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APPLAUSE | 0:00:23 | 0:00:28 | |
Well... | 0:00:28 | 0:00:29 | |
APPLAUSE CONTINUES | 0:00:29 | 0:00:30 | |
Well, it's lawkes, tally-ho and welcome to an episode | 0:00:30 | 0:00:36 | |
that is all about horses and hunting. | 0:00:36 | 0:00:38 | |
Our four horsemen shooting from the hips are... | 0:00:38 | 0:00:41 | |
a handsome thoroughbred, Jimmy Carr... | 0:00:41 | 0:00:43 | |
APPLAUSE | 0:00:43 | 0:00:46 | |
..A magnificent stallion, Dara O Briain... | 0:00:46 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:53 | |
..A well-bred filly, Clare Balding... | 0:00:53 | 0:00:55 | |
APPLAUSE | 0:00:55 | 0:00:59 | |
..And a My Little Pony, Alan Davies. | 0:00:59 | 0:01:03 | |
APPLAUSE | 0:01:03 | 0:01:08 | |
And their buzzers are all horsey too. Jimmy goes... | 0:01:08 | 0:01:12 | |
HORSE SNORTS | 0:01:12 | 0:01:14 | |
Dara goes... | 0:01:14 | 0:01:15 | |
HORSE NEIGHS | 0:01:15 | 0:01:17 | |
Clare goes... | 0:01:17 | 0:01:18 | |
HORSE GALLOPS | 0:01:18 | 0:01:20 | |
And Alan goes... | 0:01:20 | 0:01:22 | |
DONKEY BRAYS | 0:01:22 | 0:01:25 | |
Well, let the horseplay commence. How did the horses of New York City | 0:01:25 | 0:01:30 | |
kill 20,000 people, in the year 1900? | 0:01:30 | 0:01:33 | |
Were they contagious? | 0:01:33 | 0:01:35 | |
They were not themselves contagious. | 0:01:35 | 0:01:38 | |
Did they poo out something contagious? | 0:01:38 | 0:01:41 | |
Well, yes. Manure, of course. | 0:01:41 | 0:01:43 | |
Well, manure isn't in and of itself contagious. | 0:01:43 | 0:01:46 | |
-That's why I was... -My mum used to run out in the street | 0:01:46 | 0:01:49 | |
and scrape it up into... my dad's hat. No, into a bag! | 0:01:49 | 0:01:53 | |
LAUGHTER | 0:01:53 | 0:01:55 | |
Horse manure's actually, as manure goes, I think, | 0:01:55 | 0:01:58 | |
rather less offensive than... | 0:01:58 | 0:01:59 | |
-It is, isn't it? -Something like dog poo really, really smells, | 0:01:59 | 0:02:03 | |
but horse, actually, I think, smells quite nice. | 0:02:03 | 0:02:05 | |
-So you're saying... Have we got favourite poos now? -Yes! | 0:02:05 | 0:02:08 | |
I had no idea this was going to be the game. This show's changed. | 0:02:08 | 0:02:12 | |
LAUGHTER | 0:02:12 | 0:02:13 | |
-"Dog poo? Horrible. Horse poo?" -Lovely! | 0:02:13 | 0:02:16 | |
LAUGHTER | 0:02:16 | 0:02:17 | |
When I first went to school, I was told that I smelled of horse poo. | 0:02:17 | 0:02:20 | |
-Oh, really? So you grew up amongst horses. -I did. | 0:02:20 | 0:02:23 | |
And, as you know, they do indeed produce excreta and... | 0:02:23 | 0:02:27 | |
London and other places, taxis and buses were all pulled by horses. | 0:02:27 | 0:02:32 | |
And there were, in London alone, | 0:02:32 | 0:02:34 | |
50,000 horses just in the public transport system. | 0:02:34 | 0:02:38 | |
And each one of those produces an enormous amount of poo. | 0:02:38 | 0:02:40 | |
New York City - 2.5 million pounds of it, every day. | 0:02:40 | 0:02:47 | |
It was becoming an epidemic problem. | 0:02:47 | 0:02:49 | |
Not only was there that problem, they were also dying. | 0:02:49 | 0:02:52 | |
About 41 a day, on average, died while working in the streets | 0:02:52 | 0:02:57 | |
and they preferred to leave them to putrefy, | 0:02:57 | 0:02:59 | |
cos they were easier to carve up and destroy, | 0:02:59 | 0:03:02 | |
so what we're talking about is huge quantities of manure. | 0:03:02 | 0:03:05 | |
I mean absolutely epic, gigantic quantities, which were vectors for all kinds of diseases. | 0:03:05 | 0:03:09 | |
Where did they bring the poo to, did somebody roll it into the corner? | 0:03:09 | 0:03:13 | |
The problem was, in the early 19th century, it was extremely valuable as a fertiliser. | 0:03:13 | 0:03:17 | |
Didn't they call it black gold? | 0:03:17 | 0:03:19 | |
It had been, but by the time you get to 1900, | 0:03:19 | 0:03:21 | |
there's so much of it that it's like any commodity in economics, it's virtually valueless. | 0:03:21 | 0:03:26 | |
You can grind it down, when it's dry, into a powder. | 0:03:26 | 0:03:29 | |
A very fine powder, indeed. | 0:03:29 | 0:03:31 | |
And William Herschel, the astronomer, | 0:03:31 | 0:03:33 | |
he used it for his speculum, the curved, polished mirror. | 0:03:33 | 0:03:36 | |
In the making of the mould for it, he used ground-up horse manure. | 0:03:36 | 0:03:40 | |
So it did have some uses. But, basically, by the time we're talking about, | 0:03:40 | 0:03:44 | |
traffic was much more dangerous than cars, with horses, because | 0:03:44 | 0:03:48 | |
horses themselves can bolt and drag people off with them and trample them. | 0:03:48 | 0:03:53 | |
The noise in the city was unbelievable. | 0:03:53 | 0:03:55 | |
The iron hooves on the cobbles was almost unbearable. | 0:03:55 | 0:03:58 | |
You could never have a conversation on the street. | 0:03:58 | 0:04:00 | |
