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APPLAUSE | 0:00:28 | 0:00:30 | |
Goo-oo-oo-ood evening, good evening, good evening, good evening, | 0:00:30 | 0:00:34 | |
good evening, good evening, good evening, | 0:00:34 | 0:00:36 | |
and welcome to the Quite Interesting world of Kitsch, | 0:00:36 | 0:00:39 | |
where tonight everything is in the worst possible taste. | 0:00:39 | 0:00:43 | |
Let's meet those '70s icons, | 0:00:43 | 0:00:46 | |
the girl off the Athena tennis poster, Sue Perkins. | 0:00:46 | 0:00:50 | |
APPLAUSE | 0:00:50 | 0:00:53 | |
And complete with medallion and chest wig, it's Reginald D Hunter. | 0:00:55 | 0:01:01 | |
APPLAUSE | 0:01:01 | 0:01:03 | |
Our man on the water bed in black satin pyjamas, Jimmy Carr. | 0:01:06 | 0:01:11 | |
That is a troubling image. | 0:01:13 | 0:01:14 | |
And not really giving a flying duck, Alan Davies. | 0:01:16 | 0:01:20 | |
Thank you very much. | 0:01:20 | 0:01:21 | |
CHEERING AND APPLAUSE | 0:01:21 | 0:01:25 | |
Now, if you want to avail yourself of my avocado bathroom en-suite | 0:01:25 | 0:01:30 | |
with all the trimmings, all you have to do is call. | 0:01:30 | 0:01:33 | |
-Sue goes... -DING-DONG! | 0:01:33 | 0:01:36 | |
-Reginald goes... -THEME FROM "THE STING" | 0:01:36 | 0:01:41 | |
-Jimmy goes... -CAR HORN PLAYS "LA CUCARACHA" | 0:01:41 | 0:01:45 | |
-Brilliant. -And Alan goes... -QUACK QUACK | 0:01:45 | 0:01:48 | |
There we are. | 0:01:48 | 0:01:50 | |
So, here's a load of old tat that includes | 0:01:50 | 0:01:55 | |
everything but the kitsch sink. | 0:01:55 | 0:01:57 | |
Have a look. | 0:01:57 | 0:01:58 | |
LOUNGE MUSIC PLAYS | 0:01:58 | 0:01:59 | |
A flowery chair. | 0:01:59 | 0:02:01 | |
A cute balloon. | 0:02:01 | 0:02:04 | |
A Tiffany lamp. | 0:02:04 | 0:02:06 | |
And a donkey cigarette dispenser. | 0:02:06 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:12 | |
Now, which is kitsch? | 0:02:12 | 0:02:14 | |
See, I don't know where kitsch becomes tacky, | 0:02:14 | 0:02:16 | |
there's a sort of hinterland, isn't there? | 0:02:16 | 0:02:18 | |
Hmm. We're going, unusually for QI, by dictionary definition. | 0:02:18 | 0:02:22 | |
It's a quality, something that a kitsch thing must have | 0:02:22 | 0:02:25 | |
-in order to be kitsch. -Ubiquity? -No. -Popular? -Ordinary? | 0:02:25 | 0:02:29 | |
Ordinary. Worthless. | 0:02:29 | 0:02:31 | |
-Yes. -Worthless. -It would be that chair, wouldn't it? | 0:02:31 | 0:02:33 | |
Well, the Tiffany lamps, I saw a Tiffany lamp in a store, | 0:02:33 | 0:02:36 | |
in the Kings Road, and I thought, "Oh, it's kind of | 0:02:36 | 0:02:38 | |
"a kitschy kind of thing, but it's all right." | 0:02:38 | 0:02:40 | |
And it was like 80 grand or something ludicrous. | 0:02:40 | 0:02:42 | |
-Oh, yes. -So you bought it! -They sold a very... | 0:02:42 | 0:02:44 | |
-So I bought three. -Yes, quite. | 0:02:44 | 0:02:46 | |
There was one from the 1890s that was sold for 2.8 million. | 0:02:47 | 0:02:52 | |
They are far from worthless, the originals. | 0:02:52 | 0:02:54 | |
But as you know, there are many imitations, which would, | 0:02:54 | 0:02:57 | |
I suppose, count as kitsch, because essentially | 0:02:57 | 0:03:00 | |
it's a stained-glass Art Nouveau lamp, with a bronze fitting. | 0:03:00 | 0:03:04 | |
2.8 million and then you can just very easily knock it over, | 0:03:04 | 0:03:07 | |
-can't you? -That would be... | 0:03:07 | 0:03:09 | |
Just come in pissed and you'd knock it over. | 0:03:09 | 0:03:11 | |
But that's true of Ming china, I suppose, as well. | 0:03:11 | 0:03:14 | |
So what about the balloon animal, is that...? | 0:03:14 | 0:03:16 | |
Is that not the one, that's not a balloon animal, is it? | 0:03:16 | 0:03:19 | |
That is... What's the guy called? | 0:03:19 | 0:03:21 | |
-The American artist. -The Pop Art guy. -Yes. | 0:03:21 | 0:03:23 | |
The guy who makes...who was dating La Cicciolina, Jeff Koons, is it? | 0:03:23 | 0:03:26 | |
Jeff Koons is the right answer, | 0:03:26 | 0:03:28 | |
and his work goes for a huge amount of money, vast. | 0:03:28 | 0:03:31 | |
I mean, one of his pieces went for 38 million. | 0:03:31 | 0:03:35 | |
It really did look like a dog. | 0:03:35 | 0:03:37 | |
Yes, he just does stuff that is kitsch in every sense, | 0:03:37 | 0:03:42 | |
but the worthless sense. | 0:03:42 | 0:03:44 | |
Now, the chintz armchair. | 0:03:44 | 0:03:47 | |
Chintz has become somewhat unfashionable, | 0:03:47 | 0:03:49 | |
but when it first arrived from - do you know where it first came from? | 0:03:49 | 0:03:53 | |
Bournemouth. | 0:03:53 | 0:03:54 | |
-LAUGHTER -Originally... I think it comes from John Lewis. | 0:03:55 | 0:03:58 | |
Let's move a little bit away. | 0:04:00 | 0:04:01 | |
-China. -India is the answer. | 0:04:01 | 0:04:03 | |
-Oh. -It arrived as early as the 1680s in Europe, | 0:04:03 | 0:04:06 | |
and was so successful and so remarkably popular | 0:04:06 | 0:04:11 | |
that in the court of Versailles, Louis declared | 0:04:11 | 0:04:14 | |
that it should be illegal everywhere, except in his court. | 0:04:14 | 0:04:17 | |
