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APPLAUSE AND CHEERING | 0:00:25 | 0:00:27 | |
Goo-oo-oo-oo-ood evening, good evening, good evening, good evening, | 0:00:34 | 0:00:37 | |
good evening, good evening, good evening, good evening, | 0:00:37 | 0:00:39 | |
good evening, good evening, good evening, and welcome to QI, | 0:00:39 | 0:00:42 | |
where tonight we're cantering through the whole kit and caboodle. | 0:00:42 | 0:00:46 | |
It's a catch-all that can cover anything and anyone, | 0:00:46 | 0:00:48 | |
including the wild expanse of Ross Noble. | 0:00:48 | 0:00:53 | |
CHEERING | 0:00:53 | 0:00:56 | |
The far reaches of Noel Fielding. | 0:00:58 | 0:01:02 | |
CHEERING | 0:01:02 | 0:01:04 | |
The sweeping vistas of Colin Lane. | 0:01:07 | 0:01:09 | |
CHEERING | 0:01:09 | 0:01:11 | |
And the frozen wastes of Alan Davies. | 0:01:14 | 0:01:18 | |
CHEERING | 0:01:18 | 0:01:21 | |
So, catch my attention if you can. Ross goes: | 0:01:24 | 0:01:28 | |
SCHOOL BELL RINGS | 0:01:28 | 0:01:31 | |
Noel goes: | 0:01:31 | 0:01:33 | |
TRAIN HORN | 0:01:33 | 0:01:35 | |
Colin goes: | 0:01:35 | 0:01:36 | |
WIBBLE WOBBLE | 0:01:36 | 0:01:38 | |
LAUGHING | 0:01:38 | 0:01:39 | |
And Alan goes: | 0:01:39 | 0:01:41 | |
MAN'S VOICE: Stephen, Stephen! I want some points! | 0:01:41 | 0:01:44 | |
LAUGHTER | 0:01:44 | 0:01:45 | |
Now, in case anybody's wondering, because he hasn't done that | 0:01:45 | 0:01:49 | |
much television in Britain, we found Colin in Australia. | 0:01:49 | 0:01:52 | |
-Colin, in 1994, you won the Perrier Award, didn't you? -Yes. | 0:01:52 | 0:01:57 | |
-For comedy at the Edinburgh Fringe. -Yes. | 0:01:57 | 0:02:00 | |
Which is an incredibly distinguished award to win, as... | 0:02:00 | 0:02:02 | |
-HE COUGHS -..I know. | 0:02:02 | 0:02:04 | |
And, no, ignore that. | 0:02:04 | 0:02:06 | |
-But you haven't won the Perrier Award, Stephen? -Yes, I did win it, yes. | 0:02:06 | 0:02:09 | |
-Oh, you did? -I was the... My group was the first to win it, ever. | 0:02:09 | 0:02:13 | |
-Yeah. -The first? -As it happens, yeah. | 0:02:13 | 0:02:14 | |
But I wonder who you beat in 1994? Who came second or third? | 0:02:14 | 0:02:17 | |
There were a few other nominees. | 0:02:17 | 0:02:19 | |
-Yeah, who were the other nominees? -Er... Um.. | 0:02:19 | 0:02:22 | |
I think the main competition came from a little fellow.... | 0:02:22 | 0:02:26 | |
ALAN YAWNS | 0:02:26 | 0:02:28 | |
-..his name was Alan Davies. -Alan Davies. | 0:02:28 | 0:02:30 | |
-Oh, no, whatever. -Yes. -Oh. | 0:02:30 | 0:02:32 | |
Alan Davies, yes. Yes. | 0:02:32 | 0:02:33 | |
Then I went to Melbourne and I stayed at Colin's house | 0:02:33 | 0:02:35 | |
and he'd put the Perrier Award on the bedside table! | 0:02:35 | 0:02:38 | |
He said he had to look for it, he had to look in the loft for it. | 0:02:45 | 0:02:48 | |
And the Perrier Award, Alan, was a... | 0:02:48 | 0:02:51 | |
In case you want to know what it looks like. | 0:02:51 | 0:02:54 | |
Was like a piece of wood with like a silver Perrier bottle on top, | 0:02:54 | 0:02:58 | |
with a little cap on it, | 0:02:58 | 0:02:59 | |
that kind of just fell off a couple of days after we got it. | 0:02:59 | 0:03:03 | |
And the award for Best Newcomer, was a lovely... | 0:03:03 | 0:03:07 | |
-Really, you? -Did you? | 0:03:08 | 0:03:10 | |
-That was you? -Did you win it? Yeah! -That was you! | 0:03:10 | 0:03:13 | |
It's a better trophy, isn't it? It's like a sort of big cube. | 0:03:18 | 0:03:21 | |
It's a much better, it's like an oblong Perspex. | 0:03:21 | 0:03:23 | |
Yeah, like a Star Trek thing. | 0:03:23 | 0:03:24 | |
With the shape of a Perrier bottle made out of bubbles inside it, | 0:03:24 | 0:03:28 | |
it's really, it's really, really nice. | 0:03:28 | 0:03:30 | |
I gave it to my mum, yeah. | 0:03:30 | 0:03:31 | |
Anyway, that's enough inspecting our own bottoms, it's embarrassing. | 0:03:33 | 0:03:37 | |
So, suggest, if you may, | 0:03:37 | 0:03:40 | |
some uses of kitty litter that don't involve a kitty. | 0:03:40 | 0:03:43 | |
Aaah. There's a kitty. I've got some kitty litter here. | 0:03:43 | 0:03:46 | |
Anyone could use it for absorbing their urine, couldn't they? | 0:03:46 | 0:03:50 | |
Well you could use it in the same way that a kitty would use it, | 0:03:50 | 0:03:52 | |
yeah, because it does soak up liquid. | 0:03:52 | 0:03:54 | |
Can you - when you drop your phone in the loo - you're supposed to put it in a tub | 0:03:54 | 0:03:58 | |
-of rice to get the moisture out. -Indeed. -Can you do that with cat litter? | 0:03:58 | 0:04:01 | |
There's an episode of Elementary which is based on that very fact. | 0:04:01 | 0:04:04 | |
There's an episode of Jonathan Creek where I wee'd in some cat litter. | 0:04:04 | 0:04:07 | |
I say "I"- the character Jonathan. | 0:04:08 | 0:04:10 | |
Let's work backwards as to how that could possibly be a plot line | 0:04:11 | 0:04:14 | |
