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APPLAUSE | 0:00:28 | 0:00:32 | |
Goooooooood evening, good evening, good evening, good evening, | 0:00:33 | 0:00:38 | |
and to a greater or lesser extent, good evening and welcome to QI, | 0:00:38 | 0:00:42 | |
where tonight, my companions and I are plunging into the jungle. | 0:00:42 | 0:00:46 | |
And helping me swing my machete are, the King of the Jungle, Greg Proops. | 0:00:46 | 0:00:51 | |
APPLAUSE | 0:00:51 | 0:00:54 | |
The King of the Swingers, Reginald D Hunter. | 0:00:55 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
A jungle VIP, David O'Doherty. | 0:01:02 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
And a bit of an animal, Alan Davies. | 0:01:09 | 0:01:12 | |
APPLAUSE | 0:01:12 | 0:01:16 | |
Well, before we begin, we ought to hear your beastly buzzers. Reginald goes... | 0:01:19 | 0:01:23 | |
LION ROARS | 0:01:23 | 0:01:26 | |
David goes... | 0:01:26 | 0:01:27 | |
BIRD SCREECHES | 0:01:27 | 0:01:29 | |
Greg goes... | 0:01:30 | 0:01:32 | |
ELEPHANT TRUMPETS | 0:01:32 | 0:01:34 | |
And Alan goes... | 0:01:34 | 0:01:35 | |
CRICKET CHIRPS | 0:01:35 | 0:01:38 | |
All creatures in the jungle are of equal value. | 0:01:38 | 0:01:41 | |
So, first question. Where will the lion sleep tonight? | 0:01:41 | 0:01:45 | |
Ah, no. Is this going to be a trick where they don't sleep in the night? | 0:01:48 | 0:01:52 | |
Where they don't sleep in the jungle? | 0:01:52 | 0:01:55 | |
You're right. | 0:01:55 | 0:01:56 | |
Man, I am nailing this game! | 0:01:56 | 0:01:57 | |
Because of course there is a famous song. | 0:01:59 | 0:02:01 | |
In the jungle the lion sleeps tonight. | 0:02:01 | 0:02:03 | |
Wimoweh, wimoweh. | 0:02:03 | 0:02:04 | |
By Tight Fit. | 0:02:04 | 0:02:05 | |
-Well, by all kinds of people, actually. -But mainly Tight Fit. | 0:02:05 | 0:02:08 | |
But what you managed to avoid was falling into the trap | 0:02:10 | 0:02:13 | |
that lions sleep in the jungle, because where do lions live? | 0:02:13 | 0:02:16 | |
Office buildings. | 0:02:18 | 0:02:19 | |
I was going to say Luton. I don't know why. | 0:02:19 | 0:02:22 | |
Don't they live in like the veldt or something like that? | 0:02:24 | 0:02:28 | |
The savannah. It's dry, it's certainly not jungle. | 0:02:28 | 0:02:30 | |
You wouldn't get a lion there. | 0:02:30 | 0:02:31 | |
And also, quite rightly, one of you said, they don't sleep at night. | 0:02:31 | 0:02:35 | |
Actually they do sleep a bit at night, | 0:02:35 | 0:02:37 | |
but most of their waking hours are at night. | 0:02:37 | 0:02:39 | |
They sleep a hell of a lot, because they're cats. | 0:02:39 | 0:02:42 | |
And what do cats do? | 0:02:42 | 0:02:44 | |
Sleep in the jungle, er, forest? | 0:02:44 | 0:02:47 | |
They do a lot of sleeping. | 0:02:48 | 0:02:50 | |
That's what I was going to say. | 0:02:50 | 0:02:51 | |
Yeah. They basically let big animals spend 23 hours a day | 0:02:51 | 0:02:55 | |
eating grass and then they kill them and eat them all | 0:02:55 | 0:02:59 | |
and get all that nutrient that lasts them for a week. | 0:02:59 | 0:03:01 | |
So instead of eating vegetables, | 0:03:01 | 0:03:03 | |
you eat something that does eat vegetables. | 0:03:03 | 0:03:05 | |
Exactly right. That's true. | 0:03:05 | 0:03:07 | |
I feel better about my diet now. | 0:03:07 | 0:03:10 | |
Yeah, I'm glad about that. | 0:03:10 | 0:03:12 | |
But the song The Lion Sleeps Tonight was the most popular song | 0:03:12 | 0:03:16 | |
ever to come out of Africa. | 0:03:16 | 0:03:19 | |
It was written by a man called Solomon Linda. | 0:03:19 | 0:03:22 | |
He and the Evening Birds, as the band were called, | 0:03:22 | 0:03:25 | |
recorded a song called Mbube, which is the Zulu word for lion. | 0:03:25 | 0:03:28 | |
And they chanted, "Mbube, uyi Mbube" - lion, you're a lion. | 0:03:28 | 0:03:34 | |
And he was paid the princely sum of £1. | 0:03:34 | 0:03:38 | |
No more than that. In 1949, Pete Seeger gave it to the Weavers. | 0:03:38 | 0:03:44 | |
They made a huge hit out of it. | 0:03:44 | 0:03:46 | |
And then it just carried on being a hit, | 0:03:46 | 0:03:48 | |
and all kinds of people, like Tight Fit. | 0:03:48 | 0:03:49 | |
Tight Fit! | 0:03:49 | 0:03:51 | |
But, more importantly, perhaps... | 0:03:51 | 0:03:53 | |
It's better than Loose Fit for a band, I suppose. | 0:03:53 | 0:03:57 | |
Disney, in 1994, incorporated it into...? | 0:03:57 | 0:04:01 | |
The Lion King. | 0:04:01 | 0:04:02 | |
Into The Lion King. Now, it's estimated that if Solomon Linda... | 0:04:02 | 0:04:05 | |
-I'll get points for that. -Will you? | 0:04:05 | 0:04:07 | |
-Yeah, yeah, yeah. -For knowing Lion King? | 0:04:07 | 0:04:09 | |
If Solomon Linda had been paid standard composer royalties, | 0:04:09 | 0:04:12 | |
he would have earned, just from the Broadway version... | 0:04:12 | 0:04:15 | |
£2. | 0:04:15 | 0:04:17 | |
-Just from the Broadway version alone... -£3. | 0:04:17 | 0:04:21 | |
