Browse content similar to VG Part 1. Check below for episodes and series from the same categories and more!
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Good evening, good evening, good evening, good evening, good evening, good evening, | 0:00:31 | 0:00:34 | |
and welcome to QI, where tonight, once again, the "I"s have it. | 0:00:34 | 0:00:39 | |
So, which international head of state snubbed Jesse Owens | 0:00:39 | 0:00:46 | |
after his triumph at the 1936 Olympics? | 0:00:46 | 0:00:48 | |
DING-DONG | 0:00:48 | 0:00:50 | |
-Yes, Jack? -Hitler. -Ahhh! | 0:00:50 | 0:00:52 | |
BUZZER HOOTS | 0:00:52 | 0:00:53 | |
Oddly enough, it's not true. | 0:00:55 | 0:00:57 | |
It's what the whole world thinks but it isn't true | 0:00:57 | 0:00:59 | |
and we know this from no greater source than Jesse Owens himself. | 0:00:59 | 0:01:03 | |
In fact, it's a really rather sad and a very typically, I'm afraid, unfortunate story. | 0:01:03 | 0:01:08 | |
Jesse Owens, as you probably know, won four gold medals at the 1936 Berlin Olympics. | 0:01:08 | 0:01:12 | |
The Olympics was staged-managed, of course, by Hitler. | 0:01:12 | 0:01:15 | |
Now, on the first day, Hitler congratulated only German winners. | 0:01:15 | 0:01:20 | |
And someone said to him that he should either congratulate all the winners or none of them. | 0:01:20 | 0:01:25 | |
So he said, "Well, in that case, I won't congratulate any winners." | 0:01:25 | 0:01:29 | |
So he didn't snub Jesse Owens at all. | 0:01:29 | 0:01:32 | |
In fact, according to Jesse Owens, he said, | 0:01:32 | 0:01:34 | |
"When I passed the Chancellor, he rose, waved his hand at me and I waved back at him." | 0:01:34 | 0:01:39 | |
"Hitler didn't snub me. It was..." | 0:01:39 | 0:01:41 | |
King of England. | 0:01:41 | 0:01:43 | |
No. FDR. | 0:01:43 | 0:01:44 | |
-Oh, bastard! -The president of his own country. | 0:01:44 | 0:01:47 | |
He didn't personally congratulate Jesse Owens. | 0:01:47 | 0:01:50 | |
LAUGHTER | 0:01:50 | 0:01:52 | |
Who are you looking at there? | 0:01:52 | 0:01:54 | |
The bloke on the far right is just going like that... | 0:01:54 | 0:01:57 | |
He is a bit. | 0:01:57 | 0:01:59 | |
That bloke on the far right is called Hermann Goering. | 0:01:59 | 0:02:02 | |
Surely they're all on the far right. | 0:02:04 | 0:02:08 | |
Ya-hey! | 0:02:08 | 0:02:09 | |
B-r-r-rilliant! | 0:02:13 | 0:02:15 | |
It's usual amongst George Formby fans, I believe, that they teach themselves the banjolele. | 0:02:19 | 0:02:25 | |
And as you are one, we have a banjolele. | 0:02:25 | 0:02:29 | |
Can you delight us with some Formby? | 0:02:29 | 0:02:32 | |
-Am I on the spot? -I don't know if it's tuned or not but just do what you can. | 0:02:32 | 0:02:35 | |
-Oh, don't worry about that. -We'll be very happy. | 0:02:35 | 0:02:37 | |
My dog has fleas, is what you need to remember. My dog has... | 0:02:37 | 0:02:40 | |
Well, this one doesn't have fleas. He has distemper. | 0:02:40 | 0:02:42 | |
When I'm Cleaning Windows has got another bit that goes, | 0:02:45 | 0:02:50 | |
# Eight o'clock, a girl awakes At ten past eight, a bath she takes | 0:02:50 | 0:02:54 | |
# At quarter past, my ladder breaks When I'm cleaning windows... # | 0:02:54 | 0:02:59 | |
Heh-heh heh-heh hey! Wahey! | 0:02:59 | 0:03:03 | |
There's a bit that goes | 0:03:07 | 0:03:08 | |
# There's a famous movie queen She looks a beauty on the screen | 0:03:08 | 0:03:13 | |
# She's more like 80 than 18 When I'm cleaning windows | 0:03:13 | 0:03:17 | |
# She takes her hair down all behind Then takes down her never-mind | 0:03:17 | 0:03:21 | |
# And finally takes down the blind When I'm cleaning windows. # | 0:03:21 | 0:03:26 | |
Cheeky! | 0:03:26 | 0:03:28 | |
Brilliant. | 0:03:28 | 0:03:29 | |
Now for something terribly important. | 0:03:36 | 0:03:38 | |
Why did the MoD want the PM to join the AA? | 0:03:38 | 0:03:40 | |
-This present, David Cameron, PM, or any? -No. | 0:03:40 | 0:03:44 | |
The Prime Minister at the time was Harold Macmillan. | 0:03:44 | 0:03:46 | |
Did the MoD want the country to become part of the temperance movement? | 0:03:46 | 0:03:52 | |
-Ha ha! No, it's not that AA. -The Automobile Association. | 0:03:52 | 0:03:55 | |
The Automobile Association, exactly. | 0:03:55 | 0:03:57 | |
-It's that AA. -Really? -Yes. | 0:03:57 | 0:03:58 | |
So when Harold Macmillan was Prime Minister, what was going on in the world around that time? | 0:03:58 | 0:04:02 | |
-The Cold War. -The Cold War was at its absolute height. | 0:04:02 | 0:04:06 | |
And they knew that Kennedy had this system where, wherever he was, | 0:04:06 | 0:04:09 | |
he could retaliate in case the Soviets sent missiles. | 0:04:09 | 0:04:12 | |
