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This programme contains some strong language. | 0:00:05 | 0:00:13 | |
APPLAUSE | 0:00:28 | 0:00:30 | |
Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening and welcome to QI. | 0:00:33 | 0:00:35 | |
What does encyclopaedia mean? | 0:00:37 | 0:00:39 | |
Because it sounds like a kiddy-fiddler on a bike. | 0:00:39 | 0:00:41 | |
LAUGHTER | 0:00:41 | 0:00:43 | |
No, I think... | 0:00:43 | 0:00:45 | |
LAUGHTER AND APPLAUSE | 0:00:45 | 0:00:46 | |
Sometimes it is very tricky, I grant you. | 0:00:50 | 0:00:53 | |
It could get an idiot into trouble. But... | 0:00:53 | 0:00:55 | |
That seems so... | 0:00:57 | 0:00:59 | |
LAUGHTER | 0:00:59 | 0:01:00 | |
No. I didn't mean that in that way. | 0:01:00 | 0:01:02 | |
I don't know what you're laughing at. | 0:01:02 | 0:01:04 | |
The entry for "woman" in the original version | 0:01:04 | 0:01:07 | |
of the Encyclopaedia Britannica just says, "the female of man, see homo." | 0:01:07 | 0:01:12 | |
LAUGHTER | 0:01:12 | 0:01:14 | |
He will tell you everything you need to know. | 0:01:14 | 0:01:16 | |
-Yes, exactly. Because he's their best friend. -Ah. | 0:01:16 | 0:01:19 | |
JIMMY LAUGHS | 0:01:19 | 0:01:21 | |
In the 1960s, an American called Dr Harvey Einbinder, who so | 0:01:21 | 0:01:24 | |
-hated the Encyclopaedia Britannica, he wrote a book... -I hate it! | 0:01:24 | 0:01:27 | |
Exactly, he wrote a book where he listed all the things that | 0:01:27 | 0:01:30 | |
were wrong in it. It was 390 pages long. | 0:01:30 | 0:01:32 | |
-Oh, I like the sound of him. -The Myth of Britannica. | 0:01:32 | 0:01:34 | |
-What's his name? -Harvey Einbinder. -Harvey. -Fabulous name, isn't it? | 0:01:34 | 0:01:39 | |
Does he only have one binder? | 0:01:39 | 0:01:41 | |
We meet at last, Mr Einbinder. Yes. | 0:01:41 | 0:01:43 | |
He's a massive binder! | 0:01:43 | 0:01:45 | |
Don't touch my binder! | 0:01:47 | 0:01:49 | |
-Maybe that's why he hated Encyclo... -This is the binder you seek! | 0:01:49 | 0:01:53 | |
Yes, Encyclopaedia Britannica has 52 binders and I only have one! | 0:01:53 | 0:01:56 | |
Ein Binder! | 0:01:56 | 0:01:58 | |
He might have pronounced it "ein BIN-der," for all I know. | 0:01:58 | 0:02:01 | |
Ein Binder! | 0:02:01 | 0:02:03 | |
Now, how was it composed, who wrote the entries and articles? | 0:02:04 | 0:02:09 | |
People on the internet. | 0:02:09 | 0:02:10 | |
-That's now. -Sorry, yes. | 0:02:10 | 0:02:12 | |
That was, that's your Wiki, your wicked-pedia. | 0:02:12 | 0:02:15 | |
-Was it a group of homos? -No, it wasn't a group of homos. | 0:02:15 | 0:02:18 | |
Well, if you ask a homo about everything, obviously they are... | 0:02:18 | 0:02:22 | |
-Yes, I see what you mean. -The homos are the... | 0:02:22 | 0:02:25 | |
I see where you're coming from. | 0:02:25 | 0:02:27 | |
No, it was experts in their chosen field. | 0:02:27 | 0:02:29 | |
Prince Edward. | 0:02:29 | 0:02:30 | |
So, no, in their day, contributors have included... | 0:02:30 | 0:02:33 | |
-Katie Price. -Sigmund Freud. | 0:02:33 | 0:02:36 | |
That would be now, but in the past included | 0:02:36 | 0:02:39 | |
Sigmund Freud, Albert Einstein, Leon Trotsky, Harry Houdini. | 0:02:39 | 0:02:43 | |
I only know three of those people. | 0:02:43 | 0:02:44 | |
And there's strangely no women there at all, | 0:02:44 | 0:02:47 | |
is that because they're all off seeking homos? | 0:02:47 | 0:02:49 | |
LAUGHTER | 0:02:49 | 0:02:51 | |
-I'm incredibly sorry... -To ask. | 0:02:51 | 0:02:53 | |
I apologise, I didn't do the picture research for this particular | 0:02:53 | 0:02:56 | |
item, and if I'd found, I'm sure... | 0:02:56 | 0:02:57 | |
-That's all right, we're used to it, don't worry. -Maybe Marie Curie... | 0:02:57 | 0:03:00 | |
Someone must have written about baking in the book. | 0:03:00 | 0:03:03 | |
SHE LAUGHS SARCASTICALLY | 0:03:03 | 0:03:05 | |
Ooh! Ooh! Ooh! | 0:03:05 | 0:03:06 | |
I don't know if there's points given for bravery, | 0:03:06 | 0:03:09 | |
but there's a certain... I think there's a certain, | 0:03:09 | 0:03:12 | |
but I have to respect that slightly, just in terms of... | 0:03:12 | 0:03:15 | |
-That is panache, definitely. -I'm hiding in plain sight, Jimmy. | 0:03:15 | 0:03:18 | |
Yeah. And maybe, I'd like to think Marie Curie had been asked to do | 0:03:18 | 0:03:21 | |
-one on radiation, for example. -Yes. -Is she a good cook? | 0:03:21 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:25 | |
He keeps at it. You've got to hand it to him. | 0:03:29 | 0:03:32 | |
-Just do that bit of singing again. -With the...? | 0:03:33 | 0:03:36 | |
Just do that bit of singing again. | 0:03:36 | 0:03:38 | |
TREVOR SINGS AND CLICKS | 0:03:38 | 0:03:40 | |
That's the song. | 0:03:42 | 0:03:43 | |
You don't know me well, Trevor, but I'm on the turn, I'm telling you. | 0:03:43 | 0:03:46 | |
LAUGHTER | 0:03:46 | 0:03:49 | |
SPEECH DROWNED OUT BY LAUGHTER | 0:03:49 | 0:03:51 | |
You've only got Jason and Alan left to seduce, Trevor, I have to say. | 0:03:53 | 0:03:58 | |
