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CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Good evening, good evening, good evening, good evening. | 0:00:29 | 0:00:32 | |
Welcome to QI where, tonight, we'll be putting sliced bread to shame | 0:00:32 | 0:00:36 | |
and reinventing the wheel in a show all about inventions. | 0:00:36 | 0:00:40 | |
Joining me at the lab bench, we have a world first, Nina Conti and Gran. | 0:00:40 | 0:00:46 | |
-Hello. -APPLAUSE | 0:00:46 | 0:00:48 | |
The peculiarly innovative Sean Lock. | 0:00:50 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
The patently absurd Bill Bailey. | 0:00:58 | 0:01:02 | |
CHEERING AND APPLAUSE | 0:01:02 | 0:01:04 | |
And I'm afraid it's back to the drawing board, Alan Davies. | 0:01:05 | 0:01:10 | |
CHEERING AND APPLAUSE | 0:01:10 | 0:01:12 | |
Now, panel, | 0:01:14 | 0:01:17 | |
if you have any bright ideas you wish to share, | 0:01:17 | 0:01:20 | |
-activate the light bulb in front of you. Bill goes... -BELL | 0:01:20 | 0:01:23 | |
-Sean goes... -HIGHER-PITCHED BELL | 0:01:23 | 0:01:26 | |
-And Nina or Gran goes... -HIGHER-PITCHED BELL | 0:01:26 | 0:01:30 | |
-And Alan goes... -ELECTRIC CURRENT NOISE | 0:01:30 | 0:01:33 | |
-LAUGHTER -Excellent. | 0:01:33 | 0:01:34 | |
-Er...so you've brought your grandmother with you. -"Hello". | 0:01:34 | 0:01:39 | |
Is she familiar with our rule we have in this series? | 0:01:39 | 0:01:42 | |
We have a 'don't know' rule. We have a 'Nobody Knows' rule. | 0:01:42 | 0:01:46 | |
-Right. -There's a joker you have, which is the 'Nobody Knows'... | 0:01:46 | 0:01:49 | |
TANNOY: Nobody knows! | 0:01:49 | 0:01:51 | |
There may be a question to which nobody actually knows the answer. | 0:01:51 | 0:01:55 | |
The answer is, nobody knows. Can she...? | 0:01:55 | 0:01:58 | |
-There you go, Gran. -"I can hold it." -Have you got it? -"It's a bit..." | 0:01:58 | 0:02:02 | |
-She's got a little bit of arthritis in the fingers. -"It's mesmerising." | 0:02:02 | 0:02:05 | |
-Do you want me to hold it for you? -"No, dear." -Oh, all right. | 0:02:05 | 0:02:09 | |
"Slap me on the bottom with it, dear." | 0:02:09 | 0:02:12 | |
-"I won't be like that, I'm just excited." -Fair enough. | 0:02:13 | 0:02:17 | |
Good. Now, my first question is, | 0:02:17 | 0:02:20 | |
why should you be glad that you didn't invent the flying car, | 0:02:20 | 0:02:23 | |
the parachute suit or the web rotary press? | 0:02:23 | 0:02:27 | |
I've got a feeling that the guy with the parachute suit, didn't he die? | 0:02:27 | 0:02:32 | |
He did. | 0:02:32 | 0:02:33 | |
Um...and then it does follow that they all died. | 0:02:33 | 0:02:36 | |
They were all killed by their own inventions. | 0:02:36 | 0:02:40 | |
The inventor of the web rotary press, for example, | 0:02:40 | 0:02:43 | |
which was a huge advance and revolutionised printing, | 0:02:43 | 0:02:47 | |
and unfortunately the inventor fell into the works and got gummed up in them and died. | 0:02:47 | 0:02:51 | |
-Really? -Yeah. Very sad business. | 0:02:51 | 0:02:54 | |
But it did change printing. He was called William Bullock. | 0:02:54 | 0:02:57 | |
-Which bit of it did he fall in? -Well, into the gearing. I can't imagine how he managed it. | 0:02:57 | 0:03:03 | |
A bloke the other day, he went through a machine, | 0:03:03 | 0:03:05 | |
and his whole body went through a tunnel the size of a CD and he survived. | 0:03:05 | 0:03:10 | |
What?! | 0:03:10 | 0:03:11 | |
LAUGHTER | 0:03:11 | 0:03:13 | |
Was it Ronnie Corbett? LAUGHTER | 0:03:13 | 0:03:17 | |
Yeah. That would explain it. | 0:03:18 | 0:03:19 | |
No, his whole head went in, broke every bone in his body... | 0:03:19 | 0:03:24 | |
-But he did live? -He lived... -Wow! -..to tell the tale. | 0:03:24 | 0:03:27 | |
Unfortunately, though, he is now in a redundant format. | 0:03:27 | 0:03:30 | |
LAUGHTER | 0:03:30 | 0:03:33 | |
APPLAUSE | 0:03:33 | 0:03:35 | |
Sad. | 0:03:37 | 0:03:39 | |
That was the fate of William Bullock. | 0:03:39 | 0:03:41 | |
When it comes to the parachute suit, it was a man called Franz Reichelt who was an Austrian, | 0:03:41 | 0:03:45 | |
who was convinced he could jump off the Eiffel Tower, this was in 1912, wearing a parachute suit. | 0:03:45 | 0:03:51 | |
People warned him it was not a good idea, but he was utterly confident. | 0:03:51 | 0:03:54 | |
He ripped a page out of a book to test which way the wind was going | 0:03:54 | 0:03:58 | |
