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CHEERING AND APPLAUSE | 0:00:23 | 0:00:24 | |
Goodbye...and thanks. | 0:00:32 | 0:00:36 | |
Thanks for coming to IQ. | 0:00:37 | 0:00:39 | |
Tonight, we're in opposite world, | 0:00:39 | 0:00:41 | |
where everything you thought was right | 0:00:41 | 0:00:43 | |
is either wrong or left, and vice versa. | 0:00:43 | 0:00:46 | |
Or it might be the other way round. | 0:00:46 | 0:00:48 | |
Anyway, up in reverse order, | 0:00:48 | 0:00:50 | |
these are not my guests. | 0:00:50 | 0:00:51 | |
On the contrary, Sara Pascoe. | 0:00:51 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:53 | 0:00:55 | |
No way, it's Jimmy Carr. | 0:00:58 | 0:00:59 | |
CHEERING AND APPLAUSE | 0:00:59 | 0:01:01 | |
It definitely can't be Colin Lane. | 0:01:04 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:06 | 0:01:08 | |
And I can't believe it's not Davies Alan, but it is. | 0:01:10 | 0:01:14 | |
CHEERING AND APPLAUSE | 0:01:14 | 0:01:15 | |
So, because we're doing opposites tonight, | 0:01:22 | 0:01:24 | |
every time you get something wrong, you get a bonus. | 0:01:24 | 0:01:27 | |
-Ah. -That's good, isn't it? | 0:01:27 | 0:01:29 | |
Alan's big night. | 0:01:31 | 0:01:33 | |
Let's listen to the buzzers. Sara goes... | 0:01:34 | 0:01:36 | |
# Night and day... # | 0:01:36 | 0:01:39 | |
-That's nice. Fits with our theme. -Classy. Beautiful. | 0:01:39 | 0:01:41 | |
That's very nice, isn't it? Colin goes... | 0:01:41 | 0:01:43 | |
# Ebony and ivory... # | 0:01:43 | 0:01:48 | |
Aah, I want a drink now. | 0:01:48 | 0:01:50 | |
Jimmy goes... | 0:01:50 | 0:01:51 | |
# Love and marriage, love and marriage... # | 0:01:51 | 0:01:56 | |
They're not really opposites, are they? | 0:01:56 | 0:01:58 | |
-What, love and marriage? -Yeah. -If you're doing it right. -Oh. | 0:01:58 | 0:02:02 | |
And Alan goes... | 0:02:02 | 0:02:04 | |
# In, out, in, out | 0:02:04 | 0:02:06 | |
# In, out, in, out | 0:02:06 | 0:02:07 | |
# In, out, in, out Shake it all about... # | 0:02:07 | 0:02:10 | |
Very base level Kama Sutra there. | 0:02:19 | 0:02:21 | |
Oh, dear. | 0:02:23 | 0:02:24 | |
"In, out, in, out, in, out, shake it all about," you'll be fine. | 0:02:24 | 0:02:27 | |
Anyway, rather than getting to business, | 0:02:28 | 0:02:31 | |
-we should do the opposite and have some fun... -Woohoo! | 0:02:31 | 0:02:33 | |
..so I've got some alcopops, like this. | 0:02:33 | 0:02:35 | |
I've got some... Look at these. | 0:02:35 | 0:02:37 | |
-There's your balloons. -Thank you. | 0:02:37 | 0:02:40 | |
And I've got fun chocolates. | 0:02:40 | 0:02:43 | |
There's another balloon for you. | 0:02:43 | 0:02:45 | |
OK. So, here's the thing... | 0:02:45 | 0:02:47 | |
-Sorry, I've dropped mine. -..it's party time... | 0:02:47 | 0:02:49 | |
Oh, you've dropped your balloon. | 0:02:49 | 0:02:51 | |
-Hang on a minute. -Jimmy's going to be a silly billy. -No, don't. | 0:02:51 | 0:02:54 | |
APPLAUSE | 0:02:57 | 0:02:58 | |
I'll do it. | 0:03:01 | 0:03:02 | |
OK, thanks, Colin. | 0:03:04 | 0:03:05 | |
-Sorry. -Yes? -If you just... | 0:03:05 | 0:03:07 | |
Could you hold up the red balloon for a second there? | 0:03:07 | 0:03:10 | |
Cos it'll look like a Banksy. | 0:03:10 | 0:03:11 | |
There you go. | 0:03:13 | 0:03:15 | |
That took the... Party time, OK? | 0:03:20 | 0:03:22 | |
Oh, yeah, here we go. | 0:03:22 | 0:03:23 | |
You are driving home from the shops, you are so excited. | 0:03:23 | 0:03:26 | |
-That's good, isn't it, Colin? -Oh, that's me! | 0:03:26 | 0:03:28 | |
ALL: Aww! | 0:03:28 | 0:03:30 | |
You're so excited that, unfortunately, | 0:03:30 | 0:03:32 | |
-you crash into a tree. -Oh. | 0:03:32 | 0:03:33 | |
-Yeah. -And that's why you used my face? | 0:03:33 | 0:03:36 | |
In Australia, they drive right-hand drive, right, Col? | 0:03:38 | 0:03:41 | |
-Yes, they do. -So technically... -So it's technically wrong? | 0:03:41 | 0:03:45 | |
-Yeah. -And in that photo, I probably miss the tree, | 0:03:45 | 0:03:47 | |
if you see the perspective. | 0:03:47 | 0:03:49 | |
-Let us imagine, you've crashed into a tree... -Yeah. | 0:03:50 | 0:03:52 | |
..I want to know what happens to the helium balloons? | 0:03:52 | 0:03:55 | |
-They... -Well, I'm more worried about him! | 0:03:55 | 0:03:57 | |
Yeah. What about me? What about me? | 0:03:57 | 0:03:59 | |
-Yes. -Yeah, that's quite heartless. -Yeah, sorry. | 0:03:59 | 0:04:01 | |
If the helium balloons pop and then you ring the ambulance, | 0:04:01 | 0:04:03 | |
they won't believe you, they'll think you're doing a prank call... | 0:04:03 | 0:04:06 | |
-That's right. -..because you'll sound like a silly boy. -Yes. | 0:04:06 | 0:04:09 | |
Alan, what were you going to say? | 0:04:09 | 0:04:10 | |
-They're going to keep going. -Which way? | 0:04:10 | 0:04:13 | |
Up? | 0:04:13 | 0:04:14 | |
KLAXON BLARES | 0:04:14 | 0:04:16 | |
Is it something to do with the air bag? | 0:04:20 | 0:04:23 | |
Cos the airbag's going to get released | 0:04:23 | 0:04:25 | |
and then there's another gas in the car. | 0:04:25 | 0:04:27 | |
So, do they fall in love... | 0:04:27 | 0:04:28 | |
..and run away together? | 0:04:29 | 0:04:30 | |
You look like a snooker player on a night out. | 0:04:30 | 0:04:34 | |
No, but you're on the right... No, it's nothing to do with the air bag. | 0:04:39 | 0:04:42 | |
-OK. -So, helium less dense than air. -Yeah. -All right. | 0:04:42 | 0:04:44 | |
So, everything else is going to get thrown forward, | 0:04:44 | 0:04:46 | |
the alcopops and chocolates are going to get thrown forward. | 0:04:46 | 0:04:48 | |
-They stay still. -KLAXON BLARES | 0:04:48 | 0:04:50 | |
This is a stupid show! | 0:04:53 | 0:04:55 | |
-They go down, they go down. -No. -They go backwards. | 0:04:56 | 0:04:58 | |
-They go down. They go down. -They go backwards! | 0:04:58 | 0:05:00 | |
-Backwards. -They go backwards, they go backwards. | 0:05:00 | 0:05:03 | |
# Ivory... # | 0:05:03 | 0:05:04 | |
They go backwards. | 0:05:04 | 0:05:05 | |
Then, when you accelerate, | 0:05:05 | 0:05:07 | |
what's going to happen to the helium balloon? | 0:05:07 | 0:05:09 | |
-Cos the helium balloon's gone backwards. -They'll go sideways. | 0:05:09 | 0:05:12 | |
-They're going to go... -Up. | 0:05:12 | 0:05:13 | |
-..the same, they're going to go forwards. -Forwards. | 0:05:13 | 0:05:15 | |
Yes, they're going to go forwards. Exactly. | 0:05:15 | 0:05:17 | |
OK, so enough party time, let's put things away. | 0:05:17 | 0:05:20 | |
Cos there's a limit to the amount of fun you're allowed. There you go. | 0:05:20 | 0:05:23 | |
Where do you want to put it? Oh, under there. | 0:05:23 | 0:05:25 | |
Then the set will gradually levitate. | 0:05:25 | 0:05:28 | |
-It's going well so far. -I know. | 0:05:31 | 0:05:32 | |
You just look, like, a bit washed up, things aren't so good. | 0:05:39 | 0:05:43 | |
"I used to be someone, now I just play for cash in pubs." | 0:05:44 | 0:05:47 | |
I'll be happy. | 0:05:49 | 0:05:50 | |
I thought you looked like a really ambitious porn star. | 0:05:50 | 0:05:53 | |
Like I would know! | 0:06:00 | 0:06:01 | |
OK, so we're doing opposites, what's the opposite of monopoly? | 0:06:03 | 0:06:06 | |
Fun. | 0:06:07 | 0:06:08 | |
-The danger of thinking it's fun. -Yeah. Extra point. | 0:06:10 | 0:06:13 | |
OK, the actual word "monopoly"? | 0:06:13 | 0:06:15 | |
Panoply is what you think it's going to be. | 0:06:15 | 0:06:17 | |
That's like a display of pineapple, is it? | 0:06:17 | 0:06:19 | |
So what does a monopoly mean? | 0:06:20 | 0:06:22 | |
-One single... -Supplier. -OK. -Single supplier. -OK. -OK. | 0:06:22 | 0:06:26 | |
-So mono...poly? -It's what we long for in the railways again. -Yes. | 0:06:26 | 0:06:30 | |
So, monopoly, a single supplier holding consumers to ransom. | 0:06:30 | 0:06:34 | |
So, what we're looking for is a single consumer | 0:06:34 | 0:06:36 | |