-I think he's a cracking fella. -We're all... | 0:03:58 | 0:04:00 | |
LAUGHTER | 0:04:00 | 0:04:02 | |
So, now I want you to take one of those each, | 0:04:04 | 0:04:09 | |
and tie yourselves together, as it were. | 0:04:09 | 0:04:12 | |
-This has gone quite dark now. -It has, hasn't it? | 0:04:12 | 0:04:15 | |
Is it just me? It's like a party game in the '70s. | 0:04:15 | 0:04:18 | |
So put each one of those around your wrist. | 0:04:18 | 0:04:21 | |
No, no, don't undo it. | 0:04:21 | 0:04:22 | |
-Well, I can't get my hand through that, can I? -Oh sorry. | 0:04:22 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:27 | |
Little cock grab, that is. | 0:04:27 | 0:04:29 | |
-Try with this one. -Cock ring! -Swap. | 0:04:29 | 0:04:33 | |
-You can give me that one back. -That's more like it. | 0:04:33 | 0:04:36 | |
There we are. Put your wrists through. | 0:04:36 | 0:04:39 | |
-That's it, and then do that, so that you're tied together. -OK. | 0:04:40 | 0:04:43 | |
-Yes, is that right? -Is that good? | 0:04:43 | 0:04:45 | |
Yes, that, without undoing the knots, untie yourselves. | 0:04:45 | 0:04:49 | |
LAUGHTER | 0:04:49 | 0:04:51 | |
-Oh, I see. -Don't turn around, don't turn around. | 0:04:56 | 0:04:58 | |
That hasn't helped. | 0:04:58 | 0:05:00 | |
LAUGHTER | 0:05:02 | 0:05:03 | |
DAVID: No! | 0:05:03 | 0:05:05 | |
-No, that's it, you go through there. -Yes! -Yes! | 0:05:10 | 0:05:14 | |
No! Emphatically no! | 0:05:14 | 0:05:17 | |
-Completely not. -OK, hang on. | 0:05:19 | 0:05:21 | |
I'm going back up, I'm going back over. | 0:05:21 | 0:05:25 | |
LAUGHTER | 0:05:25 | 0:05:26 | |
Right, go, go through. | 0:05:26 | 0:05:28 | |
-Yes! -No! | 0:05:28 | 0:05:30 | |
Hang on, I've got it, I've got it. Right. | 0:05:33 | 0:05:37 | |
Right. I've got it. If I do a forward flip... | 0:05:37 | 0:05:39 | |
Now... | 0:05:42 | 0:05:43 | |
-SUE: -Right, let's see if we can get... | 0:05:45 | 0:05:47 | |
Oh, oh. | 0:05:48 | 0:05:50 | |
I think technically you are now married. | 0:05:50 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:54 | |
You have let... | 0:05:54 | 0:05:55 | |
I'm coming down, I'm coming down. | 0:05:56 | 0:05:58 | |
You two hold it for a second and watch, | 0:05:59 | 0:06:01 | |
because I think Sue is onto something. | 0:06:01 | 0:06:03 | |
OK. This is what we did | 0:06:03 | 0:06:05 | |
when we were regularly handcuffed together as children. | 0:06:05 | 0:06:07 | |
No, watch. You mustn't untie the knot. But... | 0:06:07 | 0:06:12 | |
Oh. | 0:06:15 | 0:06:16 | |
Yeah! | 0:06:17 | 0:06:19 | |
CHEERING AND APPLAUSE | 0:06:19 | 0:06:21 | |
Well done. Brilliant! | 0:06:21 | 0:06:23 | |
So, moving on to self knowledge. | 0:06:27 | 0:06:29 | |
How do you know when you've had enough? | 0:06:29 | 0:06:31 | |
Someone always tells me. | 0:06:31 | 0:06:33 | |
It's normally, it's a tap on the shoulder, isn't it? | 0:06:35 | 0:06:38 | |
Yeah, I think Jimmy, Jimmy... | 0:06:38 | 0:06:39 | |
That's, it's the cold steel round both wrists. | 0:06:39 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:44 | |
And the clanging of the door. | 0:06:44 | 0:06:45 | |
And the one phone call. | 0:06:45 | 0:06:47 | |
JIMMY: One phone call. | 0:06:47 | 0:06:49 | |
I've had enough. Who am I speaking to? | 0:06:49 | 0:06:54 | |
LAUGHTER | 0:06:54 | 0:06:56 | |
This is, oh, this is exciting. | 0:06:59 | 0:07:03 | |
This is a remarkable substance. | 0:07:03 | 0:07:05 | |
It's called polyethylene oxide, and it's very gloopy | 0:07:05 | 0:07:09 | |
and also it reacts rather excitedly under ultraviolet light. | 0:07:09 | 0:07:13 | |
And Alan and Victoria, you've got ultraviolet torches | 0:07:13 | 0:07:16 | |
and you can point them at it. | 0:07:16 | 0:07:17 | |
I think we might have some ultraviolet light in the studio. | 0:07:17 | 0:07:20 | |
-Shall I point them now, sir? -Yes, please do. | 0:07:20 | 0:07:22 | |
Oh, look. See. Ooh! | 0:07:22 | 0:07:23 | |
Wow! | 0:07:23 | 0:07:25 | |
Now what I'm going to try and do, I'm going | 0:07:25 | 0:07:27 | |
to stand up to do this, it's a very remarkable effect. | 0:07:27 | 0:07:31 | |
The effect is, when you pour it, if I get it at the right angle, | 0:07:31 | 0:07:36 | |
it pulls itself out of the flask and into here. | 0:07:36 | 0:07:40 | |
It flows uphill and out and down again. | 0:07:40 | 0:07:43 | |
All right. | 0:07:43 | 0:07:44 | |
There we go, Oh, it's pulling itself up, it's pulling itself up, | 0:07:44 | 0:07:47 | |
you see what I mean? It's pulling itself up from the bottom. | 0:07:47 | 0:07:50 | |
If you look at the top one, it's actually flowing uphill there. | 0:07:50 | 0:07:53 | |
Did you see that? | 0:07:53 | 0:07:54 | |
And then it thins out into a little trail of snot. | 0:07:54 | 0:07:57 | |
I'll try that again, so we'll just get a few takes. | 0:07:57 | 0:07:59 | |
It's like when you have a wee after a Berocca, isn't it, that? | 0:07:59 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:04 | |
It is! | 0:08:06 | 0:08:07 | |
It's exactly what it's like. Oh, my goodness. | 0:08:07 | 0:08:10 | |
