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CHEERING AND APPLAUSE | 0:00:25 | 0:00:27 | |
Go-o-o-o-o-od evening, | 0:00:30 | 0:00:32 | |
good evening, good evening, good evening, good evening, good evening, | 0:00:32 | 0:00:36 | |
and welcome to QI, | 0:00:36 | 0:00:37 | |
where we have an ill-assorted imbroglio of interesting items | 0:00:37 | 0:00:42 | |
initiated by I. | 0:00:42 | 0:00:44 | |
Here for your immediate inspection are the inestimable John Bishop... | 0:00:44 | 0:00:49 | |
CHEERING AND APPLAUSE | 0:00:49 | 0:00:51 | |
..the inimitable Frank Skinner. | 0:00:54 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:01:00 | |
-The incomparable Sean Lock. -Thank you. | 0:01:00 | 0:01:04 | |
CHEERING AND APPLAUSE | 0:01:04 | 0:01:07 | |
And Alan Davies is also in. | 0:01:07 | 0:01:11 | |
CHEERING AND APPLAUSE | 0:01:11 | 0:01:13 | |
Now, this evening the buzzers are intentionally irritating. | 0:01:16 | 0:01:21 | |
John goes... | 0:01:21 | 0:01:23 | |
MOSQUITO WHINE | 0:01:23 | 0:01:26 | |
Frank goes... | 0:01:32 | 0:01:33 | |
SMALL DOG YAPPING | 0:01:33 | 0:01:37 | |
Can I ask, how long is this show? | 0:01:45 | 0:01:48 | |
LAUGHTER It depends how often you use the buzzer. | 0:01:48 | 0:01:51 | |
Sean goes... | 0:01:51 | 0:01:53 | |
TODDLER SCREAMS | 0:01:53 | 0:01:56 | |
And Alan goes... "WRONG AGAIN" ALARM | 0:01:59 | 0:02:02 | |
LAUGHTER AND APPLAUSE | 0:02:04 | 0:02:05 | |
As John and Frank have never played the game before, | 0:02:12 | 0:02:15 | |
I should explain that each of you has a Nobody Knows placard. | 0:02:15 | 0:02:19 | |
-You might like to show it. It's a question mark. -Nobody knows. | 0:02:19 | 0:02:22 | |
That's it. There will be a question tonight to which nobody knows the answer. | 0:02:22 | 0:02:27 | |
If you think, when I ask it, that this is the question to which there is no known answer, | 0:02:27 | 0:02:32 | |
you wave your card and you get extra points. | 0:02:32 | 0:02:35 | |
It looks like they had Strictly Come Dancing one night, | 0:02:35 | 0:02:38 | |
and someone did a dance so experimental... | 0:02:38 | 0:02:41 | |
LAUGHTER | 0:02:41 | 0:02:42 | |
You can consider it that way. | 0:02:44 | 0:02:45 | |
Now, to warm up the new boys, here's an easy one to begin with. | 0:02:45 | 0:02:49 | |
What's the French for "innuendo"? | 0:02:49 | 0:02:52 | |
Is it "double entendre"? | 0:02:53 | 0:02:55 | |
"WRONG AGAIN" ALARM Ohhhhh! | 0:02:55 | 0:02:58 | |
No, I've just remembered, "double entendre" is French for "big tits". | 0:02:58 | 0:03:02 | |
LAUGHTER | 0:03:02 | 0:03:05 | |
"Double entendre" means nothing to a Frenchman. You could say "double entente". | 0:03:05 | 0:03:09 | |
-"Entente" is like a... -Two-man tent. | 0:03:09 | 0:03:12 | |
No. Or "double sens", double sense. But they don't say "double entendre". | 0:03:15 | 0:03:21 | |
So it's a French phrase that the French don't use? | 0:03:21 | 0:03:24 | |
-So it's not French. -Exactly. | 0:03:24 | 0:03:25 | |
That's precisely what this round of questions is about. | 0:03:25 | 0:03:28 | |
There are other examples. If you're at a performance, | 0:03:28 | 0:03:31 | |
someone is brilliant, you want them to perform again... | 0:03:31 | 0:03:34 | |
-Encore! -You'd shout "encore". What would they shout in France? -"More". | 0:03:34 | 0:03:39 | |
No. But good thought! | 0:03:39 | 0:03:41 | |
But "encore" is a French word meaning "more", but they don't shout it. | 0:03:41 | 0:03:46 | |
They shout a Latin word which means "twice". | 0:03:46 | 0:03:50 | |
-Mm. Mm. -Anyone? | 0:03:50 | 0:03:52 | |
Anyone in the audience? CALLS FROM AUDIENCE | 0:03:52 | 0:03:54 | |
Bis. B-I-S. | 0:03:54 | 0:03:56 | |
-Bis! Bis! -That's crap. -They should try "encore". | 0:03:56 | 0:04:01 | |
You'd hate to do a show, wouldn't you, | 0:04:01 | 0:04:04 | |
and at the end, everyone goes "Bis". | 0:04:04 | 0:04:06 | |
"Bi-i-i-i-is!" | 0:04:06 | 0:04:08 | |
-It's like that. -MOSQUITO WHINE | 0:04:08 | 0:04:10 | |
APPLAUSE | 0:04:14 | 0:04:15 | |
There are other phrases which we use, which sound French, | 0:04:15 | 0:04:19 | |
but again mean nothing to a Frenchman. | 0:04:19 | 0:04:21 | |
"Cause celebre" is not a French phrase. | 0:04:21 | 0:04:24 | |
Like "en-suite" for a bathroom, the French would go, "What?" | 0:04:24 | 0:04:27 | |
What about "bidet"? | 0:04:27 | 0:04:29 | |
