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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
Go-o-o-o-o-o-o-o-d evening, | 0:00:31 | 0:00:35 | |
good evening, good evening, good evening, good evening, | 0:00:35 | 0:00:38 | |
and welcome to QI. | 0:00:38 | 0:00:42 | |
Now, the journey of a thousand miles begins with a single question, | 0:00:42 | 0:00:47 | |
where the hell did I leave my passport? | 0:00:47 | 0:00:50 | |
I lost mine in a plane once | 0:00:50 | 0:00:52 | |
-and it had gone down under the cushion of my seat. -Oh! Yeah. | 0:00:52 | 0:00:55 | |
-The actual plane seat. -Yeah. I once had to have a... | 0:00:55 | 0:00:58 | |
I was on the plane for ages, I refused to get off the plane. | 0:00:58 | 0:01:01 | |
You have to have your seat disassembled. | 0:01:01 | 0:01:03 | |
And eventually I found it. | 0:01:03 | 0:01:05 | |
-That was the end of the story. -Oh! | 0:01:06 | 0:01:09 | |
That's a beautiful story. | 0:01:09 | 0:01:11 | |
That is... That is a lovely, lovely story. | 0:01:11 | 0:01:14 | |
Is it specifically you, where did you leave YOUR passport? | 0:01:14 | 0:01:17 | |
No, it's this technique. The University of Wisconsin. | 0:01:17 | 0:01:20 | |
When you lose something, it actually helps to say the name of the thing | 0:01:20 | 0:01:24 | |
that you have lost, or you are looking for. | 0:01:24 | 0:01:26 | |
-Dignity. -Yes, for example! Very good. | 0:01:26 | 0:01:29 | |
-Brilliant. You see? Exactly. -For me that would make it worse. | 0:01:32 | 0:01:36 | |
That would just draw attention to it. | 0:01:36 | 0:01:38 | |
-Your wallet has a name?! -Well, no, just... | 0:01:38 | 0:01:41 | |
"Peregrine! Peregrine! | 0:01:41 | 0:01:45 | |
"Bah! | 0:01:45 | 0:01:47 | |
"Peregrine?" | 0:01:47 | 0:01:49 | |
That's how... | 0:01:50 | 0:01:52 | |
-It might work. -It has now. | 0:01:55 | 0:01:58 | |
Yes, from now on, it will be called Peregrine. | 0:01:58 | 0:02:00 | |
But anyway, that's not the point. | 0:02:00 | 0:02:02 | |
The point is, for example, you open a cutlery drawer | 0:02:02 | 0:02:04 | |
and where the hell's the garlic peeler? | 0:02:04 | 0:02:06 | |
But if you just say garlic peeler, garlic peeler... | 0:02:06 | 0:02:09 | |
Yes, the garlic peeler, again, of course. | 0:02:09 | 0:02:11 | |
-"Andrew! Andrew!" -You're missing my point about names here. | 0:02:11 | 0:02:17 | |
I just mean the word we give the thing. | 0:02:19 | 0:02:22 | |
Its normal description as found in a dictionary, | 0:02:22 | 0:02:25 | |
not from a list of given names. | 0:02:25 | 0:02:28 | |
It isn't Julian the cheese grater. | 0:02:29 | 0:02:32 | |
-Have you ever had a macaroni pie? -I don't believe such a thing exists. | 0:02:34 | 0:02:37 | |
-Have you? -Yes, I have. -Yes? | 0:02:37 | 0:02:38 | |
I had one in Glasgow last week, it's the most astonishing thing. | 0:02:38 | 0:02:41 | |
It's a pie, but it's filled with macaroni cheese. | 0:02:41 | 0:02:44 | |
You look at it and you think, "I am going to have a heart attack." | 0:02:44 | 0:02:47 | |
Immediately, before you've eaten it. | 0:02:47 | 0:02:49 | |
Sandi came up to my home town, | 0:02:49 | 0:02:50 | |
and I thought I could show her many of the delights of my home town, | 0:02:50 | 0:02:53 | |
or I could take her to a bus stop and give her a macaroni pie. | 0:02:53 | 0:02:57 | |
And so we stood, because if you eat it outside, | 0:02:57 | 0:03:00 | |
it's like al fresco, it's European. | 0:03:00 | 0:03:02 | |
-And we stood just in a bus stop... -Yes. In the pouring rain. | 0:03:02 | 0:03:05 | |
Two lesbians eating a macaroni pie in the middle of Glasgow, | 0:03:05 | 0:03:10 | |
-it created quite a stir. -Yes. | 0:03:10 | 0:03:13 | |
How many times have you dreamt of two lesbians eating a macaroni pie? | 0:03:13 | 0:03:17 | |
Let's be honest. Girl on girl macaroni pie action. | 0:03:17 | 0:03:21 | |
Stephen, I'm out of my comfort zone, I'm out of my comfort zone. | 0:03:21 | 0:03:24 | |
-Well, in America... -That's niche. That's niche. | 0:03:24 | 0:03:27 | |
-In America they... -SUSAN: "That's niche!" | 0:03:27 | 0:03:31 | |
Adults are to blame, they always read into things, | 0:03:32 | 0:03:34 | |
something filthy with the children's stuff. | 0:03:34 | 0:03:36 | |
-I know, they do, they do. -You know. What's that one, Bert and Ernie? | 0:03:36 | 0:03:39 | |
-They always thought something was going on there. -Yeah. | 0:03:39 | 0:03:42 | |
-With those two sleeping together. -Yes. | 0:03:42 | 0:03:45 | |
I mean, obviously, there is something going on there, but that's fine. | 0:03:45 | 0:03:50 | |
-That's a bad example. -Yeah, that's right. I know. | 0:03:50 | 0:03:54 | |