and his last words were, "A bientot." | 0:03:58 | 0:04:00 | |
Unfortunately, that was the instruction manual(!) | 0:04:00 | 0:04:03 | |
He jumped off and hit the ground a little bit too hard, | 0:04:04 | 0:04:07 | |
and was dead. | 0:04:07 | 0:04:09 | |
So that was not a good result. | 0:04:09 | 0:04:12 | |
That's not actually an invention, then, is it? | 0:04:12 | 0:04:14 | |
That's just a really stupid thing to do. | 0:04:14 | 0:04:18 | |
Yes. | 0:04:18 | 0:04:19 | |
Where's the grey area where inventions become...suicide? | 0:04:19 | 0:04:23 | |
It was a parachute suit that might have worked from higher up. | 0:04:23 | 0:04:26 | |
The principle behind it was sound, as we know from parachutes, they do work. | 0:04:26 | 0:04:30 | |
-But he just... -He invented jumping off things. | 0:04:30 | 0:04:34 | |
He invented jumping off things badly, yeah. | 0:04:34 | 0:04:37 | |
The flying car you ought to know about. | 0:04:37 | 0:04:40 | |
This was a Californian engineer called Henry Smolinski. | 0:04:40 | 0:04:42 | |
-Look at that. -"It's lovely. | 0:04:42 | 0:04:45 | |
"I can't fly or drive though, because I can't see, because my eyes are marbles. | 0:04:45 | 0:04:51 | |
"But I can point where I want to go, look. There! | 0:04:51 | 0:04:55 | |
"Higher! There's buildings down there. | 0:04:55 | 0:04:58 | |
-"Hello." -Hello. | 0:04:58 | 0:05:01 | |
-"Pull my finger, dear." -OK. -"Nothing happened." | 0:05:02 | 0:05:05 | |
LAUGHTER | 0:05:05 | 0:05:07 | |
You've got a very, very warm finger there, Gran. | 0:05:07 | 0:05:09 | |
"Oh, no, don't say that, dear. | 0:05:09 | 0:05:12 | |
"It'll draw attention to it. Where it's been." | 0:05:12 | 0:05:16 | |
All right, thank you! Thank you! | 0:05:16 | 0:05:19 | |
Thank you, Gran. | 0:05:19 | 0:05:21 | |
On the face of it, it's rather a marvellous idea. | 0:05:21 | 0:05:24 | |
Smolinski's idea was that you drove to an airport, you collected the wings, | 0:05:24 | 0:05:28 | |
you'd fly 500 miles-odd to the next city, | 0:05:28 | 0:05:30 | |
where you'd take the wings off and you would drive off again. | 0:05:30 | 0:05:33 | |
And it worked really well. | 0:05:33 | 0:05:35 | |
Then in 1973 he was on a flight and one of the struts broke | 0:05:35 | 0:05:39 | |
and he and his co-pilot plunged to their death. | 0:05:39 | 0:05:41 | |
The idea was never thought of again. I think it should be brought back. | 0:05:41 | 0:05:45 | |
I thought he would have died when he was in the air | 0:05:45 | 0:05:48 | |
and he got up to go around with the drinks trolley. | 0:05:48 | 0:05:50 | |
LAUGHTER | 0:05:50 | 0:05:53 | |
-It's simple. It worked with Chitty Chitty Bang Bang. -Yes. | 0:05:53 | 0:05:57 | |
Did they have two sets of controls? | 0:05:57 | 0:06:00 | |
-You've asked an intelligent question. -Extraordinary(!) | 0:06:00 | 0:06:03 | |
-Hooray! -APPLAUSE | 0:06:04 | 0:06:07 | |
Joysticks and it will turn over like in Thunderbirds? | 0:06:09 | 0:06:12 | |
Was it a big switch? Plane - car. | 0:06:12 | 0:06:16 | |
The car steering was modified so you could fly from the driver's seat | 0:06:16 | 0:06:20 | |
so it was pretty much all-in-one. | 0:06:20 | 0:06:22 | |
-So you could steer it with the steering wheel? -Yes. | 0:06:22 | 0:06:25 | |
-I'd love one of those, wouldn't you? -I'd love one too. | 0:06:26 | 0:06:29 | |
-"Difficult to park, dear." -Yeah, difficult to park. -I think it's a brilliant idea. | 0:06:29 | 0:06:33 | |
"I just have to stay in the overhead compartment, | 0:06:33 | 0:06:36 | |
-"don't I, dear?" -Yeah, I put her in the overhead compartment. | 0:06:36 | 0:06:39 | |
-Aw, that's a bit mean. -"No nuts." -Right! I feel like I have to open the compartment slowly | 0:06:39 | 0:06:44 | |
-just in case you fall out and injure someone. -"Fall out and hurt someone, yes." | 0:06:44 | 0:06:48 | |
-"It's tragic." -It is. -"I'll keep going. Happy days." -Are you allowed to use the loo? | 0:06:48 | 0:06:54 | |
"No, I don't have any bodily functions, dear." | 0:06:54 | 0:06:59 | |
"I just sit there for comfort. But nothing happens." | 0:06:59 | 0:07:02 | |
-Too much information! -I imagine there's all these other grans | 0:07:05 | 0:07:08 | |
in the overhead compartments, all... all crawling about during the flight. | 0:07:08 | 0:07:13 | |
I don't know why you even go on the plane, why don't you just post yourself? | 0:07:13 | 0:07:17 | |
"It's very expensive, dear. I'm heavy." | 0:07:19 | 0:07:22 | |