because it was ruining the French textile industry. | 0:04:17 | 0:04:20 | |
And the same happened in Britain in 1720 - all chintz was banned | 0:04:20 | 0:04:24 | |
because our own weavers were going out of business, | 0:04:24 | 0:04:26 | |
because it was considered such a luxury item. | 0:04:26 | 0:04:29 | |
So there's a chintz chair. | 0:04:29 | 0:04:30 | |
And finally we had on our conveyor belt, this lovely object here. | 0:04:30 | 0:04:35 | |
-Oh, my God, you're so lucky! -Oh, I want that! | 0:04:35 | 0:04:38 | |
You put...yeah, out comes a cigarette. | 0:04:38 | 0:04:40 | |
-Wouldn't want to smoke it though. -It poos a cigarette. | 0:04:40 | 0:04:42 | |
I think, instead of going, | 0:04:42 | 0:04:44 | |
"Oh, we're going to get rid of all cigarette advertising," | 0:04:44 | 0:04:46 | |
-I think they should say they all come out of donkeys' arses. -Yes! | 0:04:46 | 0:04:50 | |
This would be kitsch, because it's worthless. | 0:04:50 | 0:04:53 | |
Well, it's £6. | 0:04:53 | 0:04:54 | |
And it's pretty kitsch, to be honest, isn't it? | 0:04:54 | 0:04:57 | |
I like it. I'll buy it for a fiver. | 0:04:57 | 0:04:59 | |
-It's yours. -Oh, you are a darling. -There, yours to cut out and keep. | 0:04:59 | 0:05:02 | |
Hello! | 0:05:02 | 0:05:03 | |
LAUGHTER | 0:05:03 | 0:05:05 | |
Isn't anything coming out there? | 0:05:05 | 0:05:06 | |
Get off! He's just prolapsed! | 0:05:06 | 0:05:08 | |
You've prolapsed my donkey! | 0:05:08 | 0:05:10 | |
-Did you just finger her ass? -Yes. | 0:05:10 | 0:05:13 | |
-I literally did. -LAUGHTER AND APPLAUSE | 0:05:13 | 0:05:15 | |
Well, you're not to. | 0:05:18 | 0:05:19 | |
Yeah. I'm putting that away from your roaming anal fingers. | 0:05:19 | 0:05:24 | |
So, let's look at some things that may or may not be kitsch, | 0:05:25 | 0:05:30 | |
like the fluffy dice. | 0:05:30 | 0:05:31 | |
I like the way we can go from like heavy, you know, | 0:05:31 | 0:05:34 | |
obscure depthful meaning words to donkeys' ass-holes in the same... | 0:05:34 | 0:05:37 | |
That's what we like to think of as the QI difference. | 0:05:37 | 0:05:40 | |
-Uh-huh. Range. -Fluffy dice. Is there a word for that? | 0:05:40 | 0:05:44 | |
-Tacky is the word I would probably use. Is that wrong of me? -Yeah. | 0:05:44 | 0:05:47 | |
But they're used ironically now, aren't they? | 0:05:47 | 0:05:49 | |
That's what's so interesting. | 0:05:49 | 0:05:50 | |
When they first came out, it would have been a tacky thing to have | 0:05:50 | 0:05:53 | |
in your Cortina in the late '70s, and now it's an ironic thing. | 0:05:53 | 0:05:55 | |
Ditto those things behind me that are also on the screen, lava lamps. | 0:05:55 | 0:05:59 | |
-Yeah. -And those... -I've got a lava lamp. | 0:05:59 | 0:06:01 | |
-Have you? -Yeah. | 0:06:01 | 0:06:02 | |
Excellent. And the word one tends to use of that is? | 0:06:02 | 0:06:05 | |
Arsehole? | 0:06:05 | 0:06:07 | |
LAUGHTER | 0:06:07 | 0:06:08 | |
Hippy. | 0:06:08 | 0:06:09 | |
I was going to suggest retro. | 0:06:09 | 0:06:11 | |
Oh, sorry. | 0:06:11 | 0:06:12 | |
-QUACK QUACK Retro. -Yeah. | 0:06:12 | 0:06:16 | |
-So, have you got any of these, Reg? -Any of...? No. | 0:06:18 | 0:06:21 | |
In fact, I can say safely that I've never had any of those things. | 0:06:21 | 0:06:24 | |
Not one? No gnomes in your garden? | 0:06:24 | 0:06:27 | |
-No, man. -Are they kitsch, or just...? | 0:06:27 | 0:06:29 | |
-They're, again, postmodern ironic now, aren't they? -Yes, they are. | 0:06:29 | 0:06:33 | |
Gnomes seem to suggests something, | 0:06:33 | 0:06:35 | |
and I don't know what they suggest, but I know for years | 0:06:35 | 0:06:37 | |
when people see gnomes, they go, "Oh, you've got a gnome." | 0:06:37 | 0:06:39 | |
and you're like, "What does that mean?" | 0:06:39 | 0:06:41 | |
"Oh, man, ha-ha-ha!" And you don't know what that means. | 0:06:41 | 0:06:44 | |
Do Americans have gnomes in their gardens? | 0:06:45 | 0:06:47 | |
-I mean the fake ones, right? -Yes. Yeah, obviously. | 0:06:47 | 0:06:50 | |
I don't know whether... | 0:06:54 | 0:06:55 | |
Sometimes you see them and you don't know if it's like | 0:06:55 | 0:06:59 | |
-an Irish offshoot or something, or... -Yes. | 0:06:59 | 0:07:01 | |
On the end there, that doll with the, er... | 0:07:01 | 0:07:03 | |
Do you know what that is? | 0:07:03 | 0:07:06 | |
Well, my aunt had one and it was supposed to obscure the fact | 0:07:06 | 0:07:09 | |
that you are a person who owns toilet paper. | 0:07:09 | 0:07:11 | |
That's it, explained, well done. It is indeed. | 0:07:11 | 0:07:14 | |
-You're not that type of person. -No, I don't. | 0:07:14 | 0:07:16 | |
I don't have a bottom and I don't push things out of it every day | 0:07:16 | 0:07:18 | |
and therefore I would have no need | 0:07:18 | 0:07:21 | |
for any sort of paper to wipe that residue. | 0:07:21 | 0:07:23 | |
The donkey shit pusher would have been horrified. | 0:07:23 | 0:07:25 | |
So kitsch is really in the eye of the beholder. | 0:07:28 | 0:07:31 | |
Now, stop me now when you know what I'm talking about. | 0:07:31 | 0:07:33 | |