Noddy, there's another one. | 0:03:54 | 0:03:56 | |
-You know, something's going on there with those shoes. -Yes. | 0:03:56 | 0:03:59 | |
They're marvellous. | 0:03:59 | 0:04:00 | |
Though sometimes there genuinely is, do you know what I mean? | 0:04:00 | 0:04:03 | |
-Like... -Yes. Anal Witness 4, for example, | 0:04:03 | 0:04:05 | |
-there's only one way of looking at it. -Well, that... | 0:04:05 | 0:04:08 | |
But like, I sort of read, I think having kids you do read into... | 0:04:08 | 0:04:12 | |
Like Fireman Sam, you know Fireman Sam? | 0:04:12 | 0:04:14 | |
-Here we go, what's wrong with him? -Listen to this. | 0:04:14 | 0:04:17 | |
This is a social issue, right. | 0:04:17 | 0:04:18 | |
You know Norman, the kid who sets all the fires? | 0:04:18 | 0:04:20 | |
-Oh yeah, he's annoying. -"Norman!" -He's annoying. He's naughty. | 0:04:20 | 0:04:23 | |
-"Norman, have you been setting fires?!" -You know him, right. | 0:04:23 | 0:04:27 | |
He's this little ginger... I've not got anything against ginger people, | 0:04:27 | 0:04:30 | |
I'm just stating a fact, he's a little ginger kid. | 0:04:30 | 0:04:32 | |
But he's from a single parent family... again, | 0:04:32 | 0:04:35 | |
I'm just letting you know the facts, right, never, we never know his dad. | 0:04:35 | 0:04:38 | |
One episode I was watching, | 0:04:38 | 0:04:39 | |
they did a group photo of the whole of the village. | 0:04:39 | 0:04:42 | |
Fireman Sam took his helmet off, | 0:04:42 | 0:04:43 | |
he's the only other ginger in the village. | 0:04:43 | 0:04:46 | |
-Oh! -That's all I'm saying. | 0:04:46 | 0:04:50 | |
Those fires - cry for help. | 0:04:50 | 0:04:52 | |
-That's what they are. -Wow! -That's what they are. -Whoa. | 0:04:52 | 0:04:55 | |
"I just want to know who my dad is!" That's what he's doing. | 0:04:55 | 0:04:59 | |
But I've got an interesting experiment, | 0:04:59 | 0:05:01 | |
and I do love, as you know, to do an interesting experiment. | 0:05:01 | 0:05:04 | |
-He does love an experiment. -Now these will represent red ants. | 0:05:04 | 0:05:07 | |
And this is just... I just find this magical. | 0:05:08 | 0:05:12 | |
It's something you can do at home, ladies and gentlemen, | 0:05:12 | 0:05:14 | |
this is what's fun about it. | 0:05:14 | 0:05:15 | |
-And... -Will we form an island and swim across the jar of water? | 0:05:15 | 0:05:19 | |
No. This is red coloured sand and this is floating on top. | 0:05:19 | 0:05:23 | |
You'll notice wherever I drop it, it tends to start clinging together. | 0:05:23 | 0:05:27 | |
So you've got... Here's your little raft of red ants, | 0:05:27 | 0:05:29 | |
there they are, in the water. | 0:05:29 | 0:05:31 | |
And I can put my finger in it like that | 0:05:31 | 0:05:34 | |
and my finger will come out completely dry. | 0:05:34 | 0:05:36 | |
-Absolutely dry. -That's bizarre. -Holy cow! | 0:05:36 | 0:05:39 | |
Yeah, there you are, there you are. | 0:05:39 | 0:05:41 | |
And I've got no sand on my finger at all. And it just... But... | 0:05:41 | 0:05:45 | |
Are you a devil? | 0:05:45 | 0:05:47 | |
Watch this. This will excite you. | 0:05:47 | 0:05:49 | |
-I'm going to pour all this in here. -Blue ants are attacking red ants! | 0:05:49 | 0:05:52 | |
Yeah, all these blue ants here, it's just horrible. | 0:05:52 | 0:05:55 | |
And look at that, it's all clustered down below. | 0:05:55 | 0:05:57 | |
But this is the magic part. | 0:05:57 | 0:05:58 | |
I get my spoon and I get all this sand that's underwater now, | 0:05:58 | 0:06:02 | |
and I just pick up a little bit of it like so. | 0:06:02 | 0:06:06 | |
-And it's completely dry. -Hey! -It's utterly dry. | 0:06:06 | 0:06:08 | |
-Witchcraft! -Sorcery! | 0:06:08 | 0:06:10 | |
-Burn him! -It's completely dry. It is, look. -Witch! -There it is. | 0:06:10 | 0:06:14 | |
Sand, absolutely dry, even though | 0:06:14 | 0:06:15 | |
there are odd drops of water next to it. | 0:06:15 | 0:06:17 | |
-Isn't that magical? -That really is. -GREG: -That's just sand and water? | 0:06:17 | 0:06:21 | |
Well, I can tell you. It's the special nature of the sand. | 0:06:21 | 0:06:24 | |
It's been, as it were, coated. | 0:06:24 | 0:06:26 | |
And without wishing to give away the name of a brand of spray | 0:06:26 | 0:06:32 | |
that you are encouraged when you buy suede shoes | 0:06:32 | 0:06:36 | |
to use to protect your suede shoes, | 0:06:36 | 0:06:38 | |
that might be called something that rhymed with Gotch Scard... | 0:06:38 | 0:06:42 | |
If you wanted to try this experiment at home, | 0:06:45 | 0:06:48 | |
you would get a can of that Gotch Scard | 0:06:48 | 0:06:51 | |
