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APPLAUSE AND CHEERING | 0:00:24 | 0:00:26 | |
Well! Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, | 0:00:33 | 0:00:34 | |
good evening, good evening, good evening, | 0:00:34 | 0:00:36 | |
and welcome to QI, where we're all feeling rather jolly. | 0:00:36 | 0:00:40 | |
Here to tickle our ribs are four jolly good fellows. | 0:00:40 | 0:00:44 | |
The jovial Rob Brydon. | 0:00:44 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:50 | |
The jocular Tim Vine. | 0:00:50 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:53 | 0:00:56 | |
The jubilant Julia Zemiro. | 0:00:56 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:03 | |
And... | 0:01:03 | 0:01:04 | |
Jesus, it's Alan Davies. | 0:01:04 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:06 | 0:01:10 | |
Ah, well, so if anyone wants to go beyond a joke tonight, | 0:01:12 | 0:01:16 | |
they'll have to jingle their jangles and Julia goes... | 0:01:16 | 0:01:18 | |
LAUGHING KOOKABURRA | 0:01:18 | 0:01:21 | |
-Oh, it's an animal from my country. -Yeah. | 0:01:21 | 0:01:24 | |
-That's nice, a bird, a kookaburra, thank you. -It is a kookaburra, | 0:01:24 | 0:01:27 | |
-well spotted. Tim goes... -LAUGHING HYENA | 0:01:27 | 0:01:31 | |
Oh, it's an animal from my country. | 0:01:31 | 0:01:33 | |
And Rob goes... | 0:01:35 | 0:01:36 | |
GIGGLING BABY | 0:01:36 | 0:01:39 | |
-Aw! It's an animal from the country. -Yeah. | 0:01:40 | 0:01:43 | |
-And Alan goes... -BRAYING DONKEY | 0:01:43 | 0:01:47 | |
-Wow. -Fabulous. | 0:01:51 | 0:01:53 | |
So, simple question, who's Hapi? | 0:01:53 | 0:01:56 | |
-He's happy in the picture. -Yes. -Yes. -Old men with young ladies. Or... | 0:01:59 | 0:02:03 | |
old ladies with young men. | 0:02:03 | 0:02:04 | |
-I was going to say... -Why not? -They may be gerontophiles. | 0:02:04 | 0:02:07 | |
-Not me. -Not you? No, fair enough. OK. | 0:02:07 | 0:02:09 | |
-It's one of the dwarfs. -True, as in the old joke. | 0:02:09 | 0:02:11 | |
-Six out of seven dwarfs aren't Happy. -I can't believe it! | 0:02:11 | 0:02:14 | |
-They haven't got that on the klaxon? -No, they haven't. | 0:02:14 | 0:02:16 | |
This is a Hapi whose name is happy, spelt H-A-P-I. | 0:02:16 | 0:02:21 | |
-Edwin Starr had a song, H-A-P-P-Y Radio. -Oh, really? -Yeah. | 0:02:21 | 0:02:26 | |
-Anyway, continue. -No, that's good. It's good - good information. | 0:02:26 | 0:02:30 | |
We love good information here, as you know. | 0:02:30 | 0:02:32 | |
-We have to go back to a previous civilisation. -Is it... Um, no. | 0:02:32 | 0:02:36 | |
-Aztecs. -Egyptian. -Egyptian is right. -Oh, get stuffed, I can't believe it! | 0:02:36 | 0:02:40 | |
-LAUGHING KOOKABURRA -When you get it right, | 0:02:40 | 0:02:42 | |
you don't have to insult me. | 0:02:42 | 0:02:44 | |
-No, I know. -You can accept your points gracefully. | 0:02:44 | 0:02:47 | |
That picture is actually the backdrop to a famous game show - | 0:02:47 | 0:02:50 | |
I'll Name That Tomb In One. | 0:02:50 | 0:02:51 | |
-Very good. -What sort of reaction is that?! | 0:02:54 | 0:02:57 | |
-It's one Tim is very used to. -It's what I'm used to, yes. -Yes. | 0:02:57 | 0:03:01 | |
That's what you sphinx. | 0:03:01 | 0:03:03 | |
-So that is the god... -A very unusual mind we have on this show. -It is. | 0:03:05 | 0:03:09 | |
This is a god called Hapi, who was always represented to have | 0:03:09 | 0:03:13 | |
been faintly pot-bellied and sort of hermaphroditic with breasts. | 0:03:13 | 0:03:16 | |
Hapi had breasts, though was not considered female, | 0:03:16 | 0:03:19 | |
and had a sort of harem of...? | 0:03:19 | 0:03:22 | |
-Ladies. -Men. -Animals. -No. | 0:03:22 | 0:03:25 | |
-Men. Boys. -Castrati. -Frogs. -Frogs? -Yeah. | 0:03:25 | 0:03:28 | |
Frogs, Tim. | 0:03:28 | 0:03:30 | |
Er, hang on. | 0:03:30 | 0:03:32 | |
There'll be a pun in a minute. | 0:03:32 | 0:03:34 | |
Do you think if the frogs in the harem really started to get it on | 0:03:34 | 0:03:38 | |
with each other, and one of them whipped out a camcorder, | 0:03:38 | 0:03:41 | |
would that be frogs'-porn? | 0:03:41 | 0:03:42 | |
Oh! | 0:03:42 | 0:03:44 | |
APPLAUSE | 0:03:44 | 0:03:45 | |
You are a malign influence. | 0:03:48 | 0:03:50 | |
The worrying thing is, I have actually done that joke in the past. | 0:03:54 | 0:03:57 | |
-It's too late now, it's too late. -He's the thief of bad gags. | 0:03:57 | 0:04:01 | |
The fact is, Hapi was the god who was responsible for | 0:04:01 | 0:04:04 | |
the flooding of the Nile, which was an annual event, took place in July | 0:04:04 | 0:04:08 | |
and was cause of much celebration. | 0:04:08 | 0:04:10 | |
If you've ever been up or down the Nile, | 0:04:10 | 0:04:12 | |
you will know that it's really just this great carving of green | 0:04:12 | 0:04:15 | |
through a desert, which is all made fertile by this river. | 0:04:15 | 0:04:19 | |
So it was... The whole civilisation was predicated on the flooding | 0:04:19 | 0:04:22 | |