Originally made out of shower curtains, | 0:07:33 | 0:07:35 | |
could be used as wallpaper, works as a burglar alarm, | 0:07:35 | 0:07:38 | |
prevents sweaty toilet syndrome, | 0:07:38 | 0:07:41 | |
covered Farrah Fawcett when she modelled for Playboy, | 0:07:41 | 0:07:43 | |
good for stress relief and wraps things up so they don't break. | 0:07:43 | 0:07:49 | |
Nylon. Lino. | 0:07:49 | 0:07:50 | |
What was the toilet syndrome? | 0:07:50 | 0:07:52 | |
don't worry about that, that's quite hard to guess. | 0:07:52 | 0:07:55 | |
-Rubber? -It wraps things up and... | 0:07:55 | 0:07:57 | |
-Plastic, cellophane? -Cling film. | 0:07:57 | 0:07:58 | |
-CAR HORN -Bubble wrap. -Bubble wrap! Yes. | 0:07:58 | 0:08:01 | |
APPLAUSE | 0:08:01 | 0:08:03 | |
I'll tell you a few things about bubble wrap. | 0:08:03 | 0:08:05 | |
It was invented in... Guess what year it was invented. | 0:08:05 | 0:08:08 | |
-1947. -It was 1957, in 1957 by Alfred Fielding and Marc Chavannes, | 0:08:08 | 0:08:14 | |
who put two shower curtains together hoping to find some use for it, | 0:08:14 | 0:08:18 | |
and it wasn't until they... | 0:08:18 | 0:08:19 | |
-What?! -That's how they invented it?! | 0:08:19 | 0:08:22 | |
That's a crazy shot in the dark, isn't it? | 0:08:22 | 0:08:25 | |
I'm just going to put a couple of pencils together | 0:08:25 | 0:08:27 | |
and see if we come up with anything. | 0:08:27 | 0:08:30 | |
-Does this... What? -They were clearly covering the bed... | 0:08:30 | 0:08:33 | |
-Yeah. -..to protect the mattress... -Oh, now! They thought it... | 0:08:33 | 0:08:36 | |
..and as they lay there, they heard, pop pop pop! | 0:08:36 | 0:08:39 | |
"Was that you?" "No, it wasn't me." "We might be on to something here." | 0:08:39 | 0:08:43 | |
Must be the shower curtains. | 0:08:43 | 0:08:44 | |
They thought it could be sold as wallpaper, it didn't work. | 0:08:44 | 0:08:47 | |
Nor did greenhouse insulation, which they also used it for. | 0:08:47 | 0:08:50 | |
And it wasn't until 1960, three years later, | 0:08:50 | 0:08:52 | |
they hit on the idea of wrapping up components for IBM. | 0:08:52 | 0:08:55 | |
And, since then, the Sealed Air Corporation | 0:08:55 | 0:08:57 | |
now makes enough every year to encircle the world ten times. | 0:08:57 | 0:09:00 | |
That's pretty impressive, isn't it? | 0:09:00 | 0:09:02 | |
That's good if we ever have to send the world anywhere. | 0:09:02 | 0:09:04 | |
Unfortunately, you'd send it Royal Mail | 0:09:05 | 0:09:07 | |
and it would get lost, so... | 0:09:07 | 0:09:09 | |
The thing about that is, where does it all go then? | 0:09:09 | 0:09:12 | |
Because it just goes in the bin, doesn't it, bubble wrap? | 0:09:12 | 0:09:15 | |
-Once you've popped it. -Or you sit in front of the telly relieving yourself. | 0:09:15 | 0:09:20 | |
LAUGHTER | 0:09:20 | 0:09:23 | |
You know what I mean. | 0:09:24 | 0:09:27 | |
Yes. | 0:09:27 | 0:09:28 | |
But let's get back to the bubble wrap. | 0:09:28 | 0:09:31 | |
If you put it in the bin, where does it all go? | 0:09:33 | 0:09:35 | |
It goes in that sort of whirlpool, between...in Hawaii. | 0:09:35 | 0:09:38 | |
-Oh, the great Pacific gyre. -Yeah. -The size of Texas. | 0:09:38 | 0:09:41 | |
That vast eddy which is full of bin liners. | 0:09:41 | 0:09:44 | |
The sweaty toilet thing, you stick it inside of a cistern, | 0:09:44 | 0:09:47 | |
because in hot tropical countries, | 0:09:47 | 0:09:49 | |
the toilet cistern sweats and it apparently cures that. | 0:09:49 | 0:09:53 | |
Now, I've got this little test for you. Here we are. | 0:09:53 | 0:09:57 | |
And, with any luck, the audience might have some bubble wrap, too. | 0:09:57 | 0:10:00 | |
They're waving their bubble wrap. Thank you, audience. | 0:10:00 | 0:10:03 | |
Do not pop it. This is a really important exercise. | 0:10:03 | 0:10:06 | |
-What do you mean don't pop it? -Don't pop it, do not... No! | 0:10:06 | 0:10:09 | |
No! No! This is really important. | 0:10:09 | 0:10:12 | |
-Why? -OK. -No problem. -Why not though? | 0:10:12 | 0:10:14 | |
This is a test of your worthiness. Don't pop it yet. | 0:10:14 | 0:10:16 | |
One of mine's already popped, I didn't do it. | 0:10:16 | 0:10:18 | |
That's all right, as long as you didn't, | 0:10:18 | 0:10:20 | |
because in 2013, a group of Yale psychologists, | 0:10:20 | 0:10:23 | |
they found another use for bubble wrap, | 0:10:23 | 0:10:25 | |
which was to measure aggression, all right? | 0:10:25 | 0:10:28 | |
They showed pictures of "cute" animals, all right? | 0:10:28 | 0:10:32 | |
-Ooh! -Oh, now, now, wait, wait, wait. | 0:10:32 | 0:10:35 | |
-Oh, the two little chicks! -Ooh! -Stop it. | 0:10:35 | 0:10:37 | |
People were told to pop bubble wrap as they watched. | 0:10:37 | 0:10:41 | |
They thought that it was a test for their motor activity and memory. | 0:10:41 | 0:10:44 | |
But in fact it was a test for what's called "cute aggression". | 0:10:44 | 0:10:48 | |
If you see something very cute, you start popping more and more. | 0:10:48 | 0:10:51 | |
Not because they wanted to hurt the animals, but because they were | 0:10:51 | 0:10:53 | |
