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This programme contains some strong language. | 0:00:02 | 0:00:10 | |
APPLAUSE AND CHEERING | 0:00:23 | 0:00:26 | |
Well, good evening, good evening, good evening, good evening, | 0:00:29 | 0:00:33 | |
good evening, good evening, | 0:00:33 | 0:00:36 | |
and to some extent, good evening, and welcome to QI, | 0:00:36 | 0:00:40 | |
where tonight, the joint is jumping! | 0:00:40 | 0:00:43 | |
Lots of hoops to get through, so let's meet our jumpers. | 0:00:43 | 0:00:47 | |
A classy thoroughbred, Julian Clary. | 0:00:47 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:52 | |
Fit as a flea, Ross Noble. | 0:00:57 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:02 | |
The human pogo stick, Bill Bailey. | 0:01:05 | 0:01:08 | |
APPLAUSE | 0:01:08 | 0:01:10 | |
And a nice, warm, woolly top, Alan Davies. | 0:01:12 | 0:01:16 | |
Very kind. | 0:01:16 | 0:01:18 | |
APPLAUSE | 0:01:18 | 0:01:19 | |
There we are. | 0:01:19 | 0:01:22 | |
So, they're all got buzzers, and Julian goes... | 0:01:22 | 0:01:25 | |
MUSIC: "Jump Around" by House of Pain | 0:01:25 | 0:01:28 | |
-I'm not happy. -LAUGHTER | 0:01:31 | 0:01:34 | |
Something to do with jumping in there, I believe, in the pop music sphere. | 0:01:34 | 0:01:38 | |
Ross goes... | 0:01:38 | 0:01:39 | |
MUSIC: "Jump (For My Love)" by the Pointer Sisters | 0:01:39 | 0:01:42 | |
Good overbite. | 0:01:43 | 0:01:44 | |
That also had "jump." Bill goes... | 0:01:44 | 0:01:46 | |
MUSIC: "Jump" by Van Halen | 0:01:46 | 0:01:48 | |
I've no idea what that means. | 0:01:54 | 0:01:57 | |
That was a Van Halen! | 0:01:57 | 0:01:58 | |
Alan goes... | 0:01:58 | 0:01:59 | |
MUSIC: "Tie Me Kangaroo Down, Sport" by Rolf Harris | 0:01:59 | 0:02:02 | |
LAUGHTER | 0:02:02 | 0:02:03 | |
Aw. A little jumpy thing, too. | 0:02:03 | 0:02:07 | |
So, it's "jumpers." | 0:02:07 | 0:02:09 | |
First tonight, I'd like you all to give me your impression of some Mexican jumping beans. | 0:02:09 | 0:02:15 | |
MEXICAN VOICE: "Hello there, we are jumping beans. LAUGHTER | 0:02:15 | 0:02:18 | |
"We like to do the jumping, we cannot help ourselves." | 0:02:18 | 0:02:20 | |
"Higher!" | 0:02:20 | 0:02:22 | |
# La cucaracha, la cucaracha. # | 0:02:22 | 0:02:24 | |
I have to say, there is... | 0:02:24 | 0:02:26 | |
They're not jumping. | 0:02:26 | 0:02:27 | |
-..A slight embarrassment here. -What's happened? | 0:02:27 | 0:02:30 | |
We ordered the Mexican jumping beans over the internet, | 0:02:30 | 0:02:34 | |
and they arrived in fully jumping form... | 0:02:34 | 0:02:38 | |
but they have since died. | 0:02:38 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:41 | |
I think you've been had. This is a hazelnut. | 0:02:42 | 0:02:46 | |
Yeah. | 0:02:46 | 0:02:48 | |
It looks like...I know it looks like a hazelnut. | 0:02:48 | 0:02:50 | |
Here they are. | 0:02:50 | 0:02:52 | |
They're more like "Mexican fidgeting beans." | 0:02:52 | 0:02:54 | |
LAUGHTER | 0:02:54 | 0:02:55 | |
Yeah. | 0:02:55 | 0:02:57 | |
-Can I just say that, in a wildlife documentary, that's a pretty poor excuse, isn't it? -Yeah, it is. | 0:02:57 | 0:03:02 | |
"We had some snakes earlier, but when they came in the post..." | 0:03:02 | 0:03:04 | |
LAUGHTER | 0:03:04 | 0:03:07 | |
-"DHL tried to wedge them through the..." -I know. It's deeply shaming. | 0:03:07 | 0:03:11 | |
How were they mistreated, then? What's happened? Well... | 0:03:11 | 0:03:15 | |
Because Springwatch will hear of this! | 0:03:15 | 0:03:17 | |
-I know. -LAUGHTER | 0:03:17 | 0:03:19 | |
Can we revive them with some powdered Doritos? LAUGHTER | 0:03:19 | 0:03:22 | |
Play some Mexican music and they'll be up and running again. | 0:03:22 | 0:03:25 | |
STEPHEN HUMS LA CUCARACHA | 0:03:25 | 0:03:27 | |
-I've cracked one open, there's something in it. -There is. | 0:03:27 | 0:03:29 | |
-A tiny battery. -Yes. | 0:03:29 | 0:03:31 | |
LAUGHTER There's a creature. | 0:03:31 | 0:03:34 | |
There IS a creature in there, there's a larva. | 0:03:34 | 0:03:37 | |
-A larva which has now sadly died.. -They've hatched. They've become... | 0:03:37 | 0:03:40 | |
Is it a flea of some kind? Is it a Coleoptera? Is it from the Coleopteras? | 0:03:40 | 0:03:44 | |
You're wanting to say "beetle", aren't you? | 0:03:44 | 0:03:46 | |
-I want to say "beetle". I said "Coleoptera". -Which is even... -To try and do my best. | 0:03:46 | 0:03:50 | |
..A really smart way of saying "beetle". | 0:03:50 | 0:03:52 | |
Yeah, because this is that sort of programme, isn't it? It's not BBC Breakfast, | 0:03:52 | 0:03:56 | |
where they have pin-heads who wouldn't know a... | 0:03:56 | 0:03:59 | |