And they thought, "Well, we better have a similar system." | 0:04:12 | 0:04:15 | |
And they thought... | 0:04:15 | 0:04:17 | |
There's Lord Mountbatten who was the chief of staff at the time. | 0:04:17 | 0:04:20 | |
And they said, "Well, you know, | 0:04:20 | 0:04:21 | |
"you better have men going round with the Prime Minister who | 0:04:21 | 0:04:24 | |
"have got radios and things in case there's news of a Soviet attack." | 0:04:24 | 0:04:27 | |
And he said, "Well, that's far too expensive." | 0:04:27 | 0:04:29 | |
The Prime Minister said, | 0:04:29 | 0:04:30 | |
"I don't want people following me around all the time." | 0:04:30 | 0:04:33 | |
"I tell you what, we'll use the system the AA use." So, basically, the idea was | 0:04:33 | 0:04:37 | |
that they would get a signal from the AA to the car if the Soviets had launched a strike. | 0:04:37 | 0:04:43 | |
That would mean the Prime Minister could then stop off | 0:04:43 | 0:04:46 | |
at the nearest telephone and issue the order for a counter-strike. | 0:04:46 | 0:04:50 | |
And there were some very exciting memos. | 0:04:50 | 0:04:53 | |
This is very British. You'll like this very much. | 0:04:53 | 0:04:56 | |
Brian Saunders, private secretary to the Prime Minister, said, | 0:04:56 | 0:04:59 | |
"It will presumably be necessary for someone to make a daily or weekly call to the AA control station | 0:04:59 | 0:05:03 | |
"as a check that they are in working order. | 0:05:03 | 0:05:05 | |
"And I understand that, | 0:05:05 | 0:05:07 | |
"if an emergency arose while the Prime Minister was on the road, | 0:05:07 | 0:05:10 | |
"the proposal is to use the radio to get him to a telephone. | 0:05:10 | 0:05:13 | |
"Perhaps we should see that our drivers are provided with four pennies." | 0:05:13 | 0:05:17 | |
They'd gone and thought it through. | 0:05:17 | 0:05:20 | |
So imagine them stopping and going, "All right, we've got the signal. | 0:05:20 | 0:05:24 | |
"There are bombs on the way from the Soviet Union." | 0:05:24 | 0:05:26 | |
"Stop off at the nearest kiosk," and nobody's got any money. | 0:05:26 | 0:05:29 | |
But they thought about that. Bligh, the Prime Minister's private principal secretary, replied, | 0:05:29 | 0:05:34 | |
"Shortage of pennies should not present any difficulties, such as you envisage. | 0:05:34 | 0:05:38 | |
"In such cases, it's a simple matter to have the cost | 0:05:38 | 0:05:41 | |
"of any telephone call transferred by dialling 100 and requesting reversal of the charge." | 0:05:41 | 0:05:46 | |
This is all true! | 0:05:49 | 0:05:50 | |
"And this doesn't take any appreciable extra time. | 0:05:50 | 0:05:54 | |
"The system works in both normal and STD telephone kiosks. And our drivers are well-aware of it." | 0:05:54 | 0:05:59 | |
So we were safe all the time. | 0:05:59 | 0:06:01 | |
The Prime Minister would have got a message and said, | 0:06:01 | 0:06:04 | |
"Look, there's a red kiosk," | 0:06:04 | 0:06:06 | |
would have stopped, got in and called... called up the operator and said, | 0:06:06 | 0:06:09 | |
"I want to call the Ministry of Defence armed bunker. | 0:06:09 | 0:06:14 | |
"And could you reverse the charges?" | 0:06:14 | 0:06:17 | |
-Scouting for Boys has got something on suicide? -It has. | 0:06:19 | 0:06:22 | |
-It has an amazing entry on suicide. Maybe you'd like to hear it? -I would love to hear it. | 0:06:22 | 0:06:26 | |
"When a man has gone so far as to attempt suicide..." | 0:06:26 | 0:06:29 | |
They don't count women for some reason - "..a scout should know what to do with him. | 0:06:29 | 0:06:33 | |
"In a case where the would-be suicide has taken poison, give milk and make him vomit, | 0:06:33 | 0:06:37 | |
"which is done by tickling the inside of the throat with a finger or a feather. | 0:06:37 | 0:06:41 | |
"In the case of hanging, cut down the body at once, | 0:06:41 | 0:06:43 | |
"taking care to support him with one arm while cutting the cord. | 0:06:43 | 0:06:47 | |
-"A tenderfoot, which is scouting for novice..." -That's not hard. | 0:06:47 | 0:06:49 | |
-To me, that sounds very simple. -It does, doesn't it? | 0:06:49 | 0:06:51 | |
"A novice is sometimes inclined to be timid about | 0:06:51 | 0:06:53 | |
"handling an insensible man or dead man, or even seeing blood. | 0:06:53 | 0:06:57 | |
"Well, he won't be much use till he gets over such nonsense." | 0:06:57 | 0:07:00 | |
Slaughtering cattle. Advice to young boys on how to slaughter cattle. | 0:07:04 | 0:07:08 | |
"If you're a beginner in slaughtering with a knife, | 0:07:08 | 0:07:11 | |
"it's sometimes useful to first drop the animal insensible | 0:07:11 | 0:07:14 | |