It's so disgusting. Polyethylene oxide, I don't know what else... | 0:08:10 | 0:08:13 | |
-What's it used for? -It's a very good masturbatory lubricant. | 0:08:13 | 0:08:17 | |
LAUGHTER | 0:08:17 | 0:08:18 | |
-Particularly in the dark. -Yeah. | 0:08:20 | 0:08:23 | |
APPLAUSE | 0:08:23 | 0:08:25 | |
-All right, we'll try again. -It's a little bit awkward | 0:08:28 | 0:08:31 | |
getting two friends to hold the torch though. | 0:08:31 | 0:08:34 | |
Yeah. There we go, that's pulling itself up there nicely. | 0:08:35 | 0:08:39 | |
APPLAUSE | 0:08:39 | 0:08:41 | |
Thank you. | 0:08:41 | 0:08:43 | |
On the subject of keeping still, how hard is it to be a nude model? | 0:08:44 | 0:08:48 | |
LOUD LAUGHTER | 0:08:50 | 0:08:52 | |
Don't you remember that, Alan? | 0:08:55 | 0:08:58 | |
-I do not remember that. -Oh, that was a good night. | 0:08:58 | 0:09:02 | |
It's the woman second from the left who seems to be, er, | 0:09:02 | 0:09:04 | |
most enjoying the view. | 0:09:04 | 0:09:06 | |
-The one with the orange scarf. -Was it cold? Were you being... | 0:09:06 | 0:09:10 | |
She's going to need a bigger pad than that, I tell you that. | 0:09:10 | 0:09:13 | |
They're all just drawing sections of you, aren't they? | 0:09:16 | 0:09:19 | |
I'll do the helmet. | 0:09:19 | 0:09:21 | |
Yeah, oh you're all right there, yeah. | 0:09:21 | 0:09:22 | |
Were you, were you being funny there, or...? | 0:09:22 | 0:09:25 | |
-That's not really him. -It's Photoshopped. | 0:09:25 | 0:09:27 | |
-Oh, it's not real? Oh! -No, we cleverly made it up. | 0:09:27 | 0:09:29 | |
LAUGHTER | 0:09:29 | 0:09:30 | |
I've got this little test for you. Here we are. | 0:09:30 | 0:09:32 | |
And with any luck, the audience might have some bubble wrap too. | 0:09:32 | 0:09:35 | |
They're waving their bubble wrap Thank you, audience. | 0:09:35 | 0:09:38 | |
Do not pop it. This is a really important exercise. | 0:09:38 | 0:09:41 | |
-What do you mean, don't pop it? -Don't pop it, do not... | 0:09:41 | 0:09:44 | |
-Ah! -No! No! No! This is really important. | 0:09:44 | 0:09:47 | |
-Why? -OK, OK. -No problem. -Why not though? | 0:09:47 | 0:09:49 | |
This is a test of your worthiness. Don't pop it yet. | 0:09:49 | 0:09:51 | |
One of mine's already popped, I didn't do it. | 0:09:51 | 0:09:53 | |
No, that's all right, as long as you didn't, | 0:09:53 | 0:09:55 | |
because in 2013, a group of Yale psychologists, they found another | 0:09:55 | 0:09:58 | |
use for bubble wrap, which was to measure aggression, all right. | 0:09:58 | 0:10:03 | |
They showed pictures of cute animals, all right. | 0:10:03 | 0:10:06 | |
SUE SQUEALS | 0:10:06 | 0:10:08 | |
-Oh now, now, wait, wait, wait. -Oh, the two little chicks... | 0:10:08 | 0:10:11 | |
-Oooh. -Stop it. | 0:10:11 | 0:10:12 | |
People were told to pop bubble wrap as they watched. | 0:10:12 | 0:10:15 | |
They thought that it was a test for their motor activity and memory. | 0:10:15 | 0:10:20 | |
In fact, it was a test for what's called cute aggression. | 0:10:20 | 0:10:23 | |
If you see something very cute, you start popping more and more. | 0:10:23 | 0:10:26 | |
Not because they wanted to hurt the animals, but because they were | 0:10:26 | 0:10:29 | |
frustrated at not being able to touch them and cuddle them. | 0:10:29 | 0:10:32 | |
And this is called cute aggression. | 0:10:32 | 0:10:34 | |
It's when you kind of go, oooh, like that. | 0:10:34 | 0:10:37 | |
So, audience, hold your bubble wrap, | 0:10:37 | 0:10:39 | |
we're going to show you some very cute animals and it's all up to you. | 0:10:39 | 0:10:43 | |
Let's start with the cuteness. | 0:10:43 | 0:10:45 | |
-Oh, dear. -AUDIENCE: Aw! | 0:10:45 | 0:10:47 | |
-That's not, come on, that's not that cute. -Oh, it is. | 0:10:47 | 0:10:49 | |
-He looks sort of dead. -He's not that cute. | 0:10:49 | 0:10:52 | |
-He's kind of dead. -He's not that cute. I think he's been shot. | 0:10:52 | 0:10:55 | |
LAUGHTER | 0:10:55 | 0:10:56 | |
Oh! That's horrible. | 0:10:56 | 0:10:57 | |
-He does look like he's been shot. -Oh, the blue-eyed one. | 0:10:57 | 0:11:00 | |
-No, not that cute, not worth a pop. -All right. | 0:11:00 | 0:11:05 | |
Ah. | 0:11:05 | 0:11:06 | |
THEY ALL POP BUBBLE WRAP | 0:11:06 | 0:11:08 | |
-You did it! -Definitely. | 0:11:08 | 0:11:10 | |
Yeah, that's getting quite a few pops. | 0:11:10 | 0:11:12 | |
-Look at his little eye. -No, I'm not gone yet. | 0:11:12 | 0:11:14 | |
POPPING CONTINUES | 0:11:14 | 0:11:16 | |
I want a dog and then I'm going to pop my load. | 0:11:16 | 0:11:18 | |
LAUGHTER | 0:11:18 | 0:11:19 | |
-That's the first time I've heard that phrase since last night. -Yes, I know. | 0:11:19 | 0:11:22 | |
-Oh, there we go. -Aw! -AUDIENCE: Oh! | 0:11:22 | 0:11:24 | |
THEY POP BUBBLE WRAP | 0:11:24 | 0:11:26 | |
-That's pretty cute. -That was the last one. -Not cute, ginger. | 0:11:26 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:31 | |
Now, how can you knock a building down with a feather? | 0:11:31 | 0:11:34 | |
Like the Shard, for example. | 0:11:34 | 0:11:36 | |