that you pee'd in cat litter. | 0:04:14 | 0:04:16 | |
I just got trapped in the cellar for ages and I needed a wee. | 0:04:16 | 0:04:19 | |
Oh, I see, well that's fair enough. | 0:04:19 | 0:04:21 | |
When you're at school, when people throw up, don't they put cat, | 0:04:21 | 0:04:24 | |
-I don't know... -Sawdust. -That's a good thing to do. -Ah. -That, exactly, anything like that. | 0:04:24 | 0:04:28 | |
We used to have a sort of weird brown sand. | 0:04:28 | 0:04:30 | |
Yeah, and they say, "There's nothing to see here," | 0:04:30 | 0:04:32 | |
but there is, isn't there? | 0:04:32 | 0:04:34 | |
Yes, there really is. | 0:04:34 | 0:04:35 | |
-It's a really good spectacle. -There's a lot to see there. | 0:04:35 | 0:04:38 | |
There's a lot to see. | 0:04:38 | 0:04:39 | |
Also they would draw a chalk line round it, like it had died. | 0:04:39 | 0:04:42 | |
Yes. The scene of a body. | 0:04:42 | 0:04:44 | |
The skill was to make it in the shape of a dead body. | 0:04:44 | 0:04:47 | |
Make it look like a mammal. | 0:04:47 | 0:04:48 | |
Oh, look, a racoon has died in the playground. | 0:04:48 | 0:04:52 | |
It's always a bit of fun to put it in a sugar bowl, | 0:04:52 | 0:04:55 | |
so that when somebody adds it to their tea, just, phoom, tea's gone. | 0:04:55 | 0:04:59 | |
Probably the most profitable use, bizarrely, | 0:05:02 | 0:05:05 | |
was by the American tobacco industry. | 0:05:05 | 0:05:07 | |
Can you imagine why that might be? | 0:05:07 | 0:05:09 | |
There's a tax on tobacco, obviously, there was | 0:05:09 | 0:05:11 | |
a tax on small cigars and American tobacco companies... | 0:05:11 | 0:05:14 | |
Filters, in filters? | 0:05:14 | 0:05:15 | |
They bulked-up their small cigars to become big cigars... | 0:05:15 | 0:05:19 | |
..using, amongst | 0:05:19 | 0:05:20 | |
other things, the ingredients of cat litter, which is disgusting. | 0:05:20 | 0:05:23 | |
That's a big cigar. | 0:05:25 | 0:05:27 | |
No, I think that's someone's leg! She's just eaten someone. | 0:05:27 | 0:05:29 | |
That is enormous. | 0:05:29 | 0:05:32 | |
I think they've bulked that one up too much. | 0:05:32 | 0:05:34 | |
That's a normal-sized cigar, I think, but she's just a very small woman. | 0:05:34 | 0:05:39 | |
They apparently reduced their tax take on tobacco by over | 0:05:39 | 0:05:42 | |
a billion this way, by bumping small cigars into the big-cigar category. | 0:05:42 | 0:05:47 | |
But unfortunately a lot of cats leapt up and wee'd on their faces. | 0:05:47 | 0:05:51 | |
"I'm going to celebrate the deal. Aaaah." | 0:05:51 | 0:05:54 | |
Why did they choose kitty litter as the filling? | 0:05:56 | 0:05:58 | |
Oh, it was because it's a kind of neutral stuff that burns, | 0:05:58 | 0:06:01 | |
that doesn't really taste of anything unpleasant, | 0:06:01 | 0:06:04 | |
-and is cheap and isn't tobacco. -It burns? | 0:06:04 | 0:06:05 | |
-So it doesn't have a tax on it. -What about just some soil, maybe? | 0:06:05 | 0:06:08 | |
That would be cheaper than kitty litter. | 0:06:08 | 0:06:10 | |
The trouble with soil is, it wouldn't burn | 0:06:10 | 0:06:12 | |
-and it would taste unpleasant. -What about air? | 0:06:12 | 0:06:16 | |
-Just a foot pump. -Yeah. | 0:06:16 | 0:06:18 | |
Or better still, some helium, so that you can just have your cigar | 0:06:18 | 0:06:21 | |
and you don't have to hold it, you just take your hand away and it just | 0:06:21 | 0:06:24 | |
floats there like that, and then you can just go back to it and go... | 0:06:24 | 0:06:28 | |
And then you go... | 0:06:29 | 0:06:30 | |
HIGH VOICE: "This is a lovely cigar. | 0:06:30 | 0:06:33 | |
"It's enormous!" | 0:06:33 | 0:06:35 | |
So it's highly flammable, so basically, if a kitten... | 0:06:35 | 0:06:38 | |
It's not highly flammable. You can just burn it, like tobacco. | 0:06:38 | 0:06:41 | |
It doesn't go, whoomf! | 0:06:41 | 0:06:44 | |
You can put a cup full of litter in a pair of tights, bear with me, | 0:06:45 | 0:06:49 | |
tie off the top and leave it in your shoes overnight for freshness. | 0:06:49 | 0:06:55 | |
There's a hint, yes, audience going "ooh!" | 0:06:55 | 0:06:58 | |
Someone's going to try that in the audience. | 0:06:58 | 0:07:00 | |
-Someone's got a teenage son with smelly... -GEORDIE ACCENT: -..trainers. | 0:07:00 | 0:07:03 | |
-"Trainers?" -Is that what went wrong... "Trainers." | 0:07:03 | 0:07:06 | |
-Ross? "What are you doing to me? I said "trainers." -Trainers. | 0:07:06 | 0:07:10 | |
Oh, yeah, he's laughing now, any minute now I'll go... | 0:07:10 | 0:07:14 | |
So when you see the male ballet dancers in their tights, | 0:07:14 | 0:07:16 | |
is that what the, is that what's down the front there? | 0:07:16 | 0:07:19 | |
Absolutely. Yeah. | 0:07:19 | 0:07:20 | |
When they're lifting, they'll go, "Hmm, fresh. Fresh." | 0:07:20 | 0:07:24 | |
"Go on love, smell that, eat your dinner off that." | 0:07:24 | 0:07:26 | |
