Browse content similar to Hoaxes. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE | 0:00:23 | 0:00:24 | |
CHEERING AND WHISTLING | 0:00:25 | 0:00:27 | |
Well! | 0:00:29 | 0:00:30 | |
He...llo, there! | 0:00:30 | 0:00:32 | |
Hello, there, hello, there, hello | 0:00:32 | 0:00:34 | |
and welcome to QI, | 0:00:34 | 0:00:36 | |
where tonight we'll be looking at all manner of hoaxes, hokum, | 0:00:36 | 0:00:40 | |
hucksters and hogwash | 0:00:40 | 0:00:41 | |
and to help or more likely hinder us, | 0:00:41 | 0:00:44 | |
a veritable horde of hornswogglers. | 0:00:44 | 0:00:46 | |
With ten top tips to increase your manhood, it's Sean Lock. | 0:00:46 | 0:00:50 | |
-APPLAUSE -Thank you. | 0:00:50 | 0:00:52 | |
And joining him, | 0:00:54 | 0:00:56 | |
the esteemed president of the Bank of Nigeria, Danny Baker. | 0:00:56 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:01 | |
By his side, professor of hoaxology at the university of the internet, | 0:01:04 | 0:01:09 | |
David Mitchell. APPLAUSE | 0:01:09 | 0:01:11 | |
And believe it or not, Alan Davies. | 0:01:14 | 0:01:17 | |
APPLAUSE | 0:01:17 | 0:01:19 | |
Now, in keeping with our theme tonight, | 0:01:23 | 0:01:25 | |
one of our buzzers is a hoax, | 0:01:25 | 0:01:28 | |
so see if you can tell me which one of these buzzing calls is not the mating call of a deer. | 0:01:28 | 0:01:34 | |
Sean goes... DEEP ROARING NOISE | 0:01:34 | 0:01:37 | |
Danny goes... ROARING | 0:01:38 | 0:01:40 | |
David goes... | 0:01:40 | 0:01:42 | |
AGONISED ROARING | 0:01:42 | 0:01:46 | |
And Alan goes... | 0:01:49 | 0:01:50 | |
-SCOTS ACCENT -"Hullo, dear!" | 0:01:50 | 0:01:53 | |
Now, starting as we mean to go on, we've actually hidden... | 0:01:56 | 0:02:00 | |
-Is it Alan's? -Yes. | 0:02:00 | 0:02:02 | |
I thought it was Danny's. I was going to say Danny's, right up to my one. | 0:02:03 | 0:02:06 | |
Now listen, you've got hoax cards here, jokers to play, | 0:02:06 | 0:02:09 | |
because, in keeping with the theme, there will be one question which is a hoax. | 0:02:09 | 0:02:15 | |
You play your hoax card and you get extra points. | 0:02:15 | 0:02:18 | |
If you play it and it isn't a hoax, you lose points, | 0:02:18 | 0:02:21 | |
but don't have your hoax cards unspent at the end of the game. | 0:02:21 | 0:02:26 | |
-What happens? -Well, I'm not going to tell you. | 0:02:26 | 0:02:29 | |
Can we play them more than once? | 0:02:29 | 0:02:31 | |
Er, you could, possibly... No. | 0:02:32 | 0:02:36 | |
-Oh. -I don't think this format has been worked out in enough detail. | 0:02:36 | 0:02:40 | |
-If we can play them more than once, that's crucial. -You can't. | 0:02:41 | 0:02:45 | |
I was thinking of being generous but no. | 0:02:45 | 0:02:47 | |
At the pilot of Who Wants To Be A Millionaire, | 0:02:47 | 0:02:49 | |
did somebody go, "And if we get one wrong, that's OK, is it?" "Yeah, that's OK. | 0:02:49 | 0:02:53 | |
"Oh, hang on." | 0:02:53 | 0:02:55 | |
How many lives do we get? | 0:02:55 | 0:02:57 | |
Can we just do it on the first question, then none of us can lose out? | 0:02:57 | 0:03:00 | |
If we all do it on the first question, we all lose points | 0:03:00 | 0:03:04 | |
and then it's just done. | 0:03:04 | 0:03:05 | |
LAUGHTER | 0:03:05 | 0:03:09 | |
I can see I've made a terrible rod for my own back here. | 0:03:09 | 0:03:12 | |
Well, erm, anyway, let's see what happens. | 0:03:12 | 0:03:14 | |
There's some characters behind me, shifty looking characters. | 0:03:14 | 0:03:17 | |
What were they up to last night? | 0:03:17 | 0:03:20 | |
They were up all night making a picnic table. | 0:03:20 | 0:03:22 | |
Before you get too insulting, they're in the studio tonight. | 0:03:25 | 0:03:28 | |
I just thought I'd warn you. | 0:03:28 | 0:03:30 | |
They were winning the Mr Handsome contest. | 0:03:30 | 0:03:32 | |
-That's more like it. -Were they harming horses? | 0:03:32 | 0:03:36 | |
You know when people harm horses, slash horses? | 0:03:36 | 0:03:39 | |
-No! -Do they slash...? -But it was a night-time covert activity, like slashing horses. | 0:03:39 | 0:03:43 | |
-Goats. They were slashing goats. -No. Let's... | 0:03:43 | 0:03:46 | |
Let's assume we wouldn't invite into the studio people who maim animals. | 0:03:46 | 0:03:50 | |
Were they pretending to be gas men | 0:03:50 | 0:03:53 | |
and thereby stealing the property of aged people? | 0:03:53 | 0:03:57 | |
No. If I told you that this was in Wiltshire, would that help? | 0:03:59 | 0:04:02 | |
Cathedral stealing. | 0:04:02 | 0:04:04 | |
Grave robbing. Grave robbing's always... | 0:04:05 | 0:04:08 | |
They drew something rude on Stonehenge. | 0:04:08 | 0:04:10 | |
-They drew something rude on Stonehenge. -Crop circles! -Oh, Alan, well done. | 0:04:10 | 0:04:14 | |
