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APPLAUSE | 0:00:24 | 0:00:26 | |
CHEERING | 0:00:26 | 0:00:29 | |
Hey, hey hey hey, hey hey, hey, hey, hey, | 0:00:29 | 0:00:34 | |
hey hey hey hey, and welcome to the QI H-anatomy lesson, | 0:00:34 | 0:00:39 | |
where we're discussing heads, hands, hips, hearts, | 0:00:39 | 0:00:43 | |
and indeed any other part of the body beginning with H. | 0:00:43 | 0:00:45 | |
And joining me with scalpels at the ready are four prime specimens of the human body. | 0:00:45 | 0:00:50 | |
So give a big hand for Sue Perkins! | 0:00:50 | 0:00:52 | |
APPLAUSE AND CHEERS | 0:00:52 | 0:00:56 | |
And a hearty cheer for Bill Bailey. | 0:00:56 | 0:01:00 | |
APPLAUSE AND HEARTY CHEERS | 0:01:00 | 0:01:03 | |
And a hip-hip-hip replacement hooray for Gyles Brandreth! | 0:01:03 | 0:01:07 | |
-AUDIENCE: -Hip, hip, hooray! | 0:01:07 | 0:01:09 | |
Wahey! Very good. And a hair-raising scream for Alan Davies! | 0:01:09 | 0:01:14 | |
-AUDIENCE SCREAMS -Wow. | 0:01:14 | 0:01:17 | |
I like the way it stopped dead. | 0:01:17 | 0:01:19 | |
That was good. And now, thanks to the handiwork of my audio elves, | 0:01:19 | 0:01:23 | |
your buzzers should be ready. And Sue goes... | 0:01:23 | 0:01:25 | |
-APPLAUSE -Ooh! | 0:01:25 | 0:01:29 | |
I think it was a round of applause. And Bill goes... | 0:01:29 | 0:01:31 | |
-CHEER -And Gyles goes... | 0:01:31 | 0:01:34 | |
-HIP-HIP-HOORAY! -And Alan goes... | 0:01:34 | 0:01:37 | |
-SCREAM -Oh! | 0:01:37 | 0:01:40 | |
-We recorded, cleverly, the audience. -GYLES: Isn't that clever? Wow. | 0:01:40 | 0:01:44 | |
-So, let's start with H... -This is already one of the weirdest shows I've ever been on. | 0:01:44 | 0:01:48 | |
-LAUGHTER -We try and do our best. | 0:01:48 | 0:01:52 | |
-This sounds like a pensioner sitting on a bag of Rice Krispies. -APPLAUSE | 0:01:52 | 0:01:57 | |
-LAUGHTER -You're right! | 0:01:57 | 0:01:59 | |
APPLAUSE | 0:01:59 | 0:02:00 | |
It's certainly not someone under 65 sitting on Rice Krispies, is it? | 0:02:00 | 0:02:04 | |
Or somebody putting their fingers in a socket. Do it again. | 0:02:04 | 0:02:08 | |
APPLAUSE Slow way to go, but nice! | 0:02:08 | 0:02:12 | |
-Ooh, lovely. -Easy, tiger. | 0:02:12 | 0:02:14 | |
-Easy. -Careful. -Pleasure delay, remember? | 0:02:14 | 0:02:17 | |
Well. Let's start with H for h-h-h-hands. | 0:02:17 | 0:02:22 | |
What can I tell about you by looking at your palms? | 0:02:22 | 0:02:26 | |
Sorry, Stephen, why did you say that in that very strange way? H-h-hands! | 0:02:26 | 0:02:29 | |
Just to emphasis it begins with H. | 0:02:29 | 0:02:31 | |
Like we were under any illusion that "hands" started with anything else. | 0:02:31 | 0:02:36 | |
-"HANDS!" -I was just trying to be helpful! | 0:02:36 | 0:02:39 | |
-Subtitles for the hard of thinking. -Remember who you're sitting next to. | 0:02:39 | 0:02:43 | |
-Oh, yes, of course. LOUDLY: -Hands, dear! | 0:02:43 | 0:02:45 | |
ALL: Hands! | 0:02:45 | 0:02:47 | |
-Hands?! -Yes, look! At the end of your harms! | 0:02:47 | 0:02:49 | |
LAUGHTER | 0:02:49 | 0:02:50 | |
So, settling down, what... What can you tell about someone from their palms? | 0:02:50 | 0:02:56 | |
-How long they're going to live, whether they'll get married, children... -BILL: The future. | 0:02:56 | 0:03:00 | |
KLAXON | 0:03:00 | 0:03:02 | |
I didn't say "the future"! He said "the future"! | 0:03:02 | 0:03:05 | |
I just joined in! | 0:03:05 | 0:03:07 | |
Maybe we'll halve the forfeit between you. | 0:03:07 | 0:03:10 | |
Oh, I can't believe I get...! | 0:03:10 | 0:03:11 | |
But no. Empirically and obviously it's never been proved that any such thing | 0:03:11 | 0:03:16 | |
could ever be demonstrated, but there are things you can tell. | 0:03:16 | 0:03:19 | |
-GYLES: Forgive me. When you say it's never been proved... -Yeah. | 0:03:19 | 0:03:22 | |
-But there are people who feel they've done it. -Feeling you've done something is not quite the same | 0:03:22 | 0:03:27 | |
as empirical... Thank God you're not in the government. | 0:03:27 | 0:03:30 | |
LAUGHTER AND APPLAUSE | 0:03:30 | 0:03:35 | |
They sweat, that's all they do. | 0:03:36 | 0:03:38 | |
-To varying degrees. -But they have ridges. | 0:03:38 | 0:03:41 | |
We'll ignore the lines of palmistry for the moment, but there is such a thing as palm diagnosis. | 0:03:41 | 0:03:46 | |
There is a way of finding out predispositions towards | 0:03:46 | 0:03:48 | |
-rather important and life-threatening... -Oh, good God. -..happiness-threatening illnesses. | 0:03:48 | 0:03:53 | |
-Oh. It actually will spell something? -LAUGHTER | 0:03:53 | 0:03:56 | |
-"You're going to..." -Alphabetic! "You're going to d..." | 0:03:56 | 0:03:59 | |