Yeah, the point is, the last thing that kitty litter needs is | 0:07:29 | 0:07:32 | |
a kitty, really, you can use it for so many other things. | 0:07:32 | 0:07:34 | |
Name the product which put Kendal on the map. | 0:07:34 | 0:07:38 | |
ALL: Ah, oh, aaah... | 0:07:38 | 0:07:40 | |
-I'm being pointed at. -Let's do it one letter at a time. | 0:07:44 | 0:07:47 | |
-Yeah. -M... | 0:07:47 | 0:07:49 | |
I just I love saying that word as well. Those words together. | 0:07:49 | 0:07:52 | |
-Do you? -Yeah. | 0:07:52 | 0:07:53 | |
I have no idea what you're talking about. | 0:07:53 | 0:07:55 | |
You're the only one who doesn't, we're all desperate to say it. | 0:07:55 | 0:07:58 | |
-Kendal Mint Cake. -What? | 0:07:58 | 0:08:00 | |
-KLAXON BLARES -Oh, that's so unfair! | 0:08:00 | 0:08:02 | |
There is a mint cake which went up Everest for the first, | 0:08:02 | 0:08:04 | |
the conquering of Everest, and Scott took on the... | 0:08:04 | 0:08:07 | |
-High sugar, for giving you energy when you're up a mountain. -It's rather delicious. | 0:08:07 | 0:08:10 | |
-I see. -But it's not what put Kendal on the map, as it were. | 0:08:10 | 0:08:13 | |
Kendal became famous for another product. | 0:08:13 | 0:08:16 | |
And it's actually extraordinary, it's a machine that was built | 0:08:16 | 0:08:19 | |
in 1750, and is possibly the oldest still working machine in the world. | 0:08:19 | 0:08:25 | |
It's still producing the same stuff now. | 0:08:25 | 0:08:28 | |
It was actually built to make gunpowder, | 0:08:28 | 0:08:32 | |
but quite early on in its life, it was schlepped down to Kendal by ass | 0:08:32 | 0:08:37 | |
or donkey, and then started to make what it still makes to this day. | 0:08:37 | 0:08:42 | |
Which is of the same consistency as gunpowder. | 0:08:42 | 0:08:44 | |
-Sherbet Dip. -Sherbet Dip! | 0:08:44 | 0:08:47 | |
That map's only of any use really if you're going, driving to Kendal. | 0:08:47 | 0:08:50 | |
If you're, it is, exactly. You're absolutely right. | 0:08:50 | 0:08:54 | |
-It's not much use for anything else. -It's for walking. | 0:08:54 | 0:08:57 | |
And even then it's pretty vague. | 0:08:57 | 0:08:58 | |
I used to sell those maps and people would come in and they'd go, | 0:08:58 | 0:09:01 | |
"I'm going to Birmingham," and I'd go, "No, you can't." | 0:09:01 | 0:09:04 | |
-"Yeah, I've only got a Kendal map." -Do you use it in the home? | 0:09:04 | 0:09:06 | |
We nowadays very rarely use it. | 0:09:06 | 0:09:08 | |
It was the most popular form of delivery of this drug, | 0:09:08 | 0:09:13 | |
up until about 1900. | 0:09:13 | 0:09:15 | |
Nicotine? | 0:09:15 | 0:09:16 | |
Nicotine is the right answer. How was nicotine most delivered? | 0:09:16 | 0:09:19 | |
-Snuff. -Snuff. | 0:09:19 | 0:09:21 | |
Kendal has a snuff mill that has been going | 0:09:21 | 0:09:23 | |
-since 1750 and still produces snuff. -Ah, the old Kendal snuff mill. | 0:09:23 | 0:09:28 | |
-The old Kendal snuff mill. -I think I knew that. -Exactly. | 0:09:28 | 0:09:31 | |
I have some snuff for you to try, in different flavours. | 0:09:31 | 0:09:34 | |
You can see whether the lid is lying or not. | 0:09:34 | 0:09:37 | |
Arrgh! | 0:09:37 | 0:09:38 | |
In special QI lids. You can take it if you want. | 0:09:38 | 0:09:41 | |
-You obviously inhale it up the nose. -You do it all, right? | 0:09:41 | 0:09:44 | |
Oh! | 0:09:44 | 0:09:46 | |
You're going to spill... | 0:09:46 | 0:09:47 | |
Don't do it all, no. It's very sharp. | 0:09:47 | 0:09:50 | |
It is, it's sharp. | 0:09:50 | 0:09:52 | |
Nothing. Nothing. | 0:09:54 | 0:09:57 | |
Oh really! No! | 0:09:58 | 0:10:03 | |
Nothing. | 0:10:03 | 0:10:05 | |
-Oh, you're licking it. -Woooooo! | 0:10:05 | 0:10:07 | |
On the gums. Oh, a moustache. It is quite sharp. | 0:10:07 | 0:10:11 | |
You've had a go. What's your flavour saying, Alan? | 0:10:11 | 0:10:14 | |
The only time... it says Christmas pudding. | 0:10:14 | 0:10:16 | |
You've got Christmas pudding. | 0:10:16 | 0:10:18 | |
The only time I've had a... | 0:10:18 | 0:10:22 | |
Ross Noble! | 0:10:22 | 0:10:23 | |
Honestly, it's fine, it's good, put it in your eyes. | 0:10:23 | 0:10:26 | |
It's good. | 0:10:27 | 0:10:29 | |
This is probably the only time my nan's going to watch me | 0:10:31 | 0:10:34 | |
on telly and I'll be like that the whole show. | 0:10:34 | 0:10:36 | |
What do you reckon, Colin? | 0:10:38 | 0:10:39 | |
Oh, that is the... the flavour says "kitty litter." | 0:10:39 | 0:10:43 | |
Ah-ha-ha. | 0:10:43 | 0:10:46 | |
-That is awful! -You're not a fan? | 0:10:46 | 0:10:49 | |
-I'm not a fan. It says "champagne." -Yeah, they're different. | 0:10:49 | 0:10:52 | |
There are so many, I mean hundreds, | 0:10:52 | 0:10:54 | |
-thousands of different flavours or sorts, as they're called. -Ugh! | 0:10:54 | 0:10:57 | |
What does yours say on the lid, Noel? | 0:10:57 | 0:10:59 | |
