:11:47 | |
-Who knew it was going to be that? -I can't remember which. | 0:11:47 | 0:11:49 | |
I've been waiting for that to come up four series! | 0:11:49 | 0:11:53 | |
One of them went out, that was Paul went out, went round looking, | 0:11:53 | 0:11:56 | |
there were a lot of dancers about to socialise with, you know. | 0:11:56 | 0:11:59 | |
And me and Barry and Bernie, we all stayed in the room | 0:11:59 | 0:12:03 | |
and a girl was sort of allocated to look after us. | 0:12:03 | 0:12:06 | |
"Do you want anything?" And Barry goes, | 0:12:06 | 0:12:08 | |
"Wouldn't mind a tea. Can we have a tea?" | 0:12:08 | 0:12:11 | |
And she goes, "Do you want any sugar?" | 0:12:11 | 0:12:12 | |
-And Barry goes, "Yeah, six." -Six sugars? | 0:12:12 | 0:12:16 | |
That's what she said. "Six?!" And he goes, | 0:12:16 | 0:12:19 | |
"Are they sachets?" And she said, "They are." | 0:12:19 | 0:12:23 | |
And he goes, "Yeah, six." | 0:12:23 | 0:12:24 | |
It was absolutely incredible. | 0:12:26 | 0:12:28 | |
I was in heaven. | 0:12:28 | 0:12:29 | |
I like to think that they totally ignored you for the whole time. | 0:12:29 | 0:12:33 | |
They had no idea who I was. | 0:12:33 | 0:12:34 | |
But you're right about the legs, | 0:12:38 | 0:12:40 | |
and look at the extraordinary feet of the ostrich, they're amazing. | 0:12:40 | 0:12:43 | |
So, the scientific name is Struthio camelus, | 0:12:43 | 0:12:45 | |
so it's from the ancient Greek, it literally means "camel sparrow." | 0:12:45 | 0:12:48 | |
And the Greeks considered it similar to the camel because if you look | 0:12:48 | 0:12:51 | |
at the hooves of the ostrich and you look at the hooves of the camel. | 0:12:51 | 0:12:54 | |
Hang on, what's what? The ostrich is on the left? | 0:12:54 | 0:12:56 | |
The ostrich is on the left, the camel on the right. | 0:12:56 | 0:12:58 | |
-Look at those toes. -That toenail, that needs bringing in, doesn't it?! | 0:12:58 | 0:13:02 | |
He's getting through some socks with that, isn't he? | 0:13:03 | 0:13:06 | |
Unlike any other bird and also they have this in common with camels, | 0:13:06 | 0:13:09 | |
ostrich's have eyelashes. That's a thing. They can bat them at you. | 0:13:09 | 0:13:13 | |
-That was a good noise you made there. -Yeah. | 0:13:13 | 0:13:15 | |
-"Ooh." -It's all just, it's just, oh, no. | 0:13:15 | 0:13:19 | |
I just did not know you were anti-ostrich. I just... | 0:13:19 | 0:13:22 | |
-I've tried ostrich steak before. -CALLY: -Yeah, I've had it as well. | 0:13:23 | 0:13:26 | |
They sell it in Aldi now. They do, they do. | 0:13:26 | 0:13:29 | |
-STEPHEN: -Where is this place? | 0:13:29 | 0:13:31 | |
-I ate it in Swaziland, because they dished up goat steak. -Right. | 0:13:32 | 0:13:36 | |
And I said I was vegetarian, so they gave me ostrich steak. | 0:13:36 | 0:13:39 | |
And I wasn't vegetarian, I just said it | 0:13:40 | 0:13:42 | |
because I didn't want to eat goat. | 0:13:42 | 0:13:43 | |
Yeah. Is it lean? Is it sort of lean? | 0:13:43 | 0:13:45 | |
It's lean, it's actually... Aldi were promoting it as being very lean | 0:13:45 | 0:13:48 | |
-and cheaper... -STEPHEN: -Stop saying Aldi. | 0:13:48 | 0:13:50 | |
-CALLY: -..and better for you than beef. | 0:13:50 | 0:13:52 | |
Right. We must try this Aldi place. | 0:13:52 | 0:13:55 | |
Oh, come, come, come, are we at war? I don't think so. | 0:13:58 | 0:14:01 | |
-All these supermarkets are like anagrams at the moment. -Yeah. | 0:14:04 | 0:14:07 | |
Why can't they have a proper word? | 0:14:07 | 0:14:08 | |
-Like what, what would you like it to be called? -Sainsbury's. | 0:14:08 | 0:14:11 | |
Am I the only person here who isn't being sponsored by a supermarket? | 0:14:14 | 0:14:17 | |
Can I just say, Waitrose is excellent value for money. | 0:14:19 | 0:14:22 | |
APPLAUSE | 0:14:22 | 0:14:24 | |
Applause for Waitrose! | 0:14:24 | 0:14:26 | |
You're not on Take Me Out, audience. | 0:14:28 | 0:14:30 | |
Right, moving on. | 0:14:34 | 0:14:35 | |
What's the wrong way to get out of a car? | 0:14:35 | 0:14:39 | |
Sunroof. | 0:14:39 | 0:14:40 | |
Yeah, that's not good, is it? | 0:14:40 | 0:14:42 | |
But let's all imagine we're driving in the UK. | 0:14:42 | 0:14:45 | |
So, let's all do driving. | 0:14:45 | 0:14:46 | |
Can I do MY driving, please? | 0:14:46 | 0:14:48 | |
-Driving, we arrive... -I drive like this. | 0:14:56 | 0:14:59 | |
-I'm going to park, brake... -Yeah. -OK, brake now. | 0:14:59 | 0:15:02 | |
So, you're in a right-hand drive. | 0:15:02 | 0:15:04 | |
Brake, yeah. So now I want you to open the door. | 0:15:04 | 0:15:06 | |
-Open the door. -Yeah. -You've done it like that. What have you done? | 0:15:06 | 0:15:09 | |
Like that. So, none of that... | 0:15:09 | 0:15:10 | |
HOOTER | 0:15:10 | 0:15:13 | |
And if you never learn anything else from this show, | 0:15:13 | 0:15:16 | |
learn this thing, which I think is wonderful. | 0:15:16 | 0:15:19 | |
You should always do what is called the Dutch Reach. | 0:15:19 | 0:15:23 | |
You have to open with the hand... Exactly that. | 0:15:23 | 0:15:25 | |
Furthest from the door. | 0:15:25 | 0:15:26 | |
And it makes you automatically look over your shoulder. | 0:15:26 | 0:15:29 | |
It's to spot, particularly, oncoming cyclists. | 0:15:29 | 0:15:33 | |
So, in the Netherlands it is required | 0:15:33 | 0:15:35 | |
as part of the driving test, | 0:15:35 | 0:15:36 | |
and it prevents what's called "dooring," which is basically | 0:15:36 | 0:15:39 | |
just hitting a cyclist with your car door. | 0:15:39 | 0:15:41 | |
Do you not think it's the simplest... | 0:15:41 | 0:15:44 | |
It's brilliant, it's brilliant. | 0:15:44 | 0:15:46 | |
But it suggests that when people get out of their car this way, | 0:15:46 | 0:15:49 | |
-that they just go... -And they do. They do. | 0:15:49 | 0:15:51 | |
So, you know that noise that, if he shuts that door, | 0:15:51 | 0:15:53 | |
it's going to make a sort of clunking noise, it's fake. | 0:15:53 | 0:15:56 | |
-Did you know this? -No! -Yes, it's a throwback to the olden days. | 0:15:56 | 0:15:59 | |