frustrated at not being able to touch them and cuddle them. | 0:10:53 | 0:10:56 | |
And this is called cute aggression. | 0:10:56 | 0:10:59 | |
It's when you kind of go, "Oooh!" like that. | 0:10:59 | 0:11:02 | |
So, audience, hold your bubble wrap, | 0:11:02 | 0:11:04 | |
we're going to show you some very cute animals and it's all up to you. | 0:11:04 | 0:11:08 | |
Let's start with the cuteness. | 0:11:08 | 0:11:10 | |
-Oh, dear! -That's not. Come on, that's not that cute. | 0:11:10 | 0:11:14 | |
-Oh, it is. -He looks sort of dead. | 0:11:14 | 0:11:17 | |
He's not that cute, yeah, I think he's been shot. | 0:11:17 | 0:11:20 | |
-Oh! That's horrible. -He does look like he's been shot. | 0:11:20 | 0:11:24 | |
Oh, the blue-eyed one! | 0:11:24 | 0:11:26 | |
No, not that cute, not worth a pop. | 0:11:26 | 0:11:28 | |
THEY ALL POP BUBBLES | 0:11:30 | 0:11:32 | |
-You did it! -Definitely. | 0:11:32 | 0:11:35 | |
Yeah, that's getting quite a few pops. | 0:11:35 | 0:11:37 | |
-Look at his little eye. -No, I'm not gone yet. | 0:11:37 | 0:11:40 | |
I want a dog and then I'm going to pop my load. | 0:11:40 | 0:11:43 | |
That's the first time I've heard that phrase since last night. | 0:11:43 | 0:11:47 | |
-Oh, there... -Oh! | 0:11:48 | 0:11:49 | |
-That's pretty cute. -That was the last one. | 0:11:49 | 0:11:51 | |
Not cute, ginger. | 0:11:51 | 0:11:53 | |
All right. You can put away your bubble wrap now. | 0:11:56 | 0:11:59 | |
That kitten is basically saying, | 0:11:59 | 0:12:01 | |
"Help me, they're about to close the lid on this box." | 0:12:01 | 0:12:04 | |
-He's probably the Schrodinger's cat. -Yeah, he is. | 0:12:04 | 0:12:06 | |
-He's about to do the experiment. -I'm not going to exist in a minute. | 0:12:06 | 0:12:09 | |
You may like to know that the last Monday in January | 0:12:09 | 0:12:12 | |
is Bubble Wrap Awareness Day. | 0:12:12 | 0:12:14 | |
-Oh, good. -It's the appreciation of bubble wrap day. | 0:12:14 | 0:12:16 | |
-That's in my diary. -I'm sure they have a website. -Yeah. -They must do. | 0:12:16 | 0:12:20 | |
And Rhett Allain of Wired magazine calculated that you need | 0:12:20 | 0:12:23 | |
to wrap yourself in 39 layers of bubble wrap | 0:12:23 | 0:12:28 | |
in order to survive falling out of a sixth floor window. | 0:12:28 | 0:12:32 | |
-DEADPAN VOICE: -Oh, please, don't try that at home. | 0:12:32 | 0:12:35 | |
-So... -Because you don't have a six-storey house? | 0:12:37 | 0:12:40 | |
-It may be that. -So if you wrapped yourself in bubble wrap six times, | 0:12:40 | 0:12:44 | |
-you could jump out of a building and you'd be... -No, 39 times. | 0:12:44 | 0:12:47 | |
-39. -Oh, thank God we clarified! -Yeah. | 0:12:47 | 0:12:50 | |
LAUGHTER | 0:12:50 | 0:12:52 | |
-So you're going to go up to the sixth storey of your house... -Yeah. | 0:12:52 | 0:12:55 | |
I'm going up to the 39th storey and wrapping myself six times. | 0:12:55 | 0:12:59 | |
Which, by my calculations, I should be fine. | 0:12:59 | 0:13:02 | |
Anyway, so, here are tonight's specials. | 0:13:04 | 0:13:07 | |
There we are. | 0:13:08 | 0:13:10 | |
See if you can read that. They're on the board, as well. | 0:13:10 | 0:13:13 | |
Plats du jour. Sea kittens. | 0:13:13 | 0:13:15 | |
-Sea kittens. -Sea kittens is a madey-uppy phrase, | 0:13:15 | 0:13:18 | |
by people who don't want us to eat fish. | 0:13:18 | 0:13:20 | |
Oh, so they try to make us go into a bubble wrap mode, | 0:13:20 | 0:13:23 | |
by calling it sea kitten instead of cod. | 0:13:23 | 0:13:25 | |
So that would be a group of people who are very against anything | 0:13:25 | 0:13:28 | |
to do with any kind of aggression or beastliness to animals. | 0:13:28 | 0:13:31 | |
-Vegans. -Which would be vegetarians. | 0:13:31 | 0:13:33 | |
No, an actual specific organisation. | 0:13:33 | 0:13:35 | |
-PETA? -PETA, or... -PETA is the right answer. | 0:13:35 | 0:13:38 | |
The People's... Oh, what is it? | 0:13:38 | 0:13:39 | |
Something for Ethical Treatment of Animals. | 0:13:39 | 0:13:42 | |
Something for Ethical Treatment of Animals. | 0:13:42 | 0:13:44 | |
People for the Ethical Treatment of Animals. I assume. | 0:13:44 | 0:13:47 | |
And so they thought that if they called all fish sea kittens, | 0:13:47 | 0:13:51 | |
people would say, "I wouldn't want to put a hook in a sea kitten." | 0:13:51 | 0:13:54 | |
-So that was the idea. -A lake puppy. | 0:13:54 | 0:13:56 | |
I think, if anything, it would make me want to try kittens. | 0:13:56 | 0:13:59 | |
And we've also got Nymphs of Dawn. | 0:14:00 | 0:14:02 | |
-Nymphs of the Golden Dawn. -I know one thing there. | 0:14:02 | 0:14:05 | |
-Yes, go on? -I've certainly had the Nymphs of the Golden Dawn. | 0:14:05 | 0:14:07 | |
-Which are Nymphs of the Golden Dawn? -Which are they? -Yes. | 0:14:07 | 0:14:10 | |
Are they oysters? | 0:14:10 | 0:14:12 | |
-They're not oysters, no. -Then I was mis-sold! | 0:14:12 | 0:14:14 | |
They were first served for the Prince of Wales... | 0:14:14 | 0:14:17 | |
-Sounds like a strip club. -..in 1908. | 0:14:17 | 0:14:20 | |
