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Ah, good evening, good evening, good evening. | 0:00:31 | 0:00:34 | |
Good evening and welcome to QI, where tonight the K is silent, | 0:00:34 | 0:00:39 | |
as in knits, knots, knackers and knobs. | 0:00:39 | 0:00:42 | |
Let's meet a knitwit, Sue Perkins. | 0:00:42 | 0:00:45 | |
APPLAUSE | 0:00:45 | 0:00:47 | |
Knot a lot, Ross Noble. | 0:00:50 | 0:00:52 | |
APPLAUSE | 0:00:52 | 0:00:54 | |
Slightly knackered, David Mitchell. | 0:00:56 | 0:00:58 | |
APPLAUSE | 0:00:58 | 0:01:01 | |
And a complete kn... say no more, Alan Davies. | 0:01:04 | 0:01:06 | |
APPLAUSE | 0:01:06 | 0:01:08 | |
Right. All the K's are quiet and so are their k-noises. | 0:01:13 | 0:01:17 | |
Sue goes... | 0:01:17 | 0:01:19 | |
Sh! | 0:01:19 | 0:01:20 | |
Ross goes... | 0:01:21 | 0:01:23 | |
SHEEP BLEATING | 0:01:24 | 0:01:26 | |
-David goes... -PIN DROPPING | 0:01:27 | 0:01:29 | |
-That was a pin dropping. You could hear it. -Yeah. | 0:01:31 | 0:01:33 | |
-And Alan goes: -# Silence is golden! # | 0:01:33 | 0:01:36 | |
Very nice. And how many knots are there in this picture? | 0:01:36 | 0:01:41 | |
# Silence is... # | 0:01:44 | 0:01:47 | |
-Yes? -Two. | 0:01:49 | 0:01:51 | |
-CLAXON -No. | 0:01:51 | 0:01:54 | |
-Four? -CLAXON | 0:01:56 | 0:01:58 | |
It's a trap! | 0:02:00 | 0:02:02 | |
-Well, you've got some options. -Oh, none. | 0:02:02 | 0:02:04 | |
CLAXON | 0:02:04 | 0:02:06 | |
David? | 0:02:07 | 0:02:09 | |
-One? -Yes! -APPLAUSE | 0:02:11 | 0:02:15 | |
Oh, you're such a swot! | 0:02:15 | 0:02:17 | |
Is it the noose, is that the only one? | 0:02:19 | 0:02:21 | |
There are two hitches, a bend and a knot. | 0:02:21 | 0:02:23 | |
-The one on the right is a k-noose. -Yes. | 0:02:23 | 0:02:26 | |
-A noose, but it is a knot. -Oh, a noose is a knot? | 0:02:26 | 0:02:29 | |
-A noose is a type of knot. -A hangman's knot. | 0:02:29 | 0:02:31 | |
The hitches are the first one and the third one. | 0:02:31 | 0:02:33 | |
Is correct, they are hitches, and the second one is what's known as a bend. | 0:02:33 | 0:02:37 | |
In everyday speech, of course, the word knot is used for all of them | 0:02:37 | 0:02:41 | |
but this is QI where everyday speech is completely... | 0:02:41 | 0:02:44 | |
MUMBO JUMBO | 0:02:44 | 0:02:46 | |
So the highwayman's hitch, for example, | 0:02:46 | 0:02:49 | |
I have an example of a highwayman's hitch. | 0:02:49 | 0:02:51 | |
That's where you hitch your horse and the tighter you pull, | 0:02:51 | 0:02:55 | |
the tighter it goes but when you want to get away quickly, | 0:02:55 | 0:02:58 | |
-you pull the short one, da-dum! -Oh, that is good. -Isn't that clever? | 0:02:58 | 0:03:01 | |
Does he not just run off with the stick then? | 0:03:01 | 0:03:03 | |
-It's a post in the ground. -Oh, I see, right. Sorry, yeah. | 0:03:03 | 0:03:06 | |
Because if you tied up your dog to that and you went, right, | 0:03:06 | 0:03:10 | |
and then threw it and the dog ran after it, a lot of confusion there. | 0:03:10 | 0:03:14 | |
Yeah. Another one was called the European Death Knot, | 0:03:14 | 0:03:17 | |
