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CHEERING AND APPLAUSE | 0:00:28 | 0:00:30 | |
Well, good evening, good evening, good evening, good evening, | 0:00:32 | 0:00:37 | |
and that's the fewest times I've ever said good evening, | 0:00:37 | 0:00:40 | |
and welcome to QI, | 0:00:40 | 0:00:41 | |
where tonight we'll be journeying to jestinations beginning with J. | 0:00:41 | 0:00:46 | |
And joining me are the jet-skiing Sandi Toksvig... | 0:00:46 | 0:00:49 | |
..the jet-setting Susan Calman... | 0:00:54 | 0:00:56 | |
..the jet-engined Bill Bailey... | 0:00:58 | 0:01:02 | |
..and, still being probed by Gatwick security, Alan Davies. | 0:01:04 | 0:01:10 | |
Now let's hear your buzzers. And Sandi goes... | 0:01:15 | 0:01:19 | |
RACING CAR | 0:01:19 | 0:01:20 | |
Susan goes... | 0:01:22 | 0:01:24 | |
JET ENGINE | 0:01:24 | 0:01:25 | |
Bill goes... | 0:01:27 | 0:01:28 | |
FAST VEHICLE ENGINE | 0:01:28 | 0:01:30 | |
And Alan goes... | 0:01:31 | 0:01:33 | |
CAR ENGINE CHOKES | 0:01:33 | 0:01:35 | |
Try that again. | 0:01:36 | 0:01:38 | |
CHOKES AGAIN | 0:01:38 | 0:01:39 | |
-No, it's never going to work, is it? -Flooded it. -Yeah, absolutely. | 0:01:39 | 0:01:43 | |
Well, let's have an easy one to start with. | 0:01:43 | 0:01:46 | |
Strictly speaking, where does the phrase Chariots Of Fire come from? | 0:01:46 | 0:01:50 | |
-It's a film. -It's a film. -Where did it originate? | 0:01:50 | 0:01:53 | |
It's something to do with this. | 0:01:53 | 0:01:55 | |
Where does the phrase originate? | 0:01:55 | 0:01:58 | |
-It's a quotation. -SANDI: It's a quotation. | 0:01:58 | 0:02:01 | |
-From what? -Shakespeare, must be Shakespeare. -No. | 0:02:01 | 0:02:04 | |
BILL: Oh, the Chariots Of Fire. | 0:02:04 | 0:02:06 | |
Wordsworth, Jerusalem, the hymn Jerusalem. | 0:02:06 | 0:02:09 | |
ALARM BELLS | 0:02:09 | 0:02:11 | |
-You fell finally into our trap. -Finally! It took a while. Sorry, it's the first question. | 0:02:12 | 0:02:16 | |
It was slightly embarrassing how long it took you to get the wrong answer. | 0:02:16 | 0:02:21 | |
Yes, I did start by saying "strictly speaking". | 0:02:21 | 0:02:23 | |
Strictly speaking it comes from a poem by William Blake, called...? | 0:02:23 | 0:02:27 | |
-Chariots Of Fire. -No. | 0:02:27 | 0:02:29 | |
I'm ashamed of you. | 0:02:32 | 0:02:33 | |
You must know the first line of... | 0:02:33 | 0:02:36 | |
I must, but I can't be arsed to tell you. | 0:02:36 | 0:02:39 | |
-Well, you're not English, that's fair. -Fair. | 0:02:39 | 0:02:42 | |
-And... -And did... | 0:02:42 | 0:02:44 | |
-BILL & SANDI: Those feet in ancient times. -Thank you! | 0:02:44 | 0:02:47 | |
Finally we got there. | 0:02:47 | 0:02:48 | |
-Oh, I know that! -Yes! | 0:02:48 | 0:02:50 | |
That's the name of the poem | 0:02:50 | 0:02:53 | |
-from which the line "chariots of fire" comes. -Oh. | 0:02:53 | 0:02:56 | |
The tune is called Jerusalem. | 0:02:56 | 0:02:58 | |
# And did those feet... # | 0:02:58 | 0:02:59 | |
And it's referred, mistakenly as a hymn. | 0:02:59 | 0:03:01 | |
# In ancient times... # | 0:03:01 | 0:03:02 | |
Thank you for starting in my key. | 0:03:02 | 0:03:05 | |
# Walk upon England's la la la... # | 0:03:05 | 0:03:07 | |
Come on! | 0:03:07 | 0:03:09 | |
Bring... oh, clouds unfold. | 0:03:11 | 0:03:14 | |
Yes, really what I'm after is, what does it mean? And whose feet? | 0:03:14 | 0:03:17 | |
-Jesus, surely. -Right. So what is the story of Jesus coming to England? | 0:03:17 | 0:03:21 | |
-Is there a film about it? -Yes. | 0:03:21 | 0:03:24 | |
-Not to my knowledge. -SANDI: And then they all... | 0:03:24 | 0:03:26 | |
Well, then, I'm in trouble. I am, as they say, out of... | 0:03:26 | 0:03:29 | |
This is what people say now when they don't know the answer, they say, "I'm out of my comfort zone." | 0:03:29 | 0:03:34 | |
You have been the equivalent of | 0:03:35 | 0:03:37 | |
-sitting on spikes for the last ten years, Alan. -Yeah! | 0:03:37 | 0:03:40 | |
I have yet to discover your comfort zone. | 0:03:40 | 0:03:44 | |
-OK, listen, there is a legend that Jesus came to England. -Yes. | 0:03:44 | 0:03:48 | |
And he was said to have gone to a particular place. | 0:03:48 | 0:03:52 | |
-SANDI: Was it Glastonbury? -The audience know. Ah, thank you. | 0:03:52 | 0:03:55 | |
-Glastonbury. -Glastonbury. Glastonbury Tor. | 0:03:55 | 0:03:57 | |
-And he went with his uncle. What was his uncle's name? -Bob. | 0:03:57 | 0:04:01 | |
-Uncle Bob Christ? -Bob's your uncle. | 0:04:01 | 0:04:04 | |
Yeah, they were a bit more... | 0:04:07 | 0:04:09 | |
Surely they were more informal in those times, surely. Bob Christ. | 0:04:09 | 0:04:13 | |
-His uncle's name was the same as his father's name. -Joseph. | 0:04:13 | 0:04:16 | |
Joseph. And he was named after a place. | 0:04:16 | 0:04:18 | |
Is it like working with very slow children, Stephen? | 0:04:18 | 0:04:21 | |