5 million. | 0:04:21 | 0:04:23 | |
-Oh! -Just in five years. That's just five years of it. | 0:04:23 | 0:04:26 | |
I've got a question now. The pound that he earned, who paid him that? | 0:04:26 | 0:04:30 | |
Was it somebody British? | 0:04:30 | 0:04:32 | |
No, someone South African, I fear. | 0:04:32 | 0:04:34 | |
So what were them people doing with y'all money? | 0:04:34 | 0:04:38 | |
It's a good and fair question. | 0:04:40 | 0:04:42 | |
It's not the first time that musicians, artists, composers | 0:04:42 | 0:04:44 | |
have been exploited, but it is a pretty extreme example of it. | 0:04:44 | 0:04:48 | |
So just from the song being used in the Lion King, the musical | 0:04:48 | 0:04:51 | |
on Broadway, he'd have made 5 million? | 0:04:51 | 0:04:53 | |
Yes. That shows you how much Elton John makes. | 0:04:53 | 0:04:56 | |
That's what I was going to say. | 0:04:56 | 0:04:58 | |
No wonder Tim Rice is always grinning! | 0:04:58 | 0:05:00 | |
Yeah, exactly. There's a lot of money in musicals. | 0:05:00 | 0:05:03 | |
It is staggering, isn't it? | 0:05:03 | 0:05:05 | |
But, fortunately, there was some good that came out it, | 0:05:05 | 0:05:08 | |
because a South African journalist called Rian Malan | 0:05:08 | 0:05:11 | |
brought the case to international notice | 0:05:11 | 0:05:14 | |
and Solomon Linda's family sued and came to a settlement. | 0:05:14 | 0:05:18 | |
So the heirs of Solomon Linda have at least benefitted from it. | 0:05:18 | 0:05:21 | |
Which is a good story. | 0:05:21 | 0:05:23 | |
That's good, that's good. | 0:05:23 | 0:05:24 | |
Isn't it. | 0:05:24 | 0:05:26 | |
Nice to see that, you know, natives weren't exploited again, you know. | 0:05:26 | 0:05:29 | |
That's a good story there, if I was, yeah, I would tell that story to... | 0:05:29 | 0:05:34 | |
And yet we opened by saying | 0:05:34 | 0:05:35 | |
that the whole thing was predicated on a black lie. | 0:05:35 | 0:05:38 | |
-In the jungle, the mighty jungle. -Lions do not sleep in the jungle. | 0:05:38 | 0:05:40 | |
The Lion Sleeps Tonight. | 0:05:40 | 0:05:42 | |
It doesn't sleep at night, doesn't sleep in the jungle. | 0:05:42 | 0:05:44 | |
He's lucky to get a £1 for it, if you ask me. | 0:05:44 | 0:05:47 | |
Anyway, so that's it. | 0:05:47 | 0:05:49 | |
Now, what would be the best way for Tarzan to get around the jungle? | 0:05:49 | 0:05:53 | |
Well... | 0:05:53 | 0:05:54 | |
Without a family, I would guess. | 0:05:54 | 0:05:56 | |
Without being tied down. | 0:05:59 | 0:06:01 | |
Is that Johnny Weissmuller? | 0:06:01 | 0:06:03 | |
That's Johnny Weissmuller, who made his name as a... | 0:06:03 | 0:06:05 | |
-German Olympic swimmer. -Olympic swimmer, that's right. | 0:06:05 | 0:06:08 | |
-Is that Maureen O'Sullivan? -That's Maureen O'Sullivan. | 0:06:08 | 0:06:10 | |
Was the boy just called Boy? | 0:06:10 | 0:06:12 | |
Boy, yes. | 0:06:12 | 0:06:13 | |
Yes, he was, the boy was called Boy and the chimpanzee was called? | 0:06:13 | 0:06:17 | |
Cheetah. | 0:06:17 | 0:06:19 | |
Cheetah, yes. | 0:06:19 | 0:06:20 | |
-He gets around by swimming and swinging on... What does he swing on, Greg? -Vines. | 0:06:20 | 0:06:25 | |
SIREN BLARES | 0:06:25 | 0:06:26 | |
You trapped him! | 0:06:26 | 0:06:28 | |
Oh, Alan! You wicked, wicked, that was diabolical! | 0:06:36 | 0:06:40 | |
I feel really good tonight, | 0:06:40 | 0:06:41 | |
I feel like I've finally nailed this game. | 0:06:41 | 0:06:44 | |
I didn't know you were going to use your Jedi powers on me, Davies. | 0:06:44 | 0:06:48 | |
I came in here with every good intention | 0:06:48 | 0:06:50 | |
and the next thing I know, I'm providing answers to you. | 0:06:50 | 0:06:53 | |
Tarzan, in the movies, does appear to swing on vines, | 0:06:53 | 0:06:58 | |
or lianas, as they're called. | 0:06:58 | 0:06:59 | |
But it's impossible to do so, | 0:06:59 | 0:07:00 | |
because they grow from roots in the ground. | 0:07:00 | 0:07:03 | |
So, if you tried to swing, you'd just fall straight down. | 0:07:03 | 0:07:06 | |
You might get some that are twisted into the branches, | 0:07:07 | 0:07:10 | |
but no animal or ape conveys themselves by swinging on woods. | 0:07:10 | 0:07:13 | |
But what about when you see, | 0:07:13 | 0:07:14 | |
you know, gibbons and whatnot, flinging through the jungle? | 0:07:14 | 0:07:17 | |
Ah, now that's a very different kind of action, which is brachiation. | 0:07:17 | 0:07:20 | |
Using their arms to move along. | 0:07:20 | 0:07:23 | |
And gibbons do that and are excellent at it, | 0:07:23 | 0:07:25 | |
and as you can see, There you are, yeah. That... | 0:07:25 | 0:07:29 | |
CRICKETS CHIRP | 0:07:29 | 0:07:30 | |
Orang-utan. | 0:07:30 | 0:07:32 | |
Four. | 0:07:32 | 0:07:35 | |
You're in a competitive mood tonight. | 0:07:36 | 0:07:38 | |
ELEPHANT TRUMPETS | 0:07:38 | 0:07:40 | |
I'd like to say that Alan is Tarzan's chimp, | 0:07:40 | 0:07:43 | |
because cheaters never prosper. | 0:07:43 | 0:07:45 | |