the Euro Death Knot, or EDK. | 0:03:17 | 0:03:20 | |
Was that named by UKIP? | 0:03:20 | 0:03:22 | |
It's also a one sided overhand bend. | 0:03:25 | 0:03:27 | |
It's used for joining two ropes, as you can see. | 0:03:27 | 0:03:29 | |
It's perfectly safe if used right, but a lot of climbers thought it wasn't safe | 0:03:29 | 0:03:34 | |
and it was invented in Europe, so American climbers called it the Euro Death Knot. | 0:03:34 | 0:03:38 | |
In fact it's very, very old and the 5,300-year-old man, Otzi, | 0:03:38 | 0:03:43 | |
who was discovered in the Alps, dead, obviously... | 0:03:43 | 0:03:45 | |
-For a moment there I thought you... -He was preserved, preserved... | 0:03:47 | 0:03:51 | |
Been there for 5,000 years and going, "Help, will somebody help!" | 0:03:51 | 0:03:54 | |
He had amongst his possessions a knot tied exactly in that fashion, | 0:03:54 | 0:03:58 | |
so it shows we've been doing it for a very long time. | 0:03:58 | 0:04:01 | |
And that would have been before rope was invented, for sure. | 0:04:01 | 0:04:04 | |
How he pulled that off..? | 0:04:04 | 0:04:06 | |
And the other hitch we saw was called the snuggle hitch. | 0:04:06 | 0:04:09 | |
Which is a more secure version of the better-known sailor's knot, | 0:04:09 | 0:04:13 | |
the clove hitch. | 0:04:13 | 0:04:15 | |
-You look at me as if I would know that. -Sorry, I just... | 0:04:15 | 0:04:17 | |
"Come on, Susan, you know the knots." | 0:04:17 | 0:04:20 | |
One of the surprising things about it, | 0:04:20 | 0:04:22 | |
because it looks reasonably simple, | 0:04:22 | 0:04:24 | |
was that it was invented in 1987. | 0:04:24 | 0:04:27 | |
Or at least that's when it was very first introduced into the International Knot Tyers Guild. | 0:04:28 | 0:04:34 | |
Didn't they think they had enough knots, without inventing more? | 0:04:34 | 0:04:37 | |
Yeah, I know. There are 3,800 in their... | 0:04:37 | 0:04:40 | |
We're not going to go through each one of them, you'll be pleased to know. | 0:04:40 | 0:04:43 | |
So that's a very specific '80s knot? | 0:04:43 | 0:04:45 | |
Did somebody go, we need a way of tying down Bananarama. Now... | 0:04:45 | 0:04:50 | |
It was a man called Owen Nuttall, anyway, who invented it | 0:04:51 | 0:04:54 | |
and he called it the snuggle hitch. | 0:04:54 | 0:04:56 | |
-NASAL SPEECH: I imagine he speaks like that. -Well, he may. | 0:04:56 | 0:05:00 | |
"Nuttall here. I invented a knot." | 0:05:00 | 0:05:02 | |
The hangman's knot is named after one of the most famous | 0:05:03 | 0:05:07 | |
hangmen in history, Charles II's hangman. | 0:05:07 | 0:05:10 | |
-Oh, Johnny... -It's a French guy. -Johnny Noose. | 0:05:10 | 0:05:12 | |
No. Oddly enough, his surname is a sailing vessel. Jack..? | 0:05:12 | 0:05:17 | |
-Boat. -Yacht. -Ketch. Jack Ketch. | 0:05:17 | 0:05:20 | |
Which if I'm not mistaken has a tall mast at the front | 0:05:20 | 0:05:23 | |
-and a small mast at the back. -Indeed, indeed, yes, the ketch. | 0:05:23 | 0:05:25 | |
-Yeah, well, I just like to point that out. -Well done. -Thank you. | 0:05:25 | 0:05:29 | |