I want you to say not "Coleoptera", but "Lepidoptera". | 0:03:59 | 0:04:01 | |
Oh! You mean butterflies? | 0:04:01 | 0:04:04 | |
-Well...moths. -Moths? | 0:04:04 | 0:04:06 | |
-Yes. They're the larva of a moth. -Ah, right. | 0:04:06 | 0:04:09 | |
And to be fair, they are seeds, not beans. | 0:04:09 | 0:04:13 | |
Up to 20 million of them are exported from Mexico, every year, | 0:04:13 | 0:04:19 | |
around the world, as a novelty... | 0:04:19 | 0:04:21 | |
For comedy purposes. | 0:04:21 | 0:04:23 | |
Yeah, for comedy purposes. Anyway, the "Mexican jumping bean" isn't really a bean, but it does | 0:04:23 | 0:04:28 | |
jump and it does come from Mexico. | 0:04:28 | 0:04:31 | |
-From the Sonoran Desert, in fact. -Oh, right. | 0:04:31 | 0:04:34 | |
In Sonora, we're going to stay. | 0:04:34 | 0:04:36 | |
What's unusual about Bailey's pocket mouse? | 0:04:36 | 0:04:39 | |
LAUGHTER | 0:04:39 | 0:04:41 | |
Wait a minute! | 0:04:42 | 0:04:44 | |
Obviously, Bailey's pocket mouse doesn't look like that. | 0:04:44 | 0:04:47 | |
No. | 0:04:47 | 0:04:48 | |
If you take away the handsome features, that's it - Bailey's pocket mouse. | 0:04:48 | 0:04:53 | |
Is it some sort of desert mouse that doesn't drink, or something? | 0:04:53 | 0:04:56 | |
Well, you're almost right. You're very close. | 0:04:56 | 0:04:58 | |
Oh, it does drink, but only Bailey's. | 0:04:58 | 0:05:00 | |
LAUGHTER | 0:05:00 | 0:05:02 | |
That's right. | 0:05:02 | 0:05:04 | |
It shins up the bottle, like that. And it brings its own miniature parasol. | 0:05:04 | 0:05:08 | |
There is a particular oil-bearing plant in Mexico... | 0:05:08 | 0:05:12 | |
Jojoba. | 0:05:12 | 0:05:14 | |
Yes! | 0:05:14 | 0:05:15 | |
APPLAUSE | 0:05:15 | 0:05:16 | |
And it was thought for many years that the Bailey's mouse | 0:05:16 | 0:05:20 | |
was the only one that could tolerate eating it, | 0:05:20 | 0:05:23 | |
because it is, basically, disgusting to all other animals. | 0:05:23 | 0:05:27 | |
So they can survive on shampoo? | 0:05:27 | 0:05:29 | |
Well, that's the point, yeah. It has then become a useful oil. | 0:05:29 | 0:05:32 | |
Since whaling stopped, it has some of the same properties as whale oil. | 0:05:32 | 0:05:38 | |
A lot easier to apprehend. | 0:05:38 | 0:05:40 | |
Yeah, than a whale, exactly. You just get hold of a jojoba plant and it gives off this oil. | 0:05:40 | 0:05:46 | |
But very few animals eat it. And very few animals are tolerant of it, | 0:05:46 | 0:05:49 | |
because it is a disgusting oil. | 0:05:49 | 0:05:52 | |
But not if you're a Bailey's mouse, it's not. | 0:05:52 | 0:05:55 | |
Exactly. And it was thought to be the only animal that could eat it, | 0:05:55 | 0:05:59 | |
and, in fact, three others have since been discovered | 0:05:59 | 0:06:01 | |
that are also capable of surviving on jojoba. | 0:06:01 | 0:06:04 | |
Pete Burns. | 0:06:04 | 0:06:05 | |
LAUGHTER | 0:06:05 | 0:06:06 | |
Pete Burns is one. Shaun Ryder is another. | 0:06:06 | 0:06:10 | |
Yes. | 0:06:10 | 0:06:12 | |
-Bez. -And Bez, yes. That's your three go-to jojoba guys. | 0:06:12 | 0:06:16 | |
As an oil, it's a laxative, and so some people use it as a frying oil, | 0:06:16 | 0:06:21 | |
except that when you fry things in it, | 0:06:21 | 0:06:23 | |
it just runs through you. | 0:06:23 | 0:06:25 | |
So it's just a good way of keeping on a diet. | 0:06:25 | 0:06:28 | |
But mostly Jojoba is used for? | 0:06:28 | 0:06:30 | |
-Shampoo. -Your skin. | 0:06:30 | 0:06:33 | |
Your skin, shampoo, cosmetics and things. | 0:06:33 | 0:06:35 | |
Yes. | 0:06:35 | 0:06:36 | |
-Who was it who made jojoba famous? -Billy Connolly. | 0:06:36 | 0:06:40 | |
Billy Connolly, exactly, did a famous routine about... | 0:06:40 | 0:06:44 | |
-BILLY CONNOLLY VOICE: -"Jojoba. What's that? What the fuck's that, jojoba? Jojoba?!" | 0:06:44 | 0:06:47 | |
LAUGHTER | 0:06:47 | 0:06:49 | |
He has a way of repeating words, Billy Connolly, | 0:06:49 | 0:06:52 | |
that I remember many years ago, | 0:06:52 | 0:06:54 | |
when, for the first time, he was elected President of Israel, | 0:06:54 | 0:06:57 | |
-and I got this phone call... -Billy Connolly was?! -No. | 0:06:57 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:02 | |
I may have... | 0:07:02 | 0:07:03 | |
BILLY CONNOLLY VOICE: "Mate, I'll tell you what. Israel, it's a lovely place." | 0:07:03 | 0:07:07 | |
I may have phrased this the wrong way, but this particular person had been, | 0:07:07 | 0:07:10 | |
and the phone rang and it was Billy Connolly. He didn't introduce himself, he just went, | 0:07:10 | 0:07:14 | |
"Benjamin Netanyahu?!" | 0:07:14 | 0:07:17 | |
LAUGHTER | 0:07:17 | 0:07:18 | |