They were served for the Prince of Wales in 1908, | 0:14:21 | 0:14:23 | |
who would have been the future George V. | 0:14:23 | 0:14:26 | |
They were actually a creation of one of the great chefs, | 0:14:26 | 0:14:29 | |
-or THE great chef, really, of the 19th... -Auguste Escoffier. | 0:14:29 | 0:14:32 | |
Very well said. | 0:14:32 | 0:14:34 | |
And he persuaded the British to eat this dish, specifically | 0:14:34 | 0:14:37 | |
the Prince of Wales, by calling it Cuisses de Nymphes de l'Aurore! | 0:14:37 | 0:14:43 | |
Thighs of the nymphs of dawn. | 0:14:43 | 0:14:45 | |
-Frogs' legs. -Yeah. -Frogs' legs is the right answer. | 0:14:45 | 0:14:48 | |
And there's a picture of frogs' legs. | 0:14:48 | 0:14:50 | |
And they are now a standard dish, which people eat very happily. | 0:14:50 | 0:14:53 | |
Tastes like chicken, as everything does that you're a bit scared of. | 0:14:53 | 0:14:57 | |
We've got a couple left. Mendip Wallfish. | 0:14:57 | 0:15:00 | |
Is that what PETA calls kittens, so we wouldn't harm them? | 0:15:00 | 0:15:04 | |
No, where are the Mendips? | 0:15:04 | 0:15:06 | |
Is it between your bum and your testicles? | 0:15:06 | 0:15:08 | |
LAUGHTER | 0:15:08 | 0:15:10 | |
Mendips, men dip. | 0:15:13 | 0:15:14 | |
Are they sort of Gloucester area? | 0:15:14 | 0:15:16 | |
-A bit further south, yes, Somerset. -Somerset. | 0:15:16 | 0:15:18 | |
Like the Quantocks. The Mendip Hills. | 0:15:18 | 0:15:20 | |
-I know where my Quantocks are. -Yes, they all sound rude, | 0:15:20 | 0:15:22 | |
don't they, like the Trossachs? | 0:15:22 | 0:15:24 | |
But this was served in the Miners' Arms in Priddy in Somerset. | 0:15:24 | 0:15:27 | |
And they served it as Mendip Wallfish because, | 0:15:27 | 0:15:30 | |
like frogs' legs, | 0:15:30 | 0:15:31 | |
it's one of those things that British people tend to go yuk! | 0:15:31 | 0:15:34 | |
-Snails. -Snails? -Snails is the right answer. Somerset snails. | 0:15:34 | 0:15:37 | |
And it's a Mendip Wallfish. | 0:15:37 | 0:15:39 | |
Rocky Mountain Oysters, I think are testicles. | 0:15:39 | 0:15:43 | |
You're absolutely right, bulls' testicles, can be sheep or pigs. | 0:15:43 | 0:15:46 | |
-They're prairie oysters. Yeah. -Prairie oysters, yeah. | 0:15:46 | 0:15:48 | |
Also called prairie oysters. | 0:15:48 | 0:15:50 | |
There are lots of names for them, some of which are quite amusing. | 0:15:50 | 0:15:53 | |
-Ball sack. -How did you get that photo? | 0:15:53 | 0:15:56 | |
They're pretty good, aren't they? They're called Cowboy Caviar... | 0:15:59 | 0:16:02 | |
-Oh, God! -..Montana Tender Groins... | 0:16:02 | 0:16:05 | |
I had that once. | 0:16:06 | 0:16:08 | |
..Dusted Nuts, Bull Fries... | 0:16:08 | 0:16:10 | |
Dusted Nuts is quite on the nose, isn't it? | 0:16:10 | 0:16:13 | |
Plate of knackers. | 0:16:13 | 0:16:15 | |
-Bull's bollocks. -Yeah. | 0:16:17 | 0:16:18 | |
-Bull fries. -Cream of bollock soup. | 0:16:18 | 0:16:21 | |
-Wow! -They're also called Swinging Beef. | 0:16:23 | 0:16:25 | |
Which is a good title for them. | 0:16:25 | 0:16:27 | |
Swinging Beef is what I'm calling my autobiography. | 0:16:27 | 0:16:29 | |
Or they're sometimes called criadillas or huevos de toro, | 0:16:31 | 0:16:34 | |
-which is... -Huevos de toro. -Huevos de toro is bull's eggs. Yeah. | 0:16:34 | 0:16:38 | |
What are they called in English? | 0:16:38 | 0:16:40 | |
-Plums on a plate. -Very good. -It's not sweetbreads... | 0:16:40 | 0:16:44 | |
-Sweetmeat. -Sweetbread. That's the thymus gland, isn't it? | 0:16:44 | 0:16:47 | |
-You're very right. -It's pancreas. -Spot on. | 0:16:47 | 0:16:49 | |
The pancreas or the thymus gland is sweetbreads. | 0:16:49 | 0:16:52 | |
The testicles are sweetmeats. Very good. | 0:16:52 | 0:16:55 | |
We found our way through those unusual foods. | 0:16:55 | 0:16:57 | |
Now, I'll put the blackboard away, and it's time to ask you this. | 0:16:57 | 0:17:01 | |
What is Kaninhoppning? | 0:17:01 | 0:17:03 | |
Kanin is, I think may be related to the English word "coney". | 0:17:03 | 0:17:08 | |
-Does that help? -Rabbit, like a... -Rabbit. -OK. -So rabbit hoppning. | 0:17:08 | 0:17:11 | |
So hopping like a bunny. Bunny hopping. | 0:17:11 | 0:17:13 | |
Hopping like a bunny, but it's a sport. | 0:17:13 | 0:17:15 | |
-Rabbit. -Oh, for sure it is. -Show jumping. | 0:17:15 | 0:17:17 | |
Show jumping for rabbits is the right answer. | 0:17:17 | 0:17:21 | |
-LAUGHTER AND APPLAUSE -Sure, sure. | 0:17:21 | 0:17:23 | |
Ahh! | 0:17:25 | 0:17:27 | |
-Argh! -POPPING | 0:17:28 | 0:17:31 | |
-It's not that big a sport in Britain... -Cute. | 0:17:31 | 0:17:33 | |
..but in Denmark and the Scandiwegian countries | 0:17:33 | 0:17:36 | |
they take it pretty seriously, | 0:17:36 | 0:17:37 | |
and they have world records and championships and... | 0:17:37 | 0:17:40 | |
Who's winning? Who's the current world champion? | 0:17:40 | 0:17:42 | |
Well, I can tell you the world record holder for the long jump | 0:17:42 | 0:17:46 | |
is Yaboo, who is Danish. | 0:17:46 | 0:17:48 | |
-Three metres. -With Flopsy a close second. | 0:17:48 | 0:17:51 | |