who can hold suppliers to ransom. It's called a monopsony. | 0:06:36 | 0:06:38 | |
It is the opposite of monopoly, it's possibly... | 0:06:38 | 0:06:40 | |
I love the way you kept going with that question | 0:06:40 | 0:06:43 | |
and that, never in a million years, were we going to get it. | 0:06:43 | 0:06:46 | |
I did economics A-level for a year and that's what it felt like. | 0:06:46 | 0:06:49 | |
So, what's an example? | 0:06:51 | 0:06:52 | |
So, the BBC, for example, has a monopsony on radio drama, right? | 0:06:52 | 0:06:56 | |
Lots of people want to write it, lots of people want to be in it, | 0:06:56 | 0:06:58 | |
but, pretty much, the BBC are the only people who produce it. | 0:06:58 | 0:07:01 | |
So, there are lots and lots of suppliers, | 0:07:01 | 0:07:03 | |
-but there's only one consumer. -And one listener. | 0:07:03 | 0:07:05 | |
She's very lonely. | 0:07:08 | 0:07:09 | |
-She's very lonely. -She's doing the washing-up, she's fine. | 0:07:09 | 0:07:12 | |
She can't afford a telly. She just can't afford one. | 0:07:12 | 0:07:15 | |
She won't be seeing this. | 0:07:15 | 0:07:17 | |
So, a single passenger, say, disembarking from a train, | 0:07:18 | 0:07:21 | |
and there's lots of taxis waiting, | 0:07:21 | 0:07:23 | |
that would be another example. There's only one consumer | 0:07:23 | 0:07:26 | |
and everybody is vying for their custom, so it's a monopsony. | 0:07:26 | 0:07:29 | |
So, monopsony is the opposite of monopoly, but nobody ever uses it. | 0:07:29 | 0:07:32 | |
And there are lots of words called orphaned negatives. | 0:07:32 | 0:07:35 | |
So, these are words that have the opposites, | 0:07:35 | 0:07:37 | |
but nobody uses them, they are now obsolete. | 0:07:37 | 0:07:39 | |
So, what would be the opposite of ineffable? | 0:07:39 | 0:07:43 | |
-Effable. -Effable. -Effable. -Effable, but nobody ever uses it, | 0:07:44 | 0:07:46 | |
-it's a perfectly good word, isn't it? -I've heard people say that. | 0:07:46 | 0:07:49 | |
-Effable? It's not effable? -"Oh, he's got nice trousers on today. | 0:07:49 | 0:07:52 | |
He's totally eff-able. | 0:07:52 | 0:07:53 | |
In that sense. | 0:07:55 | 0:07:56 | |
APPLAUSE | 0:07:56 | 0:07:57 | |
In polite company. | 0:07:59 | 0:08:01 | |
Yeah, well, funny and... | 0:08:01 | 0:08:02 | |
..thank you. | 0:08:02 | 0:08:04 | |
I really appreciate it. | 0:08:04 | 0:08:06 | |
They're very roomy. | 0:08:06 | 0:08:07 | |
But there are a lot of good ones. | 0:08:07 | 0:08:09 | |
Incessant, so cessant. | 0:08:09 | 0:08:10 | |
Nobody talks about cessant any more. | 0:08:10 | 0:08:12 | |
There's a weird thing about this word, OK? | 0:08:12 | 0:08:14 | |
What it tells you in the dictionary | 0:08:14 | 0:08:16 | |
is that "cessant" hasn't been used since 1701. | 0:08:16 | 0:08:18 | |
What happened that year? | 0:08:18 | 0:08:19 | |
They thought, "Do you know? I'm done with that word." | 0:08:19 | 0:08:22 | |
What about, for you, what about disdain? | 0:08:22 | 0:08:24 | |
Oh, yes, the opposite of being a good Dane, yes, a disdain. | 0:08:24 | 0:08:27 | |
ALAN AND COLIN: Dis Dane, dat Dane. | 0:08:29 | 0:08:31 | |
-Dis Dane. -Yeah. | 0:08:32 | 0:08:34 | |
The opposite of insipid? | 0:08:38 | 0:08:40 | |
Sipid. | 0:08:40 | 0:08:41 | |
It is just sipid. | 0:08:41 | 0:08:43 | |
-Sipid used to mean savoury. -Oh. | 0:08:43 | 0:08:44 | |
So people would say something was sipid. | 0:08:44 | 0:08:46 | |
Does anyone ever say beknownst? | 0:08:46 | 0:08:47 | |
-Unbeknownst. -Unbeknownst to me. | 0:08:47 | 0:08:49 | |
Beknownst to me. | 0:08:49 | 0:08:50 | |
Nocent, anybody? | 0:08:52 | 0:08:54 | |
Yes-cent. | 0:08:54 | 0:08:56 | |
-Innocent. -Innocent. -Innocent, so a nocent... Yeah, a nocent | 0:08:59 | 0:09:01 | |
-was a criminal. -Oh. -In-nocent. -Until about the 17th century, | 0:09:01 | 0:09:04 | |
so nocentem, Latin meaning "to harm". | 0:09:04 | 0:09:06 | |
Is nonchalant... | 0:09:06 | 0:09:07 | |
-chalant? -Chalant. I suppose... | 0:09:07 | 0:09:09 | |
-Chalant. -Yes. I'm going to refer to you as chalant, I like that. | 0:09:09 | 0:09:12 | |
-I think that sounds rather good. -Chalant. | 0:09:12 | 0:09:14 | |
Yeah, chalant and effable. | 0:09:14 | 0:09:16 | |
Stop it, you. | 0:09:19 | 0:09:20 | |
To be fair, Jimmy, I had to have it pointed out to me. | 0:09:20 | 0:09:22 | |
You know, the only downside to that with Jimmy is, | 0:09:30 | 0:09:32 | |
he does have to keep one foot on the floor at all times. | 0:09:32 | 0:09:35 | |
Well, someone has to keep one foot on the floor or everyone falls over. | 0:09:37 | 0:09:41 | |
OK. | 0:09:42 | 0:09:43 | |
Take that away with you as a thought. | 0:09:45 | 0:09:47 | |
Inflammable? | 0:09:48 | 0:09:49 | |
-Oh, I hate... Inflammable and flammable? -Hmm. -Same thing. | 0:09:49 | 0:09:52 | |
It is exactly the same thing, it's not an orphaned negative at all. | 0:09:52 | 0:09:55 | |
In fact, the opposite of flammable is non-flammable. | 0:09:55 | 0:09:57 | |
"Explosif." | 0:09:57 | 0:09:59 | |
-I beg your pardon? -Just... Just reading. | 0:09:59 | 0:10:01 | |
Oh, explosif. | 0:10:01 | 0:10:02 | |
It used to be inflammable cos it comes from the Latin inflammare. | 0:10:04 | 0:10:07 | |
But they adopted flammable deliberately in the 20th century, | 0:10:07 | 0:10:09 | |
because, honestly, inflammable seemed ambiguous, | 0:10:09 | 0:10:11 | |
so that is one of the reasons why we now say flammable | 0:10:11 | 0:10:13 | |
-and then non-flammable. -Oh. -Right. | 0:10:13 | 0:10:15 | |
Anybody know what a contronym is? | 0:10:15 | 0:10:17 | |
Oh, so it's like synonym? | 0:10:17 | 0:10:19 | |
Yeah? | 0:10:19 | 0:10:20 | |
-Antonym? -Antonyms, yes. | 0:10:20 | 0:10:22 | |
Somebody who's constantly contrary. | 0:10:22 | 0:10:24 | |
So, it's a word that is also its own opposite. | 0:10:24 | 0:10:28 | |
So, screen, which means to show - like screen a film - | 0:10:28 | 0:10:31 | |
and screen also means to hide. | 0:10:31 | 0:10:32 | |
-Yeah, hide. That's nice. -Another example, bound. | 0:10:32 | 0:10:35 | |
So fastened to the spot and also heading somewhere. | 0:10:35 | 0:10:37 | |
Oh, that's good, isn't it? | 0:10:37 | 0:10:38 | |
-That's really nice. -They're good, aren't they? -Yes. | 0:10:38 | 0:10:40 | |
Fast, so moving quickly, and stuck and unable to move. It's the two... | 0:10:40 | 0:10:44 | |
And also, I always with fast food, to fast is not to eat. | 0:10:44 | 0:10:46 | |
-And then also to eat loads really cheaply. -Yeah, there you go. | 0:10:46 | 0:10:50 | |
-Contronyms... I think we may need marijuana for this. -Yeah. | 0:10:50 | 0:10:54 | |
It appears to me like this should be a conversation that happens like, | 0:10:55 | 0:10:57 | |
-"Yeah, man, fast." -Yeah. -Yeah. -"Yeah." -"Cos it's like..." | 0:10:57 | 0:11:01 | |
"But, no, man, fast food." | 0:11:01 | 0:11:03 | |
I love that your impression of someone on drugs | 0:11:03 | 0:11:06 | |
means you've never taken them. | 0:11:06 | 0:11:07 | |
-You can have stoned... -Yeah. -..as in stoned. -Yeah? | 0:11:09 | 0:11:12 | |
And stoned as in what happens to you in some places if you're stoned. | 0:11:12 | 0:11:17 | |
-Yes. -Do you see? -Yes. -See my meaning? | 0:11:17 | 0:11:21 | |
Antigrams. | 0:11:21 | 0:11:22 | |
Anybody know what an antigram is? | 0:11:22 | 0:11:24 | |
It is the opposite of a gram. | 0:11:24 | 0:11:26 | |
So, these are words where, if you do an anagram, | 0:11:28 | 0:11:30 | |
the anagram itself has the opposite meaning to the original word. | 0:11:30 | 0:11:34 | |
-So... -Impossible! -Whoa! | 0:11:34 | 0:11:36 | |
Yeah. Dormitories, tidier rooms, is one, there's one. | 0:11:36 | 0:11:39 | |
Customers, I like this one, | 0:11:39 | 0:11:40 | |
the anagram is store scum. | 0:11:40 | 0:11:42 | |
APPLAUSE | 0:11:45 | 0:11:46 | |
There's a few people out there work in retail. | 0:11:47 | 0:11:50 | |
Here's another one, an antigram. | 0:11:53 | 0:11:55 | |
A volunteer fireman - | 0:11:55 | 0:11:57 | |