And I said, "What?" He said, "Benjamin Netanyahu?!" | 0:07:18 | 0:07:23 | |
And I said, "Sorry, who is this?" He went, "Benjamin Netanyahu?! | 0:07:23 | 0:07:27 | |
"What's that about? For fuck's sake, Benjamin Netanyahu?!" | 0:07:27 | 0:07:33 | |
And then he put the phone down. | 0:07:33 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:36 | |
It was Billy Connolly riffing on the name "Benjamin Netanyahu." | 0:07:36 | 0:07:41 | |
Yeah, and he would have done the same with "jojoba." | 0:07:41 | 0:07:44 | |
-"Jojoba." -"Jojoba." | 0:07:44 | 0:07:46 | |
-"The month before November," that was the joke, wasn't it? -Exactly. | 0:07:46 | 0:07:49 | |
Sometimes Paul O'Grady phones me up and just goes... | 0:07:49 | 0:07:52 | |
-PAUL O'GRADY VOICE: -"Ooh, ah, ah, fucking shite..." | 0:07:52 | 0:07:54 | |
LAUGHTER | 0:07:54 | 0:07:56 | |
Then hangs up. | 0:07:57 | 0:07:59 | |
"What's that, get that, no, stop it. No, don't." | 0:07:59 | 0:08:05 | |
-He doesn't say, "No, don't." -Doesn't he? -No, that's Frankie Howerd. | 0:08:05 | 0:08:08 | |
Oh, damn! | 0:08:08 | 0:08:09 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
So easily confused. | 0:08:11 | 0:08:12 | |
That was your jojoba. | 0:08:12 | 0:08:14 | |
Now, who put jolly jumpers on their skyscrapers? | 0:08:14 | 0:08:19 | |
Is it Cockney rhyming slang? "Jumpers on your skyscrapers." | 0:08:19 | 0:08:24 | |
Doesn't rhyme with anything, how could it be? LAUGHTER | 0:08:24 | 0:08:26 | |
It makes no sense at all. Cockney not-rhyming slang. | 0:08:26 | 0:08:30 | |
COCKNEY VOICE: "I'll put a jumper on the skyscraper." "What's a skyscraper?" | 0:08:30 | 0:08:33 | |
It rhymes with "rapers," that's all I can... | 0:08:33 | 0:08:35 | |
Oh, stop it. Stop it right now. No. | 0:08:35 | 0:08:38 | |
They swoop out of the sky and have you. | 0:08:38 | 0:08:39 | |
-COCKNEY ACCENT: -"A horrible bunch of skyscrapers." | 0:08:39 | 0:08:42 | |
Go back in time, go back in time, before tall buildings. | 0:08:42 | 0:08:47 | |
-What was a skyscraper before there were such things? -A tree? | 0:08:47 | 0:08:51 | |
-No. -LAUGHTER | 0:08:51 | 0:08:53 | |
-A hut. -Was it an erection? -LAUGHTER | 0:08:53 | 0:08:57 | |
No. No, it wasn't that. | 0:08:57 | 0:09:01 | |
Some sort of plane or aviation device, was that it? | 0:09:02 | 0:09:05 | |
Look at the picture, and think... | 0:09:05 | 0:09:08 | |
-A sail, a mast...! -Oh! | 0:09:08 | 0:09:10 | |
Yes. The top one was called the skyscraper, | 0:09:10 | 0:09:12 | |
but above it, there would be another one, | 0:09:12 | 0:09:15 | |
which was called the jolly jumper. | 0:09:15 | 0:09:17 | |
And the jolly jumper was the highest sail on a boat. | 0:09:17 | 0:09:21 | |
So, it would be a sailor who would put a jolly jumper on a skyscraper. | 0:09:21 | 0:09:26 | |
Ah! | 0:09:26 | 0:09:28 | |
-Isn't that pleasing? -That is quite... | 0:09:28 | 0:09:30 | |
Yeah. I'm glad you're interested. | 0:09:30 | 0:09:32 | |
Crow's nest - vest! | 0:09:32 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
Spinnaker... Spinnaker... | 0:09:36 | 0:09:39 | |
Football commentator! | 0:09:39 | 0:09:41 | |
LAUGHTER | 0:09:41 | 0:09:43 | |
So, erm, anyway, talking on skyscrapers and jumping - | 0:09:43 | 0:09:46 | |
and jumping is of course our theme - | 0:09:46 | 0:09:48 | |
there's a famous kind of jumping that originated in Polynesia. | 0:09:48 | 0:09:52 | |
-Bungee? -Bungee? -Bungee jumping - how did that begin? | 0:09:52 | 0:09:56 | |
-It was the tribesmen with the twines, tying themselves up. -Yes. | 0:09:56 | 0:09:59 | |
-They used vines. -Yeah. Vines, twines... Yeah. | 0:09:59 | 0:10:03 | |
-Rhyming slang, wasn't it? -Vine, twine... | 0:10:03 | 0:10:06 | |
-Swine, bine... Yeah. -No, no, vines. So, they tie it round, and then they jump, | 0:10:06 | 0:10:09 | |
-but they didn't sort of go like that. -They'd tie it round their ankle. | 0:10:09 | 0:10:12 | |
-It would go into the mud, their head, right into the mud. -Exactly. | 0:10:12 | 0:10:15 | |
And we have film of precisely that. Here you are - it's pretty scary. | 0:10:15 | 0:10:18 | |
Woah! | 0:10:20 | 0:10:22 | |
-That's... -What an idiot! Ha-ha-ha! | 0:10:22 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:26 | |
Look at them, laughing their heads off! | 0:10:26 | 0:10:29 | |
That's the Pentecost Islands, in the South Seas, | 0:10:29 | 0:10:32 | |
where it was first observed. | 0:10:32 | 0:10:34 | |
And do you know who brought it to the world's attention? | 0:10:34 | 0:10:36 | |
-Butlins. -Er, no. -LAUGHTER | 0:10:36 | 0:10:39 | |
It was David Attenborough, 50 years ago, | 0:10:39 | 0:10:42 | |
did a documentary in which he showed this, | 0:10:42 | 0:10:44 | |