-BILL: Arimathea. -Thank you! | 0:04:21 | 0:04:24 | |
-Say it again so the camera can get it, clearly. -Right. Oh, OK. | 0:04:24 | 0:04:27 | |
-This is a new thing we're doing. -Hang on a second. | 0:04:27 | 0:04:30 | |
ALAN'S BUZZER | 0:04:30 | 0:04:31 | |
Hey, hang on! | 0:04:31 | 0:04:33 | |
You had your chance. | 0:04:33 | 0:04:35 | |
-I was just composing my face. -Joseph of Arimathea. | 0:04:35 | 0:04:37 | |
No, I said it! I said it! | 0:04:37 | 0:04:40 | |
Joseph of Arimathea. | 0:04:40 | 0:04:42 | |
I'm going to throw cold water over you both in a minute. | 0:04:42 | 0:04:45 | |
Joseph of Arimathea. | 0:04:45 | 0:04:47 | |
ALAN'S BUZZER | 0:04:47 | 0:04:48 | |
Joseph of Arimathea! | 0:04:48 | 0:04:50 | |
It was the first ever Glastonbury Festival, if you will. | 0:04:50 | 0:04:53 | |
It was that Jesus supposedly came with his uncle, Joseph of Arimathea, | 0:04:53 | 0:04:57 | |
who is mentioned in the Gospels, | 0:04:57 | 0:04:59 | |
although, it has to be said, Arimathea is only mentioned once, | 0:04:59 | 0:05:03 | |
and that is in relation to the place Joseph came from. | 0:05:03 | 0:05:06 | |
No-one knows where it is, where it was, where it could have been. Anyway... | 0:05:06 | 0:05:10 | |
It could have been a falafel tent. Nobody knows. | 0:05:10 | 0:05:13 | |
Jesus was effectively the first act, then. | 0:05:13 | 0:05:15 | |
-He was the first act ever to appear at Glasto. -He was the first on at Glastonbury. | 0:05:15 | 0:05:19 | |
Was he a juggler? Did he have bongos? Was he doing the diablo thing? | 0:05:19 | 0:05:24 | |
He did holistic balancing. | 0:05:24 | 0:05:25 | |
Three rooms of banging scripture. | 0:05:25 | 0:05:27 | |
All right, OK. | 0:05:27 | 0:05:29 | |
So there was a myth that Jesus and Joseph of Arimathea came... | 0:05:29 | 0:05:32 | |
Supposedly, Joseph of Arimathea was after tin, | 0:05:32 | 0:05:35 | |
and he came with Jesus, went to Glastonbury Tor and there's a tree. | 0:05:35 | 0:05:39 | |
SANDI: Tree, isn't there, the Glastonbury tree. Did Mary come? | 0:05:39 | 0:05:43 | |
-Supposedly, it was planted... Sorry? -Mary, the mother. | 0:05:43 | 0:05:45 | |
-I just wondered if Mum came as well. -I don't think she did. -Boys' weekend. | 0:05:45 | 0:05:49 | |
We don't know. Boys' weekend! | 0:05:49 | 0:05:51 | |
But I will give you 20 points each if you can mention the two other places the myth says they went to. | 0:05:51 | 0:05:56 | |
Glastonbury is one, but they were said to have gone to two other places. | 0:05:56 | 0:05:59 | |
-Wait! I know this. -Torquay? -No. | 0:05:59 | 0:06:01 | |
Because there's a group called the Aetherius Society, and they believe... | 0:06:01 | 0:06:05 | |
Oh, they're your neighbours, aren't they? | 0:06:05 | 0:06:07 | |
They're my neighbours in Devon, | 0:06:07 | 0:06:09 | |
and they believe that Christ appeared to them on the top of this hill, | 0:06:09 | 0:06:13 | |
and the founder of the Aetherius Society said he was doing the washing up in his flat, | 0:06:13 | 0:06:18 | |
and he heard a voice say, | 0:06:18 | 0:06:20 | |
"You have been chosen as the planetary representative of Earth." | 0:06:20 | 0:06:26 | |
So, immediately, he went, "Oh, right. I'd better do that, then." | 0:06:26 | 0:06:30 | |
-So he left the drying up? -He left the drying up to someone else. -And the putting away? | 0:06:30 | 0:06:35 | |
Can I just ask how much Bill knows about washing up? | 0:06:35 | 0:06:38 | |
Cos you do it like you're typing. You did that for washing up. | 0:06:38 | 0:06:42 | |
It's just a little, gentle caress of each thing. | 0:06:42 | 0:06:46 | |
And then that to get rid of the plates. | 0:06:46 | 0:06:49 | |
-He eats his dinner off old keyboards. -Yeah. | 0:06:49 | 0:06:52 | |
That's my life. | 0:06:52 | 0:06:54 | |
-Anyway, the places were, in fact, Penzance was one. -Oh! | 0:06:54 | 0:06:56 | |
And the other was Falmouth. | 0:06:56 | 0:06:58 | |
-Oh, I see. -And I'm sure he had a lovely time. | 0:06:58 | 0:07:00 | |
-A pasty, did he have a pasty? -He would have had a pasty. | 0:07:00 | 0:07:04 | |
Now, why might my pockets smell of fish? | 0:07:04 | 0:07:07 | |
They've done that thing where they take my body | 0:07:19 | 0:07:22 | |
-and put it on the head of someone who looks a bit like me. -Ah, yes. | 0:07:22 | 0:07:25 | |
I hate when they do that. | 0:07:25 | 0:07:27 | |
God, that's like a dream I had last night! This is so weird. | 0:07:27 | 0:07:31 | |
It's not like a dream I've ever had. | 0:07:31 | 0:07:33 | |
But I mean, obviously, if you're a fisherman... | 0:07:35 | 0:07:38 | |
But if you were a person of a high rank in society, | 0:07:38 | 0:07:40 | |
a particular society, your pockets might smell of fish. | 0:07:40 | 0:07:43 | |
-Oh. -The Fishmongers' Society. -Well, no. | 0:07:43 | 0:07:46 | |
That's what I mean. Aside from the obvious professional reasons why you might smell of fish. | 0:07:46 | 0:07:50 | |