I never run to a flame. | 0:11:57 | 0:11:58 | |
And forty-five is an anagram | 0:12:00 | 0:12:02 | |
of over fifty. | 0:12:02 | 0:12:04 | |
That's just a woman lying, basically. | 0:12:06 | 0:12:07 | |
Now, you need to sort the sheep from the goats. | 0:12:09 | 0:12:12 | |
So, let's play... | 0:12:12 | 0:12:14 | |
This has really dumbed down, hasn't it? | 0:12:21 | 0:12:24 | |
I like it, I like it. | 0:12:24 | 0:12:26 | |
This show used to be something. I mean... | 0:12:26 | 0:12:28 | |
What is the difference between a sheep and a goat? | 0:12:28 | 0:12:31 | |
I think it's something that they do, rather than what they look like. | 0:12:31 | 0:12:34 | |
-OK. What do you think it is that they do? -Jumping. | 0:12:34 | 0:12:36 | |
I think... I love that clip so much when people are doing yoga... | 0:12:36 | 0:12:40 | |
-Yeah. -..and the goats are jumping on them. | 0:12:40 | 0:12:41 | |
And I've never seen a sheep... | 0:12:41 | 0:12:43 | |
-Seriously? -You've not seen this? -No... | 0:12:45 | 0:12:47 | |
Basically, there's all these people and they're doing downward dogs, | 0:12:47 | 0:12:50 | |
-and then tiny goats... -I'm going to stop you right there. | 0:12:50 | 0:12:53 | |
-They're doing yoga poses... -Oh, I see. | 0:12:55 | 0:12:57 | |
-..with their bums in the air... -Right. | 0:12:57 | 0:12:59 | |
..and goats are just jumping on them, like they're hillocks, | 0:12:59 | 0:13:01 | |
from person to person. It went crazy. | 0:13:01 | 0:13:04 | |
What kind of a class is that?! | 0:13:04 | 0:13:05 | |
But the problem is... | 0:13:05 | 0:13:07 | |
-So, you're supposed to be so focused on your yoga... -Yes. | 0:13:07 | 0:13:09 | |
-..you ignore the goats... -Don't notice the goats. | 0:13:09 | 0:13:11 | |
..and the goats are just, like, having a crazy great time. | 0:13:11 | 0:13:14 | |
This is everything I hate about yoga. | 0:13:14 | 0:13:16 | |
There's goats jumping on your arse | 0:13:17 | 0:13:19 | |
and you don't go, "Ha-ha." | 0:13:19 | 0:13:22 | |
That's craziness. | 0:13:22 | 0:13:23 | |
You can, but then you're bad at yoga. | 0:13:23 | 0:13:25 | |
-Can I just say...? -Whereas the sheep... | 0:13:26 | 0:13:29 | |
Yeah, don't go to yoga. | 0:13:29 | 0:13:32 | |
-They're much more pilates people, the sheep. -Yeah. | 0:13:32 | 0:13:34 | |
I've never seen a sheep jump. That's my point. | 0:13:34 | 0:13:36 | |
-I think goats are very agile. -Sheep can jump. -Sheep jump? -Yes. | 0:13:36 | 0:13:38 | |
-They can jump. -Yeah, they jump over... -In your dreams! | 0:13:38 | 0:13:41 | |
Because sometimes they jump for no reason at all. | 0:13:41 | 0:13:43 | |
Can I just say, my game has not gone where I was expecting, all right? | 0:13:43 | 0:13:46 | |
The simplest way to tell them apart | 0:13:47 | 0:13:49 | |
is that goats' tails point upwards. | 0:13:49 | 0:13:51 | |
That is the easiest way. | 0:13:51 | 0:13:53 | |
It's almost like they're asking for it. | 0:13:53 | 0:13:54 | |
-Don't listen to him, he's a bad man! -That is a kind of... | 0:13:57 | 0:14:00 | |
That's why they have the horns, right? | 0:14:00 | 0:14:02 | |
-That's the whole point of the horns. -Yeah. | 0:14:02 | 0:14:04 | |
-AUDIENCE GROANS -Don't listen to him either! | 0:14:04 | 0:14:06 | |
They're both terrible men. | 0:14:06 | 0:14:07 | |
So sorry. | 0:14:09 | 0:14:10 | |
You've ruined the yoga class. | 0:14:10 | 0:14:12 | |
Everything's ruined. | 0:14:13 | 0:14:15 | |
So, another clear distinction is kind of a martial arts style. | 0:14:15 | 0:14:17 | |
So, rams back up and charge in order to butt heads, | 0:14:17 | 0:14:21 | |
whereas billies will rear up. | 0:14:21 | 0:14:23 | |
Look at that, that's fantastic. | 0:14:23 | 0:14:24 | |
-They'll rear up on their hind legs and try and nut their opponent. -OK. | 0:14:24 | 0:14:27 | |
And when the two species fight each other, | 0:14:27 | 0:14:29 | |
the ram's style gives an advantage, | 0:14:29 | 0:14:31 | |
cos he hits the billy in the middle, amidships there. | 0:14:31 | 0:14:33 | |
But also, another difference between them is... | 0:14:33 | 0:14:35 | |
...they look different. | 0:14:35 | 0:14:37 | |
Whoa, whoa, whoa, slow down, Alan, slow down. | 0:14:39 | 0:14:41 | |
What are you talking about? | 0:14:41 | 0:14:42 | |
One's a sheep and one's a goat. | 0:14:42 | 0:14:44 | |
Look different. | 0:14:44 | 0:14:45 | |
Spelt differently. | 0:14:45 | 0:14:48 | |
-Tails. -They have different names. -Different names. | 0:14:48 | 0:14:50 | |
OK. | 0:14:50 | 0:14:51 | |
Let's find out whether you're right, | 0:14:51 | 0:14:53 | |
whether it is in fact cos they look different, | 0:14:53 | 0:14:55 | |
as we play... | 0:14:55 | 0:14:57 | |
..Sorting The Sheep From The Goats! | 0:14:57 | 0:14:58 | |
-Yay! -CHEERING | 0:14:58 | 0:15:01 | |
I'm telling you, Jimmy, you're going to be hosting this before long, | 0:15:04 | 0:15:07 | |
this quiz show. | 0:15:07 | 0:15:10 | |
OK, here we go, first picture. | 0:15:10 | 0:15:12 | |
-Goat. -Sheep, sheep. -KLAXON BLARES | 0:15:12 | 0:15:16 | |
In your face! | 0:15:16 | 0:15:17 | |
You had it, it's a sheep. | 0:15:17 | 0:15:19 | |
The giveaway is the long, floppy ears there. | 0:15:19 | 0:15:21 | |
-That's definitely a sheep. OK. -And the fact that it's a sheep. | 0:15:21 | 0:15:24 | |
All right. Next one. | 0:15:24 | 0:15:26 | |
-Ah. -Oh. -Sheep. | 0:15:26 | 0:15:28 | |
Colin, say the opposite of what it looks like, I think that's the game. | 0:15:33 | 0:15:37 | |
-Say the opposite. -A dog. | 0:15:37 | 0:15:38 | |
It's an angora goat. Next one. | 0:15:38 | 0:15:41 | |
What are we going for? | 0:15:41 | 0:15:43 | |
I'm saying sheep cos it looks like a goat. | 0:15:43 | 0:15:45 | |
OK, the main reason we know it's a sheep is cos the tail is down. | 0:15:45 | 0:15:48 | |
OK, next one. | 0:15:48 | 0:15:50 | |
What do we reckon about this one? | 0:15:50 | 0:15:52 | |
-Pig sheep. -It is a pig. | 0:15:55 | 0:15:58 | |
It's a curly-coated Mangalica from Austria or the borders of Hungary. | 0:15:58 | 0:16:02 | |
The really extraordinary thing was, I talked about sheep's tails | 0:16:02 | 0:16:05 | |
hanging down, so about a quarter of the world's sheep | 0:16:05 | 0:16:07 | |
are what they call "fat-tailed" varieties, | 0:16:07 | 0:16:09 | |
-so they store fat in their tails. -Whoa! -They've got booties. | 0:16:09 | 0:16:13 | |
Yeah, just like a camel stores fat. | 0:16:13 | 0:16:15 | |
Can we show that? | 0:16:15 | 0:16:17 | |
I'm not sure... That feels like... | 0:16:20 | 0:16:22 | |
I'm not sure how our researchers come up with this stuff. | 0:16:22 | 0:16:24 | |
That feels like it was quite a specialist search | 0:16:24 | 0:16:26 | |
and they went, "You know what? That could be in the show." | 0:16:26 | 0:16:29 | |
So, they store fat in their tails, | 0:16:29 | 0:16:31 | |
-rather like the camel stores it in their hump... -Yeah. | 0:16:31 | 0:16:34 | |
..and there are various sources, so Pliny the Elder, | 0:16:34 | 0:16:36 | |
-right up to Bruce Chatwin. -Oh. | 0:16:36 | 0:16:37 | |
They state that some of these sheep were actually fitted | 0:16:37 | 0:16:40 | |
with a wheeled trolley to carry their tails around behind them... | 0:16:40 | 0:16:43 | |
-Ah, the... -Oh. -..because there was so much fat in them. | 0:16:43 | 0:16:45 | |
The Kardashian sheep, yes. | 0:16:45 | 0:16:47 | |
I am familiar. | 0:16:49 | 0:16:51 | |
It's a picturesque motion. OK, now that we've all become experts | 0:16:51 | 0:16:55 | |
in animal identification, can you tell me what this is? | 0:16:55 | 0:17:00 | |
ALL: Aww! | 0:17:00 | 0:17:01 | |
Has someone drawn a face on my testicle? | 0:17:01 | 0:17:05 | |
I love that you're not sure. | 0:17:07 | 0:17:09 | |
I hope they haven't drawn a paw on your testicle as well. | 0:17:10 | 0:17:13 | |
The paw's always there. | 0:17:13 | 0:17:14 | |
The paw's on one of my testicles, the other to don't have one. | 0:17:17 | 0:17:20 | |