Hey, very good! | 0:07:45 | 0:07:46 | |
But Edgar Rice Burroughs, who created Tarzan, of course, he said, | 0:07:49 | 0:07:53 | |
"He leaps through the trees unaided." | 0:07:53 | 0:07:55 | |
"He could drop 20 feet at a stretch from limb to limb | 0:07:55 | 0:07:57 | |
"in rapid descent to the ground, | 0:07:57 | 0:07:59 | |
"or he could gain the utmost pinnacle | 0:07:59 | 0:08:02 | |
"of the loftiest tropical giant with ease and the swiftness of a squirrel." | 0:08:02 | 0:08:05 | |
And also, why would it be a vine in the middle of the jungle? | 0:08:05 | 0:08:10 | |
Because a vine is? | 0:08:10 | 0:08:12 | |
Grapes grow on vines. | 0:08:12 | 0:08:13 | |
Exactly. | 0:08:13 | 0:08:14 | |
But, you know, as in the manner of grapevines, | 0:08:14 | 0:08:17 | |
now, as legend has it, Tarzan, the reason he used a vine | 0:08:17 | 0:08:20 | |
was not because of its strength | 0:08:20 | 0:08:22 | |
or, you know, the fact that it came up out of the ground, | 0:08:22 | 0:08:25 | |
it was more so because early on, | 0:08:25 | 0:08:27 | |
when he heard about his girlfriend cheating on him, | 0:08:27 | 0:08:30 | |
it came, he heard it via one of those vines. | 0:08:30 | 0:08:34 | |
A lot of people don't know that. | 0:08:34 | 0:08:37 | |
I would say fewer than a handful really. | 0:08:37 | 0:08:39 | |
Was it his friend Marvin who told him that, by any chance? | 0:08:41 | 0:08:44 | |
You know the story too! | 0:08:44 | 0:08:46 | |
I know the story as well, there you go. | 0:08:46 | 0:08:49 | |
That's why they let you host the show, you smart! | 0:08:49 | 0:08:52 | |
And why is, if you've got a vine, | 0:08:52 | 0:08:55 | |
why is wine based on the Latin for vine, when we have a vine, | 0:08:55 | 0:08:59 | |
wine and vine, shouldn't they be, why isn't wine called vine? | 0:08:59 | 0:09:02 | |
When I was taught Latin, we were taught to pronounce the V as a W. | 0:09:02 | 0:09:06 | |
So it would be "weni, widi, wici," | 0:09:06 | 0:09:08 | |
I came, I saw, I conquered, is what Caesar said, or "Caesar" said, yeah. | 0:09:08 | 0:09:13 | |
Is Kaiser in German from Caesar, then? | 0:09:13 | 0:09:16 | |
Caesar, yes it is. As is Tsar. | 0:09:16 | 0:09:17 | |
See, you learn something every day. | 0:09:17 | 0:09:19 | |
I'm not talking to you any more. | 0:09:19 | 0:09:21 | |
The more you say vine, the less I'm going to say vine. | 0:09:21 | 0:09:24 | |
But the Germans say Wein and spell it with a W. | 0:09:24 | 0:09:27 | |
-Ah. -So why is it called a Caesar salad, then? | 0:09:27 | 0:09:29 | |
It was invented by someone called Caesar. | 0:09:32 | 0:09:34 | |
I've had a bottle of Caesar salad where it's on the label | 0:09:34 | 0:09:36 | |
and the man who invented it is on the label. | 0:09:36 | 0:09:38 | |
-Points to Alan Davies. -Yes. | 0:09:38 | 0:09:40 | |
-It was, in fact, a cook called Caesar Cardini. -Yeah. | 0:09:40 | 0:09:43 | |
Well done, Alan. | 0:09:43 | 0:09:44 | |
-Well. -Damn, you're doing well. Yeah. | 0:09:44 | 0:09:46 | |
APPLAUSE | 0:09:46 | 0:09:50 | |
Wow, it's interesting that the two people who be on this show | 0:09:50 | 0:09:53 | |
every week are doing the best. All right, there. | 0:09:53 | 0:09:55 | |
Yeah, you've got time to catch up, Reginald, don't you worry. | 0:09:57 | 0:09:59 | |
I just hope for a chance, I want a chance. | 0:09:59 | 0:10:01 | |
There are questions coming your way that will thrill you. | 0:10:01 | 0:10:04 | |
-All right, then. -OK, so, why don't ginger ants use soap? | 0:10:04 | 0:10:07 | |
Cos they like to feel it when they get together. | 0:10:08 | 0:10:12 | |
Well, getting together is what it's all about. | 0:10:12 | 0:10:15 | |
Ginger ants, also known as fire ants, live in the jungle. | 0:10:15 | 0:10:19 | |
And in jungles you can get huge downpours that will suddenly cause | 0:10:19 | 0:10:22 | |
gigantic rivers to appear where none were before. | 0:10:22 | 0:10:24 | |
And what's to stop the ants drowning? | 0:10:24 | 0:10:27 | |
What's their strategy to keep themselves afloat? | 0:10:27 | 0:10:31 | |
Find a bar of soap? | 0:10:31 | 0:10:33 | |
No, the soap is the bad thing. | 0:10:33 | 0:10:36 | |
That, they don't want that? | 0:10:36 | 0:10:37 | |
They don't want the soap. Let's say no to soap. | 0:10:37 | 0:10:40 | |
No soap. All right, then. | 0:10:40 | 0:10:42 | |
I assume they'd climb a tree. | 0:10:42 | 0:10:43 | |
If they could, they would, and we're going to see them climb a tree, | 0:10:43 | 0:10:46 | |
but first they have to cross the water, if they're suddenly deluged. | 0:10:46 | 0:10:49 | |
Do they sail on little rafts? | 0:10:49 | 0:10:51 | |
They make a raft of themselves. | 0:10:51 | 0:10:53 | |
No! | 0:10:53 | 0:10:54 | |
They cling together all their little bits, like this, | 0:10:54 | 0:10:57 | |
and they make a raft like that, even carrying their eggs | 0:10:57 | 0:11:00 | |
and their precious cargo. | 0:11:00 | 0:11:01 | |
