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APPLAUSE | 0:00:23 | 0:00:28 | |
Goooood evening, good evening, good evening, good evening | 0:00:28 | 0:00:33 | |
and welcome to QI. | 0:00:33 | 0:00:36 | |
Where will this get me? | 0:00:36 | 0:00:38 | |
I'm going to find my broom, here. | 0:00:38 | 0:00:40 | |
If I were to move my hands together like this, what would happen? | 0:00:40 | 0:00:44 | |
Whether I did this one a bit more than that one, | 0:00:44 | 0:00:46 | |
or that one a bit more than that one. What would happen, at the end? When my hands met. | 0:00:46 | 0:00:50 | |
-The heavy end would fall down. -No. | 0:00:50 | 0:00:52 | |
-Shut up! -Extraordinary, when you do this, | 0:00:52 | 0:00:54 | |
you will always find it meets at the centre of gravity. | 0:00:54 | 0:00:58 | |
-Always. -Oh! | 0:00:58 | 0:00:59 | |
Because the resistance from the heavy end slows... | 0:00:59 | 0:01:02 | |
Yeah, exactly, so as long as you're just sort of doing it without thinking, you know, | 0:01:02 | 0:01:05 | |
it just meets up like that. And it balances. | 0:01:05 | 0:01:07 | |
It doesn't actually look a very natural implement in your hand, Stephen. | 0:01:07 | 0:01:11 | |
Try it, you've all got... No. But you've got one. | 0:01:11 | 0:01:14 | |
-Maybe it'll look more natural in yours. -Yeah, I am a drudge. | 0:01:14 | 0:01:17 | |
-You can ride it home tonight. -Here we go. | 0:01:17 | 0:01:21 | |
You've all got one, so try it. | 0:01:21 | 0:01:23 | |
Obviously... | 0:01:23 | 0:01:25 | |
-His fell apart! -Everybody except Alan. Now try properly. | 0:01:25 | 0:01:29 | |
Obviously the left hand won't move as far as the right one. | 0:01:29 | 0:01:33 | |
DANNY: Mine's not going at all. What? Oh, no, it's... | 0:01:33 | 0:01:36 | |
Is it working for you, Marcus? Please God! | 0:01:36 | 0:01:38 | |
-Yeah, yeah, yeah, yeah, no... -Jo isn't even trying. -It does, it does. | 0:01:38 | 0:01:41 | |
-Ah, there you go. -I can tell you, there are women all over the country going, | 0:01:41 | 0:01:45 | |
"look at the silly bastards, we've got to clean the floor with it." | 0:01:45 | 0:01:48 | |
-DANNY: Oh man, this is... -I've been trying this all afternoon and I can't make it do anything else. -No! | 0:01:48 | 0:01:52 | |
It's like, it's got the Uri Geller touch about it, it's just... | 0:01:52 | 0:01:56 | |
-Aaaah, cool! -That is bizarre. -Aaah! | 0:01:56 | 0:01:59 | |
-Well, that's really disappointing. -This one's Kate Moss. | 0:01:59 | 0:02:03 | |
Yeah, baby. | 0:02:03 | 0:02:04 | |
I'm completely astounded. We're all very disappointed. | 0:02:04 | 0:02:08 | |
Every single person who's tried this... | 0:02:08 | 0:02:11 | |
Is there any money in doing it wrong? | 0:02:11 | 0:02:13 | |
LAUGHTER | 0:02:13 | 0:02:16 | |
APPLAUSE | 0:02:16 | 0:02:19 | |
-It's just like... I'm not doing it on purpose, I promise I'm not... -Close your eyes. -Look at that! | 0:02:19 | 0:02:24 | |
There, that's good. You've found the centre of gravity perfectly, there. | 0:02:24 | 0:02:27 | |
-Last time, last time, last time. Last time. It's level, yes? -Yeah. | 0:02:29 | 0:02:32 | |
Level. It's going, I can feel it's going... | 0:02:32 | 0:02:36 | |
-Aah! -Hurray! | 0:02:36 | 0:02:38 | |
Phew! | 0:02:38 | 0:02:40 | |
Didn't Muhammad Ali say that, didn't he? | 0:02:41 | 0:02:43 | |
He said he was so fast he could get into bed before the light went off. | 0:02:43 | 0:02:46 | |
-Yeah, and I think someone said, "just get a bedside light." -Yeah, exactly. | 0:02:46 | 0:02:51 | |
Or just one of those ones. CLAPS HANDS | 0:02:51 | 0:02:52 | |
And then you can clap when you're in bed and who doesn't like that? | 0:02:52 | 0:02:55 | |
BILL: Ah, yes, but that's very interesting then, | 0:02:55 | 0:02:57 | |
-cos then, you see, the sound... -You've just turned the camera off. -What? | 0:02:57 | 0:03:00 | |
You've just turned the camera off, could you do two? | 0:03:00 | 0:03:03 | |
Could you do two, now? | 0:03:03 | 0:03:05 | |
-Thank you. -LAUGHTER | 0:03:05 | 0:03:08 | |
We use the same system, we didn't expect anybody to clap. | 0:03:08 | 0:03:11 | |
-What? What just happened? -You turned the camera off by clapping. | 0:03:11 | 0:03:14 | |
Just the whole universe, just... POWER DOWN NOISE | 0:03:14 | 0:03:17 | |
-Yeah. -And... POWER UP NOISE. | 0:03:17 | 0:03:19 | |
Yeah, and you're back again now. That's it. Don't clap though. | 0:03:19 | 0:03:22 | |
POWERING UP: What... NORMAL SPEED: ..would happen...? | 0:03:22 | 0:03:26 | |
-If? -No, I was just saying, it was rhetorical. -Oh, I see. | 0:03:26 | 0:03:30 | |
I was just saying... | 0:03:30 | 0:03:32 | |
There's a question. What would happen, Stephen? Discuss. | 0:03:32 | 0:03:35 | |
-Yes. "Let's see whose house it is." -"It is." | 0:03:35 | 0:03:40 | |