You could knock it down, I could knock it down, | 0:11:36 | 0:11:39 | |
if I prepared things correctly, with a whisk of a feather. | 0:11:39 | 0:11:42 | |
-But not using any electronics. -A very, very large feather. | 0:11:42 | 0:11:45 | |
No, using, I've actually got the feather here that I'm going to use. | 0:11:45 | 0:11:47 | |
It's nice and pink, so it stands out. | 0:11:47 | 0:11:49 | |
That would be the feather I would use. | 0:11:49 | 0:11:51 | |
Do you tickle the architect while he's doing a, | 0:11:51 | 0:11:53 | |
coming up with the plans, so that they're all off? Like that. | 0:11:53 | 0:11:57 | |
-And it falls over. -And then they make it, oh, it didn't work, | 0:11:57 | 0:12:00 | |
well, Stephen was tickling me with a feather. | 0:12:00 | 0:12:03 | |
A cunning thought, but no, this is the existing, standing Shard. | 0:12:03 | 0:12:07 | |
And you could reduce that to rubble with a feather? | 0:12:07 | 0:12:10 | |
Yeah. Shall I show you? I'll show you the principle. | 0:12:10 | 0:12:13 | |
This is my little template to show me where I have to go. | 0:12:13 | 0:12:17 | |
You see, I've got them down here and here's my big, oh, my big load. | 0:12:17 | 0:12:21 | |
-Oops. -Steady. | 0:12:21 | 0:12:22 | |
There we go. | 0:12:22 | 0:12:24 | |
Now, what we've got here is, in varying sizes, kind of dominos. | 0:12:24 | 0:12:29 | |
You can see. | 0:12:29 | 0:12:30 | |
And the idea is that each one is just one-and-a-half times bigger | 0:12:30 | 0:12:35 | |
than the one before it. | 0:12:35 | 0:12:36 | |
And it may seem like a very little amount, | 0:12:36 | 0:12:39 | |
but what we're going to do is make a really loud bang with this. | 0:12:39 | 0:12:41 | |
-Is that meant to be like the Shard? -Dominos, it's the domino effect. | 0:12:41 | 0:12:45 | |
-You would aim this at the Shard. -Yes. | 0:12:45 | 0:12:47 | |
And you would only need 24 of these. | 0:12:47 | 0:12:49 | |
Each one just one-and-a-half times bigger than the one before it. | 0:12:49 | 0:12:53 | |
-That's the point. -To bring down the Shard. | 0:12:53 | 0:12:55 | |
You'd only need 24, and the last one would utterly destroy it. | 0:12:55 | 0:12:59 | |
-Really? -Blimey. | 0:12:59 | 0:13:00 | |
It would be, it's the exponential increase of mass, | 0:13:00 | 0:13:03 | |
just by going one-and-a-half times bigger. | 0:13:03 | 0:13:05 | |
It's all right, it can only fall, yeah. | 0:13:05 | 0:13:08 | |
I've got a splinter off my broom now. | 0:13:09 | 0:13:11 | |
LAUGHTER | 0:13:11 | 0:13:13 | |
Careful, careful. Right, here we go. | 0:13:13 | 0:13:15 | |
We've just made the security services' job | 0:13:15 | 0:13:18 | |
that much more harder, you can bring down the Shard... | 0:13:18 | 0:13:21 | |
Here we go, so you imagine... | 0:13:21 | 0:13:22 | |
Who needs to hijack aircraft any more, QI's given it away. | 0:13:22 | 0:13:26 | |
So you imagine this increasing up to just 24, | 0:13:26 | 0:13:30 | |
and you'd start with one movement of a feather, | 0:13:30 | 0:13:33 | |
and all the potential energy stored in these and all | 0:13:33 | 0:13:36 | |
the mass of them like that, and you just have that effect like, whoa. | 0:13:36 | 0:13:40 | |
-Wow! -There you go. | 0:13:40 | 0:13:42 | |
CHEERING AND APPLAUSE | 0:13:42 | 0:13:44 | |
Excellent. | 0:13:44 | 0:13:45 | |
-That's pretty good, isn't it? -Yeah. -That's brilliant. | 0:13:45 | 0:13:48 | |
Recent research, however, from the Australian National University | 0:13:48 | 0:13:51 | |
suggests that good-looking men earn 22% more | 0:13:51 | 0:13:54 | |
than not good-looking men. | 0:13:54 | 0:13:55 | |
-Because they're attractive? -Yeah, yes. | 0:13:55 | 0:13:57 | |
Or because they're from Australia? | 0:13:57 | 0:13:59 | |
No, no, within Australia, they're all Australian. | 0:13:59 | 0:14:02 | |
Within Australia, the 22 better-looking percentage. | 0:14:02 | 0:14:05 | |
A study of female golfers also found that they were better, | 0:14:05 | 0:14:09 | |
they shot lower scores. | 0:14:09 | 0:14:11 | |
And the theory is that they were more likely to have | 0:14:11 | 0:14:14 | |
offers of sponsorship, and therefore just played that much harder, | 0:14:14 | 0:14:18 | |
knowing how much money they would make. | 0:14:18 | 0:14:20 | |
Surely it's about confidence as well. | 0:14:20 | 0:14:21 | |
If you look in the mirror and you think, oh-ho-ho, I'm a dish, | 0:14:21 | 0:14:24 | |
then you get out there and think, and I can play golf. | 0:14:24 | 0:14:27 | |
Yeah, I suppose that's right. | 0:14:27 | 0:14:28 | |
-But if you look in the mirror and weep. -And think, what a dog. | 0:14:28 | 0:14:32 | |
Well, I look in the mirror and I like it. | 0:14:32 | 0:14:34 | |
And so you bloody well should. | 0:14:34 | 0:14:35 | |
I never look in a mirror, my partner's much taller than me | 0:14:35 | 0:14:38 | |
and she put them all up, so I have never seen... | 0:14:38 | 0:14:40 | |
LAUGHTER | 0:14:40 | 0:14:42 | |
I don't have mirrors, I have windows at street level | 0:14:42 | 0:14:45 | |
and I just pretend I'm different people. | 0:14:45 | 0:14:47 | |