That's not true. I lost her once on a plane, by an airline, | 0:07:22 | 0:07:25 | |
-which for legal reasons, I'm not supposed to name. -"Ryanair." | 0:07:25 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:32 | |
-"Would you put your granny in the hold, dear?" -No, I wouldn't. | 0:07:38 | 0:07:44 | |
I have a friend who has one of those micro pigs | 0:07:44 | 0:07:46 | |
and she puts the pig in hand luggage in the cabin without telling them. | 0:07:46 | 0:07:51 | |
-It's only a pig, isn't it? -It's one of those tiny pigs. | 0:07:51 | 0:07:56 | |
Are they easy to look after? My wife would love one of those. | 0:07:56 | 0:07:59 | |
You can grow them in special tubes so they're triangular and they will fit in a Toblerone box. | 0:07:59 | 0:08:05 | |
-Well, somebody... -Is that a Toblerone... Oink! ..no. | 0:08:06 | 0:08:10 | |
-Sometimes they grow and grow and basically you've got a huge pig. -You've just got an actual pig. | 0:08:10 | 0:08:16 | |
What you bought was a piglet. | 0:08:16 | 0:08:18 | |
Imagine being conned by a pig salesman! | 0:08:18 | 0:08:23 | |
It's called buying a pig in a poke. It's a phrase for it. | 0:08:23 | 0:08:26 | |
-Pig salesmen used to be dishonest. -"Can you say that, Nina?" | 0:08:26 | 0:08:30 | |
-What? Pig in a poke. -"Can I say that?" | 0:08:30 | 0:08:33 | |
-Go on, say, pig in a poke. -"That's a challenge to a ventriloquist." | 0:08:33 | 0:08:38 | |
-If I say, pig and a poke, it's fine. -You say it, Gran. | 0:08:38 | 0:08:41 | |
-"No." -AUDIENCE: Oooh! | 0:08:41 | 0:08:44 | |
-Go on, Gran. -"Pig in a poke." -APPLAUSE | 0:08:44 | 0:08:47 | |
That was impressive! | 0:08:47 | 0:08:49 | |
-How do they do that? -I didn't know it meant that. | 0:08:50 | 0:08:54 | |
A pig in a poke? What's a poke, then? | 0:08:54 | 0:08:56 | |
A poke is a sack. A pocket is a small poke. | 0:08:56 | 0:08:58 | |
-So you haven't seen the pig? -Exactly. -It could be a dog. | 0:08:58 | 0:09:03 | |
The point is all those inventions tragically killed their inventors. | 0:09:04 | 0:09:08 | |
Which well-known invention is the wickedness which lurks in the belly | 0:09:08 | 0:09:12 | |
and deserves to dwell in the cesspool? | 0:09:12 | 0:09:16 | |
The wickedness which lurks in the belly. | 0:09:16 | 0:09:20 | |
-Er... -Do you know... -Sunny Delight. | 0:09:20 | 0:09:25 | |
-"I know!" -Gran? -We know because this... Yes... | 0:09:27 | 0:09:30 | |
Um...I am a belly speaker. | 0:09:30 | 0:09:32 | |
You are a belly speaker. Ventriloquism. | 0:09:32 | 0:09:35 | |
That's it. You're a tummy speaker. | 0:09:35 | 0:09:37 | |
It was considered to be a possession by demons | 0:09:37 | 0:09:40 | |
if someone could have this voice come from their tummy. | 0:09:40 | 0:09:43 | |
It didn't seem to come out of their mouths... Or throw their voice. | 0:09:43 | 0:09:47 | |
And a Patriarch of Constantinople by the name of Photius, | 0:09:47 | 0:09:51 | |
who once excommunicated the Pope, and he was the one... | 0:09:51 | 0:09:55 | |
There you are! Have a go. Have a go. | 0:09:55 | 0:09:57 | |
Oh, have we all got these? | 0:09:57 | 0:09:58 | |
-MUMBLING: -Pig in a poke. | 0:09:58 | 0:10:01 | |
-APPLAUSE -I am very impressed. | 0:10:01 | 0:10:04 | |
-Here's one. -The weird thing is... -ELECTRIC CURRENT NOISE | 0:10:06 | 0:10:10 | |
That puppet is a ventriloquist | 0:10:10 | 0:10:12 | |
and its lips didn't move when you said that | 0:10:12 | 0:10:15 | |
so it's operating you which is fantastic. | 0:10:15 | 0:10:19 | |
It really is a lot... | 0:10:19 | 0:10:21 | |
-MUMBLING: -"It really is a lot harder than it looks." | 0:10:21 | 0:10:24 | |
-"You've had a stroke, dear." -LAUGHTER | 0:10:26 | 0:10:30 | |
APPLAUSE | 0:10:30 | 0:10:33 | |
"He looks like ET." | 0:10:34 | 0:10:36 | |
-No, don't, Gran. -"I am Bogdan. | 0:10:36 | 0:10:40 | |
"I like you very much." | 0:10:40 | 0:10:42 | |
"You are attractive lady." | 0:10:44 | 0:10:46 | |
"If I start on you, you'll never see the light of day again." | 0:10:46 | 0:10:51 | |
"Come with me. I have Oyster Card." | 0:10:51 | 0:10:53 | |
LAUGHTER | 0:10:53 | 0:10:55 | |
-MUMBLING: -"Are you moving your lips?" | 0:10:57 | 0:10:59 | |
MUMBLING | 0:11:01 | 0:11:03 | |
MUMBLING | 0:11:05 | 0:11:07 | |
Sean, let's see if you can do any better. | 0:11:09 | 0:11:12 | |
-Are you hoping... -I'm not moving my lips. | 0:11:15 | 0:11:18 | |
Oh, sorry, it's a left-handed puppet. Sorry! | 0:11:18 | 0:11:22 | |