That's the fish underneath having a nibble at them, | 0:11:01 | 0:11:03 | |
but they are, and there | 0:11:03 | 0:11:04 | |
they're getting towards a tree. | 0:11:04 | 0:11:06 | |
They try and climb that tree, | 0:11:06 | 0:11:07 | |
because then they'll be safe. | 0:11:07 | 0:11:09 | |
But it's a really smart strategy. | 0:11:09 | 0:11:10 | |
There they go, he's got, the first one's up | 0:11:13 | 0:11:16 | |
and then all the other ones are following. | 0:11:16 | 0:11:18 | |
Isn't that amazing? | 0:11:18 | 0:11:20 | |
-It is amazing. -And they all survive. | 0:11:20 | 0:11:22 | |
Even the ones on the bottom? | 0:11:22 | 0:11:23 | |
Yeah. What happens is that none of the ants become submerged | 0:11:23 | 0:11:27 | |
because of the plastron layer of air between their bodies and the water, | 0:11:27 | 0:11:32 | |
and that's from piastroni, Italian for breastplate, | 0:11:32 | 0:11:34 | |
which is rather pleasing. | 0:11:34 | 0:11:36 | |
A turtle's underbelly is also called the plastron | 0:11:36 | 0:11:39 | |
and so is a man's stiff, formal shirt-front. | 0:11:39 | 0:11:43 | |
So you can actually have... | 0:11:43 | 0:11:45 | |
LAUGHTER | 0:11:45 | 0:11:48 | |
Yeah, that was a relief, wasn't it? | 0:11:48 | 0:11:50 | |
You can actually have half a million fire ants connecting together | 0:11:50 | 0:11:53 | |
in this way and they can assemble themselves in less than 100 seconds. | 0:11:53 | 0:11:58 | |
And they can float for days, even weeks, | 0:11:58 | 0:12:00 | |
and migrate immense distances. | 0:12:00 | 0:12:03 | |
Isn't that interesting? | 0:12:03 | 0:12:04 | |
That's how I came over from Dublin this morning. | 0:12:04 | 0:12:07 | |
But if you put a tiny drop of soap anywhere near it, | 0:12:09 | 0:12:11 | |
the detergent would break the surface tension | 0:12:11 | 0:12:13 | |
and they would drown. | 0:12:13 | 0:12:15 | |
But I've got an interesting experiment, | 0:12:15 | 0:12:17 | |
and I do love, as you know, to do an interesting experiment. | 0:12:17 | 0:12:19 | |
He does love an experiment. | 0:12:19 | 0:12:21 | |
Now, these will represent red ants. | 0:12:21 | 0:12:24 | |
And this is just, I just find this magical. | 0:12:24 | 0:12:26 | |
And it's something you can do at home, ladies and gentlemen, | 0:12:26 | 0:12:29 | |
this is what's fun about it. And... | 0:12:29 | 0:12:31 | |
Will we form an island | 0:12:31 | 0:12:32 | |
and swim across the jar of water? | 0:12:32 | 0:12:35 | |
No. This is red coloured sand | 0:12:35 | 0:12:36 | |
and this is floating on top. | 0:12:36 | 0:12:37 | |
You'll notice wherever I drop it, it tends to start clinging together. | 0:12:37 | 0:12:41 | |
So you've got, here's your little raft of red ants, | 0:12:41 | 0:12:44 | |
there they are, in the water. | 0:12:44 | 0:12:46 | |
And I can put my finger in it, like that, | 0:12:46 | 0:12:49 | |
and my finger will come out completely dry. | 0:12:49 | 0:12:52 | |
Absolutely dry. | 0:12:52 | 0:12:53 | |
-That's bizarre. -Holy cow! | 0:12:53 | 0:12:55 | |
Yeah, there you are, there you are. | 0:12:55 | 0:12:57 | |
And I've got no sand on my finger at all. And it just, but... | 0:12:57 | 0:12:59 | |
Are you a devil? | 0:12:59 | 0:13:01 | |
Watch this. This will excite you. | 0:13:02 | 0:13:03 | |
I'm going to pour all this in here. | 0:13:03 | 0:13:05 | |
-Blue ants are attacking red ants! -Goodness! | 0:13:05 | 0:13:07 | |
Yeah, all these blue ants here, it's just horrible. | 0:13:07 | 0:13:09 | |
And look at that, it's all clustered down below. | 0:13:09 | 0:13:12 | |
But this is the magic part. | 0:13:12 | 0:13:13 | |
I get my spoon and I get, all this sand that's underwater now, | 0:13:13 | 0:13:17 | |
and I just pick up a little bit of it, like so. | 0:13:17 | 0:13:20 | |
And it's completely dry. | 0:13:20 | 0:13:22 | |
-Hey! -It's utterly dry. | 0:13:22 | 0:13:23 | |
Witchcraft! | 0:13:23 | 0:13:24 | |
-Sorcery! -Burn him! | 0:13:24 | 0:13:26 | |
It's completely dry. It is, look. | 0:13:26 | 0:13:28 | |
Witch! | 0:13:28 | 0:13:29 | |
Sand, absolutely dry, | 0:13:29 | 0:13:31 | |
even though there are drops of water next to it. | 0:13:31 | 0:13:33 | |
-Isn't that magical? -That really is. -That's just sand and water? | 0:13:33 | 0:13:36 | |
Well, I can tell you. | 0:13:36 | 0:13:37 | |
It's the special nature of the sand. It's been, as it were, coated. | 0:13:37 | 0:13:41 | |
And, without wishing to give away the name of a brand of spray | 0:13:41 | 0:13:47 | |
that you are encouraged when you buy suede shoes to use | 0:13:47 | 0:13:52 | |
to protect your suede shoes, | 0:13:52 | 0:13:54 | |
that might be called something that rhymed with Gotch Scard. | 0:13:54 | 0:13:58 | |
If you wanted to try this experiment at home, | 0:13:59 | 0:14:04 | |
you would get a can of that Gotch Scard | 0:14:04 | 0:14:07 | |
and spray the sand with it and you will | 0:14:07 | 0:14:09 | |
be able to amaze your friends, if, but only if, you're as sad as I am. | 0:14:09 | 0:14:14 | |