Tosen has the high jump record, at 99.5 centimetres. | 0:17:51 | 0:17:55 | |
They haven't yet broken the metre, on the high jump. | 0:17:55 | 0:17:58 | |
But there are nearly a thousand rabbit show jumpers in Sweden alone. | 0:17:58 | 0:18:02 | |
And the sport is also practised in the UK, Denmark and the US. | 0:18:02 | 0:18:05 | |
And Lisbeth Jansson has written two books about the sport. | 0:18:05 | 0:18:09 | |
Do they dope test them afterwards? | 0:18:09 | 0:18:11 | |
She does say that the sport will allow a rabbit to live | 0:18:12 | 0:18:15 | |
twice as long, up to 10 or 12 years, | 0:18:15 | 0:18:18 | |
as compared to the average five years that one in a hutch will live. | 0:18:18 | 0:18:22 | |
Yeah. It's very important to take care of your rabbit properly, | 0:18:22 | 0:18:25 | |
you've got to bathe them in hot water with potatoes and onions. | 0:18:25 | 0:18:29 | |
Oh, now! | 0:18:29 | 0:18:30 | |
Let's have some footage of some working show jumping. | 0:18:30 | 0:18:33 | |
-Large footage. -Here they go. -Sure, OK. | 0:18:33 | 0:18:36 | |
Oh, cute. Oh, it's cute! | 0:18:36 | 0:18:37 | |
Oh, I can't bear it. | 0:18:39 | 0:18:41 | |
That's a big one. Oh! | 0:18:42 | 0:18:44 | |
Oh, he's going to refuse. No, he's up. | 0:18:44 | 0:18:46 | |
-Oh! -Just shattered now. | 0:18:47 | 0:18:48 | |
Over he goes! | 0:18:50 | 0:18:52 | |
-Oh, he's had enough. -And a final little one. Bravo! | 0:18:53 | 0:18:55 | |
APPLAUSE | 0:18:55 | 0:18:57 | |
Well, as you could see, they weren't being led, the human is not allowed | 0:19:00 | 0:19:03 | |
to get ahead of the rabbit, or that's a forfeit. | 0:19:03 | 0:19:06 | |
So the rabbit has to lead the human, | 0:19:06 | 0:19:07 | |
I don't know if you noticed in that footage. | 0:19:07 | 0:19:09 | |
The human was just behind. | 0:19:09 | 0:19:11 | |
OK, so, solve this one for me, will you, please? | 0:19:11 | 0:19:14 | |
-I'm going to give you all muddled-up... -Oh, doom! | 0:19:14 | 0:19:18 | |
-Can you do these? Oh, there we go. -It smacks of bullying at school. | 0:19:18 | 0:19:21 | |
-Bullying at school? -Yeah, anyone who couldn't do this got bullied. | 0:19:21 | 0:19:24 | |
How many combinations do you think there are? | 0:19:24 | 0:19:26 | |
-I think there's... -Too many for my small brain. | 0:19:26 | 0:19:29 | |
-It's actually 40... -One thousand. -43.25 quintillion. | 0:19:29 | 0:19:32 | |
Shall I tell you how we did it in Croydon? We just picked them off. | 0:19:32 | 0:19:35 | |
-There you go. -Wahey! Jimmy's done it. | 0:19:35 | 0:19:38 | |
APPLAUSE | 0:19:38 | 0:19:40 | |
Alan! | 0:19:40 | 0:19:41 | |
Alan, you're so close. Oh, you almost had it. | 0:19:41 | 0:19:44 | |
-No, no, I've forgotten... -You've messed it up. | 0:19:44 | 0:19:47 | |
-Oh! -Just start picking them off. | 0:19:47 | 0:19:49 | |
Do you know what's completely tragic? | 0:19:49 | 0:19:51 | |
We told Jimmy and Alan how to do it with six moves. | 0:19:51 | 0:19:55 | |
Jimmy remembered, but Alan, unfortunately... | 0:19:55 | 0:19:58 | |
Oh, he's done it! Have you? Yay! | 0:19:59 | 0:20:02 | |
APPLAUSE | 0:20:02 | 0:20:04 | |
Any luck, Reginald? | 0:20:05 | 0:20:07 | |
Well, I didn't receive that instruction. | 0:20:07 | 0:20:10 | |
-You didn't get the benefit... -You and me, exactly. | 0:20:10 | 0:20:12 | |
-It was unfair on you two. -It's fun. | 0:20:12 | 0:20:14 | |
-It is fun, isn't it? -It just brought back a lot of bad school memories. | 0:20:14 | 0:20:17 | |
I was obsessed with them in the '80s. | 0:20:17 | 0:20:19 | |
As I say, it is a staggering number. | 0:20:19 | 0:20:22 | |
It is more possible combinations | 0:20:22 | 0:20:23 | |
-than light travels inches in a century. -God! | 0:20:23 | 0:20:27 | |
There's the number up on the screen, | 0:20:27 | 0:20:29 | |
it is such a huge number. it's inconceivably vast. | 0:20:29 | 0:20:32 | |
But you can make it impossible, do you know how to do that? | 0:20:32 | 0:20:35 | |
Take the stickers off? | 0:20:35 | 0:20:36 | |
Yeah, you sort of replace the stickers one with the other, | 0:20:36 | 0:20:38 | |
so that it's actually never do-able, which would drive people insane. | 0:20:38 | 0:20:42 | |
-But there are these. -The other way you can make it impossible | 0:20:42 | 0:20:45 | |
is to break someone's fingers. | 0:20:45 | 0:20:46 | |
-Yeah, really nice. -They'll come and shove a bone in your face. | 0:20:46 | 0:20:49 | |
There's the 4 x 4, and you can imagine | 0:20:49 | 0:20:51 | |
the combinations are even more gigantic. | 0:20:51 | 0:20:53 | |
It's probably 8 or 9, I imagine. | 0:20:53 | 0:20:55 | |
In 2010, which is quite a long time after the Rubik Cube became popular, | 0:20:55 | 0:20:58 | |
science and computing finally came up with the minimum | 0:20:58 | 0:21:02 | |
number of moves from any combination that it takes to solve the cube. | 0:21:02 | 0:21:05 | |
Can you imagine how many that might be? | 0:21:05 | 0:21:08 | |
-I bet it's 12. -19. -Six. -It's 20. | 0:21:08 | 0:21:10 | |
It's called God's number and it's just extraordinary. | 0:21:10 | 0:21:14 | |