GROANING | 0:11:25 | 0:11:27 | |
That's the only thing I tend to do is... GROANING | 0:11:28 | 0:11:31 | |
LAUGHTER | 0:11:32 | 0:11:34 | |
"Pieces of eight. Pieces of eight." | 0:11:35 | 0:11:39 | |
You don't actually have to stretch your mouth. | 0:11:39 | 0:11:42 | |
It's the only way I can do it. I can't do it any other way. | 0:11:42 | 0:11:46 | |
SCREAMING | 0:11:46 | 0:11:49 | |
-BELL -Hey! | 0:11:54 | 0:11:56 | |
"Oh, no." | 0:11:56 | 0:11:58 | |
-Oh, I've broken it. -You have! | 0:11:58 | 0:12:01 | |
Oh! | 0:12:02 | 0:12:04 | |
-BELL -Oh, Bill Bailey! | 0:12:06 | 0:12:09 | |
"What the hell's he doing?" | 0:12:09 | 0:12:10 | |
0h, dear, oh, dear, oh, dear. | 0:12:13 | 0:12:16 | |
What a wretched disappointment to us all you are. | 0:12:18 | 0:12:21 | |
SOBBING | 0:12:23 | 0:12:25 | |
I can't get the talking to... I can't get the talking to you. | 0:12:27 | 0:12:30 | |
-MUMBLING: -"You're an idiot." | 0:12:30 | 0:12:33 | |
-It's very difficult. -You have to look like you're listening when you're talking. | 0:12:34 | 0:12:39 | |
-You look at her? -Yes, you have to look like you're listening | 0:12:39 | 0:12:42 | |
when you are in fact talking. It's quite difficult. | 0:12:42 | 0:12:44 | |
-"The first rule of showbusiness, make everything look easy." -Sorry. | 0:12:44 | 0:12:48 | |
-That's true. -"Not like this half-wit over here, | 0:12:48 | 0:12:51 | |
-"milking it for all it's worth." -LAUGHTER | 0:12:51 | 0:12:54 | |
APPLAUSE | 0:12:54 | 0:12:56 | |
I think...it doesn't matter if your lips move because, surely, this gives the game away. | 0:12:59 | 0:13:05 | |
LAUGHTER | 0:13:05 | 0:13:07 | |
-In those circumstances, yes. -A stick here suggests it's not actually a real thing | 0:13:07 | 0:13:11 | |
so it doesn't really matter whether my lips move, does it? | 0:13:11 | 0:13:15 | |
"I thought this was a highbrow show." | 0:13:15 | 0:13:17 | |
In order to make it highbrow, I'm sure you can help us, Nina, on the history of ventriloquism. | 0:13:17 | 0:13:22 | |
I know that it has a very dark history | 0:13:22 | 0:13:25 | |
and that ventriloquists used to earn a living as if their words were Divine utterances. | 0:13:25 | 0:13:33 | |
-Yes, that's the point. -LAUGHTER | 0:13:33 | 0:13:36 | |
I'm so sorry. | 0:13:36 | 0:13:38 | |
I'm sorry. I was listening but my hand came out of the top. | 0:13:38 | 0:13:42 | |
I shocked myself(!) | 0:13:42 | 0:13:44 | |
-That's very disturbing. -It is quite disturbing. -Really disturbing. | 0:13:44 | 0:13:49 | |
That's horrible. It looks like Alien. | 0:13:49 | 0:13:52 | |
SCREAMING | 0:13:52 | 0:13:55 | |
It looks like Lady Gaga's sleeves. | 0:13:55 | 0:13:58 | |
Well, you're absolutely right, | 0:13:58 | 0:14:01 | |
it was regarded as Divine utterance or demonic possession, in fact. | 0:14:01 | 0:14:04 | |
-And I know one woman died from her ventriloquism. -Who was that? | 0:14:04 | 0:14:09 | |
Um...but I don't know her name. I bet you do. | 0:14:09 | 0:14:12 | |
-With her utterances, she was objecting to the marriage of Henry VIII... -To Anne Boleyn. | 0:14:12 | 0:14:18 | |
-To Anne Boleyn. -Her name was Elizabeth Barton | 0:14:18 | 0:14:21 | |
and she was known as the Holy Maid of Kent. | 0:14:21 | 0:14:23 | |
She was a very good ventriloquist | 0:14:23 | 0:14:25 | |
and these voices would come without her mouth moving as if from her stomach. | 0:14:25 | 0:14:29 | |
-"Nice tits too." -LAUGHTER | 0:14:29 | 0:14:31 | |
She became very popular until she started to say... | 0:14:31 | 0:14:35 | |
-Look at the bloke looking at her tits as well! -LAUGHTER | 0:14:35 | 0:14:39 | |
"You've got yours out as well tonight. | 0:14:44 | 0:14:47 | |
"Is that to distract from the lip movement?" | 0:14:47 | 0:14:51 | |
She was very popular until she said | 0:14:51 | 0:14:54 | |
that if Henry VIII married Anne Boleyn he would be deposed. | 0:14:54 | 0:14:56 | |
Henry VIII didn't like that so had her head chopped off. | 0:14:56 | 0:15:00 | |
-Ironically, her head was put on top of a pole... -And carried on talking(!) | 0:15:00 | 0:15:04 | |
It was quite a strange fate for a ventriloquist to have their head stuck on a pole. | 0:15:04 | 0:15:08 | |
But she was indeed, she suffered for her art. | 0:15:08 | 0:15:11 | |
But in the 19th Century it became known to be a piece of entertainment rather than demonic spirits. | 0:15:11 | 0:15:16 | |