LAUGHTER | 0:14:47 | 0:14:48 | |
I just walk past at the same time and go, I'm looking good today. | 0:14:48 | 0:14:52 | |
Best get out to that meeting quick, while I've got that nice suit on. | 0:14:54 | 0:14:57 | |
Oh, dear. | 0:14:57 | 0:14:59 | |
And then I realise I'm wearing a bin bag. | 0:14:59 | 0:15:01 | |
Now we have a Knick-Knack exploding custard powder experiment. | 0:15:03 | 0:15:07 | |
For something to explode, you need certain things, | 0:15:07 | 0:15:10 | |
you need something to light, in this case custard powder. | 0:15:10 | 0:15:14 | |
You need something to light it with and you need oxygen. | 0:15:14 | 0:15:17 | |
But you need a little bit more than that, | 0:15:17 | 0:15:20 | |
because if I try and light this custard powder, you will see... | 0:15:20 | 0:15:24 | |
Boof! | 0:15:24 | 0:15:26 | |
LAUGHTER | 0:15:26 | 0:15:27 | |
-..That nothing happens. -The trick custard powder, ha-ha-ha! | 0:15:27 | 0:15:31 | |
I blew his arm off! Ha-ha-ha. | 0:15:31 | 0:15:33 | |
It doesn't, the whole point is, nothing happens. | 0:15:33 | 0:15:36 | |
Nothing would happen to that, it's custard, you fool. | 0:15:36 | 0:15:39 | |
-I bet Heston could make it burn. -Ah. He couldn't in this state. -No? | 0:15:39 | 0:15:42 | |
What you need, in order to get something like custard, | 0:15:42 | 0:15:46 | |
or any powder, even metallic powder, to burn and really burn, | 0:15:46 | 0:15:50 | |
is one of these ordinary everyday objects like this. | 0:15:50 | 0:15:53 | |
As you may see, I have a funnel | 0:15:54 | 0:15:57 | |
and I have some safety glasses, | 0:15:57 | 0:16:01 | |
to save my beautiful eye lashes. | 0:16:01 | 0:16:03 | |
And I have a lighter. | 0:16:05 | 0:16:07 | |
I miss Jacques Cousteau. | 0:16:07 | 0:16:08 | |
And I have a pump. | 0:16:10 | 0:16:13 | |
HE MIMICS BREATHING UNDERWATER | 0:16:13 | 0:16:15 | |
I have a pump that rather wants to fall over. | 0:16:15 | 0:16:17 | |
So we'll just raise this here. So it doesn't fall over. | 0:16:17 | 0:16:20 | |
OK, now. | 0:16:20 | 0:16:23 | |
LAUGHTER | 0:16:23 | 0:16:25 | |
What I'm going to do... | 0:16:25 | 0:16:26 | |
I don't want to know what you're going to do! | 0:16:26 | 0:16:29 | |
What I'm going to do is | 0:16:29 | 0:16:31 | |
I'm going to pour the custard powder in this funnel. | 0:16:31 | 0:16:35 | |
And I'm going to, I'm going to present a flame across it. | 0:16:35 | 0:16:39 | |
-ALAN GASPS -Yes. Yes. Be afraid, be very afraid. | 0:16:39 | 0:16:42 | |
Can I use Alan as a human shield? | 0:16:42 | 0:16:45 | |
No, you, you're the shield, you're new! | 0:16:45 | 0:16:47 | |
Oh, my God! | 0:16:51 | 0:16:52 | |
Oh, ho-ho-ho! | 0:16:52 | 0:16:54 | |
There's flame, there's custard powder in there. | 0:16:54 | 0:16:57 | |
I feel the need! The need for speed! | 0:16:57 | 0:16:59 | |
-All I need to do... -Where are you going?! | 0:16:59 | 0:17:02 | |
Why the fuck am I next to it?! | 0:17:02 | 0:17:04 | |
I'm going to the pump. | 0:17:04 | 0:17:05 | |
I'm just going to the pump, because I'm going to pump... | 0:17:06 | 0:17:10 | |
We are now nearer than you! | 0:17:10 | 0:17:11 | |
Can you see what I'm going to do? I'm pumping air... | 0:17:11 | 0:17:14 | |
There's just too many double entendres, you pumping custard. | 0:17:14 | 0:17:18 | |
Stop it. Are your ready for me to pump the custard?! | 0:17:19 | 0:17:22 | |
Oh, my God, don't do it! | 0:17:22 | 0:17:24 | |
LAUGHTER | 0:17:24 | 0:17:26 | |
All right. | 0:17:27 | 0:17:29 | |
Oh, God! | 0:17:31 | 0:17:32 | |
Yes, I'm ready for you to pump your custard. | 0:17:32 | 0:17:35 | |
I need a countdown from the audience. | 0:17:35 | 0:17:37 | |
This is not how I wanted to go, I've got to be honest. | 0:17:37 | 0:17:40 | |
Audience, I want you to count me down from three... | 0:17:40 | 0:17:43 | |
AUDIENCE: Three, two, one... Go! | 0:17:43 | 0:17:46 | |
CHEERING AND APPLAUSE | 0:17:46 | 0:17:48 | |
Wasn't that dangerous?! | 0:17:50 | 0:17:53 | |
Well, I've got, it's quite warm there actually. | 0:17:53 | 0:17:55 | |
-There's... -Can you feel the heat? -Yeah, I can feel the heat. | 0:17:55 | 0:17:58 | |
If I'd been sitting there, I could have been, | 0:17:58 | 0:18:01 | |
I could have been ignited. | 0:18:01 | 0:18:03 | |
You could have been covered in hot custard. | 0:18:04 | 0:18:06 | |
-Nobody knows what colour petrol is. -Well quite, exactly. | 0:18:10 | 0:18:13 | |
Because it goes into your car and you don't see it. | 0:18:13 | 0:18:15 | |
-That's right. -It could be any colour. -And no-one has ever checked. | 0:18:15 | 0:18:18 | |
Nobody's ever gone, what colour is this? | 0:18:18 | 0:18:20 | |
They used to have pink or blue diesel, didn't they, for farmers. | 0:18:20 | 0:18:22 | |
-Yeah, red diesel. -For farmers. | 0:18:22 | 0:18:24 | |
Which you are not allowed to put in your car, and I don't. | 0:18:24 | 0:18:27 | |
No. Quite right. | 0:18:27 | 0:18:28 | |
Evading tax, Jeremy, it's a slippery slope! | 0:18:30 | 0:18:32 | |
All right, now. | 0:18:32 | 0:18:34 | |
LAUGHTER AND APPLAUSE | 0:18:34 | 0:18:36 | |
Just saying. | 0:18:37 | 0:18:38 | |