You say you were obsessed when you were a child. | 0:21:14 | 0:21:16 | |
-Under pressure, can we see if you can do it now? -Oh, gosh! | 0:21:16 | 0:21:19 | |
-Come on, under pressure. -I can do the first two rows, but that's it. | 0:21:19 | 0:21:22 | |
-That's pretty messed up. -Oh, God! -OK, come on. | 0:21:22 | 0:21:25 | |
-Look, look... -You're on the clock. | 0:21:25 | 0:21:26 | |
We've got a lot of time ahead of us, | 0:21:26 | 0:21:28 | |
I've got to decide which colours... All right, so that's going to be... | 0:21:28 | 0:21:31 | |
We need a backing track for this really. This needs... | 0:21:31 | 0:21:34 | |
Let's get green and... | 0:21:34 | 0:21:36 | |
-SUE HUMS A TUNE -Oh, stop it! | 0:21:36 | 0:21:38 | |
Um... Oh, stop, stop! | 0:21:38 | 0:21:41 | |
-CONTINUES HUMMING -You are being so unkind. | 0:21:41 | 0:21:45 | |
And you're out of time and I've had a birthday. | 0:21:45 | 0:21:48 | |
Stop it. Blue goes there. | 0:21:48 | 0:21:50 | |
-We could do one of those fade out, fade in... -Yellow goes there. | 0:21:50 | 0:21:53 | |
Let's get some beers. Can we get some beers? | 0:21:53 | 0:21:55 | |
-Yeah, some time later, yeah, yeah. -Stop it. | 0:21:55 | 0:21:58 | |
Right, so I've got all the middle ones here. | 0:21:58 | 0:22:01 | |
Now we do the corners. | 0:22:01 | 0:22:02 | |
Might kick back, go to the bar, come back in a couple of hours. | 0:22:02 | 0:22:05 | |
That's it, so I've got those four there and those two middle ones. | 0:22:05 | 0:22:09 | |
You should be able to do it within 20 moves, Stephen. | 0:22:09 | 0:22:11 | |
Yeah, I know that! | 0:22:11 | 0:22:13 | |
-But I can't. -It's God's number, you know. | 0:22:13 | 0:22:16 | |
Yeah, don't be mean to me. | 0:22:16 | 0:22:18 | |
-It takes an atheist a lot longer. -Yeah. | 0:22:18 | 0:22:21 | |
Anyway, there's the first layer. Yeah. Thank you. | 0:22:23 | 0:22:27 | |
-APPLAUSE -That's pretty impressive. | 0:22:27 | 0:22:29 | |
It gets quicker after that, but anyway... | 0:22:29 | 0:22:32 | |
So, there's your Rubik's Cube. | 0:22:32 | 0:22:33 | |
Now, I'd like to take a picture as a memento of this lovely evening. | 0:22:33 | 0:22:38 | |
-LAUGHTER -Oh, they're in love. | 0:22:41 | 0:22:44 | |
What, what...? | 0:22:44 | 0:22:46 | |
Reg, it was a fantastic weekend we spent. What? | 0:22:46 | 0:22:49 | |
-That mohair look is working for you. -Yeah, it really is. | 0:22:49 | 0:22:52 | |
-That softer knit. Sexy. -Reggie takes Jimmy to Georgia. | 0:22:52 | 0:22:55 | |
That's so disturbing, in so many ways. | 0:22:55 | 0:22:57 | |
Oh, there you are. Oh, don't you look lovely! | 0:22:58 | 0:23:01 | |
-Yeah. -There we are. Now, what's the quickest way to develop it? | 0:23:03 | 0:23:06 | |
-What should I do to develop it? -Shake it, shake it, baby. | 0:23:06 | 0:23:09 | |
-HOOTER -Oh! -Oh, Sue! | 0:23:09 | 0:23:13 | |
Oh, no, I'm a buffoon. | 0:23:13 | 0:23:14 | |
The quickest way to develop it is to take it to Boots, the chemist. | 0:23:14 | 0:23:18 | |
No, it isn't. That would take a lot longer. | 0:23:18 | 0:23:20 | |
It's quicker to do an oil painting. | 0:23:20 | 0:23:22 | |
It does take a bit of time. Let's have you two, as well. | 0:23:22 | 0:23:25 | |
Smile. Aaah. That's so cute. | 0:23:25 | 0:23:28 | |
Now, what they used to do, the old pros, when they took | 0:23:31 | 0:23:34 | |
photographs with proper film, they used to do a little Polaroid first. | 0:23:34 | 0:23:38 | |
Oh, yeah, always do a Polaroid first. | 0:23:38 | 0:23:40 | |
-They used to put it under their arms. -Their arse cheeks usually. | 0:23:40 | 0:23:42 | |
I'm sorry? Arse cheeks?! Fair enough. | 0:23:42 | 0:23:46 | |
We had different photographers. | 0:23:46 | 0:23:48 | |
I think Polaroids, it's sort of a slippery slope, though, | 0:23:49 | 0:23:52 | |
-because photography used to be... -Between your arse cheeks, go on. | 0:23:52 | 0:23:55 | |
It used to be you went on holiday, took photos, then you got back. | 0:23:55 | 0:23:57 | |
Don't shake it. | 0:23:57 | 0:23:58 | |
You went to the chemist, put them in, and it took a week. | 0:23:58 | 0:24:01 | |
LAUGHTER | 0:24:01 | 0:24:05 | |
I want to see that shot. | 0:24:07 | 0:24:08 | |
I didn't realise you were pulling that face, Reg. | 0:24:09 | 0:24:12 | |
-I didn't realise you was pulling your face. -Nothing. | 0:24:14 | 0:24:16 | |
What I'm saying is, you used to get photos from a holiday, | 0:24:16 | 0:24:19 | |
the last two shots were of the dog, because you hadn't taken enough, | 0:24:19 | 0:24:22 | |
then you'd go to the chemist, then you'd remember the holiday. | 0:24:22 | 0:24:25 | |
-Now we reminisce instantly and it's ruined it. -It's true. | 0:24:25 | 0:24:28 | |
You go, "Oh, look at us, we were so young four minutes ago." | 0:24:28 | 0:24:31 | |
And you go to one of those rock gigs, where people perform, | 0:24:31 | 0:24:35 | |
and everybody watches them through their cameras, | 0:24:35 | 0:24:38 | |
-instead of watching the real people. -I like that. | 0:24:38 | 0:24:40 | |
When I do a stand-up show, someone will be taping it on their phone. | 0:24:40 | 0:24:44 | |
