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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Good evening, good evening, good evening, good evening, good evening, good evening. | 0:00:30 | 0:00:35 | |
Good even and welcome to a special Shakespearean edition of QI, | 0:00:35 | 0:00:40 | |
dedicated to and entitled The Immortal Bard. | 0:00:40 | 0:00:44 | |
Strutting and fretting their hour upon the stage tonight are The Two Gentlemen of Verona - | 0:00:44 | 0:00:50 | |
David Mitchell and Bill Bailey! | 0:00:50 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
The Merry Wife of Windsor, Sue Perkins. | 0:00:59 | 0:01:02 | |
APPLAUSE | 0:01:02 | 0:01:04 | |
And Much Ado About Nothing, Alan Davies. | 0:01:07 | 0:01:10 | |
APPLAUSE | 0:01:10 | 0:01:12 | |
So let the trumpets sound. David goes... | 0:01:17 | 0:01:19 | |
TRUMPET FANFARE | 0:01:19 | 0:01:22 | |
Nice. Sue goes... | 0:01:23 | 0:01:25 | |
TRUMPET FANFARE | 0:01:25 | 0:01:28 | |
Bill goes... | 0:01:28 | 0:01:30 | |
TRUMPET FANFARE | 0:01:30 | 0:01:33 | |
And Alan goes... | 0:01:34 | 0:01:36 | |
CHEESY TRUMPET MUSIC | 0:01:37 | 0:01:39 | |
Of course he does. | 0:01:42 | 0:01:44 | |
So let's take to the stage, good gentles all. | 0:01:44 | 0:01:47 | |
When David Tennant played Hamlet at the RSC, what did Tchaikowsky play? | 0:01:47 | 0:01:52 | |
-What? -Tchaikovsky? -LAUGHTER | 0:01:52 | 0:01:55 | |
-Tchaikovsky being the composer Tchaikovsky? -Was he in the cast, Tchaikovsky? | 0:01:55 | 0:02:00 | |
-He was. -Was he? -Pyotr Ilyich? | 0:02:00 | 0:02:04 | |
Not Pyotr Ilyich Tchaikovsky, the Russian composer. Another musician called Tchaikowsky. | 0:02:04 | 0:02:10 | |
He was also a pianist, a startling, amazing pianist, most eccentric. | 0:02:10 | 0:02:14 | |
-Richard Stilgoe? -No, I've already told you his name. It was Tchaikowsky. | 0:02:14 | 0:02:20 | |
Are you saying he played Richard Stilgoe? | 0:02:20 | 0:02:23 | |
He blew into Richard Stilgoe and a noise came out the other end? | 0:02:23 | 0:02:28 | |
You're putting him in the past tense, so I'm assuming he shuffled off his mortal coil? | 0:02:28 | 0:02:33 | |
-To quote Hamlet. -That will be the only quote. That's it. I've blown all my quotes. | 0:02:33 | 0:02:38 | |
-You've done damn well. Good start. -So if he's dead... -He was dead. | 0:02:38 | 0:02:43 | |
-He's not alive? -The skull? -Yes, he played the skull. | 0:02:43 | 0:02:46 | |
-APPLAUSE -We don't have the real skull there, but that's what a skull looks like. | 0:02:46 | 0:02:52 | |
He was a very passionate Shakespearean. | 0:02:53 | 0:02:56 | |
That is the real thing. Tchaikowsky bequeathed it to the Royal Shakespeare Company, | 0:02:56 | 0:03:01 | |
asking that it be used in productions of Hamlet for the part of... Do you remember the character? | 0:03:01 | 0:03:06 | |
-Is it Yorick? -Yorick, yes. | 0:03:06 | 0:03:09 | |
"Alas, poor Yorick! I knew him, Horatio, a fellow of infinite jest..." | 0:03:09 | 0:03:15 | |
-"Wait a minute, this is Tchaikowsky! -It's not Yorick. | 0:03:15 | 0:03:18 | |
"I'll play a tune on his teeth." | 0:03:18 | 0:03:21 | |
There was a bit of trouble, health and safety issues. | 0:03:22 | 0:03:25 | |
A human tissue licence had to be ordered for him to appear on stage. | 0:03:25 | 0:03:30 | |
Did they cut his head off? He's gone, "When I die, I'd like my skull to be used by the RSC." | 0:03:30 | 0:03:35 | |
Someone's got to saw it off and rot it down. | 0:03:35 | 0:03:38 | |
The funeral directors thought it might be illegal. They had to get clearance. | 0:03:38 | 0:03:43 | |
David Tennant every day held it in his hand. Tchaikowsky would have been very pleased. | 0:03:43 | 0:03:48 | |
-There he is. -Look at that - a tramp yesterday! | 0:03:48 | 0:03:51 | |
You hope they've had to dirty it up again. | 0:03:52 | 0:03:55 | |
-Very much. -That's not just a bit of the guy still clinging... | 0:03:55 | 0:03:59 | |