Crop circles. Absolutely right. APPLAUSE | 0:04:14 | 0:04:17 | |
There they are. | 0:04:19 | 0:04:21 | |
The equipment needed for crop circling, a plank with rope, | 0:04:21 | 0:04:24 | |
but what was the crop circle we commissioned them? | 0:04:24 | 0:04:27 | |
-A QI symbol. -A QI crop circle and they did it for us | 0:04:27 | 0:04:31 | |
-and it's rather impressive. -QI is run by aliens. | 0:04:31 | 0:04:34 | |
-Would you like to see it? -I certainly would. | 0:04:34 | 0:04:37 | |
Well, let's have it. We went to the expense of having a travelling aerial shot. | 0:04:37 | 0:04:42 | |
MUSIC: "The Ride of the Valkyries" by Wagner. | 0:04:42 | 0:04:44 | |
-What do you think of that? -It's a hoax! | 0:04:44 | 0:04:49 | |
-We did! -That's real? It looks like a Led Zeppelin cover. | 0:04:50 | 0:04:53 | |
Oh, you've failed, I'm afraid, it was real. | 0:04:53 | 0:04:56 | |
Almost within half an hour of it being completed and the dawn rising, | 0:04:56 | 0:05:00 | |
we were contacted by people... | 0:05:00 | 0:05:03 | |
Someone wanted to know, "Is it real or is it man-made?" | 0:05:03 | 0:05:07 | |
To which the answer is... Er, both. | 0:05:10 | 0:05:12 | |
I ask that about sandwiches all the time. | 0:05:12 | 0:05:15 | |
But it's a rather marvellous example of a breed of phenomenon | 0:05:15 | 0:05:19 | |
that has been going since when? | 0:05:19 | 0:05:21 | |
-Is the farmer here tonight? -We recompensed the farmer. It doesn't actually do much damage. | 0:05:21 | 0:05:27 | |
How many mice were frightened in the making of that? | 0:05:27 | 0:05:30 | |
-We can't tell that. -I bet this is older than we suspect. | 0:05:30 | 0:05:33 | |
-It's actually very recent. -Is it? -It is, really, yeah. | 0:05:33 | 0:05:36 | |
-'80s? -Well, '70s it began and it got more and more refined. | 0:05:36 | 0:05:41 | |
-There was a man called... -Like Pizza Express. | 0:05:41 | 0:05:43 | |
There were a couple called... Yeah. | 0:05:43 | 0:05:45 | |
Doug Bower and Dave Chorley admitted that they'd been responsible for most of the crop circles. | 0:05:45 | 0:05:52 | |
They used to be on the news every summer. | 0:05:52 | 0:05:54 | |
There would be aerial shots | 0:05:54 | 0:05:55 | |
and people called cereologists believed these were the work | 0:05:55 | 0:05:59 | |
of people from outer space | 0:05:59 | 0:06:01 | |
or from magnetic forces from ley lines, all kinds of nonsense. | 0:06:01 | 0:06:04 | |
They'd do things like they'd do a crop circle and leave a couple of scorch marks, | 0:06:04 | 0:06:08 | |
from where the engine blasts off back into space. | 0:06:08 | 0:06:13 | |
Where are our three here? Is that John Lundberg? | 0:06:13 | 0:06:17 | |
There you are. There's John. | 0:06:17 | 0:06:18 | |
Can you tell me how you did yours? | 0:06:18 | 0:06:21 | |
What's the most technological item you need? | 0:06:21 | 0:06:24 | |
We need a stalk stomper, which is a plank of wood and a loop of rope | 0:06:24 | 0:06:28 | |
that you put under your foot to flatten the crop | 0:06:28 | 0:06:31 | |
and to mark out the design, you use surveyor's tape, | 0:06:31 | 0:06:33 | |
so they're very simple techniques and very simple tools. | 0:06:33 | 0:06:37 | |
What about your spaceship? What spaceship do you use? | 0:06:37 | 0:06:40 | |
I'm saving up for one but the fee I got for this, it's going to take a while. | 0:06:40 | 0:06:44 | |
So how many do you do a year in the season? | 0:06:46 | 0:06:49 | |
Er, we don't say how many we make | 0:06:49 | 0:06:51 | |
but we've made hundreds over the years. | 0:06:51 | 0:06:53 | |
And are there still those who refuse to believe | 0:06:53 | 0:06:57 | |
that it's all hoaxers like you? | 0:06:57 | 0:06:59 | |
Absolutely. They've been ringing your production office. | 0:06:59 | 0:07:02 | |
-John Lundberg, thank you very much indeed. -Thank you. | 0:07:02 | 0:07:05 | |
There you are. | 0:07:06 | 0:07:07 | |
Anyway, yes, far from being proof of a more intelligent life form, | 0:07:07 | 0:07:12 | |
crop circles can be made using a plank of wood, some rope, | 0:07:12 | 0:07:15 | |
a couple of coat hangers. | 0:07:15 | 0:07:17 | |
But conversely, would you believe that they put a man on the moon? | 0:07:17 | 0:07:21 | |
-Who? -NASA. | 0:07:21 | 0:07:24 | |
Oh. NASA. Yes, I believe so. | 0:07:24 | 0:07:26 | |
-You believe that? -I believe it, yes. | 0:07:26 | 0:07:28 | |
Good. That's all. That's the end of the question, really. | 0:07:28 | 0:07:32 | |
-But you probably know that a lot of people don't believe it. -I sort of believe one thing. | 0:07:32 | 0:07:37 | |
-Uh-oh! -Yeah? | 0:07:37 | 0:07:39 | |
I kind of believe that they might have done some mocked-up fake photographs. | 0:07:39 | 0:07:44 | |
Really? Why? | 0:07:44 | 0:07:45 | |
Because someone convinced me of it... | 0:07:45 | 0:07:49 | |