Now, that's interesting. | 0:03:40 | 0:03:41 | |
Why do you think you can balance it with the centre of gravity so high? | 0:03:41 | 0:03:46 | |
-Cos we know where the centre of gravity is. -Because I'm a genius! | 0:03:46 | 0:03:49 | |
-LAUGHTER -Yes. That's right. | 0:03:49 | 0:03:52 | |
But if you try and do that from the bottom end, but not grasping the brushes, | 0:03:52 | 0:03:55 | |
literally just balancing on your palm, it'll just fall over. | 0:03:55 | 0:03:58 | |
You mustn't grasp it. | 0:03:58 | 0:04:00 | |
-LAUGHTER -Like that? | 0:04:01 | 0:04:04 | |
-Hello. Hello. That's really good, actually. -Yes. | 0:04:04 | 0:04:08 | |
I'm just going to rip... | 0:04:08 | 0:04:10 | |
I think the show's broom techy might need a word after the programme. | 0:04:10 | 0:04:14 | |
APPLAUSE | 0:04:14 | 0:04:16 | |
Has anyone ever tested to see how quickly asparagus makes your wee smell? | 0:04:21 | 0:04:25 | |
Oh, that's... It's amazingly quick. But there are some people to whom that doesn't have the effect. | 0:04:25 | 0:04:29 | |
Just as some people have their pee going red when they eat beetroot and other people don't. | 0:04:29 | 0:04:33 | |
-I don't go red when I've had beetroot. -I don't. -Oh, God no, no not pee. | 0:04:33 | 0:04:36 | |
-What are you talking about? -Have you never had the disaster? | 0:04:36 | 0:04:39 | |
What, do you mean? Other juice? | 0:04:39 | 0:04:41 | |
Oh, no, again, we're back on shitting, but I was having | 0:04:41 | 0:04:44 | |
a poo one morning and turned round and it was bright red. | 0:04:44 | 0:04:47 | |
And I just thought, "well, that's it, that's arse cancer." | 0:04:47 | 0:04:50 | |
-Arse cancer! -And I'm history. | 0:04:50 | 0:04:52 | |
And so I thought, "well fair enough, you know, I've had a great life. | 0:04:52 | 0:04:55 | |
-"I've had a great life, and just relax." -Yeah. Yeah. | 0:04:55 | 0:04:58 | |
And so this went on for several days and each morning, bright red. | 0:04:58 | 0:05:03 | |
-Bright red? -Yeah. Beetroot. | 0:05:03 | 0:05:05 | |
Yeah. | 0:05:05 | 0:05:06 | |
-You shouldn't put them there. -Beetroot stains. But the relief. | 0:05:06 | 0:05:09 | |
LAUGHTER | 0:05:09 | 0:05:11 | |
But what would...? I mean, if you just thought, "Oh, that's it." | 0:05:11 | 0:05:14 | |
And then you just go on a bender for five days. | 0:05:14 | 0:05:18 | |
-Ha ha! Phone up all your ex girlfriends. -I did. | 0:05:18 | 0:05:20 | |
-Three days I didn't tell anyone, I was a bit weepy. -Oh, really? | 0:05:20 | 0:05:22 | |
And then mentioned it to somebody who said, | 0:05:22 | 0:05:24 | |
"No, have you been eating beetroot?" And I had, I'd bought a load of beetroot salad and that was it. | 0:05:24 | 0:05:29 | |
I had a very similar experience, and I went, "Oh, my God! I'm an alien." | 0:05:29 | 0:05:34 | |
So I then phoned the doctor and they go, | 0:05:34 | 0:05:37 | |
"Oh, you'd better bring a sample in." | 0:05:37 | 0:05:39 | |
So got a sample in a jar and went into the doctor's, | 0:05:39 | 0:05:42 | |
obviously keeping it out of sight, | 0:05:42 | 0:05:45 | |
and went up to the desk and they said, "Name?" | 0:05:45 | 0:05:50 | |
And you know, "B Bailey," like that. | 0:05:50 | 0:05:52 | |
And they said, "What's it for?" And I went, | 0:05:52 | 0:05:55 | |
QUIETLY: "It's an abnormal bowel movement," like that. | 0:05:55 | 0:05:58 | |
And they went, "No, what's the initial for?" And I went, "Oh, Christ!" | 0:05:58 | 0:06:02 | |
LAUGHTER | 0:06:02 | 0:06:04 | |
You didn't hear that! | 0:06:04 | 0:06:06 | |
Now, everyone knows what knees, knuckles and kidneys are, | 0:06:08 | 0:06:11 | |
but what's the point of these less familiar K-parts of the body? | 0:06:11 | 0:06:15 | |
Kiesselbach's plexus. The valves of Kerckring. The end-bulbs of Krause. | 0:06:15 | 0:06:21 | |
The pores of Kohn. | 0:06:21 | 0:06:23 | |
That is the best nickname for someone's balls ever. | 0:06:23 | 0:06:25 | |
Behold the End-Bulbs of Krause! | 0:06:26 | 0:06:29 | |
Kneel before the End-Bulbs of Krause. | 0:06:31 | 0:06:33 | |
Kneel before them. | 0:06:33 | 0:06:35 | |
Are these not all Star Trek movies? | 0:06:35 | 0:06:37 | |
-No, I know, it does, doesn't it? Star Trek 19. -Down the years. | 0:06:37 | 0:06:40 | |
The Valves of Kerckring. Kiesselbach's Plexus. | 0:06:40 | 0:06:43 | |
They are magnificent names. | 0:06:43 | 0:06:44 | |
They are all parts of the human anatomy. | 0:06:44 | 0:06:47 | |
The Pores of Kohn. | 0:06:47 | 0:06:48 | |
-The bell ends of... -No, we're going to come to the bell ends, Alan. | 0:06:48 | 0:06:51 | |
Wait for the bell ends. | 0:06:51 | 0:06:52 | |
They will come, but the Pores of Kohn... | 0:06:52 | 0:06:55 | |
LAUGHTER | 0:06:55 | 0:06:56 | |
I don't know what's going to come out. | 0:07:01 | 0:07:03 | |
I never know what's going to issue from me. | 0:07:05 | 0:07:08 | |