-GYLES: And where do we see this? -Do they swell up? Go red? | 0:03:59 | 0:04:01 | |
It's the ridges of the palms. | 0:04:01 | 0:04:04 | |
Who was responsible for discovering fingerprints? | 0:04:04 | 0:04:07 | |
-No. -It was a very famous scientist called Francis Galton, | 0:04:07 | 0:04:09 | |
whose name was rather ruined by the fact that he believed in eugenics, | 0:04:09 | 0:04:14 | |
-which was rather discredited. -That's always a shame. -It is. | 0:04:14 | 0:04:17 | |
But he also noticed the ridges and whorls on the palm, | 0:04:17 | 0:04:21 | |
and 30 years later in the 1920s it was discovered that those with Down's Syndrome | 0:04:21 | 0:04:25 | |
have completely different palms from anyone else. | 0:04:25 | 0:04:27 | |
And then by the 1960s, at least 20 conditions | 0:04:27 | 0:04:30 | |
were shown to present themselves on the palms. | 0:04:30 | 0:04:33 | |
How gullible are we? | 0:04:33 | 0:04:34 | |
We're just like this, Gyles and I, like that. "Heal us!" | 0:04:34 | 0:04:38 | |
-"Make us whole again!" -There are also indications... -"Tip us!" | 0:04:38 | 0:04:41 | |
-LAUGHTER -"We work for food!" -Yeah. | 0:04:41 | 0:04:44 | |
Going back, if I may, to the palmistry, | 0:04:44 | 0:04:46 | |
all I will say is this. That you dismiss palmistry, | 0:04:46 | 0:04:50 | |
but there were people 100 years ago, | 0:04:50 | 0:04:52 | |
perhaps the wisest people of the time, who consulted palmists. | 0:04:52 | 0:04:56 | |
Indeed there were. Including, of course, our mutual hero... | 0:04:56 | 0:04:59 | |
Our mutual friend, Oscar Wilde. And Mark Twain did. Queen Victoria, I think, did. Edward VII did. | 0:04:59 | 0:05:03 | |
-Gladstone. -And they... -Who was the palmist they consulted? | 0:05:03 | 0:05:06 | |
They consulted a man... Oscar Wilde certainly consulted a man called Cheiro, | 0:05:06 | 0:05:11 | |
-based on... -Called "cheiro" from... -From the Greek meaning hand. -But his real name was? | 0:05:11 | 0:05:14 | |
-His real name was William Warner. -You're right. There he is. | 0:05:14 | 0:05:18 | |
-He was Irish. -He was Irish, and his great-great-grandson's brother | 0:05:18 | 0:05:22 | |
married Elizabeth Taylor - Senator Warner. | 0:05:22 | 0:05:25 | |
-But that's just incidental. -No, it's good to know. He also called himself Count von Hamon. | 0:05:25 | 0:05:30 | |
That's a really good answer on William Warner and superb to hear. | 0:05:30 | 0:05:33 | |
Splendid answers all round. Thank you very much. | 0:05:33 | 0:05:35 | |
The fact is, palmistry won't tell you your future, | 0:05:35 | 0:05:38 | |
-but it can tell you your past... -RIPPLE OF LAUGHTER | 0:05:38 | 0:05:40 | |
in the form of genetic markers that were set down while you were in the...womb... | 0:05:40 | 0:05:45 | |
There's somebody playing with me... | 0:05:45 | 0:05:47 | |
It sort of looks funny with what you're doing. | 0:05:51 | 0:05:53 | |
There is a piece of wire. | 0:05:53 | 0:05:55 | |
LAUGHTER | 0:05:55 | 0:05:57 | |
APPLAUSE | 0:05:57 | 0:05:59 | |
I've been goosed by the palm of a skeleton. | 0:05:59 | 0:06:02 | |
I've been sitting for ten minutes thinking "When shall I do it? | 0:06:02 | 0:06:06 | |
"They're talking about palms! It should be now! It should be now!" | 0:06:06 | 0:06:09 | |
Wahey! | 0:06:09 | 0:06:11 | |
Oh! Oh! | 0:06:11 | 0:06:13 | |
You see? | 0:06:14 | 0:06:15 | |
It had to end... | 0:06:15 | 0:06:18 | |
Oh, dear. Oh, dear. | 0:06:18 | 0:06:20 | |
GYLES: You just don't know your own strength! | 0:06:20 | 0:06:23 | |
"Sorry!" | 0:06:23 | 0:06:25 | |
BILL: Keith! Keith, man, me head's come off. | 0:06:25 | 0:06:28 | |
-GYLES: Oh, my heavens! -That'll do it! | 0:06:29 | 0:06:32 | |
-Carry on, carry on. -LAUGHTER | 0:06:32 | 0:06:34 | |
They actually look a little bit like the Cheeky Girls. | 0:06:34 | 0:06:37 | |
LAUGHTER | 0:06:37 | 0:06:40 | |
They do. Yes. Er... answer me another question. | 0:06:40 | 0:06:43 | |
-Marcel Proust. -BILL: A La Recherche Du Temps Perdu. | 0:06:43 | 0:06:48 | |
Very good. Now why did Marcel Proust have such a limp handshake? | 0:06:48 | 0:06:52 | |
There he is. There's Marcel. | 0:06:52 | 0:06:54 | |
-He hasn't slept for five years. -APPLAUSE | 0:06:54 | 0:06:57 | |
-I feel bad saying this, but he was a known homosexual. -He was well gay. | 0:06:57 | 0:07:01 | |
Now I don't... He was well gay. But I don't want to say | 0:07:01 | 0:07:04 | |
that he had the limp handshake because he was gay... | 0:07:04 | 0:07:07 | |
It's like saying he... loved to buy scatter cushions and throw them around the gaff. | 0:07:07 | 0:07:12 | |
I mean, it seems a really reductive thing to say. But I don't know if... | 0:07:12 | 0:07:16 | |
There are types of gay who go round in muscle vests and are very butch, | 0:07:16 | 0:07:19 | |