It feels like it's a hedgehog without his spikes. | 0:17:22 | 0:17:24 | |
You're absolutely right. That is exactly what it is. | 0:17:24 | 0:17:27 | |
-It didn't grow them from birth. -Aw! | 0:17:27 | 0:17:30 | |
This is so sweet. Presumably from some kind of trauma. | 0:17:30 | 0:17:33 | |
-ALL: -Aww! | 0:17:33 | 0:17:34 | |
We don't know. It was taken... | 0:17:34 | 0:17:35 | |
Oh, you've really got this one bad, haven't you? | 0:17:35 | 0:17:38 | |
Aww! | 0:17:40 | 0:17:41 | |
Aww! | 0:17:42 | 0:17:43 | |
Aww! | 0:17:43 | 0:17:45 | |
One spineless hedgehog and you all lose it. | 0:17:48 | 0:17:50 | |
Sums of this country up, if you ask me. | 0:17:50 | 0:17:53 | |
Let's check out the next one. | 0:17:55 | 0:17:57 | |
This one's an "Aww!" | 0:17:57 | 0:17:58 | |
-ALL: -Aww! | 0:17:58 | 0:18:00 | |
What is this part of the show? | 0:18:00 | 0:18:02 | |
Kill the vegan. | 0:18:04 | 0:18:05 | |
He looks quite cross, though, doesn't he? He's like, | 0:18:05 | 0:18:07 | |
-"What did you say? What did you say?" -Hang on. | 0:18:07 | 0:18:09 | |
-Are all birds doing that the whole time? -Maybe. | 0:18:09 | 0:18:11 | |
And we've just seen what they're really like. | 0:18:11 | 0:18:13 | |
Cos you look at birds and go, "Oh, he's adorable," | 0:18:13 | 0:18:15 | |
but they're actually going, "Come on, then!" | 0:18:15 | 0:18:17 | |
"I can't get my hands on my head! | 0:18:17 | 0:18:20 | |
"Damn you, evolution!" | 0:18:22 | 0:18:25 | |
What happened there? Was he allergic to piri piri sauce? | 0:18:26 | 0:18:30 | |
Is he essentially upset because somebody's prodding him in the back | 0:18:30 | 0:18:34 | |
with a bendy sausage? | 0:18:34 | 0:18:36 | |
Yeah, that's not good. | 0:18:36 | 0:18:38 | |
That's the weirdest part of that photo, in my opinion. | 0:18:38 | 0:18:42 | |
That is a cockatoo, a Moluccan cockatoo who has lost his feathers. | 0:18:43 | 0:18:47 | |
He is... He is... I would describe him as plucked. | 0:18:47 | 0:18:50 | |
Now, what's the opposite | 0:18:52 | 0:18:55 | |
of a plant-eating sheep? | 0:18:55 | 0:18:57 | |
-A plant that grows sheep. -It's a sheep. | 0:18:57 | 0:19:00 | |
See, just when I think what I said is really clear... | 0:19:04 | 0:19:06 | |
You now sound like a vegan who's really hungry. | 0:19:08 | 0:19:10 | |
-The opposite of a plant-eating sheep would be a...? -A sheep-eating plant. | 0:19:12 | 0:19:15 | |
Yes. Yes. | 0:19:15 | 0:19:17 | |
Well done, Colin. | 0:19:17 | 0:19:18 | |
CHEERING AND APPLAUSE | 0:19:18 | 0:19:20 | |
Colin, I'm just going to remind you, I said at the beginning... | 0:19:26 | 0:19:28 | |
-Yes? -..the more you get wrong, the more points you get. | 0:19:28 | 0:19:31 | |
I don't know if that's going to affect you in any way. | 0:19:31 | 0:19:33 | |
I've been on this show about six or seven times | 0:19:35 | 0:19:38 | |
and I still don't know what the rules are. | 0:19:38 | 0:19:41 | |
I have no idea. | 0:19:41 | 0:19:43 | |
So, there is said to be a sheep-eating plant. | 0:19:43 | 0:19:45 | |
It is called the Puya chilensis. There it is. | 0:19:45 | 0:19:48 | |
Same family as the pineapple. | 0:19:48 | 0:19:50 | |
-And what it does... -It sounds like... | 0:19:50 | 0:19:52 | |
This is someone that's stolen a sheep | 0:19:52 | 0:19:54 | |
and his friend's gone, "Where's my sheep?" | 0:19:54 | 0:19:56 | |
And he's gone, "What, your sheep? | 0:19:56 | 0:19:58 | |
"It was the bloody plant, mate." | 0:19:58 | 0:20:00 | |
"Bloody... Oh, you should have been here." | 0:20:00 | 0:20:02 | |
"Don't take your eyes off that pineapple." | 0:20:02 | 0:20:04 | |
So what happens is, the sheep gets entangled in its spiny leaves | 0:20:05 | 0:20:09 | |
and then the sheep starves to death. | 0:20:09 | 0:20:11 | |
ALL GROAN | 0:20:11 | 0:20:13 | |
Then the animal decays and it takes the nutrients, | 0:20:13 | 0:20:16 | |
as it decays, into the soil. | 0:20:16 | 0:20:17 | |
It's described as a proto-carnivorous system, | 0:20:17 | 0:20:19 | |
so it's unnaturalistic cos that suggests the plant | 0:20:19 | 0:20:22 | |
is on the evolutionary path towards being a carnivore | 0:20:22 | 0:20:24 | |
and other people don't think that's right at all in terms of evolution. | 0:20:24 | 0:20:27 | |
There is one in Surrey, the Royal Horticultural Society in Wisley. | 0:20:27 | 0:20:31 | |
In 2013, it bloomed for the very first time in 15 years. | 0:20:31 | 0:20:34 | |
The spokesman said, | 0:20:34 | 0:20:36 | |
"We keep it well fed with liquid fertiliser, | 0:20:36 | 0:20:39 | |
"as feeding it on its natural diet might prove a bit problematic." | 0:20:39 | 0:20:43 | |
I like the idea of those smart women | 0:20:44 | 0:20:46 | |
going to the Royal Horticultural Society in Wisley going, | 0:20:46 | 0:20:48 | |
"My God, that plant's got a sheep." | 0:20:48 | 0:20:50 | |
So there's nearly 600 species of carnivorous plants. | 0:20:51 | 0:20:54 | |
So anybody know what this one is? | 0:20:54 | 0:20:57 | |
It's the Venus flytrap, surely? | 0:20:57 | 0:20:59 | |
Let's just see if we can get it to think that I'm flying in. | 0:20:59 | 0:21:04 | |
Buzz, buzz, buzz, buzz, buzz, buzz. | 0:21:04 | 0:21:07 | |
Oh! | 0:21:07 | 0:21:08 | |
I mean, I'm not the toughest person on the planet, | 0:21:08 | 0:21:10 | |
but it is quite strong. | 0:21:10 | 0:21:12 | |
So nearly 600 species of carnivorous plants, | 0:21:12 | 0:21:14 | |
about 300 more proto-carnivorous | 0:21:14 | 0:21:16 | |
and they have a different range of approaches, so the Venus flytrap | 0:21:16 | 0:21:19 | |
obviously it actively traps insects but there are others | 0:21:19 | 0:21:22 | |
which might trap an insect and then feed on the faeces left | 0:21:22 | 0:21:25 | |
-by other bugs which come to eat the trapped insect. -Oh, OK. | 0:21:25 | 0:21:29 | |
So the one on the right there is a South African plant | 0:21:29 | 0:21:31 | |
called a Roridula and it does just that. | 0:21:31 | 0:21:33 | |
Isn't that odd, though, that we're all familiar with the Venus flytrap, | 0:21:33 | 0:21:36 | |
so when we were sit here and watch a plant go, "Schoof!" like that, | 0:21:36 | 0:21:38 | |
we'll just shrug that off but that's actually really frightening. | 0:21:38 | 0:21:41 | |
It is slightly terrifying, isn't it? | 0:21:41 | 0:21:44 | |
If that was massive, it would do it to us, it's only a matter of time. | 0:21:44 | 0:21:47 | |
-Well, it could... -Especially view, Sandi, let's face it. | 0:21:47 | 0:21:50 | |
I'm just going to give you that. | 0:21:53 | 0:21:54 | |
You can just keep it away from me and that will be lovely. | 0:21:56 | 0:21:58 | |
There's also a story of a man-eating tree in Madagascar. | 0:22:02 | 0:22:05 | |
1874, New York World wrote about this, | 0:22:05 | 0:22:08 | |
supposedly a woman had been eaten alive. | 0:22:08 | 0:22:10 | |
In fact it was a hoax, but it became a sort of enduring myth | 0:22:10 | 0:22:13 | |
and as late as 1925, there was a book called | 0:22:13 | 0:22:16 | |
Madagascar, Land Of The Man-eating Tree. | 0:22:16 | 0:22:18 | |
It was written by a curious man called Chase Osborn. | 0:22:18 | 0:22:21 | |
He was an ex-governor of Michigan. | 0:22:21 | 0:22:23 | |
He did genuinely search for the tree, but it's a myth... | 0:22:23 | 0:22:25 | |
..or is it? | 0:22:25 | 0:22:28 | |
Now, this is a human optogram. | 0:22:28 | 0:22:31 | |
What does it prove? | 0:22:31 | 0:22:34 | |
I always thought optograms | 0:22:34 | 0:22:36 | |
was that thing where they could look in your eye | 0:22:36 | 0:22:38 | |
and see who had murdered you. | 0:22:38 | 0:22:39 | |
-What now? -This was, like, before, like, DNA and stuff. | 0:22:39 | 0:22:43 | |
And they were like, "Oh, no..." | 0:22:43 | 0:22:44 | |
I think we always had DNA, it's really... | 0:22:44 | 0:22:46 | |
Yeah, but it's not... | 0:22:46 | 0:22:47 | |
-More like before we knew about it. -We could test it, yeah. -Yes, OK. | 0:22:47 | 0:22:50 | |
So, it was like, "Oh, I'm a Victorian policeman, | 0:22:50 | 0:22:52 | |