and spray the sand with it, | 0:06:51 | 0:06:53 | |
and you will be able to amaze your friends, | 0:06:53 | 0:06:56 | |
if, but only if, you're as sad as I am. | 0:06:56 | 0:06:59 | |
And there you are. Hooray! | 0:07:00 | 0:07:01 | |
APPLAUSE | 0:07:01 | 0:07:04 | |
Where did Beethoven put his Jingling Johnny? | 0:07:07 | 0:07:11 | |
-BELL RINGS -Yes, Sarah? -Mrs Beethoven? | 0:07:14 | 0:07:17 | |
Somebody had to say it. | 0:07:22 | 0:07:25 | |
-Jingling Johnny? -Yes. What do you think? | 0:07:27 | 0:07:30 | |
I can't imagine a Jingling Johnny, | 0:07:30 | 0:07:32 | |
and it's something that the good folk at Durex | 0:07:32 | 0:07:34 | |
have obviously missed out on. | 0:07:34 | 0:07:36 | |
A seasonal range, that actually, you know, with a bell in the, um... | 0:07:36 | 0:07:41 | |
Ohhh! | 0:07:42 | 0:07:44 | |
You'd be going like the clappers. | 0:07:44 | 0:07:46 | |
-With holly round it. -Yeah. Be nice. | 0:07:46 | 0:07:49 | |
-Flavours, flavours. -With holly round it? I'd stop you... -Ooh, turkey. | 0:07:49 | 0:07:52 | |
-Ohh... -Stuffing! | 0:07:52 | 0:07:55 | |
Well, how lovely to start our... | 0:08:00 | 0:08:04 | |
PHILL: Plum duff. | 0:08:04 | 0:08:06 | |
Imagine, and as a special treat as you walk into the bedroom, | 0:08:06 | 0:08:09 | |
a little brandy on it. Wooofff! | 0:08:09 | 0:08:11 | |
PAINED: "Happy Christmas! Oh!" | 0:08:12 | 0:08:14 | |
I'll take that copy of Fifty Shades Of Grey away from you. | 0:08:14 | 0:08:18 | |
What did Watson do twice as often as Holmes? | 0:08:20 | 0:08:23 | |
Oh, I don't want to say now. | 0:08:23 | 0:08:25 | |
-I guess he had more time on his hands. -Stick with it, stick with it. | 0:08:25 | 0:08:29 | |
-Oh, no, I do know. -Yes? -It's, er... It's...ejaculate. | 0:08:29 | 0:08:34 | |
Ejaculate is the right answer. | 0:08:34 | 0:08:36 | |
APPLAUSE | 0:08:36 | 0:08:39 | |
This is the one thing I know about Sherlock Holmes, | 0:08:39 | 0:08:41 | |
because it's in the book. | 0:08:41 | 0:08:43 | |
-Yes. -It's an old term meaning to... | 0:08:43 | 0:08:45 | |
-To exclaim. -Exclaim. -Expostulate. | 0:08:45 | 0:08:48 | |
He's constantly, "'But Holmes!' I ejaculated." You get a lot. | 0:08:48 | 0:08:53 | |
I mean, the books are brilliant anyway, | 0:08:53 | 0:08:56 | |
but every twenty pages that happens and you go, "Hur hur hur..." | 0:08:56 | 0:08:59 | |
Yes, there are 23 ejaculations in the canon, as it's known. | 0:09:02 | 0:09:05 | |
BILL: Oh, Christ! | 0:09:05 | 0:09:07 | |
-The canon is the... -And one up the spout! | 0:09:10 | 0:09:13 | |
-Oh...! -As in the word canonical. | 0:09:13 | 0:09:16 | |
-I give to you the canon. -Yeah. | 0:09:16 | 0:09:19 | |
-Stand back. -Yes. | 0:09:19 | 0:09:21 | |
There's approximately 23 ejaculations, | 0:09:23 | 0:09:26 | |
48 terabytes of information coming your way. | 0:09:26 | 0:09:29 | |
-I'm so wishing... -Stand by! JIMMY: -You're a very lucky lady. | 0:09:29 | 0:09:33 | |
-Watson ejaculates 11 times. -Christ on a bike! | 0:09:35 | 0:09:39 | |
Holmes, on one occasion, refers to Watson's ejaculations of wonder | 0:09:39 | 0:09:44 | |
being invaluable to his art. | 0:09:44 | 0:09:46 | |
Watson does ejaculate from his very heart, | 0:09:46 | 0:09:50 | |
in the direction of his fiancee. | 0:09:50 | 0:09:51 | |
Holmes gives six. | 0:09:51 | 0:09:53 | |
But there is one which it's quite hard to tell who it is. So... | 0:09:53 | 0:09:57 | |
-JIMMY: -That can happen, Stephen. -Who's ejaculating here? | 0:09:57 | 0:10:00 | |
Let's just, let's just imagine. | 0:10:00 | 0:10:02 | |
"So he sat as I dropped off to sleep, and so he sat | 0:10:02 | 0:10:07 | |
"when a sudden ejaculation caused me to wake up, and I found..." | 0:10:07 | 0:10:11 | |
BILL: Oh no, he's having one now. | 0:10:11 | 0:10:13 | |
Have you ever been woken up by a sudden ejaculation? | 0:10:13 | 0:10:17 | |
You've talked enough about your dreams. | 0:10:17 | 0:10:19 | |
There's a fellow called Phelps in the wonderful story | 0:10:19 | 0:10:22 | |
The Naval Treaty, he ejaculates three times, actually. | 0:10:22 | 0:10:25 | |
And the only other ejaculator is Mrs St Clair's husband, | 0:10:25 | 0:10:28 | |
who ejaculates from a second floor window. | 0:10:28 | 0:10:31 | |
This is the most fun I have ever had on this show. | 0:10:35 | 0:10:38 | |
Name something interesting you can do with a Slinky. | 0:10:40 | 0:10:44 | |
-Well, it's a... -Well, you can't untangle it. | 0:10:44 | 0:10:47 | |
That's certainly... Oh God, I got through so many as a child. | 0:10:47 | 0:10:50 | |
They're the most, it is the most... | 0:10:50 | 0:10:52 | |