-What flavour? -Yeah. -Jealousy. | 0:10:59 | 0:11:01 | |
-By Calvin Klein. -Whisky and honey. | 0:11:03 | 0:11:05 | |
-Whisky and honey. Does it taste...? Yours, Ross? -No, not really. | 0:11:05 | 0:11:08 | |
-When you've come down? -I can't see! | 0:11:08 | 0:11:10 | |
I couldn't see anything. | 0:11:11 | 0:11:14 | |
-Noel will read it to you. -Who's talking to me?! | 0:11:14 | 0:11:16 | |
-Your flavour's madness. -It says "peanut butter"! | 0:11:18 | 0:11:22 | |
-No, it says "Perrier". -Oh, does it? Arrgh! | 0:11:22 | 0:11:25 | |
Ah, Perrier smells of victory. | 0:11:32 | 0:11:34 | |
The problem is, it makes your snot brown, | 0:11:34 | 0:11:36 | |
so there are snuff handkerchiefs which are brown silk | 0:11:36 | 0:11:39 | |
handkerchiefs or dark coloured silk handkerchiefs. | 0:11:39 | 0:11:42 | |
But that will, really, you'll see, you'll get a... | 0:11:42 | 0:11:45 | |
It'll look as if you've wiped your arse, I'm afraid. | 0:11:45 | 0:11:48 | |
Ugh! | 0:11:48 | 0:11:50 | |
That, from here, looks like the Turin Shroud. | 0:11:51 | 0:11:54 | |
I can see the face of our Lord! You're right! | 0:11:56 | 0:11:59 | |
Even though you know it's snuff, you're like, "Urggh!" | 0:12:03 | 0:12:06 | |
-Even though, exactly. -"He's shat in his hanky!" | 0:12:06 | 0:12:08 | |
Even though they know. | 0:12:09 | 0:12:11 | |
Aaarggh! | 0:12:14 | 0:12:16 | |
It's like your eyeball comes out in the wet wipe. | 0:12:16 | 0:12:19 | |
It's fine. | 0:12:19 | 0:12:20 | |
What are the advantages, if one can put it that way, of taking snuff instead of smoking? | 0:12:20 | 0:12:24 | |
Sorry. | 0:12:24 | 0:12:25 | |
-Well there's no smoky stinkiness. -Yeah, that you... -It's very self-contained. | 0:12:25 | 0:12:29 | |
Lung cancer, emphysema, heart disease are unlikely. | 0:12:29 | 0:12:31 | |
-Not bothering other people. -It doesn't bother other people. | 0:12:31 | 0:12:34 | |
-It doesn't make your clothes smell. -It could be perfumed. | 0:12:34 | 0:12:37 | |
-But it will rot inside your nose, sinuses and... -Nasopharyngeal... | 0:12:37 | 0:12:40 | |
-NASAL VOICE: "It affects the way you talk as well, Stephen." -Yeah, well there is that. | 0:12:40 | 0:12:44 | |
It does slightly increase your chances of nasopharyngeal | 0:12:44 | 0:12:47 | |
-cancer, but only slightly. -Oh great, thanks very much(!) | 0:12:47 | 0:12:50 | |
Not one pinch, I promise. | 0:12:50 | 0:12:52 | |
It is, of course, necessary for me at this point not to | 0:12:52 | 0:12:55 | |
recommend snuff, or any other tobacco products. | 0:12:55 | 0:12:57 | |
Is that Little Mix? | 0:12:57 | 0:12:59 | |
I don't want to alarm anyone, but the one at the top left is me. | 0:13:02 | 0:13:06 | |
It is! Oh, my goodness. | 0:13:09 | 0:13:11 | |
There's no doubting it. Anyway, s'nuff said about Kendal. | 0:13:21 | 0:13:24 | |
Why isn't the tiny woman in your snuff box wearing any pants? | 0:13:24 | 0:13:29 | |
There's a picture in the lid of your snuff box. | 0:13:29 | 0:13:32 | |
Wow! I think the snuff's kicked in. | 0:13:32 | 0:13:36 | |
-I've only got a head shot. -Well it's only a head shot. | 0:13:36 | 0:13:39 | |
I don't know what she's wearing. | 0:13:39 | 0:13:40 | |
But as it happens, she wouldn't be wearing any pants. | 0:13:40 | 0:13:42 | |
-I've got a full, a full... -Have you? | 0:13:42 | 0:13:44 | |
-No. -You liar. | 0:13:44 | 0:13:45 | |
I've taken her face and arranged the snuff | 0:13:46 | 0:13:48 | |
so it looks like she's a bearded lady. | 0:13:48 | 0:13:50 | |
-Like that magnetic thing with the iron filings. -Yeah, yeah. | 0:13:50 | 0:13:54 | |
-I used to love that. -Pants as in undergarments? Those sort of pants? | 0:13:54 | 0:13:57 | |
Well it's a woman who was probably you could regard as almost | 0:13:57 | 0:14:00 | |
the first celebrity, in a strange sort of way. | 0:14:00 | 0:14:02 | |
In as much as she wasn't an aristocrat, a politician, | 0:14:02 | 0:14:05 | |
an artist, a warrior, she had no accomplishment whatsoever. | 0:14:05 | 0:14:10 | |
Katie Price. | 0:14:10 | 0:14:12 | |
Basically, she was... | 0:14:12 | 0:14:13 | |
That's quite extraordinary. | 0:14:14 | 0:14:16 | |
She was an 18th-century courtesan, which is not a word we use any more. | 0:14:19 | 0:14:24 | |
So she really rose to fame in the mid 18th century, | 0:14:24 | 0:14:28 | |
when she fell off her horse in St James's Park, | 0:14:28 | 0:14:31 | |
and it was revealed to the astonished onlookers... | 0:14:31 | 0:14:33 | |
She was going commando. | 0:14:33 | 0:14:35 | |
She was going commando, she had no underwear. | 0:14:35 | 0:14:37 | |
There is a picture, which is slightly overdone, | 0:14:37 | 0:14:40 | |
but it's an example of how famous... | 0:14:40 | 0:14:41 | |
Slightly missing the crucial aspects as well. | 0:14:41 | 0:14:44 | |
Yeah, exactly, somewhat. | 0:14:45 | 0:14:47 | |
-That's what going commando is? No pants? -No pants. | 0:14:47 | 0:14:49 | |
