Browse content similar to Knees & Knockers. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:09 | |
Gooooood evening! Good evening, good evening, | 0:00:32 | 0:00:34 | |
good evening, good evening, good evening, good evening, | 0:00:34 | 0:00:36 | |
good evening and welcome to QI, | 0:00:36 | 0:00:38 | |
where tonight is a khaotic klutter of K-words. | 0:00:38 | 0:00:41 | |
Let's klock the kontestants. The kind-hearted Sara Pascoe. | 0:00:41 | 0:00:46 | |
CHEERING AND APPLAUSE | 0:00:46 | 0:00:48 | |
The kallipygian Jack Whitehall. | 0:00:51 | 0:00:53 | |
CHEERING AND APPLAUSE | 0:00:53 | 0:00:54 | |
The knowledgeable David Mitchell. | 0:00:58 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:02 | |
And knock me down with a kangaroo, it's Alan Davies. | 0:01:04 | 0:01:08 | |
CHEERING AND APPLAUSE | 0:01:08 | 0:01:09 | |
And this week's call signs are all K creatures. Sara goes... | 0:01:14 | 0:01:18 | |
BIRD SCREECHING | 0:01:18 | 0:01:20 | |
Do you know what that is? | 0:01:20 | 0:01:21 | |
-Is it a bird? -Yes. | 0:01:23 | 0:01:25 | |
OK. It's a bird. | 0:01:25 | 0:01:28 | |
Famous movie, kind of British, wonderful. | 0:01:28 | 0:01:30 | |
The man who was in love with a kestrel. | 0:01:30 | 0:01:32 | |
-Shorten kestrel to the... -JACK: -Kes. | 0:01:32 | 0:01:34 | |
-Kes, yeah. -Oh, that was my question! | 0:01:34 | 0:01:35 | |
But that was the film. Very good. And Jack goes... | 0:01:35 | 0:01:38 | |
BIRD CACKLES | 0:01:38 | 0:01:40 | |
You probably know that. | 0:01:40 | 0:01:42 | |
OK, that is Kevin Bacon getting into really hot water. | 0:01:42 | 0:01:45 | |
I'd know that sound anywhere. | 0:01:47 | 0:01:49 | |
-He likes it lukewarm. -He does. | 0:01:49 | 0:01:52 | |
-Kookaburra. -Is the right answer. It's a kookaburra. | 0:01:52 | 0:01:54 | |
-Oh, yeah, yeah. -David goes... | 0:01:54 | 0:01:56 | |
BUZZING | 0:01:56 | 0:02:00 | |
Is that a Klingon spacecraft? | 0:02:01 | 0:02:04 | |
Killer bee. | 0:02:06 | 0:02:08 | |
-Killer bee? -Exactly, there you go. | 0:02:08 | 0:02:10 | |
And Alan goes... | 0:02:10 | 0:02:12 | |
GROWLING | 0:02:12 | 0:02:16 | |
That's a genuine animal recording. | 0:02:18 | 0:02:21 | |
-Kangaroo? -No. -Koala? | 0:02:21 | 0:02:23 | |
-Yes! -Yes, come on! | 0:02:23 | 0:02:25 | |
It's a koala. Who'd have thought that a koala sounded like that? | 0:02:25 | 0:02:28 | |
Anyway, there we go. | 0:02:28 | 0:02:29 | |
Just before we start, I've got a bit of very good news for you, David, | 0:02:29 | 0:02:32 | |
cos your old nemesis Colin, the QI scorer, | 0:02:32 | 0:02:35 | |
has been replaced by a new scorer called Murray, | 0:02:35 | 0:02:37 | |
who happens to be a huge fan of yours. | 0:02:37 | 0:02:39 | |
So I think that bodes well for this evening. | 0:02:39 | 0:02:41 | |
-Well, I'm very glad to hear it, yes. -Excellent, yeah. | 0:02:41 | 0:02:44 | |
You've told me too late to bribe him. | 0:02:44 | 0:02:46 | |
What happened to Colin though? Why isn't he...? | 0:02:47 | 0:02:50 | |
He's been promoted, actually. | 0:02:50 | 0:02:51 | |
He's now probably counting votes in the House of Lords. | 0:02:51 | 0:02:53 | |
Or something similar. | 0:02:53 | 0:02:55 | |
We're one step away from the House of Lords. | 0:02:55 | 0:02:57 | |
Yes, we are, exactly. | 0:02:57 | 0:02:59 | |
I think this programme would be an excellent house of reform. | 0:02:59 | 0:03:02 | |
It would, wouldn't it? | 0:03:02 | 0:03:03 | |
You know, just let all the legislation come before us, | 0:03:03 | 0:03:05 | |
we'll fiddle with it. Hopefully, you know, gag it up a bit. | 0:03:05 | 0:03:08 | |
-Yeah. -Send it on to the Queen. | 0:03:08 | 0:03:10 | |
Exactly. | 0:03:10 | 0:03:12 | |
"My government...will find six penises on this particular insect." | 0:03:12 | 0:03:16 | |
That's what it tends to be about on QI. | 0:03:18 | 0:03:20 | |
Anyway, let's kick off. What is this? | 0:03:20 | 0:03:22 | |
It's a noise, listen out carefully. | 0:03:22 | 0:03:24 | |
KLAXON SOUNDS | 0:03:24 | 0:03:26 | |
And beginning with K. | 0:03:26 | 0:03:28 | |
BIRD CACKLES | 0:03:28 | 0:03:29 | |
-Yeah? -A klaxon. | 0:03:29 | 0:03:30 | |
Oh! | 0:03:30 | 0:03:31 | |
KLAXON SOUNDS | 0:03:31 | 0:03:33 | |
Ha-ha! | 0:03:33 | 0:03:34 | |
In a strange sort of way, pop just ate itself, didn't it? | 0:03:37 | 0:03:41 | |
A klaxon gave a klaxon. | 0:03:41 | 0:03:42 | |
We call it the klaxon, it's not actually a klaxon. | 0:03:42 | 0:03:45 | |
-Is that a brand name? -Brilliant. -Like with a Tannoy or a Hoover? | 0:03:45 | 0:03:48 | |
-You're absolutely right. -Oh, OK. | 0:03:48 | 0:03:49 | |
-Just like Tannoy or Hoover. -So what is it, an alarm? | 0:03:49 | 0:03:52 | |
-It's basically a siren, a noise, an alarm noise, exactly. -OK. | 0:03:52 | 0:03:55 | |
A Klaxon has a very specific sound which belongs to a company | 0:03:55 | 0:03:57 | |
called Lovell-McConnell Manufacturing. | 0:03:57 | 0:04:00 | |
They were first fitted to cars. | 0:04:00 | 0:04:02 | |
And they were the first electric thing ever to be attached to | 0:04:02 | 0:04:05 | |
-an automobile, the Klaxon. -So what is...? | 0:04:05 | 0:04:07 | |
So they needed an alarm before a light? | 0:04:07 | 0:04:09 | |
The sound we heard was just, | 0:04:09 | 0:04:11 | |
you'd just call it some general word, | 0:04:11 | 0:04:12 | |
but technically it's not a Klaxon. Now, automobiles, America. | 0:04:12 | 0:04:15 | |
The land of the free, the land of the automobile, | 0:04:15 | 0:04:17 | |
as you can imagine in places like Pennsylvania | 0:04:17 | 0:04:20 | |
they must have welcomed them when they arrived, yes? | 0:04:20 | 0:04:23 | |
No. No. | 0:04:23 | 0:04:24 | |
Is the right answer. | 0:04:24 | 0:04:25 | |
Alan, you're really getting the hang of this. | 0:04:26 | 0:04:28 | |
-I've played this before. -Yes. | 0:04:28 | 0:04:31 | |
