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APPLAUSE | 0:00:25 | 0:00:26 | |
Hey, good evening. | 0:00:30 | 0:00:32 | |
Welcome to QI, | 0:00:33 | 0:00:35 | |
for a show which is an overwhelming O-ssortment of operations. | 0:00:35 | 0:00:40 | |
And joining me in my theatre team are, Dr No, Bill Bailey. | 0:00:40 | 0:00:44 | |
CHEERING AND APPLAUSE | 0:00:44 | 0:00:46 | |
Dr Who, Rhod Gilbert. | 0:00:49 | 0:00:50 | |
CHEERING AND APPLAUSE | 0:00:50 | 0:00:52 | |
Dr Doolittle, Katherine Ryan. | 0:00:55 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:00:58 | |
And... | 0:01:01 | 0:01:02 | |
"Doctor, Doctor, I think I'm a pair of curtains", Alan Davies. | 0:01:02 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:07 | |
-Pull yourself together. -Pull yourself together. | 0:01:07 | 0:01:09 | |
Right, let's see how the patient's doing. Rhod goes... | 0:01:10 | 0:01:13 | |
FLAT-LINING HEART MONITOR BEEP | 0:01:13 | 0:01:16 | |
LAUGHTER | 0:01:16 | 0:01:18 | |
Oh, that's bad, we've lost one already. OK, Katherine goes... | 0:01:18 | 0:01:21 | |
REGULAR HEART MONITOR BEEP | 0:01:21 | 0:01:23 | |
Oh, that's better, that's much better. Yes. | 0:01:23 | 0:01:25 | |
OK. Bill goes... RAPID HEART MONITOR BEEP | 0:01:25 | 0:01:27 | |
Wow, that's... And Alan goes... | 0:01:27 | 0:01:30 | |
BEEP | 0:01:30 | 0:01:31 | |
Vehicle reversing. Vehicle reversing. | 0:01:31 | 0:01:33 | |
Vehicle reversing... | 0:01:33 | 0:01:34 | |
-They're so loud, some of those trucks. -They are! | 0:01:38 | 0:01:40 | |
I was about 50 yards away | 0:01:40 | 0:01:42 | |
and it was going, "This truck is turning left!" | 0:01:42 | 0:01:45 | |
"It's turning left!" And it wasn't. | 0:01:45 | 0:01:47 | |
I know, it's annoying. | 0:01:47 | 0:01:48 | |
Right, let's start with a special operation. | 0:01:48 | 0:01:51 | |
How can you turn a muffin into an offensive weapon? | 0:01:51 | 0:01:56 | |
I have muffins for you all. | 0:01:56 | 0:01:57 | |
There you are, there's some muffins, help yourselves. | 0:01:57 | 0:02:00 | |
Douse it in petrol. | 0:02:00 | 0:02:01 | |
-OK. -I don't know, just chuck it at someone? | 0:02:01 | 0:02:03 | |
Chuck it at somebody? Rhod, what do you reckon? | 0:02:03 | 0:02:05 | |
Turning a muffin into some kind of offensive weapon? | 0:02:05 | 0:02:08 | |
Just remove the "may contain nuts" label from it. | 0:02:08 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:12 | |
Yeah. We're in World War II. | 0:02:13 | 0:02:15 | |
You drop it out of a plane. | 0:02:15 | 0:02:17 | |
Just a single muffin? | 0:02:17 | 0:02:18 | |
A muffin. | 0:02:18 | 0:02:20 | |
"That'll teach you, Germans! Yeah." | 0:02:20 | 0:02:22 | |
"Argh, it's got me in the eye!" | 0:02:22 | 0:02:24 | |
Was it poisoned, was it presented to Hitler? | 0:02:24 | 0:02:27 | |
"Oh, there you go, obst und mein Fuhrer." | 0:02:27 | 0:02:29 | |
It is the most bizarre thing, Bill. | 0:02:29 | 0:02:31 | |
During World War II, flour mix was invented | 0:02:31 | 0:02:34 | |
that could either be eaten or used as an explosive. | 0:02:34 | 0:02:37 | |
LAUGHTER | 0:02:37 | 0:02:39 | |
And, yeah, so the mix was invented by the Office of Strategic Services, | 0:02:39 | 0:02:42 | |
so that's the CIA's parent organisation. | 0:02:42 | 0:02:44 | |
Wow. | 0:02:44 | 0:02:45 | |
It consisted of 75% explosive powder and 25% ordinary wheat flour, | 0:02:45 | 0:02:48 | |
which is the way I like my muffins. | 0:02:48 | 0:02:50 | |
LAUGHTER | 0:02:50 | 0:02:51 | |
And if the holder was challenged, | 0:02:51 | 0:02:52 | |
it could either be eaten, or you could blow somebody up. | 0:02:52 | 0:02:55 | |
-So the early versions made you quite ill. -No shit! | 0:02:55 | 0:02:57 | |
-Yeah. -Yeah. I think that was part of the problem. -Yes, yes. | 0:02:57 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
But, later versions, they made it fully edible | 0:03:02 | 0:03:04 | |
and it didn't matter whether you had made the flour into a cake. | 0:03:04 | 0:03:06 | |
You could stick a fuse into a muffin and it would still blow up. | 0:03:06 | 0:03:09 | |
Have you ever done that thing of making an exploding cake | 0:03:09 | 0:03:11 | |
for a children's birthday party? | 0:03:11 | 0:03:13 | |
It's very naughty, but it's terribly funny. | 0:03:13 | 0:03:15 | |
-And potentially fatal. -Yes. | 0:03:15 | 0:03:17 | |
LAUGHTER | 0:03:17 | 0:03:18 | |
You make a totally hollow cake and then you stick a balloon | 0:03:18 | 0:03:20 | |
in the middle and then you ice the whole thing | 0:03:20 | 0:03:22 | |
and when they cut into it, it goes, boom! | 0:03:22 | 0:03:24 | |
LAUGHTER | 0:03:24 | 0:03:26 | |
-A very good idea. -That's a good trick, isn't it? | 0:03:26 | 0:03:28 | |
-I'm very, very pleased with it. -That's a brilliant idea, yes. | 0:03:28 | 0:03:31 | |
And there were all sorts of things disguised in World War II | 0:03:31 | 0:03:33 | |
-so that the British sabotage outfit, which was the S... -SOE. | 0:03:33 | 0:03:37 | |
Special Operations Executive. | 0:03:37 | 0:03:39 | |
Because they were in the North African Desert, | 0:03:39 | 0:03:41 | |
they invented exploding camel dung, | 0:03:41 | 0:03:43 | |
and they also smuggled explosives into occupied Europe | 0:03:43 | 0:03:46 | |
inside artificial turnips, lumps of coal, crabs, lobsters and tuna fish. | 0:03:46 | 0:03:50 | |
Of course, the Germans had it, as well, | 0:03:50 | 0:03:52 | |
they had bombs that were disguised as a chocolate bar. | 0:03:52 | 0:03:54 | |
They had a mess tin full of bangers and mash, | 0:03:54 | 0:03:56 | |
which in fact was exploding. | 0:03:56 | 0:03:57 | |
Irresistible to the British Tommy! | 0:03:57 | 0:03:59 | |
LAUGHTER | 0:03:59 | 0:04:01 | |
"We jolly well shouldn't eat this, Roger." | 0:04:02 | 0:04:04 | |
"You're right, we shouldn't eat it." | 0:04:04 | 0:04:06 | |
"Enjoying your breakfast, Tommy?" "Yes, thank you." Boom! | 0:04:06 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:10 | |
And bombs were sometimes left in books | 0:04:10 | 0:04:12 | |
and were triggered by the removal of a picture | 0:04:12 | 0:04:15 | |
of a scantily-clad woman! | 0:04:15 | 0:04:17 | |
COMEDIC GASPS | 0:04:17 | 0:04:18 | |
"Don't remove the picture, Roger." "I can't resist her." | 0:04:18 | 0:04:21 | |
Can't resist her. | 0:04:21 | 0:04:22 | |
LAUGHTER | 0:04:22 | 0:04:24 | |
In 1942, an SOE agent by the name of Monty Woodhouse, he parachuted | 0:04:24 | 0:04:28 | |
into Greece to blow up a viaduct called the Gorgopotamos viaduct. | 0:04:28 | 0:04:32 | |
And when he got there, unfortunately, | 0:04:32 | 0:04:34 | |
some local children thought his plastic explosive was fudge | 0:04:34 | 0:04:38 | |
and made themselves sick eating it. | 0:04:38 | 0:04:40 | |
And the bit I like about the story, he writes about it as, | 0:04:40 | 0:04:43 | |
"Thankfully, there was enough left over to still blow up the bridge." | 0:04:43 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:47 | |
That's the kind of thing you'd take to a children's party, | 0:04:47 | 0:04:49 | |
-frankly. -Yes, yes. | 0:04:49 | 0:04:51 | |
Here, children, fudge, help yourselves, enjoy. | 0:04:51 | 0:04:53 | |
Lots of SOE agents were dropped into Europe covered in Vaseline - | 0:04:53 | 0:04:57 | |
anybody know why? | 0:04:57 | 0:04:58 | |
LAUGHTER | 0:04:59 | 0:05:01 | |
Where do you want us to take this? | 0:05:01 | 0:05:03 | |
The door of innuendo has been opened. | 0:05:05 | 0:05:06 | |
All the clothes that the SOE had made for them | 0:05:09 | 0:05:11 | |
when they went in to Europe had to be in the European styles | 0:05:11 | 0:05:14 | |
and new clothes were very rare in Germany at the time, | 0:05:14 | 0:05:16 | |
so they were artificially aged by the SOE tailors, | 0:05:16 | 0:05:18 | |
and the way they did that, they would wear them | 0:05:18 | 0:05:20 | |
at home for a week and then they would smear | 0:05:20 | 0:05:22 | |
the suits in a thin film of Vaseline and then sandpaper them. | 0:05:22 | 0:05:25 | |
So it was just the suits they smothered in Vaseline? | 0:05:25 | 0:05:27 | |
-Yes, not the actual... -You led us down a merry road there, didn't you? | 0:05:27 | 0:05:30 | |
And that, I think you'll find, Rhod, is my job. | 0:05:30 | 0:05:32 | |
These two different armies flying down together | 0:05:34 | 0:05:36 | |
with their different-shaped parachutes... | 0:05:36 | 0:05:38 | |
They don't look like parachutes, they look like Quavers, don't they? | 0:05:38 | 0:05:41 | |