But there you are. Hooray! | 0:14:15 | 0:14:17 | |
APPLAUSE | 0:14:17 | 0:14:19 | |
The fun you can have with things. | 0:14:24 | 0:14:26 | |
Yes. | 0:14:26 | 0:14:27 | |
It's nice, it's good. | 0:14:27 | 0:14:28 | |
It is. Very fun. | 0:14:28 | 0:14:29 | |
Exactly. | 0:14:29 | 0:14:31 | |
Well, anyway, what goes at 40 mph and smells of curry? | 0:14:31 | 0:14:35 | |
Ah, no. | 0:14:35 | 0:14:36 | |
-BIRD SCREECH -Yea? | 0:14:36 | 0:14:38 | |
Usain Balti. | 0:14:38 | 0:14:39 | |
APPLAUSE | 0:14:41 | 0:14:43 | |
That's very good! | 0:14:44 | 0:14:46 | |
I have to say that's impressive. | 0:14:52 | 0:14:55 | |
I have to give you points for that, it's just too good. | 0:14:55 | 0:14:59 | |
I will give you this clue. | 0:15:01 | 0:15:03 | |
An astonishing number of animals in the wild smell of other things. | 0:15:03 | 0:15:07 | |
And there is an animal that smells of curry. | 0:15:07 | 0:15:10 | |
And there's no reason for it to, because it doesn't live in India, it doesn't eat chillies. | 0:15:10 | 0:15:14 | |
But 40 mph is pretty quick. | 0:15:14 | 0:15:16 | |
That's the thing. It's the fastest of its species. | 0:15:16 | 0:15:19 | |
And it's a signature species for a whole nation, a whole continent. | 0:15:19 | 0:15:22 | |
The ostrich goes about 40 mph. | 0:15:22 | 0:15:24 | |
It does, but this is not a bird. | 0:15:24 | 0:15:25 | |
-Kangaroo. -Yes. | 0:15:25 | 0:15:27 | |
It's the western grey kangaroo. | 0:15:27 | 0:15:29 | |
The fastest of all the kangaroos, and amazingly... | 0:15:29 | 0:15:33 | |
It smells of curry? | 0:15:33 | 0:15:34 | |
"Ah, Jesus, smells of a curry. Smell that, mate." | 0:15:34 | 0:15:37 | |
That's just an Australian who's had a curry the night before, | 0:15:39 | 0:15:42 | |
done a particularly stinky fart, | 0:15:42 | 0:15:43 | |
and then tried to blame it on a passing kangaroo. | 0:15:43 | 0:15:47 | |
"Oh, did you see that kangaroo go by there? | 0:15:49 | 0:15:53 | |
"Jeez, what a stink! It's like a curry!" | 0:15:53 | 0:15:57 | |
Anyway. Now, describe the world's most hideous lunch. | 0:15:57 | 0:16:01 | |
There's a pretty rotten fruit you can get in Indonesia that stinks. | 0:16:01 | 0:16:04 | |
-Well, the durian fruit you're thinking of? -Yes. | 0:16:04 | 0:16:07 | |
-Yes. It's actually delicious, but.. -It smells like rotting flesh. | 0:16:07 | 0:16:10 | |
Yeah. This is actually an animal thing. | 0:16:10 | 0:16:13 | |
It's just one of those cruel tricks of nature, you know, | 0:16:13 | 0:16:16 | |
that certain species find ways of eating other species | 0:16:16 | 0:16:20 | |
that are cunning and cruel. | 0:16:20 | 0:16:22 | |
It's not going to be a burrowing parasite thing? | 0:16:22 | 0:16:24 | |
Well, it's sort of... | 0:16:24 | 0:16:26 | |
In your Jap's eye. | 0:16:26 | 0:16:27 | |
Oh! | 0:16:27 | 0:16:29 | |
Or in your eye, even. | 0:16:29 | 0:16:30 | |
Think of a little, innocent frog. | 0:16:30 | 0:16:33 | |
A frog sees a larva, a little bug of some kind, | 0:16:33 | 0:16:35 | |
it will dart its tongue out. | 0:16:35 | 0:16:38 | |
There you go, there's the big frog and there's the little larva, | 0:16:38 | 0:16:41 | |
and the frog's going to win. | 0:16:41 | 0:16:42 | |
The frog's going to poke its tongue out and it's going to eat. | 0:16:42 | 0:16:45 | |
-It's not that small a larva. -I agree. | 0:16:45 | 0:16:47 | |
I mean, I still think that's quite an ambitious meal | 0:16:47 | 0:16:49 | |
for that frog to take on. | 0:16:49 | 0:16:50 | |
I agree. One of two things happens. | 0:16:50 | 0:16:52 | |
One is the larva will simply attack the frog | 0:16:52 | 0:16:55 | |
and latch itself with its quite strong horns, | 0:16:55 | 0:16:57 | |
which you might just be able to discern in the picture... | 0:16:57 | 0:16:59 | |
What I would do. | 0:16:59 | 0:17:01 | |
-..onto the back. -I would do that. | 0:17:01 | 0:17:02 | |
And then just eat it from the inside out. | 0:17:02 | 0:17:04 | |
Yeah, that's exactly what I would do. | 0:17:04 | 0:17:06 | |
Until there's nothing left but a pile of bones. | 0:17:06 | 0:17:08 | |
It would simply eat the whole thing. | 0:17:08 | 0:17:10 | |
Really? One larva? | 0:17:10 | 0:17:12 | |
Yeah. But if it so happens the frog is really quick | 0:17:12 | 0:17:15 | |
and gets the larva into its stomach, it will then an hour later | 0:17:15 | 0:17:18 | |
regurgitate it, and the larvae will still be alive and will then eat. | 0:17:18 | 0:17:23 | |
Holy cow! | 0:17:23 | 0:17:24 | |
So it will be eaten and then eat the thing that ate it, | 0:17:24 | 0:17:27 | |
which is pretty unusual in the world of nature. | 0:17:27 | 0:17:30 | |
So you can have your frog and eat it? | 0:17:30 | 0:17:33 | |
You can, exactly. It's a pretty unpleasant process. | 0:17:33 | 0:17:37 | |
It makes you wonder about all things bright and beautiful. | 0:17:37 | 0:17:41 | |
But we have no footage. Do we have footage? | 0:17:41 | 0:17:43 | |
We have footage, I'm afraid. | 0:17:43 | 0:17:45 | |