-You have to intuit. -You would be astounded | 0:04:31 | 0:04:33 | |
by the Farmers' Anti Automobile Association of Pennsylvania, | 0:04:33 | 0:04:36 | |
with its list of impractical requirements for motorists. | 0:04:36 | 0:04:39 | |
Automobiles travelling on country roads at night | 0:04:39 | 0:04:41 | |
must send up a rocket every mile. | 0:04:41 | 0:04:43 | |
And then wait ten minutes for the road to clear. | 0:04:45 | 0:04:48 | |
The driver may then proceed with caution, blowing his horn | 0:04:48 | 0:04:51 | |
and shooting off roman candles. | 0:04:51 | 0:04:55 | |
If the driver of an automobile sees a team of horses approaching, | 0:04:55 | 0:04:57 | |
he is to stop, pull to one side of the road... | 0:04:57 | 0:04:59 | |
-And kill himself. -Almost. | 0:04:59 | 0:05:01 | |
..cover his machine with a blanket or dust cover, | 0:05:01 | 0:05:04 | |
which is painted or coloured to blend into the scenery. | 0:05:04 | 0:05:06 | |
In case a horse is unwilling to pass an automobile on the road, | 0:05:08 | 0:05:11 | |
the driver of the car must take the machine apart | 0:05:11 | 0:05:14 | |
as rapidly as possible, and conceal the parts in the bushes. | 0:05:14 | 0:05:18 | |
They really didn't want motorcars in Pennsylvania. | 0:05:20 | 0:05:23 | |
Honking the horn, is that a sensible safe thing to do, | 0:05:23 | 0:05:26 | |
-does it avoid accidents? -No, it'll frighten the horses. | 0:05:26 | 0:05:29 | |
Well, obviously, let's assume we're talking about now, | 0:05:29 | 0:05:32 | |
-when there aren't any, or very few. -Wouldn't it raise aggression, | 0:05:32 | 0:05:34 | |
hearing a loud noise makes you probably release adrenaline, | 0:05:34 | 0:05:37 | |
and then your instincts would be flawed, I would have thought. | 0:05:37 | 0:05:40 | |
-I think you're absolutely right... -Have you ever driven in Italy? | 0:05:40 | 0:05:43 | |
-Oh, yeah. -I've been on tour in Italy and the word "go" is "die" in Italy. | 0:05:43 | 0:05:48 | |
-Avante. -Die, die, die! | 0:05:48 | 0:05:49 | |
You're like, "Fuuuck! | 0:05:49 | 0:05:51 | |
"We're all 19 and I'm not a driver." | 0:05:51 | 0:05:53 | |
No, but you're absolutely right, there is no evidence | 0:05:53 | 0:05:56 | |
that using the horn contributes to safety. | 0:05:56 | 0:05:58 | |
There's something interesting with police sirens, isn't there? | 0:05:58 | 0:06:01 | |
Because they... It's two different notes, | 0:06:01 | 0:06:03 | |
-and the reason is... -Yeah. -If you hear one note for a long time, | 0:06:03 | 0:06:06 | |
-you can't tell where it's coming from. -That's exactly right, | 0:06:06 | 0:06:09 | |
you genuinely can't tell. | 0:06:09 | 0:06:11 | |
You say, "Is that in front of me, or is it behind me?" | 0:06:11 | 0:06:13 | |
You just don't know. In America, they have a very good rule | 0:06:13 | 0:06:15 | |
when you hear a siren, on the road, you just simply stop driving. | 0:06:15 | 0:06:19 | |
-Yeah. Absolutely. -And go and have a meal. | 0:06:19 | 0:06:22 | |
But it somehow works out incredibly well | 0:06:23 | 0:06:25 | |
and the emergency vehicle weaves through. | 0:06:25 | 0:06:27 | |
-DAVID: But they have wider roads. -They have much wider roads. | 0:06:27 | 0:06:30 | |
But it does work fantastically, and everybody does it. | 0:06:30 | 0:06:32 | |
I usually try and see which of the emergency services it is | 0:06:32 | 0:06:35 | |
and then decide. | 0:06:35 | 0:06:36 | |
Oh, it's only an ambulance, they don't count. Or it's only a fireman. | 0:06:38 | 0:06:41 | |
-What is that? Fire engine. -DAVID: If it's the police, | 0:06:41 | 0:06:45 | |
there's something sort of vaguely right wing about it. | 0:06:45 | 0:06:48 | |
-I don't know. -So where were we? Yes. | 0:06:48 | 0:06:50 | |
Horn sounding does not, it seems, | 0:06:50 | 0:06:52 | |
contribute to the safety of drivers at all. | 0:06:52 | 0:06:54 | |
In Britain, we're actually, | 0:06:54 | 0:06:56 | |
we have almost zero tolerance of hooting your horn. | 0:06:56 | 0:06:58 | |
But even more intolerant were the Nazis. | 0:06:58 | 0:07:01 | |
And in 1936, they started putting... | 0:07:01 | 0:07:03 | |
They're not known for their intolerance! | 0:07:03 | 0:07:05 | |
No, I know, it's quite surprising. | 0:07:05 | 0:07:07 | |
But we thought we knew... | 0:07:07 | 0:07:08 | |
-GERMAN ACCENT: -"This whole thing has become intolerable. | 0:07:08 | 0:07:11 | |
"A new camp, I think." | 0:07:11 | 0:07:13 | |
We thought we knew everything they were intolerant of, | 0:07:13 | 0:07:15 | |
but it turns out even hooting your horn, | 0:07:15 | 0:07:17 | |
they would punish the driver by putting yellow dots on their car. | 0:07:17 | 0:07:20 | |
It was like a sign, like, "He is a hooter, | 0:07:20 | 0:07:22 | |
"he sounds his horn," and people would turn their back. | 0:07:22 | 0:07:24 | |
I've completely changed my opinion of the Nazis. | 0:07:24 | 0:07:27 | |
I thought they were a pretty reasonable bunch of guys, | 0:07:27 | 0:07:30 | |
but this yellow dot business! | 0:07:30 | 0:07:32 | |
It is just, they're shocking, aren't they? Anyway, there you go. | 0:07:32 | 0:07:35 | |
So the QI klaxon isn't a Klaxon at all. | 0:07:35 | 0:07:38 | |
Now everyone knows what knees, knuckles and kidneys are, | 0:07:38 | 0:07:40 | |
but what's the point of these less familiar K-parts of the body? | 0:07:40 | 0:07:44 | |
Kiesselbach's plexus. The valves of Kerckring. The end-bulbs of Krause. | 0:07:45 | 0:07:50 | |
The pores of Kohn. | 0:07:50 | 0:07:52 | |
That is the best nickname for someone's balls ever. | 0:07:52 | 0:07:55 | |
Behold the End-Bulbs of Krause! | 0:07:57 | 0:07:59 | |
Kneel before the End-Bulbs of Krause. | 0:08:00 | 0:08:02 | |
Kneel before them! | 0:08:02 | 0:08:03 | |
Are these not all Star Trek movies? | 0:08:05 | 0:08:07 | |
No, I know, it does. Star Trek 19. | 0:08:07 | 0:08:09 | |