This became pretty much the standard hanging noose that was used | 0:05:29 | 0:05:31 | |
because it broke the neck very quickly. | 0:05:31 | 0:05:34 | |
So, it was a very quick death when you dropped. The drop, as they called it. | 0:05:34 | 0:05:38 | |
So, in a way, it was humane. | 0:05:38 | 0:05:41 | |
It's good that you say he was an effective hangman, | 0:05:41 | 0:05:43 | |
-cos if you weren't, you're essentially just a bloke that opens a door. -Yes. | 0:05:43 | 0:05:47 | |
Do you know what I mean? | 0:05:47 | 0:05:49 | |
Because where was it? | 0:05:49 | 0:05:51 | |
There was a place where the prisoners built the gallows | 0:05:51 | 0:05:54 | |
and when you stood on a particular plank it forced the wood out | 0:05:54 | 0:05:57 | |
and then the door didn't open and no-one was getting... | 0:05:57 | 0:06:00 | |
Then they would test it and the door would open and then they'd go, all right. | 0:06:00 | 0:06:04 | |
And then they'd put the person there and then it would push the wood | 0:06:04 | 0:06:06 | |
and then it wouldn't, and they'd go, all right. | 0:06:06 | 0:06:08 | |
Take him away, test it again, fine. That happened loads of times and... | 0:06:08 | 0:06:12 | |
And so they decided God didn't want this person to die and let them off. | 0:06:12 | 0:06:16 | |
I think that's a real thing, or I might have seen it in a Scooby Doo episode. | 0:06:16 | 0:06:19 | |
I'm not sure. I'm not quite sure. | 0:06:19 | 0:06:22 | |
Do they do a lot of hanging in Scooby Doo? | 0:06:22 | 0:06:25 | |
-Now you come to mention it... -No more! | 0:06:25 | 0:06:28 | |
No, it's not. How would that be Scooby Doo? | 0:06:28 | 0:06:32 | |
Like, like, like... IMPERSONATES SCOOBY DOO | 0:06:32 | 0:06:36 | |
-Shaggy! -That can't be Scooby Doo. | 0:06:36 | 0:06:39 | |
AMERICAN ACCENT: It was Mr Ketch, the hangman, all the time. | 0:06:39 | 0:06:42 | |
So, now, I want you to take one of those each, | 0:06:44 | 0:06:47 | |
and tie yourselves together, as it were. | 0:06:47 | 0:06:50 | |
-This has gone quite dark now. -It has, hasn't it? | 0:06:50 | 0:06:53 | |
Is it just me? It's like a party game in the '70s. | 0:06:53 | 0:06:57 | |
So, put each one of those around your wrist. | 0:06:57 | 0:06:59 | |
-No, no, don't undo it. -Well, I can't get my hand through that, can I? -Oh, sorry. | 0:06:59 | 0:07:03 | |
Little cock grab, that is. | 0:07:05 | 0:07:07 | |
-Cock ring! -Try with this one. | 0:07:08 | 0:07:11 | |
-Swap. You can give me that one back. -That's more like it. | 0:07:11 | 0:07:13 | |
There we are. Put your wrists through. | 0:07:13 | 0:07:16 | |
That's it, and then do that, so that you're tied together. | 0:07:18 | 0:07:21 | |
-OK. -Yes, is that right? -Is that good? | 0:07:21 | 0:07:24 | |
Without undoing the knots, untie yourselves. | 0:07:24 | 0:07:26 | |
DAVID: Oh, I see. | 0:07:34 | 0:07:36 | |
-Don't turn around, don't turn around. -That hasn't helped. | 0:07:36 | 0:07:39 | |
DAVID: No! | 0:07:42 | 0:07:43 | |
-ROSS: No, that's it, you go through there. -Yes! -Yes! | 0:07:48 | 0:07:51 | |