-Oh, right. -It's a society in which it was considered polite not to eat, | 0:07:50 | 0:07:56 | |
-but to pocket the fish at a banquet. -Is it Japanese, cos...? -Yes! | 0:07:56 | 0:08:00 | |
-Cos fish, fish, they love fish. -Japanese is exactly right. | 0:08:00 | 0:08:02 | |
Medieval Japanese society, at weddings and banquets | 0:08:02 | 0:08:05 | |
and other such things, it was right to drink the drink you were given, | 0:08:05 | 0:08:09 | |
but that you should take the fish, bring it up to your mouth and then tuck it away into your pocket. | 0:08:09 | 0:08:13 | |
-I know it seems very odd. -What? | 0:08:13 | 0:08:16 | |
It's just a social... | 0:08:16 | 0:08:18 | |
I've done that with sausage rolls for the dogs later. | 0:08:18 | 0:08:21 | |
We've all done it with certain things, I agree. | 0:08:21 | 0:08:23 | |
But it is an interesting thing, and they still have a tradition in Japan, | 0:08:23 | 0:08:27 | |
when a baby is 100 days old, | 0:08:27 | 0:08:28 | |
is to take food, sea bream and beans and soya and rice, | 0:08:28 | 0:08:32 | |
and wave it in front of the baby's face, but not let the baby eat it. | 0:08:32 | 0:08:37 | |
Wait a minute. So there's people dangling fish in front of babies? | 0:08:39 | 0:08:42 | |
This is... Right, OK. What, on a fishing line? | 0:08:42 | 0:08:46 | |
No, no! From the food cupboard or the fridge, | 0:08:46 | 0:08:49 | |
which in Japan would be filled with all kinds of different fish, as you can imagine. | 0:08:49 | 0:08:54 | |
-I see, I see. Sashimi. -Sashimi and sushi and all kinds of other such things. | 0:08:54 | 0:08:58 | |
-In fact, while on the subject of sashimi... -BILL: Weird, weirdos. | 0:08:58 | 0:09:01 | |
-What is the difference between sushi and sashimi? -Sashimi is raw fish. | 0:09:01 | 0:09:04 | |
And sushi is rice and seaweed and that kind of thing. | 0:09:04 | 0:09:07 | |
Yes, it's rolled in rice. | 0:09:07 | 0:09:09 | |
And the particular thing about sashimi is not just that it's raw fish, but that it's...? | 0:09:09 | 0:09:13 | |
-It's sliced. -It's sliced at an angle. | 0:09:13 | 0:09:15 | |
Those huge knife skills are incredibly important in Japanese cuisine. | 0:09:15 | 0:09:19 | |
This particularly used to be true in the medieval period. | 0:09:19 | 0:09:23 | |
And in carp, for example, | 0:09:23 | 0:09:25 | |
there were at least 47 different ways of cutting carp, | 0:09:25 | 0:09:28 | |
which represented different aspects of human life or activity. | 0:09:28 | 0:09:32 | |
For example, there was "departing for battle carp". | 0:09:32 | 0:09:37 | |
So soldiers would have carp carved in a certain way before they went to battle. | 0:09:37 | 0:09:41 | |
If they weren't told they were going to battle, the carp was the giveaway. | 0:09:41 | 0:09:44 | |
Yeah, exactly. There was "celebratory carp". | 0:09:44 | 0:09:48 | |
-There was "taking a bride carp". -Ooh! | 0:09:48 | 0:09:51 | |
-"Flower viewing carp". -No! Really? | 0:09:53 | 0:09:56 | |
BILL: "Warning carp". Look out, carp! | 0:09:56 | 0:09:59 | |
"Moon viewing carp". | 0:09:59 | 0:10:01 | |
So it was a very important part, obviously, of Japanese life, the way they prepared fish. | 0:10:01 | 0:10:06 | |
It's a wonderful art, obviously, | 0:10:06 | 0:10:08 | |
and it's a very popular cuisine now around the world. | 0:10:08 | 0:10:11 | |
I have an amusing joke that I always say when I'm in a Japanese restaurant - | 0:10:11 | 0:10:15 | |
bring me a various selection of things to drink, waiter, | 0:10:15 | 0:10:17 | |
and don't get all sake. | 0:10:17 | 0:10:19 | |
Oh, you see! Hey! | 0:10:19 | 0:10:20 | |
But what actually is sake? What is sake? | 0:10:20 | 0:10:23 | |
-Rice...? -Rice wine. -Rice wine, you said, Alan? -Yes, rice wine? | 0:10:23 | 0:10:27 | |
Alan came in first with rice wine. | 0:10:27 | 0:10:29 | |
-He said it! -Yeah. | 0:10:29 | 0:10:31 | |
-It is not rice wine. -Oh. -No. | 0:10:31 | 0:10:34 | |
The actual word sake simply means alcoholic drink. | 0:10:34 | 0:10:37 | |
But the sake we think of as sake is in fact a kind of beer. | 0:10:37 | 0:10:41 | |
The word they use for the drink we call sake is "Nihonshu", | 0:10:41 | 0:10:46 | |
which means Japanese liquor. Nihon, as in Nippon. | 0:10:46 | 0:10:49 | |
Anyway, originally, people would just chew rice | 0:10:49 | 0:10:53 | |
and spit into a large container, | 0:10:53 | 0:10:55 | |
and the enzymes from the spittle would cause the breakdown of starch into sugars, | 0:10:55 | 0:11:00 | |
which would cause the fermentation, which would make the sake. | 0:11:00 | 0:11:03 | |
So it is actually a strong beer, not a wine. | 0:11:03 | 0:11:06 | |
A wine is a fruit-based drink, usually grape, obviously. | 0:11:06 | 0:11:10 | |
What other kinds of particularly Japanese things can you do to food to make it Japanese? | 0:11:10 | 0:11:16 | |
-You can put it in tempura. -Tempura. | 0:11:16 | 0:11:17 | |