and then Oxford Dangerous Sports Society started doing it | 0:10:44 | 0:10:47 | |
-off Clifton Suspension Bridge... -Yes. | 0:10:47 | 0:10:49 | |
But the first official bungee jumping | 0:10:49 | 0:10:52 | |
-was done by AJ Hackett in New Zealand. -New Zealand, Queenstown. | 0:10:52 | 0:10:56 | |
Near Queenstown. There's the bridge. | 0:10:56 | 0:10:59 | |
And you're about to see a superhero - | 0:10:59 | 0:11:02 | |
a man of astounding courage and bravery - | 0:11:02 | 0:11:04 | |
do a bungee jump off the original AJ Hackett bridge. | 0:11:04 | 0:11:08 | |
There he is. Can you see him there? He's fat, | 0:11:08 | 0:11:11 | |
he's... It's... It's me! | 0:11:11 | 0:11:14 | |
-ALL: Whoah! -Ooh, ow! | 0:11:15 | 0:11:17 | |
There I am. That was me bungee jumping, | 0:11:17 | 0:11:20 | |
just last...earlier this year, in fact. | 0:11:20 | 0:11:23 | |
-Goodness me! -And do you know, the weird thing is, | 0:11:23 | 0:11:25 | |
I am the biggest coward in the world. The moment... The moment | 0:11:25 | 0:11:29 | |
I was picked up by the relief boat, | 0:11:29 | 0:11:31 | |
I said, "I want to do it again!" | 0:11:31 | 0:11:34 | |
The adrenalin surge is so enormous, | 0:11:34 | 0:11:37 | |
it is the biggest fun I've ever had. | 0:11:37 | 0:11:41 | |
Does it...does it pull at your ankles?! | 0:11:41 | 0:11:43 | |
The major problem usually is detached retinas, actually. | 0:11:43 | 0:11:47 | |
-Yes. -People get pop-eyed. | 0:11:47 | 0:11:49 | |
What about when we went scuba-diving and your mask was too tight? | 0:11:49 | 0:11:52 | |
Oh! No, no, no. | 0:11:52 | 0:11:54 | |
-His eyes nearly came out of his head! -Oh! | 0:11:54 | 0:11:57 | |
LAUGHTER | 0:11:57 | 0:11:59 | |
Inside the mask, these massive eyes! | 0:11:59 | 0:12:02 | |
We're all going, "Look at Bill! | 0:12:02 | 0:12:05 | |
"Check he's all right!" When we found out he was all right, | 0:12:05 | 0:12:08 | |
I laughed...I laughed my head off! | 0:12:08 | 0:12:11 | |
-No, wait... -The thing is, | 0:12:11 | 0:12:13 | |
Wait, wait, wait, wait! Rewind! | 0:12:13 | 0:12:16 | |
Can we just go back to the bit where you said, | 0:12:16 | 0:12:18 | |
when you checked I was all right, you laughed your... | 0:12:18 | 0:12:21 | |
You were laughing from the minute my face came out of the water. | 0:12:21 | 0:12:25 | |
LAUGHTER | 0:12:25 | 0:12:26 | |
There was blood pouring out of my eyes, | 0:12:26 | 0:12:30 | |
-and every... -You had no idea at all! -I had no idea. | 0:12:30 | 0:12:33 | |
I was going, "What?" And people were going, "Oh, my...!" | 0:12:33 | 0:12:36 | |
-"Aaagh!" -"Oh, my god!" | 0:12:36 | 0:12:38 | |
I went, "What? What?" Like Carrie or something, with blood | 0:12:38 | 0:12:42 | |
-streaming from my eyes. -These huge great eyeballs - | 0:12:42 | 0:12:45 | |
-it took quite a long time for them to recede as well. -Yes, it did. | 0:12:45 | 0:12:48 | |
And lot of laughing was going on. | 0:12:48 | 0:12:50 | |
I thought you had some sort of magnifying mask on, | 0:12:50 | 0:12:54 | |
-but when you took the mask off, they were still enormous! -Enormous. | 0:12:54 | 0:12:57 | |
-Oh! -Anyway, there's an even more extreme form of jumping, | 0:12:57 | 0:13:01 | |
which is bungee in the dark, | 0:13:01 | 0:13:04 | |
-where you can't tell how far you've fallen. -Bungee in the dark? | 0:13:04 | 0:13:06 | |
< That's a cocktail! | 0:13:06 | 0:13:09 | |
Bungee In The Dark, please! | 0:13:09 | 0:13:11 | |
You have no idea how far you're going to fall! | 0:13:11 | 0:13:14 | |
What are bungee ropes usually made of? | 0:13:14 | 0:13:17 | |
-Elastic. -Erm, latex, yeah. | 0:13:17 | 0:13:20 | |
-Oh, I've got a suit in latex! -Have you? | 0:13:20 | 0:13:23 | |
Just had it made. | 0:13:23 | 0:13:25 | |
I would like a photograph sent to me of that, please. | 0:13:25 | 0:13:28 | |
-LAUGHTER -In 2008, one Carl Dionisio | 0:13:28 | 0:13:32 | |
used one made from 18,500 whats | 0:13:32 | 0:13:37 | |
-joined together? -Socks. -Also latex... | 0:13:37 | 0:13:40 | |
-Elastic bands? -Tights? -Condoms? | 0:13:40 | 0:13:42 | |
Condoms is the right answer. | 0:13:42 | 0:13:45 | |
That's the greatest condom bungee of all time. | 0:13:45 | 0:13:47 | |
If they all inflated, it would be like the scene from Up | 0:13:47 | 0:13:50 | |
-when the house turns... -LAUGHTER | 0:13:50 | 0:13:52 | |
-It would indeed. -And was there just loads of really tired women? | 0:13:52 | 0:13:56 | |
-Just...just in his garden? -Yes! | 0:13:56 | 0:13:59 | |
Anyway, so jumping off a bridge turns out to be as easy as | 0:13:59 | 0:14:03 | |
falling off a log. Now, how could these weights | 0:14:03 | 0:14:06 | |