"Bidet", they do indeed have, though it's easier to do a handstand in the shower, to be honest. | 0:04:29 | 0:04:35 | |
LAUGHTER | 0:04:35 | 0:04:36 | |
And if you want the expense of-of a bidet... | 0:04:36 | 0:04:40 | |
-"Easier"? -If you're as nimble as I am. | 0:04:40 | 0:04:44 | |
I'd pay good money to see that. | 0:04:44 | 0:04:46 | |
I'd like to see you with a camera, going, "Tweet this." | 0:04:48 | 0:04:51 | |
The trouble is with the handstand in the shower, though, | 0:04:58 | 0:05:01 | |
it's like when you see a mountain steam, and you think, | 0:05:01 | 0:05:05 | |
"The water looks all right but I don't know where it's been." | 0:05:05 | 0:05:08 | |
When you're upside down and this water is pouring across your face, | 0:05:08 | 0:05:12 | |
lodging in your nostrils, and you know that it's been... | 0:05:12 | 0:05:16 | |
LAUGHTER Well, that's a worry. | 0:05:16 | 0:05:19 | |
I had a friend who had read somewhere that if you slept upside down, it made you more intelligent | 0:05:19 | 0:05:25 | |
-because the blood went to your brain. -Went to your brain. | 0:05:25 | 0:05:29 | |
And I became obsessed with the idea that he would have a wet dream and die. | 0:05:29 | 0:05:34 | |
LAUGHTER | 0:05:34 | 0:05:36 | |
Oh, that's so... In so many ways, a horrific image. | 0:05:38 | 0:05:42 | |
So yes, there are words we use, "decolletage", for example, we use for the... | 0:05:43 | 0:05:47 | |
The French use "decollete" for that. | 0:05:47 | 0:05:50 | |
Excuse me, when you say "we", you mean you. | 0:05:50 | 0:05:53 | |
LAUGHTER | 0:05:53 | 0:05:54 | |
Well, it's not a common phrase. | 0:05:54 | 0:05:56 | |
No, it's not. Nobody says, "Look at the decolletage on that." | 0:05:56 | 0:06:00 | |
You never stop learning. | 0:06:00 | 0:06:03 | |
I've already learned how to say to my teenage sons, "Look at the knockers on that" | 0:06:03 | 0:06:08 | |
without their mum getting annoyed. | 0:06:08 | 0:06:10 | |
And now you can say "decolletage". | 0:06:10 | 0:06:13 | |
"Decolletage"! | 0:06:13 | 0:06:15 | |
Also, "en-suite", which is used commonly these days for a bathroom connected to a bedroom. | 0:06:15 | 0:06:20 | |
-In France, they didn't use... -(COCKNEY) And of course, the en-suite. | 0:06:20 | 0:06:24 | |
-It's -commonly -used. | 0:06:24 | 0:06:27 | |
There's a Greek phrase. The Greeks say "Katatraya stayeftika", I think it is. | 0:06:27 | 0:06:32 | |
And it means, "Who gives a shit?" | 0:06:32 | 0:06:35 | |
But literally, it means, "There is trouble in the gypsy village." | 0:06:35 | 0:06:39 | |
LAUGHTER | 0:06:39 | 0:06:41 | |
It's true. | 0:06:46 | 0:06:47 | |
Depending how high you are up socially, it's right, isn't it? | 0:06:47 | 0:06:51 | |
Poor people wouldn't give a shit. | 0:06:51 | 0:06:53 | |
Anyway, that's the point. You can ask a Frenchman for a double entendre if you like, | 0:06:55 | 0:07:00 | |
but you'll be lucky if he gives you one. | 0:07:00 | 0:07:03 | |
Not to some... LAUGHTER | 0:07:03 | 0:07:05 | |
Thank you very much. | 0:07:05 | 0:07:07 | |
Now to some i-tunes. | 0:07:07 | 0:07:09 | |
Who wrote the songs, I'm Leaning On A Lamppost | 0:07:09 | 0:07:13 | |
and When I'm Cleaning Windows? | 0:07:13 | 0:07:16 | |
SMALL DOG YAPPING | 0:07:17 | 0:07:18 | |
Definitely not George Formby, | 0:07:18 | 0:07:21 | |
even though his wife Beryl insisted George had a credit so that he'd get money. | 0:07:21 | 0:07:27 | |
You're absolutely right, and you're a bit of a fan of George Formby? | 0:07:27 | 0:07:31 | |
I am indeed, yeah. | 0:07:31 | 0:07:32 | |
I'm Leaning On A Lamppost was one of his big hits. | 0:07:32 | 0:07:35 | |
Wasn't When I'm Cleaning Windows a bit dodgy? | 0:07:35 | 0:07:38 | |
Well, there was a phrase, "The blushing bride, she looks divine | 0:07:38 | 0:07:42 | |
"The bridegroom, he is doing fine | 0:07:42 | 0:07:43 | |
"I'd rather have his job than mine | 0:07:43 | 0:07:45 | |
"When I'm cleaning windows." | 0:07:45 | 0:07:47 | |
The BBC banned it. | 0:07:47 | 0:07:49 | |
However, George Formby was invited to perform at Windsor in front of the Royal Family in 1941, | 0:07:49 | 0:07:54 | |
and some troops, during the War, obviously, | 0:07:54 | 0:07:57 | |
and the Queen Mother insisted he sing the song properly, with no cuts. | 0:07:57 | 0:08:01 | |
She loved it, and asked him to sing it another three times. But the BBC still banned it. | 0:08:01 | 0:08:06 | |
You're a special group, George Formby fans, | 0:08:06 | 0:08:09 | |