So, we like that noise. It's the first thing we hear | 0:15:59 | 0:16:02 | |
when we get into a new car. | 0:16:02 | 0:16:03 | |
So, what happened about 15 years ago, | 0:16:03 | 0:16:04 | |
new safety standards meant the door design was changed | 0:16:04 | 0:16:07 | |
and it also changed the noise when it closed. | 0:16:07 | 0:16:09 | |
And it made it sort of tinny and metallic. | 0:16:09 | 0:16:11 | |
So, they changed the mechanism to make that sound. | 0:16:11 | 0:16:14 | |
So, the door doesn't need to make that sound, that clunking thing. | 0:16:14 | 0:16:18 | |
-Wow. -But actually we want it to. | 0:16:18 | 0:16:21 | |
-We like that noise. -Oh, it's nice. -Yeah. | 0:16:21 | 0:16:22 | |
If they can choose the noise, I'd have like, you know | 0:16:22 | 0:16:25 | |
like spooky, creaking door. | 0:16:25 | 0:16:26 | |
So, the idea of making cars seem a little bit old-fashioned | 0:16:28 | 0:16:30 | |
is not a new idea. 1899, a patent was filed | 0:16:30 | 0:16:33 | |
for a Horsey Horseless vehicle, and it was a motorcar | 0:16:33 | 0:16:37 | |
with a full-size wooden horse head attached to the front. | 0:16:37 | 0:16:40 | |
-Amazing. -That is brilliant. -And the idea was, | 0:16:40 | 0:16:42 | |
if the car looked like a horse, it wouldn't scare the other horses. | 0:16:42 | 0:16:45 | |
I think if I was a horse and I saw the head of a horse... | 0:16:45 | 0:16:49 | |
..I would think it would cause more problems than it would solve. | 0:16:50 | 0:16:53 | |
I'd have an ostrich on the front of mine. | 0:16:53 | 0:16:56 | |
Bernie Clifton driving it. | 0:16:57 | 0:16:59 | |
So, out of the car and into the closet. | 0:16:59 | 0:17:02 | |
What's the most exciting thing you can do in a cupboard that | 0:17:02 | 0:17:05 | |
begins with O? | 0:17:05 | 0:17:08 | |
Orlando Bloom. | 0:17:08 | 0:17:09 | |
APPLAUSE | 0:17:11 | 0:17:13 | |
I organise my pants. | 0:17:16 | 0:17:18 | |
-Organising is a good one, yes. -Organising, yeah, I enjoy that. | 0:17:18 | 0:17:21 | |
-Yeah. -Do you organise your pants, Josh? -Not my pants, but you know. | 0:17:21 | 0:17:24 | |
-What? -What would you organise? | 0:17:24 | 0:17:26 | |
Well, just like a soiree. | 0:17:26 | 0:17:27 | |
Are you saying you put your pants in a cupboard? | 0:17:30 | 0:17:33 | |
Well, you can do, darling, it's not that weird. | 0:17:33 | 0:17:36 | |
No, I thought a cupboard was like, you know, in the kitchen. | 0:17:36 | 0:17:39 | |
-So, it's a new thing, you sometimes have cupboards in bedrooms. -Yeah. | 0:17:39 | 0:17:43 | |
It's never going to take off, you're absolutely right. | 0:17:44 | 0:17:48 | |
That's the larder. I call the cupboard in the kitchen the larder. | 0:17:48 | 0:17:50 | |
Yeah. We've all got different names for these things. | 0:17:50 | 0:17:52 | |
And in the bedroom, it's the cupboard | 0:17:52 | 0:17:54 | |
-or the hanging one's a wardrobe. -Because my girlfriend, | 0:17:54 | 0:17:56 | |
-who I live with, has got too many... -She's in a cupboard? | 0:17:56 | 0:18:00 | |
Oh, I understand that, I spent years in the closet. | 0:18:00 | 0:18:03 | |
I totally understand that. | 0:18:03 | 0:18:05 | |
APPLAUSE | 0:18:05 | 0:18:08 | |
When you say...exciting, do you mean...? | 0:18:08 | 0:18:12 | |
-Yes, something exciting, yes. -Like physically... | 0:18:12 | 0:18:15 | |
Unbelievably physically exciting. So, who is this in the picture? | 0:18:15 | 0:18:17 | |
Boris Becker. Because he conceived a child in a cupboard, didn't he? | 0:18:17 | 0:18:20 | |
-STEPHEN: -Yes. -We are in a sexual area. | 0:18:20 | 0:18:22 | |
-CALLY: -So, orgasming in a cupboard. | 0:18:22 | 0:18:24 | |
It is an orgasm in a cupboard, but it's a very specific one. | 0:18:24 | 0:18:26 | |
-So... -Oh, not that Woody Allen film, The Orgasmatron. | 0:18:26 | 0:18:28 | |
It is exactly this sort of thing. | 0:18:28 | 0:18:30 | |
So, in 1940 there was an Austrian psychologist called | 0:18:30 | 0:18:33 | |
Wilhelm Reich, and he started building... There he is. | 0:18:33 | 0:18:36 | |
-Doesn't look bonkers at all. -Ooh, look at him. | 0:18:36 | 0:18:38 | |
He's got Chris Packham's haircut. | 0:18:38 | 0:18:41 | |
He wanted to harness the power of a force that he called "orgone" - | 0:18:41 | 0:18:45 | |
an amalgam of orgasm and ozone. And he said other people call it God. | 0:18:45 | 0:18:48 | |
He believed it was all around us, that it was what made the sky blue, | 0:18:48 | 0:18:52 | |
for instance. So, the idea was that you had one of these compartments, | 0:18:52 | 0:18:55 | |
you climbed naked into his special cupboard - this | 0:18:55 | 0:18:58 | |
is for illustration purposes only, but ideally she should be naked. | 0:18:58 | 0:19:00 | |
-No way. -And you absorbed the concentrated orgone within it, | 0:19:00 | 0:19:04 | |
to reach a state of sexual satisfaction. | 0:19:04 | 0:19:07 | |
And that could cure anything from, I don't know, cancer to blisters. | 0:19:07 | 0:19:10 | |
-It was really, it was a full-range thing. -So... | 0:19:10 | 0:19:12 | |
But are the people in that box, are they volunteers or hostages? | 0:19:12 | 0:19:16 | |
-No, people wanted to do this. It was hugely popular. -Oh, OK. | 0:19:16 | 0:19:20 | |
-What year was, when was this? -So, 1940. | 0:19:20 | 0:19:21 | |
He believed that sexual repression was responsible for almost | 0:19:21 | 0:19:24 | |
all physical and psychological and emotional problems, and so on. | 0:19:24 | 0:19:27 | |
-I think that's fair. -He was a slightly strange fellow. So... | 0:19:27 | 0:19:31 | |
-No shit! -Yeah. | 0:19:31 | 0:19:33 | |
Does it clean itself, like one of those toilets? | 0:19:33 | 0:19:35 | |
-GROANING Well, none of it's... -"I've finished!" | 0:19:35 | 0:19:39 | |
It was very, very popular, lots of celebrities owned these cupboards. | 0:19:39 | 0:19:42 | |
JD Salinger, Norman Mailer, Sean Connery had one. | 0:19:42 | 0:19:45 | |
-AS SEAN CONNERY: -"Sure, let's go into the cupboard." | 0:19:45 | 0:19:49 | |
The vibrator was developed by Victorian doctors, you'll know this. | 0:19:50 | 0:19:54 | |