-But the first ventriloquists on stage didn't have dummies. -What did they have? | 0:15:16 | 0:15:22 | |
They used to do things like voices inside suitcases. | 0:15:22 | 0:15:25 | |
There would be ones who did chimney sweeps, there'd be a chimney | 0:15:25 | 0:15:29 | |
and they'd do the sound of the boy going up and getting more and more | 0:15:29 | 0:15:32 | |
smothered and quieter and more distant as he went. | 0:15:32 | 0:15:34 | |
Huge rounds of applause but it was a man called Fred Russell | 0:15:34 | 0:15:39 | |
-who came up with his character Coster Joe was one of the first. -Was he blind? | 0:15:39 | 0:15:43 | |
He made that one afternoon. | 0:15:44 | 0:15:46 | |
It's not the most beautiful object you've ever seen, is it? | 0:15:46 | 0:15:49 | |
That's when dummies became popular. Speaking of which, | 0:15:49 | 0:15:52 | |
which of you here has ever had an imaginary friend? | 0:15:52 | 0:15:57 | |
Did you ever have an imaginary friend, Gran? | 0:15:57 | 0:16:00 | |
-"Bill..." -She can't say his name! | 0:16:00 | 0:16:02 | |
"I think Bill Bailey, that is a hard one, | 0:16:02 | 0:16:05 | |
-"I think you're my imaginary friend. And slightly out of focus." -Really? | 0:16:05 | 0:16:09 | |
-"Fuzzy kind of, and you, Sean..." -That is strange. | 0:16:09 | 0:16:14 | |
My reality is being called into question by... | 0:16:14 | 0:16:17 | |
LAUGHTER | 0:16:17 | 0:16:18 | |
It's one of the odder conversations I've had but... | 0:16:18 | 0:16:22 | |
"If your imaginary friend falls over in the forest and there's no-one to hear, does that...? I can't finish." | 0:16:22 | 0:16:28 | |
That's a good philosophical point. We're getting Bishop Barclay from Gran, I'm impressed! | 0:16:28 | 0:16:33 | |
Did you have one? A lot of children do. | 0:16:33 | 0:16:36 | |
-I'm not aware of it. -Your mother would have told you. | 0:16:36 | 0:16:39 | |
They didn't use to come round much. | 0:16:39 | 0:16:41 | |
-Quite! -An imaginary friend that doesn't play with you. -An imaginary friend who cuts you dead! | 0:16:45 | 0:16:50 | |
I wanted to be his friend but... | 0:16:50 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:55 | |
-Aw, that's so sad. -He just wasn't interested. | 0:16:55 | 0:16:58 | |
We're all familiar obviously with the concept of it | 0:16:58 | 0:17:00 | |
and the fact that lots of children do seem to have an imaginary friend which can worry their parents. | 0:17:00 | 0:17:05 | |
-Really peculiar. -It is peculiar. You have to lay places at table for them. | 0:17:05 | 0:17:09 | |
They have to be given seats on the sofa to watch TV and so on. They have tea parties for them. | 0:17:09 | 0:17:13 | |
But, according to psychiatrists, having an imaginary friend is a very good thing for a child | 0:17:13 | 0:17:18 | |
and that children have had them tend to have more social and verbal skills than those who don't. | 0:17:18 | 0:17:22 | |
Although, a certain proportion of them are malevolent. | 0:17:22 | 0:17:27 | |
Some people have imaginary friends who scare them, a worrying thought. A nasty imaginary friend. | 0:17:27 | 0:17:32 | |
-I hear voices. -Do you? | 0:17:32 | 0:17:34 | |
But I ignore them and I just carry on killing. | 0:17:34 | 0:17:37 | |
LAUGHTER AND APPLAUSE | 0:17:37 | 0:17:42 | |
-The voices say, "Stop killing people, Sean!" -Stop it! | 0:17:45 | 0:17:49 | |
You know this is wrong, Sean, they don't deserve it. | 0:17:49 | 0:17:53 | |
I ignore them. | 0:17:53 | 0:17:55 | |
It is quite a phenomenon. | 0:17:57 | 0:17:59 | |
It was actually Yasser Arafat who said the history of religious wars | 0:17:59 | 0:18:03 | |
is the history of people fighting over their imaginary friends. | 0:18:03 | 0:18:06 | |
It is weird that the leader of the PLO, | 0:18:06 | 0:18:08 | |
who founded the Palestinian movement which is now of course so bound up with | 0:18:08 | 0:18:11 | |
religious extremism, was himself rather sceptical about it all. | 0:18:11 | 0:18:15 | |
The world is hardly come on, has it? Let's be honest. | 0:18:15 | 0:18:18 | |
The interesting thing I knew about him, he married a Frenchwoman. | 0:18:18 | 0:18:21 | |
You wouldn't think that, would you? | 0:18:21 | 0:18:24 | |
It's not beyond the bounds of reason! | 0:18:24 | 0:18:27 | |
Well, you'd think he's very interested in helping his local area, | 0:18:27 | 0:18:31 | |
he'd choose one of his local women. | 0:18:31 | 0:18:33 | |
Yes, but the very nature of being a Palestinian meant | 0:18:33 | 0:18:36 | |