No! | 0:07:51 | 0:07:53 | |
Emphatically no! | 0:07:54 | 0:07:56 | |
Completely not. | 0:07:57 | 0:07:59 | |
I'm going back up, I'm going back over. | 0:08:01 | 0:08:03 | |
Right, go, go through. Yes! | 0:08:05 | 0:08:07 | |
No! | 0:08:07 | 0:08:08 | |
LAUGHTER AND APPLAUSE | 0:08:08 | 0:08:10 | |
I've got it, I've got it. Right. | 0:08:12 | 0:08:14 | |
Right. I've got it. If I do a forward flip... | 0:08:14 | 0:08:17 | |
Now... | 0:08:20 | 0:08:22 | |
Right, let's see if we can get... | 0:08:22 | 0:08:24 | |
Oh, oh. | 0:08:27 | 0:08:28 | |
I think technically you are now married. | 0:08:28 | 0:08:31 | |
You have let... | 0:08:31 | 0:08:33 | |
I'm coming down, I'm coming down. | 0:08:34 | 0:08:36 | |
You two hold it for a second and watch, | 0:08:38 | 0:08:40 | |
-because I think Sue is onto something. -OK. | 0:08:40 | 0:08:43 | |
This is what we did when we were regularly handcuffed together as children. | 0:08:43 | 0:08:46 | |
No, watch. You mustn't untie the knot. | 0:08:46 | 0:08:49 | |
But... | 0:08:49 | 0:08:51 | |
Oh. | 0:08:53 | 0:08:54 | |
Yeah! | 0:08:56 | 0:08:57 | |
Well done. Brilliant! | 0:09:00 | 0:09:02 | |
-Have a go. -I actually, I have no idea what you did. | 0:09:04 | 0:09:08 | |
Neither do I, but I feel alone now. I liked it when we were together. | 0:09:08 | 0:09:11 | |
Show them, if you can remember it. | 0:09:11 | 0:09:13 | |
What's properly weird is, I've now got a purple one round there. | 0:09:13 | 0:09:16 | |
-It's a magician's trick, it's a good... -So what you have to do is, you have to make a loop. | 0:09:16 | 0:09:21 | |
And then you feed the loop through. | 0:09:21 | 0:09:23 | |
-What?! -Then you go over your hand. | 0:09:25 | 0:09:28 | |
No way. | 0:09:28 | 0:09:29 | |
You are free. | 0:09:29 | 0:09:31 | |
No, you're not! | 0:09:31 | 0:09:32 | |
Is this your watch? | 0:09:35 | 0:09:37 | |
APPLAUSE | 0:09:38 | 0:09:40 | |
Oh, we've given up, we've given up. | 0:09:44 | 0:09:47 | |
Hang on, if I take my trousers off... | 0:09:47 | 0:09:49 | |
I think we have to call that a disaster. | 0:09:50 | 0:09:52 | |
But well done, Sue Perkins. | 0:09:52 | 0:09:54 | |
It was like playing S&M Twister. | 0:10:01 | 0:10:03 | |
It was rather, wasn't it? | 0:10:03 | 0:10:04 | |
It was a wonderful sight that will never leave my memory banks. | 0:10:04 | 0:10:08 | |
So, why would anyone ban knitting patterns, flowers, hugs and kisses? | 0:10:08 | 0:10:13 | |
This is a real ban, that is to say, a governmental ban. | 0:10:13 | 0:10:16 | |
It's got a war-time feeling about it. | 0:10:16 | 0:10:18 | |
-It has got a war-time feeling about it. -Code? | 0:10:18 | 0:10:20 | |
-Code is the right word. -What, they knit in code? | 0:10:20 | 0:10:22 | |
Yes. | 0:10:22 | 0:10:24 | |
So in World War II you were not allowed to send abroad | 0:10:24 | 0:10:26 | |
any knitting pattern, just in case there was code embedded in it. | 0:10:26 | 0:10:30 | |
So you couldn't send, you know, socks to prisoners of war? | 0:10:30 | 0:10:33 | |
You could send socks, | 0:10:33 | 0:10:34 | |