-Yeah, I do. -It was, wasn't it to stop women being hysterical? | 0:19:54 | 0:19:56 | |
You're absolutely right. | 0:19:56 | 0:19:58 | |
So it's widely believed that it was very damaging to women | 0:19:58 | 0:20:00 | |
-if they didn't orgasm enough. -Yeah. -And I think that's entirely true. | 0:20:00 | 0:20:03 | |
They had steam-operated vibrators, the first ones. | 0:20:04 | 0:20:07 | |
-Yes. -So I'm just wondering why, | 0:20:07 | 0:20:09 | |
he's a bit late to the party with this cumbersome vibrator. | 0:20:09 | 0:20:12 | |
Well, this doesn't actually touch your pudenda in any way. | 0:20:12 | 0:20:16 | |
-But how's it...? -It's this thing called orgone, | 0:20:16 | 0:20:18 | |
which he believed was in the ether | 0:20:18 | 0:20:20 | |
and that it would accumulate within the cupboard, | 0:20:20 | 0:20:22 | |
-and this would make you feel... -Oh, so that's a mask? | 0:20:22 | 0:20:24 | |
No, it's just to go into the cupboard, it's an orgone shooter. | 0:20:24 | 0:20:27 | |
I can't... I'm trying to make it more sensible than it really is. | 0:20:27 | 0:20:29 | |
-Right. -Does it work? | 0:20:29 | 0:20:32 | |
No. The US courts formally declared that orgone doesn't exist | 0:20:32 | 0:20:35 | |
and all of the cupboards were ordered to be destroyed, | 0:20:35 | 0:20:38 | |
all of the literature, and, in fact... | 0:20:38 | 0:20:40 | |
Destroyed? You could just convert it into a pant cupboard, couldn't you? | 0:20:40 | 0:20:43 | |
Yeah, you could have done. | 0:20:43 | 0:20:44 | |
Reich was imprisoned for not complying with the ban, | 0:20:44 | 0:20:47 | |
and so he actually ended up dying in prison. | 0:20:47 | 0:20:50 | |
But you're absolutely right, this whole thing about orgasm, | 0:20:50 | 0:20:52 | |
Victorian doctors, it was not uncommon, women with hysteria, | 0:20:52 | 0:20:55 | |
that they needed to get rid, they thought it was anxiety, | 0:20:55 | 0:20:58 | |
irritability, bloated stomach, any of these things could be got rid of. | 0:20:58 | 0:21:01 | |
And the prescription was to have a pelvic massage. | 0:21:01 | 0:21:05 | |
And it was a routine part of doctors' work. | 0:21:05 | 0:21:07 | |
LAUGHTER | 0:21:07 | 0:21:10 | |
That's a water jet, is it? | 0:21:10 | 0:21:12 | |
It looks like one of those Olympic sports. | 0:21:12 | 0:21:15 | |
And now... | 0:21:16 | 0:21:19 | |
..35 feet. Personal best. | 0:21:19 | 0:21:21 | |
Only 35 feet, Alan? | 0:21:23 | 0:21:25 | |
I think I can do better than that. | 0:21:25 | 0:21:27 | |
Apparently it was really boring. It was really, really boring. | 0:21:28 | 0:21:31 | |
Yeah, they used to complain about it, didn't they? | 0:21:31 | 0:21:33 | |
The doctors thought it was dull work, | 0:21:33 | 0:21:35 | |
and so there was a doctor called Dr J Mortimer Granville, | 0:21:35 | 0:21:37 | |
and he pioneered the very first vibrator. | 0:21:37 | 0:21:39 | |
It was known as Granville's Hammer... | 0:21:39 | 0:21:41 | |
..with which you percussed yourself. | 0:21:43 | 0:21:45 | |
Did he used to just hit women on the head? "Pull yourself together now." | 0:21:45 | 0:21:48 | |
-"It's great. The Barker." -Yeah. | 0:21:50 | 0:21:52 | |
That quote isn't attributed to anyone. | 0:21:52 | 0:21:54 | |
-Where are you looking? -That should say, "It's great. | 0:21:54 | 0:21:57 | |
-"The Evening Standard." -Yes. | 0:21:57 | 0:21:59 | |
I think that man is telling you how marvellous it is, Mr James Barker. | 0:21:59 | 0:22:02 | |
-Oh. -And that smile on his face, do you reckon he's using one himself? | 0:22:02 | 0:22:04 | |
-Oh, this is for girls only, this one. -Oh, what? Oh, really? | 0:22:06 | 0:22:08 | |
-For girls only. CALLY: -Stephen begs to differ, don't you? | 0:22:08 | 0:22:11 | |
Apparently, we've all been there. | 0:22:11 | 0:22:12 | |
OK, moving on. | 0:22:14 | 0:22:15 | |
Wilhelm Reich thought the solution to all our problems | 0:22:17 | 0:22:19 | |
was an orgasm in a cupboard. | 0:22:19 | 0:22:21 | |
What definitely won't happen to you when you sneeze? | 0:22:21 | 0:22:26 | |
You won't have a 16th of an orgasm. | 0:22:26 | 0:22:29 | |
-Isn't it a tenth? -Is it a tenth? | 0:22:29 | 0:22:31 | |
But that might be inflation, I don't know. | 0:22:31 | 0:22:33 | |
Is there a, is there a little thrill to be had from sneezing? | 0:22:34 | 0:22:36 | |
Apparently, well, that was the myth, | 0:22:36 | 0:22:38 | |
-that if you sneezed, you'd go... -HE SIGHS | 0:22:38 | 0:22:40 | |
But you can't physically sneeze with your eyes open, isn't that right? | 0:22:42 | 0:22:46 | |
Yeah, well, we did say that sneezing with your eyes open can't | 0:22:46 | 0:22:49 | |
make them pop out, but in fact, that is not entirely correct. | 0:22:49 | 0:22:52 | |
If you have something called floppy eyelid syndrome, | 0:22:52 | 0:22:55 | |
a sneeze can in fact force your eyeball out of your socket. | 0:22:55 | 0:22:59 | |
And we're all going to have a go! | 0:22:59 | 0:23:01 | |
So, like this. | 0:23:02 | 0:23:04 | |
So, it would be like that, and then you... Atchoo! | 0:23:04 | 0:23:07 | |
And out they pop. So that's so you can see. | 0:23:07 | 0:23:09 | |
Give it a go, have a sneeze. | 0:23:14 | 0:23:15 | |
Atchoo! | 0:23:15 | 0:23:17 | |
So, there's a technical name for it. | 0:23:19 | 0:23:21 | |
So, if your eyeball actually pops out, spontaneous... | 0:23:21 | 0:23:24 | |
ATCHOO! | 0:23:24 | 0:23:25 | |
GROANING | 0:23:28 | 0:23:30 | |
Spontaneous globe luxation is what it's called. | 0:23:30 | 0:23:34 | |
So, mostly obese men get this syndrome where your eyelid | 0:23:34 | 0:23:37 | |
can pop out. So the upper eyelid becomes very floppy | 0:23:37 | 0:23:40 | |
and it's easily turned inside-out. | 0:23:40 | 0:23:42 | |
What would the medical advice be if your eyeball popped out? | 0:23:42 | 0:23:45 | |
-Oh... -Pop it back. -Put it on ice. | 0:23:45 | 0:23:47 | |
Get it back in as quickly as possible, yeah. | 0:23:47 | 0:23:49 | |
No, don't put it on ice, darling, it's still attached, most likely. | 0:23:49 | 0:23:52 | |