It's another ring tone, I can't wait. | 0:07:08 | 0:07:10 | |
That is Twitter in a nut shell. | 0:07:13 | 0:07:15 | |
I'm so sorry. | 0:07:15 | 0:07:16 | |
Who gave Moses the horn? | 0:07:17 | 0:07:19 | |
-BUZZER -Yes, Jimmy? | 0:07:21 | 0:07:23 | |
His wife, Joan of Arc. | 0:07:23 | 0:07:25 | |
And that is a joke from Bill and Ted's Big Adventure. | 0:07:25 | 0:07:28 | |
That would be... That was Noah. | 0:07:28 | 0:07:30 | |
-Noah's wife was... -Oh, who was it? | 0:07:30 | 0:07:32 | |
-Moses. -Oh, well, wrong Biblical... | 0:07:32 | 0:07:34 | |
-Wrong patriarch. I'm no expert in this area. -Was there a horn of plenty? | 0:07:34 | 0:07:37 | |
-Is it a horn of plenty? -No, it isn't. | 0:07:37 | 0:07:39 | |
Do you happen to know which saint was the first to translate | 0:07:39 | 0:07:42 | |
the Bible into Latin? | 0:07:42 | 0:07:44 | |
Was it Saint Lee? | 0:07:44 | 0:07:47 | |
No, I like that. He was saintly, but no, | 0:07:47 | 0:07:50 | |
you either know this or you don't. It was Saint Jerome. | 0:07:50 | 0:07:53 | |
And he made a few elementary errors. | 0:07:53 | 0:07:56 | |
I don't know if we have anyone in the audience called Karen? | 0:07:56 | 0:07:59 | |
-Do we have anyone called Karen? -MAN: Yeah. | 0:07:59 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:03 | |
Very good, very good. | 0:08:03 | 0:08:04 | |
But if there is a real Karen in the audience, you will know, | 0:08:04 | 0:08:07 | |
probably, that your name means "rain of light" in Hebrew. | 0:08:07 | 0:08:10 | |
But also the same word in Hebrew can mean "horn". | 0:08:10 | 0:08:15 | |
And so St Jerome chose to take the meaning that Moses got down | 0:08:15 | 0:08:18 | |
the mountain with horns instead of with shining radiant light. | 0:08:18 | 0:08:23 | |
And so many artists, including Michelangelo, | 0:08:23 | 0:08:25 | |
represented Moses as having horns. There is Michelangelo's... | 0:08:25 | 0:08:28 | |
Classic Angelo. | 0:08:28 | 0:08:30 | |
Anyway, Moses wasn't so much horny, he was more sort of shiny. So... | 0:08:31 | 0:08:36 | |
What about these, then? Let me see, the end-bulbs of Krause. | 0:08:37 | 0:08:41 | |
The helmet. | 0:08:41 | 0:08:43 | |
We have them on the genitalia in mulberry-like clusters, | 0:08:43 | 0:08:46 | |
-as a matter of fact. -Mulberry-like clusters? | 0:08:46 | 0:08:48 | |
We have a lot of them on the genitals. | 0:08:48 | 0:08:50 | |
The little funny bits on the... | 0:08:50 | 0:08:51 | |
Pimple bits on the...on the right, that are all... | 0:08:51 | 0:08:54 | |
LAUGHTER | 0:08:54 | 0:08:55 | |
Don't do that! | 0:08:55 | 0:08:58 | |
They're those bits, there. | 0:08:58 | 0:09:00 | |
-It's up there. -These middle bits. | 0:09:00 | 0:09:02 | |
-On that, and that's... -Those middle bits there and there. -Here. | 0:09:02 | 0:09:06 | |
You know when you take it out to go to the loo, right? | 0:09:07 | 0:09:10 | |
And then you get the winch down. | 0:09:10 | 0:09:12 | |
-Stop it. -I have to take a step ladder to go to the loo. | 0:09:12 | 0:09:15 | |
Behave. No, they're smaller than that, | 0:09:15 | 0:09:17 | |
-but they are incredibly sensitive to a particular condition. -A lady. | 0:09:17 | 0:09:20 | |
To what, ladies? | 0:09:20 | 0:09:22 | |
To a particular lady. | 0:09:22 | 0:09:24 | |
A particular lady. No. | 0:09:24 | 0:09:25 | |
We also have them all over the skin, but they are very concentrated on the genitalia, | 0:09:25 | 0:09:29 | |
particularly the male genitalia are very sensitive to the...your swinging... | 0:09:29 | 0:09:33 | |
-Don't do that! -What did he do? | 0:09:33 | 0:09:35 | |
-Are you having a look? -Is that cheating? -Yes. | 0:09:35 | 0:09:38 | |
You have a special isolated camera above you, | 0:09:38 | 0:09:40 | |
-I just thought I'd warn you. -Oh, really? | 0:09:40 | 0:09:43 | |
-Well, I do. Anyway... -Sorry Colin. | 0:09:43 | 0:09:46 | |
While we're in playful mood, I have one of my knick-knacks to show you. | 0:09:46 | 0:09:50 | |
-ALL: Oooh! -Yes. | 0:09:50 | 0:09:52 | |
Now this, the great Lord Kelvin, in the 1890s, | 0:09:52 | 0:09:55 | |
was wandering along a beach with a friend, Hugh Blackburn, | 0:09:55 | 0:09:58 | |
who was a mathematician, and they found a pebble | 0:09:58 | 0:10:00 | |
and a surface on which to spin it, and they found it had | 0:10:00 | 0:10:03 | |
a peculiar property, not unlike this, which is called a Tippe Top. | 0:10:03 | 0:10:06 | |
And you give it a spin... | 0:10:06 | 0:10:08 | |
Ooh! | 0:10:08 | 0:10:09 | |
It turns upside down. | 0:10:09 | 0:10:12 | |
Now, what you sort of don't notice is that it's still going clockwise, | 0:10:12 | 0:10:15 | |
-but it's upside down, so it has reversed the direction of spin. -Oh. | 0:10:15 | 0:10:18 | |
Ah. | 0:10:18 | 0:10:19 | |
And engineers and mathematicians like Bohr | 0:10:19 | 0:10:21 | |