"by a heavy blow with a big hammer or the back of a felling axe on top of the head." | 0:07:14 | 0:07:20 | |
The kindest thing to do, really. | 0:07:20 | 0:07:22 | |
Stopping a runaway horse? | 0:07:22 | 0:07:25 | |
-He doesn't give advice on that, does he? -He does, yes. -Lie down. | 0:07:25 | 0:07:28 | |
-That would stop the horse? -Oh, no. They don't tread on you. | 0:07:28 | 0:07:31 | |
What you don't do is stand in front of it waving your arms. That's the mistake to make. | 0:07:31 | 0:07:35 | |
What you should do is go to the side and basically ease it towards the side of a wall or side of a house. | 0:07:35 | 0:07:39 | |
-What, when it's running? -Yeah. | 0:07:39 | 0:07:42 | |
You ease a running horse to the side of a wall? | 0:07:42 | 0:07:45 | |
Don't worry, mate, I'll just ease this running horse to the side of the wall. | 0:07:45 | 0:07:48 | |
It'll see you and will be pushed towards it. That will slow it down naturally according to Baden-Powell. | 0:07:48 | 0:07:53 | |
"Give us a hand." | 0:07:53 | 0:07:54 | |
"I can't. Uncle Pete's hung himself." | 0:07:54 | 0:07:56 | |
What about saving someone who's fallen in front of a train? | 0:07:56 | 0:07:59 | |
Oh, well, I know this. You ease the train up against the wall. | 0:07:59 | 0:08:03 | |
"If the train is very close, lie flat between the rails. | 0:08:03 | 0:08:06 | |
"Make the man do the same till the train passes over, | 0:08:06 | 0:08:09 | |
"while everyone else will be running about, screaming and excited, and doing nothing." | 0:08:09 | 0:08:13 | |
-You're supposed to jump on the track with him. -Yeah. | 0:08:13 | 0:08:16 | |
-And push his head down? -Yeah. -Yeah, sure. I'm going to do that. | 0:08:16 | 0:08:18 | |
Does that work, though? Is there such a big gap between the wheels? | 0:08:18 | 0:08:21 | |
It does in movies but I wouldn't be the one to try it. | 0:08:21 | 0:08:23 | |
It'd be great if you hung yourself and then a Scout cut you down | 0:08:23 | 0:08:26 | |
and you went, "Oh, don't worry, I'll jump under a train." | 0:08:26 | 0:08:28 | |
-And, again... -He's here again! | 0:08:28 | 0:08:31 | |
All right, mate? | 0:08:31 | 0:08:33 | |
I've just done voice for them. | 0:08:33 | 0:08:35 | |
So if you have Tom-Tom or Garmin... | 0:08:35 | 0:08:37 | |
Huh-huh! No! | 0:08:37 | 0:08:39 | |
You'd drive along and it goes, "Now the interesting thing is..." | 0:08:39 | 0:08:43 | |
LAUGHTER | 0:08:43 | 0:08:46 | |
APPLAUSE DROWNS OUT SPEECH | 0:08:46 | 0:08:49 | |
"The most daft thing. You would not believe it but..." | 0:08:51 | 0:08:54 | |
Did you do it as if you were talking to me? That's the worry. | 0:08:54 | 0:08:58 | |
"Left, you moron!" | 0:08:58 | 0:08:59 | |
If you take a wrong turn instead of making a U-turn, | 0:08:59 | 0:09:02 | |
does the hooter come on? | 0:09:02 | 0:09:06 | |
I've put my voice on Katie's. When she drives, it's me. | 0:09:06 | 0:09:08 | |
Oh, that's nice, because you can put your own voice on, can't you? | 0:09:08 | 0:09:11 | |
Yeah, you can record it. "Left, left, left! LEFT!" | 0:09:11 | 0:09:15 | |
Which is funny the first couple of times. | 0:09:17 | 0:09:20 | |
Yes, that's the problem. | 0:09:19 | 0:09:20 | |
I had a sat-nav and the Nullarbor Plain in Australia, the big, long... | 0:09:20 | 0:09:25 | |
Between Adelaide and Perth. | 0:09:25 | 0:09:26 | |
Yeah, the longest straight road in the world. | 0:09:26 | 0:09:29 | |
And I started my bike, turned it on and it said, | 0:09:29 | 0:09:33 | |
"Drive forward for two days." | 0:09:33 | 0:09:37 | |
But the best bit was, it went, "Then turn left." | 0:09:37 | 0:09:41 | |
But the stupid thing was, it was such a long road, | 0:09:48 | 0:09:51 | |
I missed the left-hand turn! | 0:09:51 | 0:09:52 | |
Patrick Lichfield once told me a very good story. | 0:09:54 | 0:09:57 | |
-Oh! Beautiful name-drop, if I may say so. -He was lovely. Did you know him? | 0:09:57 | 0:10:01 | |
-I did. -Such a lovely man. He'd been asked to photograph a royal wedding at Hampton Court. | 0:10:01 | 0:10:06 | |
The Queen told him it'd be the first time all the crowned heads of Europe | 0:10:06 | 0:10:09 | |
were together, available for a photograph. He said, | 0:10:09 | 0:10:12 | |
"Well, I know them all, ma'am. Everyone except Princess Catherine of Greece. | 0:10:12 | 0:10:16 | |
"She's very elderly. She's in a wheelchair." She said, "Oh, right." | 0:10:16 | 0:10:19 | |
"It's very difficult with all these heads, about 60 of them and everyone's ma'am," and so on. | 0:10:19 | 0:10:24 | |
And he noticed in the corner an elderly lady in a wheelchair. | 0:10:24 | 0:10:27 | |
He said, "Oh, marvellous!" | 0:10:27 | 0:10:28 | |