give you an extra 6.5 inches? | 0:14:06 | 0:14:10 | |
Hang 'em from your cock. | 0:14:10 | 0:14:13 | |
BELL RINGS AND ALARM SOUNDS | 0:14:13 | 0:14:16 | |
APPLAUSE | 0:14:16 | 0:14:19 | |
Oh, dear. | 0:14:22 | 0:14:25 | |
-Wow. -Is it to do with stretching out your | 0:14:25 | 0:14:28 | |
-spine? -No. | 0:14:28 | 0:14:30 | |
-There's some sort of inscription on here. -Yes - in what language? | 0:14:30 | 0:14:33 | |
Sort of...San...Greek, I'd say. | 0:14:33 | 0:14:36 | |
-If we put... -Greek is the right answer. | 0:14:36 | 0:14:37 | |
Ah, right. This is the new Greek currency. | 0:14:37 | 0:14:40 | |
Er... LAUGHTER | 0:14:40 | 0:14:43 | |
APPLAUSE | 0:14:45 | 0:14:48 | |
Hang on a second, I'll just get Wilma. | 0:14:51 | 0:14:54 | |
Erm... | 0:14:54 | 0:14:56 | |
You had it the wrong way up! | 0:14:56 | 0:14:58 | |
- I got no signal, nothing! - Just do it that way. | 0:14:58 | 0:15:02 | |
No, the other way up - that's it. | 0:15:02 | 0:15:04 | |
The mad thing is, if Bill and I were to put these two things together, | 0:15:04 | 0:15:07 | |
we would unleash the apocalypse. | 0:15:07 | 0:15:10 | |
-So, you're not allowed to, yeah. -Keep them away. | 0:15:10 | 0:15:13 | |
They're called halteres, they're Greek, | 0:15:13 | 0:15:16 | |
and they gave you an extra 6.5 inches advantage | 0:15:16 | 0:15:20 | |
-at a sporting event. -Yeah? -Yeah. | 0:15:20 | 0:15:23 | |
Punting with rocks. | 0:15:23 | 0:15:25 | |
Is it that if you're hurling them with the other hand, | 0:15:25 | 0:15:29 | |
-and that weight gives you more of a spin? -That's a thought. | 0:15:29 | 0:15:31 | |
It's certainly an event in which you are judged | 0:15:31 | 0:15:35 | |
by the greatest distance you have covered. | 0:15:35 | 0:15:39 | |
-Well, the long jump is... -Long jumping. | 0:15:39 | 0:15:41 | |
You use these. At first, when people found them, they thought | 0:15:41 | 0:15:45 | |
they might be used as a handicap system | 0:15:45 | 0:15:48 | |
for people who were better at long jumping, to hold them back, | 0:15:48 | 0:15:52 | |
but actually, you wind it up, you wind it up and wind it up | 0:15:52 | 0:15:56 | |
and then you jump, and it gives you an extra 6.5 inches advantage. | 0:15:56 | 0:16:00 | |
And also, you look like that. | 0:16:00 | 0:16:03 | |
You can see them depicted there, a pair of them hanging on the plate. | 0:16:03 | 0:16:08 | |
Is there some sort of checking system in the Olympics | 0:16:08 | 0:16:11 | |
to check that people aren't, you know, | 0:16:11 | 0:16:13 | |
-giving themselves an advantage? -Well, nowadays, | 0:16:13 | 0:16:16 | |
you would not be allowed to do that, to use these. | 0:16:16 | 0:16:19 | |
Metal implants in their knuckles. | 0:16:19 | 0:16:21 | |
LAUGHTER You get nipples, and then, you know, | 0:16:21 | 0:16:24 | |
the piercings - big magnet at the other end... | 0:16:24 | 0:16:27 | |
Urrrgh! | 0:16:27 | 0:16:30 | |
You go knockers first across the line. | 0:16:30 | 0:16:33 | |
Standing long jumps existed until 1912 in the Olympics. | 0:16:33 | 0:16:37 | |
You didn't run up, you just went, yagh! | 0:16:37 | 0:16:40 | |
And the record is 12ft 2". | 0:16:40 | 0:16:44 | |
-No way. -And it so happens... -What? | 0:16:44 | 0:16:46 | |
..that the distance between there and there | 0:16:46 | 0:16:50 | |
is exactly 12ft 2". | 0:16:50 | 0:16:53 | |
Have you heard of Fierljeppen? | 0:16:53 | 0:16:56 | |
Leppen. It sounds Scandinavian. | 0:16:56 | 0:16:58 | |
It exists in East Anglia and Frisia, | 0:16:58 | 0:17:00 | |
mostly in Holland, though. | 0:17:00 | 0:17:02 | |
Oh, jumping, jumping the... | 0:17:02 | 0:17:05 | |
- Jumping the canals. - ..the dykes. | 0:17:05 | 0:17:06 | |
Jumping between the dykes using a pole. It's a big sport. | 0:17:06 | 0:17:09 | |
We do it in Norfolk, where I come from. | 0:17:09 | 0:17:11 | |
You know they've got bridges now? | 0:17:11 | 0:17:14 | |
It's so much less fun. | 0:17:14 | 0:17:16 | |
And you can actually see some... | 0:17:16 | 0:17:18 | |
LAUGHTER | 0:17:18 | 0:17:19 | |
Mock ye not. | 0:17:19 | 0:17:21 | |
Watch some film of some splendid Fierljeppen performers | 0:17:21 | 0:17:24 | |
and you will be impressed. | 0:17:24 | 0:17:26 | |
Here you are. Big run. | 0:17:26 | 0:17:28 | |
Whoa! And... | 0:17:28 | 0:17:31 | |
Yes! And didn't even fall over. | 0:17:31 | 0:17:34 | |
Oh, look at that. | 0:17:34 | 0:17:36 | |
Less fortunate. | 0:17:36 | 0:17:37 | |
Just to prove it's not as easy as you think. | 0:17:39 | 0:17:41 | |
And...oh... | 0:17:41 | 0:17:43 | |
There you are. Fierljeppen. | 0:17:46 | 0:17:47 | |
Oh... That's a good one. | 0:17:47 | 0:17:49 | |
Yeah. You could watch that forever, couldn't you? | 0:17:49 | 0:17:53 | |