-Down the years. -The Valves of Kerckring. Kiesselbach's Plexus. | 0:08:09 | 0:08:12 | |
They are magnificent names. They are all parts of the human anatomy. | 0:08:12 | 0:08:16 | |
The valves of Kerckring are actually folds. Would that help you at all? | 0:08:16 | 0:08:21 | |
-Where do we have lots and lots of folds? -Intestines? | 0:08:21 | 0:08:23 | |
-Yes. Well done. Get in there! -Yes! | 0:08:23 | 0:08:26 | |
You got in there with our smaller gut. | 0:08:26 | 0:08:29 | |
There it is, the valves of Kerckring. | 0:08:29 | 0:08:31 | |
This is like the QI version of that game Operation. | 0:08:31 | 0:08:33 | |
Yes. Bzzzz! | 0:08:33 | 0:08:35 | |
So what had Kerckring done that someone named disgusting, | 0:08:35 | 0:08:38 | |
shitty bits of the body after him? | 0:08:38 | 0:08:41 | |
He was a 17th century Dutch anatomist, who was a friend | 0:08:41 | 0:08:43 | |
and co-evil of the philosopher Spinoza. | 0:08:43 | 0:08:45 | |
And, as you know from those wonderful Rembrandt paintings, | 0:08:45 | 0:08:48 | |
anatomy was a big subject in Holland, | 0:08:48 | 0:08:51 | |
they were fascinated and curious. | 0:08:51 | 0:08:52 | |
Some fantastic discoveries being made, | 0:08:52 | 0:08:54 | |
and one of them was this lower intestine, | 0:08:54 | 0:08:56 | |
which is 22 feet long and a few inches wide. | 0:08:56 | 0:08:59 | |
But if unfolded, it would cover a tennis court. | 0:08:59 | 0:09:01 | |
-Just yours. -DAVID: But surely that's... | 0:09:01 | 0:09:03 | |
A tennis court! And mine. | 0:09:03 | 0:09:05 | |
Well, two tennis courts. | 0:09:05 | 0:09:06 | |
The whole of the tennis court, or just the lines? | 0:09:06 | 0:09:08 | |
No, the whole of the tennis court. Including for doubles play. | 0:09:08 | 0:09:11 | |
It's pretty astonishing, isn't it? | 0:09:11 | 0:09:13 | |
What's interesting about the intestines, | 0:09:13 | 0:09:15 | |
we used to be herbivores, which is why we have so much intestine. | 0:09:15 | 0:09:18 | |
Because when you only eat plants, you have to take a really | 0:09:18 | 0:09:21 | |
long time digesting them to get everything out of them. | 0:09:21 | 0:09:23 | |
-Absolutely. -Now we're carnivores, and this is sometimes why | 0:09:23 | 0:09:26 | |
we have digestive problems, in terms of dairy and stuff. | 0:09:26 | 0:09:28 | |
But giant pandas, who are carnivores, they have very... | 0:09:28 | 0:09:31 | |
-Are they? -They were carnivores. | 0:09:31 | 0:09:32 | |
-Were they? -We're one of only three species that have changed over, | 0:09:32 | 0:09:35 | |
one to the other. It's us, pandas and a squirrel. | 0:09:35 | 0:09:38 | |
Squirrels used to be carnivore? | 0:09:39 | 0:09:41 | |
-A kind of squirrel that I can't remember. -Oh, right. | 0:09:41 | 0:09:43 | |
Giant pandas, that's why they have so much problems, | 0:09:43 | 0:09:46 | |
cos they have a short intestine, | 0:09:46 | 0:09:47 | |
without these flaps, so they only eat bamboo, which goes | 0:09:47 | 0:09:49 | |
straight through them, meaning they have to eat it all day long. | 0:09:49 | 0:09:52 | |
-It's so boring for them. -That's why they never have sex. | 0:09:52 | 0:09:55 | |
-Yeah, exactly. -As we all know, you cannot have sex on indigestion. | 0:09:55 | 0:09:57 | |
It's impossible. | 0:09:57 | 0:09:59 | |
You definitely get points for that. It's completely true. | 0:09:59 | 0:10:02 | |
DAVID: What happened that the pandas gave up on meat? | 0:10:02 | 0:10:04 | |
Evolution and their circumstances, their environs. | 0:10:04 | 0:10:06 | |
I mean, it's not working very well for them, evolution. | 0:10:06 | 0:10:09 | |
You're going to get ecologically cross with them now. | 0:10:09 | 0:10:11 | |
-I mean, it seems... -They took a wrong step. | 0:10:11 | 0:10:13 | |
..idiotic. | 0:10:13 | 0:10:15 | |
They can't... There's like 25 minutes a year they can have sex | 0:10:15 | 0:10:18 | |
and it will work, if they can be bothered, which they never can. | 0:10:18 | 0:10:21 | |
-They look ridiculous. -Oh, they're gorgeous! | 0:10:21 | 0:10:25 | |
Let's not bring looks into this. | 0:10:25 | 0:10:27 | |
I'm not saying they're not sweet, | 0:10:27 | 0:10:28 | |
but they're not dignified, are they? | 0:10:28 | 0:10:30 | |
That's what makes them so lovely. | 0:10:30 | 0:10:32 | |
You're not going, ah, they're the wise panda. | 0:10:32 | 0:10:34 | |
Never mind what the panda thinks, the panda's an idiot. | 0:10:34 | 0:10:36 | |
Maybe they eat it... | 0:10:37 | 0:10:38 | |
If you want to make Bungle in Rainbow seem high status, | 0:10:38 | 0:10:41 | |
bring on a panda. | 0:10:41 | 0:10:42 | |
I'm with David on this. If you're in danger, you eat what you get. | 0:10:42 | 0:10:45 | |
Like, if a rhino turned round and was like, | 0:10:45 | 0:10:47 | |
"Sorry, no carbs before Marbs," then it deserves to die. | 0:10:47 | 0:10:51 | |
Young person reference. | 0:10:51 | 0:10:52 | |
I think they probably used to eat things that don't exist any more. | 0:10:52 | 0:10:56 | |
DAVID: Oh, like dinosaurs. | 0:10:56 | 0:10:57 | |
-Little dinosaurs. -Yeah. Lovely little crunchy ones. | 0:10:58 | 0:11:01 | |
Who really liked pandas. | 0:11:01 | 0:11:03 | |
They used to go up and go, "Ah, look, really... Oh!" | 0:11:03 | 0:11:06 | |
That would, that would be evolution - | 0:11:07 | 0:11:09 | |
-you evolved to look cute to something you want to eat. -Yes. | 0:11:09 | 0:11:13 | |
-Like, you know... -Anyway, back to parts of the body. | 0:11:13 | 0:11:15 | |
Those are the Valves of Kerckring. | 0:11:15 | 0:11:17 | |
What about these, then, the pores of Kohn. | 0:11:17 | 0:11:19 | |
-The bell ends of... -No, we're going to come to the bell ends, Alan. | 0:11:19 | 0:11:23 | |
Wait for the bell ends. They will come, but the pores of Kohn. | 0:11:23 | 0:11:26 | |
LAUGHTER AND APPLAUSE | 0:11:26 | 0:11:28 | |
I don't know what's going to come out. | 0:11:33 | 0:11:35 | |