There's a little face still on there he's got to wash off! | 0:03:59 | 0:04:03 | |
It's a long time since I've seen Hamlet. | 0:04:03 | 0:04:06 | |
Because it's such a well-known bit, you don't really question what happens in it. | 0:04:06 | 0:04:11 | |
It's an odd thing to do, to pick up a bloke's skull from a graveyard. | 0:04:11 | 0:04:15 | |
-It's someone he knew... -Then to go, "Alas, I knew him," | 0:04:15 | 0:04:19 | |
rather than going, "I feel a bit weird, having picked up his skull." | 0:04:19 | 0:04:23 | |
He's sort of saying, "It's ridiculous, I knew this man. I sat on his lap when I was a boy." | 0:04:23 | 0:04:28 | |
His jests "were wont to set the table on a roar". He says, "Where are your jokes now?" | 0:04:28 | 0:04:34 | |
-Not so funny now! -It is one of the great contemplations of death and mortality and it must be weirder | 0:04:34 | 0:04:40 | |
when you're doing it to a real person. | 0:04:40 | 0:04:43 | |
I presume David Tennant knew he was doing it to a chap who wanted it to be a symbol of death. | 0:04:43 | 0:04:48 | |
It'll be like I'm A Celebrity. Agents are going to put their acts down to have their skulls used... | 0:04:48 | 0:04:54 | |
"I'll get you your skull. You'll be in Shakespeare...one day!" | 0:04:54 | 0:04:58 | |
It would be awful if for your whole life you'd wanted to be an actor and it hadn't really worked out, | 0:04:58 | 0:05:04 | |
so you bequeathed your skull and it was used in a production of Hamlet, | 0:05:04 | 0:05:09 | |
then all the reviewers said, "I don't know, Yorick, it felt a bit stilted. It ruined that scene." | 0:05:09 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:18 | |
Leonard Bernstein's musical based on Romeo And Juliet was set in New York. What was it originally called? | 0:05:18 | 0:05:25 | |
TRUMPET FANFARE | 0:05:26 | 0:05:28 | |
Was it West Side Story? | 0:05:29 | 0:05:31 | |
KLAXON SOUNDS | 0:05:31 | 0:05:33 | |
It became West Side Story, but it was originally called...? | 0:05:33 | 0:05:37 | |
-East Side Story. -Yes! -APPLAUSE | 0:05:37 | 0:05:41 | |
BILL: I was so close! | 0:05:41 | 0:05:43 | |
Originally, when they were working on it in the late '40s, | 0:05:46 | 0:05:50 | |
it was gangs of Catholics versus gangs of Jews in the Lower East Side, then five years later, | 0:05:50 | 0:05:56 | |
they decided they wanted Puerto Ricans against white gangs. | 0:05:56 | 0:05:59 | |
Catholics would just have to tap someone and they'd go, "I wish I hadn't done that. I feel awful now." | 0:05:59 | 0:06:05 | |
-It's just ten years of terrible guilt. Puerto Ricans are a bit more feisty. -They are. | 0:06:05 | 0:06:10 | |
-Let's admit that it worked. -Gay and feisty, by the look of them. | 0:06:10 | 0:06:14 | |
-The world of the musical. -Yeah. -Showgirls all! | 0:06:14 | 0:06:18 | |
And all their pipes have been airbrushed out of this photograph. | 0:06:18 | 0:06:22 | |
LAUGHTER | 0:06:22 | 0:06:24 | |
APPLAUSE | 0:06:28 | 0:06:30 | |
Oh, heavens above! | 0:06:34 | 0:06:37 | |
West Side Story may be the best and certainly the best-known musical based on a Shakespearean fable. | 0:06:37 | 0:06:43 | |
But do you know of any others? | 0:06:43 | 0:06:46 | |
-Points going... -Kiss Me, Kate. | 0:06:46 | 0:06:48 | |
-Kiss Me, Kate, yes, by Cole Porter, was based on... -The Taming Of The Shrew. -Exactly. | 0:06:48 | 0:06:54 | |
-Is Cats based on Hamlet? -No. | 0:06:54 | 0:06:57 | |
But, odd as that sounds, there is a stage musical playing in London at the moment based on Hamlet. | 0:06:57 | 0:07:04 | |
-Is it "Hamlet! The Musical"? -No. | 0:07:04 | 0:07:08 | |
There is "Hamlet! The Musical", but this is a big West End musical based on a big movie | 0:07:08 | 0:07:14 | |
-that is the story of Hamlet. -Not Spamalot? -No. | 0:07:14 | 0:07:17 | |
-It's a young prince. -Oh! -Born... -Yes. -He's not a human. | 0:07:17 | 0:07:22 | |