They are Quavers. | 0:05:41 | 0:05:42 | |
-That's what the Quaver started out as. -As a parachute? | 0:05:43 | 0:05:46 | |
-As an exploding crisp. -Oh. | 0:05:46 | 0:05:49 | |
-One of those has got their landing techniques wrong. -In what way? | 0:05:49 | 0:05:53 | |
Well, they can't both work. | 0:05:53 | 0:05:55 | |
One's gone feet together, one's gone akimbo. | 0:05:57 | 0:05:59 | |
I don't think health and safety was paramount back then. | 0:05:59 | 0:06:02 | |
I mean, that just looks like a bed sheet. | 0:06:02 | 0:06:04 | |
Health and safety was chronically neglected during the war. | 0:06:04 | 0:06:07 | |
I think that. | 0:06:07 | 0:06:08 | |
LAUGHTER | 0:06:08 | 0:06:10 | |
Many things went on that were totally unacceptable. | 0:06:11 | 0:06:14 | |
The streetlights were out the whole time... | 0:06:14 | 0:06:16 | |
-You'd bump into things, wouldn't you? -You'd bump into things. | 0:06:16 | 0:06:19 | |
Stub your toe. | 0:06:19 | 0:06:20 | |
It doesn't look much of an invading force, does it? | 0:06:22 | 0:06:24 | |
-It's not the most terrifying force. -It's just Roger and Tom, isn't it? | 0:06:24 | 0:06:28 | |
Anyone that spots you, it doesn't matter. | 0:06:28 | 0:06:30 | |
LAUGHTER | 0:06:30 | 0:06:33 | |
OK, muffins away, which is not something I've ever said before. | 0:06:33 | 0:06:37 | |
I might have mine after. | 0:06:37 | 0:06:39 | |
I'm about to carry out an operation. | 0:06:39 | 0:06:42 | |
What's the first question I should ask myself? | 0:06:42 | 0:06:45 | |
LAUGHTER | 0:06:45 | 0:06:47 | |
Is there a balloon in the patient? | 0:06:47 | 0:06:48 | |
LAUGHTER | 0:06:48 | 0:06:50 | |
Should I have taken all these selfies with the sleeping patient? | 0:06:50 | 0:06:53 | |
LAUGHTER | 0:06:53 | 0:06:54 | |
Am I sober? | 0:06:54 | 0:06:56 | |
Yes. Where am I? | 0:06:56 | 0:06:58 | |
Should I at least have a quick look on Wikihow? | 0:06:58 | 0:07:00 | |
LAUGHTER | 0:07:02 | 0:07:03 | |
So, there's a list of questions. | 0:07:03 | 0:07:06 | |
-Is there? An official list? -There's a list of questions. | 0:07:06 | 0:07:08 | |
The first thing you have to ask yourself is, | 0:07:08 | 0:07:10 | |
do we have the right patient? | 0:07:10 | 0:07:12 | |
-Do we have the right patient? -Is the very first question. | 0:07:12 | 0:07:15 | |
Make sure you know which bit of the body | 0:07:15 | 0:07:17 | |
you are going to be operating on. | 0:07:17 | 0:07:19 | |
-I thought "location" meant am I in the hospital? -Yeah. -Yes. | 0:07:19 | 0:07:22 | |
I'm in the shed with the pliers, is this best practice? | 0:07:22 | 0:07:25 | |
LAUGHTER | 0:07:25 | 0:07:26 | |
If it had said "identity" and then "location, location, location". | 0:07:26 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:31 | |
What are we doing in that location? | 0:07:31 | 0:07:33 | |
In other words, what is the procedure that we're going to do? | 0:07:33 | 0:07:35 | |
And did the patient, before they were conked-out, | 0:07:35 | 0:07:37 | |
say that it was OK to do this? | 0:07:37 | 0:07:39 | |
-Ah. -So these are the things. -It's really basic stuff, this. -Yeah. | 0:07:39 | 0:07:42 | |
I thought our surgeons were kind of ahead of this stuff. | 0:07:42 | 0:07:44 | |
That's the extraordinary thing. 2008, the World Health Organization, | 0:07:44 | 0:07:47 | |
they composed a set of 19 questions to be asked before | 0:07:47 | 0:07:50 | |
and after all surgical operations to reduce hospital errors. | 0:07:50 | 0:07:54 | |
And it's called the Safe Surgery checklist. | 0:07:54 | 0:07:56 | |
And it sounds really simple | 0:07:56 | 0:07:57 | |
but the use of this checklist has reduced deaths by 40%... | 0:07:57 | 0:08:01 | |
Oh, no! | 0:08:01 | 0:08:04 | |
..and complications by one third. | 0:08:04 | 0:08:05 | |
So is that the... So before all these checks then, | 0:08:05 | 0:08:08 | |
were there just surgeons just going, "Right, bring him in!" | 0:08:08 | 0:08:11 | |
Yeah, yeah. | 0:08:11 | 0:08:12 | |
LAUGHTER | 0:08:12 | 0:08:14 | |
"Right, all done! Right, come on." | 0:08:14 | 0:08:15 | |
"Let's just tuck in, come on!" | 0:08:15 | 0:08:17 | |
"He looks like he could have his leg off." | 0:08:17 | 0:08:19 | |
"Come on. Next!" | 0:08:19 | 0:08:20 | |
"My leg! My leg! And you've left the poisonous arm!" | 0:08:22 | 0:08:26 | |
LAUGHTER | 0:08:26 | 0:08:28 | |
What about when you have your leg cut off and then you still | 0:08:28 | 0:08:30 | |
-feel like you've got an itchy foot, even though it's been cut off? -Yes. | 0:08:30 | 0:08:34 | |
-Phantom leg itch. -Yes. | 0:08:34 | 0:08:36 | |
What about if you get that with two legs, | 0:08:36 | 0:08:38 | |
and you've got a phantom third leg? | 0:08:38 | 0:08:40 | |
That's what every boy thinks he's got. | 0:08:43 | 0:08:45 | |
LAUGHTER | 0:08:45 | 0:08:46 | |
The strangest thing is when people have heart surgery or something | 0:08:46 | 0:08:49 | |
and they've never liked Chinese food before and they wake up | 0:08:49 | 0:08:52 | |
and they love Chinese food and discover that the person | 0:08:52 | 0:08:54 | |
whose heart they've been given really liked Chinese food. | 0:08:54 | 0:08:57 | |
-Oh, is that true? -So they say. -Who says that? -So they say. | 0:08:57 | 0:08:59 | |
People who've had heart surgery who didn't like Chinese before, | 0:08:59 | 0:09:02 | |
those people. | 0:09:02 | 0:09:04 | |
It's a very niche group. | 0:09:04 | 0:09:06 | |
The really weird one, the woman who had a bang on the head | 0:09:06 | 0:09:08 | |
-and when she woke up she could speak French. -Yes. | 0:09:08 | 0:09:10 | |
Yes, and why don't they just do that anyway, for all of us? | 0:09:10 | 0:09:13 | |
Cos it was very boring, learning French at school. | 0:09:13 | 0:09:15 | |
-Yeah. -It's not guaranteed to work, I don't think. | 0:09:15 | 0:09:18 | |
It's unpredictable, that's the problem with it, | 0:09:18 | 0:09:21 | |
as an educational tool. | 0:09:21 | 0:09:23 | |
-Did you speak French in Canada? -Yeah. | 0:09:23 | 0:09:25 | |
But the way that I learned French is that my parents, I think as a prank, | 0:09:25 | 0:09:30 | |
just put me into an all-French school when I was four years old. | 0:09:30 | 0:09:32 | |
They didn't speak a word of French. | 0:09:32 | 0:09:34 | |
My dad's from Ireland, so he barely speaks English. | 0:09:36 | 0:09:40 | |
My mum's Canadian, they put me in this all-French school, and | 0:09:40 | 0:09:43 | |
I vividly member coming home that day being like, "What's going on out there?" | 0:09:43 | 0:09:47 | |
Thinking the whole world was this other language. | 0:09:47 | 0:09:50 | |
And they wouldn't answer you in English. | 0:09:50 | 0:09:52 | |
But what my parents didn't really account for is | 0:09:52 | 0:09:54 | |
I had two sisters after me and we all went to that school. | 0:09:54 | 0:09:57 | |
They gifted us a secret language. | 0:09:57 | 0:10:01 | |
All our teenagehood we could make plans right in front of them. | 0:10:01 | 0:10:04 | |
Of course, cos they didn't speak... That's a marvellous idea. | 0:10:04 | 0:10:06 | |
"Lorsqu'ils sortent, on va avoir le party?" | 0:10:06 | 0:10:08 | |
We could do anything we wanted right under their nose. | 0:10:08 | 0:10:12 | |
-I mean, we didn't. -No. -Obviously. | 0:10:12 | 0:10:15 | |
One surgeon who had no problem identifying the patient whatsoever | 0:10:15 | 0:10:18 | |
was a Soviet surgeon called Leonid Rogozov. | 0:10:18 | 0:10:20 | |
So he realised he had appendicitis, but he was visiting | 0:10:20 | 0:10:23 | |
the Antarctic, so he had no choice but to operate on himself. | 0:10:23 | 0:10:27 | |
-Oof! -So he described the pain as... | 0:10:27 | 0:10:31 | |
"A snowstorm whipping through my soul, wailing like 100 jackals." | 0:10:31 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:38 | |
I think he wrote that long after he was better | 0:10:38 | 0:10:40 | |
because I don't think you're going to come out with that sentence | 0:10:40 | 0:10:43 | |
-while you're... -"What's it feel like, Leonid?" | 0:10:43 | 0:10:45 | |
"It feels like a snow storm whipping through..." | 0:10:45 | 0:10:48 | |
So, he got two assistants to hold a mirror for him, | 0:10:48 | 0:10:50 | |
and he gave them instructions what to do if he lost consciousness. | 0:10:50 | 0:10:53 | |
"Not my face, you idiots!" | 0:10:53 | 0:10:55 | |
LAUGHTER | 0:10:55 | 0:10:57 | |
He worked on himself for an hour and 45 minutes, | 0:10:57 | 0:10:59 | |
and he was back at work within a fortnight. | 0:10:59 | 0:11:01 | |