-Yeah? -..by talking about the angle of light and the shadows | 0:07:49 | 0:07:54 | |
but then I did an advert with Patrick Moore | 0:07:54 | 0:07:56 | |
and I said, "So, Patrick, did they land on the moon?" and he looked so annoyed. | 0:07:56 | 0:08:00 | |
He explained how he had helped map the moon for NASA | 0:08:00 | 0:08:04 | |
and the landing site was partly his idea | 0:08:04 | 0:08:07 | |
and if I ever spoke to him again, he was going to be sick in my eyes. | 0:08:07 | 0:08:11 | |
It... They are a rather tired of... | 0:08:14 | 0:08:17 | |
Buzz Aldrin might have punched you. | 0:08:17 | 0:08:19 | |
-Buzz Aldrin punched someone... -Did he? -..because he got so tired of these conspiracy arses. | 0:08:19 | 0:08:25 | |
Actually, I think it was a television documentary about... | 0:08:25 | 0:08:28 | |
There have been several. | 0:08:28 | 0:08:29 | |
"This photo couldn't possibly have been taken on the moon. | 0:08:29 | 0:08:32 | |
"It was obviously taken in a studio." | 0:08:32 | 0:08:34 | |
You've got me started now but there are a lot of conspiracies. | 0:08:34 | 0:08:38 | |
6% of Americans believe that man didn't land on the moon | 0:08:38 | 0:08:42 | |
but 25% of Britons believe that they didn't, a quarter of our nation. | 0:08:42 | 0:08:47 | |
-So we're... -Not convinced, apparently. -That's so depressing. | 0:08:47 | 0:08:50 | |
The flag. It's one of the things that I read. | 0:08:50 | 0:08:53 | |
The flag is another thing, yes. There it is. | 0:08:53 | 0:08:56 | |
Well, obviously, they've starched the flag so they could get a good photograph of it. | 0:08:56 | 0:09:00 | |
They haven't stiffened it. It's rumpled. | 0:09:00 | 0:09:03 | |
There's no breath of wind out there, obviously, cos you're in space, | 0:09:03 | 0:09:06 | |
which is a vacuum. | 0:09:06 | 0:09:07 | |
What there is is movement. If you impart movement to something, it doesn't stop for a long time. | 0:09:07 | 0:09:13 | |
There's no resistance against it. So they unfurled it and it moved back and forth. | 0:09:13 | 0:09:17 | |
People said, "Ah! Breeze!" | 0:09:17 | 0:09:19 | |
As if, a, they would be stupid enough to fake it | 0:09:19 | 0:09:22 | |
and allow the take that had the breeze in it to go out. | 0:09:22 | 0:09:26 | |
But if you went to the moon, | 0:09:26 | 0:09:28 | |
the least you'd expect is a flag moving a bit strangely. | 0:09:28 | 0:09:31 | |
You know what I mean? | 0:09:31 | 0:09:32 | |
You're expecting to meet the Soup Dragon. "OK, he's not there." | 0:09:32 | 0:09:35 | |
The flag moves a bit strangely... I can go with that. | 0:09:36 | 0:09:39 | |
Why isn't one of them holding up a camera? | 0:09:39 | 0:09:42 | |
The one taking the picture is reflected in the visor of the other and he's not holding a camera. | 0:09:42 | 0:09:48 | |
-Like that, you see. -Ah. -That's because they didn't put the camera up in front of their visor. | 0:09:48 | 0:09:54 | |
-They were mounted. -You couldn't imagine them getting a camera out. | 0:09:54 | 0:09:58 | |
Click, winding it on with gloves... | 0:09:58 | 0:10:01 | |
-I'd like to go to the moon. -Would you? -I'd love to do that. | 0:10:02 | 0:10:06 | |
Two of other things, in case people are saying, "You haven't mentioned the clincher." | 0:10:06 | 0:10:10 | |
One was the idea that below the lunar module that landed | 0:10:10 | 0:10:15 | |
there was no crater or sense of disturbed dust. | 0:10:15 | 0:10:19 | |
The fact is, the engines cut off and it hovered down | 0:10:19 | 0:10:22 | |
and it very quickly landed. | 0:10:22 | 0:10:24 | |
And unlike in science fiction films, | 0:10:24 | 0:10:25 | |
it doesn't send out spears of flame as it descends. | 0:10:25 | 0:10:29 | |
That just didn't happen. | 0:10:29 | 0:10:30 | |
And, of course, it was designed by geniuses | 0:10:30 | 0:10:34 | |
and not people tapping away at the internet who've got to go to work in the morning. Who do you trust? | 0:10:34 | 0:10:39 | |
We are in trouble as a species | 0:10:39 | 0:10:41 | |
if people refuse to believe in things they couldn't actually do themselves. | 0:10:41 | 0:10:45 | |
So true! That's so true. The other one was the footprints. | 0:10:45 | 0:10:49 | |
"There's too much moisture because look how clear they are, | 0:10:49 | 0:10:52 | |
"only caked mud could do that." | 0:10:52 | 0:10:54 | |
But you can do that with flour. It's very fine ground | 0:10:54 | 0:10:57 | |
and it's a vacuum again, it coheres. | 0:10:57 | 0:11:00 | |
And the other thing with the mirrors, that Apollo 12 astronauts put on the moon, | 0:11:00 | 0:11:06 | |
which are now used for bouncing lasers off | 0:11:06 | 0:11:08 | |
for detecting, for example, how far the moon is away from us. | 0:11:08 | 0:11:11 | |
You can make incredibly accurate measurements | 0:11:11 | 0:11:15 | |