He went over and pushed her into the photographs like this | 0:10:28 | 0:10:32 | |
and he took the picture. | 0:10:32 | 0:10:33 | |
And the Queen said, "Patrick, who's that woman? | 0:10:33 | 0:10:37 | |
"Princess Catherine of Greece." She said, "No, it isn't." | 0:10:37 | 0:10:41 | |
Anyway, apparently some bloke had been on a tour of the house with his mother... | 0:10:41 | 0:10:46 | |
..and needed the lavatory. And he just opened the door and shoved his mother through, | 0:10:46 | 0:10:51 | |
just to keep her quiet while he went to the lavatory. | 0:10:51 | 0:10:53 | |
And Patrick gave her a Polaroid of this elderly woman with all the crown heads of Europe. | 0:10:53 | 0:10:58 | |
That's fantastic! | 0:10:58 | 0:11:00 | |
Have a look at this glass tank behind me | 0:11:01 | 0:11:04 | |
and tell me how many balls there are in there. | 0:11:04 | 0:11:08 | |
One. | 0:11:08 | 0:11:09 | |
-Two, three. -Well done, Alan. | 0:11:10 | 0:11:13 | |
-Four. -So far, so good. -Yep. Five. | 0:11:13 | 0:11:15 | |
The worst episode of the National Lottery, ever. | 0:11:18 | 0:11:21 | |
-So how many are there in there, would you say? -Five. | 0:11:21 | 0:11:25 | |
Five? Five. Well, it looked like five, didn't it? | 0:11:25 | 0:11:27 | |
HOOTER BUZZES | 0:11:27 | 0:11:29 | |
But you might be rather surprised to know that there are actually over a thousand. | 0:11:29 | 0:11:35 | |
-A thousand. -And we can show you, perhaps, a better view of how many there are. | 0:11:35 | 0:11:39 | |
Watch that. | 0:11:39 | 0:11:40 | |
They're all invisible and, in fact, | 0:11:40 | 0:11:43 | |
we have an example of precisely these kinds of... | 0:11:43 | 0:11:45 | |
There they are. | 0:11:45 | 0:11:47 | |
-Yeah, they're gooey. -They're really weird. | 0:11:47 | 0:11:50 | |
-They're called hydrogel beads. -Are they edible? | 0:11:50 | 0:11:52 | |
-I wouldn't want to take responsibility but I don't think they'll do you any harm. -Try one. | 0:11:52 | 0:11:58 | |
What are they used for? | 0:11:58 | 0:12:00 | |
Well, they have a commercial use, actually. | 0:12:00 | 0:12:02 | |
-Oh, I broke it! -Oh, no! Has it burst? -Yeah, burst. | 0:12:02 | 0:12:04 | |
No, it's sort of gone into pieces, actually. | 0:12:04 | 0:12:07 | |
It's a rather strange material. Can you guess their commercial use? | 0:12:07 | 0:12:11 | |
-Packing things. -No, flower arranging is one. | 0:12:11 | 0:12:14 | |
Is it for packing goldfish, when you get them through your... | 0:12:14 | 0:12:18 | |
Why aren't they making battleships out of it? | 0:12:18 | 0:12:20 | |
-All kinds of new uses may be found. -Submarines. Make a submarine out of it. | 0:12:20 | 0:12:24 | |
I have to say, this feels gorgeous. | 0:12:24 | 0:12:27 | |
-JACK: It's quite good, isn't it? -It's actually quite addictive, isn't it? | 0:12:27 | 0:12:31 | |
-Something quite gorgeous about that. -Yeah. | 0:12:31 | 0:12:33 | |
-JACK: Might have a play around with that later. -Yep, you might. | 0:12:33 | 0:12:37 | |
Another use is the manufacture of... | 0:12:39 | 0:12:42 | |
Behave! | 0:12:42 | 0:12:44 | |
That's disgusting. | 0:12:44 | 0:12:45 | |
Another use... | 0:12:45 | 0:12:47 | |
Jack's going to put his willy in it. | 0:12:48 | 0:12:50 | |
-Oh, dear! -I've already put it in that one. | 0:12:53 | 0:12:57 | |
It's weird because when he put it in, you couldn't see it. | 0:12:57 | 0:13:00 | |
Ohhh! | 0:13:00 | 0:13:02 | |
-It's the refractive index. -I need time to think of a comeback! | 0:13:02 | 0:13:05 | |
What variety of lettuce did they serve on board the Titanic? | 0:13:08 | 0:13:12 | |
Iceberg. | 0:13:12 | 0:13:14 | |
GROANS | 0:13:14 | 0:13:15 | |
BUZZER HOOTS | 0:13:15 | 0:13:18 | |
-Well, bless you for... -I took one for the team, as it were. | 0:13:21 | 0:13:24 | |
You did take one for the team. | 0:13:24 | 0:13:26 | |
The iceberg lettuce had been developed in Pennsylvania | 0:13:26 | 0:13:29 | |
but was not available in Europe until many years later. | 0:13:29 | 0:13:31 | |
Was it is rocket, lollo rosso? | 0:13:31 | 0:13:33 | |
-The answer is, we don't know. -Oh. | 0:13:33 | 0:13:36 | |
We do know there were 700 heads of lettuce on board. | 0:13:36 | 0:13:38 | |
-You make them sound like heads of state. -I know! | 0:13:38 | 0:13:41 | |
The most grand of all the lettuce, the head of lettuce. | 0:13:41 | 0:13:44 | |
Why did they only have 700 lettuce - how many were on the Titanic? | 0:13:44 | 0:13:47 | |
Either they'd already eaten that much and that's how much was saved, or they just didn't order that much. | 0:13:47 | 0:13:53 | |
What, they saved the lettuce, but not the people? | 0:13:53 | 0:13:56 | |
1,500 people died and they're going, | 0:13:56 | 0:13:58 | |