There's various people who were given the title of | 0:18:40 | 0:18:42 | |
"the last man to know everything there was to know." | 0:18:42 | 0:18:45 | |
Erasmus, Leibnitz, Von Humboldt, and this man here, Kircher, his name is. | 0:18:45 | 0:18:49 | |
He was a German Jesuit, Athanasius Kircher. | 0:18:49 | 0:18:52 | |
And he certainly was very interested in lots of things, | 0:18:52 | 0:18:54 | |
he was lowered into Vesuvius, he believed the Bubonic plague | 0:18:54 | 0:18:58 | |
was caused by microbes, well ahead of germ theory. | 0:18:58 | 0:19:01 | |
Claimed falsely to have interpreted Egyptian hieroglyphics. | 0:19:01 | 0:19:04 | |
He regarded things like magnetism | 0:19:04 | 0:19:05 | |
and love as branches of the same topic, attraction, | 0:19:05 | 0:19:08 | |
which is a very QI way of looking at things, I like that. | 0:19:08 | 0:19:11 | |
-Yeah, yeah. -But the cats though, what are the cats doing? | 0:19:11 | 0:19:14 | |
Well, we'll come to that. Some things he got right. | 0:19:14 | 0:19:16 | |
He denied the possibility of flying tortoises. | 0:19:16 | 0:19:19 | |
LAUGHTER | 0:19:19 | 0:19:20 | |
I don't know who'd raised the possibility, | 0:19:20 | 0:19:22 | |
but he damn well squashed it and said, no, | 0:19:22 | 0:19:24 | |
-there won't be such a thing as a flying tortoise. -Rubbish. | 0:19:24 | 0:19:27 | |
But he did invent the megaphone, and the Katzenklavier. | 0:19:27 | 0:19:31 | |
Klavier is in fact German for key, from Klaven, Latin, key, | 0:19:31 | 0:19:35 | |
but it's a keyboard instrument. | 0:19:35 | 0:19:37 | |
Key. The cat playing the piano, he invented YouTube. | 0:19:37 | 0:19:40 | |
LAUGHTER | 0:19:40 | 0:19:41 | |
I'm afraid for cat-lovers | 0:19:41 | 0:19:42 | |
it's a little bit more disturbing than that. | 0:19:42 | 0:19:44 | |
Oh, cat string, gut string. | 0:19:44 | 0:19:46 | |
No, not cat gut, no, arrange live cats in the right order, | 0:19:46 | 0:19:49 | |
-according to their voice. -Oh. | 0:19:49 | 0:19:50 | |
-And you play... -Drums. -And there you go. | 0:19:50 | 0:19:53 | |
Oh, brilliant. | 0:19:53 | 0:19:55 | |
-Oh. -That's awesome! Oh if only they had YouTube back then. | 0:19:55 | 0:20:00 | |
LAUGHTER | 0:20:00 | 0:20:02 | |
The outrage on the cat's face. | 0:20:02 | 0:20:03 | |
It's another thing for your list, isn't it? | 0:20:03 | 0:20:05 | |
It's on the list. Yes, right up there. Ho-ho. | 0:20:05 | 0:20:08 | |
You've got to get one of those. | 0:20:08 | 0:20:10 | |
Their tails are fixed in place underneath hammers. | 0:20:10 | 0:20:12 | |
When a key is pressed, the hammer hits the corresponding, | 0:20:12 | 0:20:15 | |
you can even get chords and of course there's dynamics. | 0:20:15 | 0:20:17 | |
-The harder you hit, it the more of a yowl. -ALAN MEOWS | 0:20:17 | 0:20:20 | |
It wouldn't necessarily have to be cruel, you could get the same | 0:20:20 | 0:20:22 | |
mechanism, but just have it sort of tickle the bollocks of a cat. | 0:20:22 | 0:20:25 | |
So it's more like, "meow!" As opposed to, "MEOWWW!" | 0:20:25 | 0:20:28 | |
-For a trill. -Yeah. | 0:20:28 | 0:20:29 | |
HE MEOWS THE DOGGY IN THE WINDOW | 0:20:29 | 0:20:33 | |
What do they think, that you have an A cat and a B cat? | 0:20:33 | 0:20:36 | |
-Yeah. -And a C cat? -I guess you just go round. | 0:20:36 | 0:20:38 | |
-Fantastic. -Yeah. Fantastic. | 0:20:38 | 0:20:39 | |
But there are only six cats and there are more than six keys, so... | 0:20:39 | 0:20:43 | |
Well, that's true, that's a limited range, it's very... | 0:20:43 | 0:20:45 | |
-Experimental music. -Experimental music. | 0:20:45 | 0:20:48 | |
All the other keys hit mice inside the box. | 0:20:48 | 0:20:50 | |
Ah, very good. | 0:20:50 | 0:20:52 | |
Look at this. Phil, I've got this. | 0:20:52 | 0:20:54 | |
-Ooh! -Wow, Christmas party! -Yeah. | 0:20:54 | 0:20:57 | |
-Snow balls. -Yeah. Absolutely. -Oh, I'll have some of that! | 0:20:57 | 0:20:59 | |
It's going to be quite a violent reaction to this. | 0:20:59 | 0:21:02 | |
I'm sure you've all seen dry ice as they call it. And I've got here, | 0:21:02 | 0:21:04 | |
this is sort of bubbles, you blow... | 0:21:04 | 0:21:06 | |
-I don't know where that's going... -Blow bubbles. | 0:21:06 | 0:21:08 | |
So what we're trying to do is make little, little smoky bubbles. | 0:21:08 | 0:21:12 | |
It's a little sort of Christmassy effect, here, | 0:21:12 | 0:21:14 | |
God, I hope I can get the lid on in time. | 0:21:14 | 0:21:16 | |
YELPING AND LAUGHING | 0:21:16 | 0:21:19 | |
-Woo! -Get down there. | 0:21:19 | 0:21:21 | |
Woo, hey, yeah, woo! | 0:21:21 | 0:21:23 | |
What are you doing, Fry?! Get the lid on. | 0:21:23 | 0:21:25 | |
-No! No! -Get the lid on! | 0:21:25 | 0:21:27 | |
PHIL YELPS | 0:21:27 | 0:21:29 | |
Lid, lid! Lid is on, lid is on! Lid is on. | 0:21:29 | 0:21:31 | |
It's going everywhere! | 0:21:31 | 0:21:33 | |
LAUGHTER | 0:21:33 | 0:21:35 | |
Bubbles. Here are my little bubbles. | 0:21:35 | 0:21:38 | |
-Oh, oh! -There's one, look, big one! Pop it. Ping! | 0:21:38 | 0:21:43 | |