I never know what's going to issue from me. | 0:11:37 | 0:11:39 | |
It's another ring tone, I can't wait. | 0:11:39 | 0:11:41 | |
That is Twitter in a nut shell. | 0:11:44 | 0:11:46 | |
I'm so sorry. Aye, aye, aye. | 0:11:46 | 0:11:50 | |
The pores of Kohn are incredibly important. We need them deeply. | 0:11:50 | 0:11:53 | |
-But they're not pores... -They are holes in the surface of the skin. | 0:11:53 | 0:11:56 | |
Not in the skin, those are where we have, obviously, millions of pores. | 0:11:56 | 0:11:59 | |
-DAVID: They're an internal pore. -They're internal pores. | 0:11:59 | 0:12:02 | |
-Sara: Is it on bones? -No, not in bones. | 0:12:02 | 0:12:03 | |
They're in order to equalise pressure. | 0:12:03 | 0:12:05 | |
-DAVID: In the lungs. -As a backup system, in the lungs. | 0:12:05 | 0:12:08 | |
Named after a German pathologist who was expelled by the Nazis in 1933, | 0:12:08 | 0:12:11 | |
but there they are. | 0:12:11 | 0:12:13 | |
-Sara: Did he blow his horn? -Yes, he did. | 0:12:13 | 0:12:15 | |
ALAN MAKES HORN NOISE | 0:12:15 | 0:12:16 | |
I've found some pores in the lungs! | 0:12:16 | 0:12:18 | |
CONTINUES TO MAKE HORN NOISE | 0:12:18 | 0:12:21 | |
-I wish it were, for such a nice, good reason. -Out, get out! | 0:12:21 | 0:12:25 | |
There you go. | 0:12:25 | 0:12:26 | |
And amazingly they form an emergency backup system, | 0:12:26 | 0:12:29 | |
along with the canals of Lambert and the fenestrations of Boren. | 0:12:29 | 0:12:33 | |
I thought you were going to say Butler, that would have been perfect. | 0:12:33 | 0:12:36 | |
Fenestration... De-fenestration is chucking someone out of a window. | 0:12:36 | 0:12:40 | |
A fenestration is presumably chucking someone in. | 0:12:40 | 0:12:42 | |
It's just a window shaping... A window making thing. | 0:12:42 | 0:12:44 | |
The de-fenestration of Prague, wasn't it, was a historical event? | 0:12:44 | 0:12:47 | |
I don't quite know what happened there, but... | 0:12:47 | 0:12:49 | |
-People got thrown out of windows. -Out of windows, yes. | 0:12:49 | 0:12:52 | |
-The whole city wasn't thrown out of a window. -In Prague? | 0:12:52 | 0:12:54 | |
Yes, in Prague. | 0:12:54 | 0:12:55 | |
The de-fenestration of Amsterdam was a historical event | 0:12:55 | 0:12:58 | |
that happened on a stag do that I attended. | 0:12:58 | 0:13:01 | |
I'm sure it did. | 0:13:01 | 0:13:02 | |
"These prostitutes do not like getting touched." | 0:13:02 | 0:13:04 | |
-Oh, stop. -Not me! | 0:13:04 | 0:13:06 | |
Oh, right, phew! | 0:13:06 | 0:13:08 | |
-You mean the window ones? -Yes. | 0:13:08 | 0:13:09 | |
Sorry, I've got you. Yes, just for a minute I was really disturbed. | 0:13:09 | 0:13:12 | |
-I'm not there. -No, no, of course not. | 0:13:12 | 0:13:14 | |
By the way, if I was, that's how I'd do it. | 0:13:14 | 0:13:16 | |
You'd never be out of work, I promise you. | 0:13:18 | 0:13:21 | |
The end-bulbs... | 0:13:21 | 0:13:24 | |
LAUGHTER | 0:13:24 | 0:13:26 | |
-We're coming to the end-bulbs. -A work... | 0:13:26 | 0:13:28 | |
The end-bulbs of Krause. Now, what could they be? | 0:13:28 | 0:13:31 | |
The helmet. | 0:13:31 | 0:13:32 | |
We have them on the genitalia in mulberry-like clusters, | 0:13:32 | 0:13:35 | |
-as a matter of fact. -Mulberry-like clusters? | 0:13:35 | 0:13:38 | |
We have a lot of them on the genitals. | 0:13:38 | 0:13:39 | |
The little funny bits on the... | 0:13:39 | 0:13:41 | |
Pimple bits on the... On the right, that are all... | 0:13:41 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:46 | |
Don't do that! | 0:13:46 | 0:13:47 | |
They're those bits, there. | 0:13:49 | 0:13:51 | |
Those middle bits. Those middle bits there and there. | 0:13:51 | 0:13:54 | |
Here. | 0:13:54 | 0:13:56 | |
You know when you take it out to go to the loo, right? | 0:13:56 | 0:14:00 | |
And then you get the winch down. | 0:14:00 | 0:14:02 | |
-Stop it! -I have to take a step ladder to go to the loo. -Behave! | 0:14:02 | 0:14:06 | |
No, they're smaller than that, | 0:14:06 | 0:14:07 | |
but they are incredibly sensitive to a particular condition. | 0:14:07 | 0:14:10 | |
-A lady. -To what ladies? | 0:14:10 | 0:14:12 | |
-To a particular lady. -A particular lady. No. | 0:14:12 | 0:14:14 | |
We also have them all over the skin, but they are very concentrated | 0:14:14 | 0:14:17 | |
on the genitalia, for a particular reason, | 0:14:17 | 0:14:19 | |
particularly the male genitalia are very sensitive to the... | 0:14:19 | 0:14:22 | |
your swinging... | 0:14:22 | 0:14:23 | |
-Don't do that! -Sara: What did he do? | 0:14:23 | 0:14:25 | |
-Are you having a look? -Is that cheating? -Yes! | 0:14:25 | 0:14:28 | |
You have a special isolated camera above you, | 0:14:28 | 0:14:30 | |
-just thought I'd warn you. -Oh, really? | 0:14:30 | 0:14:32 | |
-Well, I do. Anyway. -Sorry, Colin. | 0:14:32 | 0:14:35 | |
But no, as you know, the survival of spermatozoa | 0:14:37 | 0:14:40 | |
is very dependent on a very narrow range of what? | 0:14:40 | 0:14:44 | |
-DAVID: Temperature. -Temperature, exactly. | 0:14:44 | 0:14:46 | |
-That's why we've got balls. -Yeah. | 0:14:46 | 0:14:47 | |
-Because they have to be kept separate from the... -Precisely. | 0:14:47 | 0:14:50 | |
-It's like hanging milk outside a student room... -Yes. | 0:14:50 | 0:14:52 | |
..to keep it cold. | 0:14:52 | 0:14:54 | |
So, if it's very, very warm, they sort of tend to droop down, | 0:14:54 | 0:14:56 | |
-and sort of swing a bit and get the air round them. -Yes. | 0:14:56 | 0:14:59 | |
If it's very cold, they shrink up and keep... | 0:14:59 | 0:15:01 | |
-They tend to head home. -Yeah, exactly. | 0:15:01 | 0:15:03 | |
And snuggle up, to the blood supply. | 0:15:03 | 0:15:05 | |
Or if you're watching Loose Women. | 0:15:05 | 0:15:07 | |
Maybe. Yes. I should imagine that would... | 0:15:07 | 0:15:09 | |