If it's still attached, | 0:23:52 | 0:23:53 | |
look round corners that you couldn't previously look round. | 0:23:53 | 0:23:56 | |
-That's a good idea. -Yeah. | 0:23:57 | 0:23:59 | |
Keeping an eye on you. | 0:23:59 | 0:24:00 | |
Just draw eyes on the eyelids. | 0:24:00 | 0:24:03 | |
-So, people think you can still see them. -Yeah. -But then | 0:24:03 | 0:24:05 | |
-you walk into things and you can't. -No, but what are you going to do | 0:24:05 | 0:24:08 | |
about the eyeball that's out? Are you just going to leave it | 0:24:08 | 0:24:11 | |
-hanging on your cheek? What are you going to do there? -Come Halloween, | 0:24:11 | 0:24:14 | |
your trick or treating is going to be top notch. | 0:24:14 | 0:24:16 | |
Atchoo! Argh! | 0:24:16 | 0:24:19 | |
I think the main advice is to get a medical person to do it, don't you? | 0:24:19 | 0:24:22 | |
And apparently they use a tool that looks a bit like a bent paperclip, | 0:24:22 | 0:24:25 | |
which I think would be... | 0:24:25 | 0:24:26 | |
GROANING Yes. | 0:24:26 | 0:24:28 | |
There was an American basketball player | 0:24:28 | 0:24:30 | |
called Akil Mitchell, in early 2017. | 0:24:30 | 0:24:32 | |
-No! -He got poked in the eye during a game, he fell to the ground, | 0:24:32 | 0:24:36 | |
he was clutching his face. | 0:24:36 | 0:24:37 | |
And he described afterwards that he knew something was wrong because he | 0:24:37 | 0:24:40 | |
could feel his eyeball on his cheek, and could still see out of it. | 0:24:40 | 0:24:44 | |
GROANING | 0:24:44 | 0:24:47 | |
Oh, my God! | 0:24:47 | 0:24:48 | |
And they popped it back in all right? | 0:24:48 | 0:24:50 | |
They popped it back, he's absolutely fine now. | 0:24:50 | 0:24:52 | |
Can you just do it with your finger? Do you need the paperclip thing? | 0:24:52 | 0:24:55 | |
-No, my advice is to... -If it happens. | 0:24:55 | 0:24:56 | |
Honestly, this is a moment for a doctor. | 0:24:56 | 0:24:59 | |
If you have a child and one of their eyeballs fall out, don't go, | 0:25:00 | 0:25:03 | |
"Darling, stop fussing," and... | 0:25:03 | 0:25:04 | |
But losing your eye, there's a famous moment in history, | 0:25:06 | 0:25:09 | |
Federico da Montefeltro, he was a famous military man during the | 0:25:09 | 0:25:12 | |
Renaissance in Italy, and he lost an eye during a jousting tournament. | 0:25:12 | 0:25:16 | |
And he was so paranoid about plans to assassinate him, | 0:25:16 | 0:25:19 | |
and the fact that he couldn't see out of one side of his face, | 0:25:19 | 0:25:22 | |
he had a notch cut, he basically had the bridge of his nose cut off | 0:25:22 | 0:25:25 | |
so that he could still see on the other side. | 0:25:25 | 0:25:28 | |
-So he could see across. -Oh, my God! | 0:25:28 | 0:25:30 | |
Now, who would like to see a seriously eye-popping demonstration? | 0:25:30 | 0:25:35 | |
As long as no-one's eye is coming out. | 0:25:35 | 0:25:37 | |
I don't like this whole area. | 0:25:37 | 0:25:39 | |
No, it's not that. So, what we're going to do... | 0:25:39 | 0:25:41 | |
-If you get out a hoover now... -Have a look at this. | 0:25:41 | 0:25:43 | |
So, let me just put this here. | 0:25:43 | 0:25:45 | |
And hopefully I'm going to get this the right way round. | 0:25:45 | 0:25:48 | |
-Then I have... -Is that a steam-powered vibrator, Sandi? No? | 0:25:48 | 0:25:51 | |
No, it's adapted. OK. | 0:25:51 | 0:25:53 | |
So we can see that we have got a mirror here, | 0:25:53 | 0:25:56 | |
and if you look at this one, you can see squares, | 0:25:56 | 0:25:58 | |
and if you look in the mirror, you can see circles. | 0:25:58 | 0:26:01 | |
And if I take this one and I turn it, you can | 0:26:01 | 0:26:03 | |
see a square up here and a circle down here. | 0:26:03 | 0:26:07 | |
And if I then carry on turning it, | 0:26:07 | 0:26:09 | |
and we keep going round like this, you will see that this one at the | 0:26:09 | 0:26:15 | |
bottom will turn into a square | 0:26:15 | 0:26:17 | |
-and that one will turn into a circle. -Witchcraft! | 0:26:17 | 0:26:20 | |
It is. I'm going to move that out the way, so I can get my hand in. | 0:26:20 | 0:26:24 | |
You can see the square, and you can see the circles in there. | 0:26:24 | 0:26:26 | |
And, as I turn, and I keep turning it like this, | 0:26:26 | 0:26:30 | |
you'll see it change and the one in the mirror becomes the square, | 0:26:30 | 0:26:35 | |
-and this one here becomes the circles. -Oh, I don't like this. | 0:26:35 | 0:26:38 | |
-Ooh! -And the same with this one here, as I turn it... It is | 0:26:38 | 0:26:43 | |
faintly astonishing, isn't it, you can see it becoming the circles. | 0:26:43 | 0:26:47 | |
-Oh, wow! -And then the squares. -That's amazing. | 0:26:47 | 0:26:50 | |
-What's happening?! -I know! It is called | 0:26:50 | 0:26:52 | |
the Ambiguous Cylinder Illusion. It is designed by a man... | 0:26:52 | 0:26:55 | |
-Catchy name. -Yeah. -It is a catchy name. | 0:26:55 | 0:26:58 | |
Designed by a man called Dr Sugihara Kokichi. | 0:26:58 | 0:27:02 | |
And from one angle, the shapes look circular, | 0:27:02 | 0:27:05 | |
while in the other angle they look like cuboids. And, in fact, | 0:27:05 | 0:27:08 | |
they are a cross between the two. | 0:27:08 | 0:27:10 | |
Squircles, or rather, squircle prisms. | 0:27:10 | 0:27:12 | |
And if you want to make this at home, you absolutely can. | 0:27:12 | 0:27:15 | |
Just look up "Ambiguous Cylinder Illusion cut-out" | 0:27:15 | 0:27:18 | |
and there's a template for a paper version. | 0:27:18 | 0:27:19 | |
So you can work out how to do it. So I'm just going to put that one | 0:27:19 | 0:27:22 | |
-away. -That's amazing. -It IS amazing. | 0:27:22 | 0:27:24 | |
Do give it a go, because I think it's really extraordinary. | 0:27:24 | 0:27:26 | |
And the fact that our brains are flawed in this way is what | 0:27:26 | 0:27:29 | |
distinguishes us from robots. | 0:27:29 | 0:27:30 | |
Robots won't be fooled by optical illusions, | 0:27:30 | 0:27:32 | |
only human beings are fooled by optical illusions. | 0:27:32 | 0:27:34 | |