He worked on himself for an hour and 45... | 0:11:01 | 0:11:03 | |
-LAUGHTER -Sorry, sorry, sorry. | 0:11:03 | 0:11:05 | |
Well, it's that kind of thought, Rhod, | 0:11:05 | 0:11:08 | |
that led a man called Boston Corbett to perform self-surgery. | 0:11:08 | 0:11:12 | |
Here is Boston Corbett. | 0:11:12 | 0:11:13 | |
He is famous in history as the man | 0:11:13 | 0:11:15 | |
who killed Abraham Lincoln's assassin, John Wilkes Booth. | 0:11:15 | 0:11:19 | |
But he believed that he was very tempted by ladies, and that he | 0:11:19 | 0:11:23 | |
didn't like this, so he castrated himself with a pair of scissors. | 0:11:23 | 0:11:27 | |
-Ooh! -GASPS | 0:11:27 | 0:11:29 | |
Oh, good action, good action from the audience there. | 0:11:29 | 0:11:31 | |
In order to avoid temptation of prostitutes... | 0:11:31 | 0:11:33 | |
He cut his own testicles off with a scissors | 0:11:33 | 0:11:35 | |
to avoid the temptation of... | 0:11:35 | 0:11:36 | |
-Yes. -Why didn't he just walk down a different street? -Yes. | 0:11:36 | 0:11:39 | |
LAUGHTER | 0:11:39 | 0:11:41 | |
He was... I don't know how to put this nicely. It was religious craziness. | 0:11:41 | 0:11:44 | |
He thought that eunuchs were more likely to get into heaven. | 0:11:44 | 0:11:47 | |
-Oh, my word! -I like him, I wish more men would take this path. | 0:11:47 | 0:11:51 | |
Every house has got scissors. | 0:11:51 | 0:11:53 | |
LAUGHTER | 0:11:53 | 0:11:54 | |
They say that delivering a child hurts as much as having | 0:11:54 | 0:11:59 | |
your leg amputated at the thigh without any pain relief. | 0:11:59 | 0:12:03 | |
Who has been through those two things that could tell? | 0:12:03 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:08 | |
-BILL: -That's unlucky. That's a bad day, isn't it? | 0:12:08 | 0:12:11 | |
Possibly the least professional surgeon of all time | 0:12:11 | 0:12:13 | |
is a man called Nicolas-Marie-Alexandre Vattemare. | 0:12:13 | 0:12:15 | |
He lived between 1796 and 1864. | 0:12:15 | 0:12:19 | |
-Hang on a minute. -OK, so... -That is terrible plastic surgery. | 0:12:19 | 0:12:24 | |
He trained as a surgeon but he was not allowed to qualify | 0:12:24 | 0:12:28 | |
because the whole time he was working on cadavers | 0:12:28 | 0:12:31 | |
he kept getting them to speak and upsetting all the other surgeons. | 0:12:31 | 0:12:35 | |
"Blah, blah, blah." "Put it down!" | 0:12:35 | 0:12:38 | |
Apparently he was a really good ventriloquist. And he couldn't resist making dead bodies talk. | 0:12:38 | 0:12:43 | |
I have to say, it looks a lot like Andrew Lloyd Webber, I have to say. | 0:12:43 | 0:12:48 | |
Barry Cryer tells a wonderful story about a ventriloquist that he worked with, | 0:12:48 | 0:12:52 | |
and the ventriloquist came in with his little trunk of things | 0:12:52 | 0:12:55 | |
and took out one of the dummies and put it up on the wall like that, and said to the others, | 0:12:55 | 0:12:59 | |
"Don't look in my trunk, OK? Cos I've got a lot of secrets." | 0:12:59 | 0:13:01 | |
Out he goes, out the room, and of course everybody has a look, right? I mean, they can't help themselves. | 0:13:01 | 0:13:05 | |
They hear him coming, they close the trunk, and as he walks in, | 0:13:05 | 0:13:08 | |
the dummy on the wall goes, "They've been looking in your trunk." LAUGHTER | 0:13:08 | 0:13:12 | |
The man who invented the game Operation. | 0:13:12 | 0:13:14 | |
-Do you remember the game Operation? -Yeah. -Yes. | 0:13:14 | 0:13:17 | |
There he is, John Spinello. | 0:13:17 | 0:13:19 | |
He sold the rights to the game for just 500 in 1964. | 0:13:19 | 0:13:24 | |
And in 2014 he had to crowdfund enough money to have an actual operation. | 0:13:24 | 0:13:29 | |
-I know. -We didn't have that game in Wales. | 0:13:29 | 0:13:31 | |
-Did you not? Why? -It was a six month waiting list. | 0:13:31 | 0:13:35 | |
LAUGHTER | 0:13:35 | 0:13:37 | |
APPLAUSE | 0:13:37 | 0:13:40 | |
Thank you very much. | 0:13:42 | 0:13:44 | |
No, it's good to have you here. | 0:13:44 | 0:13:45 | |
Now, doctors, what's your diagnosis here? | 0:13:47 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:52 | |
-He's fallen asleep on a stag do. -LAUGHTER | 0:13:53 | 0:13:57 | |
He was running a circus school and his students hated him. | 0:13:57 | 0:14:00 | |
The world's worst. | 0:14:00 | 0:14:02 | |
It's a party game, is it? | 0:14:02 | 0:14:03 | |
Pin the sword on the nutter. | 0:14:03 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:06 | |
So, this is possibly one of the earliest | 0:14:08 | 0:14:10 | |
anatomical drawings for medics. | 0:14:10 | 0:14:12 | |
He was known as the Wound Man. | 0:14:12 | 0:14:14 | |
It's a medieval image, first printed in a book, 1491, in Venice. | 0:14:14 | 0:14:18 | |
It's all the various things, so he's been injured, if you look there, | 0:14:18 | 0:14:22 | |
with daggers, he's been shot with arrows, he's been lacerated, | 0:14:22 | 0:14:24 | |
he's been stung by bees, scorpions, been clubbed in the head. | 0:14:24 | 0:14:27 | |
Bitten by a dog, scratched by thorns. | 0:14:27 | 0:14:28 | |
Blasted by cannonballs, he's definitely got plague | 0:14:28 | 0:14:31 | |
and bad spots, and he appears to have a toad in his stomach. | 0:14:31 | 0:14:33 | |
So, it's, as it were, the contents page to the book. | 0:14:33 | 0:14:37 | |
What a shame though, for a guy who obviously looks after himself | 0:14:37 | 0:14:40 | |
and goes to the gym. | 0:14:40 | 0:14:41 | |
LAUGHTER | 0:14:41 | 0:14:43 | |
To go down like that. | 0:14:43 | 0:14:45 | |
-He eats Paleo. -Yeah. | 0:14:45 | 0:14:46 | |
You know, he's really healthy, he thought he'd have a long life... | 0:14:46 | 0:14:49 | |
-Uh-oh. -Yeah, all of those things happen to him. | 0:14:49 | 0:14:51 | |
He's a curious contradiction, though, | 0:14:51 | 0:14:53 | |
because he doesn't look after his appearance enough | 0:14:53 | 0:14:56 | |
-to remove a sword from his head. -No. | 0:14:56 | 0:14:58 | |
But he does buy his underwear in Agent Provocateur. | 0:14:58 | 0:15:01 | |
LAUGHTER | 0:15:01 | 0:15:03 | |
Yeah. They're quite snug. | 0:15:03 | 0:15:05 | |
They are on the tight side, aren't they? | 0:15:05 | 0:15:07 | |
-Yeah. Ironically, that's the most pain he's in. -Yeah. | 0:15:07 | 0:15:09 | |
LAUGHTER | 0:15:09 | 0:15:12 | |
"It's gone right up me arse, that has!" Ooh. | 0:15:12 | 0:15:15 | |
If I'd been... | 0:15:15 | 0:15:16 | |
The first three or four of those had gone in, | 0:15:16 | 0:15:18 | |
I'd think, "right, I'm going to put something more protective on than a thong. | 0:15:18 | 0:15:22 | |
He's come back from a sort of Civil War re-enactment, you know. | 0:15:22 | 0:15:26 | |
"So, how did it go?" "Don't ask!" | 0:15:26 | 0:15:28 | |
"They nicked my armour, I'm left in my pants, look at this!" | 0:15:30 | 0:15:33 | |
LAUGHTER | 0:15:33 | 0:15:35 | |
Oh, dear. | 0:15:35 | 0:15:36 | |
The doctor's going to go, "I'm going to try something new." | 0:15:36 | 0:15:38 | |
"Don't pooh-pooh it straightaway, it's called acupuncture. | 0:15:38 | 0:15:41 | |
Yeah. | 0:15:41 | 0:15:42 | |
LAUGHTER | 0:15:42 | 0:15:44 | |
They also had one for women, it isn't just the Wound Man. | 0:15:44 | 0:15:46 | |
They had Disease Woman. | 0:15:46 | 0:15:48 | |
LAUGHTER | 0:15:48 | 0:15:50 | |
There she is. And... | 0:15:51 | 0:15:53 | |
Is Marvel running out of superheroes? | 0:15:53 | 0:15:55 | |
LAUGHTER | 0:15:55 | 0:15:56 | |
Look over there, it's Disease Woman! | 0:15:56 | 0:15:57 | |
The wound man. Ian Fleming talked to his publisher | 0:15:57 | 0:16:00 | |
and he wanted to call one of his books Wound Man. | 0:16:00 | 0:16:02 | |
But his editor said no. Why do you think that might be? | 0:16:02 | 0:16:05 | |
-You'd read it the wrong way. -The Wound Man. -It might be Wound Man. That's exactly right. | 0:16:05 | 0:16:08 | |
And in fact, it turned into Dr No. | 0:16:08 | 0:16:10 | |
In the United States they have an exceptionally complex system | 0:16:10 | 0:16:14 | |
for categorising injuries. It's called the ICD-10 System. | 0:16:14 | 0:16:18 | |
The International Classification of Diseases. | 0:16:18 | 0:16:20 | |
There are 140,000 detailed codes for different complaints, | 0:16:20 | 0:16:23 | |
and they are extremely specific. | 0:16:23 | 0:16:25 | |
So they include "bitten by orca". | 0:16:25 | 0:16:28 | |
"Forced landing of spacecraft injuring occupant." | 0:16:28 | 0:16:33 | |
"Asphyxiation due to being trapped in a car trunk." | 0:16:33 | 0:16:36 | |