and Pauli were fascinated by this. | 0:10:21 | 0:10:24 | |
And it is quite fun. You can have a go. | 0:10:24 | 0:10:25 | |
That's what makes... There, you'll... | 0:10:25 | 0:10:27 | |
We can show you some VT of it being done properly by one of our elves, | 0:10:32 | 0:10:35 | |
and you can see a slightly better spin there. | 0:10:35 | 0:10:38 | |
It keeps its... | 0:10:38 | 0:10:40 | |
So this is about, you know where they were saying... | 0:10:40 | 0:10:42 | |
And it's still going... Sorry. | 0:10:42 | 0:10:44 | |
Where they were saying that the earth axis is going to change, | 0:10:44 | 0:10:47 | |
and that north's going to be south, it's much like this. | 0:10:47 | 0:10:50 | |
-Sorry, Liza, is the world going to turn upside down? -Apparently so. | 0:10:50 | 0:10:53 | |
That's the first anyone's told me. | 0:10:53 | 0:10:55 | |
The magnetic fields will close. We know that they will swop. | 0:10:55 | 0:10:57 | |
-Soon? -Tuesday. It's happening on Tuesday. | 0:10:57 | 0:11:01 | |
I have some snuff for you to try, in different flavours. | 0:11:02 | 0:11:06 | |
You can see whether the lid is lying or not. | 0:11:06 | 0:11:09 | |
Arrgh! | 0:11:09 | 0:11:10 | |
In special QI lids. You can take it if you want. | 0:11:10 | 0:11:13 | |
You obviously inhale it up the nose. | 0:11:13 | 0:11:15 | |
-You do it all, right? -Oh! | 0:11:15 | 0:11:18 | |
You're going to spill... | 0:11:18 | 0:11:19 | |
Don't do it all, no. It's very sharp. | 0:11:19 | 0:11:22 | |
-HAAA! -It is, it's sharp. | 0:11:22 | 0:11:23 | |
Nothing. Nothing. | 0:11:27 | 0:11:29 | |
LAUGHTER | 0:11:29 | 0:11:30 | |
Oh, really! No! | 0:11:30 | 0:11:34 | |
Nothing. | 0:11:34 | 0:11:35 | |
Oh, you're licking it. | 0:11:35 | 0:11:37 | |
-OOOOH! -On the gums. | 0:11:37 | 0:11:39 | |
Oh, a moustache. | 0:11:39 | 0:11:41 | |
It is quite sharp. | 0:11:41 | 0:11:43 | |
You've had a go. What's your flavour, Alan? | 0:11:43 | 0:11:45 | |
It says Christmas Pudding. | 0:11:45 | 0:11:48 | |
You've got Christmas Pudding. | 0:11:48 | 0:11:50 | |
The only time I've had a... | 0:11:50 | 0:11:51 | |
LAUGHTER | 0:11:51 | 0:11:53 | |
Ross Noble! | 0:11:53 | 0:11:54 | |
Honestly, it's fine, it's good, put it in your eyes. | 0:11:54 | 0:11:57 | |
It's good. | 0:11:57 | 0:11:58 | |
This is probably the only time my nan's going to watch me | 0:12:03 | 0:12:05 | |
on telly and I'll be like that the whole show. | 0:12:05 | 0:12:08 | |
What do you reckon, Colin? | 0:12:09 | 0:12:11 | |
Oh, that is the... This flavour says Kitty Litter. | 0:12:11 | 0:12:15 | |
LAUGHTER | 0:12:15 | 0:12:18 | |
That is awful! | 0:12:18 | 0:12:20 | |
You're not a fan? | 0:12:20 | 0:12:21 | |
I'm not a fan. It says Champagne. | 0:12:21 | 0:12:23 | |
Yeah, they're different. There are so many, I mean hundreds, | 0:12:23 | 0:12:26 | |
thousands of different flavours or sorts, as they're called. | 0:12:26 | 0:12:29 | |
-Ugh! -What does yours say on the lid, Noel? | 0:12:29 | 0:12:31 | |
-What flavour? -Yeah. -Jealousy. | 0:12:31 | 0:12:33 | |
-By Calvin Klein. -Whisky And Honey. | 0:12:34 | 0:12:37 | |
-Whisky And Honey. Does it taste...? Yours, Ross? -No, not really. | 0:12:37 | 0:12:39 | |
-When you've come down? -I can't see! | 0:12:39 | 0:12:42 | |
It could say anything. | 0:12:42 | 0:12:45 | |
-Noel will read it to you. -Who's talking to me?! | 0:12:46 | 0:12:48 | |
Your flavour's Madness. | 0:12:48 | 0:12:51 | |
The problem is, it makes your snot brown, | 0:12:51 | 0:12:54 | |
so there are snuff handkerchiefs, brown silk handkerchiefs | 0:12:54 | 0:12:56 | |
or dark-coloured silk handkerchiefs. But you'll see, you'll get a... | 0:12:56 | 0:13:00 | |
-HE SNORTS -It'll look as if you've wiped your arse, I'm afraid. | 0:13:00 | 0:13:05 | |
ALL: Ugh! | 0:13:05 | 0:13:06 | |
That, from here, looks like the Turin Shroud. | 0:13:08 | 0:13:11 | |
I can see the face of our Lord! | 0:13:12 | 0:13:14 | |
Even though you know it's snuff, you're like, "Urggh!" | 0:13:19 | 0:13:23 | |
-Even though, exactly. -"He's shat in his hanky!" | 0:13:23 | 0:13:26 | |
Now, let's test your beer goggles, as it were. | 0:13:28 | 0:13:31 | |
A man in the audience is going to hold up a picture | 0:13:31 | 0:13:33 | |
-and I want you to tell me who's that of? -Marilyn Monroe. | 0:13:33 | 0:13:35 | |
Marilyn Monroe, yeah, you can see the picture behind it there, | 0:13:35 | 0:13:38 | |
Marilyn Monroe. | 0:13:38 | 0:13:39 | |
Now, Sam, walk towards us, if you'd be kind enough. | 0:13:39 | 0:13:42 | |
I don't think it... I wouldn't, I think... | 0:13:42 | 0:13:45 | |
It's supposed to look like her, but I'm suspicious. | 0:13:45 | 0:13:47 | |
-Albert Einstein. -Albert Einstein. | 0:13:47 | 0:13:50 | |
BRENDAN: Holy crap! | 0:13:50 | 0:13:52 | |