There's a very famous thing called the Adelson chequerboard illusion. | 0:27:34 | 0:27:37 | |
So, this is a chequerboard, all right? | 0:27:37 | 0:27:40 | |
And if you look at it, you would imagine that there are light | 0:27:40 | 0:27:43 | |
squares and there are dark squares. | 0:27:43 | 0:27:45 | |
But, in fact, what's happened is, | 0:27:45 | 0:27:46 | |
the green cylinder there has cast a shadow. | 0:27:46 | 0:27:49 | |
And what happens is, our eyes correct. | 0:27:49 | 0:27:52 | |
What is the truth of that is A and B are exactly the same colour. | 0:27:52 | 0:27:58 | |
-So if you see... -No! -If we join them together, so just those squares, | 0:27:58 | 0:28:01 | |
but because we have understood | 0:28:01 | 0:28:03 | |
there's a shadow from the green cylinder, | 0:28:03 | 0:28:04 | |
we have, in our minds, made B a lighter colour. | 0:28:04 | 0:28:08 | |
But, actually, A and B are exactly the same colour. | 0:28:08 | 0:28:11 | |
-And... -Oh, is this how the robots are going to finally defeat us? | 0:28:11 | 0:28:14 | |
-Well, this is certainly... -They'll chase us into a Escher painting. | 0:28:14 | 0:28:17 | |
Yes! But it's how computers may eventually be able to distinguish | 0:28:17 | 0:28:21 | |
a bot from a person, because you could give a test like this. | 0:28:21 | 0:28:24 | |
If you get the answer wrong, then you're human. | 0:28:24 | 0:28:26 | |
Because, even though I've told you A and B are the same colour, | 0:28:26 | 0:28:29 | |
when you look back to the one on the left, | 0:28:29 | 0:28:31 | |
you believe that they are different colours. | 0:28:31 | 0:28:33 | |
-Yeah. -I still don't believe you. | 0:28:33 | 0:28:35 | |
Anyway, what's the most frightening thing you could find in an orchard? | 0:28:36 | 0:28:40 | |
Half a maggot in your apple. | 0:28:42 | 0:28:44 | |
Oh, that is a horrible thing, yeah. Yeah. What else? | 0:28:44 | 0:28:49 | |
Some sort of lethal fruit-destroying insect, or something like that? | 0:28:49 | 0:28:52 | |
-Scrumpers. -It is an old practice. | 0:28:52 | 0:28:54 | |
People used to go scrumping, didn't they? | 0:28:54 | 0:28:57 | |
-Yeah, they did where I grew up. -In Devon. -Yeah, yeah. | 0:28:57 | 0:28:59 | |
-Where did you grow up? -I was Dorset. Were you Devon? | 0:28:59 | 0:29:01 | |
-I was Devon, oh. -How did we not scrump together, Josh? | 0:29:01 | 0:29:04 | |
-I know... -Because I'm old enough to be your mum, that's partly why. | 0:29:04 | 0:29:07 | |
-STEPHEN: -I'm from the big city, so "scrumping"? -Stealing apples. | 0:29:07 | 0:29:12 | |
Stealing apples. Oh, theft? Oh. | 0:29:12 | 0:29:15 | |
So, it's something ancient called "wassailing" or "apple howling." | 0:29:23 | 0:29:27 | |
It's the practice of shouting at apple trees to get them | 0:29:27 | 0:29:30 | |
to bear good fruit. And it dates back to at least the 16th century. | 0:29:30 | 0:29:33 | |
Go out there going, "Pears! PEARS!" | 0:29:33 | 0:29:36 | |
There's an old English folk song called the Wassailing Song. | 0:29:40 | 0:29:42 | |
Yeah, there are lots of wassailing songs, and they used to beat | 0:29:42 | 0:29:45 | |
the trees while they were singing. It's to drive out the evil spirits, | 0:29:45 | 0:29:48 | |
to make sure that we get jolly good fruit. | 0:29:48 | 0:29:50 | |
They used to pour cider onto the roots. | 0:29:50 | 0:29:52 | |
And then, this is one I don't get, tie slices of toast | 0:29:52 | 0:29:55 | |
to the trunks of the tree. | 0:29:55 | 0:29:57 | |
That's just drunk people. | 0:29:57 | 0:29:59 | |
But the tradition is kept up in Somerset and Devon orchards today. | 0:29:59 | 0:30:02 | |
It's supposed to take place on the 12th day of Christmas, | 0:30:02 | 0:30:04 | |
but it quite often takes place on January 17th. Why would that be? | 0:30:04 | 0:30:07 | |
They got the dates wrong? I don't know, what's happening there? | 0:30:07 | 0:30:09 | |
No, it's the historical root, so it corresponds to the 12th day | 0:30:09 | 0:30:12 | |
of Christmas before the calendar was changed. | 0:30:12 | 0:30:14 | |
-It was changed in 1752. -Oh. -But orchards, hugely popular. | 0:30:14 | 0:30:18 | |
So, really beginning to proliferate in Britain in the 17th century, | 0:30:18 | 0:30:21 | |
because cider suddenly becomes popular. | 0:30:21 | 0:30:23 | |
-Oh, cider. -And that is due to the death of the English vines. | 0:30:23 | 0:30:26 | |
We forget how much wine was originally grown in England. | 0:30:26 | 0:30:28 | |
There was a little ice age of prolonged cold weather, | 0:30:28 | 0:30:31 | |
and there was a man in 1640 called Lord Scudamore, | 0:30:31 | 0:30:34 | |
and he worked out how to make cider fizzy | 0:30:34 | 0:30:36 | |
long before people in Champagne worked out how to do Champagne. | 0:30:36 | 0:30:39 | |
And the new drink was so popular that John Evelyn, a popular writer, | 0:30:39 | 0:30:42 | |
said, "All Herefordshire has become but one entire orchard." | 0:30:42 | 0:30:46 | |
But there was some danger cos the bottles used to explode, | 0:30:46 | 0:30:49 | |
and so people would bury them in sand or hang them down wells | 0:30:49 | 0:30:52 | |
to keep them cool and prevent it happening. | 0:30:52 | 0:30:54 | |
And there were vaults cut into the side of well shafts | 0:30:54 | 0:30:56 | |
specifically for storing strong cider. | 0:30:56 | 0:30:58 | |
It was unbelievably popular. And mulled cider. | 0:30:58 | 0:31:00 | |
-Has anybody ever had hot cider? Have you ever? -Hm. | 0:31:00 | 0:31:02 | |
-Oh, I love a mulled cider. -Mulled cider, yes. | 0:31:02 | 0:31:04 | |
-Beautiful, isn't it? -It's really nice. | 0:31:04 | 0:31:06 | |
-Have you seen...? STEPHEN: -Yes, Devon thing again. | 0:31:06 | 0:31:08 | |
-Yeah. -"Oh, cook it, better cook it! Hmm." | 0:31:08 | 0:31:10 | |
There was a thing called a "cider shoe," which was invented. | 0:31:12 | 0:31:15 | |
It was a shoe-shaped tumbler, | 0:31:15 | 0:31:17 | |
and you could poke the toe into the fire to warm the drink up. | 0:31:17 | 0:31:19 | |
-That's a good idea, isn't it? -It's rather fine, isn't it? | 0:31:19 | 0:31:22 | |