because of mirrors on the surface of the moon. | 0:11:15 | 0:11:17 | |
Perhaps for me the clinching one is that America's enemy at the time | 0:11:17 | 0:11:21 | |
in the space race was the Soviet Union | 0:11:21 | 0:11:23 | |
and not once did they suggest that America hadn't done it. | 0:11:23 | 0:11:27 | |
-They never said, "No, we know this was hoax." -Yeah. | 0:11:27 | 0:11:29 | |
The fact is, for every ill-conceived argument | 0:11:29 | 0:11:32 | |
that the moon landings were a hoax, there's an explanation to put our minds at rest. | 0:11:32 | 0:11:36 | |
Now for something closer to home. | 0:11:36 | 0:11:38 | |
How would you make your house the most famous house in Britain? | 0:11:38 | 0:11:42 | |
-That's easy. -Yeah? | 0:11:43 | 0:11:44 | |
You murder lots and lots of people, dismember them | 0:11:44 | 0:11:48 | |
and bury them in the garden. | 0:11:48 | 0:11:50 | |
-That... -Marry the Queen. | 0:11:50 | 0:11:55 | |
-You marry the Queen... -Yes? | 0:11:55 | 0:11:58 | |
..and you say, "No, love, you're not living in those palaces any more." | 0:11:58 | 0:12:02 | |
You're living in 3 Ironside Crescent, Carlisle. | 0:12:02 | 0:12:05 | |
OK. Those would work. Those would work. | 0:12:05 | 0:12:08 | |
Some sort of spectacular suicide? | 0:12:08 | 0:12:11 | |
-Mmm... -I suppose the murdering people would work better. I was trying to make it sad. | 0:12:12 | 0:12:17 | |
-But this is... -Balloons. You tie loads of balloons and your house goes... | 0:12:17 | 0:12:21 | |
Oh, that would be sweet. | 0:12:21 | 0:12:23 | |
This was a bet that took place in 1810 | 0:12:23 | 0:12:25 | |
between Samuel Beasley and Theodore Hook, | 0:12:25 | 0:12:28 | |
that Hook could make any house he chose the most famous residence in London | 0:12:28 | 0:12:34 | |
in one week. | 0:12:34 | 0:12:35 | |
He had a week in which to do it. | 0:12:35 | 0:12:37 | |
He prepared over the week | 0:12:37 | 0:12:39 | |
-but it all happened in one day. -I've heard of this. -Yeah? | 0:12:39 | 0:12:42 | |
He started ordering goods, all kinds of different goods. | 0:12:42 | 0:12:46 | |
4,000 different tradesmen and services | 0:12:46 | 0:12:49 | |
in all the commercial directories all over London. | 0:12:49 | 0:12:52 | |
He ordered chimney sweeps. | 0:12:52 | 0:12:54 | |
First thing in the morning, there were 12 chimney sweeps arriving. | 0:12:54 | 0:12:57 | |
And then more and more and more and more arrived. | 0:12:57 | 0:13:00 | |
It became absolutely gigantic. | 0:13:00 | 0:13:02 | |
12 coal carts, there were cake makers, doctors, apothecaries, surgeons, lawyers, | 0:13:02 | 0:13:06 | |
-priests... -We've all done this, haven't we? | 0:13:06 | 0:13:09 | |
..hat makers, haberdashers, boot makers, butcher's boys, | 0:13:09 | 0:13:12 | |
a dozen pianos arrived. | 0:13:12 | 0:13:13 | |
The governor of the Bank of England turned up to what the fuss was about. | 0:13:13 | 0:13:18 | |
It was in Berners Street, just north of Oxford Street, | 0:13:18 | 0:13:21 | |
and er... There it is. | 0:13:21 | 0:13:23 | |
-That sign doesn't fit that bit of wall. -It doesn't really. | 0:13:23 | 0:13:28 | |
I suppose if they put it the way it would, | 0:13:28 | 0:13:31 | |
-you'd have to read it in portrait... -It's back to the drawing board. | 0:13:31 | 0:13:34 | |
-They've got that all wrong. -Or just chill out about the whole thing. | 0:13:34 | 0:13:38 | |
-You'd have folded it round, mate. -Yeah, right. | 0:13:39 | 0:13:42 | |
HE CHUCKLES | 0:13:43 | 0:13:44 | |
-So it's like going on the internet and ordering the lot? -Yes. | 0:13:44 | 0:13:47 | |
-I'll have everything. -Exactly. | 0:13:47 | 0:13:50 | |
And the poor woman, whose name was Mrs Tottenham, was besieged. | 0:13:50 | 0:13:53 | |
-So he didn't live there? -No! He chose... He just chose this house. That was the point of the bet. | 0:13:53 | 0:14:01 | |
"I can make that house, 54 Berners Street, | 0:14:01 | 0:14:03 | |
"the most famous house in London." | 0:14:03 | 0:14:05 | |
Theodore Hook bet a man called Beasley | 0:14:05 | 0:14:07 | |
that he could make 54 Berners Street the most famous house in London. | 0:14:07 | 0:14:11 | |
What conclusion did the great biologist Stephen Jay Gould draw | 0:14:11 | 0:14:15 | |
from a lifetime's study of fish? | 0:14:15 | 0:14:17 | |
-Oh. -Yeah? -They haven't got any legs. | 0:14:17 | 0:14:20 | |
Is that his lifetime's study? | 0:14:24 | 0:14:26 | |
-No. It wasn't a study of -a -fish. | 0:14:26 | 0:14:30 | |
-He was... -"After a while, they smell." | 0:14:30 | 0:14:32 | |
He was a bit thick and he just stared at them and went, "They haven't got any legs." | 0:14:33 | 0:14:37 | |
Starfish don't have brains. It's the Louis Walsh of the aquatic world. | 0:14:37 | 0:14:42 | |
They don't have brains, starfish. | 0:14:43 | 0:14:45 | |