You go to the top of the stairs, and look at this, it's... Oh no! | 0:10:52 | 0:10:55 | |
And then that would be it. | 0:10:55 | 0:10:56 | |
We've given you some stairs, in fact, you can take your stairs | 0:10:56 | 0:10:59 | |
-and your Slinky out and demonstrate. -Oh, wow, are there Slinkys? | 0:10:59 | 0:11:02 | |
There may be young people here who've never had the excitement. | 0:11:02 | 0:11:05 | |
-You can attach... -This is... I'm going back, look at that! -Yay! | 0:11:05 | 0:11:09 | |
Isn't that fun? | 0:11:09 | 0:11:10 | |
They're the best thing. | 0:11:10 | 0:11:12 | |
Oh dear, you may have pointed it in the wrong direction. | 0:11:14 | 0:11:18 | |
-I'm literally the happiest man in the world. -Brilliant. -Hey! | 0:11:18 | 0:11:21 | |
He invented this out of... He was a suspension designer, wasn't he? | 0:11:21 | 0:11:25 | |
He was a naval officer, his name was Richard James. And it was in 194... | 0:11:25 | 0:11:29 | |
-It's called the Alan Effect. -Just what... -No! | 0:11:37 | 0:11:41 | |
You don't do it like that. You lift the top. | 0:11:41 | 0:11:45 | |
JEREMY: Somebody go and get him a Raleigh Chopper. | 0:11:47 | 0:11:49 | |
How can you not work a Slinky?! | 0:11:49 | 0:11:53 | |
How can you not do that? Yeah! | 0:11:53 | 0:11:56 | |
CHEERING | 0:11:56 | 0:11:57 | |
Can you imagine giving this to a child now and going, | 0:12:01 | 0:12:04 | |
"That's it, that's your gift." Happy Christmas." | 0:12:04 | 0:12:08 | |
But didn't he invent it by accident? | 0:12:08 | 0:12:09 | |
He was making coiled springs and he invented... | 0:12:09 | 0:12:11 | |
He was an American naval officer. He literally knocked over a spring, | 0:12:11 | 0:12:15 | |
and it went for a walk, and he thought, "Oh, that's interesting." | 0:12:15 | 0:12:18 | |
So he developed and experimented and came up with the Slinky. | 0:12:18 | 0:12:21 | |
-And more than... -Look, to be fair, it was his wife | 0:12:21 | 0:12:23 | |
-who thought it would make a good toy. -Yes, it's true. | 0:12:23 | 0:12:25 | |
Let us remember that sometimes women get overlooked in these things. | 0:12:25 | 0:12:29 | |
More than 300 million were sold, which is an incredible number. | 0:12:29 | 0:12:33 | |
All to me, because I kept breaking them. | 0:12:33 | 0:12:36 | |
-I know, because they tangle up. -Now if you'll put them away... | 0:12:36 | 0:12:39 | |
Do you mind if I keep the stairs? | 0:12:39 | 0:12:40 | |
There's a few shelves in the kitchen that I still can't reach. | 0:12:40 | 0:12:43 | |
You're very welcome. | 0:12:43 | 0:12:45 | |
But what we do have is a very extraordinary effect that happens | 0:12:47 | 0:12:51 | |
if you drop a Slinky, which is that when you let go of it, | 0:12:51 | 0:12:55 | |
the bottom does not move. | 0:12:55 | 0:12:57 | |
Watch the film and you'll see what I mean. | 0:12:57 | 0:13:00 | |
It's actually really astonishing. It's a very peculiar effect. | 0:13:00 | 0:13:04 | |
Watch the bottom of the Slinky, as it actually happens, | 0:13:04 | 0:13:07 | |
in very high speed camera. | 0:13:07 | 0:13:08 | |
The bottom is completely still. | 0:13:10 | 0:13:12 | |
-Isn't that amazing? -Oh wow. -Wow! | 0:13:12 | 0:13:13 | |
That is a really bizarre effect. | 0:13:13 | 0:13:16 | |
I can't explain quite why that happens. | 0:13:16 | 0:13:18 | |
-Oh, I bet James May could. -He probably could. | 0:13:18 | 0:13:20 | |
Tell me your Ken Dodd story. | 0:13:26 | 0:13:28 | |
A broadcaster of some description went to interview a politician, | 0:13:28 | 0:13:32 | |
a British politician, and he saw this wonderful picture | 0:13:32 | 0:13:35 | |
as he perceived of Ken Dodd, on the wall. | 0:13:35 | 0:13:40 | |
And the politician came in and the guy said, "Oh, that's wonderful, | 0:13:40 | 0:13:43 | |
"Ken Dodd, I mean, he's just one of the greatest, | 0:13:43 | 0:13:46 | |
"greatest comedians this country has ever produced." | 0:13:46 | 0:13:49 | |
And the man said, "Do you mind? That's my wife." | 0:13:49 | 0:13:51 | |
-I want to know who the politician is... -No, I wouldn't. | 0:13:55 | 0:13:58 | |
-..whose wife looks like Ken Dodd! -It's true, true. | 0:13:58 | 0:14:02 | |
Meet my wife, or Doddy as I call her. | 0:14:02 | 0:14:04 | |
"What a fine day, what a fine day to marry a politician. | 0:14:04 | 0:14:08 | |
-"I'm telling you." I love it. -And in came the children... | 0:14:08 | 0:14:11 | |
"We are the Diddy Men." | 0:14:11 | 0:14:13 | |
There's a wonderful actor called Richard Brain, a very fine actor, | 0:14:16 | 0:14:19 | |
and he was in a commercial where he had to play a mummy. | 0:14:19 | 0:14:22 | |
And he was wrapped up and he... | 0:14:22 | 0:14:24 | |