and there are types of gay, like Marcel, who are rather limp-wristed and who like ornament and design. | 0:07:19 | 0:07:24 | |
He famously wrote only in a cork-lined room, he was very sensitive. | 0:07:24 | 0:07:28 | |
-But... -BILL: He was very buoyant. | 0:07:28 | 0:07:30 | |
-Buoyant... -LAUGHTER | 0:07:30 | 0:07:32 | |
-Exactly! He was very buoyant. -He could go cruising at any time. | 0:07:32 | 0:07:35 | |
-He could set sail. -He could write anywhere in the world. Oceans, anywhere. | 0:07:35 | 0:07:39 | |
-HIP-HIP-HOORAY! -Yes. | 0:07:39 | 0:07:40 | |
-I'm going to offer a thought. -Yeah. -OK? -Right. | 0:07:40 | 0:07:43 | |
He, being gay, spent a lot of time in North Africa. | 0:07:43 | 0:07:47 | |
-BILL: Tangiers? -North Africaaaah. | 0:07:47 | 0:07:50 | |
-One of the things that I discovered when I spent time in Africa... -Are you coming out? | 0:07:50 | 0:07:54 | |
Is this a coming-out statement? | 0:07:54 | 0:07:56 | |
Cos if it is, that'll be the picture, so just watch out. | 0:07:56 | 0:08:00 | |
Why not? Tonight could be the night, you're right. | 0:08:00 | 0:08:02 | |
-I know your party's behind you. -Indeed. LAUGHTER | 0:08:02 | 0:08:06 | |
APPLAUSE | 0:08:06 | 0:08:10 | |
-It's time. -Yes, Gyles. | 0:08:10 | 0:08:13 | |
I'm going to suggest this. When I went to Africa, | 0:08:13 | 0:08:16 | |
I was quite disconcerted to find that traditionally, the African handshake | 0:08:16 | 0:08:19 | |
is not simply very soft, but it lingers. | 0:08:19 | 0:08:23 | |
-Shake my hand. -Oh, this is just an excuse. Again! -No, no! | 0:08:23 | 0:08:26 | |
-The injunction, Gyles! -In Europe we shake hands... BILL: Don't touch him! | 0:08:26 | 0:08:30 | |
In Europe we shake hands like that. I think in Africa, you shake hands | 0:08:30 | 0:08:33 | |
-like this...and we hold there. -Stop. -I have a lot of experience of this. | 0:08:33 | 0:08:38 | |
Stop it... He's glued me! I can't get out. | 0:08:38 | 0:08:42 | |
I don't wish to name-drop, but I went to interview Archbishop Desmond Tutu | 0:08:42 | 0:08:46 | |
-and he held my hand like this for a long, long time. -Did he? | 0:08:46 | 0:08:50 | |
BILL: And he was saying to his aides, "Who is this again?" | 0:08:50 | 0:08:54 | |
I'm thinking that Marcel Proust spent time in North Africa and rather liked this tradition, | 0:08:54 | 0:09:00 | |
and brought it back with him to Paris. | 0:09:00 | 0:09:03 | |
It's an interesting idea, I have no evidence that proves it. I know that Andre Gide went to North Africa... | 0:09:03 | 0:09:08 | |
That's who I'm thinking of! | 0:09:08 | 0:09:10 | |
APPLAUSE | 0:09:10 | 0:09:13 | |
You sweated on my hand for that? | 0:09:15 | 0:09:17 | |
Andre Gide was out and proud. | 0:09:18 | 0:09:20 | |
He was probably the man who invented the word "homosexual", as it were, in his book Corydon. | 0:09:20 | 0:09:25 | |
And he was out. Marcel was not out. | 0:09:25 | 0:09:27 | |
Marcel was embarrassed and ashamed of being gay | 0:09:27 | 0:09:30 | |
and indeed, he went to brothels to try and cure himself. | 0:09:30 | 0:09:33 | |
Oh, we've all tried that. | 0:09:33 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:37 | |
You heard it here first, folks. | 0:09:37 | 0:09:40 | |
"The North Africans hold their hands like that, my darling." | 0:09:40 | 0:09:43 | |
It's a sort of double-bluff is the only way I can explain it. | 0:09:43 | 0:09:46 | |
He had a friend, a Romanian count, who said to him, | 0:09:46 | 0:09:49 | |
"Look, I can teach you how to do a more manly handshake, then people wont think you're an invert." | 0:09:49 | 0:09:54 | |
-As the word was then. -Invert? -An invert. | 0:09:54 | 0:09:56 | |
-That was the gayer. -A gayer, yeah. | 0:09:56 | 0:09:58 | |
And Marcel Proust said, "No, if I do that, people will think I'm trying to look straight." | 0:09:58 | 0:10:03 | |
-Whereas, if I, confidently am all limp... -It's a double-bluff! -A double-bluff. | 0:10:03 | 0:10:08 | |
Now, to handshakes. We said that palms don't reveal personality, do handshakes? | 0:10:08 | 0:10:13 | |
I don't like a feeble handshake, gives me the creeps. | 0:10:13 | 0:10:15 | |
-BILL: It's not right, is it? -I don't like a sweaty hand. | 0:10:15 | 0:10:18 | |
I don't like when there's something left on your hand after... | 0:10:18 | 0:10:21 | |
-Residue! -I don't like the other hand coming in to clasp, either. | 0:10:21 | 0:10:25 | |
That's a power thing. | 0:10:25 | 0:10:26 | |
Isn't that like a dominance thing? | 0:10:26 | 0:10:28 | |
-Is it? -When you see people holding hands, the dominant figure, when you see them walking down the street, | 0:10:28 | 0:10:33 | |
the dominant figure is the figure with the hand on the outside. Hold my hand. | 0:10:33 | 0:10:37 | |