Yeah. | 0:14:49 | 0:14:51 | |
-Kitty Fisher, for such was her name. -Kitty Fisher? | 0:14:51 | 0:14:53 | |
Kitty Fisher. She went commando, and she exploited it enormously. | 0:14:53 | 0:14:58 | |
And there were snuff boxes produced with pictures of her in them, and... | 0:14:58 | 0:15:01 | |
Muff boxes? | 0:15:01 | 0:15:02 | |
Well, ah, ah, and... | 0:15:02 | 0:15:04 | |
-Just for her. -And there were watches. | 0:15:05 | 0:15:07 | |
Called montres lubriques, lubricous watches, which used | 0:15:07 | 0:15:11 | |
the clockwork to show her doing rather pornographical things, in | 0:15:11 | 0:15:14 | |
a sort of like a sort of automaton kind of thing, a little movement. | 0:15:14 | 0:15:17 | |
Oh, God, you wouldn't want the grandfather clock with | 0:15:17 | 0:15:19 | |
a pendulum version, would you? | 0:15:19 | 0:15:21 | |
No, you certainly wouldn't. She, she led a sensationally dissolute... | 0:15:21 | 0:15:27 | |
I don't even know why that's funny. | 0:15:27 | 0:15:28 | |
No, but it is. We'll just sort of imagine. | 0:15:28 | 0:15:30 | |
-Just don't over-think it. -No. -That's my approach to life. | 0:15:30 | 0:15:33 | |
Her life was sensationally dissolute. | 0:15:33 | 0:15:35 | |
Casanova describes a moment when she ate a 1,000 guinea note, | 0:15:35 | 0:15:40 | |
with butter spread on it. | 0:15:40 | 0:15:41 | |
-And 1,000 guineas in those days could buy you, you know, an estate. -The kingdom of... | 0:15:41 | 0:15:45 | |
It could buy a country house with servants and, | 0:15:45 | 0:15:48 | |
-I mean it's staggering. -So, she was an idiot. | 0:15:48 | 0:15:50 | |
She, well... Just incredibly carefree, I suppose you'd describe that. | 0:15:50 | 0:15:55 | |
She had portraits painted of her by Reynolds, | 0:15:55 | 0:15:57 | |
the great portraitist of his day, and she, apparently... | 0:15:57 | 0:16:00 | |
The one in the middle doesn't really look like her. | 0:16:00 | 0:16:02 | |
No that, no, that... | 0:16:02 | 0:16:04 | |
The one in the middle looks like Alan Sugar. | 0:16:04 | 0:16:06 | |
These are, these are... | 0:16:08 | 0:16:10 | |
IMITATES ALAN SUGAR: "I started with nothing! I had a van." | 0:16:10 | 0:16:14 | |
"I have taken, I've taken my wealth and I've swallowed it. | 0:16:14 | 0:16:18 | |
"And I'll tell you what, you're going to get down on your knees | 0:16:18 | 0:16:20 | |
"and you're going to wait for that note to come out." | 0:16:20 | 0:16:23 | |
Is that why she didn't have the knickers on? | 0:16:23 | 0:16:24 | |
She was waiting for the, she was just waiting for, that's all it was. | 0:16:24 | 0:16:28 | |
-People thought she was... -Oh! | 0:16:28 | 0:16:29 | |
There it is! There it is! | 0:16:29 | 0:16:31 | |
Here it comes, I can see the Queen's face! | 0:16:31 | 0:16:34 | |
-Oh, it's gone back in again. -It was a king in the mid 18th century. | 0:16:34 | 0:16:37 | |
-Oh, was it a king? -Yes. | 0:16:37 | 0:16:38 | |
So anyway, Reynolds, these are not examples of paintings of her, but she got through | 0:16:38 | 0:16:42 | |
so many lovers that he had to keep all the paintings he did, | 0:16:42 | 0:16:45 | |
because a man would say "I'm in love with Kitty and I want you to | 0:16:45 | 0:16:48 | |
"do a painting of her," and about halfway through she was onto a new man. | 0:16:48 | 0:16:51 | |
-She was extraordinary. -So he made a flick book. | 0:16:51 | 0:16:53 | |
Basically a flick book of pictures of her. Yeah, she was pretty extraordinary. | 0:16:53 | 0:16:57 | |
Perhaps the first celeb, but like some modern celebs, | 0:16:57 | 0:17:00 | |
she sometimes forgot to wear any pants. | 0:17:00 | 0:17:02 | |
So, moving on now, we have some kits. | 0:17:02 | 0:17:04 | |
What would you use these kits for? | 0:17:04 | 0:17:08 | |
Window cleaning. | 0:17:09 | 0:17:10 | |
That's the first one. Well, no, they go together. | 0:17:10 | 0:17:13 | |
Scratching a window and then cleaning it. | 0:17:13 | 0:17:16 | |
Well, this has a very specific ecological purpose, | 0:17:16 | 0:17:18 | |
rather bizarrely. | 0:17:18 | 0:17:19 | |
A wire wool, is that a wire wool brush affair? Probably not. | 0:17:19 | 0:17:23 | |
It's a scourer, it's a pan scourer. Which you get from your average high street pan scourer shop. | 0:17:23 | 0:17:27 | |
-Indeed. -Yeah. | 0:17:27 | 0:17:28 | |
No-one's ever held a scourer like that. "Arrrgh!" | 0:17:28 | 0:17:31 | |
-Yeah, they haven't, have they. -"Come and do the dishes. Arrgh!" | 0:17:31 | 0:17:35 | |
That sounds like a scouring super-hero. | 0:17:35 | 0:17:37 | |
-Because there are some... -"By the power of scourer!" | 0:17:37 | 0:17:40 | |
Also, the man on the right doesn't really need the extended | 0:17:40 | 0:17:43 | |
-squeegee for that. -No, he doesn't. | 0:17:43 | 0:17:45 | |
With a little more effort, I think he could have got to the top. | 0:17:45 | 0:17:49 | |
"I'd better get the extension out. Oooh, that's better!" | 0:17:49 | 0:17:52 | |