"Get the lettuce, for crying out loud!" | 0:13:58 | 0:14:00 | |
I have a horrible feeling I misread my card. | 0:14:00 | 0:14:02 | |
It was, "Hold the front page. 7,000 heads of lettuce." | 0:14:02 | 0:14:07 | |
No wonder the bloody thing sank, then, if it was full of lettuce. | 0:14:07 | 0:14:11 | |
Lettuces float. | 0:14:11 | 0:14:13 | |
Well, why did it sink, then? | 0:14:13 | 0:14:15 | |
What is wrong with these people? | 0:14:15 | 0:14:18 | |
What about the durable Mike Malloy, have you heard of him? | 0:14:20 | 0:14:23 | |
Now here's a man who really wouldn't die. | 0:14:23 | 0:14:26 | |
This is a very extraordinary story. | 0:14:26 | 0:14:28 | |
The durable Mike Malloy. | 0:14:28 | 0:14:30 | |
We're in the age of Prohibition. | 0:14:30 | 0:14:32 | |
And we're in New York City. | 0:14:32 | 0:14:34 | |
And we've got a gang of criminals because, obviously, | 0:14:34 | 0:14:37 | |
anyone who runs a speakeasy is a criminal by definition, during Prohibition. | 0:14:37 | 0:14:41 | |
And they hit on a scam. | 0:14:41 | 0:14:42 | |
They thought, "We'll get some drunks. We'll get them to sign life insurance forms to our benefit. | 0:14:42 | 0:14:49 | |
"And then we'll just feed them so much alcohol that they'll die." | 0:14:49 | 0:14:53 | |
"And we'll get all their money." | 0:14:53 | 0:14:55 | |
What can go wrong? | 0:14:55 | 0:14:57 | |
Had they never met Irish people before? | 0:14:57 | 0:14:59 | |
-That's the problem. -They were bankrupt. | 0:14:59 | 0:15:02 | |
They ran out of booze! | 0:15:02 | 0:15:03 | |
-So owner Anthony Marino hatched this plan. -"We're going to need a bigger pub." | 0:15:03 | 0:15:07 | |
He got this Irishman called Mike Malloy. They befriended him, they plied him with free drinks. | 0:15:07 | 0:15:12 | |
And they got him to sign three different life insurance policies, | 0:15:12 | 0:15:16 | |
amounting to nearly 2,000, which was a lot of money in those days. | 0:15:16 | 0:15:20 | |
After several weeks of free booze, they started to get a bit impatient because, because he wasn't... | 0:15:20 | 0:15:24 | |
-He kept singing the same songs! -So they started... | 0:15:24 | 0:15:27 | |
"God, he's doing that one again"! | 0:15:27 | 0:15:30 | |
# Oh, Danny boy The pipes, the pipes... # | 0:15:30 | 0:15:34 | |
They started adding antifreeze. | 0:15:34 | 0:15:38 | |
He collapsed a bit but he kept coming back for more drink. | 0:15:38 | 0:15:41 | |
So they then gave him drinks that were filled with turpentine, | 0:15:41 | 0:15:44 | |
horse liniment, rat poison, rotten oysters in wood alcohol | 0:15:44 | 0:15:47 | |
and sardines mixed with carpet tacks. | 0:15:47 | 0:15:50 | |
-Do we have any record of... "Oh, thanks very much." -None of this would have any effect. | 0:15:50 | 0:15:54 | |
-I suppose if it's on the house... -Yeah. | 0:15:54 | 0:15:57 | |
He's downing that. | 0:15:57 | 0:15:58 | |
So, next, they got him drunk, they stripped him naked - this is midwinter in New York - and | 0:15:58 | 0:16:02 | |
they poured five gallons of cold water on him, before dumping him on a snow bank. | 0:16:02 | 0:16:07 | |
-New York in midwinter is seriously cold, minus 20 degrees sometimes. -Why didn't they just shoot him? | 0:16:07 | 0:16:12 | |
-A bullet hole might have been a... -..a bit of a giveaway. | 0:16:12 | 0:16:15 | |
Oh, I don't know. I think naked on a mound of snow is quite a giveaway. | 0:16:15 | 0:16:18 | |
-Well, he was very drunk. -So drunk he was having sex with a snowman? | 0:16:18 | 0:16:23 | |
But the police found him and he turned up the next day saying, | 0:16:23 | 0:16:26 | |
"You'll never guess what happened. They found me in Central Park, on the snow, naked. | 0:16:26 | 0:16:29 | |
"Dunno how! They took me to a hostel and got me these nice new clothes." | 0:16:29 | 0:16:33 | |
So he carried on drinking and they were really getting desperate. | 0:16:33 | 0:16:36 | |
They paid a cab driver 150 bucks to knock him over. | 0:16:36 | 0:16:39 | |
After two attempts, they left him sprawled in the road, | 0:16:39 | 0:16:42 | |
awaiting news of his death. | 0:16:42 | 0:16:44 | |
Several weeks later, he came fresh out of hospital and turned up, looking for a drink. | 0:16:44 | 0:16:49 | |
So, finally, they challenged him to a rigged drinking contest. | 0:16:49 | 0:16:53 | |
They got him really, really pissed | 0:16:53 | 0:16:55 | |
-and then pushed a gas hose in his throat and gassed him to death. -Aw. | 0:16:55 | 0:16:58 | |
-So they cheated. -Yeah. | 0:16:58 | 0:17:00 | |
But a few months later, don't worry, they started squabbling amongst themselves | 0:17:00 | 0:17:05 | |
and all went down the river to Sing Sing and got fried in the electric chair, the whole gang of them. | 0:17:05 | 0:17:10 | |