and it's usual amongst George Formby fans, I believe, | 0:08:09 | 0:08:13 | |
that they teach themselves the banjolele, and as you are one, | 0:08:13 | 0:08:17 | |
we have a banjolele. | 0:08:17 | 0:08:19 | |
Can you delight us with some Formby? | 0:08:19 | 0:08:21 | |
-Am I on the spot? -I don't know if it's tuned but... | 0:08:21 | 0:08:24 | |
Don't worry about that. "My dog has fleas", is what you need to remember. | 0:08:24 | 0:08:29 | |
# My dog has... # Oh, this one doesn't have fleas, he has distemper. | 0:08:29 | 0:08:33 | |
LAUGHTER | 0:08:33 | 0:08:34 | |
That, um, When I'm Cleaning Windows has got another bit that goes, | 0:08:34 | 0:08:40 | |
# Eight o'clock, a girl awakes At ten past eight a bath she takes | 0:08:40 | 0:08:44 | |
# At quarter past, my ladder breaks # When I'm cleaning windows # | 0:08:44 | 0:08:49 | |
LAUGHTER | 0:08:49 | 0:08:50 | |
Er, there's a bit that goes... | 0:08:56 | 0:08:58 | |
# There's a famous movie queen She looks a beauty on the screen | 0:08:58 | 0:09:02 | |
# She's more like 80 than 18 When I'm cleaning windows | 0:09:02 | 0:09:06 | |
# She takes her hair down all behind Then takes down her never mind | 0:09:06 | 0:09:11 | |
# And finally takes down the blind When I'm cleaning windows # | 0:09:11 | 0:09:16 | |
Cheeky! | 0:09:16 | 0:09:17 | |
APPLAUSE | 0:09:17 | 0:09:19 | |
There is a tradition, I don't know if it exists in other languages, | 0:09:23 | 0:09:26 | |
or whether it's peculiarly English, | 0:09:26 | 0:09:29 | |
of the tradition of Frankie Howerd, Carry On. | 0:09:29 | 0:09:31 | |
They can be clever, those innuendos. | 0:09:31 | 0:09:34 | |
There used to be a joke, "She was only a so-and-so's daughter... | 0:09:34 | 0:09:38 | |
She was only a road-mender's daughter but she liked having her ass felt, | 0:09:38 | 0:09:42 | |
or whatever it was. | 0:09:42 | 0:09:43 | |
-That's it. -LAUGHTER | 0:09:43 | 0:09:45 | |
She was only a fishmonger's daughter, but she could lay it on the slab and say, "fillet". | 0:09:45 | 0:09:50 | |
LAUGHTER AND APPLAUSE | 0:09:50 | 0:09:53 | |
That's probably enough innuendo. | 0:09:57 | 0:09:59 | |
If I see another double entendre, I'll whip it out and probably stick a blue pencil through it. | 0:09:59 | 0:10:05 | |
Now, let's play... WA WA WA WAAAA | 0:10:05 | 0:10:08 | |
How Ironic Is That? | 0:10:08 | 0:10:10 | |
Mm, yes. I'm going to outline some situations, | 0:10:10 | 0:10:14 | |
and all you have to do is tell me how ironic they are, and why. | 0:10:14 | 0:10:20 | |
Is it out of 100? | 0:10:20 | 0:10:22 | |
No, you can just give me a sort of sense of just exactly how ironic you think they are. | 0:10:22 | 0:10:29 | |
I'm just worried about how we grade the irony. | 0:10:29 | 0:10:31 | |
I would say shiny... | 0:10:31 | 0:10:33 | |
Shall I tell you... | 0:10:33 | 0:10:35 | |
..down to rusty. | 0:10:35 | 0:10:38 | |
Shall I tell you what the shades of irony supposedly are? | 0:10:38 | 0:10:41 | |
I think what we're getting at is, "irony"'s often weirdly misused. | 0:10:41 | 0:10:45 | |
People say, "Ironically, he wasn't there." | 0:10:45 | 0:10:48 | |
-You mean, unfortunately. -The invisible man. | 0:10:48 | 0:10:51 | |
LAUGHTER | 0:10:51 | 0:10:53 | |
There's verbal irony, the opposite of what's... | 0:10:53 | 0:10:56 | |
"As clear as mud", "Oh, this is a fine state of affairs". | 0:10:56 | 0:11:00 | |
Slightly less than sarcasm, that's verbal irony. | 0:11:00 | 0:11:03 | |
There's comic irony. Dr Strangelove. | 0:11:03 | 0:11:05 | |
"Gentlemen, you can't fight in here, this is the War Room" for example, is an ironic remark. | 0:11:05 | 0:11:10 | |
Dramatic irony. | 0:11:10 | 0:11:13 | |
Little does he know that I'm about to... | 0:11:13 | 0:11:15 | |
Yeah, the audience knows Oedipus is the very murderer that he's hunting, as it were. | 0:11:15 | 0:11:20 | |
-Dramatic irony. -As in, "Dive, thoughts, down to my soul. Here Clarence comes." | 0:11:20 | 0:11:25 | |
Yes. That's just the kind of thing. Richard III and others. | 0:11:25 | 0:11:29 | |
APPLAUSE | 0:11:29 | 0:11:30 | |
Ladies and gentlemen, an all-round entertainer! | 0:11:32 | 0:11:37 | |
And then there's Socratic irony, which is pretending to be dumber than you are, | 0:11:37 | 0:11:41 | |
like Socrates, or like Columbo. | 0:11:41 | 0:11:43 | |
Lieutenant Columbo, the greatest ever detective. There you are. | 0:11:43 | 0:11:47 | |