Funny you should say that cos tempura was actually introduced to Japan, | 0:11:17 | 0:11:22 | |
and I will give you ten points if you can tell me which nation | 0:11:22 | 0:11:25 | |
taught the Japanese to batter things, which is essentially what tempura is. | 0:11:25 | 0:11:29 | |
ALL: Scottish. | 0:11:29 | 0:11:30 | |
You'd think, wouldn't you? You would think. | 0:11:30 | 0:11:32 | |
Surely there's a ginger-haired man somewhere, | 0:11:32 | 0:11:35 | |
in one of those medieval scrolls, just going... | 0:11:35 | 0:11:38 | |
-"Do you want to deep-fry that?" -Yeah. "That would be magic, it really would." | 0:11:38 | 0:11:42 | |
-"Have we got any eggs?" -Oddly enough not, no. | 0:11:42 | 0:11:44 | |
-It was the Portuguese. -Portuguese! -The Portuguese. | 0:11:44 | 0:11:48 | |
Also, the name vindaloo is originally from Portuguese origin, from Goa. | 0:11:48 | 0:11:52 | |
Is it? I thought that was a French... | 0:11:52 | 0:11:54 | |
-Vin de loo - toilet water. -Goa, as you know, was... | 0:11:54 | 0:11:58 | |
But there you go. | 0:11:58 | 0:11:59 | |
Anyway, so lots of interesting things about Japanese food. | 0:11:59 | 0:12:03 | |
Now, I'm having a senior moment. The famous volcano near Java? | 0:12:03 | 0:12:07 | |
-Krakatoa. -Krakatoa. | 0:12:07 | 0:12:09 | |
What's the name of the movie? | 0:12:09 | 0:12:12 | |
-Krakatoa... -Erupts? | 0:12:12 | 0:12:13 | |
-SANDI: Krakatoa East of Java. -East of Java, yes. | 0:12:13 | 0:12:16 | |
-And oddly enough, it's actually west of Java. -West of Java, yes. | 0:12:16 | 0:12:20 | |
It is an odd thing, but it was one of the first | 0:12:20 | 0:12:22 | |
big Cinerama kind of movies, called Krakatoa East of Java. | 0:12:22 | 0:12:25 | |
It was just a bizarre lie, because Krakatoa is west of Java. | 0:12:25 | 0:12:28 | |
So some producer must have thought, "I don't like the sound of West of Java." | 0:12:28 | 0:12:32 | |
"It's not going to sell. What can we do? We can take it north. North, south? | 0:12:32 | 0:12:36 | |
"East! East, it's going to be fantastic." | 0:12:36 | 0:12:38 | |
So, within ten years, tell me when this great huge explosion? | 0:12:38 | 0:12:43 | |
-1883. -1883. | 0:12:43 | 0:12:45 | |
Erm, 1882. | 0:12:47 | 0:12:50 | |
Right. | 0:12:53 | 0:12:55 | |
Ladies and gentlemen, viewers at home, | 0:12:55 | 0:12:57 | |
-brace yourselves. -Oh, hello. | 0:12:57 | 0:13:00 | |
The explosion, the great enormous, gigantic eruption of Krakatoa | 0:13:01 | 0:13:05 | |
was in 1883. | 0:13:05 | 0:13:07 | |
I thank you. | 0:13:07 | 0:13:09 | |
-I saw a documentary about it. -May I just say... | 0:13:11 | 0:13:15 | |
W-T-F? | 0:13:17 | 0:13:19 | |
There was a documentary about it on the BBC and they re-enacted it. | 0:13:19 | 0:13:23 | |
Well, well remembered! I mean, it's not an easily, not particularly... | 0:13:23 | 0:13:27 | |
I don't normally remember anything. | 0:13:27 | 0:13:29 | |
It was the loudest sound, apparently, that has ever existed, | 0:13:29 | 0:13:32 | |
or at least as far as we know, certainly within human reckoning. | 0:13:32 | 0:13:35 | |
So, four atomic bombs is sort of the average... | 0:13:35 | 0:13:38 | |
Oh, no, no! It was 13 times greater than the Hiroshima bomb. | 0:13:38 | 0:13:40 | |
Oh, was it? Wow! | 0:13:40 | 0:13:42 | |
Five cubic miles of rock was spewed into the air, | 0:13:42 | 0:13:46 | |
and it was heard 3,000 miles away. | 0:13:46 | 0:13:48 | |
You could actually hear it 3,000 miles away. | 0:13:48 | 0:13:51 | |
-Pop. -And it... Yes! | 0:13:51 | 0:13:52 | |
LAUGHTER | 0:13:52 | 0:13:54 | |
That's what it sounded like in Australia. | 0:13:54 | 0:13:57 | |
It reverberated around the world, the ripples of it, seven times. | 0:13:57 | 0:14:01 | |
It was a most extraordinary... | 0:14:01 | 0:14:03 | |
Wasn't Krakatoa... Was that the first global event | 0:14:03 | 0:14:07 | |
that sort of was... the news of which spread around the world? | 0:14:07 | 0:14:11 | |
Exactly. We can see behind us, Harper's Weekly. | 0:14:11 | 0:14:14 | |
-It was a media event for the first time. -Yeah. | 0:14:14 | 0:14:17 | |
-"The island and volcano of Krakatoa Strait of Sunda, submerged during the late eruption." -Yes. | 0:14:17 | 0:14:21 | |
When eventually a human party of people | 0:14:21 | 0:14:24 | |
arrived at the site, they found one living creature. | 0:14:24 | 0:14:28 | |
And I will give you ten points if you can tell me the species. | 0:14:28 | 0:14:32 | |
-Was it a spider that they found? -Yes! | 0:14:32 | 0:14:34 | |
-It was a spider. -What's going on?! Everybody's brilliant. | 0:14:34 | 0:14:38 | |
Absolutely marvellous. Everybody's on cracking form here. | 0:14:42 | 0:14:46 | |
You really are doing superbly well. | 0:14:46 | 0:14:48 | |
Was the spider going, "Ooh, it's hot"? | 0:14:48 | 0:14:51 | |
It was indeed. | 0:14:51 | 0:14:52 | |
It was using two legs at a time. | 0:14:52 | 0:14:56 | |