Oh, no! Don't eat that larva! | 0:17:45 | 0:17:47 | |
Two hours later. | 0:17:49 | 0:17:50 | |
-Oh! -I don't feel so good! | 0:17:50 | 0:17:52 | |
Oh, having a vomit and out, it's pulling out of its own mouth | 0:17:52 | 0:17:56 | |
the thing that is then going to eat it. | 0:17:56 | 0:17:59 | |
It's just so, and there, oh, it's just being eaten, | 0:18:01 | 0:18:03 | |
it's eating its chin. | 0:18:03 | 0:18:05 | |
It's really not a nice relationship. | 0:18:05 | 0:18:07 | |
And there they are. Poor frog. | 0:18:07 | 0:18:09 | |
Wait a minute, I didn't see the end, who won? | 0:18:09 | 0:18:12 | |
It looked pretty intense, | 0:18:13 | 0:18:14 | |
but it looked like it could go either way, really, you know what I mean. | 0:18:14 | 0:18:17 | |
We were too tasteful to show you the outcome, it was horrible. | 0:18:17 | 0:18:20 | |
-Too tasteful? That's what's up. -They shake hands and then they say, | 0:18:20 | 0:18:23 | |
"We've both learned a valuable lesson here." | 0:18:23 | 0:18:25 | |
It's called the Epomis beetle larva. | 0:18:25 | 0:18:28 | |
But while on the subject of frogs, what's this little frog doing? | 0:18:28 | 0:18:31 | |
What's this chap up to? | 0:18:31 | 0:18:33 | |
Wow! It's practising first position? | 0:18:35 | 0:18:38 | |
No. What's going on in the background? | 0:18:38 | 0:18:41 | |
He's trying to build up his nerve into jumping in that gushing stream. | 0:18:41 | 0:18:44 | |
And he's going, argh, I can do this! | 0:18:44 | 0:18:46 | |
He's facing the other way. | 0:18:46 | 0:18:47 | |
Ah, I can do this. | 0:18:47 | 0:18:49 | |
Is he fishing? Is he catching things in his webbed...? | 0:18:49 | 0:18:52 | |
No. | 0:18:52 | 0:18:53 | |
I was thinking maybe there was a plane load of frogs trying to land. | 0:18:53 | 0:18:57 | |
APPLAUSE | 0:18:57 | 0:19:01 | |
But you know, air traffic controller frog. | 0:19:06 | 0:19:08 | |
What is it about the background? | 0:19:09 | 0:19:12 | |
Running water. Water stream, I mean... | 0:19:12 | 0:19:15 | |
Yeah, and what does that create? | 0:19:15 | 0:19:17 | |
If you've got a waterfall behind you, | 0:19:17 | 0:19:20 | |
how do you communicate with your neighbour? | 0:19:20 | 0:19:22 | |
How do you shout? | 0:19:22 | 0:19:23 | |
It's sign language? | 0:19:23 | 0:19:24 | |
-Yes. -No! -It's semaphore. | 0:19:24 | 0:19:26 | |
-Really? -Stop it! | 0:19:26 | 0:19:27 | |
It's the semaphore frog, because it lives by waterfalls and cataracts, | 0:19:27 | 0:19:31 | |
and so little... | 0:19:31 | 0:19:33 | |
(IMITATES FROG) | 0:19:33 | 0:19:34 | |
..won't get heard. | 0:19:34 | 0:19:35 | |
So that's how it communicates. | 0:19:35 | 0:19:37 | |
Basically, it's saying to other males, | 0:19:37 | 0:19:39 | |
"This is my territory, keep away." | 0:19:39 | 0:19:41 | |
Or it's saying to girls, "Here I am." | 0:19:41 | 0:19:43 | |
It is a wonderful sight. | 0:19:43 | 0:19:45 | |
It's solved the problem of the fact that it can't vocalise, | 0:19:45 | 0:19:48 | |
because it lives in a noisy environment. | 0:19:48 | 0:19:50 | |
There are other ways of attracting mates which are unusual. | 0:19:50 | 0:19:54 | |
CRICKETS CHIRP | 0:19:54 | 0:19:56 | |
Yes? | 0:19:56 | 0:19:57 | |
The internet. | 0:19:57 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:01 | |
If only you'd said what you often call the internet. | 0:20:01 | 0:20:04 | |
-What do you sometimes call the internet? -The interweb. | 0:20:04 | 0:20:07 | |
-Yes. -Web, spiders. | 0:20:07 | 0:20:08 | |
Spiders, yes. | 0:20:08 | 0:20:09 | |
Spiders make webs to catch prey so they can eat, survive and thrive. | 0:20:09 | 0:20:13 | |
Yes. But there's a particular breed of spider, they ejaculate into a pad | 0:20:13 | 0:20:18 | |
of webbing and transfer the sperm-laden pad to their "palps", | 0:20:18 | 0:20:21 | |
which are like their antennae, | 0:20:21 | 0:20:25 | |
and then they wave them around to attract the female. | 0:20:25 | 0:20:28 | |
"I've got some sperm here. I've got some sperm for you." | 0:20:28 | 0:20:31 | |
I used to do that, I used to do that to my ex-girlfriend, because... | 0:20:33 | 0:20:35 | |
I mean... | 0:20:38 | 0:20:41 | |
Why am I not surprised by the word "ex" in there? | 0:20:41 | 0:20:43 | |
Yeah, I mean she just wanted to have a baby so bad, | 0:20:43 | 0:20:45 | |
it was just really easy to get her excited like that. | 0:20:45 | 0:20:47 | |
"I've got some sperm." | 0:20:47 | 0:20:48 | |
And she'd come running and I'd be like, | 0:20:48 | 0:20:50 | |
"I'm kidding, I'm kidding." | 0:20:50 | 0:20:52 | |
You're probably each well out of it. | 0:20:52 | 0:20:55 | |
Yeah, she's the better for it. | 0:20:55 | 0:20:56 | |
I mean, in fact, I take pride in believing that I helped her | 0:20:56 | 0:20:58 | |
prepare for the next cat that she... | 0:20:58 | 0:21:00 | |
And think what you're saving on triple ply tissues. There you are. | 0:21:00 | 0:21:04 | |
Wow! | 0:21:04 | 0:21:06 | |