of the Nile and Hapi was the god who caused it. | 0:04:22 | 0:04:25 | |
So, moving on, what's the jolliest, | 0:04:25 | 0:04:28 | |
but frankly most dangerous thing you can buy in a joke shop? | 0:04:28 | 0:04:33 | |
LAUGHING HYENA | 0:04:33 | 0:04:34 | |
-Tim? -I went to a joke shop. I said, "What are you actually selling here?" | 0:04:34 | 0:04:38 | |
He said, "Nothing, we're not a real shop." | 0:04:38 | 0:04:40 | |
Anyway, I've got some jokes here | 0:04:45 | 0:04:46 | |
that give you an example. Here we are. | 0:04:46 | 0:04:48 | |
And almost all of these were invented by one man, | 0:04:48 | 0:04:52 | |
who could be regarded as the father of the joke shop. | 0:04:52 | 0:04:55 | |
Have some nuts, Tim. | 0:04:55 | 0:04:57 | |
-What happens when you open the nuts? -JULIA: Oh, no. | 0:04:57 | 0:04:59 | |
I'm guessing I could aim this at Rob... | 0:04:59 | 0:05:02 | |
-SQUEAKING -You're guessing. | 0:05:02 | 0:05:04 | |
And it's hours of laughter. | 0:05:04 | 0:05:05 | |
Tim, that reminds me of last Saturday evening, in an odd way. | 0:05:05 | 0:05:10 | |
It's a man called Soren Sorensen Adams. | 0:05:10 | 0:05:14 | |
And he started life working for a coal-tar derivative company. | 0:05:14 | 0:05:17 | |
And coal-tar derivatives have many uses, one of which was for a dye. | 0:05:17 | 0:05:21 | |
And the particular dye that came from coal-tar | 0:05:21 | 0:05:23 | |
had the bizarre side effect of making people sneeze. | 0:05:23 | 0:05:27 | |
So the company managed to isolate the ingredient | 0:05:27 | 0:05:29 | |
that made people sneeze and took it out. | 0:05:29 | 0:05:31 | |
And he happened to be passing and he saw | 0:05:31 | 0:05:33 | |
these great barrels of the stuff that made people sneeze. | 0:05:33 | 0:05:36 | |
He thought, "I'll have those." | 0:05:36 | 0:05:37 | |
So he founded The Cachoo Sneezing Powder Company, | 0:05:37 | 0:05:41 | |
and it was a huge, huge success. | 0:05:41 | 0:05:43 | |
He sold 15,000 worth of Cachoo, just in the first year, | 0:05:43 | 0:05:48 | |
a vast sum in 1910, which is around the time we are. | 0:05:48 | 0:05:50 | |
But 25 years later, it was banned by the FDA for being toxic. | 0:05:50 | 0:05:54 | |
-Oh. -But he had meantime... -After several deaths. | 0:05:54 | 0:05:57 | |
Yes. | 0:05:57 | 0:05:58 | |
Meantime, he had invented the squirting lapel flower. | 0:05:58 | 0:06:02 | |
-Oh. -Oh. -That would fool anybody, wouldn't it? -Oldie but a goody, yes. | 0:06:02 | 0:06:06 | |
There we go. It has a little ring. | 0:06:06 | 0:06:08 | |
-I used to have one of those. -There's a... -Oh... -Hey! Highly amusing. | 0:06:08 | 0:06:12 | |
-Help yourself to a dog turd. Oops, there we are. -Eurgh. | 0:06:12 | 0:06:15 | |
They're different. The old ones were hard plastic, that's squidgy. | 0:06:15 | 0:06:19 | |
-You're touching that. Eurgh. -It's really quite unpleasant. | 0:06:19 | 0:06:22 | |
Oh... Oh, dear! | 0:06:23 | 0:06:25 | |
That is horrible, isn't it? | 0:06:25 | 0:06:28 | |
JULIA: Eurgh! | 0:06:28 | 0:06:30 | |
Even if that isn't a dog turd, that's a horrible thing to do. | 0:06:31 | 0:06:35 | |
Uuuuugh! | 0:06:35 | 0:06:36 | |
Oh, my God! | 0:06:40 | 0:06:42 | |
-Oh! -If you swallow that... | 0:06:45 | 0:06:48 | |
If I swallow it, it's going to come out the other end, that'll be good. | 0:06:48 | 0:06:52 | |
What is it then? Fake or not? | 0:06:52 | 0:06:55 | |
Then it would be a real false turd. | 0:06:55 | 0:06:57 | |
Oh, actually, Alan, I'm just getting a... | 0:06:57 | 0:06:58 | |
just getting a message there's been a bit of a mix-up, apparently. | 0:06:58 | 0:07:01 | |
-This is a real one! -Oh, dear. | 0:07:05 | 0:07:07 | |
And here's a... Here's a... You can cut your finger off. | 0:07:07 | 0:07:11 | |
Or you could try this pen. Try writing something with the pen. | 0:07:11 | 0:07:15 | |
Oh, this is going to be hilarious. | 0:07:15 | 0:07:17 | |
-Go on, then. -Oh, dear. | 0:07:17 | 0:07:19 | |
-I never touched it! -Did he get a shock? -I think so. | 0:07:23 | 0:07:26 | |
That is... I'm really sorry, | 0:07:28 | 0:07:29 | |
because that is quite a severe electric shock. | 0:07:29 | 0:07:32 | |
-It's not... -I'll just take your word for it. | 0:07:32 | 0:07:35 | |
It's not insignificant, that one. That is barely a joke. | 0:07:35 | 0:07:39 | |
-It's not funny at all, Stephen! -I'm so sorry. I'm so sorry. | 0:07:39 | 0:07:44 | |
-Give it back to me. -That really hurt. -Aaah. A bendy pencil. | 0:07:44 | 0:07:49 | |
-I don't want a bendy pencil! -A joy buzzer. | 0:07:49 | 0:07:52 | |
He sold three million of these during the Depression. | 0:07:52 | 0:07:55 | |
You shake hands with someone with one of those? | 0:07:55 | 0:07:57 | |
That's right, you put the sort of ring on your finger | 0:07:57 | 0:08:00 | |
so it looks sort of normal. And then... | 0:08:00 | 0:08:01 | |
-Can you buzz me? -Yeah, you want to shake hands. Like that. | 0:08:01 | 0:08:05 | |