As if like, "Now is not a good for me." | 0:24:44 | 0:24:46 | |
I'm going to take this and enjoy it later on in this supreme quality. | 0:24:46 | 0:24:50 | |
-They just can't enjoy the moment. -It's so bizarre. | 0:24:50 | 0:24:52 | |
You used to get your pictures back | 0:24:52 | 0:24:53 | |
-and they'd have a sticker on sometimes, wouldn't they? -Yes. | 0:24:53 | 0:24:56 | |
Saying, "This picture is shit." | 0:24:56 | 0:24:58 | |
-Those old disc cameras. -Or this picture has been sent to the police. | 0:25:00 | 0:25:04 | |
A copy of it. | 0:25:04 | 0:25:05 | |
Well, can you tell me who invented the Polaroid photograph? | 0:25:05 | 0:25:08 | |
-Do you remember his name? -Mr Roid. | 0:25:08 | 0:25:11 | |
-He had a brother named Haemor. -Very good. | 0:25:11 | 0:25:14 | |
Was it Eastman or Kodak or...? | 0:25:16 | 0:25:18 | |
It wasn't Eastman or Kodak, no. | 0:25:18 | 0:25:20 | |
"Fuji!" | 0:25:20 | 0:25:21 | |
No, it wasn't Fuji. | 0:25:21 | 0:25:24 | |
Land, his name was Land, was his name. | 0:25:24 | 0:25:27 | |
And he made polarised sunglasses | 0:25:27 | 0:25:28 | |
and that's why he called it Polaroid. | 0:25:28 | 0:25:31 | |
-There he is, Mr Land. -"I feel the need!" | 0:25:31 | 0:25:33 | |
I feel the need for speed. Indeed. | 0:25:33 | 0:25:35 | |
-Oh, you can ride my tail any time. -Yeah. -Yeah. | 0:25:35 | 0:25:38 | |
And then the Polaroid camera was launched in 1948. | 0:25:38 | 0:25:41 | |
Because the company was already called Polaroid, | 0:25:41 | 0:25:43 | |
he called it a Polaroid camera. | 0:25:43 | 0:25:44 | |
It used to be Polaroids were always a bit grimy, weren't they? | 0:25:44 | 0:25:47 | |
-Absolutely. -If you ever found a box of Polaroids in your parents' room, | 0:25:47 | 0:25:50 | |
-it was worth leaving those alone. -Hello! | 0:25:50 | 0:25:53 | |
That's a mental scarring right there. | 0:25:53 | 0:25:56 | |
-Oh, years of... -Hang on, what's that? Oh, no! | 0:25:56 | 0:25:59 | |
Well, anyway, the point is, | 0:26:00 | 0:26:02 | |
shaking a Polaroid had no effect on how quickly it developed. | 0:26:02 | 0:26:05 | |
And lastly, to wrap up our kitsch-fest, here's some karaoke. | 0:26:05 | 0:26:11 | |
What is the world's most dangerous song? | 0:26:11 | 0:26:14 | |
Is this the song that's playing most often during traffic accidents? | 0:26:14 | 0:26:18 | |
No, it's not that, this really is a karaoke issue, | 0:26:18 | 0:26:20 | |
-at least six people in the Philippines... -My Way. | 0:26:20 | 0:26:22 | |
-..have been murdered for singing? -My Way. -My Way! | 0:26:22 | 0:26:25 | |
-Exactly. -Sorry, murdered for singing My Way? -Yes. | 0:26:25 | 0:26:28 | |
What, because they didn't do it right? They did it their way! | 0:26:28 | 0:26:32 | |
They murdered My Way and were murdered as a result. | 0:26:33 | 0:26:35 | |
So singing, "And now the end is nigh..." | 0:26:35 | 0:26:38 | |
-Yeah, exactly. "At last I face the final curt..." -Argh! | 0:26:38 | 0:26:42 | |
But in Thailand, the song to be wary of is even more dangerous. | 0:26:42 | 0:26:45 | |
In 2008 a gunman shot dead eight of his neighbours | 0:26:45 | 0:26:49 | |
after becoming enraged at the noise from karaoke parties, | 0:26:49 | 0:26:52 | |
at which they sang this American song, by a good old mountain boy. | 0:26:52 | 0:26:57 | |
From West Virginia, Take Me Home... | 0:26:57 | 0:27:00 | |
-Oh, John Denver. -Yes, that's it, Take Me Home, Country Roads | 0:27:00 | 0:27:03 | |
became the song that killed eight people. | 0:27:03 | 0:27:06 | |
-And thus they were taken home. -Thus they were taken home, exactly. | 0:27:06 | 0:27:09 | |
Most people credit the invention of karaoke to a Japanese fellow | 0:27:09 | 0:27:12 | |
-called Daisuke Inoue in 1971. -Oh, he's to blame. | 0:27:12 | 0:27:15 | |
Well, yes, but he didn't make any money out of it whatsoever. | 0:27:15 | 0:27:18 | |
But he has patented a cockroach killer which is specifically | 0:27:18 | 0:27:22 | |
designed to kill cockroaches that live in karaoke machines. | 0:27:22 | 0:27:25 | |
-Presumably by playing them Peter Andre. -Yes, presumably. | 0:27:27 | 0:27:31 | |
Well, you'll be excited to know that we come now to the scores, | 0:27:31 | 0:27:34 | |
and how fascinating they are. | 0:27:34 | 0:27:38 | |
In first place, with a towering plus 9, is Jimmy Carr. | 0:27:39 | 0:27:43 | |
Oh, come on! | 0:27:43 | 0:27:45 | |
Yes! Finally. I've never won this before, it's brilliant. | 0:27:45 | 0:27:48 | |
APPLAUSE | 0:27:48 | 0:27:51 | |
In second place, with a very impressive plus 6, | 0:27:51 | 0:27:57 | |
is Alan Davies! | 0:27:57 | 0:27:59 | |
-APPLAUSE AND CHEERING -Wow! | 0:27:59 | 0:28:03 | |
In third place, with a highly respectable zero, | 0:28:05 | 0:28:09 | |
is Reginald D Hunter. | 0:28:09 | 0:28:11 | |
APPLAUSE | 0:28:11 | 0:28:14 | |
And I'm afraid sweeping up the dead karaoke cockroaches tonight, | 0:28:16 | 0:28:20 | |
with minus 8, is Sue Perkins. | 0:28:20 | 0:28:22 | |
APPLAUSE | 0:28:22 | 0:28:25 | |
My thanks to Sue, Jimmy, Reginald and Alan, and goodnight. | 0:28:29 | 0:28:33 |