God, that's the greatest ever show. | 0:11:47 | 0:11:49 | |
Is that it? Like Socrates or Lieutenant Columbo? | 0:11:49 | 0:11:53 | |
-I would be hard put to say... -I know they both did that, but beyond that... | 0:11:53 | 0:11:57 | |
I would be hard put to say which was greater. | 0:11:57 | 0:12:00 | |
I think Columbo is the greatest TV series ever made. I worship it. | 0:12:00 | 0:12:04 | |
-I absolutely agree with that. -I'm glad. | 0:12:04 | 0:12:06 | |
I once spent a long night with David Baddiel having an argument | 0:12:06 | 0:12:11 | |
about whether Columbo had one eye or not. | 0:12:11 | 0:12:15 | |
Peter Falk, you mean? Yeah. | 0:12:15 | 0:12:17 | |
Well, no, this was the debate. | 0:12:17 | 0:12:18 | |
My argument was that Peter Falk does indeed have one eye, | 0:12:18 | 0:12:22 | |
but in Columbo, that eye plays the part of a real eye. | 0:12:22 | 0:12:26 | |
Yes! LAUGHTER | 0:12:26 | 0:12:28 | |
I think there's truth in that. | 0:12:28 | 0:12:30 | |
-Columbo has two eyes. -That's how good he was. I agree. | 0:12:30 | 0:12:34 | |
How did this argument go on for so long? | 0:12:34 | 0:12:37 | |
-Was it like Women In Love? -He wouldn't have it. | 0:12:37 | 0:12:40 | |
Were you wrestling naked in front of a fire? Women In Love? | 0:12:40 | 0:12:44 | |
That was how we had to decide it in the end. We couldn't find a coin. | 0:12:44 | 0:12:49 | |
So, is this ironic? John Kendrick was an American sea captain | 0:12:49 | 0:12:52 | |
who put into Honolulu Harbour in 1794 | 0:12:52 | 0:12:55 | |
and was killed by the cannon which was fired to salute him. | 0:12:55 | 0:13:00 | |
GROANING | 0:13:00 | 0:13:02 | |
Now, we understand situational and arguably, comic irony, | 0:13:02 | 0:13:06 | |
though the audience was very sympathetic. | 0:13:06 | 0:13:09 | |
-That's fairly ironic. -It's pretty ironic, isn't it? | 0:13:09 | 0:13:12 | |
It's almost up in the spangly section. | 0:13:12 | 0:13:14 | |
Yes. | 0:13:14 | 0:13:17 | |
What about Clement Vallandigham who was an Ohio lawyer | 0:13:17 | 0:13:20 | |
who died in 1871 while defending a man who was accused of murder during a bar room brawl. | 0:13:20 | 0:13:25 | |
To show the jury how the pistol might have gone off accidentally, | 0:13:25 | 0:13:29 | |
this lawyer grabbed the gun, put it in his pocket, | 0:13:29 | 0:13:32 | |
and re-enacted the events as he imagined them. | 0:13:32 | 0:13:37 | |
-And sure enough... -He was shot by a cannon. | 0:13:37 | 0:13:40 | |
No, the pistol went off and he was killed by the gun in exactly the way he was describing. | 0:13:40 | 0:13:46 | |
Just before he died from his own wounds, his client was acquitted. | 0:13:46 | 0:13:51 | |
And the good thing is, his client didn't have to pay. | 0:13:51 | 0:13:54 | |
No, exactly. It's perfect. | 0:13:54 | 0:13:57 | |
Situational irony, I think that would be called. | 0:13:57 | 0:13:59 | |
But, now, what about Abraham Lincoln? | 0:13:59 | 0:14:02 | |
He was shot while sitting in Ford's Theatre, | 0:14:02 | 0:14:05 | |
while Kennedy was shot while sitting in a Ford Lincoln. | 0:14:05 | 0:14:08 | |
Many other coincidences like that. That's just simply coincidence. | 0:14:08 | 0:14:13 | |
-Not irony. -Regan was shot in Washington, and Washington was shot with a Raygun. | 0:14:13 | 0:14:18 | |
LAUGHTER | 0:14:18 | 0:14:19 | |
If only that were true. | 0:14:19 | 0:14:23 | |
It would almost be worth inventing a time machine and going back with a Raygun just to do that. | 0:14:23 | 0:14:29 | |
It's true. But nobody knew what a Raygun was then, so they just went, "What's that?" | 0:14:29 | 0:14:34 | |
LAUGHTER | 0:14:34 | 0:14:36 | |
This is rather ironic. | 0:14:36 | 0:14:38 | |
In 1989 in America, convicted murderer Michael Godwin | 0:14:38 | 0:14:41 | |
had his sentence reduced to life imprisonment | 0:14:41 | 0:14:45 | |
after five years awaiting the electric chair. | 0:14:45 | 0:14:47 | |
But he was then accidentally electrocuted while sitting naked on a steel lavatory seat | 0:14:47 | 0:14:53 | |
in his cell in Columbia. | 0:14:53 | 0:14:54 | |
He was trying to fix his TV set. | 0:14:54 | 0:14:56 | |
He bit into a wire and was electrocuted. | 0:14:56 | 0:14:59 | |
That is a kind of cosmic irony, really. | 0:14:59 | 0:15:01 | |
That's not irony. That's God's will. | 0:15:01 | 0:15:04 | |
It's God's will. I think you may well be right. | 0:15:04 | 0:15:06 | |