-but not anything with a knitting pattern in it. -Oh, right. | 0:10:34 | 0:10:37 | |
Because they could be used as some sort of code. | 0:10:37 | 0:10:39 | |
Open out a blanket and it says "June 6th, 1944." | 0:10:39 | 0:10:43 | |
Normandy. | 0:10:43 | 0:10:45 | |
Also postal chess was not allowed, | 0:10:47 | 0:10:48 | |
even kisses at the bottom of letters, | 0:10:48 | 0:10:51 | |
in case they had some meaning. | 0:10:51 | 0:10:52 | |
Presumably messages saying where the troops are moving... | 0:10:52 | 0:10:55 | |
Yes, those were obviously pretty much banned. | 0:10:55 | 0:10:57 | |
Could you not have got like, you know you get knitting machines, | 0:10:57 | 0:11:00 | |
could they not have made like an enigma knitting machine? | 0:11:00 | 0:11:02 | |
Where it makes the jumper and then scrambles it up, | 0:11:02 | 0:11:05 | |
-so that they couldn't pass the message. -That would be very clever. | 0:11:05 | 0:11:08 | |
-It's an opportunity missed. -It is an opportunity missed. | 0:11:08 | 0:11:11 | |
We have a Karen Templer, who is a QI watcher, has knitted us... | 0:11:11 | 0:11:15 | |
Oh, look at that. | 0:11:15 | 0:11:16 | |
And this says, in Morse code... | 0:11:16 | 0:11:18 | |
"I wool always love you." | 0:11:20 | 0:11:23 | |
Oh, that's cute. | 0:11:23 | 0:11:24 | |
Aaah. Thank you, Karen. Bravo. | 0:11:24 | 0:11:27 | |
APPLAUSE | 0:11:27 | 0:11:28 | |
-Isn't that nice? -You know what she was doing there? | 0:11:29 | 0:11:32 | |
-She was indulging in a bit of four-ply. -Hey! | 0:11:32 | 0:11:35 | |
AUDIENCE LAUGH AND GROAN | 0:11:35 | 0:11:37 | |
-Good night. -Very good. | 0:11:37 | 0:11:38 | |
And let's hope that it is Morse code and not Braille. | 0:11:38 | 0:11:41 | |
"You'll what? Get off me!" | 0:11:43 | 0:11:46 | |
Now, how can knitting be used to reduce fear, crime and disorder? | 0:11:48 | 0:11:51 | |
-Well, you know if he was knitting he couldn't be holding a gun. -Yeah. | 0:11:52 | 0:11:55 | |
Well, that's true. | 0:11:55 | 0:11:56 | |
It's harder to stab, shoot. | 0:11:56 | 0:11:59 | |
You can only really kick people while you're knitting, can't you. | 0:11:59 | 0:12:02 | |
You can stab. | 0:12:02 | 0:12:03 | |
We'll come onto that, there is something called | 0:12:03 | 0:12:05 | |
Extreme Knitting, which we will come to. | 0:12:05 | 0:12:07 | |
It's called Guerrilla knitting, or sometimes Yarn Bombing. | 0:12:09 | 0:12:14 | |
And it is actually a way to make a place more peaceful. | 0:12:14 | 0:12:16 | |
It's to deter crime. | 0:12:16 | 0:12:18 | |
And it was tried out in Leicester, where they hung pompoms, | 0:12:18 | 0:12:23 | |
and put things round trees. | 0:12:23 | 0:12:25 | |
Oh, I feel calm already. It's like a tree-warmer. | 0:12:25 | 0:12:28 | |
Well, they used cosies for tree trunks, parking meters, | 0:12:28 | 0:12:32 | |
even buses, and tanks has been suggested, in the military areas. | 0:12:32 | 0:12:35 | |
But as I say, there's Guerrilla Knitting, | 0:12:35 | 0:12:37 | |
but I alluded to it earlier, there's Extreme Knitting. | 0:12:37 | 0:12:40 | |