He's not a human? Is it ET? | 0:07:22 | 0:07:24 | |
Thank you, audience. The Lion King is based on Hamlet. | 0:07:24 | 0:07:28 | |
Did you not know? | 0:07:28 | 0:07:30 | |
At what point does Hamlet say, "Hakuna matata"? | 0:07:30 | 0:07:33 | |
LAUGHTER AND APPLAUSE | 0:07:33 | 0:07:36 | |
-What about The Tempest? What would they have made of that? -Wicked. | 0:07:36 | 0:07:40 | |
-The Perfect Storm. -LAUGHTER | 0:07:40 | 0:07:43 | |
- Speed. Speed 2. - Twister. | 0:07:46 | 0:07:48 | |
LAUGHTER Harold And Kumar Get The Munchies. | 0:07:48 | 0:07:52 | |
Prospero's Books is one, but there's a '50s classic sci-fi movie. | 0:07:54 | 0:07:58 | |
-SHOUT FROM AUDIENCE -The audience are really joining in. -Rip One Out? | 0:07:58 | 0:08:02 | |
-Forbidden Planet. -Yes, with monsters... -Or its working title, Rip One Out! | 0:08:02 | 0:08:08 | |
There was one based on The Comedy Of Errors, a musical. | 0:08:08 | 0:08:11 | |
-What happens in The Comedy Of Errors? -It has two sets of identical twins. | 0:08:11 | 0:08:15 | |
One of them's shipwrecked, who's a girl, who's a boy? I'm married. Everyone's dead! | 0:08:15 | 0:08:21 | |
-The Boys From Syracuse is the name of the musical. -Terminator...2. -No! | 0:08:21 | 0:08:27 | |
Shylock is sent back from the future to... | 0:08:27 | 0:08:30 | |
Oh, I've got my chain stuck in my ruff! | 0:08:30 | 0:08:34 | |
LAUGHTER | 0:08:34 | 0:08:36 | |
Oh, that was embarrassing. | 0:08:39 | 0:08:42 | |
-Yeah. Hmm... -It sounded like it should sound rude. | 0:08:42 | 0:08:47 | |
Then you think about it... | 0:08:47 | 0:08:50 | |
No, not really. | 0:08:50 | 0:08:52 | |
So, there we are. What do Sigmund Freud, Mark Twain, Henry James, | 0:08:52 | 0:08:57 | |
a Looney from Newcastle and the Holy Ghost have in common? | 0:08:57 | 0:09:02 | |
Mark Twain had a link, but I don't know about the others. | 0:09:02 | 0:09:06 | |
He was sceptical about Shakespeare because he thought a toff wrote it. | 0:09:06 | 0:09:10 | |
He didn't believe that a normal boy from Stratford could write properly. | 0:09:10 | 0:09:14 | |
He was a Shakespearean sceptic, as were the others. | 0:09:14 | 0:09:19 | |
Sigmund Freud also believed that and Henry James | 0:09:19 | 0:09:22 | |
and Professor Looney, that was unfortunately his name, from Newcastle | 0:09:22 | 0:09:27 | |
who wrote a book in 1920 called Shakespeare Identified. | 0:09:27 | 0:09:31 | |
This movement in the 19th century had the idea that Francis Bacon may have written Shakespeare's works, | 0:09:31 | 0:09:37 | |
particularly a woman, Delia Bacon, an American, completely insane. | 0:09:37 | 0:09:41 | |
She came over to England and wrote a 625-page book in which she didn't even mention the name Bacon, | 0:09:41 | 0:09:47 | |
then when she died, she claimed she was the Holy Spirit. | 0:09:47 | 0:09:51 | |
-SHE claimed SHE was the Holy Spirit? -Yes. | 0:09:51 | 0:09:54 | |
The Holy Spirit, if she was right, also doesn't believe Shakespeare wrote Shakespeare. | 0:09:54 | 0:09:59 | |
There were two other main candidates. | 0:09:59 | 0:10:02 | |
Hang on. TRUMPET FANFARE | 0:10:02 | 0:10:05 | |
What was it? LAUGHTER | 0:10:05 | 0:10:08 | |
-Marlowe. -Christopher Marlowe. -Christopher Marlowe is one. | 0:10:08 | 0:10:12 | |
-But the most popular one... -Earl of Oxford? -The Earl of Oxford, Edward de Vere. | 0:10:12 | 0:10:17 | |
-Is that Edward de Vere? -That's Edward de Vere. -Wow, there's a lot going on there! -There is. | 0:10:17 | 0:10:23 | |
How did he keep that hat on? | 0:10:23 | 0:10:26 | |
It's sort of Cate Blanchett with a moustache. | 0:10:27 | 0:10:30 | |
-LAUGHTER -But there are serious people. | 0:10:30 | 0:10:33 | |
Freud liked the fact that he lost his father early on like Hamlet. | 0:10:33 | 0:10:39 | |
Of course, Freud had an Oedipus Complex theory about Hamlet, so he liked that idea. | 0:10:39 | 0:10:44 | |