he had no homeland, so it is quite likely he'd choose someone from a land where he'd resided in exile. | 0:18:36 | 0:18:42 | |
And many did in France. | 0:18:42 | 0:18:44 | |
Or maybe she was just an imaginary wife. | 0:18:44 | 0:18:47 | |
Maybe she was. Or maybe she was just damn hot. | 0:18:47 | 0:18:50 | |
She was foxy. | 0:18:50 | 0:18:52 | |
Foxy, exactly. | 0:18:52 | 0:18:54 | |
-Was he...? -Was he a pussy hound? -I don't know. | 0:18:54 | 0:18:57 | |
I... Wow! LAUGHTER | 0:18:57 | 0:18:59 | |
Did I say that? | 0:18:59 | 0:19:02 | |
LAUGHTER | 0:19:02 | 0:19:03 | |
Something has gone wrong. | 0:19:03 | 0:19:07 | |
I'm intrigued to think that is what you thought I was about to say. | 0:19:07 | 0:19:12 | |
You looked into my eyes and thought, he's going to say "pussy hound". | 0:19:12 | 0:19:17 | |
I'll beat you to it! I'll beat you to the punch. | 0:19:17 | 0:19:20 | |
LAUGHTER | 0:19:20 | 0:19:22 | |
Now... | 0:19:22 | 0:19:23 | |
Is a pussy hound like a liger? | 0:19:23 | 0:19:26 | |
It's a kind of a cat and a dog together. | 0:19:27 | 0:19:30 | |
It's like a dog that gentlemen would send out to find ladies. | 0:19:31 | 0:19:35 | |
WHISTLES | 0:19:35 | 0:19:37 | |
So, it's kind of independent and yet loyal. | 0:19:39 | 0:19:44 | |
-Yes. -Yes, I like that. | 0:19:44 | 0:19:47 | |
-Very good. -"Disgusting." | 0:19:47 | 0:19:48 | |
Now, you all have an invention under your benches. And we'd like to know what they are. | 0:19:48 | 0:19:54 | |
-What are we looking it? -It's some kind of measuring device. | 0:19:54 | 0:19:57 | |
-We've given it you for a reason. -Oh! | 0:19:57 | 0:20:00 | |
-Really? -Yes, a particular quality you have. | 0:20:00 | 0:20:03 | |
-You might be more likely to guess it than others. -I see. | 0:20:03 | 0:20:07 | |
Is it a beard measuring device? | 0:20:07 | 0:20:08 | |
No, I would not call your beard a quality. It's a lovely beard but it's not a quality. | 0:20:08 | 0:20:14 | |
-Whoa, whoa! -It's a feature! -You've crossed the line, Fry. | 0:20:14 | 0:20:20 | |
-It is a lovely, charming facial feature. -Right. -It has a musical connection. | 0:20:20 | 0:20:24 | |
If you were certain kind of instrumentalist, | 0:20:24 | 0:20:26 | |
-you might be born, as it were, with limitations that annoy you. -Ah! Wait a minute. | 0:20:26 | 0:20:31 | |
-Is this something which stretches the reach of the pianist? -Yes. That is exactly what it is. | 0:20:31 | 0:20:35 | |
-Wow. -Well done. | 0:20:35 | 0:20:38 | |
That's right. Most people might be able to manage an octave C to C | 0:20:40 | 0:20:46 | |
and some as you know can do C to E. | 0:20:46 | 0:20:48 | |
-I can do C to E. -Can you? That's a wide reach. -It is a wide reach. | 0:20:48 | 0:20:52 | |
I see. So, a hand would go in there, | 0:20:52 | 0:20:54 | |
-and you'd undo this thing here. -That's right and stretch and stretch until... | 0:20:54 | 0:20:58 | |
-This would then stretch and stretch. -Yeah. | 0:20:58 | 0:21:00 | |
-Stretch and stretch like that. -Yeah. | 0:21:00 | 0:21:02 | |
Yeah, supposedly that would give you... | 0:21:02 | 0:21:04 | |
-Ow! -Exactly. | 0:21:04 | 0:21:06 | |
So, what have you got there, Sean? | 0:21:06 | 0:21:09 | |
-It's a bottle, Stephen. -And what do you think it's for? | 0:21:09 | 0:21:12 | |
For putting stuff in. | 0:21:12 | 0:21:14 | |
OK, so, next, moving onto you. | 0:21:14 | 0:21:17 | |
What have you got there? | 0:21:19 | 0:21:21 | |
"Is this one mine? It's a suppository." | 0:21:21 | 0:21:24 | |
Well, the bizarre thing is you're not far off. | 0:21:24 | 0:21:27 | |
-Really?! -"Oh, no." | 0:21:27 | 0:21:28 | |
If you unscrew the bottom. | 0:21:28 | 0:21:30 | |
-You have to help me, Gran. -"With my teeth!" | 0:21:30 | 0:21:34 | |
-Help me. -"I can't get a grip." | 0:21:34 | 0:21:37 | |
-Maybe Bill will help. -You get one of those with... | 0:21:37 | 0:21:39 | |
"I can't do it, dear!" | 0:21:39 | 0:21:41 | |
-Yes? -With Preparation H. | 0:21:41 | 0:21:43 | |
-Alan's on it. -Has this been up someone's arse? -Yes! | 0:21:43 | 0:21:47 | |
Alan has exactly got it. | 0:21:49 | 0:21:51 | |
When you get Preparation H, you screw a plastic one of those on the top. | 0:21:51 | 0:21:55 | |
-You insert it in your rectum. -Yeah. | 0:21:55 | 0:21:57 | |
And the dark oil comes out of the holes. | 0:21:57 | 0:22:00 | |
Comes the haemorrhoid treatment - exactly right. For the treatment of haemorrhoids. | 0:22:00 | 0:22:04 | |