"Burn due to water-skis on fire..." | 0:16:36 | 0:16:40 | |
That's really hard! | 0:16:42 | 0:16:43 | |
-How could that ever happen? -I don't know. -That is so unlucky. | 0:16:43 | 0:16:46 | |
But my absolute favourite - "hurt at opera". | 0:16:46 | 0:16:49 | |
Otherwise known as the Abraham Lincoln. | 0:16:52 | 0:16:54 | |
Yes. The first attempts to categorise diseases in this country | 0:16:54 | 0:16:58 | |
are the Bills of Mortality. | 0:16:58 | 0:17:00 | |
And there was a man called John Graunt, | 0:17:00 | 0:17:01 | |
who was actually a haberdasher, but he was very interested | 0:17:01 | 0:17:03 | |
in trying to work out the various things that people died of. | 0:17:03 | 0:17:06 | |
So we're talking 16th century. And he put together these | 0:17:06 | 0:17:08 | |
Bills of Mortality, and they're great. If you have a look, | 0:17:08 | 0:17:11 | |
these are the different things that people died of. They are just... | 0:17:11 | 0:17:13 | |
"Griping in the guts," 1,288 people died of that, "griping in the guts". | 0:17:13 | 0:17:17 | |
Griping. | 0:17:17 | 0:17:18 | |
-"Lethargy" is already my favourite. -That's a good one. | 0:17:18 | 0:17:21 | |
-That's quite good, yeah. -"Oh, I can't be bothered." | 0:17:21 | 0:17:23 | |
-That's the way I want to go. -Yeah! | 0:17:23 | 0:17:24 | |
-Lethargy. -Just too lethargic to live. | 0:17:24 | 0:17:27 | |
I quite like "frighted". 23 people died "frighted". | 0:17:27 | 0:17:29 | |
That's good - "killed by several accidents". | 0:17:29 | 0:17:32 | |
I like the "found dead in the streets, field, etc." | 0:17:34 | 0:17:37 | |
"What, how did he die?" "I don't know, they just found him." | 0:17:37 | 0:17:40 | |
-He, no, he was just, he was just dead. -Just found him. | 0:17:40 | 0:17:42 | |
Some of these Bills of Mortality, they just had, | 0:17:42 | 0:17:44 | |
"Cause of death - suddenly." That's it, just... | 0:17:44 | 0:17:47 | |
-That'll sort you out. -Yeah. | 0:17:48 | 0:17:50 | |
-"Teeth and worms"! -How do you die of teeth and worms? | 0:17:50 | 0:17:52 | |
Two thousand, six hundred and... | 0:17:52 | 0:17:54 | |
I'll tell you what, Wound Man would have read that, and he'd go, | 0:17:54 | 0:17:57 | |
"Yeah, I've had that, I've had that, I've had that. | 0:17:57 | 0:18:00 | |
-"I've had all them." -Brain surgery - new, old? | 0:18:00 | 0:18:03 | |
Oh, no, it's probably old, isn't it? | 0:18:03 | 0:18:04 | |
I don't know. This is not brain surgery, | 0:18:04 | 0:18:07 | |
but it's about a doctor's understanding of the brain. | 0:18:07 | 0:18:09 | |
There was a guy who got, on the railroads, | 0:18:09 | 0:18:11 | |
who got, he had an accident | 0:18:11 | 0:18:12 | |
and he got a four-foot metal rod through his head. | 0:18:12 | 0:18:14 | |
-Right. -Phineas somebody. | 0:18:14 | 0:18:16 | |
-Phineas Gage. -Phineas Gage. -Yeah. | 0:18:16 | 0:18:18 | |
Phineas Gage had an accident, pole through his head, | 0:18:18 | 0:18:21 | |
and they left it in | 0:18:21 | 0:18:22 | |
because they didn't want to take it out in case it killed him. | 0:18:22 | 0:18:25 | |
-Yeah. -And he was fine until a train came through. | 0:18:25 | 0:18:28 | |
And then it affected his mood, so they were wondering where it had, | 0:18:30 | 0:18:33 | |
had it damaged his frontal cortex? Because I mean, I don't know | 0:18:33 | 0:18:35 | |
why they were so surprised it affected his moods, to be honest. | 0:18:35 | 0:18:38 | |
-Yeah. -But his boss was saying he started swearing, | 0:18:38 | 0:18:40 | |
his wife left him, I think. | 0:18:40 | 0:18:42 | |
All his friends saying, "He's a real misery now." | 0:18:42 | 0:18:45 | |
I should imagine his wife left him. | 0:18:45 | 0:18:47 | |
-He probably couldn't get in the house. -I know. | 0:18:47 | 0:18:49 | |
"Watch what you're doing with your pole!" "What?" "Ow!" | 0:18:49 | 0:18:52 | |
He had to do a three-point turn on the trains, just to turn round. | 0:18:52 | 0:18:56 | |
But we're going back much further than the 19th century, so Neolithic. | 0:18:56 | 0:18:59 | |
It's probably the oldest of the practised medical arts, | 0:18:59 | 0:19:01 | |
-brain surgery. -Would this be trepanning, or something like that? | 0:19:01 | 0:19:04 | |
-So, trepanning, yes. -Yes. -They'd drill a hole in the head | 0:19:04 | 0:19:06 | |
because they want to get out the little tiny bits of bone that have | 0:19:06 | 0:19:08 | |
gone into the brain when they've been hit with a club or something. | 0:19:08 | 0:19:11 | |
A drill, though, how did they have a drill in Neolithic times? | 0:19:11 | 0:19:14 | |
-Ah, well, they would have had, like, a chisel. -What would it have | 0:19:14 | 0:19:16 | |
-been in Neolithic times? What would the chisel be made out of? -Stone. | 0:19:16 | 0:19:19 | |
A stone chisel. And then the hammer was made out of stone? | 0:19:19 | 0:19:21 | |
-Yeah. -And the bed was made out of stone, I'm guessing? | 0:19:21 | 0:19:24 | |
There was a lot of stone. There was a lot of stone, yeah. | 0:19:24 | 0:19:26 | |
Have you seen The Flintstones? It's just like that, yeah. | 0:19:26 | 0:19:29 | |
But surely in Neolithic period, they didn't know that your brain | 0:19:30 | 0:19:33 | |
was as important as it is. Because wasn't there a time | 0:19:33 | 0:19:36 | |
when they thought that your whole personality was in your chest? | 0:19:36 | 0:19:39 | |
Yeah, but everybody would have known what it was to have a headache. | 0:19:39 | 0:19:42 | |
I don't think that's a new thing. | 0:19:42 | 0:19:43 | |
Can you imagine if you'd said that to Phineas Gage? | 0:19:43 | 0:19:45 | |
"Yes, Phineas, we all know what it's like to have a headache." | 0:19:45 | 0:19:48 | |
I think maybe a lot of your personality is somehow in your chest. | 0:19:51 | 0:19:54 | |
And if you have a heart transplant and all of a sudden you like Chinese food, something's going on. | 0:19:54 | 0:19:58 | |
Something's going on, but whether your cognitive function is in your chest, I would dispute. | 0:19:58 | 0:20:02 | |
Mine is. Mine might be. | 0:20:02 | 0:20:04 | |
OK, some girls feel that. That's fine. | 0:20:04 | 0:20:06 | |
I like her. | 0:20:09 | 0:20:11 | |
I think we think from here sometimes. | 0:20:14 | 0:20:17 | |
Yes, we think in an emotional manner, rather than... | 0:20:17 | 0:20:19 | |
-Yes, I would agree with you. -Yeah. | 0:20:19 | 0:20:21 | |
It's a good foot above where we think from. | 0:20:21 | 0:20:23 | |
Wound Man was a medieval superhero | 0:20:25 | 0:20:27 | |
whose superpower was having everything wrong with him. | 0:20:27 | 0:20:29 | |
What would you do if you found 2,000 skeletons in your closet? | 0:20:29 | 0:20:34 | |
I would cancel my dog's credit card. | 0:20:34 | 0:20:36 | |
Katherine, what do you reckon? | 0:20:40 | 0:20:41 | |
I live in a Catholic church conversion, | 0:20:41 | 0:20:43 | |
so it is likely there are. | 0:20:43 | 0:20:45 | |
-Oh. Does it feel spooky? -It doesn't feel spooky. | 0:20:45 | 0:20:48 | |
My nana was really upset, but it's been deconsecrated | 0:20:48 | 0:20:51 | |
so that you can swear in it, and do all sorts. | 0:20:51 | 0:20:53 | |
I expect that happened before, don't you? | 0:20:53 | 0:20:56 | |
-She checked. -Oh, really? OK. -Mm-hmm. | 0:20:56 | 0:20:57 | |
-Is she Catholic? -She is Irish Catholic, so, I mean... | 0:20:57 | 0:21:00 | |
-Oh, right. -And dead. | 0:21:00 | 0:21:02 | |
And yet she still came over to check. That's love. | 0:21:04 | 0:21:08 | |
She was a little too nosy for her own good. | 0:21:08 | 0:21:11 | |
2,000 skeletons, you suddenly discover them, | 0:21:11 | 0:21:13 | |
what are you going to do with them? | 0:21:13 | 0:21:14 | |
That is a game of sardines that went too far. | 0:21:14 | 0:21:16 | |
LAUGHTER | 0:21:16 | 0:21:18 | |
A hidden mass grave. | 0:21:18 | 0:21:19 | |
So, a collection of thousands of skeletons was discovered in Rome | 0:21:19 | 0:21:22 | |
in 1578, and nobody knew who they were, and the Church thought, | 0:21:22 | 0:21:26 | |
"This is fantastic," because for several decades, the Protestants had | 0:21:26 | 0:21:30 | |
been stealing their relics, and what they really needed was new ones. | 0:21:30 | 0:21:35 | |
So, they employed psychics to try and see if there were any martyrs amongst them. | 0:21:35 | 0:21:41 | |
And a few of them had an M inscribed nearby, | 0:21:41 | 0:21:43 | |
and they thought, "That'll do, we'll have them." | 0:21:43 | 0:21:45 | |
Even though, like, Marcus was a really popular name at the time. | 0:21:45 | 0:21:49 | |