The thing I find interesting about that story is when you said they put a gas hose in his mouth and cheated, | 0:17:10 | 0:17:16 | |
the audience went, "Aww." But, before that, when they were trying to kill the man, | 0:17:16 | 0:17:20 | |
you were going, "Well, that just sounds like bloody good fun!" | 0:17:20 | 0:17:23 | |
Then, the gas hose, you went, "Now that's not playing straight." | 0:17:23 | 0:17:27 | |
Not cricket. | 0:17:27 | 0:17:29 | |
It's an interesting morality you're working with there. | 0:17:29 | 0:17:32 | |
Take a good, hard look at yourselves. | 0:17:32 | 0:17:35 | |
There it is. That's the story of durable Mike Malloy. | 0:17:35 | 0:17:39 | |
A hero of his time. | 0:17:39 | 0:17:40 | |
I've got a little task for you to do. A little Christmas party game. | 0:17:40 | 0:17:44 | |
I've got these phonebooks here and they've been interleaved. | 0:17:44 | 0:17:47 | |
That's all it is. There's no glue or anything. | 0:17:47 | 0:17:50 | |
They've literally, like a pack of cards, one page inside another... | 0:17:50 | 0:17:53 | |
-That must have taken ages. -It did. Our props people are very proud of their work. There you are. | 0:17:53 | 0:17:58 | |
-We'll share. -All I want you to do - you've got ropes there - is just pull them apart. | 0:17:58 | 0:18:03 | |
-So you can take one each. -Can't be done. -Go on, pull them apart. -It can't be done. | 0:18:03 | 0:18:08 | |
-Go on. Try. You can't, can you? -It can't be done. | 0:18:08 | 0:18:10 | |
You literally can't. | 0:18:10 | 0:18:11 | |
It's quite extraordinary. | 0:18:11 | 0:18:13 | |
-Strong as Brian is... -Go on, pull, Brian, pull! | 0:18:13 | 0:18:16 | |
Sean's alive! | 0:18:28 | 0:18:30 | |
How come your water wasn't spilt? That's magical. | 0:18:37 | 0:18:40 | |
Yes. Yes, it's an old trick. | 0:18:40 | 0:18:42 | |
Me and Brian have been doing this trick for years. | 0:18:42 | 0:18:45 | |
That is, I think, proof positive... | 0:18:45 | 0:18:48 | |
I'm trying to sit on top of me tipped-up chair. | 0:18:48 | 0:18:50 | |
A man as strong as Brian, he may pull Sean off his chair, but it can't be done. | 0:18:50 | 0:18:55 | |
In fact, you need 8,000lbs of force in order to do it. | 0:18:55 | 0:18:58 | |
-Really? -Why? -It really is quite bizarre. | 0:18:58 | 0:19:00 | |
-It's friction. -And it's just replicated each time by... | 0:19:00 | 0:19:03 | |
If you loosen them... | 0:19:03 | 0:19:06 | |
STEPHEN LAUGHS | 0:19:06 | 0:19:08 | |
This time it's me. This time it's personal! | 0:19:08 | 0:19:11 | |
He's having a tantrum. | 0:19:11 | 0:19:13 | |
ROSS: You can't, can you? | 0:19:22 | 0:19:24 | |
BRIAN: Still can't do it! | 0:19:26 | 0:19:28 | |
Hooray! | 0:19:30 | 0:19:33 | |
How can you tell which of these chicks is male and which is female? | 0:19:42 | 0:19:46 | |
Oh this must be, this must be. | 0:19:46 | 0:19:50 | |
-Oh, I'm afraid not. -BUZZER HOOTS | 0:19:50 | 0:19:53 | |
In the 1920s, the answer would have been "Nobody knows". | 0:19:53 | 0:19:58 | |
-Oh, for crying out... -But in 1929, the Japanese astonished the world | 0:19:58 | 0:20:02 | |
by revealing that they found a way to sex chicks. | 0:20:02 | 0:20:05 | |
In other words, to determine their gender. It sounds... | 0:20:05 | 0:20:08 | |
It sounds so wrong, doesn't it? I know how to sex a chick! | 0:20:10 | 0:20:13 | |
It seems impossible to the naked eye to do it | 0:20:15 | 0:20:18 | |
because you have to wait until they're six weeks old. | 0:20:18 | 0:20:21 | |
In the egg-laying industry, that's a heck of a waste | 0:20:21 | 0:20:24 | |
because male chicks are of no use whatsoever to the egg-laying industry. | 0:20:24 | 0:20:28 | |
Gassed on the first day? | 0:20:28 | 0:20:29 | |
Enjoy your eggs! | 0:20:29 | 0:20:31 | |
That's why... Ha! Quite. | 0:20:31 | 0:20:33 | |
So how do you tell the sex, how do you sex a chicken? | 0:20:33 | 0:20:35 | |
Well, it's very complex. That's the point. It's highly... | 0:20:35 | 0:20:38 | |
No, we do know. It's highly paid. | 0:20:38 | 0:20:41 | |
And the discovery lowered the price of eggs worldwide overnight. | 0:20:41 | 0:20:44 | |
That's how important it was. | 0:20:44 | 0:20:47 | |
And the Zen Nippon Chick-sexing School was founded. | 0:20:47 | 0:20:50 | |
That is true. | 0:20:56 | 0:20:57 | |
You're looking at a graduate. | 0:20:57 | 0:21:00 | |
And they taught their sexers in such a rigorous way that | 0:21:00 | 0:21:04 | |
only 5 to 10 percent of applicants received accreditation. | 0:21:04 | 0:21:08 | |
When you passed, you were paid huge sums of money. | 0:21:08 | 0:21:10 | |
-COD-CHINESE ACCENT: You're a chick master. -Yeah, hundreds of dollars a day. | 0:21:10 | 0:21:14 | |