That's irony for you. The things we call irony often really aren't that ironic. | 0:15:06 | 0:15:11 | |
Ironically. Or not. | 0:15:11 | 0:15:12 | |
Now, um, for some inside information. What's inside this? | 0:15:12 | 0:15:18 | |
Can anyone tell me? | 0:15:18 | 0:15:20 | |
It's a natural thing. | 0:15:20 | 0:15:22 | |
Well, it looks like a coconut. | 0:15:22 | 0:15:24 | |
-It could be an elephant turd, couldn't it? -It could be. It isn't. | 0:15:24 | 0:15:28 | |
This thing is actually a nut. | 0:15:30 | 0:15:32 | |
Weirdly, the things inside it are not nuts, | 0:15:32 | 0:15:35 | |
but the things inside it are familiar to all of us as nuts. | 0:15:35 | 0:15:40 | |
This is how these grow. | 0:15:40 | 0:15:43 | |
Here they are. | 0:15:43 | 0:15:44 | |
-Oh, Brazil nuts. -Brazil nuts. | 0:15:44 | 0:15:46 | |
They grow inside... These are seeds, but we call them nuts. | 0:15:46 | 0:15:51 | |
Biologically, these are the seeds, and they grow inside this, the nut. | 0:15:51 | 0:15:55 | |
They grow on top of the tree. | 0:15:55 | 0:15:57 | |
They're very heavy, they've been known to kill people. | 0:15:57 | 0:16:00 | |
But it's a very strange life cycle they have. | 0:16:00 | 0:16:03 | |
This tree cannot be cultivated, so they're only wild. | 0:16:03 | 0:16:06 | |
Only wild trees produce these nuts, inside which are the Brazils. | 0:16:06 | 0:16:11 | |
And they can only be pollinated by a very particular bee, | 0:16:11 | 0:16:16 | |
and that bee will only be able to pollinate it | 0:16:16 | 0:16:18 | |
if there is in the area a very particular orchid. | 0:16:18 | 0:16:21 | |
So there's a really strange chain of necessary life situations | 0:16:21 | 0:16:25 | |
in order for us to get our purple Quality Street, essentially. | 0:16:25 | 0:16:29 | |
There is something unique as well about the Brazil nut. | 0:16:29 | 0:16:32 | |
As you probably know, there are people who are allergic to nuts. | 0:16:32 | 0:16:36 | |
But the Brazil nut, uniquely, amongst all the nuts... | 0:16:36 | 0:16:40 | |
This is really unfortunate. | 0:16:40 | 0:16:41 | |
You can sexually transmit Brazil nut to a partner. | 0:16:41 | 0:16:48 | |
That is to say, if a male has eaten a Brazil nut, | 0:16:48 | 0:16:51 | |
and they inseminate a person who is allergic, | 0:16:51 | 0:16:56 | |
that person's allergy will be affected by it. | 0:16:56 | 0:17:01 | |
That's a good murder plot, isn't it? | 0:17:01 | 0:17:04 | |
LAUGHTER | 0:17:04 | 0:17:05 | |
It is amazing. | 0:17:06 | 0:17:08 | |
I actually feel right in the middle of an episode of House now. | 0:17:08 | 0:17:14 | |
Cos how on earth has that been found out? | 0:17:14 | 0:17:18 | |
Surely the woman would feel the Brazil nut? | 0:17:18 | 0:17:21 | |
LAUGHTER | 0:17:21 | 0:17:23 | |
I think you may have slightly misunderstood... | 0:17:24 | 0:17:26 | |
The man would too, really. | 0:17:26 | 0:17:28 | |
May contain nuts! | 0:17:28 | 0:17:31 | |
LAUGHTER | 0:17:31 | 0:17:32 | |
We must ask the QI audience, both the physical one here, and those watching TV, | 0:17:32 | 0:17:37 | |
to be our experimental cohort, | 0:17:37 | 0:17:39 | |
and I want you all to eat Brazil nuts and then make love to your beloveds.. | 0:17:39 | 0:17:43 | |
-I'll eat the nuts. -Yep. | 0:17:43 | 0:17:45 | |
LAUGHTER Sean is volunteering on that side. | 0:17:45 | 0:17:49 | |
I'm happy to eat the nuts. You line up, I'll eat the nuts, let's check it out. | 0:17:49 | 0:17:53 | |
There you are. | 0:17:53 | 0:17:55 | |
-Let's do this! -Let's do this thing for science. -Yeah. | 0:17:55 | 0:17:59 | |
Incidentally, does anyone know, in a packet of mixed nuts, | 0:17:59 | 0:18:03 | |
why do the Brazils always rise to the top? | 0:18:03 | 0:18:05 | |
Surely nobody knows that. | 0:18:05 | 0:18:08 | |
TRUMPET FANFARE You're right! | 0:18:08 | 0:18:12 | |
CHEERING AND APPLAUSE | 0:18:12 | 0:18:13 | |
I'm very impressed. | 0:18:13 | 0:18:15 | |
It is a known and observable process, | 0:18:15 | 0:18:19 | |
that in bags of muesli and nuts, the Brazil nuts do go to the top. | 0:18:19 | 0:18:24 | |
Scientists have worked hard to try and understand why. | 0:18:24 | 0:18:27 | |
At first they thought the little ones settle down through and leave the big ones at the top, | 0:18:27 | 0:18:33 | |
but the fact is, as Alan correctly surmised, | 0:18:33 | 0:18:35 | |
nobody knows what causes the Brazil nut effect. | 0:18:35 | 0:18:38 | |