-They'll be inventing cupboards next for clothes, won't they? -I know. | 0:31:22 | 0:31:25 | |
Now, who stumbles into someone else's house | 0:31:25 | 0:31:28 | |
and vomits on the floor? | 0:31:28 | 0:31:30 | |
-Oh, now. -That could be... I share a house with a 17-year-old, | 0:31:30 | 0:31:33 | |
a 19-year-old, my cat's got IBS, so it could be anybody. | 0:31:33 | 0:31:36 | |
CLAXON | 0:31:36 | 0:31:38 | |
-Yeah. -Is it an urban fox? -No, although that's... | 0:31:43 | 0:31:46 | |
That's what my kids said, they had all their mates round | 0:31:46 | 0:31:48 | |
from sixth form and there was a lot of debris, | 0:31:48 | 0:31:50 | |
-and they said it was urban foxes. Was that...? -Oh, wow! | 0:31:50 | 0:31:53 | |
-What do you mean by debris? -Well... -Teenage detritus. | 0:31:53 | 0:31:56 | |
-Empty vodka bottles. -Yeah. -Oh, that, yeah. Bloody foxes, yeah. | 0:31:56 | 0:31:59 | |
-Well, we are in an animal area. -Has it got four legs? Is it furry? | 0:32:02 | 0:32:05 | |
Does it have a tail? | 0:32:05 | 0:32:07 | |
-It's a bird. -We play this game a lot in the car. -It's a bird. | 0:32:07 | 0:32:09 | |
An ostrich, an emu. | 0:32:09 | 0:32:11 | |
-A blackbird. -"Ooh-ooh." -A cuckoo. | 0:32:11 | 0:32:13 | |
-Owl. -No, that's a really shit impersonation I've done. | 0:32:13 | 0:32:16 | |
-It's an owl. -That owl looks absolutely livid about something. | 0:32:17 | 0:32:20 | |
Yeah, owls almost never build their own nests. | 0:32:20 | 0:32:24 | |
And in the case of great horned owls, they steal from other birds. | 0:32:24 | 0:32:28 | |
And one of the only contributions the owl makes | 0:32:28 | 0:32:31 | |
to the nest's construction is to vomit on the floor. | 0:32:31 | 0:32:33 | |
It regurgitates pellets of undigested food | 0:32:33 | 0:32:37 | |
and when those are trampled down, that makes | 0:32:37 | 0:32:39 | |
a rather nice, soft surface on which you can incubate your eggs. | 0:32:39 | 0:32:42 | |
Apart from that, they do nothing of domestic upkeep. | 0:32:42 | 0:32:44 | |
They live in the nest until it disintegrates and then they leave. | 0:32:44 | 0:32:47 | |
There's an interesting relationship between snakes and owls, | 0:32:47 | 0:32:50 | |
actually, because the screech owl uses real snakes for protection. | 0:32:50 | 0:32:53 | |
So, if they can, they catch what's called a blind snake, | 0:32:53 | 0:32:56 | |
so that's one of these here. | 0:32:56 | 0:32:57 | |
They're about six inches long, something like that. | 0:32:57 | 0:32:59 | |
And it brings it back to the nest, and they don't eat the snake, | 0:32:59 | 0:33:02 | |
the snake burrows down into the nest floor | 0:33:02 | 0:33:05 | |
and it feeds on all the vermin and parasites. | 0:33:05 | 0:33:07 | |
And we have no idea whether they do this intentionally, | 0:33:07 | 0:33:09 | |
or the snake just escapes before the chicks can eat it, | 0:33:09 | 0:33:12 | |
but, either way, the snake helps the baby owls to grow bigger and faster. | 0:33:12 | 0:33:15 | |
-So, it's a really nice relationship. -What else does that snake do? | 0:33:15 | 0:33:18 | |
It doesn't look good for much, to be honest, does it? | 0:33:18 | 0:33:20 | |
-STEPHEN: -It looks like it sings, doesn't it? -Yes. Yes. | 0:33:20 | 0:33:23 | |
Singing to the owl. "Hello. Hello." | 0:33:23 | 0:33:27 | |
Now, what's a little bit orange and very over-sensitive? | 0:33:29 | 0:33:33 | |
Donald Trump. | 0:33:35 | 0:33:36 | |
HOOTER, APPLAUSE | 0:33:36 | 0:33:39 | |
-Someone had to say it, didn't they?! -Cally, I might be looking at you. | 0:33:45 | 0:33:50 | |
-Something to do with being ginger. -It is to do with being red-headed. | 0:33:50 | 0:33:54 | |
So are there any particular characteristics that are | 0:33:54 | 0:33:56 | |
-more associated with redheads than...? -Fiery. -Fiery. | 0:33:56 | 0:33:59 | |
-They're fiery, aren't they? -We're very attractive. | 0:33:59 | 0:34:01 | |
-Very, very attractive. STEPHEN: -Generally translucent. | 0:34:01 | 0:34:04 | |
No, you can see, yeah, quite pale, aren't they? | 0:34:06 | 0:34:08 | |
-Pale? OK. -Yeah. -Quite pale. -Yeah. | 0:34:08 | 0:34:10 | |
The fact is multiple studies have shown | 0:34:10 | 0:34:12 | |
that redheads are more sensitive to pain than the rest of us. | 0:34:12 | 0:34:16 | |
-So, unfortunately, you are more susceptible to pain. -Do you know, | 0:34:16 | 0:34:19 | |
I think there are studies that say the opposite. I'm just saying, | 0:34:19 | 0:34:22 | |
I've also seen studies that say we've got a higher pain threshold. | 0:34:22 | 0:34:25 | |
Well, they worked out that, typically, | 0:34:25 | 0:34:26 | |
20% more anaesthetic is needed by a redhead. | 0:34:26 | 0:34:29 | |
And the way they work this out, researchers administered | 0:34:29 | 0:34:32 | |
electric shocks to redheads, while giving them | 0:34:32 | 0:34:34 | |
increasing amounts of painkiller until they stopped feeling pain. | 0:34:34 | 0:34:38 | |
And the reason is that having red hair is usually | 0:34:38 | 0:34:41 | |
caused by a mutation on a gene called MC1R. | 0:34:41 | 0:34:44 | |
And that is also involved in pain modulation. | 0:34:44 | 0:34:47 | |
And it explains why redheads are twice as likely to avoid | 0:34:47 | 0:34:50 | |
going to the dentist as the rest of us. Because you feel more pain. | 0:34:50 | 0:34:53 | |
I don't believe any of this. I don't want to cry in the face of QI, | 0:34:53 | 0:34:57 | |
but, no, I don't believe it. | 0:34:57 | 0:34:58 | |
Fair enough. Where do you think the most common red-hair gene | 0:34:58 | 0:35:01 | |
first appeared in the world? Where does it come from? | 0:35:01 | 0:35:04 | |
-Scotland. -Ireland. | 0:35:04 | 0:35:06 | |
HOOTER | 0:35:06 | 0:35:08 | |
I think... | 0:35:08 | 0:35:10 | |
It's got to be Scotland. | 0:35:11 | 0:35:13 | |
-Scandinavia. -No, it isn't - it's Asia, in fact. It's Central Asia. | 0:35:13 | 0:35:16 | |
-So, 20,000... -What?! -..or maybe 100,000, years ago. | 0:35:16 | 0:35:18 | |
It only really took off when it reached the colder, | 0:35:18 | 0:35:20 | |