-Oh, is that right? -Close your eyes and hold my hand. -Not again, Gyles! | 0:10:37 | 0:10:40 | |
It's over in a moment, just take my hand. | 0:10:40 | 0:10:43 | |
-I'm looking away. -All right. | 0:10:43 | 0:10:44 | |
You do it, you've got to take my hand. | 0:10:44 | 0:10:46 | |
Oh! You let me dominate you. | 0:10:48 | 0:10:49 | |
You've let me dominate you. | 0:10:49 | 0:10:51 | |
-Oh, Sue, you've let the sisters down! -You chose, you chose! | 0:10:51 | 0:10:54 | |
You chose! I just... | 0:10:54 | 0:10:56 | |
Please tell me what you... You want to be submissive or dominant? I mean, with... | 0:10:56 | 0:11:00 | |
Stop stroking me on the thing... | 0:11:00 | 0:11:02 | |
LAUGHTER | 0:11:02 | 0:11:04 | |
Who does that? Who does that? He did...he did inverted crab. | 0:11:04 | 0:11:09 | |
-Earlier you said you liked it. -No... -You said you liked it! | 0:11:09 | 0:11:12 | |
Oh, God. Oh, God. They're having a row. | 0:11:12 | 0:11:14 | |
-I've now got two soiled... -Did it tickle? -It did tickle! -The crazy spider. -He did do the crazy spider. | 0:11:16 | 0:11:21 | |
Handshakes do tell us a lot, don't they? Individually we instinctively respond, as we've just show. | 0:11:21 | 0:11:26 | |
-I don't like a cruncher. -Handshakes that repel us. Exactly. Paul Flynn, | 0:11:26 | 0:11:30 | |
a Labour MP in Wales, actually suggested that people who gave really strong handshakes | 0:11:30 | 0:11:35 | |
should be charged for assault. | 0:11:35 | 0:11:36 | |
-He's not a busy man, is he? -No. | 0:11:37 | 0:11:39 | |
So anyway, Marcel Proust used a limp handshake because he wanted to conceal the fact that he was gay | 0:11:39 | 0:11:44 | |
in an elaborate double-bluff. | 0:11:44 | 0:11:46 | |
I want you to imagine you've been transported to the 19th century | 0:11:46 | 0:11:49 | |
and the trip has given you a banging headache. | 0:11:49 | 0:11:51 | |
You want to have a hole drilled in your head to get rid of the pain and the pressure. | 0:11:51 | 0:11:58 | |
So where's the best place to have it? | 0:11:58 | 0:12:00 | |
-Umm... -The trepanning? -Germany? | 0:12:00 | 0:12:03 | |
KLAXON | 0:12:03 | 0:12:05 | |
APPLAUSE | 0:12:07 | 0:12:11 | |
I'm slightly worried they can now read my mind, these people. | 0:12:11 | 0:12:14 | |
Yes, that's amazing! | 0:12:14 | 0:12:16 | |
-It is new each series, I suppose. -It basically is. | 0:12:16 | 0:12:18 | |
Germany, you said, no. Germany probably not the best place. | 0:12:18 | 0:12:21 | |
-The top, they trepan in the top. -Literally, where is the best place to go? | 0:12:21 | 0:12:25 | |
It's the 19th century. Should it be Europe, should it be America? | 0:12:25 | 0:12:28 | |
GYLES: Harley Street. | 0:12:28 | 0:12:29 | |
Harley Street was a very bad place to go. | 0:12:29 | 0:12:31 | |
-They would go to... -Margate. | 0:12:31 | 0:12:33 | |
-France. -France? | 0:12:33 | 0:12:35 | |
-Didn't they, in Africa, they trepan. -Africa, probably a better bet than Harley Street. | 0:12:35 | 0:12:39 | |
But it seems that Papua New Guinea would be the best place. | 0:12:39 | 0:12:42 | |
-In the 19th century, if you had this, what's the word? -Trepanning. -Trepanning, yeah. | 0:12:42 | 0:12:47 | |
78% of those who had it done in London in the west died. | 0:12:47 | 0:12:51 | |
From blood poisoning? | 0:12:51 | 0:12:52 | |
But in Papua New Guinea... Yes, from cross-infections. | 0:12:52 | 0:12:56 | |
Why did people keep going? Eight out of ten people die. "I'm up for it." | 0:12:56 | 0:12:59 | |
It wasn't because they had a hole drilled in their head, it was because they got infected. | 0:12:59 | 0:13:02 | |
What was it for, the trepanning? | 0:13:02 | 0:13:04 | |
To relieve pressure, supposedly. | 0:13:04 | 0:13:07 | |
It's the original form of surgery, as far as we know from archaeology, the oldest form that ever there was. | 0:13:07 | 0:13:14 | |
And we know that it was, well, I wont say "successful", we know that it wasn't a failure. | 0:13:14 | 0:13:18 | |
As a way of knowing that it didn't kill people which is...? | 0:13:18 | 0:13:22 | |
-Some of them survived. -A little bit of tissue grows. | 0:13:22 | 0:13:24 | |
You see the skull has re-healed, because people have lived for years afterwards. | 0:13:24 | 0:13:29 | |
Didn't they used to put coins in the hole and stuff like that? | 0:13:29 | 0:13:32 | |
Because you're left with a big, gaping hole... | 0:13:32 | 0:13:34 | |
-You are... -You could put a dispenser in and turn your head into a Pez machine. | 0:13:34 | 0:13:39 | |
LAUGHTER | 0:13:39 | 0:13:41 | |
Just press your ear. | 0:13:41 | 0:13:43 | |
Originally, in older cultures, you clamp the victim's head between your legs, | 0:13:43 | 0:13:49 | |
and you just get a stone, a sharp piece of obsidian or flint, | 0:13:49 | 0:13:53 | |