-In a cold room. -Yes, in a cold room. | 0:15:09 | 0:15:11 | |
So, yes, these end-bulbs of Krause | 0:15:11 | 0:15:13 | |
are tiny little bits all over the skin, | 0:15:13 | 0:15:15 | |
not just the genitalia, they're not as big as... | 0:15:15 | 0:15:17 | |
-Whose willy's that? -No, no, they're not just... | 0:15:17 | 0:15:19 | |
I have to make it clear they're all over the body. | 0:15:19 | 0:15:21 | |
-DAVID: They're goose pimples. -He needs to see a doctor. | 0:15:21 | 0:15:23 | |
They're not the goose pimples themselves. They're tiny | 0:15:23 | 0:15:26 | |
-and they sense cold. -Could you see an end-bulb of Krause? | 0:15:26 | 0:15:28 | |
-I don't think so. -They're too small to see. -Yeah. | 0:15:28 | 0:15:30 | |
-But they're there, working out if it's cold. -Yes. | 0:15:30 | 0:15:32 | |
-If it's hot, they knock off. -Yeah, absolutely right. | 0:15:32 | 0:15:35 | |
They're activated by temperatures lower than 20 degrees Celsius. | 0:15:35 | 0:15:38 | |
-Oh, they're pretty busy in this country then. -Yeah. | 0:15:38 | 0:15:40 | |
They certainly are, they certainly are. | 0:15:40 | 0:15:42 | |
And so that leaves us with Kiesselbach's plexus. | 0:15:42 | 0:15:45 | |
And plexus as in complex is a sort of network. | 0:15:45 | 0:15:49 | |
Sara: So it's a nerve-endings thing, is it? | 0:15:49 | 0:15:51 | |
DAVID: The brain. | 0:15:51 | 0:15:53 | |
No, actually, it's a network of connected arteries. | 0:15:53 | 0:15:56 | |
-The heart? -No. | 0:15:56 | 0:15:58 | |
I'm just going to say things. And that's it, I've completely... | 0:15:58 | 0:16:01 | |
No, it's in the nasal septum. | 0:16:03 | 0:16:04 | |
Yeah, it's a little network of arteries. | 0:16:04 | 0:16:06 | |
It's around the point where we're most likely to have a nosebleed. | 0:16:06 | 0:16:09 | |
We've covered this before, Alan. | 0:16:09 | 0:16:10 | |
When you have a nose bleed, Alan, you should pinch your nose and lean? | 0:16:10 | 0:16:13 | |
-Forwards. -Well remembered. | 0:16:13 | 0:16:15 | |
-Lean back. -Ah! No. | 0:16:15 | 0:16:16 | |
-No. Forward. -Oh, well, just in time. -Yeah. Just in time. | 0:16:16 | 0:16:19 | |
Because if you lean back, the blood might go down your throat. Anyway. | 0:16:19 | 0:16:22 | |
This picture you've got of Tara Palmer-Tomkinson | 0:16:22 | 0:16:24 | |
with her make-up off is amazing. | 0:16:24 | 0:16:26 | |
LAUGHTER | 0:16:26 | 0:16:27 | |
That's terrible. Now, why do doctors hit your knee with a hammer? | 0:16:28 | 0:16:32 | |
-To test your reflexes. -Oh, oh. | 0:16:32 | 0:16:34 | |
Sara: Yes. | 0:16:34 | 0:16:36 | |
-Oh, oh. -That's correct, but what reflexes are they? | 0:16:36 | 0:16:38 | |
-What? -The reflexes of the... | 0:16:38 | 0:16:40 | |
I was convinced! | 0:16:40 | 0:16:43 | |
-It's a muscle... -You know the scorer. | 0:16:43 | 0:16:45 | |
You so know Murray. | 0:16:45 | 0:16:48 | |
It's always a really cold hammer, so maybe they're testing | 0:16:48 | 0:16:51 | |
the end-bulbs of Kurchel-bircher-koucher-butcher. | 0:16:51 | 0:16:54 | |
-Just checking. -No, it's not the end-bulbs of Krause. | 0:16:55 | 0:16:58 | |
-Cos they don't like you. -Yes. | 0:16:58 | 0:16:59 | |
There's nerves that run from the thigh upwards to the...? | 0:16:59 | 0:17:02 | |
-Head. -No. No, you would think that. | 0:17:02 | 0:17:04 | |
Sara: It's something to do... | 0:17:04 | 0:17:06 | |
The expression is a knee-jerk response. | 0:17:06 | 0:17:08 | |
-A knee-jerk reaction, yeah. -Because it doesn't go to the brain. | 0:17:08 | 0:17:11 | |
You're absolutely right. | 0:17:11 | 0:17:12 | |
It communicates amongst itself, somehow. | 0:17:12 | 0:17:14 | |
It goes up to the spinal column. | 0:17:14 | 0:17:15 | |
-It doesn't go all the way up to the brain at all. -Yeah. | 0:17:15 | 0:17:17 | |
So it is unmediated by the brain entirely. | 0:17:17 | 0:17:19 | |
-It is absolutely a knee-jerk reflex. -And it only happens in two times. | 0:17:19 | 0:17:22 | |
One is when you get hit on the knee with a little hammer like that, | 0:17:22 | 0:17:25 | |
and the other is when you're asleep on a crowded train and you... | 0:17:25 | 0:17:28 | |
So many times. | 0:17:29 | 0:17:30 | |
And you never see a doctor rushing off with a little hammer. | 0:17:30 | 0:17:34 | |
What are they hoping to see, doctors, | 0:17:34 | 0:17:36 | |
when they tap you on the knee? | 0:17:36 | 0:17:37 | |
They want you to do that, they want you to kick. | 0:17:37 | 0:17:40 | |
Though actually, if it's too big, | 0:17:40 | 0:17:41 | |
-it could be a sign of really bad things. -Oh. | 0:17:41 | 0:17:43 | |
So, that is a pretty healthy one. | 0:17:43 | 0:17:46 | |
-Sorry, is this on a loop? -It's on a loop, yes. | 0:17:46 | 0:17:48 | |
Oh, sorry. | 0:17:48 | 0:17:49 | |
This is the worst medical ever. | 0:17:49 | 0:17:51 | |
It's painful. | 0:17:52 | 0:17:53 | |
Just stop with the bloody knee! | 0:17:53 | 0:17:55 | |
Grab my balls, I'll cough and then let's leave. | 0:17:55 | 0:17:58 | |
No, it's the relative strength of the twitch that is really important. | 0:17:58 | 0:18:01 | |
Too much of a twitch might indicate a brain tumour, stroke, | 0:18:01 | 0:18:05 | |
liver disease, multiple sclerosis or tetanus. | 0:18:05 | 0:18:08 | |
And too little might mean botulism, | 0:18:08 | 0:18:10 | |
damaged nervous system or an infected spine. | 0:18:10 | 0:18:13 | |
And none at all could well be an index or a sign of... | 0:18:13 | 0:18:15 | |
Or wooden leg. | 0:18:15 | 0:18:16 | |
LAUGHTER | 0:18:16 | 0:18:17 | |
Wooden leg. | 0:18:19 | 0:18:20 | |
Or death. | 0:18:20 | 0:18:21 | |
-Sara: You're dead, yeah. -Or, death, or? | 0:18:21 | 0:18:23 | |
Syphilis. | 0:18:23 | 0:18:24 | |
Oh, of course, the old syphilis. | 0:18:24 | 0:18:26 | |
You don't get much of that any more... | 0:18:26 | 0:18:28 | |
"Oooh!" As if that was tonight's star prize. | 0:18:28 | 0:18:30 | |