And when they found a likely candidate, they gave them | 0:21:49 | 0:21:51 | |
a new name and a back-story and they sent them out to the churches across Europe. | 0:21:51 | 0:21:55 | |
They couldn't actually sell them as relics, but what they could do is | 0:21:55 | 0:21:58 | |
they could charge them transport, decoration, induction, blessing. | 0:21:58 | 0:22:02 | |
They would dress them up, they would cover them in jewels, | 0:22:02 | 0:22:05 | |
like this, and put them on display. | 0:22:05 | 0:22:07 | |
The real problem with this was they didn't send them with any instructions. | 0:22:07 | 0:22:11 | |
So it was like a flat-pack without instructions. | 0:22:11 | 0:22:13 | |
Come on, put a bit of make-up on it! | 0:22:13 | 0:22:15 | |
-So loads of the skeletons were just... -Bunged together. | 0:22:15 | 0:22:17 | |
Honestly, just all over the shop. | 0:22:17 | 0:22:19 | |
Looks like the House of Lords, doesn't it? | 0:22:19 | 0:22:22 | |
But there was a huge rush to name your children after the Saints. | 0:22:24 | 0:22:27 | |
So, when St Valentine would go on display, | 0:22:27 | 0:22:29 | |
boys would be called Valentine, girls would be called Valentina. | 0:22:29 | 0:22:31 | |
And in the most extreme cases in some villages up to half the | 0:22:31 | 0:22:34 | |
children would have the same name cos they were all named after the skeleton. | 0:22:34 | 0:22:37 | |
And very, very rich people would try and buy relics of a saint who had the same name as them. | 0:22:37 | 0:22:41 | |
It's like a personalised license plate that you get today. | 0:22:41 | 0:22:43 | |
It's the same sort of thing. And hundreds remain to this day. | 0:22:43 | 0:22:47 | |
Now, time for a secret operation. | 0:22:47 | 0:22:48 | |
What is the point of a tap in the ocean? | 0:22:48 | 0:22:52 | |
That's not a real picture. | 0:22:52 | 0:22:54 | |
It isn't a real picture | 0:22:56 | 0:22:57 | |
because in Britain you'd have two taps for no reason at all. | 0:22:57 | 0:23:02 | |
OK, I don't understand this. | 0:23:02 | 0:23:03 | |
So you have a... You have a hot tap and you have a cold tap, right? | 0:23:03 | 0:23:06 | |
-What? Yes! -Yes, well, how is that? | 0:23:06 | 0:23:08 | |
-So you're trying to wash your hands. -Yes... | 0:23:08 | 0:23:09 | |
And what happens, you put it under the hot tap, you go, "Argh!" | 0:23:09 | 0:23:12 | |
-"Argh, argh!" -And then you go for the cold tap, and go, "Argh!" | 0:23:12 | 0:23:15 | |
-"Ooh-hoo-hoo, oh, hoo-hoo! Argh! Ooh-hoo-hoo!" -Yeah. | 0:23:15 | 0:23:18 | |
How is it the British haven't discovered there's a mixer tap?! | 0:23:18 | 0:23:20 | |
-What is it...? What...? -It's the only excitement we get. | 0:23:20 | 0:23:23 | |
Oh, is that...? Did you find that baffling when you arrived? | 0:23:23 | 0:23:25 | |
-I still find it baffling. -Yeah, no. -And I don't understand radiators. | 0:23:25 | 0:23:28 | |
Why you want to heat an entire house | 0:23:28 | 0:23:30 | |
with a small hot metal plate in the corner. | 0:23:30 | 0:23:33 | |
-It doesn't work! -What would you do instead? | 0:23:33 | 0:23:35 | |
We have forced air in Canada, otherwise you freeze to death. | 0:23:35 | 0:23:38 | |
-What do you have? A four what? -What? | 0:23:38 | 0:23:40 | |
-Forced air, just same as air-con. -You know... -Oh, forced air-con. | 0:23:40 | 0:23:43 | |
-Yes. -Yeah. -I've never heard the term... I'm 40... | 0:23:43 | 0:23:46 | |
..late 40s, and I don't... | 0:23:46 | 0:23:48 | |
I genuinely didn't know how old I was then, but I've never... | 0:23:48 | 0:23:53 | |
I'm not going to bother sitting here working it out, | 0:23:53 | 0:23:55 | |
but I mean, I'm 50 soon, and I've never heard the term forced air. | 0:23:55 | 0:23:58 | |
-Well, not in that context. -I love the fact... | 0:23:58 | 0:24:01 | |
I love the fact, Rhod, that I'm asking you some quite complicated | 0:24:01 | 0:24:04 | |
science questions, and you don't know how old you are. | 0:24:04 | 0:24:07 | |
-I'm about 49. -You're about 49. -About 49. -Have you just worked it out? | 0:24:09 | 0:24:12 | |
Yeah. | 0:24:12 | 0:24:14 | |
I'm so used to saying "I'm 50 in a few years," | 0:24:14 | 0:24:17 | |
I'm so used to saying that, that, for a moment, it stumped me. | 0:24:17 | 0:24:19 | |
No, but the thing is, though, it is quite good to KNOW how old you are, | 0:24:19 | 0:24:22 | |
and the producer has just told me in my ear, Rhod, that you're 48. | 0:24:22 | 0:24:27 | |
APPLAUSE | 0:24:27 | 0:24:30 | |
Ha-ha! | 0:24:34 | 0:24:36 | |
Is there a really easy way to remember how old you are? | 0:24:36 | 0:24:38 | |
-Yeah. -Yeah. -Is there like a little...? | 0:24:38 | 0:24:40 | |
Like some kind of song I can sing, or something? Or... | 0:24:40 | 0:24:42 | |
I've never needed a mnemonic for my age, but I'm sure we can invent one. | 0:24:42 | 0:24:45 | |
I'm going to come back to what's the point...? | 0:24:45 | 0:24:48 | |
-What's the point?! -What's the point? That's the question. | 0:24:48 | 0:24:50 | |
-What was the question? -Yes. | 0:24:50 | 0:24:52 | |
What's the point of a tap in the ocean? | 0:24:52 | 0:24:54 | |
My wife wrote a poem for me. | 0:24:54 | 0:24:55 | |
Oh, God Almighty! LAUGHTER | 0:24:55 | 0:24:59 | |
-Yes? -It was really good. | 0:24:59 | 0:25:01 | |
Really funny poem about all things I do, like yelling at the kids | 0:25:01 | 0:25:03 | |
and being ill mannered and hungover and stuff. | 0:25:03 | 0:25:06 | |
Very accurate character assassination in rhyme. | 0:25:06 | 0:25:10 | |
But it was all about how I was 48. | 0:25:10 | 0:25:12 | |
And I read the whole thing and said, "You know I'm 49 today?" | 0:25:12 | 0:25:15 | |
I'll have it. | 0:25:16 | 0:25:18 | |
God, you don't think she was thinking of Rhod, do you? | 0:25:21 | 0:25:25 | |
-I've written one for you. -Yeah? | 0:25:25 | 0:25:26 | |
-I've written one for you. -OK, here we go. -How about like, | 0:25:26 | 0:25:29 | |
# What year are we in today? | 0:25:29 | 0:25:31 | |
# When am I born? Just take that away | 0:25:31 | 0:25:33 | |
# You don't have to be a whiz | 0:25:33 | 0:25:35 | |
# That's how old Rhod Gilbert is. # | 0:25:35 | 0:25:38 | |
APPLAUSE | 0:25:38 | 0:25:43 | |
-Sweet! -Very good. | 0:25:43 | 0:25:45 | |
I've just followed your poetic guidelines - I'm 48. | 0:25:45 | 0:25:47 | |
-Is this... -At the risk of repetition, | 0:25:47 | 0:25:49 | |
WHAT IS THE POINT OF A TAP IN THE OCEAN?! | 0:25:49 | 0:25:52 | |
Is it so that when sea levels rise, you can turn it off? I don't know. | 0:25:52 | 0:25:56 | |
-So it's not actually a water tap. -It's not a tap. | 0:25:56 | 0:25:58 | |
-No, it's a rather... -Oh, tap, oh... | 0:25:58 | 0:26:00 | |
And so what else could you tap? What is another kind of tapping | 0:26:00 | 0:26:02 | |
-that people do when they're trying to listen in? -I know. | 0:26:02 | 0:26:05 | |
-TAPS DESK -There's a shark behind you. | 0:26:05 | 0:26:07 | |
-Yeah. -Is it a wire, | 0:26:07 | 0:26:09 | |
when they put a transatlantic radio communications wire? | 0:26:09 | 0:26:13 | |
So, it's Cold War. | 0:26:13 | 0:26:15 | |
It's called Operation: Ivy Bells, and it took place from 1971 to 1981, | 0:26:15 | 0:26:18 | |
and it was the USA wire-tapping a Russian underseas cable. | 0:26:18 | 0:26:22 | |
That thing - they're moving it into position there - | 0:26:22 | 0:26:24 | |
is a giant tape recorder, and they just put it onto the wire. | 0:26:24 | 0:26:27 | |
-Good God! -So the sailors on a submarine, | 0:26:27 | 0:26:29 | |
-the USS Halibut, located a Soviet cable... -USS Halibut! | 0:26:29 | 0:26:32 | |
They located a Russian cable off the Russian east coast, | 0:26:33 | 0:26:36 | |
and they moved a six-metre long recording pod around it | 0:26:36 | 0:26:39 | |
to track the communications. | 0:26:39 | 0:26:40 | |
The thing I really like about it, because this - we're talking | 0:26:40 | 0:26:43 | |
some years ago now - the device had to be updated every month, | 0:26:43 | 0:26:46 | |
so divers had to leave a submarine once a month and change the tapes. | 0:26:46 | 0:26:50 | |
But it was hugely successful, it ran for a decade, | 0:26:51 | 0:26:54 | |
until a National Security Agency employee of the United States | 0:26:54 | 0:26:56 | |
sold the information to the KGB. | 0:26:56 | 0:26:58 | |
Spying was a lot more hassle back then, | 0:26:58 | 0:27:01 | |
when you've got to train a team of divers, get submarines... | 0:27:01 | 0:27:03 | |
-Yeah. -Now you just need somebody's maiden name | 0:27:03 | 0:27:05 | |