It is, it is rather extraordinary. It's both. | 0:13:52 | 0:13:54 | |
-They're related. -No! | 0:13:54 | 0:13:56 | |
-You would... -Never in the same room, Brendan. | 0:13:56 | 0:13:59 | |
You'd hardly imagine they would be, would you? | 0:13:59 | 0:14:02 | |
I think Marilyn Monroe did have quite a bad facial hair problem. | 0:14:02 | 0:14:06 | |
From a distance the image does look like Marilyn Monroe, because what | 0:14:08 | 0:14:12 | |
they do is, it's created by the MIT, this illusion, the Massachusetts | 0:14:12 | 0:14:16 | |
Institute of Technology, as I'm sure you know, they remove | 0:14:16 | 0:14:20 | |
Marilyn's fine-grained features, like wrinkles and little blemishes, | 0:14:20 | 0:14:23 | |
and they remove Einstein's coarser features, like | 0:14:23 | 0:14:26 | |
the shape of his mouth and nose, and then they superimpose the two. | 0:14:26 | 0:14:29 | |
And from a distance we see just the broader strokes, | 0:14:29 | 0:14:32 | |
we see her, Marilyn Monroe. | 0:14:32 | 0:14:34 | |
And close up we see the fine details of Albert Einstein. | 0:14:34 | 0:14:38 | |
And we've done another version, just to show this really does work. | 0:14:38 | 0:14:41 | |
It's not just Marilyn. Who's that? | 0:14:41 | 0:14:44 | |
BRENDAN: Handsome man. That's Stephen Fry, I know him well. | 0:14:44 | 0:14:47 | |
That's me. That's me! Hurray. And if you come towards us. Hello? | 0:14:47 | 0:14:52 | |
Ah! | 0:14:52 | 0:14:53 | |
Hello? | 0:14:53 | 0:14:54 | |
It's Alan Davies! | 0:14:54 | 0:14:56 | |
Hey! | 0:14:56 | 0:14:58 | |
How about that? | 0:15:00 | 0:15:01 | |
Who is it now? | 0:15:01 | 0:15:02 | |
Oh, yeah, look at that. | 0:15:02 | 0:15:04 | |
Yeah, we have to be that close. That's fantastic. | 0:15:04 | 0:15:07 | |
It is an extraordinary illusion. I hope they've done two of them | 0:15:07 | 0:15:10 | |
-so we can have one each in our bedrooms. -I want one in my house. -What distance do you want it? | 0:15:10 | 0:15:14 | |
I want to be far away from it, Stephen. | 0:15:14 | 0:15:16 | |
-Toss you for it. -Oh! | 0:15:19 | 0:15:22 | |
Sorry. | 0:15:22 | 0:15:24 | |
And I like the fact you can have words, | 0:15:25 | 0:15:27 | |
and they're both good old English words, aren't they? Spigot. | 0:15:27 | 0:15:30 | |
-Spigot. A wonderful word. -Yes. -Say it, Alan. | 0:15:30 | 0:15:33 | |
-We had a Mrs Bigott on our street. -Mrs Bigot, you didn't? | 0:15:33 | 0:15:36 | |
-That was her actual name. -Mrs Bigot? -Mrs Bigot? -Hmm. | 0:15:36 | 0:15:39 | |
-That's fantastic, and was she? -I think it was a double T. -Oh, right, Bigott. | 0:15:39 | 0:15:42 | |
Everyone was a bigot on our street, Stephen. | 0:15:42 | 0:15:44 | |
I knew a person called Mrs Willy and she would say Wiley, | 0:15:45 | 0:15:48 | |
-and it literally was W-I-L-L-Y. -Oh, my God. | 0:15:48 | 0:15:51 | |
-"That's Wiley." -Oh. | 0:15:51 | 0:15:52 | |
-Joan Willy. -Joan Willy. | 0:15:52 | 0:15:55 | |
-We had a Mrs Pennis. -Oh, no! | 0:15:55 | 0:15:58 | |
-P-E-N-I-S? -She had to... N-N. | 0:15:58 | 0:16:01 | |
She had to come out of the phone book in the end. | 0:16:01 | 0:16:03 | |
-Because everybody rang up and said, "Is that Mrs Penis?" -Exactly. | 0:16:03 | 0:16:07 | |
-"I know you boys!" -Yeah. Furious. | 0:16:07 | 0:16:09 | |
-"You kids, pesky varmints." -Yes. | 0:16:09 | 0:16:11 | |
I feel bad I did that now. | 0:16:11 | 0:16:12 | |
-We had a Rosy Balls at school. -Oh! | 0:16:14 | 0:16:16 | |
Congratulations Rosy, if you're watching. | 0:16:18 | 0:16:20 | |
Rosy Balls. | 0:16:20 | 0:16:22 | |
At a clergy conference, I met a Father Christmas. | 0:16:22 | 0:16:24 | |
Oh, how fabulous. | 0:16:24 | 0:16:26 | |
-I've met a Mary Christmas. -A Mary Christmas? -Yeah. | 0:16:26 | 0:16:30 | |
In Sligo, a lovely man called Dita, Dita Christmas, | 0:16:30 | 0:16:33 | |
-and he said, "This is my wife, Mary." -Wow. | 0:16:33 | 0:16:36 | |
And we literally laughed into her face. | 0:16:36 | 0:16:39 | |
Now, who fancies one of my knick-knacks to celebrate | 0:16:41 | 0:16:45 | |
the beauty of chemistry? | 0:16:45 | 0:16:47 | |
I've got a bottle here of alcohol, but this is not drinking alcohol. I'm just going to... | 0:16:47 | 0:16:52 | |
That was full at the start of tonight. | 0:16:52 | 0:16:54 | |
What I'm going to do is, I'm going to make a cloud, | 0:16:54 | 0:16:56 | |
which I think you'll find is rather exciting. | 0:16:56 | 0:16:58 | |
I've got a pump here, and Alan, I'm going | 0:16:58 | 0:17:01 | |
to ask you to pump for me, would you. | 0:17:01 | 0:17:03 | |
-Every Monday. -That's it. | 0:17:03 | 0:17:05 | |
And by doing this I'm just making it evaporate a little, and I'm going | 0:17:05 | 0:17:09 | |
to stick the plunger in as soon as I can, so I don't get too much. | 0:17:09 | 0:17:12 | |
-Now by pumping it in, you're applying pressure to this... There you go. -Shall I pump? | 0:17:12 | 0:17:16 | |