Looney invented a fanciful scenario because the Earl of Oxford died in 1604 | 0:10:44 | 0:10:49 | |
and Shakespeare carried on writing plays many years after that. | 0:10:49 | 0:10:54 | |
That might be the point at which to abandon the theory. | 0:10:54 | 0:10:57 | |
You'd think. Instead of which, he claimed that before dying, he'd left a whole sheaf of plays | 0:10:57 | 0:11:04 | |
and that his servant Shakespeare produced them one after the other. | 0:11:04 | 0:11:08 | |
Isn't The Tempest written four or five years after he died, six years maybe, | 0:11:08 | 0:11:13 | |
referencing stuff of the time, so after de Vere's dead? | 0:11:13 | 0:11:17 | |
-Yes, quite. -He probably just left, "Insert topical gag here." -That's right. | 0:11:17 | 0:11:23 | |
There are... Mark Rylance and Derek Jacobi, both supreme actors, | 0:11:23 | 0:11:28 | |
they believe it was the Earl of Oxford. | 0:11:28 | 0:11:30 | |
There isn't a shred of evidence. | 0:11:30 | 0:11:33 | |
It doesn't matter. On the basis that what Shakespeare means to people is "the guy that wrote those plays", | 0:11:33 | 0:11:39 | |
so if the guy that wrote those plays is a different guy, that's still, "What a great guy!" | 0:11:39 | 0:11:44 | |
-Yes. -It's not an earth-shattering conspiracy, really, is it, that perhaps it isn't him? -No. | 0:11:44 | 0:11:51 | |
Over 5,000 books on the subject, incredibly. | 0:11:51 | 0:11:55 | |
-It's extraordinary. -Yet no scrap of evidence? -Not real evidence, just speculation. | 0:11:55 | 0:12:00 | |
They say, "We know so little about Shakespeare." | 0:12:00 | 0:12:03 | |
There are very few people of the Elizabethan era about whom we know more. | 0:12:03 | 0:12:08 | |
Ben Jonson, a famous playwright, we don't know where he was born or how many children he had. | 0:12:08 | 0:12:14 | |
If other people were writing the plays, why didn't they say so at the time? | 0:12:14 | 0:12:18 | |
-Quite. -They always say, "He didn't write all that." Wouldn't it have come out? | 0:12:18 | 0:12:24 | |
If it was Ben Jonson or any of those others, jolly good luck to them, I say. | 0:12:24 | 0:12:30 | |
Was it just because he wasn't posh? | 0:12:30 | 0:12:33 | |
It's snobbery. They think he was just this kid from Warwickshire, | 0:12:33 | 0:12:37 | |
but his father was a glover which was a decent trade and he went to the grammar school almost certainly. | 0:12:37 | 0:12:43 | |
He's sort of, you'd think, exactly as far up the society as you'd expect a major writer to be. | 0:12:43 | 0:12:50 | |
-Yes. -It's not like now the best novels are written by the Duke of Westminster. | 0:12:50 | 0:12:55 | |
LAUGHTER | 0:12:55 | 0:12:56 | |
His vocabulary - how many words do you think he used? I'm not counting repeats. "The" he used a lot. | 0:12:56 | 0:13:03 | |
-Dagger, murder, wife. -This could take us a long time. | 0:13:03 | 0:13:07 | |
-We've got to start somewhere. -You're right. | 0:13:07 | 0:13:10 | |
-5,000. -There are 20,000 words. 20,000 words. | 0:13:10 | 0:13:14 | |
How does that compare to the average vocabulary of a Briton, would we say, roughly? | 0:13:14 | 0:13:20 | |
-Four times as much. -No, half as much. -Less. | 0:13:20 | 0:13:24 | |
We're not saying Shakespeare used every word he knew in his books. | 0:13:24 | 0:13:28 | |
-He left lots out. I don't remember the word "clitoris" in any of them. -I think it's in the Second Folio. | 0:13:28 | 0:13:34 | |
It might be. It's about half out of the modern English person's vocabulary. | 0:13:34 | 0:13:39 | |
He didn't have certain words to call on like "texting" or "vajazzle". | 0:13:39 | 0:13:44 | |
On the other hand, he did have "guerdon" and "bodkin" and "fardel", which we don't use so much. | 0:13:44 | 0:13:50 | |
-Yogurt. -I don't suppose Shakespeare knew what yogurt was. -Broadband. | 0:13:50 | 0:13:55 | |
Broadband. There are a lot of words. | 0:13:55 | 0:13:58 | |