We're in a world of ecology. | 0:17:53 | 0:17:56 | |
And we're in a world of the second largest fish in the world, in fact. | 0:17:56 | 0:18:00 | |
-Is it a big squid? -Fish. | 0:18:00 | 0:18:02 | |
-A jellyfish? -A fish! | 0:18:02 | 0:18:05 | |
The great white. | 0:18:05 | 0:18:06 | |
The Buddha shark? | 0:18:06 | 0:18:08 | |
-Basking. Basking! -Basking! | 0:18:08 | 0:18:09 | |
-The basking shark! -Basking shark. | 0:18:09 | 0:18:11 | |
For the last time, a basking... | 0:18:11 | 0:18:13 | |
I WANT POINTS! | 0:18:13 | 0:18:15 | |
In your dreams. | 0:18:15 | 0:18:16 | |
There it is, with its rather wonderful mouth open. | 0:18:16 | 0:18:18 | |
-Wow! -Whoa! -Isn't that fabulous. | 0:18:18 | 0:18:20 | |
"I've got a coat hanger stuck in my mouth! Help me! | 0:18:20 | 0:18:24 | |
"I've got a coat hanger in my mouth!! | 0:18:25 | 0:18:28 | |
"I feel so vulnerable!" | 0:18:29 | 0:18:31 | |
It's a beautiful animal and unfortunately... | 0:18:31 | 0:18:34 | |
Not really. | 0:18:34 | 0:18:35 | |
Well it is. Unfortunately, it's hunted to the verge of extinction. | 0:18:35 | 0:18:38 | |
So we need to know a lot about them, because they're so in danger, | 0:18:38 | 0:18:42 | |
and to take a core of their DNA is difficult, you need to sort of, | 0:18:42 | 0:18:45 | |
it's like tagging them, so what they've come up with is... | 0:18:45 | 0:18:48 | |
Is that one being examined now? Is that why he's got his mouth open? | 0:18:48 | 0:18:51 | |
Say "Ah". | 0:18:51 | 0:18:53 | |
No, what you do is you get a window-cleaning rod, | 0:18:53 | 0:18:55 | |
you shove a pan scourer on the end | 0:18:55 | 0:18:58 | |
and you scrape off the slime from each particular one, | 0:18:58 | 0:19:01 | |
which has got its DNA, and you send it to the University of Aberdeen, | 0:19:01 | 0:19:04 | |
where it's marked and then you check its progress by marking other ones. | 0:19:04 | 0:19:07 | |
Occasionally do they swallow slightly smaller sharks? | 0:19:07 | 0:19:10 | |
Yes, I hope they do. | 0:19:10 | 0:19:12 | |
And there's, like Russian dolls, there's 19 in here. | 0:19:12 | 0:19:15 | |
-Just pull them out. -It's a lovely thought. Yeah. | 0:19:15 | 0:19:18 | |
It's a couple, Graham Hall and his wife, Jacky. | 0:19:18 | 0:19:20 | |
Is that the name of that shark? | 0:19:20 | 0:19:22 | |
-No. -Graham Hall? It's not quite as frightening when you say, quick there's a Graham! | 0:19:22 | 0:19:26 | |
-There's a Graham. -Here comes Graham. | 0:19:26 | 0:19:28 | |
-Graham Hall and his wife Jackie. -Ooh, lovely. | 0:19:28 | 0:19:30 | |
From the Isle of Man, go out into the Irish Sea and scrape... | 0:19:30 | 0:19:33 | |
..basking sharks with pan scourers. | 0:19:34 | 0:19:37 | |
-Disgusting! Filthy, filthy! -And send the DNA to Aberdeen. | 0:19:37 | 0:19:39 | |
Dirty bastards! | 0:19:39 | 0:19:41 | |
And it's been jolly useful. It's jolly, jolly useful. | 0:19:42 | 0:19:44 | |
Would anybody like to know how you know that you're being | 0:19:44 | 0:19:48 | |
followed by a gay shark? | 0:19:48 | 0:19:50 | |
Yeah, go on. | 0:19:50 | 0:19:51 | |
How do you know you're being followed by a gay shark? | 0:19:51 | 0:19:54 | |
HE HUMS: "Jaws Theme" | 0:19:54 | 0:19:57 | |
CHANGES TO: "Can't Take My Eyes Off You" | 0:19:57 | 0:19:59 | |
That's very good. I like that. And here's another kit. | 0:20:04 | 0:20:09 | |
What's that? It's luminous pins and reels of cotton. | 0:20:09 | 0:20:13 | |
-What would they be used for? -Sewing in the dark. | 0:20:13 | 0:20:15 | |
That would certainly... | 0:20:15 | 0:20:18 | |
Disco nanas? | 0:20:18 | 0:20:19 | |
That is popular. | 0:20:22 | 0:20:24 | |
HE HUMS | 0:20:24 | 0:20:26 | |
That's all that went, you know when John Travolta was doing that? | 0:20:26 | 0:20:29 | |
-Yes. -He had wool around that one... | 0:20:29 | 0:20:31 | |
HE SINGS: "Staying Alive" by Bee Gees | 0:20:32 | 0:20:35 | |
..because it's "Thanks, love." | 0:20:35 | 0:20:37 | |
This was part of the kit of a man called Dr Eric Dingwall. | 0:20:37 | 0:20:39 | |
Oh. | 0:20:39 | 0:20:41 | |
Doctor Eric Dingwall specialised in exposing something. | 0:20:41 | 0:20:45 | |
Not his own dingwall. | 0:20:47 | 0:20:49 | |
But...? | 0:20:49 | 0:20:50 | |
The wall of his ding. | 0:20:50 | 0:20:52 | |
Yeah. Fake mediums. In other words, fakes. | 0:20:53 | 0:20:55 | |
People who pretend that dead people speak. | 0:20:55 | 0:20:57 | |
-Is it to do with Ouija boards or anything? -Yeah. | 0:20:57 | 0:21:00 | |
There are people who pretend, quite wrongly, | 0:21:00 | 0:21:02 | |
that dead people can speak, which they can't, they're dead. | 0:21:02 | 0:21:06 | |
They won't talk to you, they're dead. | 0:21:06 | 0:21:08 | |
But there are people, a class of fraud, | 0:21:08 | 0:21:10 | |
but I'm saying this directly into camera, you are a fraud | 0:21:10 | 0:21:13 | |
if you are a medium, you are fraudulent, and... | 0:21:13 | 0:21:17 | |