-It doesn't give you a shock. -It's a bit of a letdown. -It's just a buzz. | 0:08:05 | 0:08:08 | |
He passed on... I say "he passed on this", I don't mean... | 0:08:08 | 0:08:12 | |
He thought this was too vulgar to sell - | 0:08:12 | 0:08:15 | |
the standard whoopee cushion. You might want to blow that up. Yeah. | 0:08:15 | 0:08:18 | |
It's not Soren Lorensen, | 0:08:18 | 0:08:20 | |
who's the imaginary friend in the Charlie and Lola books, is it? | 0:08:20 | 0:08:22 | |
No, it's not. It's Soren Sorensen Adams. It's quite difficult to... | 0:08:22 | 0:08:27 | |
Is this a joke whoopee cushion you can't blow up? | 0:08:27 | 0:08:29 | |
It is difficult to get the sphincter open, isn't it? | 0:08:29 | 0:08:32 | |
-SQUEAKING -Whoa! | 0:08:32 | 0:08:34 | |
Ah, there we go, that's right. | 0:08:35 | 0:08:37 | |
Maybe while Alan isn't looking... Alan, lean over here for a second. | 0:08:37 | 0:08:41 | |
That's it, take the false egg, which is hilarious. | 0:08:41 | 0:08:44 | |
WHOOPEE CUSHION EMITS FAINT PUFF | 0:08:44 | 0:08:46 | |
LAUGHTER AND APPLAUSE | 0:08:46 | 0:08:48 | |
That was possibly the least convincing whoopee cushion noise | 0:08:51 | 0:08:54 | |
I've ever heard. | 0:08:54 | 0:08:55 | |
-JULIA: Silent, but deadly. -Yeah. -It was strangely realistic. -Yeah. | 0:08:55 | 0:09:00 | |
I just smothered it completely. | 0:09:00 | 0:09:02 | |
-Alan's wearing a whoopee cushion silencer on his jeans. -Very sensible. | 0:09:02 | 0:09:07 | |
The best one is the fart... the remote-control fart machine. | 0:09:07 | 0:09:10 | |
-Yeah. -Have you got one of those? -Of course I have. Yes. | 0:09:10 | 0:09:12 | |
-Has anyone got one? -How does it work? | 0:09:12 | 0:09:14 | |
-You've got to get one. -They are marvellous. | 0:09:14 | 0:09:16 | |
You just, at Christmas... | 0:09:16 | 0:09:17 | |
You bury it under the cushion near your aunt. | 0:09:17 | 0:09:19 | |
Yes, it's funny even if you just put it under your dog's basket, | 0:09:19 | 0:09:22 | |
-because the dog... -Absolutely. -The dog goes like that. | 0:09:22 | 0:09:25 | |
-I'll take a picture. Alan, smile. -No, what's going to happen now! | 0:09:25 | 0:09:28 | |
Oh. It's supposed to be water. | 0:09:28 | 0:09:31 | |
Anyway, we can probably put away our little tray of fun toys, | 0:09:31 | 0:09:35 | |
having electrocuted Alan, which was the purpose of the evening. Maybe you could pass me your... | 0:09:35 | 0:09:39 | |
-How do you blow it up, then? -Could you pass me your turd? | 0:09:39 | 0:09:43 | |
Woo. That's meant... I think if you over...maybe... | 0:09:44 | 0:09:49 | |
Have a go. | 0:09:49 | 0:09:50 | |
FRUITY RASPBERRY | 0:09:50 | 0:09:51 | |
That's better! | 0:09:51 | 0:09:53 | |
CHEERING AND APPLAUSE | 0:09:53 | 0:09:55 | |
One of these has never had a round of applause from 600 people before. | 0:09:59 | 0:10:02 | |
Yeah! I read somewhere that this was "the intellectual quiz show", | 0:10:02 | 0:10:06 | |
and you can see why. | 0:10:06 | 0:10:07 | |
Now, one of the things I want to prepare you for is to see | 0:10:07 | 0:10:11 | |
if you can, during the course of today's lesson, | 0:10:11 | 0:10:15 | |
prepare, in any spare moments you have, a limerick for me. | 0:10:15 | 0:10:18 | |
-You know what a limerick is? -Yes. | 0:10:18 | 0:10:19 | |
-Aside from being a county in Ireland. -It's a town. | 0:10:19 | 0:10:22 | |
-Yes. -There was an old man from Limerick, | 0:10:22 | 0:10:24 | |
who was unaware of the short, often humorous, poems | 0:10:24 | 0:10:26 | |
that shared the same name as his home town. | 0:10:26 | 0:10:28 | |
LAUGHTER AND APPLAUSE | 0:10:28 | 0:10:30 | |
Very, very good. Anyway, so do be ready for that. | 0:10:35 | 0:10:37 | |
But we've got a quickie for you. What happens if you put | 0:10:37 | 0:10:40 | |
someone's hand in a bowl of water while they're sleeping? | 0:10:40 | 0:10:42 | |
LAUGHING BABY | 0:10:42 | 0:10:44 | |
They have a little widdle, don't they? | 0:10:44 | 0:10:47 | |
Oh, no! | 0:10:47 | 0:10:48 | |
-They don't have a little widdle. -They don't? | 0:10:48 | 0:10:51 | |
No, it's a total myth. | 0:10:51 | 0:10:53 | |
Total myth, perpetuated by schoolchildren and others. | 0:10:53 | 0:10:56 | |
All kinds of experiments have been done. | 0:10:56 | 0:10:59 | |
That splendid programme, Myth Busters, tried it. | 0:10:59 | 0:11:01 | |
Zero wetting ensued. There's no reason why it should happen. | 0:11:01 | 0:11:05 | |
It must have happened once. | 0:11:05 | 0:11:06 | |
-Well, by coincidence, possibly. -By coincidence. | 0:11:06 | 0:11:09 | |
That coincidence was assumed to be causal | 0:11:09 | 0:11:10 | |
and from that moment on the myth was born. | 0:11:10 | 0:11:13 | |
You can try it at home, I recommend it, with your spouses and children. | 0:11:13 | 0:11:16 | |
Like the one where if you wet yourself | 0:11:16 | 0:11:18 | |
while driving, you crash the car. | 0:11:18 | 0:11:19 | |
-I would frankly... -Has that not happened to everyone? | 0:11:23 | 0:11:26 | |