-It was a really big business. -Boy. -It still is. -How do you know? | 0:21:14 | 0:21:17 | |
I know. | 0:21:17 | 0:21:20 | |
-You don't know. -There was one handsome... | 0:21:20 | 0:21:22 | |
The best in the business can sex around 1,200 chicks an hour and there | 0:21:24 | 0:21:28 | |
are some incredibly talented ones who can have one in each hand... | 0:21:28 | 0:21:31 | |
Boy. Girl. Boy. Boy. Girl. Girl. Girl. Girl. Boy. Girl. Girl. Girl. | 0:21:31 | 0:21:35 | |
Boy. Girl. Boy. Girl. Boy-y-y. | 0:21:35 | 0:21:38 | |
The point is, the point is you pick them up and you just go like that and pop them in bins. | 0:21:40 | 0:21:46 | |
Girl bin, boy bin. Girl bin, boy bin. | 0:21:46 | 0:21:48 | |
And you can do 1,200. | 0:21:48 | 0:21:50 | |
So, something to do with the weight? | 0:21:50 | 0:21:51 | |
-No, it's not. They look, they do a slight squeeze... -A girl. | 0:21:51 | 0:21:55 | |
You won't like this, they do a slight squeeze. | 0:21:55 | 0:21:57 | |
Eek! And if they go, "Ow," they're a girl. | 0:21:57 | 0:22:00 | |
-That's naughty. -If they go, "steady on, mate..." -..it's a boy. | 0:22:03 | 0:22:07 | |
They have a cloacal tract, which is their reproductive and their excretory tract, | 0:22:07 | 0:22:12 | |
and there is a slight difference in the ridges and bumps - sort of innies and outies that they have. | 0:22:12 | 0:22:16 | |
So you do a slight squeeze. | 0:22:16 | 0:22:18 | |
If it's too big, you throttle them or the outie becomes an innie, | 0:22:18 | 0:22:22 | |
so it's a real skill. | 0:22:22 | 0:22:23 | |
This is something I vaguely knew about growing up in Norfolk. | 0:22:23 | 0:22:26 | |
Because, in Norfolk, there is a community of Vietnamese turkey-sexers who live... | 0:22:26 | 0:22:30 | |
I know it sounds mad! | 0:22:32 | 0:22:34 | |
I can never watch Platoon again! | 0:22:34 | 0:22:36 | |
You've ruined Apocalypse Now for me. | 0:22:36 | 0:22:39 | |
I'm sorry about that. | 0:22:39 | 0:22:40 | |
What sexy chicken? | 0:22:40 | 0:22:42 | |
You tell me now! | 0:22:42 | 0:22:43 | |
This is this. | 0:22:45 | 0:22:46 | |
I know it sounds bonkers. | 0:22:46 | 0:22:48 | |
They live in tunnels under the Fens. | 0:22:48 | 0:22:52 | |
This is not in the Fens, it's in Norfolk, he said, defensively. | 0:22:52 | 0:22:55 | |
The Fens are in Cambridgeshire, I mean Huntingdonshire. | 0:22:55 | 0:22:58 | |
Tell me they work for Bernard, please. | 0:22:58 | 0:23:01 | |
Well, of course. Bernard Matthews is the largest employer for... | 0:23:01 | 0:23:04 | |
Mr Matthew, this one beau-iful. | 0:23:04 | 0:23:06 | |
Imagine being conned by a pig salesman. | 0:23:14 | 0:23:17 | |
It's called buying a pig in a poke. | 0:23:17 | 0:23:20 | |
There is actually a phrase for it. | 0:23:20 | 0:23:22 | |
-Pig salesmen used to be dishonest. -Really? -Yeah. | 0:23:22 | 0:23:24 | |
Can I say that, Nina? | 0:23:24 | 0:23:25 | |
-What, pig in a poke? -Can I say that? | 0:23:25 | 0:23:27 | |
-Is that what that means? -Go on, say pig in a poke. | 0:23:27 | 0:23:29 | |
That is a challenge to a ventriloquist. Come on. | 0:23:29 | 0:23:32 | |
-No, if I said pig in a poke, it's fine. -You say it, Gran. | 0:23:32 | 0:23:36 | |
-No. -Ohhh! | 0:23:36 | 0:23:38 | |
Go on, Gran. Pig in a poke. | 0:23:38 | 0:23:40 | |
Yay! | 0:23:40 | 0:23:41 | |
That was impressive. | 0:23:41 | 0:23:44 | |
Oh, indeed. | 0:23:44 | 0:23:45 | |
How long do the best hugs last? | 0:23:46 | 0:23:50 | |
-20 seconds. -That's a very long hug. | 0:23:50 | 0:23:52 | |
I would start getting embarrassed and restless if someone hugged me for 20 seconds. | 0:23:52 | 0:23:56 | |
Do you want to test that? Can we test that? | 0:23:56 | 0:23:59 | |
Yeah, no, please. | 0:23:59 | 0:24:00 | |
Oh, hello. Here we go. | 0:24:02 | 0:24:04 | |
That was lovely. | 0:24:08 | 0:24:11 | |
I'm on the clock. | 0:24:11 | 0:24:12 | |
I'm on the clock. | 0:24:12 | 0:24:14 | |
Yep. That was... Oh, God, this is too long. | 0:24:14 | 0:24:16 | |
-It is really bad. -This is too long. -This is really long. -Oh, I'm embarrassed now. | 0:24:16 | 0:24:21 | |
Dave, did you say, "I'm on the clock"? | 0:24:21 | 0:24:23 | |
-On the clock, yeah. -And, lovely! Thank you. | 0:24:23 | 0:24:27 | |
-That's got to be at least 20 seconds and that was embarrassing. -That was very uncomfortable. | 0:24:27 | 0:24:31 | |
-See if you can beat it! -Oh, God! | 0:24:31 | 0:24:33 | |
Oh that's lovely. Lovely. | 0:24:38 | 0:24:40 | |
Gather round. Come on. | 0:24:40 | 0:24:43 | |
Group hug. | 0:24:43 | 0:24:44 | |
Heavens above! | 0:24:48 | 0:24:49 | |
I've been waiting years to do this. | 0:24:50 | 0:24:52 | |