-So what happens? This unscrews? -Yes, and you pop in the ointment. | 0:22:04 | 0:22:08 | |
-The ointment goes in there. -Then you screw it up. | 0:22:08 | 0:22:11 | |
Then you put the thing up your botty. Up the old... | 0:22:11 | 0:22:14 | |
You screw that and, the ointment squirts up, reaches all places it needs to reach. | 0:22:14 | 0:22:18 | |
-"It squirts up, happy days, dear." -That's quite clever. | 0:22:18 | 0:22:22 | |
Because half the people on the planet will be afflicted with haemorrhoids in their lives. | 0:22:22 | 0:22:27 | |
Ah... Wha...is this something you could self medicate or...? | 0:22:27 | 0:22:31 | |
Yes, you don't need to, ask a friend to do it if you want. | 0:22:31 | 0:22:35 | |
I imagine that would be best, to be perfectly honest. | 0:22:35 | 0:22:39 | |
What are yours, Alan? What have you got? | 0:22:39 | 0:22:41 | |
I have got a pair of glasses that enable me to see into my lap. | 0:22:41 | 0:22:44 | |
I wonder if they are... | 0:22:44 | 0:22:48 | |
-cos I can read this book. -Yeah. -But I am looking up at you whilst I'm looking down, I can read | 0:22:48 | 0:22:54 | |
and write but see straight ahead. | 0:22:54 | 0:22:58 | |
So are they for an artist or painter? | 0:22:58 | 0:23:00 | |
Actually, they're more lazy than that. | 0:23:00 | 0:23:02 | |
They're called lying down spectacles. | 0:23:02 | 0:23:04 | |
You can lie in bed with a book on your chest and you'd be able to read like that. | 0:23:04 | 0:23:08 | |
Lying down. It is rather elegant. | 0:23:08 | 0:23:10 | |
I see, that is exactly what you need when you're sunbathing | 0:23:10 | 0:23:13 | |
-when you have to hold the book like that. -Yes! | 0:23:13 | 0:23:16 | |
You can do it perfectly. | 0:23:16 | 0:23:18 | |
SEAN: Doesn't look weird at all, it looks great! | 0:23:18 | 0:23:20 | |
If you got the sun on the mirror, you'd be instantly blinded. | 0:23:23 | 0:23:26 | |
It's a surprisingly clear image, isn't it? | 0:23:26 | 0:23:29 | |
Here I have this little device with a cork on the end. | 0:23:29 | 0:23:34 | |
It's in the shape of a policeman's whistle. | 0:23:34 | 0:23:37 | |
That is a hint because policemen would carry these around with them. | 0:23:37 | 0:23:40 | |
That's for blowing bubbles. | 0:23:40 | 0:23:41 | |
It does look like it. There would be a liquid in there, you're absolutely right. | 0:23:41 | 0:23:45 | |
It could be a salts of ammonia, sal volatile. | 0:23:45 | 0:23:48 | |
Oh, smelling salts! | 0:23:48 | 0:23:50 | |
Smelling salts, exactly. This was called a policeman's Lady Reviver. | 0:23:50 | 0:23:54 | |
-So... -LAUGHTER | 0:23:54 | 0:23:56 | |
"Can I have a sniff?" | 0:23:56 | 0:23:59 | |
So when a lady fainted in the street, | 0:23:59 | 0:24:00 | |
the policeman would whip it out there and... | 0:24:00 | 0:24:03 | |
LAUGHTER | 0:24:03 | 0:24:05 | |
Please! | 0:24:05 | 0:24:06 | |
-APPLAUSE -Oh! | 0:24:06 | 0:24:09 | |
That was them! | 0:24:09 | 0:24:14 | |
He would whip it out and wave it under the lady's nose. | 0:24:14 | 0:24:16 | |
-That would wake her up. -Wave it under the whoo-hoo! | 0:24:16 | 0:24:20 | |
Yes. The sharp smell of ammonia, | 0:24:20 | 0:24:22 | |
which was what was in the smelling salts. | 0:24:22 | 0:24:24 | |
Have you come to a more sensible decision as to what your flask is for? | 0:24:24 | 0:24:28 | |
It has it written on it. If you took the trouble to bloody read it. | 0:24:28 | 0:24:31 | |
LAUGHTER | 0:24:31 | 0:24:33 | |
-"Harden Star Hand Grenade." -Yeah. | 0:24:33 | 0:24:36 | |
It's a hand grenade, Stephen. | 0:24:36 | 0:24:39 | |
-It's a kind of hand grenade. It's a fire extinguisher hand grenade. -It's a water grenade. | 0:24:39 | 0:24:43 | |
You'd fill it with aqueous solution | 0:24:43 | 0:24:45 | |
and you'd throw it at the fire. | 0:24:45 | 0:24:46 | |
That was the idea. You'd throw it. Those are our inventions, | 0:24:46 | 0:24:50 | |
lots of very imaginative ones and they were kindly lent to us by the Maurice Collins Collection. | 0:24:50 | 0:24:56 | |
All in beautiful condition. Thank for that and for not breaking them. | 0:24:56 | 0:24:59 | |
Right, that's enough inventions - let's turn our attentions to | 0:24:59 | 0:25:03 | |
the very real but entirely impractical business of general ignorance. | 0:25:03 | 0:25:07 | |
So fingers on the buzzers, those that are still working, how did dinosaurs have sex? | 0:25:07 | 0:25:11 | |
You're right! | 0:25:13 | 0:25:15 | |