If I crashed a car, I think I would wet myself. | 0:11:26 | 0:11:28 | |
-It's the other way round. -That's what's interesting about the experiment. -Yeah, it is. Absolutely. | 0:11:28 | 0:11:33 | |
What about when you fall asleep and you wake up | 0:11:33 | 0:11:35 | |
and you've had half your eyebrow shaved off? | 0:11:35 | 0:11:37 | |
-Then you have bad friends. -I do have hideous friends. | 0:11:37 | 0:11:40 | |
-Yeah, cos that's the other thing that can happen. -Yeah. | 0:11:40 | 0:11:42 | |
It's all right, I'm over it, it's fine. | 0:11:42 | 0:11:44 | |
-You had your eyebrows shaved off? -Yeah, you know? | 0:11:44 | 0:11:47 | |
Obviously, no-one's had it happen. | 0:11:47 | 0:11:48 | |
Yeah, you fall asleep and someone goes, | 0:11:48 | 0:11:50 | |
"Oh, this will be even funnier." | 0:11:50 | 0:11:52 | |
Put your hand in a bottle of thing | 0:11:52 | 0:11:53 | |
and voom, voom, you wake up and you look hideous. | 0:11:53 | 0:11:55 | |
-That's just vile! -I'm Australian. | 0:11:55 | 0:11:59 | |
Anyway, so there you go. | 0:12:01 | 0:12:03 | |
What would be the best flavour for an exploding sandwich? | 0:12:03 | 0:12:07 | |
-LAUGHING HYENA -Tim Vine? | 0:12:07 | 0:12:09 | |
Cheese and ham grenade. | 0:12:09 | 0:12:11 | |
Very good. Very good. Excellent. There is... | 0:12:15 | 0:12:19 | |
-No, is it wrong, then? -It's wrong. | 0:12:19 | 0:12:22 | |
Well, I mean it would explode, obviously. | 0:12:22 | 0:12:24 | |
Sauerkraut and cabbage can make you explode, on a different level, also funny. | 0:12:24 | 0:12:27 | |
This one would make you explode on that level too. | 0:12:27 | 0:12:30 | |
It's in fact a classic English sandwich, | 0:12:30 | 0:12:32 | |
as in The Importance Of Being Ernest. | 0:12:32 | 0:12:34 | |
-What are the sandwiches that Aunt Augusta particularly liked? -Watercress. -Cucumber? -Mustard. | 0:12:34 | 0:12:38 | |
She particularly liked cucumber sandwiches. | 0:12:38 | 0:12:41 | |
But this is a very specific species of cucumber. | 0:12:41 | 0:12:43 | |
There it is, you see, it's quite spiky. | 0:12:43 | 0:12:45 | |
-The exploding cucumber of Panama. -There's the fuse. | 0:12:45 | 0:12:48 | |
Yes, it's the exploding cucumber. | 0:12:48 | 0:12:50 | |
-It's the squirting or exploding cucumber. -Come on. | 0:12:50 | 0:12:52 | |
It's a Mediterranean plant and, when touched, | 0:12:52 | 0:12:55 | |
it propels its seeds in a sticky mucus at over 60mph. | 0:12:55 | 0:12:59 | |
-You're pointing at Rob. -I'm not pointing at Rob. | 0:12:59 | 0:13:03 | |
I'm just saying when that picture came up, | 0:13:03 | 0:13:05 | |
we looked across at each other and we both went, "Oh, testicles." | 0:13:05 | 0:13:08 | |
-I mean, it's clear. Didn't we? Were you? -But can we be very clear, | 0:13:08 | 0:13:12 | |
I do not propel my seeds in a sticky mucus at 80mph. | 0:13:12 | 0:13:19 | |
And certainly not up to 30 feet. | 0:13:19 | 0:13:21 | |
-No, not... Well, on a good day, on a good day. -In the teens. | 0:13:21 | 0:13:26 | |
So you can see it's being touched here | 0:13:28 | 0:13:29 | |
and you can see the effect of the operation of it exploding. | 0:13:29 | 0:13:33 | |
If you look carefully. Boing! Yeah, that's... I mean, it's a sexual act. | 0:13:33 | 0:13:38 | |
I mean, it is spreading its seed. | 0:13:38 | 0:13:40 | |
And you can see the seeds flying everywhere. Whoa! | 0:13:40 | 0:13:43 | |
-Does it do that to itself? -Well, no, it's... | 0:13:43 | 0:13:46 | |
Because that looks like another bit of it. | 0:13:46 | 0:13:48 | |
Yeah, when it's very, very ripe and it falls, it will do it, | 0:13:48 | 0:13:51 | |
but otherwise when touched, it will also do it. | 0:13:51 | 0:13:53 | |
Its actual Linnaean name is Ecballium elaterium, | 0:13:53 | 0:13:56 | |
which translates as the squirting squirter, | 0:13:56 | 0:13:58 | |
ecballium as in ballistics, it throws out, | 0:13:58 | 0:14:01 | |
and that's the forceful ejection of its seeds. | 0:14:01 | 0:14:03 | |
But the elaterium is the fact that it is a violent purgative. | 0:14:03 | 0:14:06 | |
So it's a squirting squirter that gives you the squirts. | 0:14:06 | 0:14:09 | |
So, yes, it would...it would make you explode from behind as well. | 0:14:09 | 0:14:13 | |
-So in that sense, it's fully explosive. -Great! | 0:14:13 | 0:14:16 | |
-Now, what's the worst place to be licked by a goat? -Oh! | 0:14:16 | 0:14:19 | |
At your parents' house. | 0:14:21 | 0:14:23 | |
-The perineum. -Well, the perineum would be | 0:14:24 | 0:14:26 | |
-a bit unpleasant... -What bizarre set of circumstances | 0:14:26 | 0:14:30 | |
would result in you being, | 0:14:30 | 0:14:34 | |
having your perineum well and truly licked by a goat? | 0:14:34 | 0:14:38 | |
What he said is not the right answer, I ought to tell you. | 0:14:38 | 0:14:41 | |
-So it's not the perineum? -No, it's not. -Is it to do with the tongue | 0:14:41 | 0:14:44 | |
because it's so raspy and...? | 0:14:44 | 0:14:47 | |