At one point, just absolutely had to go for a pee. | 0:14:24 | 0:14:28 | |
-Inevitably. -And... -SUE: He made papier mache. | 0:14:28 | 0:14:32 | |
The undoing and the doing up of the bandaging was taking so long | 0:14:32 | 0:14:35 | |
that somebody rummaged around and pulled his old fellow out, | 0:14:35 | 0:14:39 | |
while he peed, and to this day he doesn't know who it was because... | 0:14:39 | 0:14:44 | |
..because when it was called to wrap | 0:14:46 | 0:14:47 | |
it was just him and the costume person unwinding him | 0:14:47 | 0:14:50 | |
an everybody else biffed off. | 0:14:50 | 0:14:52 | |
Did he line them all up and say, "Would you take my penis in hand?" | 0:14:52 | 0:14:55 | |
He didn't know, he didn't see them. | 0:14:55 | 0:14:57 | |
"No. Maybe. Stand over there. No." | 0:14:57 | 0:15:00 | |
-It's just... -It's like a more modern version of the Cinderella story. | 0:15:00 | 0:15:04 | |
Prince going round, "I'll know that feel anywhere." | 0:15:04 | 0:15:09 | |
Mummified man. | 0:15:09 | 0:15:10 | |
Yeah, all the ugly sisters putting on hand cream. | 0:15:10 | 0:15:13 | |
You've got paper and you've got pencil, we might like you, | 0:15:15 | 0:15:18 | |
during the course of the evening, | 0:15:18 | 0:15:20 | |
design a hat and the winner gets a prize. | 0:15:20 | 0:15:23 | |
-So there you are. -OK. -Any kind of hat. | 0:15:23 | 0:15:27 | |
But don't let it ruin your concentration for the next question, | 0:15:27 | 0:15:30 | |
if I can put it that way... | 0:15:30 | 0:15:32 | |
-I invented multi-tasking. -There you are. Exactly. | 0:15:32 | 0:15:35 | |
-So the... -JOHNNY YELLS: I'm drawing! | 0:15:35 | 0:15:38 | |
Sorry. | 0:15:38 | 0:15:39 | |
Can you please keep it down, Stephen! | 0:15:45 | 0:15:48 | |
Do you know, I sometimes have weird dreams | 0:15:48 | 0:15:51 | |
in which we're married, Johnny. | 0:15:51 | 0:15:53 | |
-I want you to tell me, because it's quite interesting... -Go on. | 0:15:54 | 0:15:58 | |
And that's the name of the game. | 0:15:58 | 0:15:59 | |
Which is the only number in the English language | 0:15:59 | 0:16:01 | |
which when written out is in alphabetical order? | 0:16:01 | 0:16:04 | |
-Eight. -No. | 0:16:06 | 0:16:09 | |
-OK, well, seven. -43. | 0:16:09 | 0:16:10 | |
-Eight is good, but I comes after G. -OK, I'm going to have to guess, | 0:16:10 | 0:16:14 | |
because there's not enough time and I'm dyslexic. | 0:16:14 | 0:16:17 | |
-One, two. Two? -No. -Three? | 0:16:17 | 0:16:21 | |
O comes before T. | 0:16:21 | 0:16:23 | |
-So they have to be in alphabetical order. -Oh, I see, ah. -Yes, that's... | 0:16:23 | 0:16:27 | |
-40. -Yes! Well done. | 0:16:27 | 0:16:29 | |
Isn't she good? | 0:16:29 | 0:16:31 | |
-Very good. Very, very good. -Were you going through all the numbers? | 0:16:31 | 0:16:35 | |
I was going through all the numbers at the same time that you were | 0:16:35 | 0:16:38 | |
-and we got there... -Yeah, 40 is the one. | 0:16:38 | 0:16:41 | |
Yeah, Alan was on three when you said that. | 0:16:41 | 0:16:43 | |
And you three were all talking and we're sitting there going... | 0:16:43 | 0:16:47 | |
It's time for a jolly jape, this time involving lasers and balloons. | 0:16:50 | 0:16:55 | |
What can be coming next? | 0:16:55 | 0:16:57 | |
Here we are. And I've got my laser. | 0:16:57 | 0:17:00 | |
This is one of these things they use, you know... | 0:17:00 | 0:17:03 | |
I'm going to point it behind me. | 0:17:03 | 0:17:05 | |
And we're using the smoke because it shows up the laser line. | 0:17:06 | 0:17:10 | |
-Can you see it there? -Oh yes. -Yeah. | 0:17:10 | 0:17:12 | |
I'm deliberately... they keep shouting in my ear, | 0:17:12 | 0:17:14 | |
"Don't point it at people's eyes." | 0:17:14 | 0:17:16 | |
-I'm not! -"Don't point it at their fucking eyes! | 0:17:16 | 0:17:19 | |
"It's fucking dangerous!" | 0:17:21 | 0:17:23 | |
The thing is, he knows he's the one who's going to be fired. | 0:17:23 | 0:17:27 | |
But there you are, you can see reasonably well | 0:17:27 | 0:17:30 | |
that there is a laser light there. | 0:17:30 | 0:17:32 | |
The lighting men are up there going, "AAAARGH!" | 0:17:32 | 0:17:34 | |
This is ordinary laser light, the kind you'd use to, you know, | 0:17:36 | 0:17:40 | |
at conferences to point on maps and all the rest of it. | 0:17:40 | 0:17:42 | |
And I'm just going to press the laser here and... Oh! | 0:17:42 | 0:17:45 | |
And... Oh! | 0:17:45 | 0:17:47 | |
-And... Oh! -Whoa. | 0:17:47 | 0:17:49 | |
-And... -Green, wow, cool! Ooooh. | 0:17:49 | 0:17:53 | |
-Nothing. It's not popping though. -Weird. | 0:17:53 | 0:17:57 | |