And they're not really fish, to be honest. | 0:14:45 | 0:14:47 | |
The word fish is in there, which qualifies them, I think. | 0:14:47 | 0:14:51 | |
Is a starfish a fish? Is a jellyfish a fish? | 0:14:51 | 0:14:53 | |
Is a cuttlefish a fish? | 0:14:53 | 0:14:55 | |
-Is a seahorse a horse? -But the starfish... | 0:14:55 | 0:14:58 | |
There's a division, isn't there, in the world | 0:14:58 | 0:15:00 | |
whether it should be down to experts in biology whether things are fish | 0:15:00 | 0:15:04 | |
or whether it should be down to menus. | 0:15:04 | 0:15:07 | |
-Yes! -For example, a crayfish comes under fish on a menu... | 0:15:07 | 0:15:11 | |
He looks like he's reading the sell-by date on that fish. | 0:15:11 | 0:15:15 | |
-The small print. Is that him? -Yes, he's dead now. | 0:15:15 | 0:15:18 | |
He won the Nobel Prize, he was a palaeontologist and a biologist | 0:15:18 | 0:15:22 | |
-and he came to the conclusion, which is? -They can feel no love. -No, that they... | 0:15:22 | 0:15:26 | |
That there is no such thing as a fish. | 0:15:26 | 0:15:29 | |
Fish has no biological meaning. | 0:15:29 | 0:15:32 | |
-There is just... -So I'm absolutely right. Go with menus. | 0:15:32 | 0:15:36 | |
But on a menu a fish is not the same as shellfish or seafood, is it? | 0:15:36 | 0:15:40 | |
It often comes in the same bit and separate from puddings. | 0:15:40 | 0:15:43 | |
-Things that live in the sea. -Fish and pudding are different. | 0:15:43 | 0:15:47 | |
How can something not be something? | 0:15:47 | 0:15:49 | |
Something can't be not be not something. | 0:15:49 | 0:15:52 | |
If you've created a something, then something has to be that something | 0:15:52 | 0:15:56 | |
otherwise you haven't created a something, | 0:15:56 | 0:15:59 | |
so it has to be a fish if there is the idea of fish in the first place. | 0:15:59 | 0:16:02 | |
I swear there's a philosophy lecturer somewhere who said... | 0:16:02 | 0:16:06 | |
That's an ontological argument. Of course, we use the word fish. | 0:16:06 | 0:16:10 | |
But biologically speaking, a salmon is more related to, say, a camel | 0:16:10 | 0:16:16 | |
than it is to a hagfish. | 0:16:16 | 0:16:18 | |
Like, there are lots of things that fly. | 0:16:18 | 0:16:20 | |
A bumblebee flies, a vulture flies and there are flying lizards. | 0:16:20 | 0:16:24 | |
They're not all birds | 0:16:24 | 0:16:26 | |
but we call things that swim in the sea fish | 0:16:26 | 0:16:29 | |
and actually, biologically, evolutionarily, | 0:16:29 | 0:16:32 | |
they have absolutely nothing to do with each other at all. | 0:16:32 | 0:16:35 | |
So after a lifetime's study of fish, | 0:16:35 | 0:16:37 | |
biologist Stephen Jay Gould concluded there was no such thing as a fish. | 0:16:37 | 0:16:41 | |
What did Nostradamus get right? | 0:16:41 | 0:16:44 | |
The hat. The hat. He got the hat right. The hat's good. | 0:16:44 | 0:16:46 | |
The big, big mistake - the green coat with the brown hat. | 0:16:48 | 0:16:51 | |
It's crazy. The hat looks cool. | 0:16:51 | 0:16:53 | |
-Who is he? -Have you not heard of Nostradamus? -I've heard of him. I've no idea where he lived. | 0:16:53 | 0:16:59 | |
His name was Michel de Nostredame. He lived from 1503 to 1566. | 0:16:59 | 0:17:04 | |
He was a Provencal apothecary | 0:17:04 | 0:17:06 | |
and he did many things, including writing hundreds of quatrains, | 0:17:06 | 0:17:11 | |
these four-line verses. | 0:17:11 | 0:17:13 | |
Were they deliberately obtuse? | 0:17:13 | 0:17:14 | |
I'm aware there'll be headlines on it | 0:17:14 | 0:17:16 | |
but why were they so obscure? | 0:17:16 | 0:17:18 | |
He was a mystic and I suppose he... Who knows? He got drugged up | 0:17:18 | 0:17:21 | |
and he just wrote down a four-line verse of whatever he saw. | 0:17:21 | 0:17:25 | |
-He was a chemist. -An apothecary. | 0:17:25 | 0:17:27 | |
-He had access to all kinds of crazy hooch. -Exactly. | 0:17:27 | 0:17:29 | |
-So he published a book of, essentially, gibberish. -Yes. | 0:17:29 | 0:17:33 | |
-And a lot of idiots... -Because even the people now | 0:17:34 | 0:17:37 | |
who said, "That predicts Hitler or that predicts 9/11," | 0:17:37 | 0:17:40 | |
would think, if you bought that in 1530, | 0:17:40 | 0:17:44 | |
that's not good value for money | 0:17:44 | 0:17:46 | |
because all the things it's predicting won't happen for ages | 0:17:46 | 0:17:50 | |
and so what it is, then, is nonsense. | 0:17:50 | 0:17:53 | |
In fact, it's only use is to predict something just after it's happened. | 0:17:53 | 0:17:57 | |
Yes, because then people go, "Wow." | 0:17:57 | 0:17:59 | |
But one thing he did do that is genuine and this is the question, | 0:17:59 | 0:18:03 | |
is he did a fantastic recipe for cherry jam. | 0:18:03 | 0:18:05 | |