"this woman's died. | 0:22:52 | 0:22:54 | |
"I know, we'll get her eyes out, | 0:22:54 | 0:22:55 | |
"have a look on the retina, | 0:22:55 | 0:22:57 | |
"the last thing she's seen, that'll be the killer." | 0:22:57 | 0:22:59 | |
Was that, like, a commonly held belief? | 0:22:59 | 0:23:02 | |
Well, it began in the 17th century. | 0:23:02 | 0:23:03 | |
So, there was a priest called Christoph Scheiner, | 0:23:03 | 0:23:05 | |
and he'd claimed he had seen the image of a flame | 0:23:05 | 0:23:08 | |
on the retina of a frog that he had been dissecting. | 0:23:08 | 0:23:11 | |
So, then you get the development of photography, so that's about 1840s, | 0:23:11 | 0:23:14 | |
and that seemed to provide a sort of theoretical basis for this notion. | 0:23:14 | 0:23:17 | |
There was a German physiologist called Wilhelm Kuhne. | 0:23:17 | 0:23:20 | |
1878, he immobilised a rabbit | 0:23:20 | 0:23:23 | |
and forced it to look at a window for three minutes. | 0:23:23 | 0:23:26 | |
Then he decapitated it, | 0:23:26 | 0:23:28 | |
cut open the eye and, the next day, | 0:23:28 | 0:23:30 | |
he said that the retina dried and revealed an image of the window. | 0:23:30 | 0:23:33 | |
That was the last thing that the rabbit had been staring at. | 0:23:33 | 0:23:36 | |
Bullshit. | 0:23:36 | 0:23:38 | |
-Right, so he was able... So, he was... -Rubbish! | 0:23:38 | 0:23:40 | |
He was able to reveal that he killed the rabbit? | 0:23:40 | 0:23:42 | |
-Yes. -That's a bit of luck. I could have saved him a bit of time there. | 0:23:42 | 0:23:47 | |
1880, he decided to repeat this experiment | 0:23:47 | 0:23:50 | |
with the head of a guillotined murderer, | 0:23:50 | 0:23:51 | |
a man called Erhard Gustav Reif, | 0:23:51 | 0:23:53 | |
and his left eye was dissected | 0:23:53 | 0:23:55 | |
ten minutes after he died, | 0:23:55 | 0:23:57 | |
and the resulting optogram is that picture that we saw | 0:23:57 | 0:23:59 | |
-at the very beginning... -Oh, so it's the guillotine. | 0:23:59 | 0:24:01 | |
Yes, so it's been suggested it's the blade of the guillotine. | 0:24:01 | 0:24:04 | |
It seems very unlikely, he was blindfolded at the time. | 0:24:04 | 0:24:07 | |
The last bit of toast he had. | 0:24:09 | 0:24:11 | |
Unfortunately, all we have is that sketch. | 0:24:11 | 0:24:13 | |
We don't have the actual image. | 0:24:13 | 0:24:15 | |
So, this idea about optograms was taken up by fictional writers, | 0:24:15 | 0:24:18 | |
so Jules Verne and some of the popular press, | 0:24:18 | 0:24:20 | |
and it appears, because this was widely believed, | 0:24:20 | 0:24:23 | |
that some killers took the precaution | 0:24:23 | 0:24:25 | |
of taking their victims' eyes with them, | 0:24:25 | 0:24:27 | |
-to make sure there was no photo. -They seem really, principally, | 0:24:27 | 0:24:29 | |
-to be concerned with her hat in that picture. -Yes. | 0:24:29 | 0:24:32 | |
"Where's her hat?" "I think it's over there." | 0:24:35 | 0:24:38 | |
"I can't reach it!" | 0:24:38 | 0:24:40 | |
"Take a step nearer." | 0:24:42 | 0:24:44 | |
There's been research into this idea, optography, | 0:24:44 | 0:24:46 | |
as recently as 1975. | 0:24:46 | 0:24:48 | |
Evangelos Alexandridis of the University of Heidelberg, | 0:24:48 | 0:24:51 | |
he produced a number of images from... | 0:24:51 | 0:24:53 | |
-It's always the eyes of dead rabbits. -Oh! | 0:24:53 | 0:24:55 | |
-It's not nice. -They've got such big eyes maybe? -Yeah. | 0:24:55 | 0:24:58 | |
Bright eyes, famously bright eyes. | 0:24:58 | 0:25:00 | |
They eat a lot of carrots. | 0:25:00 | 0:25:02 | |
-Did you know that carrots are not... -Yeah. | 0:25:02 | 0:25:06 | |
-OK. Not dead when you eat them. -Carrots are not what? | 0:25:06 | 0:25:08 | |
They die in your stomach, they don't die when you bite into them. | 0:25:08 | 0:25:11 | |
-They only die in your stomach. -That's why they're so delicious. | 0:25:11 | 0:25:14 | |
But, no, it's worse than you think, | 0:25:14 | 0:25:17 | |
because I've been eating baby carrots. | 0:25:17 | 0:25:19 | |
I'm a monster! | 0:25:22 | 0:25:23 | |
I'm surprised this guy from the University of Heidelberg did manage | 0:25:27 | 0:25:30 | |
to produce some images, so there may be some underlying scientific basis | 0:25:30 | 0:25:33 | |
for this notion but we're not really sure. | 0:25:33 | 0:25:35 | |
Do you know where Albert Einstein's eyeballs are? | 0:25:35 | 0:25:38 | |
-They weren't buried with him? -No. | 0:25:38 | 0:25:40 | |
1955, they were removed during his autopsy | 0:25:40 | 0:25:43 | |
and they were given as a gift | 0:25:43 | 0:25:44 | |
to his personal physician Henry Abrams. | 0:25:44 | 0:25:46 | |
Oh, and they made the first one of those desk toys. | 0:25:46 | 0:25:49 | |
APPLAUSE | 0:25:52 | 0:25:54 | |
Oh, my God! | 0:25:56 | 0:25:58 | |
As far as we know, they're in a safe deposit box in New York City | 0:25:58 | 0:26:01 | |
but there's quite a thing of it. | 0:26:01 | 0:26:02 | |
Do you know where Napoleon's penis is? | 0:26:02 | 0:26:04 | |
Is it Wellington's house? | 0:26:05 | 0:26:08 | |
Again, we're not entirely sure. | 0:26:08 | 0:26:10 | |
We think it's in a special box in New Jersey. | 0:26:10 | 0:26:13 | |
In a special box? What are you like? I'll do the filth. | 0:26:13 | 0:26:17 | |
It was taken off at the autopsy | 0:26:17 | 0:26:18 | |
and then it was sort of displayed around the world, | 0:26:18 | 0:26:21 | |
and much mocked for its size. POP! | 0:26:21 | 0:26:22 | |
Yes. | 0:26:22 | 0:26:24 | |
And in the end, | 0:26:26 | 0:26:28 | |
a urologist in New Jersey, called Dr John Lattimer, | 0:26:28 | 0:26:30 | |
he bought it and he was so upset | 0:26:30 | 0:26:32 | |
at people teasing Napoleon's penis - I mean, weird - | 0:26:32 | 0:26:35 | |
he had a special box made | 0:26:35 | 0:26:36 | |
and it's in the family home in New Jersey, as far as we know. | 0:26:36 | 0:26:39 | |
-There's a penis for sale in London. -Sorry? -I was looking into it. | 0:26:39 | 0:26:42 | |
Oh, yes. | 0:26:42 | 0:26:44 | |
Thought I might get an upgrade. | 0:26:44 | 0:26:45 | |
I was in a very strange store in the East End of London, | 0:26:47 | 0:26:50 | |
and the last man that was hanged in Britain, | 0:26:50 | 0:26:52 | |
they have his penis for sale. | 0:26:52 | 0:26:54 | |
-Do they? How much is it? -How much? Yes. | 0:26:54 | 0:26:56 | |
Yeah. And was he hung? | 0:26:57 | 0:26:59 | |
APPLAUSE | 0:27:02 | 0:27:03 | |
-Perfect. -Anyway, an optigram won't prove | 0:27:05 | 0:27:09 | |
you're guilty or innocent, for that matter. | 0:27:09 | 0:27:11 | |
Here is a simple one. | 0:27:11 | 0:27:13 | |
Who's the opposite of Tarzan? | 0:27:13 | 0:27:16 | |
Yes? | 0:27:18 | 0:27:20 | |
Nazrat. | 0:27:20 | 0:27:21 | |
KLAXON BLARES | 0:27:21 | 0:27:22 | |
-Yes, OK, I'll have a crack. -Yes, OK? | 0:27:27 | 0:27:30 | |
-Yes? -So, it's going to be a wild... | 0:27:30 | 0:27:33 | |
Like, an ape raised in a city. | 0:27:33 | 0:27:34 | |
So, Wayne Rooney, Liam Gallagher? | 0:27:34 | 0:27:36 | |
They shave and they walk upright, but it's not good, is it? | 0:27:39 | 0:27:41 | |
-They should be with their own kind. -Well, in a... | 0:27:41 | 0:27:44 | |
In a way, you're right. | 0:27:45 | 0:27:47 | |
The opposite is an ape brought up as an English gentlemen, | 0:27:47 | 0:27:50 | |
and there was such a thing. It was a lowland gorilla, who was... | 0:27:50 | 0:27:52 | |
Oh, my God, he looks so human! | 0:27:52 | 0:27:54 | |
It was a lowland gorilla orphaned by hunters in the Gabon. | 0:27:55 | 0:27:58 | |
He was put up for sale in the Derry & Toms department store. | 0:27:58 | 0:28:01 | |
He was known as John Daniel. He was bought, in 1918, for £300. | 0:28:01 | 0:28:04 | |
So, that's about £20,000 today. | 0:28:04 | 0:28:07 | |
He was bought by Major Rupert Penny | 0:28:07 | 0:28:09 | |
and entrusted to his sister, Alyce Cunningham. | 0:28:09 | 0:28:12 | |