Sorry. | 0:21:06 | 0:21:07 | |
In some weird English way, I feel dealt with. | 0:21:07 | 0:21:10 | |
By the way, the credit for the video tape of that extraordinary frog | 0:21:14 | 0:21:19 | |
waving its hands belongs to the School of Environment | 0:21:19 | 0:21:21 | |
of Life Sciences at the University of Salford. | 0:21:21 | 0:21:23 | |
Thank you, University of Salford. | 0:21:23 | 0:21:25 | |
Anyway, Alan, what I'd like you to do is press your buzzer. | 0:21:25 | 0:21:28 | |
-It's not a trap. -It's going to be a trap. | 0:21:32 | 0:21:34 | |
Yeah, press your buzzer. | 0:21:34 | 0:21:36 | |
CRICKETS CHIRP | 0:21:36 | 0:21:37 | |
What are those and how do they make that noise? | 0:21:37 | 0:21:40 | |
Now, this could be one of two things. | 0:21:40 | 0:21:43 | |
Right. | 0:21:43 | 0:21:44 | |
There's the one that makes the noise by inflating its thorax, | 0:21:44 | 0:21:47 | |
and the one that makes a noise by rubbing its back legs together... | 0:21:47 | 0:21:51 | |
SIREN BLARES | 0:21:51 | 0:21:54 | |
So I think it was the first one. | 0:21:55 | 0:21:58 | |
There is actually no insect that makes a noise | 0:22:01 | 0:22:04 | |
by rubbing its back legs together. | 0:22:04 | 0:22:06 | |
Ah. | 0:22:06 | 0:22:07 | |
But do you know what the animal was in fact you were listening to? | 0:22:07 | 0:22:10 | |
-Cicada. -It's a cricket, in fact. | 0:22:10 | 0:22:12 | |
It's been known for thousands of years that crickets | 0:22:12 | 0:22:15 | |
don't chirp by rubbing their legs together. | 0:22:15 | 0:22:17 | |
So where did that come from then? | 0:22:17 | 0:22:18 | |
It's just one of those weird fallacies that people cling to, | 0:22:18 | 0:22:21 | |
and I've clung to fallacies, and it's, it's a... | 0:22:21 | 0:22:24 | |
LAUGHTER | 0:22:24 | 0:22:26 | |
He did say weird phallus, didn't he? | 0:22:26 | 0:22:29 | |
This, this is all, this is... | 0:22:29 | 0:22:31 | |
He said it's a weird phallus that people cling to. | 0:22:31 | 0:22:33 | |
He said that, didn't he? | 0:22:33 | 0:22:35 | |
-He said, he said fallacies. -Oh. | 0:22:35 | 0:22:37 | |
That means many phalluses. | 0:22:37 | 0:22:38 | |
Yeah, thank you. | 0:22:38 | 0:22:41 | |
Rubbing body... Oh, God, it's getting worse, sorry. | 0:22:41 | 0:22:44 | |
Rubbing body parts to make sound is called stridulation. | 0:22:44 | 0:22:48 | |
And crickets have a large vein along the bottom of each wing, | 0:22:48 | 0:22:51 | |
covered with comb-like teeth. | 0:22:51 | 0:22:54 | |
The chirp comes from the scraping on the top of one wing | 0:22:54 | 0:22:58 | |
over the bottom of the other. Nothing to do with legs at all. | 0:22:58 | 0:23:00 | |
-So it's the wings, not their legs. -It's the wings, not their legs. | 0:23:00 | 0:23:03 | |
And only male crickets chirp, the females don't. | 0:23:03 | 0:23:05 | |
Four songs, one to attract a female, two to court a nearby female, | 0:23:05 | 0:23:10 | |
three to warn off another male, | 0:23:10 | 0:23:12 | |
and four to celebrate a successful mating session. | 0:23:12 | 0:23:16 | |
Really? | 0:23:16 | 0:23:17 | |
Or, four to say to the female, why don't you say something?! | 0:23:19 | 0:23:22 | |
Yes, quite. | 0:23:22 | 0:23:23 | |
So, basically, it's like they're high-fiving themselves. | 0:23:23 | 0:23:26 | |
-Yes, they are. -After their, wooo! | 0:23:26 | 0:23:27 | |
Yes, success! | 0:23:27 | 0:23:29 | |
I would just order pizza. | 0:23:29 | 0:23:32 | |
That's what we tend to do, but they just high-five themselves, | 0:23:32 | 0:23:35 | |
as you say. But this, listen to this, | 0:23:35 | 0:23:37 | |
this is the most extraordinary cricket of all. | 0:23:37 | 0:23:40 | |
It's the snowy tree cricket. | 0:23:40 | 0:23:42 | |
And if you count the times, because they're very susceptible | 0:23:42 | 0:23:47 | |
to temperature, if you count the times they chirp in 14 seconds | 0:23:47 | 0:23:52 | |
and add 40, you will get the temperature in Fahrenheit. | 0:23:52 | 0:23:57 | |
No way, shut up! | 0:23:57 | 0:23:59 | |
Yes way, absolute way. | 0:23:59 | 0:24:01 | |
I know it sounds mad, it's from the 1897 masterpiece by Amos Dolbear, | 0:24:01 | 0:24:04 | |
"The Cricket as a Thermometer". | 0:24:04 | 0:24:07 | |
But it is extraordinary, isn't it? | 0:24:10 | 0:24:12 | |
I'd still prefer a thermometer up my bum if I was in hospital than a... | 0:24:12 | 0:24:16 | |
Amazing, isn't it? | 0:24:22 | 0:24:24 | |
Dolbear's Law. Now you know. | 0:24:24 | 0:24:25 | |
Anyway, what lives underwater | 0:24:25 | 0:24:28 | |
and is the loudest animal in the world for its size? | 0:24:28 | 0:24:32 | |
-ELEPHANT TRUMPETS -Greg Proops? | 0:24:32 | 0:24:33 | |
Oprah. | 0:24:33 | 0:24:35 | |
Good answer, but untrue. | 0:24:37 | 0:24:40 | |
-Is it going to be a blue whale? -SIRENS BLARE | 0:24:40 | 0:24:42 | |
Oh, Alan, you and your blue, you were doing so well. | 0:24:42 | 0:24:46 | |
No, it's the largest in relation to its size, | 0:24:46 | 0:24:48 | |