It is to do with the raspiness of the goat's tongue. | 0:14:47 | 0:14:49 | |
It was used as a torture. | 0:14:49 | 0:14:50 | |
You would tie someone to a tree, so their legs were sticking out. | 0:14:50 | 0:14:53 | |
-Not licking the feet? -Bare feet and cover the feet... -They did it with pigs too. | 0:14:53 | 0:14:56 | |
Cover the feet with honey and the goat would lick it. | 0:14:56 | 0:14:59 | |
At first it would be a pleasant tickling sensation, | 0:14:59 | 0:15:01 | |
and then it would rip off layers of skin. | 0:15:01 | 0:15:03 | |
-It was horrible. -Ugh. -I know. | 0:15:03 | 0:15:04 | |
It would have livened up that scene in Goldfinger, wouldn't it? | 0:15:04 | 0:15:07 | |
He's tied down and the laser beam comes between his legs. | 0:15:07 | 0:15:10 | |
If he'd said, you know, "Oh, my God, no! Not the goat." | 0:15:10 | 0:15:13 | |
"Ah, Mr Bond, I put some honey onto the underside on your foot. | 0:15:15 | 0:15:19 | |
"You might call it your sole! Ah ha ha. | 0:15:19 | 0:15:22 | |
-"Bring in the goat." -BLEATS LIKE GOAT | 0:15:23 | 0:15:24 | |
And he goes, "Oh, no, no, not the goat. It's a furry goat. No. Oh." | 0:15:24 | 0:15:27 | |
And then he goes, "Actually, that's quite pleasant." | 0:15:27 | 0:15:30 | |
And he says, "Soon the pleasure will turn to pain, Mr Bond." | 0:15:30 | 0:15:33 | |
And then he said, "You expect me to talk?" | 0:15:33 | 0:15:36 | |
-"No. I expect you to die." -Well, yes. | 0:15:36 | 0:15:40 | |
But Franciscus Brunus, a late Medieval jurist | 0:15:40 | 0:15:42 | |
and expert on torture, said in 1502, | 0:15:42 | 0:15:45 | |
"I hear this is a very hard torture and totally safe." | 0:15:45 | 0:15:49 | |
Tickling was used in the stocks as well. | 0:15:49 | 0:15:52 | |
You tickled people's feet in the stocks. | 0:15:52 | 0:15:54 | |
And in the Han Dynasty in China they used tickling a lot. | 0:15:54 | 0:15:57 | |
Now let's see how your J for "jeography" is. | 0:15:57 | 0:15:59 | |
Lots of points for the right answer | 0:15:59 | 0:16:01 | |
and a measly minus ten for a wrong one, so try and be right. | 0:16:01 | 0:16:05 | |
What's the name of the largest mountain in Japan? | 0:16:05 | 0:16:08 | |
-Fuji. -Is the right answer! | 0:16:09 | 0:16:11 | |
Yes. It's an active volcano, | 0:16:11 | 0:16:13 | |
although it hasn't actually erupted for 200 years. | 0:16:13 | 0:16:17 | |
-So it's probably about due. -Yeah, it probably is. -Vesuvius is overdue. | 0:16:17 | 0:16:21 | |
It's right next to Naples and it's overdue | 0:16:21 | 0:16:24 | |
and there's no way of predicting when it will erupt. | 0:16:24 | 0:16:28 | |
-No, I know. -They told us this when we went to see it on a school trip! | 0:16:28 | 0:16:31 | |
-That'll cheer you up, won't it(?) -They said... | 0:16:32 | 0:16:34 | |
This is in the days before 'Ealth and Safety. | 0:16:34 | 0:16:36 | |
They took you up into the crater to... | 0:16:36 | 0:16:38 | |
Any minute now, we're expecting it. | 0:16:38 | 0:16:41 | |
It's overdue, we're standing in the crater of it - | 0:16:41 | 0:16:43 | |
a party of schoolchildren - and to get there | 0:16:43 | 0:16:46 | |
you had to walk across a lava flow | 0:16:46 | 0:16:48 | |
-that had a sulphur crust that was about that thick. -Whoa. | 0:16:48 | 0:16:52 | |
And so you walked across it and there were places where | 0:16:52 | 0:16:54 | |
it had fallen through and had just a small fence round it | 0:16:54 | 0:16:57 | |
and underneath was - blurp, blurp - a volcanic mire. | 0:16:57 | 0:16:59 | |
Yeah, I know, it's amazing, isn't it? | 0:16:59 | 0:17:01 | |
And they said to us, "Walk in pairs and don't jump up and down." | 0:17:01 | 0:17:04 | |
That was the safety brief. | 0:17:06 | 0:17:08 | |
We gathered together and jumped up and down together. | 0:17:08 | 0:17:10 | |
Of course you did. Because they told you not to. | 0:17:10 | 0:17:12 | |
Because as 12-year-old boys, what are we doing to do? | 0:17:12 | 0:17:15 | |
Anyway, so can you name a Caribbean island group beginning with B? | 0:17:15 | 0:17:19 | |
Bahamas. | 0:17:19 | 0:17:20 | |
KLAXON BLARES | 0:17:20 | 0:17:21 | |
Oh, Alan got there first. And I'm afraid | 0:17:21 | 0:17:24 | |
-they're not Caribbean, no, they're Atlantic. -What? | 0:17:24 | 0:17:27 | |
They're not in the Caribbean, the Bahamas, they're in the Atlantic. | 0:17:27 | 0:17:30 | |
-I've been on holiday to them. I've done a lot of holidays. -Yes, you have. | 0:17:30 | 0:17:33 | |
There is an island group beginning with B in the Caribbean. | 0:17:33 | 0:17:37 | |
-AUDIENCE MEMBER: British Virgin. -Very good in the audience. | 0:17:37 | 0:17:40 | |
That was a superb accent! | 0:17:40 | 0:17:41 | |
Someone shouted out one of the rarest things you could possibly imagine, British Virgin! | 0:17:41 | 0:17:46 | |
LAUGHTER AND APPLAUSE | 0:17:46 | 0:17:49 | |
I wouldn't have accepted Barbados because it's a single island. | 0:17:52 | 0:17:55 | |
-It's only one island, Barbados. -Exactly. There you go. | 0:17:55 | 0:17:58 | |