darker places, like northern Europe, probably because, and you're going | 0:35:20 | 0:35:23 | |
to dispute this as well, redheads produce vitamin D more efficiently. | 0:35:23 | 0:35:26 | |
So, they can make better use of the limited sunlight. | 0:35:26 | 0:35:29 | |
Oh, I'm sure that's correct. | 0:35:29 | 0:35:32 | |
But it's very common in various parts of the UK. Why do you think that might be? | 0:35:32 | 0:35:35 | |
-Surely it's the lack of sun. -Yeah, it's got to be the climate. | 0:35:35 | 0:35:37 | |
In places like Scotland. | 0:35:37 | 0:35:39 | |
I mean, look at our Scottish cousins, but their skin isn't just | 0:35:39 | 0:35:42 | |
sheet-white from the lack of sun, but their hair has turned red, | 0:35:42 | 0:35:44 | |
as it attempts to start its own fire for warmth. | 0:35:44 | 0:35:47 | |
LAUGHTER, APPLAUSE | 0:35:49 | 0:35:52 | |
Is it about people desperately wanting to procreate | 0:35:55 | 0:35:57 | |
with other ginger people, because we're so deeply attractive? | 0:35:57 | 0:36:01 | |
STEPHEN ROARS WITH LAUGHTER It's, the fact is... | 0:36:01 | 0:36:04 | |
-Sorry. -The fact is, it's a recessive gene, | 0:36:05 | 0:36:08 | |
so it excels in relatively closed communities, I'm afraid. | 0:36:08 | 0:36:12 | |
-Oh. -It requires a level of inbreeding. | 0:36:12 | 0:36:14 | |
We're from Dorset and Devon, thank you very much! | 0:36:14 | 0:36:17 | |
Honestly, it requires a level of in-breeding. | 0:36:17 | 0:36:20 | |
-That's the truth. -My friend, she's got red hair | 0:36:20 | 0:36:23 | |
and she went on holiday to the Philippines, and people were | 0:36:23 | 0:36:27 | |
stopping her in the street to have their photo taken with her. | 0:36:27 | 0:36:31 | |
-Because they just love... -They just couldn't believe that she existed. | 0:36:31 | 0:36:34 | |
Like she was a celebrity. | 0:36:35 | 0:36:37 | |
I was in mainland China for the first time ever, doing gigs, | 0:36:37 | 0:36:40 | |
and I could not tell you how many people stopped me | 0:36:40 | 0:36:43 | |
in the street, asking to take a selfie with me, right? | 0:36:43 | 0:36:45 | |
I mean, it was as though they'd never ever seen a tall person before. | 0:36:45 | 0:36:49 | |
So, can you imagine if I was ginger as well? | 0:36:52 | 0:36:54 | |
They'd be carrying me out of the building! | 0:36:54 | 0:36:57 | |
Obviously I don't speak Mandarin or Cantonese, I'm in a packed lift | 0:36:58 | 0:37:01 | |
in China, all these people - I'm not even joking - | 0:37:01 | 0:37:03 | |
the only phrase I could decipher was this... | 0:37:03 | 0:37:06 | |
"..pube-head." | 0:37:06 | 0:37:08 | |
You absolutely need to put that on your posters. | 0:37:11 | 0:37:14 | |
I think that should be... | 0:37:14 | 0:37:16 | |
Now for the oddly shambolic omnishambles that we call | 0:37:17 | 0:37:20 | |
General Ignorance. | 0:37:20 | 0:37:21 | |
Fingers on buzzers, please. What did the Nazis call this? | 0:37:21 | 0:37:25 | |
-Um... -Aaah... | 0:37:25 | 0:37:28 | |
Aah. Who's going to go for it? | 0:37:29 | 0:37:31 | |
Stephen? | 0:37:31 | 0:37:32 | |
The future. | 0:37:32 | 0:37:33 | |
LAUGHTER, APPLAUSE | 0:37:33 | 0:37:36 | |
Not... I'm told they didn't call it a swastika. | 0:37:42 | 0:37:44 | |
They did not call it the swastika. | 0:37:44 | 0:37:46 | |
They called it the Hakenkreuz. It's the German for "hooked cross," | 0:37:46 | 0:37:49 | |
and in Germany, in fact, it's still referred to, except when discussing | 0:37:49 | 0:37:52 | |
it in a neo-Nazi context, in which case it's called the swastika. | 0:37:52 | 0:37:55 | |
But Hitler was mad for it. | 0:37:55 | 0:37:56 | |
And after his party adopted the swastika, he actually | 0:37:56 | 0:37:59 | |
changed his signature to S Hitler, | 0:37:59 | 0:38:01 | |
because the shape of the S mimicked... | 0:38:01 | 0:38:03 | |
There, you can see there, it mimicked the shape of the swastika. | 0:38:03 | 0:38:06 | |
-Sadolf. -Yes, Sadolf. | 0:38:06 | 0:38:08 | |
Sadolf Shitler. | 0:38:09 | 0:38:12 | |
LAUGHTER, APPLAUSE | 0:38:12 | 0:38:14 | |
Anyway, who was the last monarch to be crowned | 0:38:19 | 0:38:23 | |
at the abbey in Westminster? | 0:38:23 | 0:38:25 | |
Has there been one since the Queen? | 0:38:26 | 0:38:29 | |
HOOTER | 0:38:29 | 0:38:32 | |
-That's wrong, then, is it? -So it's not her. -Not her. | 0:38:32 | 0:38:34 | |
-So it's not her. -Oh, was it Queen Latifah? | 0:38:34 | 0:38:36 | |
Here's the thing, it's not actually an abbey. | 0:38:40 | 0:38:43 | |
And that is what makes it a trick question. | 0:38:43 | 0:38:46 | |
So, Henry VIII is the answer, | 0:38:46 | 0:38:47 | |
because since his dissolution of the monasteries, it is | 0:38:47 | 0:38:49 | |
no longer technically an abbey, so if it's not an abbey, it's a...? | 0:38:49 | 0:38:53 | |
-Church. -It's called a Royal Peculiar. | 0:38:53 | 0:38:56 | |
-A Royal Peculiar. -It's called a Royal Peculiar. | 0:38:56 | 0:38:58 | |
So, it's a church subject to the direct jurisdiction of the monarch. | 0:38:58 | 0:39:01 | |
And although Henry VIII officially did make it a cathedral | 0:39:01 | 0:39:04 | |
by charter in 1540, it was Elizabeth who made it into a Royal Peculiar. | 0:39:04 | 0:39:08 | |
And that is what it is today. | 0:39:08 | 0:39:09 | |
It's the Collegiate Church of St Peter at Westminster. | 0:39:09 | 0:39:12 | |
Did you know, it's home to the oldest stuffed parrot in the world? | 0:39:12 | 0:39:16 | |
It was an African Grey that belonged to the Duchess of Richmond. | 0:39:16 | 0:39:20 | |
It died within days of its owner, in 1702. | 0:39:20 | 0:39:24 | |
And it was placed on a perch next to a model of the Duchess. | 0:39:24 | 0:39:27 | |
And they have remained together ever since. But they're in | 0:39:27 | 0:39:29 | |
-the building's attic. -You don't see that in Madame Tussauds, do you? | 0:39:29 | 0:39:32 | |
You do not, and you should, frankly. | 0:39:32 | 0:39:34 | |
There is one person buried in Westminster Abbey standing up. | 0:39:34 | 0:39:36 | |