In The Sun, David Crystal, a well-known linguistic fellow, | 0:13:58 | 0:14:01 | |
estimated there would be about 6,000 words in any complete history of The Sun, | 0:14:01 | 0:14:06 | |
whereas the King James Bible has just 8,000. | 0:14:06 | 0:14:09 | |
The idea that we're dumbed down to a lower vocabulary may not be true. | 0:14:09 | 0:14:13 | |
Shakespeare coined over 1,000 new words, but not all caught on. | 0:14:13 | 0:14:18 | |
Here are some that didn't. See if you can put them into a sentence. | 0:14:18 | 0:14:23 | |
-Swoltery. Quatch. -I've got a swoltery quatch at the moment. | 0:14:23 | 0:14:28 | |
Already we're there, aren't we? | 0:14:29 | 0:14:32 | |
It happened when I put my kickie-wickies on. | 0:14:37 | 0:14:41 | |
I've always been near-legged. | 0:14:41 | 0:14:43 | |
You're a boggler in those. | 0:14:43 | 0:14:46 | |
Your Foxship, what happened to cockled boggler? | 0:14:46 | 0:14:50 | |
-Carlot - that's a thing. -A sexy garage. -It's true, actually. | 0:14:50 | 0:14:55 | |
-Ahead of its time. -Way ahead. -A boggler is a very clumsy burglar. | 0:14:55 | 0:15:00 | |
A burglar that can't believe the stuff he's getting his hands on! | 0:15:03 | 0:15:07 | |
"Look at this DVD player!" | 0:15:07 | 0:15:10 | |
He used it to mean a hesitator. One who boggles. | 0:15:10 | 0:15:13 | |
-I don't know if it's as in boggling the mind. -What is a kickie-wickie? Is it Russell Brand's football? | 0:15:13 | 0:15:20 | |
It's an affectionate term for a wife. "Ah, my dear kickie-wickie." | 0:15:20 | 0:15:25 | |
-That's not an affectionate term! -Domestic violence was more acceptable... | 0:15:25 | 0:15:32 | |
Ah, the old smashie-washie. Battery-wattery. | 0:15:32 | 0:15:36 | |
Punchy-wunchy. | 0:15:36 | 0:15:38 | |
And the quatch? Or is it a quatch? It's actually an adjective. It means to be a bit podgy. | 0:15:38 | 0:15:45 | |
-A bit quatchy? -Yeah. -Luckily, I'm wearing a surgical truss. | 0:15:45 | 0:15:50 | |
-Plump, shall we say? Wappend is corrupt. -Wappend. | 0:15:50 | 0:15:55 | |
That's never really caught on, but look at the ones that did. | 0:15:55 | 0:15:59 | |
Here's just a small example of words first used in Shakespeare. Accessible, acutely, assembled... | 0:15:59 | 0:16:05 | |
even-handed, eyeball, Frenchwoman, hunchbacked, neglected, overpower, | 0:16:05 | 0:16:10 | |
-radiant, revealing, rose-cheeked, schooldays.... -Frenchwoman? That's a bit of a stretch. | 0:16:10 | 0:16:16 | |
LAUGHTER | 0:16:16 | 0:16:18 | |
He invented it. | 0:16:18 | 0:16:20 | |
-He invented it by taking the space out. -Yes, well done. | 0:16:20 | 0:16:26 | |
-Even-handed. -"Zis is my wife. She's a... | 0:16:26 | 0:16:30 | |
"A thingummyjig. I don't know. What can I call her? | 0:16:30 | 0:16:35 | |
-"Oh, Frenchwoman!" -"I think you'll find she's a Frenchwoman." | 0:16:35 | 0:16:40 | |
You can't be absolutely certain. They may have been in use before, | 0:16:40 | 0:16:44 | |
-but he is often the first printed source we have. -He'd have to have a pretty good idea | 0:16:44 | 0:16:50 | |
-that people would understand him. -Yes, exactly. | 0:16:50 | 0:16:54 | |
-Oh, I've done it again. -Oh, no. LAUGHTER | 0:16:54 | 0:16:58 | |
No... | 0:16:58 | 0:16:59 | |
This bit of ruff is not behaving. I've said that before. | 0:17:00 | 0:17:04 | |
-LAUGHTER -Oh, dear, oh, dear. | 0:17:04 | 0:17:08 | |
So there we are. Call me a swoltery boggler if you like, | 0:17:08 | 0:17:12 | |
but answer me this. How did Shakespeare's Bottom get to Norwich? | 0:17:12 | 0:17:17 | |
-Are there relics? Bits of him? -He had a famous comedian who played Bottom and Falstaff. | 0:17:19 | 0:17:25 | |
-Who did? -Shakespeare. And he created him for him. He was the funniest man in England. | 0:17:25 | 0:17:30 | |
And his name is sometimes put. It says Kemp instead of Bottom on the original play script | 0:17:30 | 0:17:36 | |
because it was so obviously Kemp who would play him. Will Kemp. | 0:17:36 | 0:17:40 | |