And this poo that was transmitting typhus and typhoid and cholera | 0:04:00 | 0:04:03 | |
and goodness knows what else, all kinds of unpleasant things. | 0:04:03 | 0:04:06 | |
And what it is that the motor car - seems peculiar to us - | 0:04:06 | 0:04:10 | |
was an environmental saviour. It made the traffic safer, better, less smelly, | 0:04:10 | 0:04:16 | |
faster. It was just like the answer to the city's prayers. | 0:04:16 | 0:04:20 | |
Did Jeremy Clarkson put you up to this? | 0:04:20 | 0:04:22 | |
-LAUGHTER -It has that kind of ring about it. "The Saviour of New York City" | 0:04:22 | 0:04:26 | |
We do know that the car, of course, does have its drawbacks, | 0:04:26 | 0:04:29 | |
but it's a lot less dangerous. It's about seven times more dangerous | 0:04:29 | 0:04:33 | |
to have horses in the city than the car, just statistically speaking. | 0:04:33 | 0:04:37 | |
People have pointed out, of course, that traffic now is about as fast as it was in the days of the horse. | 0:04:37 | 0:04:44 | |
But they fail to point out that, of course, there's a lot more of it. | 0:04:44 | 0:04:48 | |
So, in fact, modern transportation is certainly more efficient. | 0:04:48 | 0:04:51 | |
So, before the First World War, the big environmental issue of the day was horse manure, | 0:04:51 | 0:04:56 | |
which filled up the streets as fast as it could be cleared away. | 0:04:56 | 0:04:58 | |
What are the advantages and disadvantages of guide horses for the blind? | 0:04:58 | 0:05:03 | |
I'm going to say the obvious one | 0:05:06 | 0:05:07 | |
is the fact that they could give you a lift. | 0:05:07 | 0:05:09 | |
-LAUGHTER -If you've got a guide dog, you've got to walk with it. | 0:05:09 | 0:05:13 | |
If you've got a guide horse, you'd be crazy not to climb on. | 0:05:13 | 0:05:16 | |
-You are aware they exist though? -I wasn't. -I can't imagine it. | 0:05:16 | 0:05:20 | |
You didn't know? They use these miniature horses as guide horses. | 0:05:20 | 0:05:24 | |
But, hang on, is the blind person walking a Shetland pony? | 0:05:24 | 0:05:29 | |
Smaller even than a Shetland pony. | 0:05:29 | 0:05:31 | |
OK, an even smaller one. But the blind person must be aware | 0:05:31 | 0:05:34 | |
of the people whispering, "Oh, god, somebody's nicked their dog." | 0:05:34 | 0:05:38 | |
LAUGHTER | 0:05:38 | 0:05:40 | |
-You can see how small they are. -Oh, it's a Falabella then, it's even smaller... | 0:05:40 | 0:05:44 | |
Exactly. It's very, very small. | 0:05:44 | 0:05:46 | |
And there are many bigger dogs than that. | 0:05:46 | 0:05:48 | |
-Anyway, what are the advantages of a horse rather than a dog? -Well, the poo's much nicer, isn't it? | 0:05:48 | 0:05:53 | |
-It's cooler. -It's cooler? -It's cooler. | 0:05:53 | 0:05:56 | |
You've got a Falabella pony, for god's sake, you've got a tiny, miniature pony. | 0:05:56 | 0:06:00 | |
Bragging rights, you mean. | 0:06:00 | 0:06:01 | |
-It could carry your shopping on its back. -Shopping on it back is another one. | 0:06:01 | 0:06:05 | |
Pull a little trolley, as well. They're a hardy pulling animal. | 0:06:05 | 0:06:09 | |
Some people, not many, are allergic to dogs. I would say that more people are allergic to horses. | 0:06:09 | 0:06:13 | |
-I would have thought. -If you're allergic to dogs, you may not be allergic to horses. | 0:06:13 | 0:06:17 | |
It might not go and shag the leg of every passer-by. | 0:06:17 | 0:06:20 | |
If it does, though, it would be more of a problem. | 0:06:20 | 0:06:23 | |
-They do have very good memories, as well, horses. -Do they? -Yeah, they do. | 0:06:23 | 0:06:28 | |
It's usually a panicky memory. | 0:06:28 | 0:06:29 | |
It's connected with something that was genuinely painful and distressing for them | 0:06:29 | 0:06:34 | |
and they never forget it. It can be the smallest thing. | 0:06:34 | 0:06:37 | |
So they would remember the way to the shops if they were particularly frightened | 0:06:37 | 0:06:41 | |
by the way to the shops some time ago, and you could just go "AH!" and the horse would go? | 0:06:41 | 0:06:46 | |
That would indeed be a disadvantage. They are flight animals, rather than pack animals. They can spook. | 0:06:46 | 0:06:51 | |
Another advantage, and it's a big one, is simply the relationship you have with your animal is longer. | 0:06:51 | 0:06:57 | |
-They live, what, 30 years? -20 or 30 years, as opposed to a dog, 8 to 12 years. | 0:06:57 | 0:07:01 | |
So that's a very strong advantage. Another one is simply their stamina is greater than dogs. | 0:07:01 | 0:07:06 | |
-But can you house-train a horse like -a dog? | 0:07:06 | 0:07:09 | |
Oddly enough, you can. | 0:07:09 | 0:07:10 | |
-Not as well as a dog. -The occasional accident? | 0:07:10 | 0:07:13 | |
The disadvantage is that restaurants tend to have a policy of "no horses", | 0:07:13 | 0:07:17 | |