Forget gonorrhoea, go for syphilis. | 0:18:30 | 0:18:32 | |
You keep the chlamydia, that's yours. | 0:18:32 | 0:18:34 | |
No-one can take that away, the chlamydia's yours. | 0:18:34 | 0:18:37 | |
The genital warts are yours. | 0:18:37 | 0:18:38 | |
Don't point at me, I haven't got any of them. | 0:18:38 | 0:18:40 | |
-I'm pointing at both of you. -I think the whole point with chlamydia | 0:18:40 | 0:18:42 | |
-is people can take it away from you. -Yes, you're so right. | 0:18:42 | 0:18:45 | |
Anyway, yeah. | 0:18:45 | 0:18:46 | |
DAVID: What if you did a murder with your reflex? | 0:18:46 | 0:18:48 | |
If someone sort of attacked your knee and then the reflex, | 0:18:48 | 0:18:51 | |
you had a knife attached to your shoe or something. | 0:18:51 | 0:18:53 | |
You broke their neck. | 0:18:53 | 0:18:55 | |
And you killed them, would you be able to say, ah, | 0:18:55 | 0:18:57 | |
but the reflex, it didn't go to my brain, | 0:18:57 | 0:18:59 | |
it only went to the bottom of my spine, so I didn't really do it. | 0:18:59 | 0:19:02 | |
-Yes. -But it does happen if you're driving, | 0:19:02 | 0:19:04 | |
you have an automated response, it's called, like, murder by auto... | 0:19:04 | 0:19:07 | |
but you don't go to prison. So if you sneeze | 0:19:07 | 0:19:09 | |
-and then you run someone over... Someone sneezed, literally. -Yeah. | 0:19:09 | 0:19:12 | |
Literally at that moment. Talk about a reflex! | 0:19:12 | 0:19:15 | |
DAVID! That means there's been a murder! | 0:19:15 | 0:19:16 | |
There's a killer! | 0:19:16 | 0:19:18 | |
They've just murdered someone! | 0:19:18 | 0:19:21 | |
-Sara: Now they know they'll get away with it. -Wow. | 0:19:21 | 0:19:23 | |
It's something like... | 0:19:23 | 0:19:25 | |
DAVID: So, if I walk into a room with a gun cocked, sneeze, it goes off, | 0:19:25 | 0:19:28 | |
you kill someone, you're in the clear? | 0:19:28 | 0:19:30 | |
So, if you want to kill your wife, what you do is, | 0:19:30 | 0:19:32 | |
you drive down to Dover, you get her right up against a cliff, | 0:19:32 | 0:19:35 | |
and then you put your leg behind her and then get a doctor to tap a knee. | 0:19:35 | 0:19:38 | |
-Off she goes. -That I'm afraid would... | 0:19:38 | 0:19:40 | |
The doctor would go to prison. | 0:19:40 | 0:19:42 | |
-That would act up. -The doctor would go to prison? | 0:19:42 | 0:19:44 | |
-And you. -What if he was sneezing as he tapped her knee? | 0:19:44 | 0:19:47 | |
LAUGHTER | 0:19:47 | 0:19:48 | |
The perfect crime. | 0:19:48 | 0:19:50 | |
Yeah. | 0:19:50 | 0:19:51 | |
-Broadchurch series two sorted. -Yeah. | 0:19:51 | 0:19:54 | |
I love this imaginary super-compliant wife you've found. | 0:19:56 | 0:20:00 | |
Who allows herself to be taken... | 0:20:00 | 0:20:01 | |
Just come all the way here and stand there. | 0:20:01 | 0:20:03 | |
What are we doing here?! It's freezing. | 0:20:03 | 0:20:05 | |
Sara: And why has the GP come with us? | 0:20:05 | 0:20:07 | |
DAVID: Isn't it a lovely view, my love? Stand still. | 0:20:07 | 0:20:11 | |
So, when you're hammered, a knee-jerk response | 0:20:13 | 0:20:15 | |
is a total no-brainer. Ha! Ha! Ha! | 0:20:15 | 0:20:17 | |
Now, what's a knocker-uppers' knocker-upper? | 0:20:17 | 0:20:19 | |
DAVID: That would be the person that wakes the person | 0:20:19 | 0:20:23 | |
that went round the streets waking people by bashing their windows | 0:20:23 | 0:20:26 | |
with a long stick. | 0:20:26 | 0:20:28 | |
Is completely utterly and entirely the right answer. Absolutely, yes. | 0:20:28 | 0:20:32 | |
APPLAUSE | 0:20:32 | 0:20:33 | |
It seems obvious, when you think about it, | 0:20:36 | 0:20:38 | |
that after the beginning of the industrial revolution, | 0:20:38 | 0:20:41 | |
as people flocked into cities, | 0:20:41 | 0:20:42 | |
they didn't work the usual daylight hours they had worked | 0:20:42 | 0:20:45 | |
in the countryside, and there were no such things as alarm clocks. | 0:20:45 | 0:20:49 | |
So, they had to be woken up for getting to t'mill | 0:20:49 | 0:20:52 | |
by a tap on the window by a man with a long stick. | 0:20:52 | 0:20:54 | |
So, do these guys stay up all night? | 0:20:54 | 0:20:56 | |
That's the point. A knocker-uppers' knocker-upper, | 0:20:56 | 0:21:00 | |
as David rightly said, was someone who did stay up all night. | 0:21:00 | 0:21:03 | |
And then their last act was to wake up the sleeping knocker-uppers. | 0:21:03 | 0:21:06 | |
And then they'd go to bed and be on the night shift, as it were. | 0:21:06 | 0:21:09 | |
There was a famous Limehouse knocker-upper called Mary Smith, | 0:21:09 | 0:21:12 | |
but she had a fantastic technique, | 0:21:12 | 0:21:14 | |
which was shooting peas out of a pea shooter at the windows. | 0:21:14 | 0:21:17 | |
-Isn't that cool? -SARA: Ooh, that's very cool. | 0:21:17 | 0:21:19 | |
-And doesn't she look a marvellous sight. -Yeah. | 0:21:19 | 0:21:21 | |
-Mary is my kind of woman. -Yeah? | 0:21:21 | 0:21:23 | |
Put it this way, if Mary was round mine, | 0:21:23 | 0:21:25 | |
she would not be getting up at four o'clock in the morning, Stephen. | 0:21:25 | 0:21:28 | |
But it's a wonderful photograph, the way she's got her hand on her hips. | 0:21:28 | 0:21:32 | |
But anyway, there you are, a knocker-uppers' knocker-upper | 0:21:32 | 0:21:35 | |
was a human alarm clock's human alarm clock. | 0:21:35 | 0:21:38 | |
Now, what colour is a red kite? | 0:21:38 | 0:21:41 | |
-Blue! -Is it black? | 0:21:41 | 0:21:44 | |
-Red. White. -KLAXON SOUNDS | 0:21:44 | 0:21:45 | |
-Oh, thank you, Alan. -Somebody had to do it. | 0:21:45 | 0:21:48 | |
Very good of you. | 0:21:48 | 0:21:49 | |
The thing is they were named... | 0:21:49 | 0:21:50 | |
Is it a bird? | 0:21:50 | 0:21:51 | |
They were named before the English language had a word for orange, | 0:21:51 | 0:21:54 | |