-and their first pet's name, and you're off. -Yeah. -Yeah. | 0:27:05 | 0:27:08 | |
Or if you're the Russians, you just have to go and see Donald Trump | 0:27:08 | 0:27:11 | |
and ask him. | 0:27:11 | 0:27:13 | |
APPLAUSE | 0:27:13 | 0:27:16 | |
99% of all international data | 0:27:18 | 0:27:20 | |
-is transmitted through underseas cables. -Good Lord! | 0:27:20 | 0:27:22 | |
And so you know when we talk about the cloud? | 0:27:22 | 0:27:24 | |
It's actually underwater. | 0:27:24 | 0:27:25 | |
The cloud is underwater, Sandi? | 0:27:25 | 0:27:27 | |
-Good Lord. -That's done your head in, hasn't it, Rhod? | 0:27:30 | 0:27:32 | |
-Yes. -How old am I again? | 0:27:32 | 0:27:34 | |
# Happy birthday to you... # | 0:27:34 | 0:27:37 | |
I'm going to write down 48 and make a badge. | 0:27:39 | 0:27:41 | |
There we go. | 0:27:41 | 0:27:42 | |
550,000 miles of cable, so, enough to get to the moon and back. And... | 0:27:42 | 0:27:47 | |
If you were on the moon, and you jumped off... | 0:27:47 | 0:27:49 | |
-Yes? -..would you land on the earth? | 0:27:49 | 0:27:51 | |
Hold on, hold on, what are you doing on the moon anyway? | 0:27:51 | 0:27:54 | |
Well, I don't know, maybe... | 0:27:54 | 0:27:56 | |
Have you been left behind by a spacecraft? | 0:27:56 | 0:27:58 | |
Yeah. You got an Uber, and it went horribly wrong. | 0:27:58 | 0:28:00 | |
It depends which side you're on. | 0:28:00 | 0:28:02 | |
I just think if you jumped off the moon, you would just fall... | 0:28:02 | 0:28:05 | |
-..and you'd land on earth. -Yeah. -No. | 0:28:05 | 0:28:07 | |
I don't think you'd be in a great state. | 0:28:07 | 0:28:09 | |
I mean I think you'd be like Wound Man by the time you got down. | 0:28:09 | 0:28:11 | |
-BILL: -Yes. -KATHERINE: -They know about space, this is my problem with the sea. | 0:28:11 | 0:28:14 | |
-Right. -They can tell us all kinds of things about planets and space | 0:28:14 | 0:28:17 | |
and other galaxies, they've been to the moon, allegedly, | 0:28:17 | 0:28:20 | |
but they've not been to the bottom of the sea. | 0:28:20 | 0:28:23 | |
I've been to the bottom of the sea, in parts of it. | 0:28:23 | 0:28:25 | |
-Have you? -Yes. -What's down there? -My feet. | 0:28:25 | 0:28:29 | |
I don't know, I'm with you, Katherine. I think this... | 0:28:32 | 0:28:34 | |
It's an indulgence, all this fiddling around in space. | 0:28:34 | 0:28:36 | |
You don't like birds, you don't like fish, what's wrong with you? | 0:28:36 | 0:28:38 | |
I like birds, I like being on earth, it's boring up there. | 0:28:38 | 0:28:41 | |
How do birds know to stop? | 0:28:41 | 0:28:44 | |
-LAUGHTER Stop what? -Flying? -Stop going up. | 0:28:44 | 0:28:48 | |
Oh, right. They go round... | 0:28:48 | 0:28:51 | |
You'd think that you'd get into space and there'd be | 0:28:51 | 0:28:53 | |
loads of dead birds going round and round. | 0:28:53 | 0:28:56 | |
The air gets thinner and they can't fly around up there. | 0:28:57 | 0:28:59 | |
But when they fall dead, when they hit the ground, | 0:28:59 | 0:29:03 | |
we don't know, they're just found dead in the field. | 0:29:03 | 0:29:05 | |
They don't hit the ground, they just fall down to an area where they can fly again. | 0:29:05 | 0:29:08 | |
So they sort of black out? | 0:29:08 | 0:29:10 | |
LAUGHTER DROWNS SPEECH | 0:29:10 | 0:29:14 | |
And then come back down and suddenly they go. "Oh!" | 0:29:14 | 0:29:16 | |
"Oh, F...!" | 0:29:16 | 0:29:19 | |
Just out of interest, which particular bird are you being? | 0:29:19 | 0:29:22 | |
I'll tell you what you were there, you were a bar-tailed godwit. | 0:29:22 | 0:29:26 | |
Cos the bar-tailed godwit, they fly the longest of any bird. | 0:29:26 | 0:29:29 | |
Because what they do, they do a very weird and quite disgusting thing | 0:29:29 | 0:29:32 | |
called autophagy, where they actually consume their own | 0:29:32 | 0:29:35 | |
internal organs, partially, to keep them going on the long flight. | 0:29:35 | 0:29:38 | |
And what do they do when they get there and they've got no liver? | 0:29:38 | 0:29:40 | |
-Just sort of "ping!" -They make another one. -They make another one. Yeah. | 0:29:40 | 0:29:43 | |
Their livers regrow. It's the most extraordinary thing. | 0:29:43 | 0:29:46 | |
Wow, I know a few drinkers who would love that trick. | 0:29:46 | 0:29:49 | |
On the cables, because of the incredible pressure under the sea, | 0:29:49 | 0:29:52 | |
it is very difficult to lay them, and what they have, | 0:29:52 | 0:29:55 | |
it looks exactly like a plough that places them down onto the seabed. | 0:29:55 | 0:29:58 | |
-Sandi... -Yeah, look at that. -What were we talking about? -Cables. | 0:29:58 | 0:30:01 | |
-Underwater cables. -Oh, yeah. | 0:30:01 | 0:30:02 | |
LOUDLY: You're 48! | 0:30:04 | 0:30:06 | |
So, the cables are different thicknesses depending on the water, | 0:30:08 | 0:30:10 | |
so in shallow water they can be as thick as a soft drink can, but once | 0:30:10 | 0:30:13 | |
they are down under the deep water they are as thin as a garden hose. | 0:30:13 | 0:30:17 | |
-Good Lord. -The very first undersea cable that linked France and England. | 0:30:17 | 0:30:20 | |
-1851. -Oh, look, it's Wound Man. | 0:30:20 | 0:30:23 | |
APPLAUSE | 0:30:23 | 0:30:27 | |
It took two minutes to send a single character. So, one letter or one number. | 0:30:32 | 0:30:36 | |
So, one word every 10 minutes. | 0:30:36 | 0:30:37 | |
One of the very first messages of the transatlantic cable, which | 0:30:37 | 0:30:40 | |
was laid in 1858, they sent a 98-word word letter from Queen Victoria | 0:30:40 | 0:30:44 | |
to President James Buchanan, it took 16 hours to send it. | 0:30:44 | 0:30:47 | |
And basically she just said "hi". | 0:30:47 | 0:30:50 | |
By the time we get to World War I, there's a really intricate network of cables | 0:30:50 | 0:30:54 | |
connecting Britain, France, Germany and the US, and in fact, | 0:30:54 | 0:30:57 | |
Britain's very first hostile action at the outbreak of World War I, | 0:30:57 | 0:31:00 | |
so, five hours after it started, was to cut-off Germany's undersea cables. | 0:31:00 | 0:31:04 | |
And that meant Germany could only communicate by wireless, | 0:31:04 | 0:31:07 | |
and that's good for Britain because...? | 0:31:07 | 0:31:08 | |
-They could... -Listen in. -They could listen in. | 0:31:08 | 0:31:11 | |
But Britain had really thought ahead. | 0:31:11 | 0:31:13 | |
They had a network of cables called the All Red Line, | 0:31:13 | 0:31:16 | |
and it was a worldwide network, and they were able to communicate | 0:31:16 | 0:31:19 | |
cos it only passed through British territory, and so to cut | 0:31:19 | 0:31:22 | |
it off you would have had to have 49 separate cutting missions. | 0:31:22 | 0:31:25 | |
So, they protected themselves and were able to communicate. | 0:31:25 | 0:31:28 | |
-This looks like a post-Brexit map to me. -It does, doesn't it? | 0:31:28 | 0:31:31 | |
LAUGHTER | 0:31:31 | 0:31:34 | |
Now, which body part was used to stop the Netherlands flooding | 0:31:34 | 0:31:37 | |
in 1953? | 0:31:37 | 0:31:40 | |
Yes, Bill? | 0:31:40 | 0:31:42 | |
Somebody put their finger in a dyke. | 0:31:42 | 0:31:44 | |
Oh! | 0:31:44 | 0:31:45 | |
KLAXON | 0:31:45 | 0:31:47 | |
No, it's been mentioned on QI before, | 0:31:49 | 0:31:51 | |
the story of the Dutch boy sticking his finger in the dyke is a myth. | 0:31:51 | 0:31:53 | |
What other body part might you put in a hole to...? | 0:31:53 | 0:31:56 | |
Anybody? | 0:31:58 | 0:32:01 | |
-The penis. -Penis! | 0:32:01 | 0:32:02 | |
KLAXON | 0:32:02 | 0:32:04 | |
Hurray! | 0:32:04 | 0:32:05 | |
I was sucked into that! | 0:32:05 | 0:32:07 | |
I can categorically tell you no dyke needs a penis. So... | 0:32:08 | 0:32:11 | |
Wahey! | 0:32:11 | 0:32:14 | |
APPLAUSE | 0:32:14 | 0:32:16 | |
No, sadly 100 men just put their shoulders against the water barrier, | 0:32:19 | 0:32:22 | |
that's all. So it feels... | 0:32:22 | 0:32:24 | |
GROANS OF DISAPPOINTMENT I know, tame, it feels really tame. | 0:32:24 | 0:32:26 | |
-Is that what it is? -Yeah. | 0:32:26 | 0:32:28 | |
-Where did the finger...? OK, so that's a myth. -It's a story. | 0:32:28 | 0:32:30 | |
What is a short story, sorry? | 0:32:30 | 0:32:32 | |
A little boy put his finger in the dyke to stop the place flooding. | 0:32:32 | 0:32:35 | |
-Apparently. -But it's not true. | 0:32:35 | 0:32:37 | |
It's like you've woken up from being cryogenically frozen. | 0:32:37 | 0:32:41 | |