or at least they don't have a positive "yes to horses" policy. | 0:07:17 | 0:07:20 | |
And also, if you go into a bar or somewhere a dog is welcome, | 0:07:20 | 0:07:24 | |
the dog can curl up and go to sleep, or go under the table. | 0:07:24 | 0:07:27 | |
The horse will be on the machine, smoking a fag. Chatting up other horses. Terrible in bars. | 0:07:27 | 0:07:35 | |
"I've just got to do the black now..." | 0:07:35 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:38 | |
"You go home, I'm going to stay." | 0:07:38 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:43 | |
They are slightly less able to blend into the background. | 0:07:43 | 0:07:47 | |
How does it work when a blind person with a guide dog wants to cross the road? | 0:07:47 | 0:07:51 | |
Does the dog say when it's clear and make the decision to cross the road? | 0:07:51 | 0:07:56 | |
-I hope so. -You hope so? Well, oddly enough, it doesn't. | 0:07:56 | 0:07:58 | |
-It's the blind person who makes the decision. -And the dog keeps stopping him. | 0:07:58 | 0:08:02 | |
The dog has the ability. | 0:08:02 | 0:08:03 | |
It's trained what's called selective disobedience or intelligent disobedience. | 0:08:03 | 0:08:08 | |
The dog will overrule if it must, but otherwise it's down to the master or mistress to initiate it. | 0:08:08 | 0:08:13 | |
And it's all done through the feeling of the harness, | 0:08:13 | 0:08:16 | |
so, when the dog gets to the other end, it puts its paws up on the kerb, | 0:08:16 | 0:08:19 | |
which alters the angle of the harness and the blind person feels that and knows where the kerb is. | 0:08:19 | 0:08:24 | |
My uncle, Harry, takes in guide dogs. | 0:08:24 | 0:08:27 | |
So when they fail the guide dog test, when they're not quite good enough, | 0:08:27 | 0:08:31 | |
-he has one. -That's rather wonderful. -So he sort of takes them in. | 0:08:31 | 0:08:34 | |
He was showing me one of his dogs, which was a magnificent creature. | 0:08:34 | 0:08:37 | |
What it would do, just to show how good it was, he would send it out to pee and it would come in | 0:08:37 | 0:08:42 | |
and he'd send it out again and you'd see it's little face going, "I've got to force one out. | 0:08:42 | 0:08:46 | |
"I can't come in till I've done a little wee." | 0:08:46 | 0:08:49 | |
And how long have humans been using dogs for blind people specifically? | 0:08:49 | 0:08:53 | |
-Do you know when it started? -1806? -I reckon it's going to be Roman. | 0:08:53 | 0:08:57 | |
-You're absolutely right. -It's always Roman, innit? | 0:08:57 | 0:09:00 | |
Have you not seen this show before? It's always Roman. | 0:09:00 | 0:09:03 | |
There's a first or second century AD mural at the Herculaneum | 0:09:03 | 0:09:06 | |
which shows quite clearly that it was in use then. | 0:09:06 | 0:09:09 | |
The proper school, the first school for seeing eye dogs, as the Americans call guide dogs, | 0:09:09 | 0:09:15 | |
when would we imagine and why? | 0:09:15 | 0:09:17 | |
18... No, maybe it was after the First World War. | 0:09:17 | 0:09:20 | |
-Very good. -A lot of blindness. -Cos the gas and things caused a lot of blindness. | 0:09:20 | 0:09:23 | |
-It was actually the Germans who had the first one, in World War One. -They had the top dogs for it. | 0:09:23 | 0:09:28 | |
In Britain, it started to take off in the 30s | 0:09:28 | 0:09:30 | |
but members of the public hated it and it caused a lot of fuss. Why, do you think? | 0:09:30 | 0:09:34 | |
-Were they using German Shepherd dogs? -No, it wasn't that. | 0:09:34 | 0:09:37 | |
Good point. There was a lot of anti-German feeling. No, they thought it was cruel to the dog. | 0:09:37 | 0:09:41 | |
And they would berate the trainers and users. "You can't do that to a dog!" It was just bizarre. | 0:09:41 | 0:09:47 | |
They seemed to have that rather British view | 0:09:47 | 0:09:49 | |
that anything you do with an animal that isn't normal must, therefore, be cruel. | 0:09:49 | 0:09:54 | |
And yet they'd been racing horses since 17-whatever and that was just fine(!) | 0:09:54 | 0:09:58 | |
Do you remember what happened with Blue Peter? | 0:09:58 | 0:10:01 | |
-Collecting milk bottle tops. -It was milk bottle tops, in the days if milk bottles. | 0:10:01 | 0:10:05 | |
-Happy days. -And it was 22 million milk bottle tops to train one dog. | 0:10:05 | 0:10:11 | |
-And the children of Britain... -..Trained one dog. | 0:10:11 | 0:10:14 | |
LAUGHTER | 0:10:14 | 0:10:15 | |
-Still, it made a happy blind person. -It was really well trained, though. | 0:10:15 | 0:10:20 | |
He was sick of milk, though, at the end of it. | 0:10:20 | 0:10:24 | |
Good. Well done, everybody. Miniature horses can be trained as guides for the blind, | 0:10:24 | 0:10:28 | |
though they have significant disadvantages and you're probably better off with a dog. | 0:10:28 | 0:10:32 | |
How would you use one of these to calm a horse down? | 0:10:32 | 0:10:36 | |