But he had a dreadful falling out with Shakespeare or whoever ran the company | 0:17:40 | 0:17:46 | |
and he went off in a right huff. But he decided as a publicity stunt to Morris dance | 0:17:46 | 0:17:51 | |
-all the way to Norwich from London. -That's unnecessary. | 0:17:51 | 0:17:55 | |
-LAUGHTER -It took him about three weeks, but he did it over nine days | 0:17:55 | 0:18:01 | |
-and a famous phrase comes from this. -Cocking about? | 0:18:01 | 0:18:05 | |
-Er, no. -Making a right tit of yourself? | 0:18:05 | 0:18:09 | |
Kemp's nine days wonder. It's where "a nine days wonder" comes from. | 0:18:09 | 0:18:14 | |
He just did it for publicity. "I may have left Shakespeare's company, but they will go down now." | 0:18:14 | 0:18:21 | |
Quite the reverse happened. He went off to Italy and died in penury. | 0:18:21 | 0:18:26 | |
-His gravestone says, "Kemp. A man." -LAUGHTER | 0:18:26 | 0:18:29 | |
And after he left, the first play Shakespeare wrote was Henry V in which Falstaff dies offstage. | 0:18:29 | 0:18:35 | |
Kemp was kind of got rid of that way and a new man came in and played the comedians. | 0:18:35 | 0:18:41 | |
While we're on the subject of Will Kemp and his Morris dancing, | 0:18:41 | 0:18:45 | |
-what do you call a group of Morris dancers? -An arse. | 0:18:45 | 0:18:50 | |
-A swarm? -A swarm... | 0:18:50 | 0:18:53 | |
-An embarrassment. -Oh... | 0:18:53 | 0:18:56 | |
-A plague? -A bell-end. | 0:18:56 | 0:19:00 | |
A bell-end! | 0:19:00 | 0:19:01 | |
-LAUGHTER -Honestly, poor old Britain. We've got one folk tradition in England | 0:19:01 | 0:19:06 | |
-and all we do is laugh at it. -It's true. | 0:19:06 | 0:19:10 | |
It really generates hostility, Morris dancing. I think... | 0:19:10 | 0:19:14 | |
-We're so mean about it. -I think we think they're up to something. | 0:19:14 | 0:19:19 | |
(BILL) A perve of Morris dancers! | 0:19:19 | 0:19:22 | |
I think it's very valuable that we can point to that and say, "See? It's a free country." | 0:19:22 | 0:19:28 | |
LAUGHTER They're not doing that in Afghanistan! | 0:19:28 | 0:19:33 | |
If we were going to ban anything, we'd ban that. | 0:19:33 | 0:19:37 | |
What'll happen is if this scene of all of us dressed like this now and this photograph behind us | 0:19:37 | 0:19:43 | |
is shown, we'll end up as an "And finally..." section on foreign news programmes. | 0:19:43 | 0:19:49 | |
"Les anglais... Haha!" LAUGHTER | 0:19:50 | 0:19:55 | |
It's known as a side, anyway. | 0:19:55 | 0:19:58 | |
-A side. -A group of Morris men. No one quite knows where it comes from. They think it's from Moorish | 0:19:58 | 0:20:05 | |
to celebrate the expulsion of the Moors from Spain. | 0:20:05 | 0:20:10 | |
Certainly not pagan and mystical or anything. | 0:20:10 | 0:20:13 | |
It's pretty recent. 14th century is the earliest you can go back to it. | 0:20:13 | 0:20:17 | |
There are 150 sides now registered in the USA so American Morris dancing is taking off in a BIG way! | 0:20:17 | 0:20:24 | |
-That's three per state, on average. -(AMERICAN) "I've joined a bell-end!" | 0:20:24 | 0:20:29 | |
"This is what they do in Old England. | 0:20:29 | 0:20:33 | |
-"Merry England." -There's an Arctic Morris group based in Helsinki. | 0:20:33 | 0:20:37 | |
But now time to visit that undiscovered country from whose bourn no idiot returns, | 0:20:37 | 0:20:44 | |
as we bring down the curtain on general ignorance. Sound trumpets! Farewell, sour annoy! | 0:20:44 | 0:20:50 | |
For here, I hope, begins our lasting joy. Fingers on buzzers. | 0:20:50 | 0:20:54 | |
What best describes, in one word, Richard III's appearance? | 0:20:54 | 0:20:58 | |
Hunchback! KLAXON SOUNDS | 0:21:00 | 0:21:03 | |
No! | 0:21:03 | 0:21:04 | |
No, there's no evidence at all that Richard III had a hunched back. | 0:21:04 | 0:21:09 | |
It's just the black propaganda of the Tudors who succeeded him. | 0:21:09 | 0:21:13 | |