He read all the books and one of the books he read was about jams. | 0:18:07 | 0:18:10 | |
And his cherry jam recipe, we are assured today, | 0:18:10 | 0:18:13 | |
-is still as good as it ever was. -Really? | 0:18:13 | 0:18:16 | |
That is the thing Nostradamus did that is provably, demonstrably and repeatedly true. | 0:18:16 | 0:18:20 | |
He also made aphrodisiac jams | 0:18:20 | 0:18:22 | |
made of sparrows' brains and all that sort of thing. | 0:18:22 | 0:18:25 | |
-But generally speaking his cherry jam... -Was a triumph. -It's something he got right. | 0:18:25 | 0:18:29 | |
Anyway, yes, when Nostradamus wasn't predicting stuff, | 0:18:29 | 0:18:32 | |
he was busy compiling a rather excellent collection of jam recipes. | 0:18:32 | 0:18:36 | |
-Now? -Who's the most famous person to have been beaten... Hello? | 0:18:36 | 0:18:40 | |
Do you think that's a massive hoax? | 0:18:40 | 0:18:43 | |
Yeah. Hoax. | 0:18:43 | 0:18:44 | |
JINGLE PLAYS Oh! You're wrong. | 0:18:44 | 0:18:47 | |
Oh. | 0:18:47 | 0:18:48 | |
Davies, you idiot! | 0:18:50 | 0:18:52 | |
That was entirely true. | 0:18:52 | 0:18:54 | |
Oh, well. | 0:18:54 | 0:18:55 | |
It was too late, the question had finished. | 0:18:55 | 0:18:58 | |
No! No, no, no. | 0:18:58 | 0:19:00 | |
-It was too late. -You stopped me. | 0:19:00 | 0:19:02 | |
So who was the most famous person to be beaten by a machine at chess? | 0:19:02 | 0:19:06 | |
-You get double points if you can name the machine. -Me. | 0:19:06 | 0:19:10 | |
-Are you the most famous person? -Yeah, I got beaten by a Hoover. | 0:19:10 | 0:19:13 | |
-Is that right? -Yes. | 0:19:15 | 0:19:16 | |
Somebody left it on and it moved the pieces around and it still beat me. | 0:19:16 | 0:19:20 | |
That's how bad I am at chess. | 0:19:20 | 0:19:22 | |
The key thing in the question is not most famous chess grand master. | 0:19:24 | 0:19:28 | |
-It could be Marilyn Monroe or... -It's not a famous chess player? | 0:19:28 | 0:19:32 | |
No. Very well worked out. | 0:19:32 | 0:19:34 | |
-There is... -The Queen. | 0:19:34 | 0:19:35 | |
-Garry Kasparov, the great grand master... -He lost to... -Deep Blue. | 0:19:35 | 0:19:40 | |
-But that wasn't... -The Queen is the most famous person in the world. | 0:19:40 | 0:19:43 | |
Did she lose to a ZX80? | 0:19:43 | 0:19:45 | |
This was someone who was more famous than the Queen in his day | 0:19:45 | 0:19:48 | |
and was bigger than the Queen, as it were. | 0:19:48 | 0:19:50 | |
Had a higher rank than queen. | 0:19:50 | 0:19:53 | |
Jesus. | 0:19:53 | 0:19:55 | |
Jesus... | 0:19:55 | 0:19:56 | |
Jesus isn't really a rank. | 0:19:56 | 0:19:58 | |
He's famous, though, Jesus. | 0:19:58 | 0:20:00 | |
-It's a rank. -"I am Jesus." | 0:20:00 | 0:20:02 | |
-"I outrank you!" -He's more famous than the Queen, though. | 0:20:02 | 0:20:05 | |
-Yes, that's true. -You can't handle the truth. | 0:20:05 | 0:20:08 | |
Jesus plays chess sounds like an indie band | 0:20:09 | 0:20:12 | |
or it will be. | 0:20:12 | 0:20:14 | |
-Napoleon. -Napoleon is the right answer. | 0:20:14 | 0:20:17 | |
Do you know what the machine might have been? | 0:20:17 | 0:20:20 | |
-Was it some sort of clever wind-up automaton? -It was an automaton | 0:20:20 | 0:20:25 | |
and it was unbelievably clever. | 0:20:25 | 0:20:26 | |
It was called the Mechanical Turk | 0:20:26 | 0:20:28 | |
and the Turk was made of machinery | 0:20:28 | 0:20:31 | |
and you would open the doors, rather like a magician, showing it was empty, | 0:20:31 | 0:20:36 | |
though in fact, there would be a man inside who was a chess master. | 0:20:36 | 0:20:40 | |
He would manipulate the machinery to make the Turk pick up and move the pieces. | 0:20:40 | 0:20:44 | |
So it was a genuinely astonishing piece of machinery | 0:20:44 | 0:20:48 | |
that unfortunately burned in a fire in 1854. | 0:20:48 | 0:20:51 | |
Napoleon rather fancied himself at chess | 0:20:51 | 0:20:53 | |
and of course, being Emperor, I daresay nobody ever dared beat him, | 0:20:53 | 0:20:57 | |
so he was extremely annoyed to be beaten in 19 moves | 0:20:57 | 0:21:01 | |
by this machine. | 0:21:01 | 0:21:02 | |
So, yeah. And many others were beaten, you might like to know. | 0:21:02 | 0:21:05 | |
Benjamin Franklin, who was in Paris at the time | 0:21:05 | 0:21:08 | |
as ambassador for the newly formed United States. | 0:21:08 | 0:21:11 | |
What was the deal with it? | 0:21:11 | 0:21:13 | |
-They were unaware that there was a grand master inside? -Yeah. -OK. | 0:21:13 | 0:21:16 | |
They thought it was a machine. Charles Babbage was beaten by it. | 0:21:16 | 0:21:20 | |
He's the father of computing. He invented the difference engine. | 0:21:20 | 0:21:24 | |
Maybe if he'd known there was a man inside, | 0:21:24 | 0:21:26 | |
-he would never have invented the difference engine. -Exactly. | 0:21:26 | 0:21:30 | |