They should do that instead of straightforward pole dancing, | 0:17:53 | 0:17:56 | |
they should just have a loose brass pole, | 0:17:56 | 0:17:59 | |
then a woman in her pants runs out. | 0:17:59 | 0:18:01 | |
"Wahey!" And then it's less sexual, you know, | 0:18:01 | 0:18:06 | |
- you can watch her arcing. - I think it is sexual, mate. | 0:18:06 | 0:18:09 | |
You're in desperate, desperate need of help, Ross. | 0:18:09 | 0:18:12 | |
How about jumping camels? | 0:18:14 | 0:18:16 | |
-What? -Jumping camels? | 0:18:16 | 0:18:18 | |
-Jumping camels? -Yeah. | 0:18:18 | 0:18:19 | |
What, do you mean without any kind of a chit-chat before, just...? | 0:18:19 | 0:18:24 | |
"Jump the beast." | 0:18:26 | 0:18:28 | |
-Just straight in. -In the Yemen. -In the desert as well. -In the Yemen. | 0:18:28 | 0:18:31 | |
-I don't believe a camel can jump. I don't think it can lift itself. -It's not the camels jumping. | 0:18:31 | 0:18:35 | |
-Do you jump from one camel to another? -It's more than that. | 0:18:35 | 0:18:38 | |
-Think Eddie Kidd. -Oh, jumping over, right. -Yeah. | 0:18:38 | 0:18:41 | |
Stunt bikes. | 0:18:41 | 0:18:43 | |
-Stunt, not bike, though. -Oh. | 0:18:43 | 0:18:45 | |
-Just simply by your own human power, leaping over camels. -What?! | 0:18:45 | 0:18:50 | |
The record is six. | 0:18:50 | 0:18:52 | |
One human being can run up and leap over six dromedaries. | 0:18:52 | 0:18:58 | |
-With a trampoline or something? -No, there's a small amount of dirt | 0:18:58 | 0:19:01 | |
laid up as a kind of jumping-off point, but no trampoline. | 0:19:01 | 0:19:06 | |
So, now, what did the environmentalist say to the camel? | 0:19:06 | 0:19:09 | |
"Stop farting." Isn't it they produce a lot of methane? | 0:19:09 | 0:19:12 | |
Yes, they do. Where in particular? | 0:19:12 | 0:19:14 | |
Out of their arse? | 0:19:14 | 0:19:17 | |
-Why did I ask? -Just a guess. | 0:19:17 | 0:19:20 | |
APPLAUSE | 0:19:20 | 0:19:22 | |
-But no, there is a particular place where camels are... -Known for it. | 0:19:22 | 0:19:27 | |
-..extremely numerous. -Egypt. -Yes, but this is a place where... | 0:19:27 | 0:19:31 | |
Australia, is it Australia? | 0:19:31 | 0:19:33 | |
-Australia. -They've got more wild camels in Australia | 0:19:33 | 0:19:35 | |
than anywhere else on the planet. | 0:19:35 | 0:19:37 | |
Exactly, they have the highest number of feral camels. | 0:19:37 | 0:19:39 | |
In fact, they have 1.2 million of them. | 0:19:39 | 0:19:41 | |
-They're like rats, they're vermin. -Yeah. | 0:19:41 | 0:19:44 | |
-They get in your house, it's a nightmare. -And you can see... | 0:19:44 | 0:19:46 | |
Only that sign could be Australia, couldn't it? Look at it. | 0:19:46 | 0:19:49 | |
Camel, wombat, kangaroo. | 0:19:49 | 0:19:51 | |
But the fact is, they export them to Arabia, | 0:19:51 | 0:19:55 | |
-for meat and for racing. -That's right. | 0:19:55 | 0:19:57 | |
Because they're a finer, a finer sort of species of camel. | 0:19:57 | 0:20:01 | |
They were brought over originally as a pack animal to Australia. | 0:20:01 | 0:20:04 | |
They seemed very natural because Australia is a dry country | 0:20:04 | 0:20:06 | |
and camels survive well, obviously, in dry climates. | 0:20:06 | 0:20:09 | |
People thought, "perfect". But of course, they bred and bred and bred | 0:20:09 | 0:20:13 | |
and suddenly you've got these million point two camels. | 0:20:13 | 0:20:17 | |
And they do an enormous amount of anal wind expulsion. | 0:20:17 | 0:20:22 | |
They were on at Download, actually. | 0:20:22 | 0:20:24 | |
45... | 0:20:25 | 0:20:26 | |
-It's actually... -They supported Orchestral Manoeuvres in the Dark! | 0:20:28 | 0:20:32 | |
-To be fair to them, it's not so much anal as oral. -Oh, yeah. | 0:20:32 | 0:20:35 | |
It's 45 kilograms of methane a year. | 0:20:35 | 0:20:38 | |
It's quite extraordinary. It's a sixth the amount of the average car. | 0:20:38 | 0:20:42 | |
So, now there's a company called North West Carbon, | 0:20:42 | 0:20:47 | |
which has set up a thing where you offset your carbon footprint, | 0:20:47 | 0:20:50 | |
if you're an Australian car driver, | 0:20:50 | 0:20:52 | |
by paying this company to go and shoot camels. | 0:20:52 | 0:20:55 | |
Which is... | 0:20:56 | 0:20:58 | |
basically a bit unfair, | 0:20:58 | 0:21:00 | |
because, let's face it, | 0:21:00 | 0:21:01 | |
Europeans with cars are as unnatural to Australia as camels are, | 0:21:01 | 0:21:06 | |
and it seems a bit unfair. | 0:21:06 | 0:21:08 | |
-Why shouldn't the camels shoot the humans? -Yes. | 0:21:08 | 0:21:11 | |
Here's a thing, though. | 0:21:11 | 0:21:12 | |
While we're talking about all this whole business of ecology, | 0:21:12 | 0:21:16 | |