-The character in the play does. -Certainly. | 0:21:13 | 0:21:17 | |
-And a sort of twisted arm. -A bottled spider is one of the things he's called. Hideous name. | 0:21:17 | 0:21:24 | |
It seems he was rather a decent fellow. Intelligent, kind. | 0:21:24 | 0:21:28 | |
A man called Polydore Vergil, a historian determined to paint him as black as possible, | 0:21:28 | 0:21:35 | |
described him as ugly. They associated ugliness with wickedness. | 0:21:35 | 0:21:40 | |
So while on that sort of thing, how beautiful was Cleopatra? | 0:21:40 | 0:21:45 | |
She was minging. | 0:21:45 | 0:21:47 | |
A bit weird looking, but striking? | 0:21:47 | 0:21:50 | |
-Yes, that's probably fair. -Long nose? -It seems possible she had a long, pointy nose. | 0:21:50 | 0:21:56 | |
There's no contemporary suggestion that she was particularly beautiful. | 0:21:56 | 0:22:01 | |
-She had a very beautiful voice and was charismatic. -She seemed sexy. | 0:22:01 | 0:22:05 | |
She seemed sexy, which I find is half the battle. | 0:22:05 | 0:22:10 | |
Her mouth is very small. It only extends as far as her nostril. | 0:22:10 | 0:22:14 | |
-That isn't necessarily Cleopatra. -No? -That's just a woman... -An artist's impression. | 0:22:14 | 0:22:21 | |
-Just a woman going mad with some napkins. -She's gone serviette crazy. | 0:22:21 | 0:22:26 | |
"Age cannot wither her, nor custom stale her infinite variety," as Enobarbus said about her. | 0:22:27 | 0:22:34 | |
How did Christopher Marlowe die? | 0:22:34 | 0:22:38 | |
Well, now... Da-dum! | 0:22:39 | 0:22:41 | |
-Yes? -Let me say it so you can mock me. He died in a bar brawl by being stabbed. | 0:22:41 | 0:22:47 | |
KLAXON SOUNDS | 0:22:47 | 0:22:50 | |
Oh, dear me. He was stabbed, but not in a tavern brawl. | 0:22:50 | 0:22:55 | |
It was thought so for many years, but it wasn't until 1925 that the documents came to light | 0:22:55 | 0:23:02 | |
that showed he was killed at the house of a Mrs Eleanor Bull by a man called Ingram Frizer, | 0:23:02 | 0:23:09 | |
-with whom he'd spent the day and argued over the bill. -Over a bill? That's a bit harsh. | 0:23:09 | 0:23:15 | |
-"I only had a mineral water!" -Yes, exactly. | 0:23:15 | 0:23:20 | |
-So it wasn't a tavern? -No. -What was the bill for, then? A restaurant? | 0:23:20 | 0:23:25 | |
-A pop-up restaurant! -They call it a tavern. It was a smart restaurant, but went downhill after a stabbing. | 0:23:25 | 0:23:31 | |
-It might have been a prostitute. -Right. -A brothel. | 0:23:31 | 0:23:35 | |
- So a brothel bill. - "I didn't have that. No." | 0:23:35 | 0:23:40 | |
To be honest, the service charge is redundant. | 0:23:40 | 0:23:44 | |
"I had one of them, two of them. I asked for that, but it never happened." | 0:23:44 | 0:23:52 | |
-It was off. -"If we all chip in, we can afford that." | 0:23:52 | 0:23:58 | |
Why don't we just get one big one and all have a bit? | 0:23:58 | 0:24:02 | |
Oh, I don't know... Oh, no. Dear me. Anyway... | 0:24:03 | 0:24:07 | |
He was unlikely to be in a brothel. He didn't trust anyone who didn't like tobacco and boys. | 0:24:07 | 0:24:15 | |
-What made Lord Byron limp? -LAUGHTER | 0:24:15 | 0:24:18 | |
That's a follow-up question. | 0:24:18 | 0:24:21 | |
Item four on the brothel bill? | 0:24:21 | 0:24:24 | |
Eight hours of Morris dancing? | 0:24:25 | 0:24:28 | |
He had, from birth, a pronounced limp. | 0:24:28 | 0:24:32 | |
L-I-M-P. Pronounced "limp". | 0:24:32 | 0:24:35 | |
-They're not sure if he had a club foot. -We know that, in fact, he didn't have a club foot. | 0:24:35 | 0:24:41 | |
It's often said that he did. That's what people have heard of. | 0:24:41 | 0:24:45 | |
He had a sort of withered leg. He was very athletic and hated this limp, | 0:24:45 | 0:24:50 | |
but he swam the Hellespont and he boxed and was very worried about his weight. | 0:24:50 | 0:24:56 | |