we just used the word red for anything that was orange as well. | 0:21:54 | 0:21:57 | |
We had the word orange for a fruit, | 0:21:57 | 0:21:58 | |
but didn't use it for the colour till the 16th century. | 0:21:58 | 0:22:00 | |
SARA: We always think it was the colour that named the fruit, | 0:22:00 | 0:22:03 | |
-and it's the fruit that named the colour. -Exactly right. | 0:22:03 | 0:22:05 | |
So it's true of a robin red-breast, which is clearly orange, not red. | 0:22:05 | 0:22:08 | |
We call it a red-breast. Same with the red squirrel, | 0:22:08 | 0:22:11 | |
there we are, that's orange. No two ways about it. | 0:22:11 | 0:22:13 | |
And indeed red-headed people. It's not red, if they had red hair, | 0:22:13 | 0:22:15 | |
I mean, some people do through modern use of dyes, don't they? | 0:22:15 | 0:22:18 | |
-Some of your young friends, I expect. -Yes. | 0:22:18 | 0:22:20 | |
Absolutely. | 0:22:22 | 0:22:23 | |
And red deer, similarly, are not red. | 0:22:23 | 0:22:26 | |
But they were all named before the word orange | 0:22:26 | 0:22:28 | |
existed as a colour choice. | 0:22:28 | 0:22:29 | |
In those days people would say, | 0:22:29 | 0:22:31 | |
-"What's the name of that red fruit? Oh, the orange." -Yes. | 0:22:31 | 0:22:34 | |
-"Yeah, yeah, pass me one of them." -Exactly. | 0:22:34 | 0:22:37 | |
It could have been that, not the orange that made it catch on, | 0:22:37 | 0:22:41 | |
but the front of a robin. So we could all have, | 0:22:41 | 0:22:44 | |
you know, "front of a robin" brand phones, where you sort of go, | 0:22:44 | 0:22:47 | |
"What colour is it? Oh, it's front of a robin." | 0:22:47 | 0:22:50 | |
-It would be confusing. -"I'm just eating an orange. | 0:22:51 | 0:22:54 | |
"It's such a bright shade of front of a robin." | 0:22:54 | 0:22:57 | |
And when people were getting bullied in the playground | 0:22:57 | 0:22:59 | |
it would be way less offensive. | 0:22:59 | 0:23:00 | |
"Oi, front of a robin pubes," like that. | 0:23:00 | 0:23:03 | |
But why is a robin associated with Christmas? | 0:23:05 | 0:23:09 | |
Oh, is this something to do with Jesus? | 0:23:09 | 0:23:11 | |
I know he's very Christmassy. | 0:23:11 | 0:23:12 | |
-Is Jesus Christmassy? -Do you know, I don't think he is. | 0:23:14 | 0:23:16 | |
Considering he started it all, | 0:23:16 | 0:23:18 | |
I don't think he's all that Christmassy. | 0:23:18 | 0:23:20 | |
He's not the least bit Christmassy. | 0:23:20 | 0:23:21 | |
I don't think you can hold it against him... | 0:23:21 | 0:23:23 | |
-No, it's not his fault. -..that he's not entering into the spirit | 0:23:23 | 0:23:26 | |
-of Christmas. -I'm not saying I hold... | 0:23:26 | 0:23:28 | |
"Cheer up, watch Morecambe and Wise and have some Quality Street. | 0:23:28 | 0:23:31 | |
"You're bringing everyone down!" | 0:23:31 | 0:23:33 | |
Well, I'm just saying, I'm not surprised he's lost control | 0:23:33 | 0:23:35 | |
of the festival, to commercialism and Father Christmas, | 0:23:35 | 0:23:40 | |
because he's not putting the effort in. | 0:23:40 | 0:23:42 | |
He is at Easter time, but we're not that into Easter. | 0:23:42 | 0:23:44 | |
Yeah, he's losing that to bloody eggs and bunnies. | 0:23:44 | 0:23:46 | |
That's true, that's true. | 0:23:46 | 0:23:48 | |
I was thinking about Jesus, because isn't there a story where | 0:23:48 | 0:23:50 | |
the robin takes thorns out of his hands and then gets its red breast. | 0:23:50 | 0:23:53 | |
It's a lovely idea, there may well be. | 0:23:53 | 0:23:55 | |
They may have tried to post-connect the robin. | 0:23:55 | 0:23:57 | |
Because it's obviously only in Britain that there's, | 0:23:57 | 0:23:59 | |
there wouldn't be as much snow around the Mediterranean, | 0:23:59 | 0:24:02 | |
-certainly not in Palestine. -Oh, yeah, of course. | 0:24:02 | 0:24:04 | |
-DAVID: Again, not Christmassy, is it? -No. | 0:24:04 | 0:24:06 | |
-Where Jesus lived wasn't very Christmassy. -No, it really wasn't. | 0:24:06 | 0:24:09 | |
I love the fact you're so angry about this. | 0:24:09 | 0:24:11 | |
-I actually know this. -Yes? | 0:24:11 | 0:24:12 | |
A robin is associated with Christmas because it's the only bird | 0:24:12 | 0:24:15 | |
within the natural world that round the period of December flies back | 0:24:15 | 0:24:18 | |
to its original nest with its robin parents, | 0:24:18 | 0:24:21 | |
gives them a little bit of alcohol, | 0:24:21 | 0:24:23 | |
and then has to sit there as they're a little bit racist. | 0:24:23 | 0:24:25 | |
I learnt it in biology. | 0:24:27 | 0:24:28 | |
Well, that's very good. | 0:24:28 | 0:24:30 | |
The actual reason is because we associate Christmas | 0:24:30 | 0:24:33 | |
with Christmas cards and Christmas cards were delivered by postmen | 0:24:33 | 0:24:36 | |
wearing red, bright red uniforms, | 0:24:36 | 0:24:38 | |
who were known as red breasts, or robins. | 0:24:38 | 0:24:40 | |
That was their nickname. The robins come round for Christmas. | 0:24:40 | 0:24:43 | |
So people started putting on Christmas cards a robin | 0:24:43 | 0:24:45 | |
to show that a robin would be delivering it. It was that reason. | 0:24:45 | 0:24:48 | |
-That's amazing. -Which is unusual. | 0:24:48 | 0:24:49 | |
-It is amazing. -But to return to our red kites, | 0:24:49 | 0:24:51 | |
-do you know anything about red kites in Britain? -No. | 0:24:51 | 0:24:54 | |
I think they were reintroduced, they'd gone extinct in England | 0:24:54 | 0:24:57 | |
-and they were reintroduced successfully. -That's right. | 0:24:57 | 0:24:59 | |
-Now there's loads of them in the south of England. -There are. | 0:24:59 | 0:25:02 | |
In medieval times, it was the law that you had to kill one | 0:25:02 | 0:25:04 | |
if you saw one. You actually had to. | 0:25:04 | 0:25:06 | |
-Had to kill it? -Yes, you had to. | 0:25:06 | 0:25:07 | |