What do the signal bars on your phone mean? | 0:18:38 | 0:18:41 | |
Well, it means how much... signal... you can... | 0:18:41 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:47 | |
Don't be scared. | 0:18:49 | 0:18:52 | |
They mean how... how... the thing with the thing in the sky and they come through, | 0:18:52 | 0:18:59 | |
not there, all gone. | 0:18:59 | 0:19:00 | |
I need it in English, I'm afraid. | 0:19:00 | 0:19:02 | |
-It's got... -Talky talky power all gone away. | 0:19:02 | 0:19:06 | |
Sky no fly down in the air here. | 0:19:06 | 0:19:10 | |
Big bird in sky. | 0:19:10 | 0:19:12 | |
You're either connected or you're not connected. | 0:19:12 | 0:19:15 | |
So levels of connectivity are a bit irrelevant. | 0:19:15 | 0:19:20 | |
Yes, I would have accepted a Nobody Knows card, too late now, | 0:19:20 | 0:19:23 | |
because basically, there is no standardisation between manufacturers, | 0:19:23 | 0:19:27 | |
and different handset makers have different ways of showing | 0:19:27 | 0:19:31 | |
what is apparently a full signal, | 0:19:31 | 0:19:33 | |
and we're all really thrilled, "Oh, look, I've got five bars." | 0:19:33 | 0:19:37 | |
Absolutely meaningless. | 0:19:37 | 0:19:39 | |
How many Nobody Knows questions are there in this tonight? | 0:19:39 | 0:19:42 | |
Ah! Nobody knows. And now we sink our claws into the soft underbelly of knowledge, | 0:19:42 | 0:19:47 | |
and tear out the fetid entrails of general ignorance. | 0:19:47 | 0:19:51 | |
So fingers on buzzers, please. | 0:19:51 | 0:19:53 | |
What use is an inflatable anchor? | 0:19:53 | 0:19:55 | |
MOSQUITO WHINE | 0:19:56 | 0:19:58 | |
Yes? | 0:19:58 | 0:19:59 | |
Is it for hot air balloons? | 0:19:59 | 0:20:04 | |
Very smart answer. No. | 0:20:04 | 0:20:08 | |
SMALL DOG YAPPING | 0:20:08 | 0:20:10 | |
-Yes? -Is it to stop submarines from, um,... going too low? | 0:20:10 | 0:20:16 | |
LAUGHTER AND APPLAUSE | 0:20:16 | 0:20:18 | |
That's so sweet. | 0:20:22 | 0:20:24 | |
When the surface is incredibly sandy, | 0:20:24 | 0:20:27 | |
and a standard claw anchor would have nothing to catch onto, | 0:20:27 | 0:20:31 | |
you send down an inflatable one. | 0:20:31 | 0:20:34 | |
It's a spike. It goes into the sand, and you inflate it with fluid, not air, in fact. | 0:20:34 | 0:20:39 | |
And it lodges in the sand. That's what they use. Now you know. | 0:20:39 | 0:20:45 | |
Which animal did Richard I have three of on his shirt? | 0:20:45 | 0:20:49 | |
Now, can I suggest that at this point in history, | 0:20:49 | 0:20:52 | |
no-one in England had ever seen a lion. | 0:20:52 | 0:20:54 | |
Is that possible? | 0:20:54 | 0:20:55 | |
So, it's not a lion. | 0:20:55 | 0:20:58 | |
-What did Richard I spend most of his time doing? -I don't know. | 0:20:58 | 0:21:02 | |
-Crusades. -Crusading. | 0:21:02 | 0:21:03 | |
-There weren't any lions in Arabia, were there? -There were in Africa. | 0:21:03 | 0:21:07 | |
Bloody everywhere, they were. | 0:21:07 | 0:21:09 | |
Zoos. The Tower of London had a menagerie, a little later, I grant you. | 0:21:09 | 0:21:13 | |
In a picnic in those days, not wasps, lions. | 0:21:13 | 0:21:16 | |
Millions of them. | 0:21:16 | 0:21:18 | |
GET OFF ME SANDWICH! | 0:21:18 | 0:21:20 | |
The point is... | 0:21:20 | 0:21:22 | |
Seen some lions! Swans are the bastards. | 0:21:22 | 0:21:26 | |
He looks like he's going, "Ooh, get you in your suit of armour!" | 0:21:26 | 0:21:31 | |
He looks like he's doing a sort of, "Ooh!" | 0:21:31 | 0:21:34 | |
This is the badge of English royalty that was first used by Richard I, | 0:21:34 | 0:21:39 | |
and it's three... | 0:21:39 | 0:21:40 | |
Well, I'd say, not lions. | 0:21:40 | 0:21:43 | |
You're right to avoid the word lions. | 0:21:43 | 0:21:46 | |
They were known as leopards. They called them leopards. | 0:21:46 | 0:21:50 | |
They were not familiar with the difference between a leopard and a lion. | 0:21:50 | 0:21:54 | |
And leopard really just means a bearded lion, | 0:21:54 | 0:21:57 | |
and it's a heraldic thing. | 0:21:57 | 0:21:58 | |
If they were that shape sideways on, those were leopards. | 0:21:58 | 0:22:02 | |
So there was a song, wasn't there? | 0:22:02 | 0:22:05 | |
-Wasn't there, Frank Skinner? -There was. | 0:22:05 | 0:22:07 | |
And that would have caused me a lot of scanning problems. | 0:22:07 | 0:22:10 | |
Yes. It was based, however, on a lie. | 0:22:10 | 0:22:13 | |