Oh. Is this...? Oh... | 0:10:38 | 0:10:40 | |
Calm it down?! | 0:10:40 | 0:10:42 | |
What I'm thinking of is not going to calm it down! | 0:10:44 | 0:10:47 | |
Have these been used? Cos if they are what I think they are, I don't think I want to touch it. | 0:10:47 | 0:10:51 | |
-Scrupulously cleaned. -Something over its nose? | 0:10:51 | 0:10:55 | |
-Over its snout? -It's that big. | 0:10:55 | 0:10:57 | |
-On the tail? -You fire an arrow at the horse? | 0:10:57 | 0:11:01 | |
Well, the points have gone to Alan. Alan has identified where it goes. | 0:11:01 | 0:11:07 | |
-Not the full number of points. -CLARE'S BUZZER | 0:11:07 | 0:11:10 | |
-Yes, Clare? -It's a twitch. -It's a twitch, she knows. | 0:11:10 | 0:11:14 | |
Of course she knows, she's Clare Balding! | 0:11:14 | 0:11:17 | |
LAUGHTER | 0:11:17 | 0:11:18 | |
-I couldn't let Alan get any more of it. I thought, "I'll give him a go", and he was nearly right! -They are. | 0:11:18 | 0:11:24 | |
Imagine you have to give medication... | 0:11:24 | 0:11:27 | |
This is like... Here, I'll do... | 0:11:27 | 0:11:30 | |
"twing-ning-ning!" | 0:11:30 | 0:11:31 | |
This isn't calming me. | 0:11:31 | 0:11:33 | |
Is this Whose Line Is It Anyway from ten years ago? | 0:11:33 | 0:11:35 | |
Imagine you're giving a horse medication or something. | 0:11:37 | 0:11:40 | |
They're very nervous animals and they don't like being fiddled around with any more than anyone else | 0:11:40 | 0:11:45 | |
but the trouble is, when they're uncomfortable, | 0:11:45 | 0:11:48 | |
they can hurt themselves as much as they can hurt a vet or anyone attending them, | 0:11:48 | 0:11:52 | |
because they strike out. So you need to calm a horse down and there's a very magical thing about horses. | 0:11:52 | 0:11:58 | |
Most peculiar. And what is it, Clare? | 0:11:58 | 0:12:01 | |
If you take their top lip, and you can do it with your hands | 0:12:01 | 0:12:04 | |
or a bit of rope - this, to me, looks a little severe... | 0:12:04 | 0:12:07 | |
-There it is. -And you basically take their top lip and they won't move. | 0:12:07 | 0:12:11 | |
-They just go into a state of almost trance-like... -Yeah. | 0:12:11 | 0:12:14 | |
And it's a bit like the old rabbits in the headlight freeze. It makes them go completely... | 0:12:14 | 0:12:20 | |
-And then you can... -Yeah, like that. -You can administer... -He's gone. | 0:12:20 | 0:12:23 | |
Alan is a horse. | 0:12:23 | 0:12:25 | |
Give me the drugs now, give me the drugs. | 0:12:29 | 0:12:32 | |
-You don't need them now. -Actually, with some you can take their ear and it has the same effect. | 0:12:32 | 0:12:37 | |
How did they find that out?! Must have been a lot of experimentation. | 0:12:37 | 0:12:41 | |
"I suppose we'll try the... That went badly, let's try the lip now." | 0:12:41 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:47 | |
It was thought originally that it was a distraction, | 0:12:47 | 0:12:50 | |
that if you did that, it couldn't concentrate on something else happening to it, | 0:12:50 | 0:12:54 | |
but it was discovered that it released endorphins. It just gets blissed out. | 0:12:54 | 0:12:59 | |
It's rather nice to know, cos it looks... | 0:12:59 | 0:13:01 | |
-LAUGHTER -It looks a bit cruel. | 0:13:01 | 0:13:04 | |
-I'm fine, I'm fine. -Oh, good. | 0:13:05 | 0:13:08 | |
There's another thing you may like to know. That's when you calm a horse down, but, sometimes, | 0:13:09 | 0:13:14 | |
you might want to get a horse more active. For example, if you're a horse dealer | 0:13:14 | 0:13:19 | |
and you've got a knackered old nag, you might want them to look coltish and spring-like. | 0:13:19 | 0:13:24 | |
How do you do the opposite, then? How do you...? | 0:13:24 | 0:13:27 | |
What, just hit 'em in the nads? | 0:13:27 | 0:13:29 | |
A little bit further back, even. | 0:13:29 | 0:13:31 | |
-We're talking bottoms. -Really? | 0:13:31 | 0:13:32 | |
-Yes, but what in the bottom? That's the key. -Well, anything really! | 0:13:32 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:39 | |
-Ice cube. -Ice cube? That would be good. | 0:13:39 | 0:13:43 | |
-The favourite thing... -Or a popsicle! | 0:13:43 | 0:13:46 | |
Sounds like there might be a story there, Alan! | 0:13:46 | 0:13:49 | |
-LAUGHTER -Goes back to the hot summer of '76. | 0:13:49 | 0:13:52 | |
LAUGHTER | 0:13:52 | 0:13:54 | |
What were the milk ones called? I loved the milk ones? | 0:13:54 | 0:13:57 | |
You know, the milk ones, you know the one I mean. | 0:13:57 | 0:14:00 | |
But for purely normal consumption, Clare. | 0:14:00 | 0:14:03 | |
LAUGHTER | 0:14:03 | 0:14:05 | |
In the normal way? Clare, Clare, in the normal way, you like them? | 0:14:05 | 0:14:09 | |
-Yes. -Yes, good. Just checking. | 0:14:09 | 0:14:11 | |
I really don't think flavour is a major issue | 0:14:11 | 0:14:14 | |
when you're talking about the ones to shove up your arse. | 0:14:14 | 0:14:17 | |