And he lived in a country house in Gloucestershire. Why not? | 0:28:12 | 0:28:14 | |
And he was brought up as a boy, not as a gorilla. | 0:28:14 | 0:28:17 | |
Although, I say a boy fond of drinking whisky and port. | 0:28:17 | 0:28:20 | |
He was fed on children. | 0:28:20 | 0:28:22 | |
-No, went to the village school. -How did he do? | 0:28:22 | 0:28:25 | |
Well, this is the thing, | 0:28:25 | 0:28:27 | |
he was quite good at making his own bed, | 0:28:27 | 0:28:29 | |
he was quite good at doing the washing-up. | 0:28:29 | 0:28:31 | |
He could use light switches and the lavatory. | 0:28:31 | 0:28:33 | |
-Oh, was it one of those Montessori schools? -Yeah. | 0:28:33 | 0:28:35 | |
He preferred the company of women. | 0:28:37 | 0:28:38 | |
When there was a group of men, | 0:28:38 | 0:28:40 | |
-he would urinate on them, which is not... -Oh! | 0:28:40 | 0:28:42 | |
And he would walk into people's houses and help himself to cider. | 0:28:43 | 0:28:46 | |
It's actually kind of a sad story | 0:28:46 | 0:28:48 | |
because, eventually, he grew too big and Alyce couldn't manage him, | 0:28:48 | 0:28:51 | |
and she sold him to an American for 1,000 guineas, | 0:28:51 | 0:28:53 | |
and she thought he was going to have a wonderful life in Florida. | 0:28:53 | 0:28:56 | |
But, in fact, he was made to join the Barnum & Bailey circus | 0:28:56 | 0:28:59 | |
-and was displayed in a zoo in Madison... -Aww. -Hey, hey, hey. | 0:28:59 | 0:29:01 | |
-Yeah, yes. -Let's try and focus on the positive - show business. | 0:29:01 | 0:29:05 | |
He got into show business. | 0:29:05 | 0:29:06 | |
And his health deteriorated, | 0:29:06 | 0:29:08 | |
and Alyce was sent a telegram to say that John Daniel was pining for her. | 0:29:08 | 0:29:11 | |
She set sail for America | 0:29:11 | 0:29:12 | |
but, very sadly, he died of pneumonia before she arrived, | 0:29:12 | 0:29:15 | |
-aged just four and... -Oh! -Yes, it's a really sad story. | 0:29:15 | 0:29:17 | |
And he was given to the American Natural History Museum, | 0:29:17 | 0:29:20 | |
where you can still see his body displayed. | 0:29:20 | 0:29:22 | |
But he did... | 0:29:22 | 0:29:23 | |
For that brief period of time, he was a boy in Gloucestershire | 0:29:23 | 0:29:26 | |
-growing up. -Living as a boy. -Living as a boy, yeah. | 0:29:26 | 0:29:28 | |
But a chimpanzee is all right | 0:29:28 | 0:29:30 | |
until they get to about a year old, and then they'll rip your arm off. | 0:29:30 | 0:29:32 | |
-Well, here is the thing... -That's the trouble. | 0:29:32 | 0:29:34 | |
And tigers are like that. We had a tiger on Jonathan Creek, right? | 0:29:34 | 0:29:37 | |
And they brought this tiger in with a chain, and about three handlers. | 0:29:37 | 0:29:40 | |
And they said, "Will Alan do a photo with the tiger?" | 0:29:40 | 0:29:43 | |
So, I was a bit apprehensive, and I said, "Are you sure? | 0:29:43 | 0:29:46 | |
-"I mean, it doesn't know me." -Yeah. -They said, "Oh, no, it's fine. | 0:29:46 | 0:29:49 | |
"They're not really a danger until they're about 12 months old." | 0:29:49 | 0:29:51 | |
I said, "Oh, good, good. How old is this one?" | 0:29:51 | 0:29:53 | |
And he goes, "It's 11 months." | 0:29:53 | 0:29:55 | |
Now, we're going into orbit, so here's a thought, right? | 0:29:57 | 0:30:00 | |
We have all this nuclear waste stinking the place up, | 0:30:00 | 0:30:05 | |
instead of keeping it underground, why don't we do the opposite | 0:30:05 | 0:30:08 | |
and just fire it into the sun and forget about it? | 0:30:08 | 0:30:12 | |
I've only just started recycling. | 0:30:12 | 0:30:14 | |
If you fired it all at the sun, wouldn't Rupert Murdoch be upset? | 0:30:16 | 0:30:20 | |
Suddenly it seems like a good idea, doesn't it? | 0:30:22 | 0:30:25 | |
APPLAUSE | 0:30:25 | 0:30:26 | |
Presumably because it would be very dangerous | 0:30:32 | 0:30:34 | |
and the sun would explode and we'd all die? | 0:30:34 | 0:30:36 | |
No, I think the sun could cope. | 0:30:36 | 0:30:37 | |
Would it make a more powerful and send it back? | 0:30:37 | 0:30:39 | |
-Ah! -The first thing is, it's unbelievably dangerous to put | 0:30:39 | 0:30:42 | |
nuclear waste in a rocket, right, because if the rocket explodes, | 0:30:42 | 0:30:46 | |
then you'd have the world's biggest dirty bomb. | 0:30:46 | 0:30:48 | |
But the major objection to this superficially attractive idea | 0:30:48 | 0:30:51 | |
is that, counterintuitively, it is extremely difficult to get something | 0:30:51 | 0:30:55 | |
to fall into the sun. So you think it would be easy, all right, yes? | 0:30:55 | 0:30:58 | |
-Yeah. -So imagine that this is the sun and we are travelling round, | 0:30:58 | 0:31:01 | |
but we are constantly drawn, aren't we, towards the sun? | 0:31:01 | 0:31:05 | |
But we're also travelling really fast around the sun, | 0:31:05 | 0:31:09 | |
so we're travelling at 30 kilometres per second, | 0:31:09 | 0:31:11 | |
-so that's 67,000 miles per hour. -Hold on to something! | 0:31:11 | 0:31:14 | |
So we might miss the sun and hit ourselves again? | 0:31:14 | 0:31:16 | |
Well, no, we wouldn't hit ourselves, but in order to get something to go | 0:31:16 | 0:31:19 | |
into the sun, what we actually have to do is get it to slow it down | 0:31:19 | 0:31:22 | |
until it's not going sideways any more. | 0:31:22 | 0:31:24 | |
Cos with a tiny bit of sideways speed, you would miss the sun | 0:31:24 | 0:31:26 | |
and it would just whip around and in order to get our object to fall into | 0:31:26 | 0:31:30 | |
the sun, you'd need to get the speed down to zero, | 0:31:30 | 0:31:32 | |
so that means thrusting the rocket backwards | 0:31:32 | 0:31:34 | |
about 67,000 miles per hour. | 0:31:34 | 0:31:37 | |
Have you seen the documentary about this where it actually happens? | 0:31:37 | 0:31:40 | |
-It is possible to do it. -I'll refer you to Superman 4. -Oh, sorry. | 0:31:40 | 0:31:44 | |
Because he took all the bombs | 0:31:46 | 0:31:48 | |
-and he threw them at the sun and it was fine. -Well, he had the power. | 0:31:48 | 0:31:50 | |
The trouble is we don't have a rocket that's powerful enough. | 0:31:50 | 0:31:53 | |
Nasa's new Horizon craft can go at 36,000 miles per hour - | 0:31:53 | 0:31:56 | |
that's 53% of the power that we actually need | 0:31:56 | 0:31:59 | |
to get the rocket to fall into the sun. It's called a sun dive. | 0:31:59 | 0:32:02 | |
So weirdly, rather perversely, it would actually be easier | 0:32:02 | 0:32:06 | |
to send our cargo of nuclear waste out into deep space | 0:32:06 | 0:32:09 | |
than it would be to drop it into the sun, | 0:32:09 | 0:32:12 | |
because we actually need less power | 0:32:12 | 0:32:14 | |
to get out of the solar system altogether. | 0:32:14 | 0:32:16 | |
OK. Here for the audience, ready? | 0:32:16 | 0:32:18 | |
By a cheer, | 0:32:18 | 0:32:20 | |
who's fed up with austerity? | 0:32:20 | 0:32:22 | |
CHEERING | 0:32:22 | 0:32:25 | |
Me too. So, time to take the opposite tack, I reckon. | 0:32:25 | 0:32:27 | |
Let's have a bit of ostentatious consumption. | 0:32:27 | 0:32:30 | |
So, I've got some menus here, for you, from a Chinese restaurant. | 0:32:30 | 0:32:33 | |
-Chinese takeaway, Col? -Oh, excellent. -There you go. | 0:32:33 | 0:32:35 | |
-Chinese takeaway. -Now, the Kangxi Emperor, | 0:32:35 | 0:32:38 | |
who ruled China around 1700, | 0:32:38 | 0:32:39 | |
was THE most ostentatious eater of all time. | 0:32:39 | 0:32:42 | |
So, here is my question, | 0:32:42 | 0:32:44 | |
which of his eight mountain delicacies do you fancy? | 0:32:44 | 0:32:47 | |
-Leopard foetus? -Yeah. | 0:32:47 | 0:32:49 | |
And this... And these are... These are... | 0:32:49 | 0:32:51 | |
I can't... | 0:32:51 | 0:32:53 | |
The vegan can't talk any more, she's having a panic attack! | 0:32:53 | 0:32:55 | |
I don't think there's anything here for me. | 0:32:57 | 0:32:59 | |
-Well, apart from the... -Are we not having a seaweed? | 0:33:00 | 0:33:03 | |