-So, the black ones pop and the white one doesn't. Alan... -Racist. | 0:17:57 | 0:18:00 | |
You should have a... | 0:18:00 | 0:18:02 | |
That doesn't even begin to make sense. It's just... | 0:18:05 | 0:18:08 | |
I want you... Take your black marker, please, | 0:18:08 | 0:18:13 | |
and make a black target roughly in the centre of the balloon. | 0:18:13 | 0:18:17 | |
And I'll let you press the button as a reward if you do it sensibly. | 0:18:17 | 0:18:20 | |
So, do a big... | 0:18:20 | 0:18:22 | |
-The temptation to draw a cock and balls is overwhelming. -I know. | 0:18:22 | 0:18:25 | |
A big black spot, so it'll work, just there, | 0:18:25 | 0:18:28 | |
and fill it in as black as you can. | 0:18:28 | 0:18:31 | |
-Talk amongst yourselves. -That's right. | 0:18:31 | 0:18:33 | |
If you'd worked for Blue Peter, | 0:18:33 | 0:18:35 | |
you'd know how to do that while presenting to camera. | 0:18:35 | 0:18:37 | |
-Oh yeah, sorry. -Yeah. There, you see, exactly. | 0:18:37 | 0:18:40 | |
I haven't done a cock and balls and I know you're disappointed. | 0:18:41 | 0:18:44 | |
-They're not. -This is the back of Stephen Fry's head. | 0:18:44 | 0:18:48 | |
Yeah, it is actually not unlike. OK. | 0:18:48 | 0:18:50 | |
-Will that do it, do you think? -I reckon that's black enough. | 0:18:50 | 0:18:53 | |
We know that black absorbs light and heat and white we know reflects it. | 0:18:53 | 0:18:57 | |
And we saw that the laser had enough energy to burst the black balloon. | 0:18:57 | 0:19:02 | |
So all you have to do, just leave it there, | 0:19:02 | 0:19:04 | |
it should be pointing in the right direction. | 0:19:04 | 0:19:07 | |
Hooray! | 0:19:07 | 0:19:08 | |
-There we are, well done. -Very enjoyable. | 0:19:10 | 0:19:13 | |
I get sent very odd things by members of the public, thank you. | 0:19:14 | 0:19:18 | |
And I got sent a thing to stand up weeing, and I thought it was... | 0:19:18 | 0:19:23 | |
-Oh a funnel. -It's called a Shewee. | 0:19:23 | 0:19:25 | |
-It's the most marvellous thing. -It's Japanese, isn't it? | 0:19:25 | 0:19:27 | |
Oh, darling, I piss in all sorts of places now. | 0:19:27 | 0:19:30 | |
I get out of the car, I can't be bothered to | 0:19:30 | 0:19:32 | |
pop into the service station, on the back wheel, | 0:19:32 | 0:19:35 | |
it's the most marvellous thing. | 0:19:35 | 0:19:36 | |
It is mostly for driving, I thought, the Shewee. | 0:19:36 | 0:19:39 | |
Driving under the influence of the need for a wee | 0:19:39 | 0:19:42 | |
-is the most dangerous thing a human can do. -I would imagine it would be. | 0:19:42 | 0:19:45 | |
I have reached 170 miles an hour. | 0:19:45 | 0:19:48 | |
And disabled parking spaces outside motorway service stations, | 0:19:48 | 0:19:52 | |
they're mine, because I am disabled by the need... | 0:19:52 | 0:19:54 | |
-Exactly. -You are just... You can become consumed with... | 0:19:54 | 0:19:57 | |
I had a wee, I had a wee in just a water bottle once, driving | 0:19:57 | 0:20:01 | |
about 100 mile an hour, just wee in this water bottle, and... | 0:20:01 | 0:20:04 | |
-But then it won't stop. -Well, I failed my driving test. | 0:20:04 | 0:20:07 | |
Hey! Hey! That old one. | 0:20:09 | 0:20:11 | |
It reminds me of that phrase, Stephen, | 0:20:13 | 0:20:15 | |
"Couldn't see the wood for the trees." | 0:20:15 | 0:20:17 | |
-Have you ever come across that phrase before? -I have, I have. | 0:20:17 | 0:20:20 | |
-I never used to understand it. -What it basically means is, | 0:20:20 | 0:20:23 | |
you're looking at... Wait. | 0:20:23 | 0:20:25 | |
-You're looking for wood. -Yes, yeah. -Not, not in the way you might. | 0:20:27 | 0:20:31 | |
-No, not in that sense. -You're... -Yeah. | 0:20:31 | 0:20:34 | |
You're looking, you're looking for wood, and you're looking at trees. | 0:20:34 | 0:20:38 | |
-Yes. -So you are in essence looking at wood. -They're wood, aren't they? | 0:20:38 | 0:20:43 | |
But you're... I've got it, Alan. | 0:20:43 | 0:20:45 | |
But you're, but you're seeing trees, | 0:20:45 | 0:20:47 | |
-so you can't see the wood for the trees. -..The trees. | 0:20:47 | 0:20:50 | |
And I think, in a funny old way, | 0:20:50 | 0:20:52 | |
it's a little bit like what you're talking about, isn't it? | 0:20:52 | 0:20:55 | |
-Almost exactly not, yeah. -Yeah. Yeah. | 0:20:55 | 0:20:57 | |
But it's nice, it's nice you brought that up. It's a good... | 0:20:57 | 0:21:00 | |
-So that is Mormon porn? -That's Mormon porn. Yeah. | 0:21:00 | 0:21:04 | |
They also have special underwear, do you know about that? | 0:21:04 | 0:21:07 | |
Mormons wear, and devout ones, I suppose, for their whole lives, | 0:21:07 | 0:21:11 | |