He was possibly an early male anorexic. | 0:24:56 | 0:24:59 | |
And he liked to spend money, did old Byron. | 0:24:59 | 0:25:04 | |
He ordered batches of two dozen at a time of white linen trousers and silk handkerchiefs by the hundred. | 0:25:04 | 0:25:10 | |
Each one was nine guineas, an average man's pay for the year. | 0:25:10 | 0:25:15 | |
Was he coining it in with the writing at this time? | 0:25:15 | 0:25:20 | |
He inherited at an early age, which he spent very fast, | 0:25:20 | 0:25:25 | |
but he was, in fact, incredibly highly paid. | 0:25:25 | 0:25:28 | |
For every canto of Don Juan, his last great masterpiece, he got thousands. | 0:25:28 | 0:25:33 | |
-So he'd run out of hankies, "Oh, I'll write another canto." -Hugely successful. | 0:25:33 | 0:25:39 | |
-White linen trousers? -Yes. -Sounds like something out of Miami Vice. | 0:25:39 | 0:25:44 | |
It does a bit. He had to leave England because there was a scandal about him possibly having had sex | 0:25:44 | 0:25:50 | |
-with... -A young... < Goat. | 0:25:50 | 0:25:53 | |
LAUGHTER | 0:25:53 | 0:25:56 | |
He kept a bear at Cambridge in his rooms. | 0:25:56 | 0:26:00 | |
The Master of Trinity said, "The rules are absolutely clear. No domestic animals." | 0:26:00 | 0:26:06 | |
He said, "I assure you, Master, he's not domestic. He's entirely wild." | 0:26:06 | 0:26:11 | |
So he was allowed to keep it. | 0:26:11 | 0:26:13 | |
-There was a rumour that he had shagged his sister. -I thought you were going to say the bear! -No! | 0:26:13 | 0:26:20 | |
-As far as I know... -Is that more horrific than shagging your sister? | 0:26:20 | 0:26:25 | |
-It's just different, really. -It is. -It's probably braver. | 0:26:25 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:32 | |
Lord Byron limped because of an abnormality in one leg. | 0:26:32 | 0:26:37 | |
Now what can the Queen do that an idiot can't? | 0:26:37 | 0:26:41 | |
By the looks of it, kill people with their own eyes. | 0:26:43 | 0:26:48 | |
-She doesn't look in the best mood. -"One tires of Morris dancing..." | 0:26:48 | 0:26:54 | |
-This is something she's allowed to do, but doesn't. An idiot is not allowed. -Drive? Vote? -Vote. | 0:26:54 | 0:27:00 | |
Most people think the Queen can't vote. She has every right to vote, but she's never exercised it. | 0:27:00 | 0:27:08 | |
But idiots are not allowed to vote. And lunatics may only vote during their lucid periods. | 0:27:08 | 0:27:14 | |
LAUGHTER | 0:27:14 | 0:27:16 | |
They test them on the way in. | 0:27:16 | 0:27:19 | |
Most people think the Royals can't vote. They just choose not to. | 0:27:19 | 0:27:23 | |
Alas, alack and well away, our revels now are ended. | 0:27:23 | 0:27:27 | |
All spirits are now melted into air, into thin air, and we must consult the scores. | 0:27:27 | 0:27:33 | |
Oh, my gracious heavens. | 0:27:33 | 0:27:36 | |
I'm afraid, rather down the bottom of the list, with minus 14 is Bill Bailey! | 0:27:36 | 0:27:42 | |
APPLAUSE | 0:27:42 | 0:27:44 | |
And four to the better with minus 10, Sue Perkins! | 0:27:48 | 0:27:52 | |
APPLAUSE | 0:27:52 | 0:27:54 | |
Second witch, with a very creditable plus 3, Alan Davies! | 0:27:59 | 0:28:03 | |
CHEERING AND APPLAUSE | 0:28:03 | 0:28:05 | |
Very good. | 0:28:05 | 0:28:07 | |
But tonight's Prince of Denmark with six points is David Mitchell! | 0:28:07 | 0:28:12 | |
CHEERING AND APPLAUSE | 0:28:12 | 0:28:15 | |
Well, it only remains for me to thank our dramatis personae - Sue, David, Bill and Alan - | 0:28:20 | 0:28:26 | |
and leave you with this perceptive thought from Robert Wilensky. | 0:28:26 | 0:28:30 | |
"We've heard that a million monkeys at a million keyboards could produce the complete works of Shakespeare, | 0:28:30 | 0:28:36 | |
"but now thanks to the internet we know that this is not true." Good night. | 0:28:36 | 0:28:42 | |
Subtitles by Red Bee Media Ltd | 0:28:57 | 0:29:00 |