But it was the sensation of the age, a remarkable thing. | 0:21:30 | 0:21:33 | |
The Mechanical Turk. | 0:21:33 | 0:21:34 | |
A manned automaton that beat Napoleon at chess, amongst other people. | 0:21:34 | 0:21:38 | |
But enough hoaxes. It's time for some general ignorance. | 0:21:38 | 0:21:41 | |
So, fingers on buzzers, if you please. | 0:21:41 | 0:21:43 | |
How can you tell if someone is lying? | 0:21:43 | 0:21:46 | |
"Hello, dear!" | 0:21:46 | 0:21:47 | |
Sweaty palms, their pulse starts racing, | 0:21:49 | 0:21:52 | |
their heartbeat goes faster, their sphincter... | 0:21:52 | 0:21:55 | |
If they clench up their sphincter... | 0:21:55 | 0:21:58 | |
Let's suppose you haven't got a finger on their sphincter... DEER BELLOWING | 0:21:58 | 0:22:02 | |
..and you aren't holding their hand. Yeah? | 0:22:02 | 0:22:04 | |
-What they've said turns out not to be true. -Yeah. | 0:22:04 | 0:22:06 | |
APPLAUSE | 0:22:09 | 0:22:10 | |
Yay! | 0:22:10 | 0:22:12 | |
-Hello! -"Hullo, dear!" | 0:22:13 | 0:22:15 | |
They work for an estate agent's. | 0:22:16 | 0:22:18 | |
APPLAUSE | 0:22:19 | 0:22:20 | |
Oh! Is there a bitterness behind that? | 0:22:22 | 0:22:24 | |
No, it's just an observation. | 0:22:24 | 0:22:26 | |
-Is it something physical? -It is but not tactile. You can't touch them. | 0:22:26 | 0:22:32 | |
Is it the thing, and I fear claxons, | 0:22:32 | 0:22:34 | |
but is it something about whether when they're just about to think about it, | 0:22:34 | 0:22:38 | |
they look up left instead of up right | 0:22:38 | 0:22:40 | |
or up right instead of up left or something like...? | 0:22:40 | 0:22:43 | |
CLAXONS HOWL | 0:22:43 | 0:22:44 | |
-Yes! You were right to fear claxons. -Yeah, I was. | 0:22:44 | 0:22:47 | |
-I think I know what it is. -Embrace the claxon. -I'm trying to. | 0:22:47 | 0:22:51 | |
As they're about to deliver the crucial detail, they go, | 0:22:51 | 0:22:54 | |
"Yeah, well, it's about, ooh, er..." | 0:22:54 | 0:22:58 | |
"l-l-l-l... | 0:22:58 | 0:23:00 | |
"Let me... T-t-t-t-t-t-t... | 0:23:00 | 0:23:03 | |
"About ten. About ten, I reckon. I mean..." | 0:23:04 | 0:23:06 | |
Sean, you are more right than David by a long way. | 0:23:06 | 0:23:10 | |
The point is it's very hard to see if someone's lying. | 0:23:10 | 0:23:13 | |
There's nothing in the body language or the face or the eyes, | 0:23:13 | 0:23:16 | |
nothing in the nose touches, the things that people think are to do with it. | 0:23:16 | 0:23:20 | |
It's all to do with how they're speaking. | 0:23:20 | 0:23:22 | |
-Is this why it's easier to tell if someone's lying on the phone than face to face? -Exactly so. | 0:23:22 | 0:23:28 | |
They tested over 20,000 subjects, | 0:23:28 | 0:23:30 | |
showing them videos of people telling the truth and lying. | 0:23:30 | 0:23:33 | |
They found that people performed no better than chance. | 0:23:33 | 0:23:36 | |
Not only that, so-called experts - | 0:23:36 | 0:23:38 | |
polygraph operators, police investigators, judges and psychiatrists, | 0:23:38 | 0:23:42 | |
returned the same result. | 0:23:42 | 0:23:44 | |
But if you do it just on sound alone, people are much more accurate. | 0:23:44 | 0:23:48 | |
About 73% accuracy listening to lies. | 0:23:48 | 0:23:51 | |
So the thing to do is shut your eyes. | 0:23:51 | 0:23:53 | |
-Is that man going to shoot him? -It's a very early polygraph. | 0:23:53 | 0:23:57 | |
-It does look rather bizarre, doesn't it? -Right. "Name?" "John." | 0:23:57 | 0:24:01 | |
"Wrong." Boom. | 0:24:01 | 0:24:02 | |
Presumably that means it's easier to dupe the deaf than the blind. | 0:24:03 | 0:24:08 | |
-Which isn't what you'd think. -No, it isn't. That's true. | 0:24:09 | 0:24:12 | |
Having said all that I've said, Dr Ekman, a leading researcher, claims | 0:24:12 | 0:24:16 | |
that 50 out of 20,000 people do have a natural ability to detect lies | 0:24:16 | 0:24:20 | |
by actually looking at expressions. | 0:24:20 | 0:24:22 | |
It is very, very few people. | 0:24:22 | 0:24:24 | |
He named them the truth wizards | 0:24:24 | 0:24:26 | |
and they're able to read micro-expressions that last milliseconds | 0:24:26 | 0:24:30 | |
in ways that others aren't. | 0:24:30 | 0:24:31 | |
So, there you are. | 0:24:31 | 0:24:32 | |
Most people can't tell if you're lying | 0:24:32 | 0:24:35 | |
but they'll have a better chance if they focus on your speech. | 0:24:35 | 0:24:38 | |
What's the one thing you know for sure about oranges? | 0:24:38 | 0:24:41 | |
-They're orange. -They're orange? | 0:24:41 | 0:24:43 | |
CLAXONS GO OFF Oh! That's the problem. | 0:24:43 | 0:24:47 | |
There are red ones and most of them aren't orange, in fact. | 0:24:47 | 0:24:51 | |
I know. Supermarkets tend to use a gas to de-green, as they call it, | 0:24:51 | 0:24:55 | |