-Anyway... -BILL: Like this. | 0:14:56 | 0:14:57 | |
Ooh, ah! Ooh, ah! Ooh, ow! Oh, ah! Ooh, ow! Ooh, ow!, Ooh, ow! | 0:14:57 | 0:15:01 | |
-So it was doing the washing up! -Yes, it was. | 0:15:01 | 0:15:04 | |
Anyway, moving on. | 0:15:04 | 0:15:06 | |
So, what was the most hurtful thing Rambo's boyfriend did to him? | 0:15:06 | 0:15:10 | |
Right. I've seen this film. It's a bootleg, it's very different from... | 0:15:12 | 0:15:16 | |
-Rambo's boyfriend? -Well, I'm being very naughty. | 0:15:16 | 0:15:19 | |
Of course, the picture is being very naughty. | 0:15:19 | 0:15:22 | |
-When I say Rambo, I really mean Rimbaud. -Rimbaud! | 0:15:22 | 0:15:26 | |
So when I say Rimbaud, who do I mean? | 0:15:26 | 0:15:29 | |
-You mean, of course, him. -But who is he? | 0:15:29 | 0:15:32 | |
-Rimbaud. Somebody French. -SANDI: He looks off his head on something. | 0:15:32 | 0:15:35 | |
-"Somebody French." -Arthur? -Arthur. | 0:15:35 | 0:15:37 | |
-Arthur. -Rimbaud. -Rimbaud. | 0:15:37 | 0:15:39 | |
-Arthur Rimbaud, who was? -He was a great writer, wasn't he? -A poet. | 0:15:39 | 0:15:42 | |
-He was a great poet, but very rare inasmuch as... -Got that right! Can't believe it. | 0:15:42 | 0:15:46 | |
We're used to Beethoven and Mozart, and other musicians, | 0:15:46 | 0:15:50 | |
being extraordinarily prodigious at an early age. | 0:15:50 | 0:15:52 | |
It's very rare for a poet. | 0:15:52 | 0:15:53 | |
The greatest work that Rimbaud wrote, and he was a great poet, | 0:15:53 | 0:15:57 | |
was between the ages of 17 and 21. | 0:15:57 | 0:15:59 | |
He was extraordinarily beautiful. According to a school friend, | 0:15:59 | 0:16:04 | |
"He had eyes of pale blue, irradiated with dark blue, | 0:16:04 | 0:16:08 | |
"the loveliest eyes I've ever seen. He was a brilliant student. | 0:16:08 | 0:16:11 | |
"He won a regional poetry competition, | 0:16:11 | 0:16:13 | |
"in spite of sleeping through the first three hours of the exam." | 0:16:13 | 0:16:17 | |
-SANDI: Oh, I've done that. -At 16, he ran away from home with no money, | 0:16:17 | 0:16:20 | |
and then between the ages of 17 and 21, just four years, | 0:16:20 | 0:16:24 | |
he had this extraordinary flowering as poet. | 0:16:24 | 0:16:26 | |
But, in doing so, he shared his life with someone. | 0:16:26 | 0:16:29 | |
He had a passionate, tumultuous affair with dot, dot, dot. | 0:16:29 | 0:16:33 | |
Katie Price. | 0:16:33 | 0:16:35 | |
His dates were 1854 to 1891. | 0:16:36 | 0:16:39 | |
So he died at 36, 37. | 0:16:39 | 0:16:42 | |
-And he was of a homosexual persuasion? -A child prodigy, he was gay. | 0:16:42 | 0:16:45 | |
Oh, well, don't know anything about those people. | 0:16:45 | 0:16:47 | |
And in fact there is a blue plaque to him in London, | 0:16:47 | 0:16:50 | |
where he shared a short-ish time with his lover, | 0:16:50 | 0:16:53 | |
who was also a poet, a famous poet. | 0:16:53 | 0:16:56 | |
-Oh. Gerard de Nerval. -No. | 0:16:56 | 0:16:59 | |
-Gerard de Nerval was a fascinating man. -He was. | 0:16:59 | 0:17:02 | |
-I very much enjoyed the way you said that. -Je suis le veuf, | 0:17:02 | 0:17:06 | |
-l'ancontre. Le tenebreux. -And he also famously had a pet lobster... | 0:17:06 | 0:17:10 | |
-He did indeed. -..that he used to take for walks on a lead. -Vite, vite, monsieur! | 0:17:10 | 0:17:14 | |
-Monsieur Clicky. -Stay with it! Stay with it! | 0:17:15 | 0:17:19 | |
Alors! | 0:17:19 | 0:17:20 | |
Stay with it, because it's ... | 0:17:20 | 0:17:22 | |
Non! | 0:17:22 | 0:17:24 | |
-J'ai fatigue. -Non! Allez vite. | 0:17:24 | 0:17:26 | |
ALAN CHOKES | 0:17:26 | 0:17:29 | |
-L'eau, s'il vous plait. L'eau! -Non. | 0:17:29 | 0:17:33 | |
Non, pas de l'eau. Non. Le artichoke. | 0:17:34 | 0:17:38 | |
I never thought I'd see the day when | 0:17:44 | 0:17:47 | |
Bill Bailey force-fed Gerard de Nerval's lobster with an artichoke, | 0:17:47 | 0:17:51 | |
and yet the day came. | 0:17:51 | 0:17:53 | |
Anyway, let's just return to this other poet, | 0:17:53 | 0:17:55 | |
who was the lover of the young Verlaine. | 0:17:55 | 0:17:59 | |
Oh, sorry, Verlaine! | 0:17:59 | 0:18:01 | |
Did I ever give that away! No. | 0:18:05 | 0:18:08 | |
Now, there, on the left is Verlaine, | 0:18:08 | 0:18:11 | |
-the one who looks slightly like John Malkovich. -Oh. | 0:18:11 | 0:18:14 | |
-In the middle is the boy wonder. -Rimbaud. | 0:18:14 | 0:18:16 | |
Rimbaud, and on the right is... Erm, I can't remember his name. | 0:18:16 | 0:18:20 | |
-That's Robert de Niro, isn't it? -It is Robert de Niro, yes. | 0:18:20 | 0:18:22 | |
It is a bit, isn't it, on the right. | 0:18:22 | 0:18:24 | |
It's Robert de Niro, that's who it is. | 0:18:24 | 0:18:26 | |
It's like a 19th century ad for a hairdressers, of all the different styles you can have. | 0:18:26 | 0:18:31 | |
Is that the same person in that picture as it was in the one before? | 0:18:31 | 0:18:34 | |
-It is. -Jeez. Air-brushing. -I know. | 0:18:34 | 0:18:37 | |