No, it was based on a lion. | 0:22:13 | 0:22:15 | |
-"Three leopards on my shirt." -Were they rampant or couchant? | 0:22:15 | 0:22:20 | |
-Good question. -AUDIENCE: Oooh! | 0:22:20 | 0:22:22 | |
It's going to be the excitement of the century. | 0:22:22 | 0:22:25 | |
They were actually passant gardant. | 0:22:27 | 0:22:30 | |
But the rampant lion is the sign of the Kings of Scotland. | 0:22:30 | 0:22:33 | |
Very hairy knees, the Scottish one. | 0:22:33 | 0:22:35 | |
Yes, they have rather, haven't they? | 0:22:35 | 0:22:37 | |
They would be called lions in heraldry, | 0:22:37 | 0:22:40 | |
whereas the three lions on the shirt would be known as leopards. | 0:22:40 | 0:22:43 | |
So, which years did your song chart, Frank Skinner and David Baddiel's Three Lions? | 0:22:43 | 0:22:49 | |
-It was number one in... -'96, and then again in '98. | 0:22:49 | 0:22:54 | |
Yeah. It charted in... | 0:22:54 | 0:22:56 | |
And then it charted in, er, 2000. | 0:22:56 | 0:23:00 | |
2002. It missed out 2000, I'm afraid. | 0:23:00 | 0:23:02 | |
-Did it? -Yeah. 2002, 2006 and 2010. | 0:23:02 | 0:23:07 | |
-That's quite impressive. -I must check my platinum discs. | 0:23:07 | 0:23:09 | |
Ooh! | 0:23:09 | 0:23:11 | |
Yes, I think we can safely say we milked it. | 0:23:11 | 0:23:15 | |
You milked those leopards. | 0:23:15 | 0:23:18 | |
Can I ask, was it big in any other country? | 0:23:18 | 0:23:22 | |
It got to the top ten in Germany. | 0:23:22 | 0:23:24 | |
The Germans, when they actually won Euro 96, | 0:23:24 | 0:23:26 | |
which is what the song was originally written for, | 0:23:26 | 0:23:29 | |
they figured they'd won the song as well, | 0:23:29 | 0:23:32 | |
so they were on the balcony in Berlin leading the crowd | 0:23:32 | 0:23:36 | |
in Three Lions On His Shirt. | 0:23:36 | 0:23:38 | |
My God. | 0:23:38 | 0:23:40 | |
Now, that's irony. | 0:23:40 | 0:23:41 | |
LAUGHTER | 0:23:41 | 0:23:43 | |
Very good. | 0:23:43 | 0:23:46 | |
APPLAUSE | 0:23:46 | 0:23:48 | |
The fact is, anyone can get a Grant of Arms. | 0:23:48 | 0:23:51 | |
You only need £4,225, | 0:23:51 | 0:23:53 | |
which is cheaper than some cherished number plates. | 0:23:53 | 0:23:56 | |
Sir Christopher Frayling, former Chairman of the Arts Council | 0:23:56 | 0:24:00 | |
and expert on Clint Eastwood movies | 0:24:00 | 0:24:02 | |
took a motto, which is "Perge Scellus Diem Perficias". | 0:24:02 | 0:24:07 | |
"Go ahead, punk, make my day"? | 0:24:07 | 0:24:09 | |
Yes! Very good! | 0:24:09 | 0:24:12 | |
APPLAUSE | 0:24:12 | 0:24:13 | |
In heraldic, "Proceed, varlet, and render perfect the day." | 0:24:15 | 0:24:20 | |
On my coat of arms, its says "Katatraya stayeftika". | 0:24:20 | 0:24:23 | |
"There is trouble in the gypsy village." | 0:24:23 | 0:24:26 | |
What's the Latin for "Nick nack nocky noo?" | 0:24:28 | 0:24:30 | |
LAUGHTER | 0:24:30 | 0:24:32 | |
Frank Skinner's career as a pop star | 0:24:32 | 0:24:34 | |
is, in fact, built on a lamentable terminological inexactitude, | 0:24:34 | 0:24:38 | |
or lie. | 0:24:38 | 0:24:40 | |
LAUGHTER AND APPLAUSE | 0:24:40 | 0:24:42 | |
Now, name... | 0:24:42 | 0:24:45 | |
APPLAUSE | 0:24:45 | 0:24:46 | |
If you can, see if you can name a living animal | 0:24:46 | 0:24:50 | |
whose scientific name is exactly the same as its common name. | 0:24:50 | 0:24:56 | |
SMALL DOG YAPPING | 0:24:56 | 0:24:57 | |
Isn't a gorilla called Gorilla Gorilla? | 0:24:57 | 0:25:00 | |
"WRONG AGAIN" ALARM | 0:25:00 | 0:25:01 | |
I'm afraid so. Unfortunately, it's called Gorilla Gorilla, but the common name for it is just Gorilla. | 0:25:01 | 0:25:07 | |
There's only one animal we can think of | 0:25:07 | 0:25:09 | |
where the common name for it is exactly the same as its Latinate... | 0:25:09 | 0:25:13 | |
Does it sound a bit Latiny? | 0:25:13 | 0:25:15 | |
-In a way. -Is it rhinoceros? -No, that's Greek. | 0:25:15 | 0:25:17 | |
-It's not that, no. That doesn't sound Latin at all. -Horse? | 0:25:17 | 0:25:21 | |
No, that's Equus. No, it's not a mammal, OK? | 0:25:21 | 0:25:24 | |
-It's not a mammal? -Frog. | 0:25:24 | 0:25:27 | |
No, it's not. It's herpetic, it's ophidian, it's long and narrow. | 0:25:27 | 0:25:32 | |
-Snake. -Snake. It's a kind of snake. -Oh, it's a kind of snake, not snake. | 0:25:32 | 0:25:37 | |
LAUGHTER | 0:25:37 | 0:25:38 | |
-No, no, it's a species we're after. -Monty Python. | 0:25:38 | 0:25:41 | |