and you'd scrape on to the scalp. until it grooves and grooves. You can see this in old skulls, | 0:13:53 | 0:13:59 | |
-and here, even there... -He's not happy about that. -He's not happy. | 0:13:59 | 0:14:02 | |
The point is, in New Guinea, they used found sharp things to do the hole | 0:14:02 | 0:14:06 | |
and then poured coconut milk over it, which is sterile. | 0:14:06 | 0:14:09 | |
In the 19th century in Britain, they were in hospitals where all kinds of cross-infections were possible, | 0:14:09 | 0:14:14 | |
and it was a lot more dangerous for that reason. | 0:14:14 | 0:14:16 | |
Do you know about open craniotomies? | 0:14:16 | 0:14:19 | |
Open-brain surgery where someone is conscious. | 0:14:19 | 0:14:23 | |
-Why would you want someone to be awake? -So you know that they can use their fingers... -That's right. | 0:14:23 | 0:14:28 | |
So you're not... Because we still know so little about the brain, | 0:14:28 | 0:14:32 | |
there is every chance you're an inch out | 0:14:32 | 0:14:34 | |
in where you're operating and you can ruin the speech or motion centre. | 0:14:34 | 0:14:38 | |
There's a man called Eddie Adcock, | 0:14:38 | 0:14:40 | |
I think his name was, he's quite a senior figure in the world of bluegrass music. | 0:14:40 | 0:14:45 | |
He had a hand tremor and they decided to do one of these conscious craniotomies on him | 0:14:45 | 0:14:49 | |
-and we have a film of it. He plays the banjo... -No! | 0:14:49 | 0:14:52 | |
..while they're operating on his brain to check they're not interfering | 0:14:52 | 0:14:56 | |
with his... Can we see Mr Adcock? There he is. | 0:14:56 | 0:14:58 | |
How about now? No problems? | 0:14:58 | 0:15:01 | |
ADCOCK SINGS | 0:15:03 | 0:15:06 | |
That's pretty astonishing, isn't it? | 0:15:13 | 0:15:15 | |
-That is mental. -I saw in Star Trek, they took Spock's brain clean out | 0:15:15 | 0:15:21 | |
and replaced it with another one. They did it all... | 0:15:21 | 0:15:26 | |
He lay on his back and they put a board over his head | 0:15:26 | 0:15:30 | |
and a man stood behind, going... "The brain's out now. | 0:15:30 | 0:15:35 | |
"The new brain's in." They took the board up and his head was absolutely fine! | 0:15:35 | 0:15:40 | |
The fact is, trepanning IS the oldest known form of surgery. | 0:15:40 | 0:15:43 | |
In the 19th century, you were better off having it done in Papua New Guinea | 0:15:43 | 0:15:47 | |
than in the hospitals of London. How would you know if you had a shrunken head? Ah. | 0:15:47 | 0:15:52 | |
I'm going to give you... | 0:15:52 | 0:15:53 | |
LAUGHTER | 0:15:53 | 0:15:55 | |
-Oh! -Oh! -Oh, yeah. | 0:15:55 | 0:15:57 | |
Is it real? | 0:15:57 | 0:15:59 | |
That's my question. How can you tell whether you have an authentic shrunken head? | 0:15:59 | 0:16:03 | |
Oh, I see. How can you tell if you actually have a shrunken head yourself? | 0:16:03 | 0:16:07 | |
Does it come with a certificate? | 0:16:07 | 0:16:09 | |
ALL TALK AT ONCE | 0:16:09 | 0:16:11 | |
Is one of these real? | 0:16:11 | 0:16:13 | |
What do you know about shrunken...? Where would you get one? There are some real ones. | 0:16:13 | 0:16:18 | |
-Ecuador. -Ecuador is exactly right. This is brilliant. | 0:16:18 | 0:16:21 | |
You're on fire. That is impressive. | 0:16:21 | 0:16:25 | |
-Do you know the name of the tribe? -No. -The Shuar people. -Shuar? -Shuar people. | 0:16:25 | 0:16:30 | |
-They are a clan... -Bush monkeys. -Bush monkeys! | 0:16:30 | 0:16:34 | |
Oh, look, you put this in the back of your car! | 0:16:34 | 0:16:38 | |
-Yes! -So you think this is an early nodding dog? -Yes. | 0:16:38 | 0:16:43 | |
-That feels like horse hair or something to me. -It doesn't feel... | 0:16:43 | 0:16:47 | |
-It smells. -Are they still doing it? -Well, no, not officially. It's against the law. | 0:16:47 | 0:16:51 | |
But in every Ripley's Believe It Or Not! museum, there's at least one. | 0:16:51 | 0:16:55 | |
29, by our count. | 0:16:55 | 0:16:57 | |
Oh, that's lovely! | 0:16:57 | 0:16:59 | |
SCREAM | 0:16:59 | 0:17:01 | |
-How would you do it? -SCREAM | 0:17:03 | 0:17:06 | |
How would you shrink a head? | 0:17:06 | 0:17:08 | |
Put it in the washing machine at a very high heat. | 0:17:08 | 0:17:12 | |
So I mean, it's a normal human head, but it's reduced to the size... | 0:17:12 | 0:17:17 | |
-Those are real size. -You'd have to take all the skin off someone. | 0:17:17 | 0:17:21 | |
You take all the skin off in one go, including the hair. You throw away the skull and the eyes | 0:17:21 | 0:17:26 | |
into a river, if you're Shuar tribe. So you've got the skin, this whole skin. | 0:17:26 | 0:17:30 | |
Then you turn it inside out and you scrape it. | 0:17:30 | 0:17:34 | |