-Anybody know who that is? -A William? -No, it's in Poet's Corner. | 0:39:36 | 0:39:40 | |
Queen Latifah. | 0:39:40 | 0:39:42 | |
No, it's Ben Johnson. | 0:39:43 | 0:39:45 | |
He was England's very first Poet Laureate, | 0:39:45 | 0:39:47 | |
but, despite that, he died very, very poor. | 0:39:47 | 0:39:49 | |
And you had to be able to buy the space, | 0:39:49 | 0:39:50 | |
so you needed a six foot long space. | 0:39:50 | 0:39:52 | |
He didn't have that much money, so he bought a two foot square | 0:39:52 | 0:39:55 | |
piece of floor space and was buried standing up. | 0:39:55 | 0:39:57 | |
-They just dropped him in it? -They dropped him in it, yeah, absolutely. | 0:39:57 | 0:40:00 | |
Headfirst or feet first? Hopefully feet first. | 0:40:00 | 0:40:02 | |
-I would imagine feet first. -Don't know, he's dead, mate. -Yeah. | 0:40:02 | 0:40:05 | |
But Henry VIII's dissolution of the monasteries, | 0:40:05 | 0:40:07 | |
as well as changing the status of Westminster, | 0:40:07 | 0:40:09 | |
it also meant that we hardly have any physical record of Old English | 0:40:09 | 0:40:12 | |
left whatsoever, because he destroyed most of the texts. | 0:40:12 | 0:40:15 | |
All of the surviving Old English poems, including Beowulf, | 0:40:15 | 0:40:18 | |
could fit in an average cardboard box. | 0:40:18 | 0:40:21 | |
That's all that we have left, because it was all got rid of. | 0:40:21 | 0:40:24 | |
Westminster Abbey is not an abbey, peculiarly enough, it's a Peculiar. | 0:40:24 | 0:40:29 | |
How many species of camel are there? | 0:40:29 | 0:40:32 | |
Two. | 0:40:33 | 0:40:35 | |
HOOTER | 0:40:35 | 0:40:37 | |
-More than that...? -More than that. Yes. | 0:40:40 | 0:40:43 | |
We used to think it was two, so Carl Linnaeus, | 0:40:43 | 0:40:45 | |
he named the dromedaries and the domestic Bactrians, back in 1758. | 0:40:45 | 0:40:49 | |
120 years later, the Russian geographer | 0:40:49 | 0:40:52 | |
Nikolay Przhevalsky, discovered wild Bactrians. | 0:40:52 | 0:40:55 | |
So, the truth is that there are actually three of them. | 0:40:55 | 0:40:58 | |
They used to think wild Bactrians were | 0:40:58 | 0:41:00 | |
a subspecies of the Bactrians, but we now know from recent DNA analysis | 0:41:00 | 0:41:03 | |
they're a totally different species. | 0:41:03 | 0:41:05 | |
-Beautiful, aren't they? -Aren't they stunning? I think they ARE stunning! | 0:41:05 | 0:41:09 | |
Who was it said a camel is a horse designed by committee? | 0:41:09 | 0:41:13 | |
Have you been on a camel ride? | 0:41:14 | 0:41:16 | |
-I have. -It's glorious. | 0:41:16 | 0:41:17 | |
I have been on a camel ride. It doesn't go well. | 0:41:17 | 0:41:20 | |
Oh. | 0:41:20 | 0:41:22 | |
I did a... I did a magic show once, where I was asked | 0:41:22 | 0:41:25 | |
to "magically" appear on a camel. | 0:41:25 | 0:41:28 | |
And you know my feelings of beasts like this. | 0:41:28 | 0:41:30 | |
-Hm. CALLY: -Why did you point at me when you said that? | 0:41:30 | 0:41:33 | |
Don't, she's very sensitive to pain! | 0:41:34 | 0:41:37 | |
And it was one of those one-hump ones. | 0:41:37 | 0:41:39 | |
I'm not sure - what's the big difference | 0:41:39 | 0:41:41 | |
between the two humps and the one hump? | 0:41:41 | 0:41:43 | |
-It's the number of humps. -Is that it? | 0:41:43 | 0:41:45 | |
LAUGHTER, APPLAUSE | 0:41:45 | 0:41:49 | |
-OK, so I was on the one with the one hump. -Right. | 0:41:51 | 0:41:54 | |
-And they put this sort of square seat on the hump. -Yeah. | 0:41:54 | 0:41:57 | |
-I'm like, "How am I going to get on the hump?" -Yeah. | 0:41:57 | 0:42:00 | |
And I had to have a man... and give me one of those, like... | 0:42:00 | 0:42:02 | |
-But you get a ladder. -They don't like it. -No. | 0:42:02 | 0:42:04 | |
-They don't want you on their backs! -And they turn around and look at you | 0:42:04 | 0:42:07 | |
with their faces, like... | 0:42:07 | 0:42:08 | |
It's too much. | 0:42:11 | 0:42:12 | |
There's a couple of them in London Zoo | 0:42:12 | 0:42:14 | |
and they're great big things, and they look at you with contempt. | 0:42:14 | 0:42:17 | |
You know, "What, are you back again?" "I'm a member, all right?! | 0:42:17 | 0:42:20 | |
"I've got a family membership. | 0:42:22 | 0:42:24 | |
"So, why don't you just, for once, just change your whole attitude?" | 0:42:24 | 0:42:27 | |
"I don't like you. I don't like you." | 0:42:27 | 0:42:29 | |
There are three species of camel, | 0:42:29 | 0:42:31 | |
but sadly, the third doesn't have three humps. | 0:42:31 | 0:42:33 | |
Which brings us to the scores. | 0:42:33 | 0:42:34 | |
This week's winner, | 0:42:34 | 0:42:36 | |
with minus 12, it's Josh. | 0:42:36 | 0:42:38 | |
APPLAUSE AND CHEERING | 0:42:38 | 0:42:40 | |
In second place, with a magnificent debut, | 0:42:43 | 0:42:45 | |
minus 14, Cally. | 0:42:45 | 0:42:47 | |
APPLAUSE AND CHEERING | 0:42:47 | 0:42:49 | |
Third place, minus 18, | 0:42:53 | 0:42:55 | |
Stephen. APPLAUSE AND CHEERING | 0:42:55 | 0:42:57 | |
And, with a truly marvellous minus 69, Alan. | 0:42:59 | 0:43:04 | |
APPLAUSE AND CHEERING | 0:43:04 | 0:43:06 | |
So, Josh takes home this week's objectionable object prize, | 0:43:12 | 0:43:15 | |
which is this hilarious comedy eyeball. | 0:43:15 | 0:43:18 | |
There you go, there you go, fantastic. | 0:43:18 | 0:43:20 | |
APPLAUSE AND CHEERING | 0:43:20 | 0:43:22 | |
So, it's thanks to Cally, Josh, Stephen and Alan, | 0:43:22 | 0:43:24 | |
and I leave you with this advice from La Code Gourmand, | 0:43:24 | 0:43:28 | |
a book of etiquette written in 1828. | 0:43:28 | 0:43:30 | |
"When you are seated next to a lady, | 0:43:30 | 0:43:32 | |
"you should be only polite during the first course. | 0:43:32 | 0:43:34 | |
"You may be gallant in the second, | 0:43:34 | 0:43:36 | |
"but you must not be tender till the dessert. | 0:43:36 | 0:43:38 | |
"When you have the misfortune to sit next to a child, | 0:43:38 | 0:43:41 | |
"your only plan is to make him drunk as soon as possible." | 0:43:41 | 0:43:44 | |
Goodnight. | 0:43:44 | 0:43:45 | |
APPLAUSE AND CHEERING | 0:43:45 | 0:43:48 |