I'll tell you what is an issue - the Calippo. | 0:14:17 | 0:14:19 | |
LAUGHTER | 0:14:19 | 0:14:20 | |
It's thick in the wrong way. It comes out thick and then goes thin. | 0:14:20 | 0:14:24 | |
It depends which way you start your Calippo. You novice! | 0:14:24 | 0:14:28 | |
LAUGHTER | 0:14:28 | 0:14:31 | |
Let's... It's disappointing to discover that, in fact, | 0:14:31 | 0:14:34 | |
it's nothing to do with any kind of ice cream confection whatsoever. | 0:14:34 | 0:14:38 | |
But we are in the right channel, the right passage. | 0:14:38 | 0:14:41 | |
-And it is a foodstuff. -Ginger? | 0:14:41 | 0:14:44 | |
-Ginger is the right answer. -Oh, I didn't know that, I guessed. | 0:14:44 | 0:14:48 | |
-I just thought it was a bit hot. -You pop ginger out the bottom | 0:14:48 | 0:14:52 | |
and they spring about and look lively and it takes 10 years off 'em. | 0:14:52 | 0:14:55 | |
It's a really good episode of How To Look 10 Years Younger... | 0:14:55 | 0:15:00 | |
Yes, exactly! | 0:15:00 | 0:15:03 | |
-That woman with the glasses, I don't like her... -Ginger snaps. | 0:15:03 | 0:15:07 | |
-No, no, don't eat him. -Someone up there likes a ginger snap! | 0:15:10 | 0:15:14 | |
"I love ginger snaps!" | 0:15:14 | 0:15:17 | |
Is it legal in horse-racing? | 0:15:17 | 0:15:19 | |
If you were at the Derby or whatever, or the Grand National, | 0:15:19 | 0:15:24 | |
-could you just throw some ginger... -I think that would count as nobbling. | 0:15:24 | 0:15:27 | |
-I don't know if it's on the banned list. -Really? -I don't know, I'll have to check it. -Please do. | 0:15:27 | 0:15:32 | |
-What about Calippos? -Calippos probably have... -A ginger Calippo, that's going to change... | 0:15:32 | 0:15:37 | |
LAUGHTER DROWNS SPEECH | 0:15:37 | 0:15:40 | |
So, yes, you can calm a horse down by grabbing hold of its upper lip | 0:15:40 | 0:15:43 | |
then rev it up again by sticking a bit of ginger up its rectum, which is nice. | 0:15:43 | 0:15:48 | |
What is this sound? | 0:15:48 | 0:15:50 | |
GUTTURAL GROWLING | 0:15:50 | 0:15:52 | |
I'm going to say it's that bear. | 0:15:52 | 0:15:54 | |
KLAXON | 0:15:55 | 0:15:57 | |
What?! In the conventions of TV, if you show a picture of something...the noise over the top. | 0:15:57 | 0:16:04 | |
We showed a black bear and as you know, black bears don't roar. | 0:16:04 | 0:16:07 | |
Oh, no, of course. | 0:16:07 | 0:16:09 | |
So it can't have been that bear making that noise. | 0:16:09 | 0:16:11 | |
It's probably a wolf or a lion which is what Hollywood, and documentary makers to their eternal shame, | 0:16:11 | 0:16:17 | |
sometimes will put on. You see them open their mouth and you expect a roar and it makes it convincing. | 0:16:17 | 0:16:22 | |
But they don't roar. They barely growl. | 0:16:22 | 0:16:26 | |
ALAN SQUEAKS | 0:16:26 | 0:16:27 | |
-Yeah, that kind of noise, probably. -That won't do at all. | 0:16:27 | 0:16:30 | |
I don't think I find it less frightening, it's relatively frightening anyway | 0:16:30 | 0:16:35 | |
but I would be perplexed. That would stop me in my running away. | 0:16:35 | 0:16:38 | |
If the bear went... HE MOUTHS | 0:16:38 | 0:16:41 | |
-You'd wait to see what it had to say. -A bear miming?! | 0:16:41 | 0:16:45 | |
Many of their defenders would say they are pretty harmless. | 0:16:46 | 0:16:50 | |
There's a hunting season for black bear in America, that's the species. | 0:16:50 | 0:16:54 | |
They don't really attack people. Not like grizzlies which can be tricky. | 0:16:54 | 0:16:57 | |
Though they can climb trees and they say you know the difference between a black bear and a brown bear, | 0:16:57 | 0:17:03 | |
it's not always the colour, if you climb a tree. The black bear will climb after you, | 0:17:03 | 0:17:07 | |
if it's a grizzly, it will pull the tree down and then eat you that way. | 0:17:07 | 0:17:12 | |
So you'll know which one has eaten you. | 0:17:12 | 0:17:13 | |
The other way of stopping them attacking you is just put a pane of glass in front of them. | 0:17:13 | 0:17:18 | |
That's miming! We were talking about their mime skills... | 0:17:18 | 0:17:22 | |
Have you got a bear walking against the wind? | 0:17:22 | 0:17:25 | |
They don't eat us. They eat fruit. | 0:17:27 | 0:17:30 | |
They really love insect larvae, grubs and ants and all kinds of stuff like that. | 0:17:30 | 0:17:34 | |
-It is lovely, though, isn't it? -Yes! Oh, fabulous, absolutely. | 0:17:34 | 0:17:38 | |
Their strength is not in order to wrestle us or bite us, and their claws, | 0:17:38 | 0:17:42 | |
it's to upturn stones and bark to get at these woodlice and things. | 0:17:42 | 0:17:47 | |
There you are. Black bears don't actually roar so their vocal parts | 0:17:47 | 0:17:51 | |
in films are usually given to lions and wolves. | 0:17:51 | 0:17:54 | |
One million British forces were sent to the First World War front. | 0:17:54 | 0:17:56 | |