That is how I feel a lot of the time. | 0:32:41 | 0:32:44 | |
-There is a famous story... -Is there? -..about a single... | 0:32:44 | 0:32:47 | |
Oh, "famous"? You had a little dig there. | 0:32:47 | 0:32:50 | |
There is a poorly known story... | 0:32:52 | 0:32:54 | |
-Thank you. -..about a hole springing in one of the dykes in Holland | 0:32:54 | 0:32:56 | |
and a little boy put his finger in the hole until somebody came | 0:32:56 | 0:32:59 | |
and rescued him, but it is in fact just a short story about... | 0:32:59 | 0:33:01 | |
-What was the kid's name? -The child's name was... | 0:33:01 | 0:33:03 | |
IN DUTCH ACCENT: Thomas. | 0:33:03 | 0:33:06 | |
I made that up. I have no idea. | 0:33:06 | 0:33:08 | |
I don't know the name of the dyke, either, and that's unusual for me. | 0:33:08 | 0:33:11 | |
APPLAUSE | 0:33:11 | 0:33:14 | |
But there is a story of plugging a hole, | 0:33:15 | 0:33:17 | |
it's done in a rather more dramatic manner. | 0:33:17 | 0:33:19 | |
So, these were the great North Sea floods, and there was a danger of | 0:33:19 | 0:33:21 | |
three million people being at risk if this particular dyke had burst. | 0:33:21 | 0:33:24 | |
And what the mayor of the town did, he requisitioned a grain barge, | 0:33:24 | 0:33:28 | |
and he ordered the captain to steer it directly at the dyke head-first, | 0:33:28 | 0:33:32 | |
and it plugged the breach and it saved thousands of lives. | 0:33:32 | 0:33:34 | |
So, yeah, there is a story where somebody did something heroic, but | 0:33:34 | 0:33:37 | |
it was neither done with a finger nor their nether part of any kind. | 0:33:37 | 0:33:41 | |
That must have been difficult, the water rushing. | 0:33:41 | 0:33:43 | |
Yes. And the captain having to decide to do that. | 0:33:43 | 0:33:45 | |
Trying to steer it. They could make that a film with Tom Hanks. | 0:33:45 | 0:33:48 | |
Yeah. | 0:33:48 | 0:33:50 | |
But almost half the population live below sea level, | 0:33:50 | 0:33:53 | |
and a lot of the country's windmills are in fact used | 0:33:53 | 0:33:55 | |
to pump water uphill to reclaim land. | 0:33:55 | 0:33:57 | |
So the Netherlands is actually much bigger than it used to be. | 0:33:57 | 0:33:59 | |
-Anybody ever been to Schiphol airport? -Yas. | 0:33:59 | 0:34:01 | |
It's now the site of the Netherlands' biggest airport. | 0:34:01 | 0:34:04 | |
It was the scene of a sea battle in 1573. | 0:34:04 | 0:34:06 | |
Is that why they are so tall, the Dutch, then? | 0:34:06 | 0:34:08 | |
Because...their feet are wet? I don't know what... | 0:34:08 | 0:34:11 | |
Because it's so low, because it's so...low. | 0:34:11 | 0:34:14 | |
So they need to be able to see over the wall? | 0:34:14 | 0:34:16 | |
I don't think that's the reason. | 0:34:16 | 0:34:18 | |
Welsh people are only 5'8" on average, but we've got hills. | 0:34:18 | 0:34:21 | |
-Right, so people in flat places tend to be tall? -It's just a theory. | 0:34:21 | 0:34:26 | |
LAUGHTER | 0:34:26 | 0:34:28 | |
30% of the flooding in the Netherlands has been done | 0:34:28 | 0:34:30 | |
deliberately since 1500 and is done for defensive reasons. | 0:34:30 | 0:34:33 | |
The Dutch always had very flat-bottomed gunboats, | 0:34:33 | 0:34:36 | |
so the depth of only about 30 centimetres, Dutch boats could | 0:34:36 | 0:34:38 | |
still get through, but it would stop the enemy from getting through. | 0:34:38 | 0:34:40 | |
So they used the water for defensive purposes. | 0:34:40 | 0:34:42 | |
ALAN SPEAKS IN DUTCH-STYLE ACCENT | 0:34:42 | 0:34:44 | |
Did you know that some British canals have got plugs in them? | 0:34:44 | 0:34:48 | |
In 1978, a man called Bill Thorpe was employed to work on | 0:34:48 | 0:34:52 | |
the 18th century Chesterfield Canal - there it is, extremely beautiful - | 0:34:52 | 0:34:55 | |
and he was dredging the canal to get rid of rubbish, | 0:34:55 | 0:34:57 | |
and he accidentally pulled the plug out. | 0:34:57 | 0:35:00 | |
And when he got back to work the next day, the canal was gone. | 0:35:00 | 0:35:03 | |
Gone! | 0:35:03 | 0:35:05 | |
Most canals were built with some form of emergency drainage, | 0:35:05 | 0:35:08 | |
but he had no idea there was a plug. | 0:35:08 | 0:35:10 | |
Now for the mopping-up operation that we call General Ignorance. | 0:35:10 | 0:35:13 | |
Fingers on buzzers, please. | 0:35:13 | 0:35:15 | |
To the nearest five years, what was the average age in the Home Guard? | 0:35:15 | 0:35:21 | |
Yes, Rhod? | 0:35:21 | 0:35:22 | |
60. | 0:35:22 | 0:35:24 | |
KLAXON | 0:35:24 | 0:35:25 | |
60 is a very, very fine answer. | 0:35:25 | 0:35:27 | |
How can that be a buzzer, that?! | 0:35:27 | 0:35:29 | |
Katherine, do you know what the Home Guard is? | 0:35:29 | 0:35:31 | |
Have you ever seen Dad's Army? | 0:35:31 | 0:35:33 | |
-Know it well. -So, what do you reckon, average age? | 0:35:33 | 0:35:35 | |
-67. -Still too... | 0:35:35 | 0:35:38 | |
35. | 0:35:38 | 0:35:39 | |
-It's 30. It's... -30. -I was going to say 30! Oh! | 0:35:39 | 0:35:41 | |
-Damn! -I went up to 35! -Yes. | 0:35:41 | 0:35:44 | |
But 30 was my first thought! | 0:35:44 | 0:35:47 | |
Half of the membership was younger than 27, and a third was under 18, | 0:35:47 | 0:35:49 | |
so the average age was about 30. | 0:35:49 | 0:35:51 | |
My dad was from Ebbw Vale, and my mum was from Abertillery, | 0:35:51 | 0:35:54 | |
and they used to have... The Home Guards in each of | 0:35:54 | 0:35:56 | |
those towns in the Welsh valleys used to battle each other, you know. | 0:35:56 | 0:35:59 | |
What they used to have to do was take the flag off the town hall | 0:35:59 | 0:36:02 | |
of the opposite town's thing. | 0:36:02 | 0:36:05 | |
And he said that all the Ebbw Vale boys were up in the hills, | 0:36:05 | 0:36:09 | |
trying to make their way through the kind of forests and stuff, | 0:36:09 | 0:36:11 | |
across to Abertillery, and then they looked down and saw on the road | 0:36:11 | 0:36:14 | |
below, and the Abertillery boys were going into Ebbw Vale on the bus. | 0:36:14 | 0:36:17 | |
It was incredibly popular, being in the Home Guard. | 0:36:22 | 0:36:24 | |
So when they established it, they thought about 150,000 men | 0:36:24 | 0:36:27 | |
would volunteer, and in the first 24 hours, 250,000 men signed up. | 0:36:27 | 0:36:31 | |
At the end of June, 1940, over a million, 1942, nearly two million. | 0:36:31 | 0:36:35 | |
My grandfather was an ARP warden, | 0:36:35 | 0:36:37 | |
and I thought that was quite special when I was a kid. | 0:36:37 | 0:36:40 | |
And then I looked into it, and there were 1.2 million ARP wardens. | 0:36:40 | 0:36:43 | |
-Yeah, it was, it was... -People just volunteered for everything. | 0:36:43 | 0:36:46 | |
They wanted to help. | 0:36:46 | 0:36:47 | |
If you put it in context, the Chinese People's Liberation Army, | 0:36:47 | 0:36:50 | |
which is the largest army in the world, has got 2.2 million men. | 0:36:50 | 0:36:52 | |
And we had two million people in the Home Guard. | 0:36:52 | 0:36:55 | |
But they did very important work - anti-aircraft guns, | 0:36:55 | 0:36:57 | |
coastal artillery, and in fact, over the war, | 0:36:57 | 0:36:59 | |
1,206 Home Guard men were killed on duty, or died of their wounds. | 0:36:59 | 0:37:02 | |
-So, not quite the comic thing that Dad's Army shows us. -I see. | 0:37:02 | 0:37:04 | |
What is the tallest mountain in the UK? | 0:37:04 | 0:37:07 | |
-Well, I'm going to say Ben Nevis. You'll ring the thing. -KLAXON | 0:37:07 | 0:37:14 | |
-Erm... Snowdon. -KLAXON | 0:37:14 | 0:37:17 | |
I'm on a roll here. | 0:37:17 | 0:37:18 | |
It is called Anton Dohrn, is the highest mountain in the UK. | 0:37:18 | 0:37:22 | |
It probably rises about this much out off the ground | 0:37:22 | 0:37:25 | |
and then goes down 10 miles underneath. | 0:37:25 | 0:37:26 | |
-It's underwater. -Oh, I knew it. | 0:37:26 | 0:37:28 | |
-It's underwater, 100 miles off the north-west coast of Scotland. -That doesn't count! | 0:37:28 | 0:37:31 | |
And it's named after a German, of course. | 0:37:31 | 0:37:33 | |
It was discovered by a fishing vessel called Anton Dohrn. | 0:37:33 | 0:37:35 | |
He was a 19th-century biologist. | 0:37:35 | 0:37:37 | |
But it's 1,700 metres in height. It beats Ben Nevis by about 350 metres. | 0:37:37 | 0:37:43 | |
There is Anton Dohrn, the German biologist. | 0:37:43 | 0:37:45 | |
But the thing that is interesting, | 0:37:45 | 0:37:47 | |
it is home to some of Britain's finest coral reefs. | 0:37:47 | 0:37:49 | |