About ten. Two, three, four, five, | 0:17:16 | 0:17:20 | |
six, seven, eight, nine, ten. | 0:17:20 | 0:17:23 | |
-That'll do. -Is it going to blow up? Is it going to explode? | 0:17:23 | 0:17:26 | |
-And... Oh! Cloud. -Oh, look at that. | 0:17:26 | 0:17:28 | |
I've made a cloud. | 0:17:28 | 0:17:30 | |
But...pop it in. | 0:17:30 | 0:17:32 | |
We can now make it disappear. | 0:17:37 | 0:17:38 | |
Gone cloud. | 0:17:41 | 0:17:43 | |
Come back, cloud! | 0:17:43 | 0:17:45 | |
Oh, isn't that exciting. | 0:17:45 | 0:17:49 | |
APPLAUSE | 0:17:49 | 0:17:51 | |
Now what starts with K and is killed by curiosity? | 0:17:51 | 0:17:53 | |
-A kitten. -Oh! | 0:17:53 | 0:17:55 | |
-ALARM BLARES -Oh, no. | 0:17:55 | 0:17:58 | |
I'm sorry. | 0:17:58 | 0:18:00 | |
It's an animal species, but not a cat. | 0:18:00 | 0:18:03 | |
-A lot of these begin with K. -Kangaroo. | 0:18:03 | 0:18:06 | |
-No, but right hemisphere. -Koala. -Again, the right hemisphere, not the right country. | 0:18:06 | 0:18:10 | |
-Kiwi. -Sorry? -Kiwi? -Kiwi. | 0:18:10 | 0:18:12 | |
-The right type of animal. -A kea. | 0:18:12 | 0:18:15 | |
Kea is the right answer. Very good. A kea is? | 0:18:15 | 0:18:17 | |
-A New Zealand parrot. -A flightless bird. | 0:18:17 | 0:18:19 | |
No, it's not flightless in this case, oddly enough, it's a parrot. | 0:18:19 | 0:18:22 | |
And there was a bounty put on them some years ago. | 0:18:22 | 0:18:25 | |
Kea, which as you can see, look quite ravenous - | 0:18:25 | 0:18:27 | |
they look almost like eagles, but they are parrots - would ride | 0:18:27 | 0:18:30 | |
the sheep and peck away at them and eat the fat off the poor sheep. | 0:18:30 | 0:18:34 | |
And so there was a bounty put on their heads | 0:18:34 | 0:18:37 | |
and New Zealanders found keas were very curious animals. | 0:18:37 | 0:18:41 | |
It's partly a result of having grown-up in a country with no | 0:18:41 | 0:18:44 | |
mammals for millions of years. | 0:18:44 | 0:18:46 | |
Anyway, what you do is, you stand behind a rock and wait for a | 0:18:46 | 0:18:50 | |
kea to come along, and then you drop behind the rock and disappear. | 0:18:50 | 0:18:54 | |
And the kea thinks, "That's odd." | 0:18:54 | 0:18:56 | |
And he wanders up and he takes a look over, | 0:18:57 | 0:18:59 | |
and you just, with your club, just go bang, like that. | 0:18:59 | 0:19:03 | |
That's the beauty of it, you've only just started, | 0:19:03 | 0:19:05 | |
because you don't have to move, you put the kea down. | 0:19:05 | 0:19:07 | |
The kea's friend goes, "Where's Kevin?" | 0:19:07 | 0:19:10 | |
Where's Kevin! | 0:19:10 | 0:19:11 | |
-Wanders round like that. -Are they all called Kevin? | 0:19:11 | 0:19:14 | |
And then you drop down again and he goes, "Hello, what happened there? | 0:19:14 | 0:19:17 | |
"There was someone and then there wasn't. How does that happen?" | 0:19:17 | 0:19:19 | |
And he looks over, bash! And then, "Where's Keith?" and then so on. | 0:19:19 | 0:19:23 | |
All the Ks. | 0:19:23 | 0:19:25 | |
And you get a huge swag bag of kea. | 0:19:25 | 0:19:27 | |
Wine doesn't taste as nice in a mug. | 0:19:27 | 0:19:31 | |
Wine, no that's very true. | 0:19:31 | 0:19:32 | |
And I think tea doesn't taste good out of a... | 0:19:32 | 0:19:34 | |
It's because of the amount of air you take in. | 0:19:34 | 0:19:37 | |
-Yes, that's probably true isn't it? -No, no, it IS true, Stephen. -Yes, no, sorry. | 0:19:37 | 0:19:41 | |
It's the thinness of the glass. | 0:19:48 | 0:19:51 | |
It's the amount of air you're taking as you sip. | 0:19:51 | 0:19:53 | |
If you like tea, just make one cup in a glass | 0:19:53 | 0:19:56 | |
and try the tea out of a glass. | 0:19:56 | 0:19:57 | |
-It is divine. -Delicious, you're right. | 0:19:57 | 0:19:59 | |
-Because it minimises... -My wife likes a thin mug. | 0:19:59 | 0:20:02 | |
Well that's your own business, but I'm just saying... | 0:20:02 | 0:20:04 | |
LAUGHTER | 0:20:04 | 0:20:05 | |
-I'd leave if I were you. -I think I'll go. | 0:20:11 | 0:20:14 | |
I'm getting a pummelling off these two. | 0:20:14 | 0:20:16 | |
Sorry, it was, it was... | 0:20:16 | 0:20:17 | |
-But it is due to the air. -Pitch, half volley and then... | 0:20:17 | 0:20:20 | |
Who thought that Fry and Carroll would be a double act? Look at them go! | 0:20:20 | 0:20:24 | |
-Well, that's why they taste wine, they go... -HE SLURPS | 0:20:24 | 0:20:26 | |
-Yeah, to get the... -To maximise the air they get in. -But... | 0:20:26 | 0:20:29 | |
-OPERATIC RING TONE -Is that your phone? | 0:20:29 | 0:20:31 | |
Yes. | 0:20:31 | 0:20:32 | |
It's Heston Blumenthal. | 0:20:40 | 0:20:41 | |
Now it's time for one of my knick-knacks, | 0:20:42 | 0:20:45 | |
-a little scientific experiment. And all I have to do... -ALL: Oooh! | 0:20:45 | 0:20:48 | |