What happened to the ones that survived? | 0:17:56 | 0:17:59 | |
They settled in the South of France and opened a caravan park. | 0:17:59 | 0:18:04 | |
They couldn't learn the language, ended up moving back. | 0:18:04 | 0:18:07 | |
-What they didn't do is move back. -Did the French eat them? | 0:18:07 | 0:18:11 | |
Lots of people ate them. They were turned into food or rendered into products. | 0:18:11 | 0:18:16 | |
The point is one million horses, that's a heck of a lot, | 0:18:16 | 0:18:18 | |
but almost none came home. | 0:18:18 | 0:18:20 | |
-Some did cos in War Horse, he did. -Yes. -He came back. -Really? | 0:18:20 | 0:18:25 | |
-He did come back. -One million horses? | 0:18:28 | 0:18:30 | |
-Went to the First World War? -From Britain, yeah. -That's extraordinary. | 0:18:30 | 0:18:33 | |
If you think about the logistics of getting one million horses across the Channel, | 0:18:33 | 0:18:37 | |
-they're not all David Walliams. -Exactly. | 0:18:37 | 0:18:40 | |
According to Michael Morpurgo, who wrote that book, War Horse, | 0:18:40 | 0:18:44 | |
8-10 million horses died in the First World War. | 0:18:44 | 0:18:48 | |
They didn't have a nice time of it even if they did survive. | 0:18:48 | 0:18:51 | |
They thought they'd be diseased when they came back as well. | 0:18:51 | 0:18:54 | |
So they just didn't want them. It was a very sad chapter | 0:18:54 | 0:18:58 | |
-in our story. -Yes. | 0:18:58 | 0:19:00 | |
It's a bummer, isn't it? I've silenced you. | 0:19:00 | 0:19:02 | |
It's like when they play the Black Beauty music, I just start crying. | 0:19:02 | 0:19:06 | |
You know the bit where Ginger dies? It's really, really sad. | 0:19:06 | 0:19:10 | |
You know why they call him Ginger. | 0:19:10 | 0:19:12 | |
I would have that music at my funeral, definitely. Black Beauty music. | 0:19:15 | 0:19:20 | |
-It's a deal. I'll arrange it. -Thanks. -We'll make sure it happens. | 0:19:20 | 0:19:23 | |
How fast is that coffin going to be moving? | 0:19:23 | 0:19:26 | |
At quite a lick, by the sounds of things! | 0:19:26 | 0:19:28 | |
One of the most popular ones to have now with the coffin going is the Countdown theme. | 0:19:28 | 0:19:32 | |
Do-do-do-do-do-do-BOONG! Like that. | 0:19:32 | 0:19:36 | |
It is bizarre the way people go crazy for horses though. | 0:19:36 | 0:19:39 | |
I remember in primary school, a really weird thing which stuck in my head. | 0:19:39 | 0:19:44 | |
There was a little girl in our primary school class, we were six years old, | 0:19:44 | 0:19:48 | |
and she was just in floods of tears, bawling her eyes out, | 0:19:48 | 0:19:51 | |
we went, "What's the matter?" | 0:19:51 | 0:19:52 | |
And she went, "I just love horses so much." | 0:19:52 | 0:19:55 | |
Ohh! Is that how you were? | 0:19:55 | 0:19:58 | |
I don't see why that's strange. | 0:19:58 | 0:19:59 | |
You know, sometimes they ask you to write things for, you know, your first love. | 0:20:01 | 0:20:06 | |
Genuinely, my first love was Frank and he was a pony. | 0:20:06 | 0:20:09 | |
He wasn't very handsome. He had brown ears and a spotty neck and really bad sweet itch, | 0:20:09 | 0:20:13 | |
so his mane just kind of stood up in sections and my mother always said | 0:20:13 | 0:20:17 | |
if you could love Frank, everything in the world would always be beautiful | 0:20:17 | 0:20:21 | |
-cos you thought he was beautiful and I did. -That's so touching! | 0:20:21 | 0:20:24 | |
He was lovely, he understood me. | 0:20:24 | 0:20:26 | |
He DID understand me. | 0:20:26 | 0:20:28 | |
Why little girls? Little boys don't care about ponies. | 0:20:28 | 0:20:33 | |
I know families who move for the sake of having more space so they can maybe get a horse. | 0:20:33 | 0:20:38 | |
CLARE: We're emotionally mature a little earlier. | 0:20:38 | 0:20:41 | |
-Yeah. -About 50 years earlier. | 0:20:41 | 0:20:44 | |
I would never move for a child's hobby. | 0:20:44 | 0:20:47 | |
"But Dad, I like ponies." "Yeah, well, I like this house. | 0:20:47 | 0:20:51 | |
"When you pay for the mortgage, you can stick a pony in every room." | 0:20:53 | 0:20:58 | |
"Thanks, Dad(!) | 0:20:58 | 0:21:00 | |
"All right, I'm only asking, God!" | 0:21:00 | 0:21:02 | |
You're Dad, all right? | 0:21:02 | 0:21:04 | |
All right. Thank you. | 0:21:04 | 0:21:08 | |
So, the fact is very few horses, sadly, made it home from the front. | 0:21:08 | 0:21:11 | |
If they weren't killed in action, they were likely to be fed to prisoners or turned into fertiliser. | 0:21:11 | 0:21:16 | |
What are these horses thinking? Picture is behind you there. | 0:21:16 | 0:21:19 | |
From left to right. | 0:21:19 | 0:21:21 | |
-What is it we're after here? -The one on the right's thinking, "Clare Balding." | 0:21:21 | 0:21:25 | |
"She loves me!" | 0:21:25 | 0:21:28 | |
Yeah, the one in the middle's going, "I'll be Frank!" | 0:21:28 | 0:21:31 | |