Well, there is vegetarian stuff here, there's the boar's testicles. | 0:33:03 | 0:33:06 | |
You don't necessarily have to kill the boar for those. | 0:33:06 | 0:33:09 | |
-That isn't how veganism works. -Oh. | 0:33:09 | 0:33:11 | |
It is an actual menu from the birthday of the Kangxi Emperor, | 0:33:11 | 0:33:14 | |
who was on the throne from 1661 to 1722. | 0:33:14 | 0:33:16 | |
Oh, you'd be so thrilled to get an invite to the Emperor's party. | 0:33:16 | 0:33:19 | |
"What are we having? Is there going to be cake?" | 0:33:19 | 0:33:22 | |
"No, better than that, monkey brain." | 0:33:22 | 0:33:24 | |
He called it the Manchu Han Imperial Feast, | 0:33:24 | 0:33:27 | |
so it's kind of like a fusion-style blowout, really. | 0:33:27 | 0:33:30 | |
Because he was trying to reconcile rival factions | 0:33:30 | 0:33:33 | |
so he was showcasing both the Manchu and the Han cuisine. | 0:33:33 | 0:33:36 | |
The meal lasted for three days, | 0:33:36 | 0:33:38 | |
there were six successive banquets, | 0:33:38 | 0:33:40 | |
124 starters and 196 main courses. | 0:33:40 | 0:33:43 | |
Look, that's that hedgehog. | 0:33:43 | 0:33:45 | |
That looks like the brain of something in that one - | 0:33:48 | 0:33:50 | |
is that the brain of something? | 0:33:50 | 0:33:52 | |
-Yes, that is a brain. -Monkey brains. -I wonder what it's thinking? | 0:33:52 | 0:33:57 | |
The seafood platter included | 0:33:57 | 0:33:59 | |
sea slug, fish tripe, swallow's nest, shark's fin and fish bones. | 0:33:59 | 0:34:02 | |
But it was the mountain delicacies that really pushed the boat out, | 0:34:02 | 0:34:05 | |
that was your leopard foetus and your camel's hump and so on. | 0:34:05 | 0:34:08 | |
But that kind of opulence is extraordinary. | 0:34:08 | 0:34:10 | |
There's a marvellous story about the first Earl Spencer, | 0:34:10 | 0:34:12 | |
so that's Princess Diana's great-great-great-great-grandfather. | 0:34:12 | 0:34:16 | |
In the 1750s, he had the finest house in London. | 0:34:16 | 0:34:19 | |
He was especially proud of an innovation - carpets - | 0:34:19 | 0:34:21 | |
but he could only afford three of them so he had this system | 0:34:21 | 0:34:24 | |
whereby as the guests moved through the house, the doors would close | 0:34:24 | 0:34:27 | |
behind them and they would roll up the carpet | 0:34:27 | 0:34:29 | |
and they would run round and lay it out. | 0:34:29 | 0:34:32 | |
And there was a guy called Henry Paget, | 0:34:32 | 0:34:34 | |
who was the fifth Marquess of Anglesey, so 1875 till 1905, | 0:34:34 | 0:34:38 | |
he modified his car so that the exhaust pipe sprayed perfume. | 0:34:38 | 0:34:42 | |
-Wow! -That's like those new pants You can get. Have you seen them? | 0:34:42 | 0:34:46 | |
There's these new pants. It's true. | 0:34:47 | 0:34:49 | |
You and I live on a parallel universe. | 0:34:49 | 0:34:52 | |
There's these pants that if you fart, it smells of mint. | 0:34:52 | 0:34:57 | |
Well, actually, that sounds very sensible. | 0:34:57 | 0:34:59 | |
Now, what is this guy's problem? | 0:35:01 | 0:35:05 | |
-Yes? -Goats. | 0:35:05 | 0:35:08 | |
Yeah... | 0:35:08 | 0:35:10 | |
He couldn't find any. | 0:35:14 | 0:35:16 | |
I think I know this. | 0:35:16 | 0:35:18 | |
He was asleep and he's farted. | 0:35:18 | 0:35:20 | |
He's farted with quite some force, so much force he's lifted himself up | 0:35:21 | 0:35:26 | |
and his cock's fallen off. | 0:35:26 | 0:35:27 | |
He does appear to have no genitals at all. | 0:35:27 | 0:35:30 | |
Sometimes from a distance, Sandi, it looks like that. | 0:35:30 | 0:35:33 | |
Sometimes they're moving so fast they become a blur. | 0:35:33 | 0:35:37 | |
See, I wouldn't know whether that's true or not. | 0:35:40 | 0:35:43 | |
They're both lying. | 0:35:43 | 0:35:46 | |
Colin, what do you reckon? | 0:35:46 | 0:35:48 | |
He's doing an upward dog. | 0:35:48 | 0:35:49 | |
So I do have a theory, | 0:35:51 | 0:35:52 | |
so in the olden days they thought that people used to be... | 0:35:52 | 0:35:55 | |
You know, like, The Exorcist, cos they thought the devil was in you | 0:35:55 | 0:35:58 | |
and they now think it's a kind of encephalitis... | 0:35:58 | 0:36:01 | |
Well, it is a medical thing. | 0:36:01 | 0:36:02 | |
It is a depiction of the effects of tetanus. | 0:36:02 | 0:36:05 | |
It is quite a famous painting, 1809, of a condition called opisthotonus, | 0:36:05 | 0:36:10 | |
by Sir Charles Bell. | 0:36:10 | 0:36:11 | |
The interesting thing about it is | 0:36:11 | 0:36:13 | |
when you get the fossils of dinosaurs, | 0:36:13 | 0:36:15 | |
particularly Archaeopteryx, so things with long necks, | 0:36:15 | 0:36:18 | |
they are often found in the same death pose. | 0:36:18 | 0:36:20 | |
You often see them with the head thrown back and the tail extended, | 0:36:20 | 0:36:23 | |
the mouth wide open and nobody really knew why. | 0:36:23 | 0:36:26 | |
So there were lots and lots of theories about this | 0:36:26 | 0:36:29 | |
and in the end they began to decide, | 0:36:29 | 0:36:31 | |
"Well, actually, most of them must have died of tetanus," | 0:36:31 | 0:36:34 | |
because the pose is exactly the same. | 0:36:34 | 0:36:36 | |
So rusty nails were around in those days? | 0:36:36 | 0:36:38 | |
But then Achim Reisdorf and Michael Wuttke of the University of Basel | 0:36:40 | 0:36:45 | |
in 2012, they did a really practical experiment | 0:36:45 | 0:36:47 | |
to see whether it really was tetanus. | 0:36:47 | 0:36:49 | |
Did they give birds with long necks tetanus? | 0:36:49 | 0:36:51 | |
No, no, what they did was, they bought | 0:36:51 | 0:36:53 | |
a load of chicken necks from the butcher. | 0:36:53 | 0:36:55 | |
Nobody wants those, really, but it's fine. | 0:36:55 | 0:36:57 | |
And they dropped them in water. | 0:36:57 | 0:36:58 | |
And immediately the necks all bent backwards by 90 degrees. | 0:36:58 | 0:37:02 | |
And then three months later after they had rotted some more | 0:37:02 | 0:37:05 | |
they had twisted further backwards to 140 degrees | 0:37:05 | 0:37:08 | |
and what they concluded was that the neck ligaments, | 0:37:08 | 0:37:10 | |
they're normally weighed down by the chicken's head, were freed | 0:37:10 | 0:37:13 | |
by the buoyancy of water to assume their default position. | 0:37:13 | 0:37:16 | |
Their default position was slightly upwards. | 0:37:16 | 0:37:18 | |
-That's such a good experiment. So clever. -And so simple. | 0:37:18 | 0:37:21 | |
So, that is your consignment of general knowledge for this week. | 0:37:21 | 0:37:25 | |
Now it's time for the opposite, General Ignorance, | 0:37:25 | 0:37:27 | |
-fingers on buzzers, please. -Ah, too easy, come on. | 0:37:27 | 0:37:29 | |
This is a telescope called Amanda. | 0:37:29 | 0:37:31 | |
She's at the South Pole. | 0:37:31 | 0:37:33 | |
So, first of all, what constellation must she be pointing at? | 0:37:33 | 0:37:37 | |
# Ivory... # | 0:37:37 | 0:37:38 | |
Southern Cross. | 0:37:38 | 0:37:40 | |
KLAXON BLARES | 0:37:40 | 0:37:43 | |
Amanda is the Antarctic Muon and Neutrino Detector Array, | 0:37:45 | 0:37:49 | |
is what Amanda stands for. | 0:37:49 | 0:37:51 | |
So, what might Amanda be pointing at? | 0:37:51 | 0:37:54 | |
Is someone getting changed nearby? | 0:37:54 | 0:37:56 | |
Or is she checking out her ex boyfriend? | 0:37:56 | 0:37:58 | |
So, we're playing Opposites, right, it wasn't Southern Cross. | 0:37:58 | 0:38:01 | |
-Oh. -North... The North Pole. | 0:38:01 | 0:38:03 | |
Yes, she is pointing towards the northern sky, | 0:38:03 | 0:38:05 | |
so she's pointing towards, what would we have? | 0:38:05 | 0:38:07 | |
Ursa Major. Polaris. | 0:38:07 | 0:38:09 | |
The same is true of an even bigger one, | 0:38:09 | 0:38:11 | |
the Ice Cube Cosmic Neutrino Detector. | 0:38:11 | 0:38:14 | |
So, the thing about this is, although she's at the South Pole, | 0:38:14 | 0:38:17 | |
she's actually pointing down into the ground. | 0:38:17 | 0:38:20 | |