Sainsbury's, the supermarket chain, very useful supermarket chain. | 0:21:16 | 0:21:20 | |
The great thing about Sainsbury's, it keeps the scum out of Waitrose. | 0:21:20 | 0:21:24 | |
APPLAUSE | 0:21:26 | 0:21:28 | |
-All right, here's an initiative announced by Sainsbury's. -Go on. | 0:21:30 | 0:21:34 | |
By reducing the diameter of the tube of a loo roll | 0:21:34 | 0:21:39 | |
from 123mm to 112mm, | 0:21:39 | 0:21:44 | |
right, just 11mm reduction, | 0:21:44 | 0:21:47 | |
they will be able to fit more rolls into the same lorry. | 0:21:47 | 0:21:51 | |
Given the scale of the loo roll market - | 0:21:51 | 0:21:54 | |
we use 45 to 50 rolls a year each! | 0:21:54 | 0:21:58 | |
And that's including you. | 0:21:59 | 0:22:01 | |
I do that of a weekend. | 0:22:01 | 0:22:03 | |
Yes, all right. | 0:22:03 | 0:22:05 | |
This will mean 500 fewer lorry trips a year, | 0:22:05 | 0:22:10 | |
just by doing that, | 0:22:10 | 0:22:12 | |
by reducing the centre tube by 11mm. | 0:22:12 | 0:22:16 | |
-Wow. -This is the principal difference between men and women, in my view. | 0:22:16 | 0:22:20 | |
The amount of loo roll that women use is unbelievable. | 0:22:20 | 0:22:24 | |
I mean, a roll can go in one visit. | 0:22:25 | 0:22:27 | |
-Really? -To be fair, though... | 0:22:27 | 0:22:30 | |
Just wrapping it round. | 0:22:30 | 0:22:31 | |
What's that? | 0:22:31 | 0:22:33 | |
At least women don't pee all over the floor. | 0:22:35 | 0:22:39 | |
You know that's not true. | 0:22:39 | 0:22:42 | |
APPLAUSE | 0:22:42 | 0:22:44 | |
Ah, a lot of women clapping there. | 0:22:44 | 0:22:46 | |
Obviously, they do use more loo roll | 0:22:46 | 0:22:48 | |
but it's a lot harder for them to shake than it is for us, | 0:22:48 | 0:22:51 | |
do you know what I mean? | 0:22:51 | 0:22:53 | |
Cheeky flick, everything's fine. | 0:22:53 | 0:22:55 | |
For a woman to do that, she's got to get on a swing. | 0:22:55 | 0:22:58 | |
Or one of those power plates, you know, the ones that go... | 0:23:00 | 0:23:03 | |
Right. | 0:23:04 | 0:23:06 | |
Just, go like this. | 0:23:06 | 0:23:07 | |
One of those. | 0:23:07 | 0:23:08 | |
You wouldn't need a power plate. All you need is a vibrating loo. | 0:23:08 | 0:23:12 | |
Oh, that's it, there you go. | 0:23:12 | 0:23:14 | |
You sit on it, you have a wee, press a button... | 0:23:14 | 0:23:16 | |
Trouble with that is, they'd never get off it. | 0:23:16 | 0:23:21 | |
"Where is she?" | 0:23:21 | 0:23:22 | |
APPLAUSE | 0:23:22 | 0:23:24 | |
"Are you coming out of there?" "I'm nearly there!" | 0:23:24 | 0:23:28 | |
Oh, God. Oh, God. | 0:23:28 | 0:23:29 | |
"I think I've got diarrhoea." | 0:23:29 | 0:23:31 | |
Now here's the question, here's... | 0:23:31 | 0:23:34 | |
The Shake n' Vac. Drink and leave the water. | 0:23:34 | 0:23:37 | |
I have to tell you, I have to tell you that the little baby Jesus, | 0:23:37 | 0:23:41 | |
whom I have never believed in, until this minute, | 0:23:41 | 0:23:44 | |
has told me to change the subject. | 0:23:44 | 0:23:46 | |
-So... -Aw! -All right. We're going to jump. -I was just getting started. | 0:23:46 | 0:23:50 | |
-We're going to jump to Spain. -We're on a roll. | 0:23:50 | 0:23:52 | |
We're on a roll! We're on a roll! | 0:23:52 | 0:23:54 | |
-We're on a roll! -Come on! Come on! | 0:23:54 | 0:23:58 | |
APPLAUSE | 0:23:58 | 0:24:02 | |
Why do these babies have nothing to fear? | 0:24:02 | 0:24:05 | |
There are men jumping over them, but why have they nothing to fear? | 0:24:05 | 0:24:09 | |
-Yes. -It's a real event that happens in Spain. | 0:24:09 | 0:24:13 | |
Baby jumping? | 0:24:13 | 0:24:14 | |
Baby jumping, it's the baby jumping festival, El Colacho. | 0:24:14 | 0:24:17 | |
-El Colacho! -Yes. -Yes, of course. | 0:24:17 | 0:24:19 | |
Near Burgos in Northern Spain, in the Castrillo de Murcia. | 0:24:19 | 0:24:25 | |
The reason is that these babies have been purged of their original sin | 0:24:25 | 0:24:30 | |
in this ceremony, so that if they die, they won't go to hell. | 0:24:30 | 0:24:35 | |
Burgos has the largest cathedral in Spain. | 0:24:35 | 0:24:38 | |
-It's absolutely enormous. -It's a very huge cathedral. Yeah. | 0:24:38 | 0:24:41 | |
I love the concept of original sin. | 0:24:41 | 0:24:43 | |
It's like you go to confess and you go in and the priest goes, | 0:24:43 | 0:24:46 | |
"That's not original enough." | 0:24:46 | 0:24:49 | |
-It's derivative sin. -"All right, then, I got a transit van | 0:24:49 | 0:24:52 | |
"and then pushed it into a bouncy castle." | 0:24:52 | 0:24:54 | |
"Yep, I haven't heard that before. You can have a blessing." | 0:24:54 | 0:24:58 | |