the noise it makes is quiet astounding. | 0:24:48 | 0:24:51 | |
When I tell you that its size is two millimetres, | 0:24:51 | 0:24:54 | |
and it creates a sound of over 99 decibels, | 0:24:54 | 0:24:58 | |
which is like a freight train passing by. | 0:24:58 | 0:25:02 | |
It's an incredibly loud noise, | 0:25:02 | 0:25:03 | |
and it's a little lake creature, actually. | 0:25:03 | 0:25:05 | |
Do you know those things that seem to walk on water, do you remember what they're called? | 0:25:05 | 0:25:09 | |
Our Lord? | 0:25:09 | 0:25:11 | |
APPLAUSE | 0:25:15 | 0:25:19 | |
You could call this the Jesus insect if you wanted. It's a water boatman. | 0:25:19 | 0:25:23 | |
The water boatman is a beautiful little creature | 0:25:23 | 0:25:25 | |
and it uses the surface tension of the water, there you see, | 0:25:25 | 0:25:28 | |
to walk along the water. | 0:25:28 | 0:25:30 | |
That's a pond skater, of course. | 0:25:30 | 0:25:32 | |
So, unlike a blue whale in almost every respect. | 0:25:32 | 0:25:36 | |
It really is. The noise it gives out is like a passing freight train. | 0:25:36 | 0:25:40 | |
We have a theory how they produce it, and we'd like you | 0:25:40 | 0:25:43 | |
to try out our theory. | 0:25:43 | 0:25:45 | |
They use their penises against their tummies. | 0:25:45 | 0:25:48 | |
Penii? | 0:25:48 | 0:25:50 | |
Penii, if you like. | 0:25:50 | 0:25:51 | |
Penises if you wanted to speak in English, but... | 0:25:51 | 0:25:53 | |
But by all means penii, if you like. | 0:25:55 | 0:25:57 | |
They rub their penises on their tummy | 0:25:57 | 0:26:00 | |
and somehow create a noise of 99.2 decibels. | 0:26:00 | 0:26:03 | |
-But that's just a theory though, right? -Yeah. | 0:26:03 | 0:26:06 | |
Because I put my penis against my belly, it don't make no noise. | 0:26:06 | 0:26:09 | |
If you really whack it though, if you... | 0:26:09 | 0:26:11 | |
(MIMES WHIP NOISE) | 0:26:11 | 0:26:14 | |
Steady, steady. | 0:26:14 | 0:26:15 | |
It depends on if I have to get up in a hurry. | 0:26:15 | 0:26:17 | |
Like, if I got an hour or so... | 0:26:17 | 0:26:20 | |
Imagine that it's a penis, all right. | 0:26:20 | 0:26:23 | |
If you'd pass that to Greg. | 0:26:23 | 0:26:26 | |
You know, imagining is not helping, but all right. | 0:26:26 | 0:26:30 | |
Obviously there's yours, Alan. | 0:26:30 | 0:26:32 | |
No. | 0:26:33 | 0:26:35 | |
APPLAUSE | 0:26:35 | 0:26:38 | |
You can have a normal one. | 0:26:38 | 0:26:39 | |
Now this is quite complicated, | 0:26:39 | 0:26:41 | |
but you should have a little bowl of rosin, | 0:26:41 | 0:26:44 | |
as in the kind of stuff that ballet dancers use | 0:26:44 | 0:26:47 | |
to keep their shoes from sliding on the stage | 0:26:47 | 0:26:50 | |
and string players use for their bows. Ordinary rosin. | 0:26:50 | 0:26:52 | |
Oh, very good. Listen to that noise. Keep doing that. | 0:26:52 | 0:26:56 | |
HIGH-PITCHED SQUEAK | 0:26:56 | 0:26:59 | |
You're rubbing, you're trying to, it gets surprisingly loud, | 0:27:00 | 0:27:04 | |
doesn't it? | 0:27:04 | 0:27:05 | |
HIGH-PITCHED SQUEAK | 0:27:05 | 0:27:09 | |
Oh, God, yes! | 0:27:09 | 0:27:11 | |
I don't seem to be attracting any boatmen or women. | 0:27:13 | 0:27:17 | |
I'm not getting 99 decibels. | 0:27:18 | 0:27:21 | |
There, you see that? | 0:27:21 | 0:27:23 | |
This is still louder, though. | 0:27:23 | 0:27:25 | |
-Is that yours? -But isn't that surprising? | 0:27:31 | 0:27:33 | |
Wow! | 0:27:33 | 0:27:34 | |
SQUEAKING INCREASES | 0:27:34 | 0:27:36 | |
-Yeah. -Aaah! | 0:27:36 | 0:27:38 | |
Aaaaaah! | 0:27:38 | 0:27:39 | |
It's like Mars attacks and our brains will explode. | 0:27:39 | 0:27:43 | |
Solo! | 0:27:45 | 0:27:46 | |
Alan's very good at it, isn't he? | 0:27:46 | 0:27:49 | |
Have you given him a wand? Is that a wand? | 0:27:49 | 0:27:51 | |
APPLAUSE | 0:27:51 | 0:27:54 | |
So, the water boatman makes a big noise | 0:27:57 | 0:28:00 | |
with its mighty, stridulating penis. | 0:28:00 | 0:28:02 | |
Anyway, it's time for the final scores. | 0:28:02 | 0:28:05 | |
I'm sorry to say, that in last place with minus 10 is Alan Davies. | 0:28:05 | 0:28:10 | |
APPLAUSE | 0:28:10 | 0:28:13 | |
How did I get minus 10? | 0:28:13 | 0:28:16 | |
And just behind, with minus eight, is Greg Proops. | 0:28:16 | 0:28:18 | |
APPLAUSE | 0:28:18 | 0:28:21 | |
Then, with minus six, is David O'Doherty. | 0:28:23 | 0:28:26 | |
APPLAUSE | 0:28:26 | 0:28:28 | |
With one plus point, Reginald D Hunter. | 0:28:30 | 0:28:35 | |
APPLAUSE | 0:28:35 | 0:28:38 | |
Well done. | 0:28:38 | 0:28:40 | |
Well, that's all from David, Reginald, Greg, Alan and me. | 0:28:45 | 0:28:50 | |
Remember, snakes are more afraid of you than you are of them. | 0:28:50 | 0:28:54 | |
Unfortunately, this is not true of mosquitoes, | 0:28:54 | 0:28:56 | |
spiders, bears or tigers. | 0:28:56 | 0:28:58 | |
But don't have nightmares. Goodnight. | 0:28:58 | 0:29:01 | |
Subtitles by Red Bee Media | 0:29:23 | 0:29:26 |