If you were seen observing a red kite without trying to kill it, | 0:25:07 | 0:25:11 | |
-you were breaking the law. -Wow. -That was really absurd. | 0:25:11 | 0:25:13 | |
So the numbers drastically reduced. | 0:25:13 | 0:25:15 | |
Fortunately there now are 1,800 breeding pairs of red kites, | 0:25:15 | 0:25:19 | |
it's been a hugely successful reintroduction. | 0:25:19 | 0:25:22 | |
And lastly, how did the monkey wrench get its name? | 0:25:22 | 0:25:25 | |
I'm nervous of this, | 0:25:28 | 0:25:30 | |
because this was a fact that came up on the Unbelievable Truth. | 0:25:30 | 0:25:34 | |
-Uh-oh. -The marvellous Radio 4 quiz shows they do. | 0:25:34 | 0:25:36 | |
It has happened before that facts we've asserted | 0:25:36 | 0:25:39 | |
on the Unbelievable Truth have been... | 0:25:39 | 0:25:42 | |
I think the word is "mocked" on this programme, | 0:25:42 | 0:25:46 | |
for being factually incorrect. | 0:25:46 | 0:25:48 | |
And you know, I'll be honest with you, | 0:25:48 | 0:25:50 | |
I don't do all the fact checking. | 0:25:50 | 0:25:52 | |
-Ditto, ditto, ditto, I have to say. -Yeah. | 0:25:52 | 0:25:54 | |
But on that show, what was given to me | 0:25:54 | 0:25:57 | |
on a piece of paper to read out, was the fact that the monkey wrench | 0:25:57 | 0:26:00 | |
was named after a person, whose name was something like Moncka. | 0:26:00 | 0:26:04 | |
And he was some kind of, I don't know, technical... | 0:26:04 | 0:26:07 | |
KLAXON SOUNDS | 0:26:07 | 0:26:09 | |
That's so unfair. | 0:26:09 | 0:26:10 | |
You could not have parenthesised it more, | 0:26:10 | 0:26:12 | |
but nonetheless, we are beastly rivals of yours, | 0:26:12 | 0:26:14 | |
and you did mock us in your last series, when you... | 0:26:14 | 0:26:17 | |
Yeah, again, the person that handed me the piece of paper put on it | 0:26:17 | 0:26:20 | |
a piece of QI fact error mockery. | 0:26:20 | 0:26:22 | |
We... Exactly. We had said... | 0:26:22 | 0:26:24 | |
It's turning into war! And all I want is peace. | 0:26:24 | 0:26:26 | |
I know, you're right. From now on it is peace. | 0:26:26 | 0:26:28 | |
But we're like, in this war we're like the Southern States, | 0:26:28 | 0:26:31 | |
we haven't got the resources | 0:26:31 | 0:26:32 | |
and we're going to turn to racism as a result. | 0:26:32 | 0:26:35 | |
"That Jew boy Fry said..." I hope you don't go that far. | 0:26:38 | 0:26:42 | |
But no, we incorrectly said that Descartes, Rene Descartes, | 0:26:42 | 0:26:45 | |
believed that monkeys could speak, | 0:26:45 | 0:26:47 | |
but didn't because, if they did, it would put them to work. | 0:26:47 | 0:26:50 | |
In fact Descartes reported that he had heard this belief, | 0:26:50 | 0:26:53 | |
and you correctly said that and then mocked us, correctly. | 0:26:53 | 0:26:55 | |
It was a rap over the knuckles. | 0:26:55 | 0:26:58 | |
But there you go, that's minus 50 to David, of course. | 0:26:58 | 0:27:00 | |
So what is the truth? | 0:27:00 | 0:27:02 | |
The answer actually... It's a kind of rather gigantic not quite sure. | 0:27:02 | 0:27:07 | |
-So we might be right! -The Americans claim it. | 0:27:07 | 0:27:10 | |
No, we know that it isn't Mr Moncky, because there was an article | 0:27:10 | 0:27:13 | |
written in the 1880s, said that the true inventor, Charles Moncky, | 0:27:13 | 0:27:18 | |
was dying in poverty, | 0:27:18 | 0:27:20 | |
despite inventing this incredibly useful thing. | 0:27:20 | 0:27:22 | |
The problem here is the term monkey wrench was used in England | 0:27:22 | 0:27:25 | |
as early as 1807, and these articles were written in the 1880s. | 0:27:25 | 0:27:28 | |
So it's just obviously completely impossible for that to be the case. | 0:27:28 | 0:27:31 | |
It's generally believed that the face of it reminded people | 0:27:31 | 0:27:34 | |
of the jaws of a monkey, you know. | 0:27:34 | 0:27:36 | |
Or that a monkey version of something in the navy | 0:27:36 | 0:27:39 | |
is a sort of rigging up of something. | 0:27:39 | 0:27:40 | |
But it's not all bad news for Mr Moncky, | 0:27:40 | 0:27:42 | |
because he is the originator of the phrase "spank the moncky." | 0:27:42 | 0:27:45 | |
So, you know, he didn't die in vain. | 0:27:47 | 0:27:49 | |
Exactly. Well, there we go. | 0:27:49 | 0:27:51 | |
So, I'm sorry about that minus 50. | 0:27:51 | 0:27:53 | |
Nobody knows how or why a monkey wrench is so-called, | 0:27:53 | 0:27:56 | |
though we do know that it wasn't for the reason given on David's | 0:27:56 | 0:27:58 | |
otherwise excellent and superb radio show. | 0:27:58 | 0:28:01 | |
-Which brings us to the matter of scores. -Oh, dear. | 0:28:01 | 0:28:04 | |
Goodnessly graciously... | 0:28:04 | 0:28:05 | |
Murray can't help me now, can he? | 0:28:05 | 0:28:09 | |
I'm afraid it's pretty inevitable that in last place, | 0:28:09 | 0:28:11 | |
with minus 41 is David Mitchell. | 0:28:11 | 0:28:13 | |
APPLAUSE | 0:28:13 | 0:28:16 | |
That means... It means I was on nine! | 0:28:19 | 0:28:21 | |
Yes, it does, you were on plus nine. | 0:28:21 | 0:28:23 | |
And you saved Alan from ignominy, who is on minus 20 in third place. | 0:28:23 | 0:28:27 | |
Thank you very much. | 0:28:27 | 0:28:28 | |
APPLAUSE | 0:28:28 | 0:28:31 | |
A magnificent second place for Jack Whitehall, minus seven. | 0:28:33 | 0:28:36 | |
APPLAUSE | 0:28:36 | 0:28:39 | |
But what a QI kind of mind, what an incredible score, | 0:28:41 | 0:28:43 | |
what an amazing debut from Sara Pascoe, with plus 28! | 0:28:43 | 0:28:47 | |
CHEERING AND APPLAUSE | 0:28:47 | 0:28:51 | |
Superb! | 0:28:51 | 0:28:52 | |
Well, that's all for this week, | 0:28:55 | 0:28:57 | |
so it's good night and thank you from Sara, Jack, David, Alan and me. | 0:28:57 | 0:29:00 | |
Good night. | 0:29:00 | 0:29:02 | |
APPLAUSE | 0:29:02 | 0:29:05 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:09 |