But they went to live in Camden for a short while | 0:18:37 | 0:18:40 | |
and there is a blue plaque in Camden that says, | 0:18:40 | 0:18:43 | |
"Arthur Rimbaud and Paul Verlaine, poet and lovers, lived here." | 0:18:43 | 0:18:47 | |
It was the first blue plaque ever to celebrate a gay couple, which is rather sweet. | 0:18:47 | 0:18:51 | |
Anyway, that's the story of these two. We thought you'd like to know about it, but why... | 0:18:51 | 0:18:55 | |
BILL: Yes, quite interesting. | 0:18:55 | 0:18:57 | |
The question was how did the lover hurt Rimbaud? | 0:18:57 | 0:19:00 | |
-Shut his fingers in the door. -Yeah. | 0:19:00 | 0:19:03 | |
-Worse than that, he had a tumultuous... -Oh, it does nip. | 0:19:03 | 0:19:06 | |
-..passionate, jealous rage and shot him in the wrist. -In the wrist? -Yes. | 0:19:06 | 0:19:10 | |
Whilst he was masturbating. | 0:19:10 | 0:19:11 | |
I'm going to move on, because you're just simply misbehaving. | 0:19:11 | 0:19:15 | |
-Yeah, move on. -Yeah. -It's for the best. -Anyway. | 0:19:15 | 0:19:19 | |
I am so out of my comfort zone. | 0:19:19 | 0:19:20 | |
It's all good information that is well worth knowing. | 0:19:22 | 0:19:26 | |
Arthur Rimbaud was shot in the arm by Paul Verlaine. | 0:19:26 | 0:19:30 | |
Now, on to one of the delicacies of Jamaican cuisine, | 0:19:30 | 0:19:33 | |
I think we all know how to make cock soup, | 0:19:33 | 0:19:35 | |
but how would you make mannish water? | 0:19:35 | 0:19:38 | |
Sorry, I don't know how to make cock soup. | 0:19:38 | 0:19:40 | |
-I don't like cock soup. -I don't know what... -Cock-a-leekie. | 0:19:40 | 0:19:43 | |
Oh, right! Oh, OK. | 0:19:43 | 0:19:45 | |
Cock-a-leekie. | 0:19:45 | 0:19:47 | |
-It's good, chicken soup. -Oh, I see. Is that what it is? | 0:19:47 | 0:19:51 | |
-A cock is a chicken. -Cock is a chicken, yeah. | 0:19:51 | 0:19:54 | |
What can you have been thinking? | 0:19:54 | 0:19:56 | |
I don't know, I thought it was some terrible euphemism. | 0:19:56 | 0:20:00 | |
What, a euphemism for pheasant? | 0:20:00 | 0:20:02 | |
I don't... Yes! Yes, that's it, pheasant. | 0:20:02 | 0:20:05 | |
Well, cock soup is chicken soup. Cock-a-leekie. | 0:20:05 | 0:20:08 | |
-Cock-a-leekie soup. -You've had cock-a-leekie in Scotland. | 0:20:08 | 0:20:10 | |
-I've had cock-a-leekie. -Yes, you've had a leaky cock. Hey, hey! | 0:20:10 | 0:20:13 | |
No, shush and because... | 0:20:13 | 0:20:15 | |
No, listen, now. Mannish water... | 0:20:15 | 0:20:18 | |
SANDI LAUGHS UPROARIOUSLY | 0:20:18 | 0:20:19 | |
It's like Frankie Howerd was in the room. | 0:20:19 | 0:20:23 | |
-BILL & STEPHEN AS HOWERD: No, no. -No, don't. -Oh, no. -Stop it. | 0:20:23 | 0:20:26 | |
-Shush! No. -Don't. -No. | 0:20:26 | 0:20:28 | |
-Missus! -No. | 0:20:28 | 0:20:30 | |
Big belly laughs from all men with big bellies and we'll have little titters from... No! | 0:20:31 | 0:20:37 | |
-All right. Don't you remember that one? -Oh! | 0:20:37 | 0:20:40 | |
Stop it! Mannish water... Come on, we're in Jamaica. | 0:20:40 | 0:20:43 | |
-Mannish water. -Yeah. | 0:20:43 | 0:20:45 | |
-Is it some kind of a soupage of some kind? -Yes. -It's a soupage. -Mannish water. | 0:20:45 | 0:20:49 | |
It's Jamaican, is the point. | 0:20:49 | 0:20:50 | |
-Right, so Jamaican food is what you're looking for? -Yeah. | 0:20:50 | 0:20:54 | |
-Coconuts, plantains. -It's mannish, though. | 0:20:54 | 0:20:56 | |
The point is they want to be male, so eat male animals. | 0:20:56 | 0:20:58 | |
Oh, OK, so it's a... | 0:20:58 | 0:21:00 | |
-And what food is common in... -Rice and peas. -Yes. | 0:21:00 | 0:21:03 | |
-Rice and peas, flying fish. -Anything else? | 0:21:03 | 0:21:06 | |
-Goat and... -Goat! Yes. | 0:21:06 | 0:21:07 | |
-Entails of goat. -That's it. | 0:21:07 | 0:21:09 | |
So all the male parts of a goat - and a male goat is the important thing - makes mannish water. | 0:21:09 | 0:21:13 | |
It's also called goat's head soup. | 0:21:13 | 0:21:15 | |
Does the phrase goat's head soup mean anything to you? | 0:21:15 | 0:21:18 | |
Er, yes, that I'm not hungry, is what it means. | 0:21:18 | 0:21:21 | |
-Anything else? -It's an album, isn't it? -Thank you. | 0:21:21 | 0:21:23 | |
Goat's Head Soup, by what's his name? | 0:21:23 | 0:21:26 | |
-It's not his name, their name. -Oh, God! | 0:21:26 | 0:21:28 | |
-The greatest rock 'n' roll band in the world, they call themselves. -The Proclaimers. | 0:21:28 | 0:21:33 | |
And you can walk another 100 miles for... | 0:21:35 | 0:21:38 | |
Oh, I love the Proclaimers. | 0:21:38 | 0:21:39 | |
No, I'm very fond of The Proclaimers, but The Rolling Stones... | 0:21:39 | 0:21:42 | |
-Rolling Stones! Rolling Stones. -In 1973, produced an album called Goat's Head Soup, | 0:21:42 | 0:21:47 | |
because they recorded the album on Jamaica. | 0:21:47 | 0:21:49 | |
And do you know why they recorded the album on Jamaica? | 0:21:49 | 0:21:53 | |