SCREAM | 0:17:35 | 0:17:37 | |
I didn't invent this. | 0:17:37 | 0:17:38 | |
-Get it back the right way, keeping the features as perfect as you can... -Like skinning a rabbit. | 0:17:38 | 0:17:43 | |
Yeah. You bind the lips together, you sew them together, | 0:17:43 | 0:17:46 | |
-and sew the eyelids, right? Then you pop in hot stones and sand. -Mmm. | 0:17:46 | 0:17:54 | |
-To give it shape? -I'm making note of this. -Then you simmer it. | 0:17:54 | 0:17:59 | |
-How long do you simmer it for? -Boiling water. | 0:17:59 | 0:18:02 | |
-Gas mark 2, my darling. -Bay leaf? -Yeah. | 0:18:02 | 0:18:06 | |
And then you kipper it, you smoke it, essentially. | 0:18:06 | 0:18:10 | |
-Voila. -To what purpose? | 0:18:10 | 0:18:12 | |
They're a pretty ferocious group of people, these Shuar. | 0:18:12 | 0:18:15 | |
-They're the ones who are famous... -Oh! For the man with the molten lava. | 0:18:15 | 0:18:19 | |
Are these the cruellest people in the history of the world? | 0:18:19 | 0:18:22 | |
-They're certainly... -I remember the teacher who taught us this. | 0:18:22 | 0:18:25 | |
He was pretty vicious himself. | 0:18:25 | 0:18:27 | |
-And there was a Spanish general who tried to tame this Shuar tribe... -Yes. | 0:18:27 | 0:18:32 | |
They had the last laugh. They took him, they pulled open his mouth, | 0:18:32 | 0:18:37 | |
they poured molten gold down his gullet until his bowels burst. | 0:18:37 | 0:18:43 | |
-Right. Sounds like a good repayment for his greed for gold. -Indeed. | 0:18:43 | 0:18:47 | |
-That's why they used gold. -Indeed. | 0:18:47 | 0:18:49 | |
-Why are they so unpleasant? -They're the tribe famous for dipping darts in curare, the poison beloved | 0:18:49 | 0:18:55 | |
-of detective writers. -That's the one that gets your central nervous system? -Absolutely. | 0:18:55 | 0:19:00 | |
-They've got lovely hats, though. -It's a good look. | 0:19:00 | 0:19:03 | |
Yours are not human, they are goat or alpaca. | 0:19:03 | 0:19:08 | |
These are available in Ecuador as tourist knick-knacks. | 0:19:08 | 0:19:11 | |
So that's a goat's face? | 0:19:11 | 0:19:13 | |
Goat skin. You can usually tell, one that's done by someone imitating | 0:19:13 | 0:19:18 | |
the tribesmen has lips too neatly sown up. | 0:19:18 | 0:19:21 | |
In the originals, they were pretty basic. | 0:19:21 | 0:19:24 | |
Is it to preserve relatives? | 0:19:24 | 0:19:26 | |
It's a kind of gleeful, joyous, gloating, "I own you." | 0:19:26 | 0:19:30 | |
-Take the spirit out of you. -But it's not a compliment, | 0:19:30 | 0:19:33 | |
-it's not, "Granny's gone, let's keep her at the end of the bed." -Oh, no. | 0:19:33 | 0:19:37 | |
-What do you really think about Uncle Bill, Grandma? -I hated him! | 0:19:37 | 0:19:41 | |
If you hand them back, I've got another little experiment. | 0:19:42 | 0:19:45 | |
I've got something else to give you. All we want you to do, | 0:19:45 | 0:19:49 | |
I'm going to hand these blank £2 coins. | 0:19:49 | 0:19:51 | |
Just try and draw the Queen's head as she is on the coin. | 0:19:51 | 0:19:55 | |
-The Queen's head on the coin? -Yeah. | 0:19:55 | 0:19:57 | |
Is she wearing a crown, is she... An outline. | 0:19:57 | 0:20:00 | |
Which way does she look? | 0:20:00 | 0:20:01 | |
No-one knows. | 0:20:01 | 0:20:03 | |
No, don't ask for help! Oi! | 0:20:03 | 0:20:06 | |
Alan Davies, I'll take points away if you cheat. | 0:20:06 | 0:20:10 | |
How do you think I got through school without asking for help? | 0:20:10 | 0:20:13 | |
-Everyone done? -She looks like Lenny Henry in mine. | 0:20:13 | 0:20:17 | |
Well, that's all right. | 0:20:17 | 0:20:20 | |
OK, done. | 0:20:20 | 0:20:21 | |
Oh, Alan's done. You... | 0:20:21 | 0:20:24 | |
Mine looks like a triceratops. | 0:20:24 | 0:20:26 | |
Let's look at yours there. | 0:20:26 | 0:20:28 | |
LAUGHTER | 0:20:28 | 0:20:29 | |
And yours? Extraordinary. | 0:20:29 | 0:20:32 | |
The point is, you've all, especially Bill, | 0:20:32 | 0:20:35 | |
you've all made the fundamental error that everybody makes | 0:20:35 | 0:20:38 | |
in thinking she faces left. She faces right. | 0:20:38 | 0:20:41 | |
KLAXON | 0:20:41 | 0:20:43 | |
Yeah, because most people think that. | 0:20:43 | 0:20:46 | |
88% of people think the Queen faces left on her coins. | 0:20:49 | 0:20:52 | |
On every coin that ever was stamped since she was Queen, | 0:20:52 | 0:20:57 | |
it's always face to the right. | 0:20:57 | 0:20:59 | |
Never ask for help. | 0:20:59 | 0:21:00 | |
Do they take it in turns? | 0:21:00 | 0:21:01 | |
-Did her father face the other way? -Yes. | 0:21:01 | 0:21:04 | |
-And Prince Charles. -He's straight on, with the ears, like that. | 0:21:04 | 0:21:08 | |
They've alternated since Charles II. | 0:21:08 | 0:21:11 | |