Well, if you lot are all hugging, I'm playing tiddlywinks so sod the lot of you! | 0:24:52 | 0:24:57 | |
Right, that was love... That was unusual. | 0:24:57 | 0:25:00 | |
-RONNI: Aw, that was lovely. -I wasn't expecting that response | 0:25:00 | 0:25:04 | |
-but it was charming. You're both wearing very nice aftershave, by the way. -Want your watch back? | 0:25:04 | 0:25:09 | |
Which well-known invention is | 0:25:11 | 0:25:14 | |
"the wickedness which lurks in the belly and deserves to dwell in the cesspool"? | 0:25:14 | 0:25:18 | |
"The wickedness which lurks in the belly..." | 0:25:20 | 0:25:23 | |
-Nina's cooking? -Sunny Delight. | 0:25:25 | 0:25:28 | |
-Oh, I know! -Yes, Gran? -We know cos this is... | 0:25:30 | 0:25:32 | |
Er, yes, because, erm, | 0:25:32 | 0:25:34 | |
I'm a belly-speaker. | 0:25:34 | 0:25:36 | |
You are a belly-speaker. Ven-tril-o-quism. | 0:25:36 | 0:25:38 | |
That's it. So you're a tummy-speaker. | 0:25:38 | 0:25:40 | |
And it was considered to be possession by demons if someone | 0:25:40 | 0:25:43 | |
could have this voice come from their tummy, that didn't seem to come out of the mouth, | 0:25:43 | 0:25:47 | |
-or throw their voice, as you used to say. -Ah. | 0:25:47 | 0:25:50 | |
And there was a Patriarch of Constantinople by the name of Photios | 0:25:50 | 0:25:53 | |
who once ex-communicated the Pope. | 0:25:53 | 0:25:55 | |
LAUGHTER | 0:25:55 | 0:25:56 | |
And he was the one... | 0:25:56 | 0:25:58 | |
There you are! Have a go. Have a go. | 0:25:58 | 0:25:59 | |
Oh, have we all got one of these? | 0:25:59 | 0:26:01 | |
-Pig in a poke. -Yes. | 0:26:01 | 0:26:04 | |
I'm very impressed. | 0:26:06 | 0:26:07 | |
The weird thing is... | 0:26:09 | 0:26:11 | |
ELECTRICAL BUZZ | 0:26:11 | 0:26:12 | |
That puppet is a ventriloquist and its lips didn't move when you said that. | 0:26:12 | 0:26:17 | |
Really? | 0:26:17 | 0:26:18 | |
So it is operating you, which is fantastic. | 0:26:18 | 0:26:22 | |
It really is a lot... | 0:26:22 | 0:26:23 | |
It really is a lot harder than it looks. | 0:26:23 | 0:26:26 | |
Give me hope. | 0:26:26 | 0:26:29 | |
-You've had a stroke, dear. -Hello. | 0:26:29 | 0:26:31 | |
-It's like ET. -Hey! | 0:26:35 | 0:26:37 | |
-Ohhh! -Hig in a hoke. | 0:26:37 | 0:26:39 | |
No, don't, Gran. | 0:26:39 | 0:26:40 | |
Oh, no, let's not kiss. | 0:26:40 | 0:26:42 | |
I am Bogdan. I like you very much. | 0:26:42 | 0:26:45 | |
You are attractive lady. | 0:26:45 | 0:26:47 | |
-You're too small for me, dear. -Oh. | 0:26:47 | 0:26:50 | |
For certain, you'd never see the light of day again. | 0:26:50 | 0:26:53 | |
Come with me. I have Oyster card. | 0:26:53 | 0:26:57 | |
Are you, are you moving your lips? | 0:27:00 | 0:27:02 | |
How about that? Urgh-urr, der, er, der. | 0:27:02 | 0:27:06 | |
You do look like you're in a state, you really do. | 0:27:06 | 0:27:10 | |
Sean, let's see if you can do any better. | 0:27:10 | 0:27:14 | |
SILENCE | 0:27:14 | 0:27:15 | |
LAUGHTER | 0:27:15 | 0:27:17 | |
-Are you hoping we're going to... -I'm not moving my lips. I'm just... | 0:27:17 | 0:27:21 | |
Oh, sorry. It's a left-handed puppet, isn't it? Sorry. | 0:27:21 | 0:27:25 | |
I'll speak. | 0:27:25 | 0:27:27 | |
Oooh. | 0:27:27 | 0:27:29 | |
-It looks like he's... -Ooh. | 0:27:29 | 0:27:31 | |
That's the only thing I tend to do, this "oooh". | 0:27:31 | 0:27:34 | |
This is great. This is great! | 0:27:38 | 0:27:42 | |
You don't actually have to stretch your mouth to do it. | 0:27:42 | 0:27:45 | |
It's the only way I can do it. I can't do it any other way. | 0:27:45 | 0:27:49 | |
BELL DINGS | 0:27:56 | 0:27:59 | |
Wa-hey! | 0:27:59 | 0:28:00 | |
Oh, no. Oh, I've broken it. | 0:28:00 | 0:28:03 | |
Oh! Oh, Bill Bailey. | 0:28:08 | 0:28:10 | |
What the hell's he doing? | 0:28:10 | 0:28:14 | |
Oh, dear, oh, dear, oh, dear. | 0:28:17 | 0:28:19 | |
What a wretched disappointment to us all, you are. | 0:28:22 | 0:28:25 | |
I can't get the talking to... I can't get to talking to you. | 0:28:29 | 0:28:33 | |
Well, you're an idiot. | 0:28:33 | 0:28:35 | |
It's very difficult. | 0:28:36 | 0:28:38 | |
-You have to look like you're listening when you're talking. -You look at her when she's talking? | 0:28:38 | 0:28:43 | |
You have to look like you're listening when you're talking. | 0:28:43 | 0:28:46 | |
-It's quite difficult. -The first rule of showbusiness - make everything look easy. | 0:28:46 | 0:28:50 | |
-Yes, that's true. -Like this half-wit over here. | 0:28:50 | 0:28:53 | |
I'm milking it for all it's worth, dear. | 0:28:53 | 0:28:55 | |
APPLAUSE | 0:28:58 | 0:29:01 | |
Subtitles by Red Bee Media Ltd | 0:29:04 | 0:29:07 | |
E-mail [email protected] | 0:29:07 | 0:29:10 |