Oh, I see, cos if you know about them, you don't go, "Look, snake." | 0:25:41 | 0:25:45 | |
You go, "Ah, it's Snakus Curmuncunus." | 0:25:45 | 0:25:48 | |
-Exactly. There is one where precisely... -Boa Constrictor. | 0:25:48 | 0:25:52 | |
-Boa Constrictor is the right answer! -I was thinking it! | 0:25:52 | 0:25:55 | |
APPLAUSE | 0:25:55 | 0:25:56 | |
The scientific name for the Boa Constrictor is Boa Constrictor. | 0:25:58 | 0:26:03 | |
As far as we can tell at QI, there is no other animal where that's true. | 0:26:03 | 0:26:07 | |
There's some plants where it's true, Aloe Vera, or whatever, | 0:26:07 | 0:26:10 | |
but no living animal, as far as we know, except the Boa Constrictor, | 0:26:10 | 0:26:14 | |
has the same common name as scientific name. | 0:26:14 | 0:26:17 | |
What's wrong with these bananas? | 0:26:17 | 0:26:20 | |
They're upside down. | 0:26:20 | 0:26:22 | |
Yes, they're upside down. | 0:26:22 | 0:26:24 | |
Bananas do not grow like that. | 0:26:24 | 0:26:26 | |
They grow like... that. | 0:26:26 | 0:26:28 | |
-They grow upwards. -It's my area of expertise. | 0:26:28 | 0:26:31 | |
I'm impressed. I'm very impressed. Well done. | 0:26:31 | 0:26:34 | |
You probably know something else interesting about bananas. | 0:26:34 | 0:26:38 | |
They have a quality, you might call it a negative quality, | 0:26:38 | 0:26:41 | |
which some other foods have, including these. | 0:26:41 | 0:26:45 | |
And that is, they are faintly radioactive. | 0:26:45 | 0:26:49 | |
Not that there's any harm in eating bananas. | 0:26:49 | 0:26:51 | |
The isotope in question from Potassium, K40, is present in our bodies in any case. | 0:26:51 | 0:26:56 | |
Especially in men, in our little naughty areas. | 0:26:56 | 0:27:00 | |
Is that why they look like bananas? | 0:27:00 | 0:27:02 | |
No. | 0:27:02 | 0:27:03 | |
-No, actually, within the Epididymes, the... -Speak for yourself! | 0:27:03 | 0:27:08 | |
Actually, yes! | 0:27:08 | 0:27:09 | |
I'm waiting for mine to stop being green. | 0:27:09 | 0:27:12 | |
Oh, no! | 0:27:12 | 0:27:14 | |
I'm more in the line with the Brazil nut. | 0:27:15 | 0:27:18 | |
How long is the half life of the radioactive component of a banana? | 0:27:19 | 0:27:24 | |
-I'd say six hours. -1.25 billion years. | 0:27:24 | 0:27:28 | |
You were only a bit out, then. | 0:27:28 | 0:27:30 | |
It was going to be one or the other. | 0:27:30 | 0:27:34 | |
Brazil nuts contain Radium, and are 1,000 times more radioactive than other foods. | 0:27:34 | 0:27:39 | |
We're told that if you walk into a nuclear power plant with a pocket full of Brazils, | 0:27:39 | 0:27:44 | |
it's liable to set off the radiation leak alarm. | 0:27:44 | 0:27:47 | |
True story. | 0:27:47 | 0:27:49 | |
And get a bit of a reputation. | 0:27:49 | 0:27:51 | |
Yes, definitely. | 0:27:51 | 0:27:53 | |
"Here he comes, cheeky chappy, with his pocket full of Brazil nuts." | 0:27:53 | 0:27:57 | |
Which brings me to the nutty scores. | 0:27:57 | 0:28:00 | |
Well, my goodness, my gracious, and my word. | 0:28:00 | 0:28:03 | |
We have a tie for first place. | 0:28:03 | 0:28:06 | |
-Fight! -And would you believe... | 0:28:06 | 0:28:09 | |
We're not Harry Hill here. | 0:28:09 | 0:28:11 | |
Wonderful as he is. | 0:28:11 | 0:28:12 | |
Would you believe that our two winners, our tie for first place, | 0:28:12 | 0:28:16 | |
is our first-time players, Frank Skinner and John Bishop, four points! | 0:28:16 | 0:28:21 | |
CHEERING AND APPLAUSE | 0:28:21 | 0:28:23 | |
And in third place with minus 14 points, it's Sean Lock! | 0:28:23 | 0:28:28 | |
CHEERING AND APPLAUSE | 0:28:28 | 0:28:30 | |
Thank you. | 0:28:30 | 0:28:32 | |
But I'm afraid that the currant that settled at the bottom of the box | 0:28:32 | 0:28:36 | |
with minus 21 is Alan Davies. | 0:28:36 | 0:28:39 | |
CHEERING AND APPLAUSE | 0:28:39 | 0:28:42 | |
Well, that's your lot for this week. | 0:28:45 | 0:28:48 | |
My thanks to John, Frank, Sean and Alan. | 0:28:48 | 0:28:51 | |
I leave you with these wise words from Groucho Marx. | 0:28:51 | 0:28:54 | |
"He may look like an idiot, he may sound like an idiot, | 0:28:54 | 0:28:57 | |
but don't let that fool you, he really is an idiot." | 0:28:57 | 0:29:00 | |
Good night. | 0:29:00 | 0:29:02 | |
APPLAUSE | 0:29:02 | 0:29:03 | |
Subtitles by Red Bee Media Ltd | 0:29:20 | 0:29:23 | |
Email [email protected] | 0:29:23 | 0:29:26 |