-I know, it's terribly exciting, isn't it, is bring up this. -Ah ha. | 0:20:48 | 0:20:51 | |
I don't know if you can see in here | 0:20:51 | 0:20:53 | |
the tiny little grains of a kind of a little crystalline matter. | 0:20:53 | 0:20:56 | |
And a bottle here. | 0:20:56 | 0:20:58 | |
Salt and vinegar. | 0:20:58 | 0:21:00 | |
It looks like salt and vinegar. Bizarrely, that is what is | 0:21:00 | 0:21:03 | |
used for flavouring salt and vinegar - sodium acetate. | 0:21:03 | 0:21:06 | |
It's got caustic soda and vinegar, which is what makes sodium acetate. | 0:21:06 | 0:21:10 | |
It's then dissolved slowly in water. | 0:21:10 | 0:21:11 | |
It's very unstable - if I shook it, it would instantly crystallise, so I'm going to be careful. | 0:21:11 | 0:21:15 | |
But if you add it to crystals, it also crystallises, | 0:21:15 | 0:21:18 | |
-and I hope to make a dildo for you. -Oh, good. | 0:21:18 | 0:21:21 | |
A dildo just out of this liquid. | 0:21:21 | 0:21:22 | |
I'm going to stand up to do it, if the camera allows me to, because | 0:21:22 | 0:21:25 | |
it needs a steady hand and I need to keep rising as I'm slowly pouring. | 0:21:25 | 0:21:29 | |
It's a bit like making mayonnaise, very slowly adding the oil. | 0:21:29 | 0:21:33 | |
-It's nothing like making mayonnaise. -No, you very slowly... | 0:21:33 | 0:21:36 | |
You're making a phallus. | 0:21:36 | 0:21:39 | |
But in terms of the pouring... | 0:21:39 | 0:21:41 | |
This could ruin Mothers' Day for some people. | 0:21:41 | 0:21:43 | |
I'm just going to slowly pour it. | 0:21:43 | 0:21:44 | |
Can you see there's a tiny bit of crystal on there? | 0:21:44 | 0:21:47 | |
-So a really very small amount. -Yeah. -OK. -Here we are. | 0:21:47 | 0:21:49 | |
I've got to have a steady slow stream. | 0:21:49 | 0:21:52 | |
Let's just hope it works. | 0:21:52 | 0:21:53 | |
-Ooooh! -Ooh, I say! | 0:21:59 | 0:22:01 | |
JOHNNY VEGAS: It's a snowman dildo. | 0:22:04 | 0:22:06 | |
# We're walking in the air | 0:22:08 | 0:22:10 | |
LAUGHTER | 0:22:10 | 0:22:11 | |
# We're going to land for just a while. # | 0:22:15 | 0:22:18 | |
Snowman needs his private time! | 0:22:20 | 0:22:22 | |
Get off me back. | 0:22:26 | 0:22:27 | |
It's not very easy to be very accurate. | 0:22:28 | 0:22:30 | |
I've got to keep doing higher, | 0:22:30 | 0:22:32 | |
otherwise it'll blow back into the bottle. | 0:22:32 | 0:22:34 | |
But there you go. How's that? | 0:22:34 | 0:22:36 | |
APPLAUSE | 0:22:36 | 0:22:37 | |
There you go. | 0:22:43 | 0:22:44 | |
What is there to say about long-necked Karen? | 0:22:46 | 0:22:49 | |
She's got lovely eyes. | 0:22:51 | 0:22:53 | |
Yeah, you're always the first to see the nice. | 0:22:56 | 0:22:58 | |
That's one of those Family Fortunes ones, isn't it, | 0:22:58 | 0:23:01 | |
-we've had this before. -Oh, yes, "Survey said..." | 0:23:01 | 0:23:03 | |
Name a bird with a long neck. | 0:23:03 | 0:23:05 | |
And the bloke goes, "Naomi Campbell." | 0:23:08 | 0:23:10 | |
Well, this is clearly not Naomi. | 0:23:14 | 0:23:16 | |
No, Emu. | 0:23:16 | 0:23:17 | |
Karen is the answer here. Who is this Karen? | 0:23:18 | 0:23:21 | |
-Is it a tribe or something? -Say again? | 0:23:21 | 0:23:23 | |
-Tribe, is it a tribe? -Tribe. | 0:23:23 | 0:23:25 | |
The Karen tribe. | 0:23:25 | 0:23:27 | |
The Karen tribe. | 0:23:27 | 0:23:28 | |
"Oh, hello, all right? Lovely to see you." | 0:23:28 | 0:23:31 | |
"Hiya, y'all right?" | 0:23:31 | 0:23:34 | |
The neighbouring Tracey tribe is... | 0:23:34 | 0:23:37 | |
They hate the Traceys. | 0:23:38 | 0:23:40 | |
"Stay away from Gary!" | 0:23:40 | 0:23:41 | |
Here come the Garys. | 0:23:44 | 0:23:46 | |
Huurrrr! Not bovvered. | 0:23:46 | 0:23:48 | |
But the tribe we're talking about, the Padaung Karen tribe, from? | 0:23:51 | 0:23:55 | |
Do they put rings round the... and do all that extending over time? | 0:23:55 | 0:23:58 | |
Exactly, let's have a look at them. There we are, look at that. | 0:23:58 | 0:24:00 | |
-Oh, my word. -Wow! -Wow, isn't that impressive? | 0:24:00 | 0:24:04 | |
It looks like she's kind of being bred with a Slinky. | 0:24:04 | 0:24:06 | |
They're so-called giraffe-necked. | 0:24:09 | 0:24:11 | |
-At the end of the day, oh! -Well, they can't at the end of the... | 0:24:11 | 0:24:14 | |
"Beryl, Beryl, why are the curtains on the floor? Oh." | 0:24:22 | 0:24:25 | |
You know when you have a Jack-in-the-box ready to go? | 0:24:25 | 0:24:28 | |
-Oh, yes. -P-ding! | 0:24:28 | 0:24:31 | |
Maybe that's what would happen, rather than go down, it just goes... | 0:24:31 | 0:24:35 | |
My mother-in-law makes absolutely no sound when she moves. | 0:24:45 | 0:24:49 | |
That's remarkable, like Jeeves. | 0:24:53 | 0:24:55 | |
She is the stealthiest person. | 0:24:55 | 0:24:57 | |