The Catholic Church is slightly embarrassed about this festival... | 0:24:58 | 0:25:02 | |
I was thinking, on the vibrating loo, | 0:25:02 | 0:25:03 | |
you'd have different speeds, wouldn't you? | 0:25:03 | 0:25:06 | |
Like a dial. | 0:25:08 | 0:25:09 | |
Like side to side, forwards and backwards, round and round. | 0:25:09 | 0:25:12 | |
But basically... | 0:25:12 | 0:25:14 | |
Al, then one like the waltzers that goes like that. | 0:25:15 | 0:25:18 | |
There are no reports of injured babies. | 0:25:25 | 0:25:28 | |
Oh, all right. | 0:25:28 | 0:25:29 | |
So you may prefer to indulge in a Japanese ceremony | 0:25:29 | 0:25:33 | |
called the Hadaka Matsuri. | 0:25:33 | 0:25:35 | |
It's the Naked Festival. | 0:25:35 | 0:25:38 | |
-Raw baby eating. -Yeah, it takes place in Okayama. There they are. | 0:25:38 | 0:25:42 | |
A 500-year-old event. | 0:25:42 | 0:25:44 | |
It culminates in 9,000 men in loincloths, wrestling in mud. | 0:25:44 | 0:25:49 | |
Are they all men? Some of them look like women. | 0:25:49 | 0:25:51 | |
-They're all men. -There's a woman in the middle there, surely. | 0:25:51 | 0:25:54 | |
No, she's a man. He's a man. | 0:25:54 | 0:25:56 | |
And in the end, the lucky man | 0:25:58 | 0:26:01 | |
gets thrown a pair of sticks by a Shinto priest at around midnight | 0:26:01 | 0:26:06 | |
and the winner thrusts the sticks into a wooden box filled with rice | 0:26:06 | 0:26:10 | |
and is granted a year of happiness. | 0:26:10 | 0:26:12 | |
It seems a perfectly normal way to behave, to me, don't you think? | 0:26:12 | 0:26:16 | |
So run me through it again. | 0:26:16 | 0:26:18 | |
-You get a pair of sticks... -9,000 naked men wrestle in mud. | 0:26:19 | 0:26:24 | |
And then eventually... | 0:26:26 | 0:26:28 | |
..a Shinto priest throws two sticks to the winner, | 0:26:30 | 0:26:32 | |
who sticks it in some rice and is granted happiness. | 0:26:32 | 0:26:36 | |
-OK. -Yeah. -I love rice. | 0:26:36 | 0:26:39 | |
Five stars on Trip Adviser, this, wouldn't it? Yeah. | 0:26:40 | 0:26:44 | |
All right, we're now going to have something incredibly exciting - | 0:26:44 | 0:26:48 | |
at least, I hope it's exciting. It's a jolly jape. | 0:26:48 | 0:26:51 | |
-I do love my jolly japes. -I love a jolly jape. | 0:26:51 | 0:26:54 | |
I've got here a little... | 0:26:54 | 0:26:56 | |
What I'm going to try and do is try and create something | 0:26:56 | 0:27:00 | |
that will make you think, "No! | 0:27:00 | 0:27:03 | |
"No, Stephen, this is not possible! | 0:27:03 | 0:27:06 | |
"Stephen, I will now bow down and worship you forever." | 0:27:06 | 0:27:09 | |
I'm going to try and create... | 0:27:09 | 0:27:12 | |
a square bubble. | 0:27:12 | 0:27:15 | |
-No! -"Shut up, Stephen!" | 0:27:15 | 0:27:19 | |
-I'm on the verge of worshipping you forever. -Yeah, exactly. | 0:27:19 | 0:27:22 | |
How would you not be? A square bubble. | 0:27:22 | 0:27:25 | |
-Shut the front door. -So I've got this here, | 0:27:25 | 0:27:27 | |
can you see that bubble there? | 0:27:27 | 0:27:29 | |
-Oh! -Wow! | 0:27:29 | 0:27:30 | |
It's not yet square, | 0:27:30 | 0:27:33 | |
but if I blow... | 0:27:33 | 0:27:34 | |
Look at that! | 0:27:37 | 0:27:38 | |
No way! | 0:27:38 | 0:27:39 | |
-Square bubble. -Oh! | 0:27:39 | 0:27:41 | |
Square bubble! | 0:27:41 | 0:27:43 | |
APPLAUSE | 0:27:43 | 0:27:48 | |
How amazing is that? | 0:27:49 | 0:27:51 | |
Very cool. | 0:27:51 | 0:27:52 | |
On television, virtually live, as live, as we say, | 0:27:52 | 0:27:56 | |
it's probably the only interesting and important thing I've ever done in my life. | 0:27:56 | 0:28:02 | |
But I'm proud, and thank you for enjoying my square bubble. | 0:28:02 | 0:28:06 | |
Well, that's the jolly jape. | 0:28:06 | 0:28:08 | |
And on that bubble-shell, I jump over to the scoreboard. | 0:28:08 | 0:28:12 | |
I suppose I have to begin at the bottom. | 0:28:12 | 0:28:16 | |
-Julian... -No! | 0:28:16 | 0:28:17 | |
Unfortunately, you scored minus seven points. | 0:28:17 | 0:28:20 | |
APPLAUSE | 0:28:20 | 0:28:23 | |
-Alan, you are at third place, with minus four. -Thank you. | 0:28:25 | 0:28:28 | |
APPLAUSE | 0:28:28 | 0:28:30 | |
In second place, with five points, | 0:28:33 | 0:28:35 | |
Ross Noble. | 0:28:35 | 0:28:37 | |
APPLAUSE | 0:28:37 | 0:28:38 | |
And just one point ahead, | 0:28:40 | 0:28:42 | |
on plus six, is Bill Bailey. | 0:28:42 | 0:28:45 | |
APPLAUSE AND CHEERING | 0:28:45 | 0:28:47 | |
Well, that's all from Julian, Ross, | 0:28:53 | 0:28:56 | |
Bill, Alan and me. Be adorable to each other always. Good night. | 0:28:56 | 0:29:01 | |
APPLAUSE | 0:29:01 | 0:29:04 | |
Subtitles by Red Bee Media Ltd | 0:29:23 | 0:29:27 |