What do you think that might be? | 0:12:40 | 0:12:42 | |
Now I've got Gregg Wallace in my head going, | 0:12:42 | 0:12:44 | |
"Knitting doesn't get more extreme than this!" | 0:12:44 | 0:12:47 | |
"First you get a slip stitch, then comes a taste of pearl." | 0:12:49 | 0:12:53 | |
Is it about doing knitting in places where you wouldn't normally, | 0:12:54 | 0:12:57 | |
like driving a Formula One car, or... | 0:12:57 | 0:13:00 | |
Well, sort of. | 0:13:00 | 0:13:01 | |
..parachuting or something. | 0:13:01 | 0:13:02 | |
The great heroine of this is one Susie Hewer, | 0:13:02 | 0:13:05 | |
aged 55 at the moment of going to press. | 0:13:05 | 0:13:07 | |
She has the world record for knitting a scarf | 0:13:07 | 0:13:09 | |
while running a marathon. | 0:13:09 | 0:13:12 | |
-Oh, that is good. -That is impressive. | 0:13:12 | 0:13:14 | |
And she's also crocheted while running a marathon too, | 0:13:14 | 0:13:17 | |
and she's ridden a tandem, | 0:13:17 | 0:13:19 | |
and she does it to raise money for Alzheimer's research. | 0:13:19 | 0:13:21 | |
So it's all pretty good in the end. | 0:13:21 | 0:13:23 | |
Yeah. I did a half marathon when I was a student, | 0:13:23 | 0:13:26 | |
to raise money so that we could go to the Edinburgh Festival. | 0:13:26 | 0:13:29 | |
-Well, dear me. -Do you know how much I raised? Have a guess. | 0:13:31 | 0:13:33 | |
-So that's what got you here. -50 quid. -70. | 0:13:33 | 0:13:36 | |
-Oh, that's good. -70 quid. -For 13 miles. | 0:13:36 | 0:13:38 | |
And then we got two grand off the Student's Union to top it up. | 0:13:38 | 0:13:41 | |
-Well, it worked out all right for you, didn't it? -Yeah. | 0:13:44 | 0:13:47 | |
I would say. | 0:13:47 | 0:13:48 | |
Now, what about the biggest knitted objects in the world, | 0:13:48 | 0:13:50 | |
-how big are they? -Massive. | 0:13:50 | 0:13:52 | |
Yes, is the answer. Give me a... | 0:13:52 | 0:13:54 | |
Thanks, I'll have a point, thank you. | 0:13:54 | 0:13:56 | |
-The biggest knitted object. -Yeah. | 0:13:56 | 0:13:58 | |
Well, I've had my doubts about Venus for a long time, you know. | 0:13:58 | 0:14:02 | |
Is it going to be like a suspension bridge or something, | 0:14:02 | 0:14:05 | |
is a knitted object? | 0:14:05 | 0:14:06 | |
In as much as it is, yes, it is a physical object | 0:14:06 | 0:14:08 | |
-on which people can live. -It's a house? | 0:14:08 | 0:14:10 | |
Is the internet knitted? | 0:14:10 | 0:14:12 | |
-Does it count as a huge knitted thing? -No. | 0:14:13 | 0:14:16 | |
It's a series of man-made knitted islands on the Peruvian side | 0:14:16 | 0:14:20 | |
of Lake Titicaca. And there are 45 of them. | 0:14:20 | 0:14:23 | |
They're from totora reeds, and there's a church on one of them. | 0:14:23 | 0:14:27 | |
There are buildings and houses, people live on them. | 0:14:27 | 0:14:30 | |
But they're quite... | 0:14:30 | 0:14:31 | |
But the scariest thing is the size of the nanas that built them. | 0:14:31 | 0:14:34 | |
Yes. | 0:14:34 | 0:14:36 | |
But several hundred people live on them, they get so used to | 0:14:36 | 0:14:39 | |