You've got a stealth mother-in-law. Is she sprayed black? | 0:24:58 | 0:25:01 | |
Honestly, she could be a brilliant spy, you know. | 0:25:01 | 0:25:04 | |
You might be in a room and looking in a thing or something, | 0:25:04 | 0:25:07 | |
and then suddenly she'll go, "Hello." "Oh, Jesus! | 0:25:07 | 0:25:10 | |
"Where did you come from?! Where did you come from?! | 0:25:10 | 0:25:12 | |
"It's a long way from the door." | 0:25:12 | 0:25:15 | |
Anybody would have gone, "Ahem," made a little noise. Nothing. | 0:25:15 | 0:25:18 | |
Oh, that's terrible. | 0:25:18 | 0:25:20 | |
It's like the famous story of the boy who was, you know, | 0:25:20 | 0:25:22 | |
having a play with himself in his bedroom, with his eyes closed. | 0:25:22 | 0:25:26 | |
And by the way, I was not playing with myself. | 0:25:26 | 0:25:29 | |
-No, no not you. -In this story, before you conflate them. | 0:25:29 | 0:25:31 | |
-No, that's true. -What's that story or that thing where Alan Davies | 0:25:31 | 0:25:35 | |
and his mother-in-law comes up behind him? | 0:25:35 | 0:25:37 | |
-Let's just separate those two things. -All right. | 0:25:37 | 0:25:40 | |
But he closes his eyes in bliss and when he opens them afterwards, | 0:25:40 | 0:25:43 | |
he just finds a cup of tea next to him. | 0:25:43 | 0:25:46 | |
It sounds so appalling. | 0:25:48 | 0:25:50 | |
She thought, "Well, your father always likes a cup of tea afterwards." | 0:25:50 | 0:25:54 | |
And a biscuit. | 0:25:55 | 0:25:56 | |
Oh, gracious. Oh! | 0:25:59 | 0:26:01 | |
No. | 0:26:01 | 0:26:03 | |
Now, we have something, here's some potassium iodide, | 0:26:05 | 0:26:09 | |
it's a catalyst for my next experiment. | 0:26:09 | 0:26:11 | |
-ALL: Oooh! -Yes. | 0:26:11 | 0:26:13 | |
My next experiment also involves me having, | 0:26:13 | 0:26:15 | |
for health and safety reasons, to wear these. | 0:26:15 | 0:26:18 | |
Cowabunga, dude, you look awesome. | 0:26:18 | 0:26:20 | |
Tell us, O mighty king. | 0:26:20 | 0:26:22 | |
And... Oooh! | 0:26:22 | 0:26:24 | |
"Oh, stop it, no." | 0:26:24 | 0:26:25 | |
I can tell from that sample you've had asparagus. | 0:26:25 | 0:26:28 | |
Well, what that is, is H2O2. | 0:26:29 | 0:26:33 | |
-Does anyone know what H2O2 is? -Water water. -Water water? | 0:26:33 | 0:26:37 | |
-Double water. -It's H2O, it's water with an extra oxygen molecule, | 0:26:37 | 0:26:41 | |
-but it has a different name. -MAN IN AUDIENCE: Hydrogen peroxide. | 0:26:41 | 0:26:44 | |
They're a good audience! Hydrogen peroxide. Well, that's partly | 0:26:44 | 0:26:47 | |
-because three-quarters of the women have got blonde hair. -Yes. | 0:26:47 | 0:26:50 | |
But it's quite unstable and it's always trying to | 0:26:50 | 0:26:53 | |
lose its extra molecule and turn to water and to oxygen gas. | 0:26:53 | 0:26:57 | |
And we've mixed it here with some ordinary detergent, | 0:26:57 | 0:27:00 | |
some washing up liquid. | 0:27:00 | 0:27:02 | |
So, could you go and stand next to Bill, | 0:27:02 | 0:27:04 | |
-because it's not really violent, but it's kind of... -Well, why...? | 0:27:04 | 0:27:07 | |
-Let's just say... -Hang on, hold on, hold on, hold on. | 0:27:07 | 0:27:10 | |
What am I, a human shield or something? | 0:27:10 | 0:27:13 | |
It's all right, you can be this side of him, it's not that violent. | 0:27:13 | 0:27:16 | |
You don't seem much concerned with MY safety. | 0:27:16 | 0:27:19 | |
You can stand next to Jeremy, that's a good point. | 0:27:19 | 0:27:22 | |
It's that much nearer Alan. | 0:27:22 | 0:27:24 | |
You'll see, it's not going to be that violent... | 0:27:24 | 0:27:26 | |
-It isn't dangerous. -It might be dangerous. -It isn't dangerous. -It isn't. | 0:27:26 | 0:27:29 | |
Just hold me. | 0:27:29 | 0:27:31 | |
It's basically... | 0:27:32 | 0:27:34 | |
Do you want to sit on my knee? | 0:27:34 | 0:27:36 | |
-Don't stop, I liked it. -Here we go, are you ready? | 0:27:38 | 0:27:41 | |
Do you want to count me down, audience? Count me down from three. | 0:27:41 | 0:27:44 | |
-Three... -Oh, what comes next? | 0:27:44 | 0:27:46 | |
ALL: Three, two, one. | 0:27:46 | 0:27:48 | |
ALL EXCLAIM | 0:27:50 | 0:27:52 | |
-Oh, very good. -There you go. | 0:27:52 | 0:27:54 | |
I think you'll agree, that's quite a money shot. | 0:27:57 | 0:28:00 | |
JEREMY: Stephen, are you suggesting if I get some of that potassium...? | 0:28:03 | 0:28:06 | |
-That that will really make you perform in bed? No. -No. | 0:28:06 | 0:28:09 | |
-No. That's amazing. -Well, that's magnificent... | 0:28:11 | 0:28:13 | |
-JIMMY: -Oh, yeah, that's it, baby. -It's still flowing. | 0:28:15 | 0:28:18 | |
-That's the stuff. -It's a rather horrible yellow at the edges, though, isn't it? | 0:28:18 | 0:28:22 | |
Yeah, it does get like that. It's horrible. | 0:28:22 | 0:28:25 | |
So, good night. | 0:28:26 | 0:28:28 |