-Ooh! -Smokey bubble. -Ah. | 0:21:43 | 0:21:45 | |
-Smokey bubble! -Oh, oh! | 0:21:45 | 0:21:47 | |
-Smokey bubble! -Oh! | 0:21:47 | 0:21:48 | |
Smokey bubble! | 0:21:48 | 0:21:50 | |
APPLAUSE | 0:21:50 | 0:21:52 | |
-Oh, you've really got it going now. -There we are. | 0:21:52 | 0:21:55 | |
I've gone completely reflective. | 0:21:55 | 0:21:58 | |
Oh, there you are. Look, you've made a bauble. | 0:21:58 | 0:22:01 | |
Look at that. | 0:22:01 | 0:22:02 | |
You've made a bauble, because your little experiment, | 0:22:02 | 0:22:05 | |
invented by Mr Tollens, one of the things | 0:22:05 | 0:22:08 | |
he used was silver nitrate, the same thing used in film photography. | 0:22:08 | 0:22:12 | |
-And that is silver. -Wow. | 0:22:12 | 0:22:14 | |
You've got a beautiful silver bauble that you've made | 0:22:14 | 0:22:16 | |
just by mixing those two chemicals. | 0:22:16 | 0:22:18 | |
Can I just say, I've just seen myself, I didn't realise that | 0:22:18 | 0:22:21 | |
I look like Last Christmas by Weight Watcher's Wham. | 0:22:21 | 0:22:24 | |
LAUGHTER | 0:22:24 | 0:22:26 | |
There's one man in micromort who we don't know is Yasuhiro Kubo. | 0:22:26 | 0:22:30 | |
He is a Japanese sky diver, who jumps out of a plane without | 0:22:30 | 0:22:34 | |
a parachute, and then collects it from a partner on the way down. | 0:22:34 | 0:22:38 | |
And we don't know his micromort, because he's still alive, | 0:22:38 | 0:22:41 | |
and it may be that he'll do 4,000 jumps and then die. | 0:22:41 | 0:22:45 | |
Be a good dumb show, you could see if he, | 0:22:45 | 0:22:47 | |
if you see them falling and then he goes over to the bloke who's | 0:22:47 | 0:22:51 | |
got the parachute, and you see the bloke going... | 0:22:51 | 0:22:54 | |
LAUGHTER | 0:22:56 | 0:22:57 | |
-I knew there was something. -Yeah. | 0:22:57 | 0:22:59 | |
HE MIMES SPEECH | 0:22:59 | 0:23:01 | |
Oh, that is so distressing. Anyway... | 0:23:04 | 0:23:07 | |
LAUGHTER | 0:23:07 | 0:23:09 | |
I'll show you this little thing here. | 0:23:09 | 0:23:12 | |
And what's strange about this is that I can spin it one way, | 0:23:12 | 0:23:15 | |
but not the other. | 0:23:15 | 0:23:16 | |
If I spin it anticlockwise, it goes very happily anticlockwise. | 0:23:16 | 0:23:19 | |
But if I try and spin it clockwise, it not only will resist, | 0:23:19 | 0:23:22 | |
it will stop and spin anticlockwise. As you'll see. | 0:23:22 | 0:23:24 | |
So I'm now going to try and spin it clockwise. | 0:23:24 | 0:23:26 | |
Is it because of the shape, the particular shape? | 0:23:26 | 0:23:28 | |
-You'll see, well that obviously is the reason, yes. -Yeah. | 0:23:28 | 0:23:31 | |
-You're twisting its melons, man. -Then it goes round again. -Yeah. | 0:23:31 | 0:23:34 | |
So... | 0:23:34 | 0:23:36 | |
And then round and round and round again. | 0:23:36 | 0:23:38 | |
-That's extraordinary, isn't it? -I know, it is very mysterious. | 0:23:38 | 0:23:41 | |
You've got to have the right flick of the wrist, | 0:23:41 | 0:23:43 | |
which you're clearly very good at, Stephen, which is good. | 0:23:43 | 0:23:45 | |
-What if you did a murder with your reflex? -It does happen. | 0:23:47 | 0:23:50 | |
If someone sort of attacked your knee and then the reflex, | 0:23:50 | 0:23:53 | |
you had a knife attached to your shoe or something. | 0:23:53 | 0:23:56 | |
You broke their neck. | 0:23:56 | 0:23:57 | |
And you killed them, would you be able to say, | 0:23:57 | 0:23:59 | |
ah, but the reflex, it didn't go to my brain, it | 0:23:59 | 0:24:01 | |
-only went to the bottom of my spine, so I didn't really do it. -Yes. | 0:24:01 | 0:24:04 | |
But it does happen if you're driving, | 0:24:04 | 0:24:06 | |
you have an automated response called murder by autometer. | 0:24:06 | 0:24:09 | |
You don't go to prison. | 0:24:09 | 0:24:10 | |
If you sneeze, for instance, and then you run someone over... | 0:24:10 | 0:24:12 | |
-Someone sneezed, literally. -Yeah. | 0:24:12 | 0:24:14 | |
LAUGHTER | 0:24:14 | 0:24:15 | |
Literally at that moment. Talk about a reflex! | 0:24:15 | 0:24:17 | |
-That means there's been a murder! -There's a killer! | 0:24:17 | 0:24:20 | |
LAUGHTER | 0:24:20 | 0:24:21 | |
They've just murdered someone. | 0:24:21 | 0:24:23 | |
-Now they know they'll get away with it. -Wow. | 0:24:23 | 0:24:26 | |
-It's something like... -The SE1... | 0:24:26 | 0:24:27 | |
So if I walk into a room with a gun cocked, sneeze, it goes off, | 0:24:27 | 0:24:30 | |
you kill someone, you're in the clear? | 0:24:30 | 0:24:32 | |
So, if you want to kill your wife, what you do is, | 0:24:32 | 0:24:35 | |
you drive down to Dover, you get her right up against a cliff. | 0:24:35 | 0:24:38 | |
You put your leg behind her and then get a doctor to tap her knee. | 0:24:38 | 0:24:41 | |
-Off she goes. -That I'm afraid would... | 0:24:41 | 0:24:43 | |
And the doctor would go to prison. | 0:24:43 | 0:24:44 | |
-The doctor would go to prison. -I think so. -And you. | 0:24:44 | 0:24:47 | |
What if he was sneezing as he tapped her knee? Yes! | 0:24:47 | 0:24:50 | |
-The perfect crime. -Yeah. | 0:24:50 | 0:24:53 | |