-It's something to do with the ears, is it? -It's the ears. | 0:21:31 | 0:21:35 | |
The language and moods of the horse are often interpreted by its ears. | 0:21:35 | 0:21:39 | |
Are you...what's your sense on the one on the left, then? | 0:21:39 | 0:21:42 | |
The one on the left is very alert and has seen something that's slightly startled it...woo! | 0:21:42 | 0:21:47 | |
-That's straight up, a kind of...yeah. -Slightly startled. | 0:21:47 | 0:21:50 | |
The one in the middle is eager, keen, wanting to go forward, sees something it likes. | 0:21:50 | 0:21:54 | |
-You can do the position... -Fantastic. Thank you so much. | 0:21:54 | 0:21:58 | |
So, that'll be...I'm a bit alarmed. | 0:21:58 | 0:22:01 | |
-Right. -That, I'm... | 0:22:01 | 0:22:03 | |
DARA: Before we're accused... | 0:22:03 | 0:22:05 | |
The only woman on the panel is the one wearing the bunny ears. | 0:22:05 | 0:22:08 | |
Can Jimmy wear the ears? Just for... | 0:22:08 | 0:22:13 | |
He doesn't know the horse ear language whereas you do. | 0:22:13 | 0:22:16 | |
I'm not sure about sideways, actually. | 0:22:16 | 0:22:18 | |
-Sideways, we have written down... -Flat back is very scared or very angry. | 0:22:18 | 0:22:23 | |
That could mean it's moving at quite a pace. | 0:22:23 | 0:22:26 | |
-Wind tunnel, horse in a wind tunnel. -Or going under a door. | 0:22:26 | 0:22:30 | |
-Or going in a door. -It's amazing. If you watch racing, | 0:22:30 | 0:22:32 | |
you watch how many horses prick their ears as they get to the winning post. | 0:22:32 | 0:22:36 | |
-Yeah. -Cos they think if they just get the ears over quickly, | 0:22:36 | 0:22:39 | |
-it'll be... -They'll break the tape. | 0:22:39 | 0:22:42 | |
Apparently, flopping sideways means knackered or "I surrender," to another horse or person. | 0:22:42 | 0:22:47 | |
-Then there's flicking... -Yeah, and one back and one forward. | 0:22:47 | 0:22:52 | |
-What does that mean? What does flicking mean? -Left, left! | 0:22:52 | 0:22:56 | |
Panic, supposedly. | 0:22:56 | 0:22:58 | |
Panic. Then back, you mentioned, is angry, aggressive, upset... | 0:22:58 | 0:23:02 | |
-Is this ALL horses? -Yes. -The universal language of horses? | 0:23:02 | 0:23:06 | |
-Putting their ears back is a bad sign. -I think I've broken this now. | 0:23:06 | 0:23:09 | |
-You have! -Violence, there. -Permanently sad. | 0:23:09 | 0:23:14 | |
-You look very sweet. -Just permanently confused. | 0:23:14 | 0:23:18 | |
Drooping sideways, one down, one up, the way you are there, | 0:23:18 | 0:23:21 | |
it could be that you're on drugs, apparently. | 0:23:21 | 0:23:23 | |
I can absolutely assure you that I'm not. | 0:23:26 | 0:23:28 | |
-Doped with depressants or stimulants... -One up, one down? | 0:23:28 | 0:23:31 | |
No, whether it's completely rigid or flat down. | 0:23:31 | 0:23:34 | |
Rigid would be stimulants, I think. | 0:23:34 | 0:23:38 | |
Horses do use a lot of body language. They talk with their ears. | 0:23:40 | 0:23:43 | |
Now we plunge head-long into the dung heap of General Ignorance | 0:23:43 | 0:23:47 | |
to see who comes up smelling of roses. Put your fingers on the buzzers. | 0:23:47 | 0:23:51 | |
What colour is this horse? | 0:23:51 | 0:23:53 | |
Grey. | 0:23:53 | 0:23:54 | |
KLAXON | 0:23:54 | 0:23:57 | |
-Yeah? -White. -It's white. | 0:23:59 | 0:24:01 | |
It's a white horse. You said grey because almost all white horses | 0:24:01 | 0:24:07 | |
-are, in fact, known as greys to people. -And they're born very dark. | 0:24:07 | 0:24:11 | |
All those horses that you see at the Spanish Riding School | 0:24:11 | 0:24:14 | |
-that become beautiful and white, I've been to see them as foals... -Lipizzaners. -Yeah. | 0:24:14 | 0:24:19 | |
-..they're born almost jet black. -Are they? -They go grey and if you ever get the chance... | 0:24:19 | 0:24:24 | |
You must know that. You must have seen Crimson Tide with Gene Hackman | 0:24:24 | 0:24:28 | |
-and Denzel Washington... -Oh, yes... | 0:24:28 | 0:24:30 | |
It's a whole thing, a big a-ha-ha-ha! | 0:24:30 | 0:24:32 | |
Does Denzel Washington go white? | 0:24:32 | 0:24:35 | |
The thing is, "But they're born black! Da-da-da!" | 0:24:35 | 0:24:39 | |
-It's a big twist. -So, yes, white horses. | 0:24:39 | 0:24:43 | |
If it's a Thoroughbred grey, what do you know about it? | 0:24:43 | 0:24:46 | |
It's a bit snobby. | 0:24:46 | 0:24:48 | |
A bit self-important. Thoroughbreds... | 0:24:48 | 0:24:51 | |
-All Thoroughbred greys are descended from one grey. -Jesus. | 0:24:51 | 0:24:56 | |
LAUGHTER | 0:24:56 | 0:24:59 | |
No. No. | 0:24:59 | 0:25:00 | |
It was a wild stab in the dark. If it had come off, my God, you would have got points. | 0:25:00 | 0:25:05 | |
It would have been so impressive. But unfortunately, it wasn't the answer on this occasion. | 0:25:05 | 0:25:10 | |
Alcock, is the answer. Alcock Arabian. | 0:25:10 | 0:25:13 | |