So, she is pointing towards the northern skies. | 0:38:20 | 0:38:23 | |
Why didn't they just put it at the North Pole? | 0:38:23 | 0:38:25 | |
LAUGHTER | 0:38:25 | 0:38:26 | |
Because she's designed to detect neutrinos. | 0:38:26 | 0:38:29 | |
-Oh! -These are really, really small, sub-atomic particles. | 0:38:29 | 0:38:33 | |
They don't interact with matter. | 0:38:33 | 0:38:34 | |
So, they normally pass straight through the planet. | 0:38:34 | 0:38:37 | |
Me neither, to be honest. | 0:38:37 | 0:38:39 | |
LAUGHTER | 0:38:39 | 0:38:40 | |
They're teeny, tiny particles | 0:38:40 | 0:38:43 | |
that travel at near-light speeds. | 0:38:43 | 0:38:45 | |
They are really an important part of the universe's essential ingredients. | 0:38:45 | 0:38:49 | |
Whoop! I think I've got one. | 0:38:49 | 0:38:50 | |
-Well... -In your dreams! | 0:38:50 | 0:38:52 | |
..if you held your hand up to the sun, | 0:38:52 | 0:38:54 | |
a billion neutrinos would pass through your hand | 0:38:54 | 0:38:57 | |
as you held it up to the sun. | 0:38:57 | 0:38:59 | |
-I have a question that's... -Yes? -It's related to this. -OK. | 0:38:59 | 0:39:01 | |
-The constellation on the right there... -Yeah? | 0:39:01 | 0:39:04 | |
Is that called the Rat Slowing Down? | 0:39:04 | 0:39:06 | |
LAUGHTER | 0:39:06 | 0:39:11 | |
ALAN SCREECHES | 0:39:11 | 0:39:12 | |
"I've gone way too quick!" | 0:39:12 | 0:39:13 | |
I think he's gone out of that spin in the middle, | 0:39:13 | 0:39:15 | |
-and gone, "Whoa!" -Yeah. | 0:39:15 | 0:39:17 | |
So, these have almost no mass and no electric charge, | 0:39:17 | 0:39:19 | |
and they're incredibly difficult to detect. | 0:39:19 | 0:39:21 | |
Basically, we need to know. It's one of the great building blocks of the universe. | 0:39:21 | 0:39:25 | |
Why do we need to know? | 0:39:25 | 0:39:26 | |
Because it's one of the fundamental questions in physics - | 0:39:26 | 0:39:29 | |
how are things made? | 0:39:29 | 0:39:30 | |
That's the thing with science, Jimmy. | 0:39:30 | 0:39:31 | |
"We don't know what we're looking for but we have to look. | 0:39:31 | 0:39:34 | |
-Yeah. -Also, once we get to time travel... | 0:39:34 | 0:39:37 | |
It's really for better episodes of Doctor Who. That's why we're here. | 0:39:37 | 0:39:40 | |
LAUGHTER | 0:39:40 | 0:39:41 | |
Now, there are cat lovers and there are cat haters, | 0:39:41 | 0:39:44 | |
but whose lap will the cat sit on? | 0:39:44 | 0:39:47 | |
# Day... # | 0:39:47 | 0:39:49 | |
Cats always go to the people who don't like them or who are allergic. | 0:39:49 | 0:39:52 | |
KLAXON BLARES | 0:39:52 | 0:39:54 | |
Um, yes, they do. | 0:39:54 | 0:39:56 | |
-No. -They do. | 0:39:56 | 0:39:57 | |
Well, the only scientific study that we found, | 0:39:57 | 0:40:00 | |
in fact, finds the opposite. So... | 0:40:00 | 0:40:01 | |
They've only done one? | 0:40:01 | 0:40:03 | |
What are they spending their money on?! | 0:40:03 | 0:40:05 | |
You know the cat on the right there, | 0:40:05 | 0:40:06 | |
the cat on the right that's being kissed by the lady is... | 0:40:06 | 0:40:09 | |
-I think that cat's married. -LAUGHTER | 0:40:09 | 0:40:11 | |
Just from the expression of, | 0:40:11 | 0:40:12 | |
"Oh, my God! Don't take a picture, how am I going to explain this?" | 0:40:12 | 0:40:16 | |
So, people who believe the perverse cat theory, | 0:40:16 | 0:40:18 | |
-there are various explanations. -Yes, yeah. | 0:40:18 | 0:40:20 | |
Well, first, cats don't like being stared at | 0:40:20 | 0:40:22 | |
is one of the reasons that they give. | 0:40:22 | 0:40:24 | |
They perceive it as aggression, so they prefer people who ignore them. | 0:40:24 | 0:40:27 | |
Cats pick up hostile body language | 0:40:27 | 0:40:28 | |
-and they act to try and placate it, that's one of the things. -Yeah. | 0:40:28 | 0:40:31 | |
In fact, there's only one small study has been done | 0:40:31 | 0:40:33 | |
by the Anthro-zoological Institute at the University of Southampton, | 0:40:33 | 0:40:36 | |
and they were unable, really, to find much effect at all. | 0:40:36 | 0:40:39 | |
They had eight cat-lovers, eight cat-haters | 0:40:39 | 0:40:41 | |
and the cats didn't seem to be bothered who they went to. | 0:40:41 | 0:40:43 | |
-They were... -Not exactly a wide study. | 0:40:43 | 0:40:45 | |
It's not a massive study, Colin. LAUGHTER | 0:40:45 | 0:40:47 | |
-No, yeah. -Felines don't make beelines | 0:40:47 | 0:40:49 | |
towards people who hate cats. | 0:40:49 | 0:40:51 | |
This painting, have a quick look at this painting, what is it? | 0:40:51 | 0:40:54 | |
The Scream? | 0:40:54 | 0:40:56 | |
Yes, The Scream by Edvard Munch. | 0:40:56 | 0:40:57 | |
What does it depict? | 0:40:57 | 0:40:58 | |
Anyone...looking at London house prices. | 0:40:58 | 0:41:01 | |
LAUGHTER | 0:41:01 | 0:41:02 | |
-It's a... Now, I know this. -Yes. | 0:41:04 | 0:41:07 | |
I think. | 0:41:07 | 0:41:08 | |
But it's someone who is hearing screams | 0:41:08 | 0:41:11 | |
from a hospital or something. | 0:41:11 | 0:41:13 | |
You're nearly there. So, it is actually not somebody screaming, | 0:41:13 | 0:41:16 | |
-it is somebody... -Somebody hearing screams. | 0:41:16 | 0:41:19 | |
..hearing a scream of nature, is what Edvard Munch said. | 0:41:19 | 0:41:22 | |
So, it's a figure of indeterminate gender, | 0:41:22 | 0:41:24 | |
she or he, they're not screaming, they're hearing a scream. | 0:41:24 | 0:41:27 | |
So, it's the opposite of what we might think it is. | 0:41:27 | 0:41:29 | |
The scream of nature in German, Der Schrei der Natur. | 0:41:29 | 0:41:32 | |
So, his account of the inspiration for this painting | 0:41:32 | 0:41:34 | |
further bears this out. | 0:41:34 | 0:41:35 | |
"I stopped and looked out over the fjord, | 0:41:35 | 0:41:37 | |
"the sun was setting and the clouds turning blood red. | 0:41:37 | 0:41:40 | |
"I sensed a scream passing through nature. | 0:41:40 | 0:41:42 | |
"It seemed to me that I heard the scream. | 0:41:42 | 0:41:44 | |
"I painted this picture, I painted the clouds as actual blood. | 0:41:44 | 0:41:47 | |
"The colour shrieked. This became The Scream." | 0:41:47 | 0:41:49 | |
He sounds like a bloody great laugh, doesn't he? | 0:41:49 | 0:41:51 | |
LAUGHTER | 0:41:51 | 0:41:53 | |
The scream in Munch's The Scream is heard and not seen. | 0:41:53 | 0:41:56 | |
And that's your lot for tonight. | 0:41:56 | 0:41:57 | |
Let's have a look at the scores. | 0:41:57 | 0:41:59 | |
Well, with a rather magnificent minus 47... | 0:41:59 | 0:42:04 | |
Colin. | 0:42:04 | 0:42:05 | |
CHEERING AND APPLAUSE | 0:42:05 | 0:42:09 | |
Sara, with minus 14. | 0:42:09 | 0:42:10 | |
CHEERING AND APPLAUSE | 0:42:10 | 0:42:12 | |
I'm happy with that. I'm happy with third. | 0:42:12 | 0:42:15 | |
With a very, very creditable minus six... | 0:42:15 | 0:42:17 | |
Alan. CHEERING AND APPLAUSE | 0:42:17 | 0:42:20 | |
Thank you very much. | 0:42:20 | 0:42:22 | |
With a full 8 points, it's Jimmy. | 0:42:23 | 0:42:26 | |
CHEERING AND APPLAUSE | 0:42:26 | 0:42:29 | |
That means, Colin, that you are the winner | 0:42:33 | 0:42:36 | |
-and as you would expect... -Oh, I thought I'd won! -No. | 0:42:36 | 0:42:40 | |
Tonight's prize is the very opposite of an objectionable object, | 0:42:40 | 0:42:43 | |
it's this extremely tasteful QI mug. | 0:42:43 | 0:42:46 | |
There you are, congratulations. | 0:42:46 | 0:42:48 | |
CHEERING AND APPLAUSE | 0:42:48 | 0:42:51 | |
It only remains for me to thank Sara, Jimmy, Colin and Alan. | 0:42:51 | 0:42:56 | |
I leave you with this quote | 0:42:56 | 0:42:57 | |
that is definitely apposite, or maybe just the opposite of opposite, | 0:42:57 | 0:43:00 | |
from the economist, JK Galbraith. | 0:43:00 | 0:43:03 | |
"Under capitalism, man exploits man. | 0:43:03 | 0:43:05 | |
"Under communism, it's just the opposite." | 0:43:05 | 0:43:08 | |
Thank you and goodnight. | 0:43:08 | 0:43:10 | |
CHEERING AND APPLAUSE | 0:43:10 | 0:43:13 |