-Island Records. -SANDI: Because they were mad for the soup. -No. | 0:21:53 | 0:21:55 | |
Because it was about the only bloody country on earth where they weren't banned from. | 0:21:55 | 0:21:59 | |
It was around the time of a lot of the drugs and all the rest of it, | 0:21:59 | 0:22:02 | |
so they were allowed in Jamaica and made an album called Goat's Head Soup, | 0:22:02 | 0:22:06 | |
which is another word for mannish water. | 0:22:06 | 0:22:08 | |
And its ingredients, should you wish to make it, are goat's head, | 0:22:08 | 0:22:12 | |
feet and intestines, served with bananas and spices. | 0:22:12 | 0:22:15 | |
It's supposed to be an aphrodisiac. It's supposed to man you up, | 0:22:15 | 0:22:18 | |
that's the point. Hence mannish soup. | 0:22:18 | 0:22:20 | |
There's also cow cod soup, made of bull's penis, | 0:22:20 | 0:22:23 | |
chilli peppers and bananas, cooked in white rum. | 0:22:23 | 0:22:25 | |
-Which sounds rather nice. -That is nice. | 0:22:25 | 0:22:27 | |
Yeah. I like the sound of that. | 0:22:27 | 0:22:29 | |
-I'll pop to Lidl in the morning. -Yeah. | 0:22:29 | 0:22:32 | |
Anyway, that's mannish water for you. | 0:22:32 | 0:22:34 | |
Now, here are two towns behind me. They both begin with J. Why are they blue? | 0:22:34 | 0:22:38 | |
-Oh! Now, I know this. -Yes? | 0:22:38 | 0:22:41 | |
-Well, I know one of them. -Go on, then. | 0:22:41 | 0:22:44 | |
I've got a Smurf collection, I've had it many years. | 0:22:44 | 0:22:47 | |
When I was younger, I used to collect Smurfs, it was my hobby. | 0:22:47 | 0:22:51 | |
I've got a Smurf village, I created when I was younger, | 0:22:51 | 0:22:54 | |
it's still there, reminds me of the bad times. | 0:22:54 | 0:22:56 | |
-And the good times. -Right. | 0:22:56 | 0:22:59 | |
Now, and if this is wrong, I'm going to look like a total twat. | 0:22:59 | 0:23:02 | |
-The thing is, you'd look like a twat even if you're right. -Yeah. -Carry on, yeah. | 0:23:02 | 0:23:07 | |
No, because knowing this is so deeply sad. Yeah, carry on. | 0:23:08 | 0:23:12 | |
OK, so I love Smurfs and everything about Smurfs | 0:23:12 | 0:23:15 | |
-and Smurfettes and everything else. -Yeah. | 0:23:15 | 0:23:17 | |
When they did the premiere of the Smurf film, | 0:23:17 | 0:23:20 | |
they painted a town somewhere - | 0:23:20 | 0:23:22 | |
I think it was Spain, near Marbella, or something like that - | 0:23:22 | 0:23:25 | |
blue, for the premiere of the film. | 0:23:25 | 0:23:27 | |
And then afterwards they said, "We'll paint it back," | 0:23:27 | 0:23:30 | |
and the residents had had such a lot of tourism, | 0:23:30 | 0:23:32 | |
and they dubbed the mayor Papa Smurf, which he was delighted about! | 0:23:32 | 0:23:37 | |
But they had a referendum to see if they wanted to keep their town blue, | 0:23:37 | 0:23:41 | |
because they thought it was quite cool. | 0:23:41 | 0:23:43 | |
And, cos that's Smurf, because it was Smurf town, | 0:23:43 | 0:23:45 | |
which sounds amazing, cos I love the Smurfs. | 0:23:45 | 0:23:48 | |
You are 100% correct! | 0:23:48 | 0:23:49 | |
-I like it. It's that one on the right. -Come on! | 0:23:49 | 0:23:51 | |
The only thing that would add 20 points was | 0:23:56 | 0:23:59 | |
-if you knew the name. -BILL: 20 points? Oh! | 0:23:59 | 0:24:02 | |
Will you not destroy the set? | 0:24:06 | 0:24:08 | |
Yes, you've broken it. | 0:24:10 | 0:24:12 | |
-Just tell me the name of the town. -Juarez, was it Juarez? -No. | 0:24:12 | 0:24:15 | |
No, that's in Mexico. We're talking about Spain. | 0:24:15 | 0:24:18 | |
-Jojoba. -Jerez. -No, that's... -Jerez. | 0:24:18 | 0:24:21 | |
-That's... -Jomin? -Juan. | 0:24:21 | 0:24:24 | |
All right, it begins with "J". I'll give you that. | 0:24:24 | 0:24:27 | |
Is it Jipswich? SANDI: Is it Jerusalem? | 0:24:27 | 0:24:30 | |
It's not Jerusalem. | 0:24:30 | 0:24:32 | |
Ji... Jiby. | 0:24:32 | 0:24:33 | |
-No, it's called Juzcar. -ALL: Oh! | 0:24:33 | 0:24:36 | |
SANDI: The next thing I was going to say. | 0:24:36 | 0:24:38 | |
Juzcar, spelt J-U-Z-C-A-R, Juzcar, with an accent on the U. | 0:24:38 | 0:24:42 | |
Was the other town Jaipur? | 0:24:42 | 0:24:45 | |
-Yes! Well done. -A point! | 0:24:45 | 0:24:47 | |
No, no. No. Sorry. Whoa! I misheard you. | 0:24:47 | 0:24:51 | |
-SANDI: It's Jodhpur. -Jodhpur is the answer. | 0:24:51 | 0:24:54 | |
I still said it before Sandi, I still said Jodhpur before Sandi! | 0:24:54 | 0:24:59 | |
-You did, you said the wrong thing. -No, no! I said Jodhpur, I still said Jodhpur. | 0:24:59 | 0:25:02 | |
You're quite right, it's Jodhpur. | 0:25:02 | 0:25:04 | |
So we're going to go back to a picture of Jodhpur. Why is Jodhpur blue? | 0:25:04 | 0:25:07 | |
-SANDI: It's to do with the caste system. -Yes. -It's to do with indigo, | 0:25:07 | 0:25:10 | |
indigo being the colour of the Brahmin and... | 0:25:10 | 0:25:13 | |