You're right. We just don't know. | 0:25:15 | 0:25:17 | |
APPLAUSE | 0:25:17 | 0:25:20 | |
You're good at those. | 0:25:20 | 0:25:23 | |
No extant genitals. | 0:25:23 | 0:25:27 | |
No soft tissue, it wouldn't necessarily be soft, | 0:25:27 | 0:25:30 | |
but the soft tissues are the bits that don't survive in fossils of course. | 0:25:30 | 0:25:34 | |
It's only in the last 15 years they've been able to sex a dinosaur fossil, | 0:25:34 | 0:25:37 | |
the female dinosaurs have a special sort of cavity for making extra calcium for eggs. | 0:25:37 | 0:25:43 | |
That's how you can tell from a fossil whether it's female or male. | 0:25:43 | 0:25:46 | |
Obviously, that would be wrong because that would be inter-species dinosaur sex. | 0:25:46 | 0:25:51 | |
The weirdest kind and that would be wrong. | 0:25:51 | 0:25:54 | |
I think he's just looking for a cheap thrill. | 0:25:54 | 0:25:58 | |
That's not about procreation at all. | 0:25:58 | 0:26:01 | |
-No, it isn't. -That is a dinosaur S&M dungeon that. | 0:26:01 | 0:26:03 | |
And the best guess is that like most birds and reptiles, | 0:26:05 | 0:26:08 | |
dinosaurs had a cloacal sac. | 0:26:08 | 0:26:10 | |
Oh! | 0:26:10 | 0:26:12 | |
A single opening for both waste and reproduction. | 0:26:12 | 0:26:15 | |
-Like sharks. -Like sharks, exactly. | 0:26:15 | 0:26:17 | |
And they mated by cloacal kiss. | 0:26:17 | 0:26:20 | |
There we are. | 0:26:20 | 0:26:21 | |
Name a disease spread by feral pigeons. | 0:26:21 | 0:26:24 | |
Erm...bum hair. | 0:26:24 | 0:26:27 | |
-There aren't any. -Exactly. | 0:26:27 | 0:26:29 | |
There's nothing wrong with them. Again that's the answer, you're doing awfully well, Alan, | 0:26:29 | 0:26:34 | |
-you're on fire tonight! -I'm doing awfully well! | 0:26:34 | 0:26:36 | |
Basically, this idea that they are disease-infested | 0:26:36 | 0:26:41 | |
and disease-spreading vermin, | 0:26:41 | 0:26:43 | |
is nonsense according to experts on pigeons. | 0:26:43 | 0:26:46 | |
This thing of them being rats with wings is considered very unfair by those in the know, | 0:26:46 | 0:26:50 | |
they don't spread that much disease. | 0:26:50 | 0:26:52 | |
They do leave a fair amount of poo but then so do humans, don't we? | 0:26:52 | 0:26:56 | |
We've just got a better way of dealing with it perhaps. | 0:26:56 | 0:26:59 | |
I tend not to leave it on people's shoulders. | 0:26:59 | 0:27:02 | |
Well, that's the difference! | 0:27:02 | 0:27:05 | |
I mean, I wouldn't say I was well brought up but, | 0:27:05 | 0:27:08 | |
there's a few benchmarks we tried to set early on... | 0:27:08 | 0:27:13 | |
in my toilet training. | 0:27:13 | 0:27:15 | |
That was one - never on the shoulder. | 0:27:15 | 0:27:17 | |
It had a big red NO through it. It was in my bedroom on the door. | 0:27:17 | 0:27:20 | |
There's a picture of a man with a turd over his shoulder, and it says, "No, Sean!" | 0:27:20 | 0:27:27 | |
You learnt your lesson and we're all very tidy pooers I'm sure here in this room, including Granny. | 0:27:27 | 0:27:34 | |
-"Not at all. Don't even do them, dear. Don't eat, don't excrete." -Oh! | 0:27:34 | 0:27:39 | |
That's the secret of a long and happy life. | 0:27:39 | 0:27:42 | |
And that is your lot. Time to invent the scores. | 0:27:42 | 0:27:45 | |
Oh, my goodness me! Very exciting. Very exciting indeed. | 0:27:45 | 0:27:50 | |
I'm afraid, despite some remarkable performances, in last place | 0:27:50 | 0:27:54 | |
with -3, it's Bill Bailey. | 0:27:54 | 0:27:57 | |
APPLAUSE | 0:27:57 | 0:28:01 | |
And erm, in a very creditable fourth place with one point - Alan Davies. | 0:28:02 | 0:28:06 | |
APPLAUSE | 0:28:06 | 0:28:10 | |
Third place with three, Sean Lock. | 0:28:13 | 0:28:15 | |
APPLAUSE | 0:28:15 | 0:28:19 | |
In second place with four is Gran! | 0:28:19 | 0:28:22 | |
"Oh! Very nice." | 0:28:22 | 0:28:24 | |
APPLAUSE | 0:28:24 | 0:28:28 | |
Which means that our winner with plus five is Nina Conti! | 0:28:28 | 0:28:31 | |
APPLAUSE | 0:28:31 | 0:28:33 | |
My thanks to Bill, Nina, Gran, Sean and Alan and I leave you with this from Sid Caesar, | 0:28:37 | 0:28:42 | |
the guy who invented the first wheel was an idiot. | 0:28:42 | 0:28:46 | |
The guy who invented the other three, he was a genius. Good night. | 0:28:46 | 0:28:50 | |
APPLAUSE AND CHEERING | 0:28:50 | 0:28:52 | |
Subtitles by Red Bee Media Ltd | 0:29:06 | 0:29:09 | |
E-mail [email protected] | 0:29:09 | 0:29:12 |