this rather springy surface that if they then go on land, they just, | 0:14:39 | 0:14:42 | |
they can't walk, it takes them ages to get their land legs back. | 0:14:42 | 0:14:46 | |
I think that's where Bez from the Happy Mondays, | 0:14:46 | 0:14:48 | |
-he's from there, isn't he? -Yeah. | 0:14:48 | 0:14:50 | |
-Very good. Excellent. -Be a great excuse, wouldn't it, | 0:14:50 | 0:14:53 | |
if you turned up somewhere pissed, | 0:14:53 | 0:14:54 | |
to say, "No, actually, I'm fine, I just usually live somewhere knitted. | 0:14:54 | 0:14:57 | |
"And it's very odd, everything..." | 0:14:57 | 0:14:59 | |
Just used to a very different surface. | 0:14:59 | 0:15:01 | |
"Everything feels very wobbly, but honestly, I am a professional." | 0:15:01 | 0:15:05 | |
ROSS: But the Lake Titicaca Olympic team must be amazing. Bang! | 0:15:05 | 0:15:10 | |
Give me a statistic about Lake Titicaca. | 0:15:12 | 0:15:14 | |
It is the biggest innuendo place in the planet. | 0:15:14 | 0:15:19 | |
It's got titties and it's got caca. | 0:15:19 | 0:15:22 | |
Caca, exactly. Exactly. | 0:15:22 | 0:15:23 | |
Is it very, very high? | 0:15:23 | 0:15:24 | |
It's the highest navigable lake in the world. That's quite right. | 0:15:24 | 0:15:27 | |
Navigable means you can go in one end and out the other. | 0:15:27 | 0:15:30 | |
Yes, you can get ships on it and there are many ships on it, | 0:15:30 | 0:15:32 | |
and ports and things like that. | 0:15:32 | 0:15:33 | |
There are higher lakes which you couldn't get a ship onto. | 0:15:33 | 0:15:36 | |
Not been made more navigable by loads of knitted islands. | 0:15:36 | 0:15:38 | |
-Yes, they get in the way. -Yes. | 0:15:38 | 0:15:40 | |
So, anyway, now for a new round. What Katydid. | 0:15:40 | 0:15:45 | |
Here are five creatures and five names. | 0:15:45 | 0:15:47 | |
I want you to match the creature to the name. | 0:15:47 | 0:15:50 | |
Oh, right, OK. | 0:15:50 | 0:15:51 | |
There's a dragon-headed, a spike headed, a horned, | 0:15:51 | 0:15:53 | |
a mimicking snout-nosed and a small hooded, and they're all called? | 0:15:53 | 0:15:56 | |
-Sheila. -No, no, they're called katydids. | 0:15:56 | 0:15:59 | |
Why might they be called a katydid? | 0:15:59 | 0:16:01 | |
A "cat-idid?" | 0:16:01 | 0:16:02 | |
No, it is actually pronounced katydid. | 0:16:02 | 0:16:04 | |
It's because supposedly the sound | 0:16:04 | 0:16:06 | |
they make by stridulating their wings is "katydid, katydidn't." | 0:16:06 | 0:16:09 | |
I don't know, we haven't got a recording of it, | 0:16:09 | 0:16:11 | |
so I can't help you. | 0:16:11 | 0:16:12 | |
Katydid, katydidn't. | 0:16:12 | 0:16:14 | |
Let's show the answers in a colour-coded sort of way. | 0:16:14 | 0:16:17 | |
-Well, there you can see... -The dragon-head. | 0:16:17 | 0:16:19 | |
But they're strange creatures. | 0:16:19 | 0:16:20 | |
And the most impressive, in some ways, is the small hooded, | 0:16:20 | 0:16:24 | |
which as you see is the purple one, which looks like a leaf. | 0:16:24 | 0:16:26 | |
We're looking at it very closely and it's moving, but it wasn't | 0:16:26 | 0:16:29 | |