-The Bahamas are not in the Caribbean? -No, I know, big surprise. | 0:17:58 | 0:18:00 | |
This bloke came up and said, | 0:18:00 | 0:18:02 | |
"I'm going to dress up as a small island off the coast of Italy." | 0:18:02 | 0:18:04 | |
I said, "Don't be Sicily." | 0:18:04 | 0:18:06 | |
Yes. | 0:18:09 | 0:18:10 | |
Finally on "jeography", which country crosses the most time zones? | 0:18:13 | 0:18:17 | |
-Is it... Oh. -Yeah, go on, go on, do it, do it. -Come along. -Oh, all right. | 0:18:17 | 0:18:21 | |
-LAUGHING BABY Go on, hey. -Wales. | 0:18:21 | 0:18:25 | |
You see, I told you! I knew not to do it. | 0:18:25 | 0:18:30 | |
-And yet you won. -And you're like, "Go on, do it." | 0:18:30 | 0:18:33 | |
At least you didn't get a klaxon. | 0:18:33 | 0:18:34 | |
Well, it was my first... | 0:18:34 | 0:18:35 | |
-Yeah? -Canada. -No, it's not Canada. -KLAXON BLARES | 0:18:35 | 0:18:39 | |
-I'm afraid we did... -I think it's a trick, | 0:18:39 | 0:18:41 | |
because I think it's going to be a country that's got outposts. | 0:18:41 | 0:18:43 | |
Possessions, you're correct. | 0:18:43 | 0:18:45 | |
-Is it the United Kingdom? -It's not the United Kingdom. | 0:18:45 | 0:18:47 | |
We don't count our possessions | 0:18:47 | 0:18:49 | |
as all being part of the mother country, | 0:18:49 | 0:18:51 | |
but one ex-colonial power | 0:18:51 | 0:18:52 | |
does regard all its outlying possessions as being | 0:18:52 | 0:18:55 | |
-part of the mother country. -LAUGHING KOOKABURRA | 0:18:55 | 0:18:57 | |
-France. -France? | 0:18:57 | 0:18:58 | |
France is right. Oh, yes, you got the buzzer, | 0:18:58 | 0:19:00 | |
I'll have to give it to Julia. | 0:19:00 | 0:19:02 | |
-Yes. -You were just too lazy to buzz. -Well, I was... | 0:19:02 | 0:19:04 | |
You've got to use the buzzer, that's the rule. | 0:19:04 | 0:19:06 | |
Exactly. | 0:19:06 | 0:19:07 | |
Yes, so France has 12 different time zones. | 0:19:07 | 0:19:10 | |
The US has 11 time zones, because of Hawaii being all the way, | 0:19:10 | 0:19:13 | |
and Russia nine. | 0:19:13 | 0:19:16 | |
Now, what is the longest thing about this animal? | 0:19:16 | 0:19:20 | |
Oh, its cock. | 0:19:20 | 0:19:21 | |
-Oh, dear, oh, dear. -Its ears. -It's a bilby. That's a bilby. | 0:19:21 | 0:19:25 | |
-It's not a bilby. -Oh, I just lost a point. -Is it not? | 0:19:25 | 0:19:27 | |
And the longest thing is not the ears, | 0:19:27 | 0:19:29 | |
we rather hid the longest thing. It's a cute little creature. | 0:19:29 | 0:19:32 | |
-Is it its tail? -It is the tail. | 0:19:32 | 0:19:34 | |
-Well done, and let's have a look. -Points! -I was going to say tail! | 0:19:34 | 0:19:37 | |
-Aw. -Oh, look at that. -It's a cute little thing. | 0:19:37 | 0:19:39 | |
-Look at him! -It hops like a little kangaroo. | 0:19:39 | 0:19:41 | |
It's easy to catch him, you stick your foot down. | 0:19:41 | 0:19:43 | |
There it goes. | 0:19:43 | 0:19:44 | |
-It lives in the Gobi Desert. -JULIA: That is cute. | 0:19:44 | 0:19:47 | |
And it has a very long tail, | 0:19:47 | 0:19:48 | |
as you can see, that it uses for balance | 0:19:48 | 0:19:50 | |
and, rather like a kangaroo, it can also sit up on it. | 0:19:50 | 0:19:53 | |
Very, very endearing. | 0:19:53 | 0:19:55 | |
The ears are thought to be, you know, to let the cool... | 0:19:55 | 0:19:58 | |
to cool itself - the blood cools through the ears. | 0:19:58 | 0:20:00 | |
That looks rather dead, that one. | 0:20:00 | 0:20:02 | |
Well, he's got a... He's treated himself to a Kinder Surprise. | 0:20:02 | 0:20:06 | |
-He's swallowed the toy and choked on it. -Yeah. And it's called a jerboa. | 0:20:07 | 0:20:13 | |
-Jerboa. -It's called a jerboa with a J, hence our J. | 0:20:13 | 0:20:16 | |
It's from an Arabian word in fact, meaning "flesh of the loins", | 0:20:16 | 0:20:20 | |
rather oddly. | 0:20:20 | 0:20:21 | |
But it's the same origin as the word gerbil. | 0:20:21 | 0:20:23 | |
And what is it about humans and big ears? | 0:20:23 | 0:20:25 | |
-They get bigger. -They get bigger. | 0:20:25 | 0:20:27 | |
-The ears get bigger. -Yeah, I mean old... | 0:20:27 | 0:20:29 | |
So does the nose, is that right? | 0:20:29 | 0:20:32 | |
Old men do seem to have longer ears, | 0:20:32 | 0:20:34 | |
but the trouble is, no-one's done a study | 0:20:34 | 0:20:35 | |
where they've measured their ears when they were younger | 0:20:35 | 0:20:38 | |
because it could well be, it's logical... | 0:20:38 | 0:20:42 | |
The head's getting smaller. | 0:20:42 | 0:20:43 | |
..that having large ears is a predictor of a long life. | 0:20:43 | 0:20:45 | |
-I know what that man did for a living. -What's that? | 0:20:45 | 0:20:48 | |
He was a bowler hat model. | 0:20:48 | 0:20:50 | |
JULIA: That is a weird-looking guy. | 0:20:50 | 0:20:52 | |
-He was a very fine bowler hat model. -I've got quite big ears, | 0:20:52 | 0:20:56 | |
but I can also see what it's like to be someone whose ears are flat | 0:20:56 | 0:21:00 | |