wear a special kind of undergarment which covers them | 0:21:11 | 0:21:13 | |
from the knees right up to the top. | 0:21:13 | 0:21:15 | |
-We can see an example of the garment. -I've got that on now. | 0:21:15 | 0:21:18 | |
Have you? Are you wearing a garment? | 0:21:18 | 0:21:19 | |
It goes all the way up to there and down to me knees. | 0:21:19 | 0:21:22 | |
-Yes, up to? -Boobs. -Yes, up, but not over. -Not all the way, no. | 0:21:22 | 0:21:25 | |
Yes, no, yours are nice, flying free and beautiful and lovely and... | 0:21:25 | 0:21:28 | |
Not, not flying, but no, to be fair, | 0:21:31 | 0:21:34 | |
it's a fulsome pair of funbags, and we... | 0:21:34 | 0:21:38 | |
Can I have that as a quote on my next poster? | 0:21:41 | 0:21:44 | |
It's party treat time now. Isn't this exciting? | 0:21:46 | 0:21:49 | |
I've got something really interesting for you to try. | 0:21:49 | 0:21:51 | |
It's powdered Miracle Berry. | 0:21:51 | 0:21:54 | |
Now, you should have a little cup like this. | 0:21:54 | 0:21:57 | |
So if you could instantly put that pill, as it were, in your mouth. | 0:21:57 | 0:22:01 | |
-I promise you it's not going to hurt you. -We don't even question it. | 0:22:01 | 0:22:04 | |
-We're just doing it! -Don't swallow it. | 0:22:04 | 0:22:06 | |
-Yes, Stephen, we... -Don't swallow it, please do it. | 0:22:06 | 0:22:08 | |
"Show me your titties." We've been down this road before, mister. | 0:22:08 | 0:22:13 | |
It's in. | 0:22:13 | 0:22:14 | |
"Only bite it when you see the whites of their eyes." | 0:22:14 | 0:22:17 | |
Don't bite it, don't bite it, just roll it around your mouth, | 0:22:17 | 0:22:20 | |
roll it around your tongue, it's quite sweet. | 0:22:20 | 0:22:22 | |
It takes time to work, but it's rather extraordinary. | 0:22:22 | 0:22:24 | |
-It's like a dead Refresher. -Yeah, it's exactly what it's like. | 0:22:24 | 0:22:28 | |
But just let it, try and do a bit of action on it, | 0:22:28 | 0:22:30 | |
just so that you can get it to dissolve. | 0:22:30 | 0:22:32 | |
Spread it all over your tongue. | 0:22:32 | 0:22:34 | |
It is quite miraculous, it's why it's called the Miracle Fruit. | 0:22:34 | 0:22:37 | |
I've slightly crunched mine. | 0:22:37 | 0:22:39 | |
-Don't worry, don't swallow it, just keep it... -Why not? | 0:22:39 | 0:22:41 | |
No, keep it in your mouth, there's a good reason, | 0:22:41 | 0:22:44 | |
I want for it to cover all of your tongue. It does something | 0:22:44 | 0:22:46 | |
extraordinary to it, and that's what you'll discover. | 0:22:46 | 0:22:49 | |
-So keep sucking, keep sucking. -I must remember this speech. | 0:22:49 | 0:22:52 | |
You walk away! | 0:22:55 | 0:22:56 | |
If you've made them swallow... | 0:23:00 | 0:23:01 | |
It does something extraordinary to your tongue. Don't swallow it! | 0:23:01 | 0:23:06 | |
-So, do you feel you've more or less coated yourself in it? -Yeah. | 0:23:06 | 0:23:10 | |
What it does is, it actually gets rid of | 0:23:10 | 0:23:13 | |
your tongue's ability to detect sour and bitter. | 0:23:13 | 0:23:16 | |
So I want you just to take a bite on this lemon. | 0:23:16 | 0:23:18 | |
You'll find, when you bite on the lemon, that it's not exactly sweet, | 0:23:18 | 0:23:21 | |
but that it really has taken away 90% of its sourness. | 0:23:21 | 0:23:24 | |
-I'm going in. -Interesting, isn't it? Your whole pill? | 0:23:24 | 0:23:27 | |
-I've done, I've done... -Oh, you've not... -I've done a lot of coating. | 0:23:27 | 0:23:31 | |
-Oh, that's delicious. -Isn't it? It's extraordinary. -Oh, that's good. | 0:23:31 | 0:23:35 | |
-None of you has pulled an "argh" face. -That's lovely. | 0:23:35 | 0:23:37 | |
That is like a really sweet orange. | 0:23:37 | 0:23:39 | |
-Exactly. It's bizarre. -I'm going to regret it later. | 0:23:39 | 0:23:41 | |
-It is a most extraordinary experience. -Hmm, I love that. | 0:23:41 | 0:23:44 | |
And that will last for about half an hour, | 0:23:44 | 0:23:46 | |
-20 minutes. -I'm going to have chronic gastritis in 20 minutes. | 0:23:46 | 0:23:50 | |
You'd be able to have lime. | 0:23:50 | 0:23:51 | |
It was very popular, this Miracle Fruit. | 0:23:51 | 0:23:53 | |
They had parties where they'd have a rainbow of different flavours | 0:23:53 | 0:23:56 | |
that would occur, because it takes away your ability | 0:23:56 | 0:23:59 | |
to taste the bitter or the sour, or indeed the salt, | 0:23:59 | 0:24:02 | |
so everything becomes sweet, but it retains a little of its own flavour. | 0:24:02 | 0:24:05 | |
-But it does work, doesn't it? -Amazing. -It is. | 0:24:05 | 0:24:08 | |