APPLAUSE AND CHEERING | 0:21:17 | 0:21:20 | |
Hang on, hang on, hang on, my, my granddad says, "Shut your face." | 0:21:23 | 0:21:28 | |
Dr Eric Dingwall cunningly used... | 0:21:31 | 0:21:34 | |
Stop it, Granddad, stop it! | 0:21:34 | 0:21:36 | |
It's quite weird, because we look like we're in a seance. | 0:21:36 | 0:21:39 | |
Yes, you do actually. | 0:21:39 | 0:21:41 | |
You always look like you're in a seance! | 0:21:41 | 0:21:43 | |
Yes, you do, let's be honest. Woo! | 0:21:43 | 0:21:46 | |
I'm getting a basking shark. | 0:21:49 | 0:21:51 | |
What's that? | 0:21:51 | 0:21:53 | |
You were touched inappropriately by a man called Graham? | 0:21:53 | 0:21:55 | |
Anyway, no, Eric Dingwall specialised in exposing mediums, | 0:21:59 | 0:22:01 | |
and he would tie thread to their legs | 0:22:01 | 0:22:04 | |
so that he could feel what their bodies were doing in the dark. | 0:22:04 | 0:22:08 | |
He would also attach luminous pins to them, so again when it was | 0:22:08 | 0:22:11 | |
dark, he could see where they were moving and what they were doing, | 0:22:11 | 0:22:14 | |
what machinery they were operating, what tricks they were up to. | 0:22:14 | 0:22:17 | |
Now it's time for a bit of General Ignorance, | 0:22:17 | 0:22:19 | |
so fingers on buzzers please. What was a Roman soldier's salary? | 0:22:19 | 0:22:22 | |
-Wine, prostitutes? -The outfit, just the outfit. | 0:22:22 | 0:22:25 | |
-Audience? -Forty quid a week. | 0:22:25 | 0:22:27 | |
-AUDIENCE MEMBERS: SALT. -Salt, oh, dear! -KLAXON BLARES | 0:22:27 | 0:22:30 | |
Audience, minus points. | 0:22:30 | 0:22:33 | |
Losers! | 0:22:33 | 0:22:35 | |
Whoa, ha-ha-ha-ha! | 0:22:35 | 0:22:37 | |
Is there joy in trapping the audience there? | 0:22:38 | 0:22:41 | |
Yes, it's true that the word derives from the Latin for salt, | 0:22:41 | 0:22:44 | |
but it is never true that they were paid in salt. | 0:22:44 | 0:22:47 | |
The money would go towards the buying of salt, but also towards the | 0:22:47 | 0:22:50 | |
buying of their uniform, the buying of almost everything else, because, | 0:22:50 | 0:22:53 | |
a bit like British officers, they have to buy everything | 0:22:53 | 0:22:56 | |
themselves out of their salary, but they were never paid in salt. | 0:22:56 | 0:23:01 | |
We're getting paid in salt though, aren't we? | 0:23:01 | 0:23:03 | |
You're getting paid in salt, oh, yes. Oh, yes. | 0:23:03 | 0:23:05 | |
-Kitty litter. -And kitty litter, in fact. | 0:23:05 | 0:23:08 | |
Yeah, the Romans, in fact, planted vineyards, as you may know, | 0:23:08 | 0:23:11 | |
in parts of Britain, so here's a question. | 0:23:11 | 0:23:13 | |
Where does British wine come from? | 0:23:13 | 0:23:16 | |
-Somerset. -Somerset, no. | 0:23:16 | 0:23:18 | |
-Kent. -No. | 0:23:18 | 0:23:19 | |
Kendal? | 0:23:19 | 0:23:20 | |
Kendal, no. Which country does it come from? | 0:23:20 | 0:23:23 | |
France. | 0:23:23 | 0:23:24 | |
It might do. | 0:23:24 | 0:23:26 | |
The point is, British wine is made from grape concentrate, | 0:23:26 | 0:23:29 | |
which comes from abroad. | 0:23:29 | 0:23:31 | |
Whereas English wine is proper English wine from English vineyards. | 0:23:31 | 0:23:35 | |
And so English wine gets a very bad reputation, | 0:23:35 | 0:23:37 | |
because people have tried British wine and think it's the same, | 0:23:37 | 0:23:40 | |
and it isn't. | 0:23:40 | 0:23:41 | |
There are over 400 vineyards in Britain now, | 0:23:41 | 0:23:43 | |
and maybe global warming will see an increase in that. | 0:23:43 | 0:23:45 | |
But certainly in Roman days, in the medieval warm period, | 0:23:45 | 0:23:48 | |
as it's called, wine was commonly made there. | 0:23:48 | 0:23:51 | |
So, anyway, English wine comes from England, | 0:23:51 | 0:23:53 | |
but British wine can come from anywhere. | 0:23:53 | 0:23:55 | |
And now... | 0:23:55 | 0:23:57 | |
This is where it gets scary, | 0:23:57 | 0:23:58 | |
I'm going to try and impress you with my martial art skills. | 0:23:58 | 0:24:02 | |
-Really? -Karate. | 0:24:02 | 0:24:05 | |
Let's break stuff with our bare hands, | 0:24:05 | 0:24:07 | |
and we're going to begin with you. | 0:24:07 | 0:24:08 | |
-You should have a piece of paper and a ruler. -Yes. | 0:24:08 | 0:24:11 | |
And what I want you to do is put the ruler on the table, | 0:24:11 | 0:24:15 | |
two thirds of the way, something like that, | 0:24:15 | 0:24:18 | |
and put the paper on top of it. | 0:24:18 | 0:24:20 | |
Mm. | 0:24:20 | 0:24:21 | |
Like so. Not wholly over it, leave the bit out. | 0:24:21 | 0:24:23 | |
That's it. | 0:24:23 | 0:24:25 | |
Yeah, Colin's got it right. Thank you Colin. | 0:24:25 | 0:24:27 | |
-Yes. -OK. Very good. -All right. | 0:24:27 | 0:24:29 | |
Now, without putting your hand over the paper... | 0:24:29 | 0:24:31 | |
That's how he got that award. | 0:24:31 | 0:24:33 | |
..simply karate chop and break the piece of wood, | 0:24:33 | 0:24:36 | |