against the side of their head, because I can go like that. | 0:21:00 | 0:21:02 | |
-Oh, my goodness! -And I can hold it, | 0:21:02 | 0:21:04 | |
and it's like having an instant face-lift, like that. | 0:21:04 | 0:21:07 | |
-How do you do that? -Well, I can't really talk like this as well. -I see. | 0:21:07 | 0:21:13 | |
I'll tell you later. It means I can do a thing like when you do it on a roller coaster | 0:21:13 | 0:21:17 | |
and you're just going over the top, you go... | 0:21:17 | 0:21:19 | |
LAUGHTER | 0:21:19 | 0:21:22 | |
I bet your so-called serious brother Jeremy can't do that. | 0:21:29 | 0:21:32 | |
-He can't do that. -Yeah. | 0:21:32 | 0:21:34 | |
He could host a phone-in about it, though, couldn't he? | 0:21:34 | 0:21:37 | |
He could. Call in if you can wiggle your ears. | 0:21:37 | 0:21:40 | |
Having a problem with your ears? Give us a ring now. Go on. | 0:21:40 | 0:21:43 | |
He did once on his show genuinely have... | 0:21:43 | 0:21:45 | |
I thought they were running out of things to do that day. | 0:21:45 | 0:21:48 | |
He said, "Please..." And, honestly, it wasn't a joke, he said, | 0:21:48 | 0:21:50 | |
"Please phone in if the sound of your own voice terrifies you." | 0:21:50 | 0:21:54 | |
That was a phone-in topic. | 0:21:56 | 0:21:57 | |
And did anyone call in? | 0:21:57 | 0:21:59 | |
-People rang in screaming, "Argh!" -Any calls? -Get someone else to ring. | 0:21:59 | 0:22:03 | |
-Yeah, they had some people ring up. -Sobbing. | 0:22:03 | 0:22:06 | |
"Help me, I'm so afraid!" | 0:22:06 | 0:22:08 | |
Anyway, why would the King of France enjoy a naive salad for starters? | 0:22:09 | 0:22:14 | |
He's got a tiny head, has he got massive ears under that wig? | 0:22:14 | 0:22:17 | |
Of course, naive backwards is? | 0:22:19 | 0:22:22 | |
-Evian. -Evian, as in the water. -Is it? | 0:22:22 | 0:22:24 | |
-Isn't it? Evian. -Yeah... Yes, it is... -Yes, it is. -..Mr Fry. | 0:22:24 | 0:22:28 | |
So it's not that it's backwards that it's relevant, | 0:22:28 | 0:22:31 | |
but it's that the letters of naive make Evian, | 0:22:31 | 0:22:35 | |
and the letters of naive salad could be rearranged to make... | 0:22:35 | 0:22:39 | |
-Dallas. -No, that would be, that would be two Ls, darling. | 0:22:39 | 0:22:43 | |
-You're absolutely right, carry on. -Yes, yeah. Naive salad. | 0:22:43 | 0:22:47 | |
See if we can rearrange them. | 0:22:47 | 0:22:48 | |
Anyone in the audience who can see what's going on? | 0:22:48 | 0:22:50 | |
-Alive. -Alan... Davies! | 0:22:50 | 0:22:55 | |
APPLAUSE | 0:22:55 | 0:22:56 | |
-JULIA: Aah, yeah! -Naive salad. | 0:22:56 | 0:23:01 | |
-Of course, I think your middle name is Roger, isn't it? -It is. | 0:23:01 | 0:23:04 | |
So Alan R Davies would be "anal adviser", | 0:23:04 | 0:23:06 | |
um, which might be even better. | 0:23:06 | 0:23:10 | |
The King of France might enjoy an anal adviser. | 0:23:10 | 0:23:13 | |
Must get a business card done immediately. | 0:23:13 | 0:23:16 | |
Or you could be "a ladies' van". | 0:23:16 | 0:23:18 | |
But the point is, | 0:23:18 | 0:23:20 | |
the Kings of France enjoyed an Anagrammateur Royale - | 0:23:20 | 0:23:23 | |
a royal anagrammer. It was like a court jester. | 0:23:23 | 0:23:27 | |
He would make up flattering anagrams of your name. | 0:23:27 | 0:23:30 | |
We probably know the famous ones, | 0:23:30 | 0:23:32 | |
like Britney Spears is an anagram of? | 0:23:32 | 0:23:35 | |
Presbyterians, rather strangely, but it is. | 0:23:35 | 0:23:38 | |
Virginia Bottomley, who was a Tory MP under Margaret Thatcher, | 0:23:38 | 0:23:41 | |
anagramatises into "I'm an evil Tory bigot". | 0:23:41 | 0:23:44 | |
Which is just one of those things. | 0:23:46 | 0:23:48 | |
And you get ones...one of the ones which always fascinate me | 0:23:48 | 0:23:50 | |
is that laptop machines is an anagram of Apple Macintosh, | 0:23:50 | 0:23:54 | |
-which is very extraordinary, isn't it? -Oh, wacky. | 0:23:54 | 0:23:57 | |
And in Japan they had a similar sort of wordplay fest, | 0:23:57 | 0:24:01 | |
which is where someone would start off with a haiku - five, seven, | 0:24:01 | 0:24:04 | |
five syllables - and then someone would add a seven syllable line. | 0:24:04 | 0:24:08 | |
It was called the maeku-zuke, responding to the front line. | 0:24:08 | 0:24:12 | |
And you'd end up making some witty or satirical poem on the fly. | 0:24:12 | 0:24:15 | |
And that's why I asked you to write a limerick. | 0:24:15 | 0:24:17 | |
-So have you got a limerick for me? Any of you? I hope you have. -I do. | 0:24:17 | 0:24:21 | |
-Oh, go on, then. -Girls first? -Yeah. | 0:24:21 | 0:24:25 | |
SHE CLEARS THROAT | 0:24:25 | 0:24:27 | |
I carouse in a style bacchanalian | 0:24:27 | 0:24:29 | |
But I sleep in a way marsupalian | 0:24:29 | 0:24:33 | |
I like to eat cheese | 0:24:33 | 0:24:35 | |
But I never say please | 0:24:35 | 0:24:36 | |
Yes, I'm French but I'm also Australian. | 0:24:36 | 0:24:38 | |
Oh, that's very good! | 0:24:38 | 0:24:40 | |