Although it is vitamin C, so internally I'm rebelling. | 0:24:08 | 0:24:11 | |
I'm going to save one in my pocket, have one later. | 0:24:13 | 0:24:16 | |
-I'm going to give one to a friend. -Sure you are. -Yeah. | 0:24:16 | 0:24:18 | |
-That's just so bad! -It makes it taste so much nicer. | 0:24:24 | 0:24:28 | |
-Just pop that in your mouth. -We've witnessed something big tonight. | 0:24:28 | 0:24:31 | |
-Yeah. -Yeah, it's all over. -It'll taste lovely for half an hour. | 0:24:31 | 0:24:34 | |
-LIZA: -"My favourite word is titties." | 0:24:37 | 0:24:39 | |
-You are so... -It's not sour any more, is it? No. | 0:24:41 | 0:24:44 | |
It's not sour any more. | 0:24:44 | 0:24:45 | |
That is so bad, you people. | 0:24:45 | 0:24:47 | |
-Gerard de Nerval. -No. Wonderful, good. | 0:24:50 | 0:24:54 | |
-Gerard de Nerval was a fascinating man. -He was. | 0:24:54 | 0:24:57 | |
-I very much enjoyed the way you said that. -Je suis le veuf, l'encontre. | 0:24:57 | 0:25:00 | |
-Le Tenebreux. -And he also famously had a pet lobster, Gerard de Nerval. | 0:25:00 | 0:25:04 | |
-He did indeed. -That he used to take for walks on a lead. | 0:25:04 | 0:25:07 | |
"Vite, vite, monsieur! | 0:25:07 | 0:25:10 | |
"Monsieur Clicky!" | 0:25:10 | 0:25:11 | |
-Stay with it, stay with it, stay with it. -Alors! | 0:25:11 | 0:25:13 | |
Stay with it, because it's good. Because... | 0:25:13 | 0:25:16 | |
-Non! -J'ai fatigue. -Non! | 0:25:16 | 0:25:20 | |
Allez vite. | 0:25:20 | 0:25:22 | |
-L'eau, s'il vous plait, l'eau! -Non. Non, pas de l'eau. Non. | 0:25:24 | 0:25:30 | |
Le artichoke de Jerusalem. | 0:25:30 | 0:25:32 | |
And then boomf, he's gone. | 0:25:36 | 0:25:38 | |
I never thought I'd see the day | 0:25:38 | 0:25:41 | |
when Bill Bailey force-fed Gerard de Nerval's lobster | 0:25:41 | 0:25:45 | |
with Jerusalem artichoke, and yet the day came. | 0:25:45 | 0:25:48 | |
Anyway, let's just return to this other poet, | 0:25:48 | 0:25:50 | |
who was the lover of the young Verlaine. | 0:25:50 | 0:25:53 | |
-Oh, sorry... -Verlaine! | 0:25:53 | 0:25:55 | |
BUZZER HONKS | 0:25:55 | 0:25:57 | |
-Very quick. -Did I ever give that away! | 0:25:59 | 0:26:02 | |
We're going to end with really exciting Wild West action. | 0:26:02 | 0:26:06 | |
Who fancies a shoot-out with a real life vortex cannon? | 0:26:06 | 0:26:13 | |
I've given you one each next, you've got a box. | 0:26:13 | 0:26:15 | |
See that box there? It's simply a box, all right? | 0:26:15 | 0:26:19 | |
Now the hole is where the vortex emerges, | 0:26:19 | 0:26:23 | |
so if you lean it so that the hole is pointing at the target, | 0:26:23 | 0:26:26 | |
all right, and basically, | 0:26:26 | 0:26:28 | |
what you've got to do is smack the side of the box, all right? | 0:26:28 | 0:26:33 | |
After three, two, one, smack! | 0:26:33 | 0:26:35 | |
-Very good. There you are! Now... -APPLAUSE | 0:26:37 | 0:26:39 | |
But what we can... Yes. | 0:26:50 | 0:26:52 | |
What we can do, before you destroy the box... | 0:26:52 | 0:26:55 | |
-Before you destroy the box... -Oh, sorry. | 0:27:00 | 0:27:02 | |
You can do something even more exciting - fill it with smoke. | 0:27:02 | 0:27:05 | |
And it will demonstrate what in fact was happening with the air. | 0:27:05 | 0:27:08 | |
You should all have smoke machines. That's it. | 0:27:08 | 0:27:11 | |
Fill it with smoke, fill it with smoke. | 0:27:14 | 0:27:16 | |
Fill it with smoke, and now... | 0:27:16 | 0:27:18 | |
Look. Look at that. | 0:27:18 | 0:27:20 | |
Just a gentle tap. | 0:27:23 | 0:27:25 | |
That is a vortex, the beautiful smoke rings. | 0:27:25 | 0:27:28 | |
A lovely one there. | 0:27:29 | 0:27:31 | |
I've got an enormous cannon here, | 0:27:34 | 0:27:38 | |
and I'm going to fill mine with... | 0:27:38 | 0:27:40 | |
I'll see if I can get mine across the, across the... | 0:27:43 | 0:27:47 | |
-You can make them chase each other, look. -..across the room here. | 0:27:47 | 0:27:51 | |
Here we go. I've got it the wrong way round, obviously. | 0:27:51 | 0:27:54 | |
That doesn't help. | 0:27:54 | 0:27:56 | |
AUDIENCE CHEERS | 0:27:57 | 0:27:59 | |
We'll let the smoke drift a little. | 0:28:01 | 0:28:03 | |
Would anyone like a big dustbin? | 0:28:06 | 0:28:08 | |
It's simply pressure of air creating this wonderful vortex. | 0:28:10 | 0:28:14 | |
-JOHNNY: -No, it's not, it's magic. -Nice one, Alan. | 0:28:14 | 0:28:18 | |
With this kind of magic, we could make the tiny people big again. | 0:28:18 | 0:28:22 | |
Yes! | 0:28:22 | 0:28:24 | |
APPLAUSE | 0:28:24 | 0:28:26 | |
There you are. | 0:28:34 | 0:28:35 | |
Subtitles by Red Bee Media Ltd | 0:28:57 | 0:29:00 |