because the air pressure over the paper will act as a... | 0:24:36 | 0:24:40 | |
you think that can't be possible, so, Colin, you try. | 0:24:40 | 0:24:42 | |
-Really? -Yep. | 0:24:42 | 0:24:43 | |
Oh! | 0:24:45 | 0:24:46 | |
APPLAUSE | 0:24:46 | 0:24:47 | |
Isn't that surprising? | 0:24:47 | 0:24:48 | |
CHEERING | 0:24:49 | 0:24:52 | |
Who'd have thought? | 0:24:54 | 0:24:55 | |
Who would have...? | 0:24:58 | 0:25:00 | |
And I didn't believe you, so I really put my shoulder into it. | 0:25:00 | 0:25:03 | |
-Yeah, you have to, a nice bit of follow-through. -Yeah. | 0:25:03 | 0:25:05 | |
Alan, you have a go. | 0:25:05 | 0:25:07 | |
Yeah - oh, well it is in half, | 0:25:07 | 0:25:09 | |
you can see, but it slipped out, unfortunately. | 0:25:09 | 0:25:11 | |
Go on, Ross. | 0:25:11 | 0:25:12 | |
-Is it in half? -Yeah! | 0:25:13 | 0:25:15 | |
Noel next. All right, Noel. | 0:25:17 | 0:25:19 | |
-Yah! -Ah! | 0:25:21 | 0:25:23 | |
There it is. | 0:25:23 | 0:25:25 | |
It's very surprising. | 0:25:25 | 0:25:27 | |
-It feels good though, doesn't it. -It feels good. | 0:25:27 | 0:25:29 | |
-You feel like Bruce Lee for about four seconds. -Now, I... | 0:25:29 | 0:25:31 | |
What I'm going to do is, I've got three bricks here. | 0:25:31 | 0:25:33 | |
HE GRUNTS WITH EFFORT | 0:25:33 | 0:25:35 | |
And it is, ahh... | 0:25:35 | 0:25:39 | |
It's like the first ever game of Jenga. | 0:25:39 | 0:25:42 | |
It is. | 0:25:42 | 0:25:43 | |
All right, OK. | 0:25:44 | 0:25:46 | |
Yep. | 0:25:46 | 0:25:48 | |
-It's Kendal Mint Cake. -Kendal Mint Cake. OK. | 0:25:48 | 0:25:51 | |
Oh, God... | 0:25:51 | 0:25:53 | |
I have to focus my energy. | 0:25:53 | 0:25:56 | |
I know, it's... All right, it sounds... | 0:25:56 | 0:25:57 | |
But I have to focus. | 0:25:57 | 0:25:59 | |
Have to go through... I have to - oh, God. | 0:25:59 | 0:26:03 | |
I'm so nervous now. | 0:26:03 | 0:26:04 | |
Ah! | 0:26:05 | 0:26:06 | |
Ooh... | 0:26:06 | 0:26:09 | |
CHEERING | 0:26:09 | 0:26:13 | |
Ow! Didn't get them all. | 0:26:13 | 0:26:15 | |
Last time I got them all. | 0:26:16 | 0:26:19 | |
OK. But, even more... | 0:26:19 | 0:26:22 | |
Oh, I've got another one. | 0:26:22 | 0:26:23 | |
Another load here and this time, in theory... | 0:26:23 | 0:26:26 | |
You're going to do it with your penis. | 0:26:26 | 0:26:28 | |
Ah-ha-ha! | 0:26:28 | 0:26:29 | |
In theory here... Ow. | 0:26:29 | 0:26:32 | |
Er... | 0:26:33 | 0:26:34 | |
So, choose top middle or bottom. | 0:26:35 | 0:26:38 | |
-Middle. -Oh, no! | 0:26:38 | 0:26:41 | |
OK. | 0:26:41 | 0:26:42 | |
I'll try and break just the middle, then. | 0:26:42 | 0:26:43 | |
I'll bet you Chuck Norris is crapping himself. | 0:26:43 | 0:26:46 | |
I'm going to try and break just the middle one. | 0:26:46 | 0:26:49 | |
Again, this takes extreme focus and extreme pain. | 0:26:49 | 0:26:53 | |
(Go through.) | 0:26:54 | 0:26:55 | |
I just don't want to do this. | 0:26:57 | 0:26:58 | |
You don't want to do it again. | 0:26:58 | 0:27:01 | |
Oh! | 0:27:01 | 0:27:02 | |
CHEERING | 0:27:02 | 0:27:05 | |
That was the middle one. | 0:27:07 | 0:27:09 | |
Oh, thank you very much indeed. | 0:27:09 | 0:27:11 | |
Thank you. | 0:27:12 | 0:27:14 | |
Ow. | 0:27:14 | 0:27:15 | |
I can't believe I've put my hood on | 0:27:17 | 0:27:19 | |
in case there were shards flying around. | 0:27:19 | 0:27:22 | |
What, shards of his splintering wrist? | 0:27:22 | 0:27:25 | |
Kendal Mint Cake. | 0:27:25 | 0:27:27 | |
The truth is, there's no mystique to karate-chopping bricks, | 0:27:27 | 0:27:30 | |
just good old physics, and in our case, to be honest, trick bricks. | 0:27:30 | 0:27:34 | |
So don't try and do it at home. | 0:27:34 | 0:27:36 | |
I'm still very strong and hench and butch, though. | 0:27:36 | 0:27:39 | |
But anyway, it must be time for the scores. | 0:27:41 | 0:27:44 | |
And it is fantastic. | 0:27:44 | 0:27:46 | |
In first place, wow, with a plus four, is Ross Noble. | 0:27:46 | 0:27:52 | |
Yeah! | 0:27:52 | 0:27:54 | |
The Noble Prize. | 0:27:58 | 0:28:00 | |
In second place, with a plus one, Noel Fielding. | 0:28:02 | 0:28:06 | |
How did that happen? | 0:28:09 | 0:28:11 | |
There's been a mistake. | 0:28:11 | 0:28:12 | |
It's incredible. | 0:28:12 | 0:28:14 | |
In third place, with minus six, Alan Davies! | 0:28:14 | 0:28:18 | |
Thank you very much. Great. | 0:28:18 | 0:28:21 | |
And certainly worth the airfare, in fourth place with minus nine, | 0:28:22 | 0:28:28 | |
-it's Colin Lane. -Yeah! | 0:28:28 | 0:28:30 | |
But... | 0:28:31 | 0:28:33 | |
But, in last place, with minus ten, the Audience. | 0:28:34 | 0:28:39 | |
Hey! | 0:28:41 | 0:28:43 | |
Well. | 0:28:43 | 0:28:45 | |
And it only remains for me to thank Noel, Ross, Colin and Alan. | 0:28:48 | 0:28:52 | |
Whatever you do, keep your kit on. Good night. | 0:28:52 | 0:28:55 | |
Subtitles by Red Bee Media Ltd | 0:28:58 | 0:29:01 |