It's certainly better than the one I know about an Australian. | 0:24:43 | 0:24:47 | |
There was a young man from Australia | 0:24:47 | 0:24:49 | |
Who painted his arse like a dahlia. | 0:24:49 | 0:24:51 | |
Twopence a smell Was all very well | 0:24:51 | 0:24:52 | |
But threepence a lick was a failure. | 0:24:52 | 0:24:54 | |
-Alan, what have you got for us? -I've got: | 0:25:00 | 0:25:02 | |
There once was a show on TV | 0:25:02 | 0:25:03 | |
That was always the smart place to be | 0:25:03 | 0:25:06 | |
I'm fully aware You'd rather be there | 0:25:06 | 0:25:08 | |
But instead you're stuck here with me. | 0:25:08 | 0:25:10 | |
Oh, very good. | 0:25:10 | 0:25:12 | |
I like it. | 0:25:12 | 0:25:14 | |
I've... | 0:25:14 | 0:25:16 | |
I've got one about Rob Brydon. | 0:25:16 | 0:25:17 | |
Ooh. | 0:25:17 | 0:25:19 | |
-Ooh! -Just because I've found something that rhymes with Brydon. | 0:25:19 | 0:25:22 | |
There was a young man called Rob Brydon, | 0:25:22 | 0:25:24 | |
Whose favourite film was the Poseidon... | 0:25:24 | 0:25:28 | |
Adventure... | 0:25:28 | 0:25:29 | |
..and he... | 0:25:31 | 0:25:33 | |
Would watch it regularly | 0:25:33 | 0:25:35 | |
That funny old man called Rob Brydon. | 0:25:35 | 0:25:38 | |
Very good. Excellent because that's not an easy rhyme. Yeah, yeah. | 0:25:40 | 0:25:44 | |
It's easy to win on QI | 0:25:44 | 0:25:46 | |
You don't need an IQ that's high | 0:25:46 | 0:25:48 | |
Try not to be haughty Just be a bit naughty | 0:25:48 | 0:25:50 | |
And make sure you please Stephen Fry. | 0:25:50 | 0:25:52 | |
Yo, I like it! Very good. | 0:25:52 | 0:25:54 | |
I say. | 0:25:54 | 0:25:56 | |
Highly flattering. Many points. | 0:25:56 | 0:26:00 | |
Appearing one night on QI | 0:26:00 | 0:26:01 | |
I made up three facts on the fly | 0:26:01 | 0:26:04 | |
The first was untrue The second was too | 0:26:04 | 0:26:06 | |
And the third was about the size of my cock. | 0:26:06 | 0:26:08 | |
And it was no exaggeration, Julia. | 0:26:08 | 0:26:09 | |
Yes. Rob, what have you got for us? | 0:26:13 | 0:26:16 | |
Nothing, as will become evident. | 0:26:16 | 0:26:19 | |
There once was a chap called Tim Vine... | 0:26:19 | 0:26:21 | |
Oh, hello. | 0:26:21 | 0:26:22 | |
Whose punning was simply sublime | 0:26:22 | 0:26:24 | |
Sat next to Alan... Oh, bugger! | 0:26:24 | 0:26:27 | |
OK. | 0:26:30 | 0:26:32 | |
There once was a man called Tim Vine | 0:26:32 | 0:26:34 | |
Whose punning was more than just fine | 0:26:34 | 0:26:37 | |
Sat on the panel With no end of flannel | 0:26:37 | 0:26:41 | |
That lovely young chap called Tim Vine. | 0:26:41 | 0:26:44 | |
Tim Vine. | 0:26:44 | 0:26:45 | |
Oh, that's very good, very good. Very, very fine. | 0:26:45 | 0:26:47 | |
APPLAUSE | 0:26:47 | 0:26:49 | |
Here's one I read in one of the Piccolo book of jokes. | 0:26:49 | 0:26:52 | |
There was a young man from Devizes Whose ears were different sizes | 0:26:52 | 0:26:55 | |
One was quite small And no use at all | 0:26:55 | 0:26:57 | |
The other was huge and won prizes. | 0:26:57 | 0:26:58 | |
Oh, that's very sweet. I like that. Excellent. Well, | 0:27:00 | 0:27:03 | |
the strange thing about limericks is, | 0:27:03 | 0:27:05 | |
no-one knows why they are called limericks. | 0:27:05 | 0:27:07 | |
They seem to have no relationship | 0:27:07 | 0:27:08 | |
to the town of Limerick, but they are and continue to be | 0:27:08 | 0:27:11 | |
popular and sometimes excessively rude. | 0:27:11 | 0:27:13 | |
There was a young chaplain from Kings | 0:27:13 | 0:27:15 | |
Who talked about God and such things | 0:27:15 | 0:27:18 | |
But his real desire Was a boy in the choir | 0:27:18 | 0:27:21 | |
With a bottom like jelly on springs. | 0:27:21 | 0:27:22 | |
-There we go. -Lovely. -Fair enough. -JULIA: Top that! -Yeah. | 0:27:25 | 0:27:30 | |
That brings us to the somewhat predictable punchline | 0:27:31 | 0:27:34 | |
that we call the scores. | 0:27:34 | 0:27:35 | |
Let's see what's been happening. | 0:27:35 | 0:27:37 | |
Well, divine as he is, | 0:27:37 | 0:27:38 | |
I'm afraid in last place with -27 is Tim Vine. | 0:27:38 | 0:27:42 | |
APPLAUSE | 0:27:42 | 0:27:44 | |
In a... | 0:27:47 | 0:27:50 | |
The beau of the valleys is in third place with -6, Rob Brydon. | 0:27:50 | 0:27:54 | |
APPLAUSE | 0:27:54 | 0:27:57 | |
Not good. | 0:27:57 | 0:27:58 | |
And far from a failure, | 0:27:58 | 0:28:01 | |
that wonderful Franco-Australian Julia, with -3. | 0:28:01 | 0:28:04 | |
APPLAUSE Oh, phew. Thank you. | 0:28:04 | 0:28:08 | |
APPLAUSE DROWNS SPEECH | 0:28:08 | 0:28:10 | |
It makes men gasp and stretch their eyes, | 0:28:10 | 0:28:13 | |
Alan Davies is clear winner with +12! | 0:28:13 | 0:28:16 | |
APPLAUSE | 0:28:16 | 0:28:18 | |
So that's all from Rob, Julia, Tim, Alan and me. | 0:28:24 | 0:28:27 | |
Thank you, good night | 0:28:27 | 0:28:28 | |
and be extremely pleasant to each other. Bye-bye. | 0:28:28 | 0:28:31 | |
APPLAUSE | 0:28:31 | 0:28:33 |