-Look at that! -Isn't that like a piece of jewellery? | 0:37:49 | 0:37:52 | |
Stunning. How deep is it there? | 0:37:52 | 0:37:54 | |
-Between 200 and 3,000 metres down you get... -What?! | 0:37:54 | 0:37:56 | |
And the reefs get up to 30 metres tall. | 0:37:56 | 0:37:59 | |
A single coral mound like that | 0:37:59 | 0:38:01 | |
can be home to 1,300 species of marine life. | 0:38:01 | 0:38:04 | |
It's a thing of absolute beauty. | 0:38:04 | 0:38:05 | |
Isn't the coral reef dead now? | 0:38:05 | 0:38:07 | |
It depends on which part of the world you are in. | 0:38:07 | 0:38:09 | |
But we are discovering new coral reefs all the time. | 0:38:09 | 0:38:11 | |
In 2016 scientists found a coral reef that stretches | 0:38:11 | 0:38:14 | |
over 9,500 square kilometres at the mouth of the Amazon. | 0:38:14 | 0:38:17 | |
And there are some oil platforms even in the North Sea that have coral growing on. | 0:38:17 | 0:38:21 | |
Now, how many stars are there in Orion's Belt? | 0:38:21 | 0:38:25 | |
Three. | 0:38:25 | 0:38:26 | |
KLAXON Three. Yay! | 0:38:26 | 0:38:29 | |
Oh. | 0:38:29 | 0:38:31 | |
Five, there's five. | 0:38:31 | 0:38:32 | |
KLAXON Five, no, there aren't five. | 0:38:32 | 0:38:35 | |
Seven, there's seven. | 0:38:35 | 0:38:36 | |
KLAXON Seven, there's not seven. | 0:38:36 | 0:38:40 | |
It looks like three, it's one of the most famous things. | 0:38:40 | 0:38:43 | |
Do you call it Orion's Belt, or do you refer to it...? | 0:38:43 | 0:38:45 | |
Yeah. I mean, we have the same solar system. | 0:38:45 | 0:38:47 | |
But it has... It has lots and lots of different names, | 0:38:53 | 0:38:56 | |
so in Latin America they call it the Three Marys, | 0:38:56 | 0:38:59 | |
the Arabic name is the Accurate Scale Beam. | 0:38:59 | 0:39:01 | |
Really? I mean, what is it going to be, | 0:39:01 | 0:39:03 | |
hundreds of thousands, but looks like three? | 0:39:03 | 0:39:05 | |
No, it is in fact nine, is the answer that we were looking for. | 0:39:05 | 0:39:07 | |
-One more go, I'd have got it! -It looks like... I know. | 0:39:07 | 0:39:10 | |
I was going to go nine next. I was going in twos. | 0:39:10 | 0:39:13 | |
I know. It was like the guy who invented Six Up, | 0:39:13 | 0:39:15 | |
and he was so close to a successful soft drink. | 0:39:15 | 0:39:17 | |
There are the three that we think of, | 0:39:19 | 0:39:20 | |
the bright ones that you can see. | 0:39:20 | 0:39:22 | |
They're called Mintaka, Alnilam, and Alnitak. | 0:39:22 | 0:39:25 | |
But if we take Alnitak, it's actually three different stars. | 0:39:25 | 0:39:28 | |
There's a blue super giant and two smaller companions. | 0:39:28 | 0:39:32 | |
And each of the three main stars in Orion's Belt is at least | 0:39:32 | 0:39:34 | |
20 times the size of the sun, and at least 18,000 times brighter. | 0:39:34 | 0:39:40 | |
Blimey. | 0:39:40 | 0:39:41 | |
-But it's just far away? -It's so far away. | 0:39:41 | 0:39:43 | |
-This is why I hate space! -Why? | 0:39:43 | 0:39:46 | |
Because I don't have the ability to conceptually understand | 0:39:46 | 0:39:51 | |
how a mathematician can go, "Oh, well, because of this and this, | 0:39:51 | 0:39:55 | |
"and my periscope, then, like, it's that far away". | 0:39:55 | 0:40:00 | |
I don't understand. | 0:40:00 | 0:40:02 | |
-BILL: -That's where you're going wrong. | 0:40:02 | 0:40:04 | |
-Using a submarine, that's the... -Using a submarine. | 0:40:04 | 0:40:07 | |
So it's possible if you are up there, apart from being burned alive, | 0:40:08 | 0:40:13 | |
that you can't even see our sun. | 0:40:13 | 0:40:16 | |
-That is perfectly possible, it would not be bright enough. -Not bright enough. | 0:40:16 | 0:40:19 | |
So, this idea that aliens are looking, they can't even see us. | 0:40:19 | 0:40:21 | |
No idea. | 0:40:21 | 0:40:23 | |
There is nothing there. It's just us. There's nothing. | 0:40:23 | 0:40:26 | |
There's the sun, then there's Mercury, then Venus, | 0:40:26 | 0:40:29 | |
then there's Hummus, Spandau Ballet and... | 0:40:29 | 0:40:33 | |
And then nothing. | 0:40:33 | 0:40:36 | |
Orion's Belt may have three notches, | 0:40:36 | 0:40:38 | |
but it's actually made up of nine stars. | 0:40:38 | 0:40:40 | |
Now then, one test of a great surgeon | 0:40:40 | 0:40:42 | |
is their ability to concentrate while under stress. | 0:40:42 | 0:40:44 | |
So, while you are answering the next question, | 0:40:44 | 0:40:47 | |
you have got next to you bananas, and you have got a needle. | 0:40:47 | 0:40:52 | |
So this is how surgeons learn to do surgery. | 0:40:52 | 0:40:54 | |
What I would like you to do is half-peel the banana, like this, OK? | 0:40:54 | 0:41:00 | |
Your needle has been already threaded for you. | 0:41:00 | 0:41:02 | |
And I want you to sew the banana back together. | 0:41:02 | 0:41:04 | |
I can't. I can't open it. | 0:41:04 | 0:41:07 | |
Can't open it?! Monkeys have mastered this, Alan. | 0:41:09 | 0:41:11 | |
Darling, put it higher up, because that looks awful. | 0:41:15 | 0:41:18 | |
Can't open it! | 0:41:22 | 0:41:24 | |
Argh! | 0:41:24 | 0:41:26 | |
Argh! | 0:41:26 | 0:41:27 | |
Before you start, what's your first question? | 0:41:27 | 0:41:30 | |
-Am I a surgeon? -Is this the banana you were looking for? | 0:41:30 | 0:41:32 | |
Yes! Have I got the right banana? | 0:41:32 | 0:41:35 | |
-Yes. -Is exactly right. OK. | 0:41:35 | 0:41:37 | |
So, try and sew the banana back together. | 0:41:37 | 0:41:39 | |
Now, one of the great tests, because the whole thing | 0:41:39 | 0:41:41 | |
about a surgeon is the ability to concentrate, | 0:41:41 | 0:41:43 | |
I want you to tell me the name of the food that you are holding | 0:41:43 | 0:41:45 | |
if it was made without using any pesticides. | 0:41:45 | 0:41:48 | |
Organic banana. | 0:41:48 | 0:41:50 | |
KLAXON | 0:41:50 | 0:41:52 | |
Organic banana, there we go. Off and running. | 0:41:52 | 0:41:54 | |
-Oh, me thread's not enough. -Might as well go for it - plum. | 0:41:54 | 0:41:58 | |
Mine's a mess. | 0:41:58 | 0:41:59 | |
Katherine's doing a wonderful job here. | 0:41:59 | 0:42:01 | |
This is where I shine on a panel show of lots of men. | 0:42:01 | 0:42:04 | |
Oh, look at that! | 0:42:04 | 0:42:05 | |
In fact, although it's true that organic food contains | 0:42:06 | 0:42:09 | |
fewer pesticides or fertilisers than any other foods, | 0:42:09 | 0:42:11 | |
the answer is that none of them contain none. | 0:42:11 | 0:42:13 | |
I'm afraid, if you're eating organic food and you think, | 0:42:13 | 0:42:15 | |
"Yay, look at me," it has all got a bit of pesticide in it. | 0:42:15 | 0:42:19 | |
I'll tell you what, I have made quite an effective sort of dolphin | 0:42:19 | 0:42:22 | |
-there, look at that. -Actually, yeah. | 0:42:22 | 0:42:26 | |
Let's put our bananas away. | 0:42:30 | 0:42:32 | |
That brings us to the end of tonight's operation. | 0:42:32 | 0:42:34 | |
The anaesthetic is wearing off, the gloves are in the bin, | 0:42:34 | 0:42:37 | |
and the panel and the bananas have been royally stitched up, | 0:42:37 | 0:42:39 | |
which brings us to the scores. | 0:42:39 | 0:42:42 | |
And, with minus 35, yes, indeed, it's Rhod. | 0:42:42 | 0:42:46 | |
APPLAUSE | 0:42:46 | 0:42:47 | |
Equally creditable minus 27, Bill. | 0:42:49 | 0:42:52 | |
-APPLAUSE -Hurrah! | 0:42:52 | 0:42:54 | |
Minus 16, Alan. | 0:42:56 | 0:42:59 | |
-APPLAUSE -Thank you very much. Thank you. | 0:42:59 | 0:43:03 | |
And with an amazing whole 4 points, Katherine! | 0:43:03 | 0:43:06 | |
-Thank you. -APPLAUSE | 0:43:06 | 0:43:09 | |
And I'm very pleased to present Katherine with this week's objectionable object prize. | 0:43:15 | 0:43:20 | |
It is this small selection of gallstones. | 0:43:20 | 0:43:24 | |
-Which I had removed only just last month. -Thank you so much! | 0:43:24 | 0:43:28 | |
It only remains for me to thank Katherine, Rhod, Bill, and Alan. | 0:43:28 | 0:43:32 | |
And I leave you with this - | 0:43:32 | 0:43:33 | |
when the West German Chancellor Konrad Adenauer | 0:43:33 | 0:43:36 | |
succumbed to a heavy cold at the age of 90, | 0:43:36 | 0:43:38 | |
he did nothing but complain to his doctor. | 0:43:38 | 0:43:40 | |
"I'm not a magician," said the doctor. | 0:43:40 | 0:43:42 | |
"I can't make you young again." | 0:43:42 | 0:43:43 | |
"I haven't asked you to," said the Chancellor. | 0:43:43 | 0:43:45 | |
"All I want is to go on getting older." | 0:43:45 | 0:43:47 | |
Thank you, and good night. | 0:43:47 | 0:43:49 | |
APPLAUSE | 0:43:49 | 0:43:51 |