to take the chlorophyll out, | 0:24:55 | 0:24:58 | |
because we shoppers prefer to see an orange skin. | 0:24:58 | 0:25:01 | |
In warm countries, oranges are actually green. | 0:25:01 | 0:25:06 | |
And there you can see how green they are. | 0:25:06 | 0:25:09 | |
Do you know where the word comes from or what the original word was? | 0:25:09 | 0:25:13 | |
-It's naranja. -Naranja. That's the Spanish for orange. | 0:25:13 | 0:25:16 | |
The original naranja is Sanskrit | 0:25:16 | 0:25:18 | |
and what happened, as words do, it loses the N. | 0:25:18 | 0:25:21 | |
So you get an orange, a "norange", | 0:25:21 | 0:25:24 | |
and we think, "Oh, that 'a norange' must be 'an orange'," | 0:25:24 | 0:25:27 | |
but in fact it was a norange, like a nadder was a snake. | 0:25:27 | 0:25:31 | |
The French say "orange", don't they? It should be called a nanorange. | 0:25:31 | 0:25:36 | |
-Just a norange would do. -A norange? | 0:25:36 | 0:25:38 | |
-Norange juice. -Norange juice, yeah. | 0:25:38 | 0:25:41 | |
That'll do it. Well done. | 0:25:41 | 0:25:42 | |
Should an apple be called a napple? | 0:25:42 | 0:25:44 | |
No, it doesn't work with apple. | 0:25:44 | 0:25:47 | |
There must be... A napron, for example. | 0:25:47 | 0:25:49 | |
-A nau pair. -No, that's just silly. | 0:25:49 | 0:25:52 | |
But er... | 0:25:52 | 0:25:54 | |
It works with a nadder. That's now become an adder but is was originally "a nadre." | 0:25:54 | 0:25:59 | |
An adder. Right. | 0:25:59 | 0:26:00 | |
And an ick name. | 0:26:00 | 0:26:03 | |
Your ick name, nickname, it became a nickname | 0:26:03 | 0:26:06 | |
but it was originally an ick name. | 0:26:06 | 0:26:08 | |
-What's an ick...? -It became a nickname. -Right. | 0:26:08 | 0:26:11 | |
A nickname is a name you give someone that isn't their real name, Sean. | 0:26:11 | 0:26:16 | |
-What was it called before? -Ick name. | 0:26:16 | 0:26:19 | |
What does that mean, an ick name? Where does that come from? | 0:26:19 | 0:26:22 | |
-That's not a fruit. -No! Arrgh! | 0:26:23 | 0:26:27 | |
APPLAUSE | 0:26:27 | 0:26:28 | |
Oh, man. | 0:26:29 | 0:26:31 | |
Heaven help us all. | 0:26:31 | 0:26:32 | |
Oranges are not necessarily orange | 0:26:32 | 0:26:35 | |
and there's a good case for saying that they started as greens. | 0:26:35 | 0:26:38 | |
What do swimming pools smell of? | 0:26:38 | 0:26:40 | |
-Hmm. -Children. | 0:26:40 | 0:26:42 | |
Probably true. | 0:26:44 | 0:26:45 | |
-The answer I suspect you're looking for... -"Hello, dear!" | 0:26:45 | 0:26:49 | |
..is chlorine. | 0:26:49 | 0:26:50 | |
CLAXON SOUNDS Ow! | 0:26:50 | 0:26:52 | |
I bet they don't even put chlorine in them. | 0:26:52 | 0:26:54 | |
You don't smell the chlorine. | 0:26:54 | 0:26:56 | |
In fact, if there is that smell that we don't like, | 0:26:56 | 0:26:59 | |
the way to get rid of it is to add chlorine. | 0:26:59 | 0:27:01 | |
-Chlorine reacting with urine. -Yeah. | 0:27:01 | 0:27:04 | |
Chloramines are formed by sweat and urine and faecal matter | 0:27:04 | 0:27:09 | |
and lots of other horrible things in swimming pools added to chlorine. | 0:27:09 | 0:27:12 | |
To get rid of them, add chlorine. | 0:27:12 | 0:27:14 | |
So before I make up your scores, | 0:27:14 | 0:27:17 | |
I should tell you that not one of you managed to identify the hoax | 0:27:17 | 0:27:21 | |
because the idea of the hoax was itself a hoax. | 0:27:21 | 0:27:23 | |
There was no hoax. GROANING | 0:27:23 | 0:27:26 | |
APPLAUSE | 0:27:26 | 0:27:28 | |
This... This is an outrage. This is like the end of Lost. | 0:27:32 | 0:27:37 | |
It's endearing how much it matters to them. | 0:27:37 | 0:27:39 | |
So everything you heard was as true as trousers. | 0:27:39 | 0:27:42 | |
So the winner tonight... | 0:27:42 | 0:27:44 | |
Wow! A-ha! | 0:27:44 | 0:27:45 | |
The winner tonight with an impressive minus one is Sean Lock. | 0:27:45 | 0:27:49 | |
-APPLAUSE -Oh, I won? -You won. | 0:27:49 | 0:27:52 | |
-And... -You won this discredited show. | 0:27:53 | 0:27:56 | |
..second with an improbable minus 13, is David Mitchell. | 0:27:56 | 0:28:00 | |
APPLAUSE | 0:28:00 | 0:28:01 | |
-Yeah! -Yeah! | 0:28:04 | 0:28:06 | |
Third with a pretty good minus 14, Danny Baker. | 0:28:06 | 0:28:10 | |
APPLAUSE | 0:28:10 | 0:28:11 | |
And last with a surprisingly convincing minus 38, Alan Davies. | 0:28:12 | 0:28:16 | |
-Thank you very much. -APPLAUSE AND CHEERING | 0:28:16 | 0:28:19 | |
Thanks to David, Danny, Sean and Alan. I leave you with an observation from Will Rogers. | 0:28:26 | 0:28:30 | |
The trouble with practical jokes is that very often they get elected. | 0:28:30 | 0:28:34 | |
Thank you and goodnight. APPLAUSE | 0:28:34 | 0:28:36 | |
Subtitles by Red Bee Media Ltd | 0:28:55 | 0:28:57 | |
Email [email protected] | 0:28:57 | 0:28:59 |