All Thoroughbred horses around the world are descend from... | 0:25:13 | 0:25:17 | |
Three. | 0:25:17 | 0:25:18 | |
Three. Can you name them? | 0:25:18 | 0:25:19 | |
Darley Arabian, Godolphin Arabian and the Byerley Turk? | 0:25:19 | 0:25:23 | |
-Absolutely right, you must have points for that. -Yes, that's correct. | 0:25:23 | 0:25:26 | |
-Thank you. -Three Arab stallions came over in the late 17th century | 0:25:26 | 0:25:31 | |
and they are the origins of all Thoroughbred horses in racing. | 0:25:31 | 0:25:35 | |
So, horsey people call most white horses grey. | 0:25:35 | 0:25:38 | |
But the ones in our picture, well, that one was an honest-to-goodness white horse. | 0:25:38 | 0:25:43 | |
Now a story of horror and hostility, a shoal of piranhas | 0:25:43 | 0:25:47 | |
meets a dolphin. What happens next? | 0:25:47 | 0:25:49 | |
Does the dolphin eat the piranhas? | 0:25:49 | 0:25:51 | |
Yes! You're learning. That's good. | 0:25:51 | 0:25:54 | |
I only said that cos it was the opposite of what I thought. | 0:25:54 | 0:25:57 | |
The fact is, the whole idea that piranhas are these aggressive, flesh-eating creatures | 0:25:57 | 0:26:02 | |
is pretty nonsensical, actually. | 0:26:02 | 0:26:04 | |
It really goes back to Teddy Roosevelt, it seems, that's maybe one of the first times | 0:26:04 | 0:26:08 | |
that people who'd never travelled to South America, he'd been there | 0:26:08 | 0:26:12 | |
and they'd put on a display for him and he rather exaggerated this idea. | 0:26:12 | 0:26:16 | |
He'd said if you put your arm in the water, it'd be stripped to the bone. | 0:26:16 | 0:26:20 | |
The fact is, they just don't do that. They're frightened of humans. | 0:26:20 | 0:26:23 | |
If you're swimming with piranhas, they'll go away. | 0:26:23 | 0:26:26 | |
They scavenge on dead things, mostly. Contrary to their reputation, | 0:26:26 | 0:26:29 | |
piranhas are scavengers, not predators. | 0:26:29 | 0:26:32 | |
They're actually eaten by dolphins, not the other way round. | 0:26:32 | 0:26:36 | |
So, what weapon did 19th century whalers use to kill whales? | 0:26:36 | 0:26:40 | |
Are you looking for a harpoon? | 0:26:40 | 0:26:43 | |
KLAXON | 0:26:43 | 0:26:44 | |
OK, not a harpoon. | 0:26:44 | 0:26:47 | |
No, the harpoon is used for... | 0:26:47 | 0:26:50 | |
Dragging it in. | 0:26:50 | 0:26:51 | |
It's tiring it out, really. | 0:26:51 | 0:26:53 | |
You fire or they threw a harpoon, with rope attached, | 0:26:53 | 0:26:57 | |
it's barbed so it would stick in to the flesh of the beast | 0:26:57 | 0:27:01 | |
and then what was called a Nantucket Sleighride would take place, | 0:27:01 | 0:27:04 | |
where this whale would drag the whaling boat, | 0:27:04 | 0:27:07 | |
which was quite small, as you can see, and eventually, | 0:27:07 | 0:27:10 | |
the whale would tire out. You just keep on and you don't let go. | 0:27:10 | 0:27:14 | |
Then when it's tired out, | 0:27:14 | 0:27:15 | |
lances finish it off. | 0:27:15 | 0:27:17 | |
-It was a pretty extraordinary industry. -There's a lot of it still going on, isn't there? | 0:27:17 | 0:27:21 | |
I fear there is. Most nations are signatories of a ban on whaling... | 0:27:21 | 0:27:25 | |
-That's all changing... -Notably, Norway and Japan are not. | 0:27:25 | 0:27:28 | |
Japan say it's all for research - researching the perfect whale sandwich. | 0:27:28 | 0:27:33 | |
-Yes. -And they won't stop until they've got it! | 0:27:33 | 0:27:36 | |
Mmm, delicious. | 0:27:36 | 0:27:39 | |
So, yes, 19th century whalers used lances to kill whales, | 0:27:39 | 0:27:42 | |
harpoons were used to catch them before they were killed, which brings us to our final scores. | 0:27:42 | 0:27:47 | |
Oh, my goodness! An interesting one today. | 0:27:47 | 0:27:50 | |
Falling at the first fence, I'm sorry to say, | 0:27:50 | 0:27:54 | |
with minus 13 in fourth place, it's Jimmy Carr! | 0:27:54 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:28:01 | |
And a very relieved Alan Davies has only made a slight foal of himself, | 0:28:03 | 0:28:07 | |
on minus six. | 0:28:07 | 0:28:08 | |
APPLAUSE | 0:28:08 | 0:28:11 | |
And just beaten in the final furlong, with four points, | 0:28:11 | 0:28:15 | |
Dara O'Briain. | 0:28:15 | 0:28:17 | |
APPLAUSE | 0:28:17 | 0:28:20 | |
Oh, who would believe it? It's maiden stakes for her, her first race, | 0:28:20 | 0:28:24 | |
and she's galloping away as a winner, five points, Clare Balding! | 0:28:24 | 0:28:28 | |
APPLAUSE | 0:28:28 | 0:28:30 | |
It's good night from Clare, Jimmy, Dara and Alan and I leave you with this thought from Rita Mae Brown. | 0:28:35 | 0:28:40 | |
"If the world was truly a rational place, it would be men who rode side saddle." | 0:28:40 | 0:28:45 | |
Thank you and good night. | 0:28:45 | 0:28:47 | |
Subtitles by Red Bee Media Ltd | 0:28:56 | 0:29:00 | |
Email [email protected] | 0:29:00 | 0:29:03 |