The Brahmin, which is the highest caste. | 0:25:13 | 0:25:16 | |
It was to distinguish their houses and everybody thought it a good idea. | 0:25:16 | 0:25:19 | |
There is also a pink city. Can you name a pink city? | 0:25:19 | 0:25:22 | |
-Jaipur. -Yes! | 0:25:22 | 0:25:24 | |
There you go. | 0:25:26 | 0:25:28 | |
And there it is. There we are. | 0:25:29 | 0:25:31 | |
Now, d'you know the capital of Alaska? | 0:25:31 | 0:25:34 | |
-SANDI: Yes, you just said it. -Exactly. Thank you. | 0:25:34 | 0:25:37 | |
Very good! Juneau is the capital of Alaska. | 0:25:37 | 0:25:40 | |
-J-U-N-E-A-U. -Ah, Juneau. | 0:25:40 | 0:25:42 | |
But there's something unique about it. | 0:25:42 | 0:25:45 | |
-It rains all the bloody time, I know that. -Well, it's not accessible by road. | 0:25:45 | 0:25:49 | |
You can only get there by air or water. There is no road to Juneau. | 0:25:49 | 0:25:52 | |
-Sarah Palin can get there by walking on the water. -Well, yes. | 0:25:52 | 0:25:56 | |
Can you tell me the biggest joke ever to come out of Alaska? | 0:25:57 | 0:26:01 | |
Sarah Palin, who can walk on... | 0:26:01 | 0:26:03 | |
Ohhh! Dear, oh, dear, oh, dear, oh, dear, oh, dear. | 0:26:03 | 0:26:07 | |
We're not forfeiting you that, | 0:26:12 | 0:26:14 | |
it was so obvious that we weren't even going to forfeit it. | 0:26:14 | 0:26:17 | |
Isn't she lovely? | 0:26:17 | 0:26:18 | |
-If I had forfeited, I would have refudiated. -We would have refudiated. | 0:26:18 | 0:26:22 | |
Anyway, the point is, there is actually a famous practical joke, | 0:26:22 | 0:26:26 | |
an April fool's joke that came out of Alaska. | 0:26:26 | 0:26:28 | |
It took a lot of preparation and was rather extraordinary. | 0:26:28 | 0:26:31 | |
Here's a photo that might give you a hint. | 0:26:31 | 0:26:33 | |
I mean, it's not going to be easy, but what's in the background there? | 0:26:33 | 0:26:36 | |
-This is a volcano-based practical joke. -Yes. | 0:26:36 | 0:26:39 | |
And it's one that I read about and it very much impressed me | 0:26:39 | 0:26:42 | |
because if you do a practical joke which is, you know, | 0:26:42 | 0:26:45 | |
clingfilm over the toilet, something simple... | 0:26:45 | 0:26:48 | |
But the person who did this practical joke... | 0:26:48 | 0:26:52 | |
It's a good one. It doesn't work for women necessarily, | 0:26:54 | 0:26:57 | |
cos we tend to notice when we sit down that there's something, | 0:26:57 | 0:27:00 | |
but for men, I tell you, it's a hoot. | 0:27:00 | 0:27:02 | |
There was a volcano, and a gentleman, | 0:27:04 | 0:27:06 | |
-and I can't remember his name, I apologise. -Don't you worry. | 0:27:06 | 0:27:09 | |
Decided to try and make it seem as if it was erupting, so took loads of tyres... | 0:27:09 | 0:27:14 | |
-You are class. -..and set fire to it and then everyone came out of their houses and went, | 0:27:14 | 0:27:18 | |
"The volcano's erupting!" | 0:27:18 | 0:27:19 | |
-Yes. -Cos it was so good. -You're absolutely right. | 0:27:19 | 0:27:23 | |
He waited three years until there was a clear April 1st. | 0:27:23 | 0:27:26 | |
He took kerosene and smoke bombs and tyres, | 0:27:26 | 0:27:28 | |
and he dropped them down the crater and set fire to it. | 0:27:28 | 0:27:31 | |
But, in 50-foot letters, he did say, "April Fool" | 0:27:31 | 0:27:36 | |
and he warned the federal authority. | 0:27:36 | 0:27:38 | |
He called them up, but he forgot to call the coastguard, who did panic a bit. | 0:27:38 | 0:27:42 | |
But it was, fortunately, all taken in the right spirit. | 0:27:42 | 0:27:44 | |
-And his name was Porky Bickar. -Porky. -Porky? | 0:27:44 | 0:27:48 | |
Porky - that was his nickname. | 0:27:48 | 0:27:50 | |
-He was American, so he was called Porky. -Porky Bickar. | 0:27:50 | 0:27:53 | |
And that is, aside from Sarah Palin, the greatest joke ever to come out of Alaska. | 0:27:53 | 0:27:57 | |
It is a good one. I mean, it is a good one. | 0:27:57 | 0:27:58 | |
I have to say I am very impressed again with your knowledge. | 0:27:58 | 0:28:01 | |
And that's the end of tonight's questions. | 0:28:01 | 0:28:04 | |
Let's see how our journey has panned out. | 0:28:04 | 0:28:06 | |
Well, it's astonishing! Her first ever appearance, on plus 15, | 0:28:06 | 0:28:10 | |
a clear winner - Susan Calman. | 0:28:10 | 0:28:12 | |
And only four inches behind on 11 - | 0:28:15 | 0:28:21 | |
Sandi Toksvig. | 0:28:21 | 0:28:22 | |
Impressively, the digitally endowed, | 0:28:26 | 0:28:29 | |
still in the black, plus four - Bill Bailey. | 0:28:29 | 0:28:31 | |
I'm delighted. | 0:28:35 | 0:28:36 | |
Well, perhaps the best we can say is, bless him, he did try. | 0:28:36 | 0:28:40 | |
Minus eleven - Alan Davies. | 0:28:40 | 0:28:42 | |
That's all from Sandi, Susan, Bill, Alan and me. | 0:28:49 | 0:28:52 | |
Thank you, goodnight and be wonderful to each other. Bye-bye. | 0:28:52 | 0:28:55 | |
Subtitles by Red Bee Media Ltd | 0:29:17 | 0:29:20 |