Broadchurch series two sorted. | 0:24:53 | 0:24:57 | |
LAUGHTER | 0:24:57 | 0:24:58 | |
What I'm going to do is, I've got three bricks here. | 0:24:58 | 0:25:01 | |
STEPHEN WHIMPERS | 0:25:01 | 0:25:03 | |
And it is, ah. | 0:25:03 | 0:25:06 | |
It's like the first ever game of Jenga. | 0:25:06 | 0:25:09 | |
It is. All right, OK. Yeah. Oh, God. | 0:25:09 | 0:25:13 | |
I have to focus my energy. | 0:25:13 | 0:25:16 | |
I know, it's, all right, it sounds... | 0:25:16 | 0:25:18 | |
But I have to focus, have to go through, I have to... | 0:25:18 | 0:25:21 | |
Oh, God. | 0:25:21 | 0:25:23 | |
I'm so nervous now. | 0:25:23 | 0:25:24 | |
APPLAUSE | 0:25:26 | 0:25:28 | |
Didn't get them all. | 0:25:34 | 0:25:37 | |
Last time I got them all. | 0:25:37 | 0:25:39 | |
OK. But, even more... Oh, I've got another one. | 0:25:40 | 0:25:44 | |
Another load here and this time, in theory... | 0:25:44 | 0:25:46 | |
You're going to do it with your penis. | 0:25:46 | 0:25:48 | |
LAUGHTER | 0:25:48 | 0:25:50 | |
In theory here, ow. | 0:25:50 | 0:25:52 | |
STEPHEN MOANS | 0:25:55 | 0:25:56 | |
So choose top middle or bottom? | 0:25:56 | 0:25:58 | |
-Middle. -Oh, no. | 0:25:58 | 0:26:01 | |
-OK. I'll try and break just the middle then. -Top. | 0:26:02 | 0:26:04 | |
I'll bet you Chuck Norris is crapping himself. | 0:26:04 | 0:26:06 | |
LAUGHTER | 0:26:06 | 0:26:08 | |
I'm going to try and break just the middle one. | 0:26:08 | 0:26:10 | |
Again, this takes extreme focus and extreme pain. | 0:26:10 | 0:26:13 | |
Go through. | 0:26:15 | 0:26:16 | |
-I just don't want to do this. -You don't want to do it again. | 0:26:17 | 0:26:20 | |
CHEERING AND APPLAUSE | 0:26:22 | 0:26:24 | |
That was a good one. Oh, thank you very much indeed. | 0:26:29 | 0:26:33 | |
Thank you. | 0:26:33 | 0:26:34 | |
Has your crown slipped? | 0:26:36 | 0:26:38 | |
Yeah, it's, look, it's done that, you see, that's a... Like that. | 0:26:38 | 0:26:42 | |
It's a medieval torture. | 0:26:42 | 0:26:43 | |
Yeah, this is what they put round royal dogs to stop them | 0:26:43 | 0:26:47 | |
nibbling their stitches. | 0:26:47 | 0:26:48 | |
Imagine the crown maker... | 0:26:48 | 0:26:50 | |
-Has your head lost weight? -Yes, it has, yes. Yeah. | 0:26:51 | 0:26:54 | |
You've lost even more hair than when we started, sorry. | 0:26:54 | 0:26:58 | |
-That's right. -That's very unfair. | 0:26:58 | 0:26:59 | |
-Yes, I do apologise. It's just... -You're welcome to take it off. | 0:26:59 | 0:27:03 | |
-We're going to need a bigger king. -You can abdicate. | 0:27:03 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:07 | |
-No, that's going to hurt. -Shall I...? -Just, no! | 0:27:07 | 0:27:10 | |
-It's like watching a two-year-old take their clothes off. -How's that? | 0:27:10 | 0:27:13 | |
Bill, try and get it down the other way. | 0:27:13 | 0:27:15 | |
Shall I try and go through it? | 0:27:15 | 0:27:17 | |
Yeah, try and go through it. I think this is... | 0:27:17 | 0:27:19 | |
LAUGHTER | 0:27:19 | 0:27:21 | |
Come on, Bill. | 0:27:21 | 0:27:22 | |
LAUGHTER AND APPLAUSE | 0:27:25 | 0:27:27 | |
And that's the last we ever saw of him. | 0:27:27 | 0:27:30 | |
That's not good, that's not a good look. | 0:27:30 | 0:27:32 | |
LAUGHTER | 0:27:32 | 0:27:34 | |
I was thinking of Zoidberg from Futurama. | 0:27:34 | 0:27:36 | |
You honestly, you look fine. You look fine. | 0:27:36 | 0:27:39 | |
That's so like something out of Lord of the Rings now. | 0:27:39 | 0:27:41 | |
-It's a great look. -Even more than ever. | 0:27:41 | 0:27:43 | |
I'm going to wear, I'm going to put this as my passport photo. | 0:27:43 | 0:27:47 | |
What do you do? | 0:27:47 | 0:27:48 | |
I'm a fighting king, what do you want? | 0:27:48 | 0:27:50 | |
And now it's time for one of my Knick-Knacks. | 0:27:52 | 0:27:55 | |
Crikey, how did that get there?! | 0:27:55 | 0:27:57 | |
LAUGHTER | 0:27:57 | 0:27:59 | |
APPLAUSE | 0:28:01 | 0:28:03 | |
I'm going to demonstrate... | 0:28:06 | 0:28:08 | |
-What a marvellous outing for the word "crikey." -Yes. | 0:28:08 | 0:28:11 | |
I'm going to demonstrate to you how a chain reaction takes place. | 0:28:11 | 0:28:14 | |
Imagine these are little atoms, | 0:28:14 | 0:28:16 | |
and what I have is a series of mouse trap, ow, mouse traps. | 0:28:16 | 0:28:22 | |
Used for obviously killing mice! | 0:28:22 | 0:28:24 | |
HE YELPS | 0:28:24 | 0:28:25 | |
And fortunately no mice will be harmed in this experiment. | 0:28:25 | 0:28:30 | |
All you will see is the spectacular sight of random and explosive | 0:28:30 | 0:28:34 | |
chain reaction caused by one atom touching another, | 0:28:34 | 0:28:38 | |
which are all in... | 0:28:38 | 0:28:39 | |
Ball number 16, the eighth appearance this year. | 0:28:39 | 0:28:41 | |
Yes. So are you ready? | 0:28:41 | 0:28:44 | |
-Yes. -Here we go. | 0:28:44 | 0:28:46 | |
CHEERING AND APPLAUSE | 0:28:49 | 0:28:52 | |
JASON: All that, all that for three seconds. | 0:28:52 | 0:28:55 | |
It's a lot of effort for the money. | 0:28:56 | 0:28:59 | |
Good night. | 0:29:01 | 0:29:02 |