But does she not face the other way on the paper money? | 0:21:11 | 0:21:15 | |
No, on the stamp. That's one theory. | 0:21:15 | 0:21:18 | |
Whoa! | 0:21:18 | 0:21:20 | |
One theory as to why 88% of people seem to think she faces left | 0:21:20 | 0:21:24 | |
is because she does on the definitive edition of the stamps. | 0:21:24 | 0:21:28 | |
We're all familiar with that image. | 0:21:28 | 0:21:30 | |
On the other hand, that's true in Denmark, | 0:21:30 | 0:21:33 | |
Queen Margrethe, they also think she faces left, but on the stamp | 0:21:33 | 0:21:37 | |
she looks out, and on the coin she looks to the right. | 0:21:37 | 0:21:40 | |
But if you ask a Dane which way she faces, they will say left. | 0:21:40 | 0:21:44 | |
It's something to do, probably, with right-handedness. We just picture a profile that way. | 0:21:44 | 0:21:49 | |
It's really strange, cos we handle these things every day, | 0:21:49 | 0:21:53 | |
unless you're Gyles, when you have someone to do it for you. | 0:21:53 | 0:21:58 | |
It's bizarre that we just don't notice. | 0:21:58 | 0:22:01 | |
-That's all coins, is it? -All coins with the Queen's head on. | 0:22:01 | 0:22:05 | |
-How long has that been? -Since the beginning of time. | 0:22:05 | 0:22:07 | |
It alternates between monarchs, so her father faced left. | 0:22:07 | 0:22:11 | |
Oh, I see. | 0:22:11 | 0:22:12 | |
And his father, George V, not counting the abdication, | 0:22:12 | 0:22:17 | |
George VI. | 0:22:17 | 0:22:18 | |
If you could get all the coins of all the monarchs together, | 0:22:18 | 0:22:22 | |
alternating monarchs, and could just flick through them, they'd be... | 0:22:22 | 0:22:25 | |
It would. It would be like a tennis match. It'd be exhausting. | 0:22:25 | 0:22:29 | |
Which brings us to the unappealing nether regions of our show, | 0:22:29 | 0:22:32 | |
the place that we call General Ignorance. Hands on horns, | 0:22:32 | 0:22:34 | |
if you'd be so kind. | 0:22:34 | 0:22:36 | |
What should you do with your head if you have a nosebleed? | 0:22:36 | 0:22:39 | |
HIP-HIP-HOORAY! | 0:22:39 | 0:22:42 | |
Yes? | 0:22:42 | 0:22:43 | |
You have to answer. | 0:22:43 | 0:22:45 | |
I'm doing it. | 0:22:45 | 0:22:46 | |
You should do that with your head? | 0:22:46 | 0:22:49 | |
-Pressing... -Your lip. | 0:22:49 | 0:22:51 | |
No, pressing the bit below the nose. | 0:22:51 | 0:22:54 | |
No. | 0:22:54 | 0:22:55 | |
Because the nose... | 0:22:55 | 0:22:57 | |
Actually, not worry. A nosebleed won't harm you. | 0:22:57 | 0:23:00 | |
OK, you might stain your clothes. | 0:23:00 | 0:23:04 | |
You might stain your clothes, but a nose bleed is all right. | 0:23:04 | 0:23:07 | |
-You could lie back. -No! | 0:23:07 | 0:23:09 | |
KLAXON | 0:23:09 | 0:23:11 | |
Oh, you're so angry, so competitive, I like it. | 0:23:13 | 0:23:15 | |
-The point is, most people think... -No, I remember this. | 0:23:15 | 0:23:18 | |
-Because, do you know. No! -And you can get it in the lungs. | 0:23:18 | 0:23:23 | |
Worse than that, | 0:23:23 | 0:23:24 | |
this is why I should've remembered this. You lie back, it goes into you, | 0:23:24 | 0:23:27 | |
but you can also have a nosebleed through your eyes. | 0:23:27 | 0:23:30 | |
It is possible to have a nosebleed that comes out of these bits. | 0:23:30 | 0:23:33 | |
-An eyebleed? -Yes, | 0:23:33 | 0:23:35 | |
but it's a misdirected nosebleed. Wrong to call it an eyebleed, | 0:23:35 | 0:23:39 | |
-cos it's coming out from the nose part. -Just tilt your head forward | 0:23:39 | 0:23:42 | |
from now on, love. | 0:23:42 | 0:23:44 | |
So the point is, forwards, not back. | 0:23:44 | 0:23:46 | |
If it lasts longer than 20 minutes, it is very much recommended to seek medical advice. | 0:23:46 | 0:23:52 | |
And if you've caused it from anything other than the most common causes, which would be... | 0:23:52 | 0:23:55 | |
Bouncy castle. | 0:23:55 | 0:23:57 | |
LAUGHTER | 0:23:57 | 0:23:58 | |
-Classic. -Inevitable. | 0:23:58 | 0:24:01 | |
Another one is being punched in the face. That's one, yep. | 0:24:01 | 0:24:04 | |
That can bring it on. There you are. | 0:24:04 | 0:24:07 | |
That would do it. Tilt your head forward. | 0:24:07 | 0:24:10 | |
-Can you name them? I think that's Larry Holmes and... -Spinks, is it? | 0:24:10 | 0:24:14 | |
Ray Mercer. Merciless Ray Mercer. | 0:24:14 | 0:24:17 | |
There are various others. Blowing your nose too hard, picking it. | 0:24:17 | 0:24:22 | |
Yeah. You shouldn't tilt your head back if you have a nosebleed, | 0:24:22 | 0:24:24 | |
it can be dangerous. Tilt your head forwards and pinch your nose, | 0:24:24 | 0:24:28 | |
then eventually, after 12 minutes or so, it'll clot naturally. | 0:24:28 | 0:24:31 | |
What might happen if you swallow your tongue, however? | 0:24:31 | 0:24:34 | |
HIP-HIP-HOORAY! | 0:24:34 | 0:24:36 | |
Nothing. I don't believe you can swallow your tongue. | 0:24:36 | 0:24:40 | |
Is the right answer. | 0:24:40 | 0:24:42 | |
Absolutely. | 0:24:42 | 0:24:43 | |
APPLAUSE | 0:24:43 | 0:24:45 | |
That sort of busybody person who says "lots of hot, sweet tea" | 0:24:45 | 0:24:50 | |
when someone's fainted or had a seizure and say "do this" | 0:24:50 | 0:24:53 | |
and they pull the tongue down cos they might swallow, it's nonsense. | 0:24:53 | 0:24:57 | |
-What do they mean then? -It might obstruct an airway, possibly... | 0:24:57 | 0:25:01 | |
-It's very rare. -If you have a bash and you bite it or something... | 0:25:01 | 0:25:05 | |
You can bite it, yeah, but you can't swallow it. | 0:25:05 | 0:25:07 | |
There was literally this idea that it goes backwards, down your throat, | 0:25:07 | 0:25:10 | |
causes you to choke. That cannot happen. And, finally! | 0:25:10 | 0:25:14 | |
Why shouldn't you crack your knuckles? | 0:25:14 | 0:25:16 | |
Ooh. | 0:25:16 | 0:25:18 | |
Can you do lasting damage? | 0:25:18 | 0:25:20 | |
-The bone... -HIS KNUCKLE CRACKS | 0:25:20 | 0:25:22 | |
-Oooh! -Oh, no! | 0:25:22 | 0:25:25 | |
There's a... I think it's an old wives' tale, | 0:25:26 | 0:25:29 | |
that if you do that, it causes arthritis. | 0:25:29 | 0:25:32 | |
Because there was a famous doctor | 0:25:32 | 0:25:34 | |
called Dr Unger, | 0:25:34 | 0:25:36 | |
who believed that it did, and for 50 years, this doctor, every day, | 0:25:36 | 0:25:39 | |
cracked the knuckles on his left hand | 0:25:39 | 0:25:42 | |
-and didn't on his right. -But the story is that his mother, | 0:25:42 | 0:25:46 | |
when he was very young, he cracked the knuckles on both hands, | 0:25:46 | 0:25:49 | |
his mother said, "You do that, you'll get arthritis." | 0:25:49 | 0:25:53 | |
And he thought, being of a scientific turn of mind... | 0:25:53 | 0:25:56 | |
-REDNECK VOICE: -You gon' get arthritis! | 0:25:56 | 0:25:58 | |
He thought, "I'll test this by only doing it on the left hand." | 0:25:58 | 0:26:03 | |
I ain't gettin' no arthritis, and I'll show you how! | 0:26:03 | 0:26:06 | |
So he did it on his left hand only, and for 60 years he cracked, | 0:26:06 | 0:26:11 | |
and then he had various tests and there was no suggestion of arthritis | 0:26:11 | 0:26:15 | |
on the left hand more than the right. Apparently he shouted, | 0:26:15 | 0:26:18 | |
-"You were wrong, Mother, you were wrong!" -"I wasted my life." | 0:26:18 | 0:26:23 | |
-You were wrong! -Well, there we are! | 0:26:23 | 0:26:25 | |
That is indeed the answer. You can't get arthritis | 0:26:25 | 0:26:28 | |
from cracking your knuckles. At worst, you could end up | 0:26:28 | 0:26:31 | |
with a limp handshake, and goodness knows what impression that'll give people(!) | 0:26:31 | 0:26:35 | |
Which handily brings us to the heart of the matter - the scores. | 0:26:35 | 0:26:39 | |
And the winner, who really used his head... | 0:26:39 | 0:26:41 | |
They're two heads, because, ladies and gentlemen, | 0:26:41 | 0:26:44 | |
we have a tie for first place. | 0:26:44 | 0:26:46 | |
On -8, it's Gyles and Sue! | 0:26:46 | 0:26:49 | |
APPLAUSE | 0:26:49 | 0:26:52 | |
Oh, but missing out on a hair's breadth with -12, Bill Bailey! | 0:27:00 | 0:27:06 | |
APPLAUSE | 0:27:06 | 0:27:08 | |
Throwing his hands up in the air on -25, Alan Davies! | 0:27:10 | 0:27:15 | |
APPLAUSE | 0:27:15 | 0:27:19 | |
So all that's left for me is to thank Sue, Gyles, Bill and, of course, Alan. | 0:27:24 | 0:27:29 | |
And I leave you with this. It's an anatomy lesson. | 0:27:29 | 0:27:31 | |
In order to accustom medical students | 0:27:31 | 0:27:36 | |
to the business of getting used to dead human flesh, | 0:27:36 | 0:27:40 | |
an anatomy professor basically said to the class, | 0:27:40 | 0:27:43 | |
"Look, you've got to get used to doing this, I need one of you to come forward." | 0:27:43 | 0:27:47 | |
They were first year. Stood him by the body, said, "Do what I do." | 0:27:47 | 0:27:50 | |
He put his finger up the rectum of this dead body, | 0:27:50 | 0:27:53 | |
like that, and then just sucked it. | 0:27:53 | 0:27:56 | |
-AUDIENCE GROANS -He said, "I know, I know, | 0:27:56 | 0:27:58 | |
"but you've got to learn how to be a doctor." | 0:27:58 | 0:28:00 | |
So this medical student puts the finger up like that. | 0:28:00 | 0:28:03 | |
He said, "The other thing about being a doctor is you must be observant. | 0:28:03 | 0:28:08 | |
"I put my middle finger up the rectum and sucked my index." Thank you and goodbye. | 0:28:08 | 0:28:13 | |
APPLAUSE | 0:28:13 | 0:28:16 | |
Subtitles by Red Bee Media Ltd | 0:28:20 | 0:28:23 | |
E-mail [email protected] | 0:28:23 | 0:28:26 |