discovered till 2010, it's lived for millennia and it's not even rare. | 0:16:29 | 0:16:34 | |
It's in Australia. | 0:16:34 | 0:16:35 | |
It's because its camouflage is so astonishing, the mottling | 0:16:35 | 0:16:38 | |
of the leaves and everything else is such that people just don't see it. | 0:16:38 | 0:16:42 | |
That's the longest game of hide and seek. | 0:16:42 | 0:16:43 | |
-Yes, that's ever been ever played. -Finally! | 0:16:43 | 0:16:45 | |
Eventually someone, "Look, what's that little blighter in there? | 0:16:45 | 0:16:48 | |
"That's an animal, it's alive." | 0:16:48 | 0:16:50 | |
"Oh, you got me, you got me!" | 0:16:50 | 0:16:53 | |
It would be a terrifying thing, actually suddenly to, you know, that | 0:16:54 | 0:16:57 | |
things that we've been looking at for ages turn out to be animals. | 0:16:57 | 0:17:00 | |
-Yes. -You know, that you're suddenly looking at four trees | 0:17:00 | 0:17:03 | |
-and suddenly realise, "Oh, no, they're legs." -Yes. | 0:17:03 | 0:17:07 | |
There's another katydid which does a really extraordinary thing, | 0:17:07 | 0:17:10 | |
it's a record in the animal kingdom, as far as we know, | 0:17:10 | 0:17:12 | |
it's the male Tuberous bush cricket. | 0:17:12 | 0:17:14 | |
It has the largest testicles for their weight of any animal. | 0:17:14 | 0:17:17 | |
That's 14% of their body mass. | 0:17:21 | 0:17:24 | |
-14%? -14%. | 0:17:24 | 0:17:26 | |
-Gonads. -It enables them to fertilise as many females as possible. | 0:17:26 | 0:17:29 | |
They do this by inserting a jelly-like package, called... | 0:17:29 | 0:17:33 | |
Why are you looking at me? | 0:17:33 | 0:17:34 | |
I'm sorry, called a spermatophore, into the female. | 0:17:34 | 0:17:38 | |
But the back end of this spermatophore, | 0:17:38 | 0:17:40 | |
this bulging packet of spermatazoic jelly, | 0:17:40 | 0:17:43 | |
there's too much of it, it bulges out | 0:17:43 | 0:17:45 | |
and the female reaches back and eats it for lunch. | 0:17:45 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:49 | |
So it's a romantic dinner for one, so it's a double little present. | 0:17:49 | 0:17:53 | |
Yes. Only a man could say that. | 0:17:53 | 0:17:55 | |
The thing about that... | 0:17:57 | 0:17:58 | |
40%...yes? | 0:17:58 | 0:17:59 | |
The thing about that as a creature though, | 0:17:59 | 0:18:01 | |
cos it's got such massive balls, like when you film it close up, | 0:18:01 | 0:18:05 | |
it must go like, it must leap and go, oh! | 0:18:05 | 0:18:08 | |
Quick, oh! | 0:18:08 | 0:18:09 | |
Oh, the agony. | 0:18:09 | 0:18:10 | |
Every time it lands, it's just, ooh. | 0:18:10 | 0:18:12 | |
Where's the penis? Is the penis massive? | 0:18:12 | 0:18:14 | |
I don't think the penis is as massive as the testes. | 0:18:14 | 0:18:16 | |
Just a little thing like that, and then two great melons. | 0:18:16 | 0:18:19 | |
Yeah. It's really... | 0:18:19 | 0:18:20 | |
That's quite a powerful squirt, you'd have thought. | 0:18:20 | 0:18:23 | |
-She could be a mile away. -Yeah. | 0:18:23 | 0:18:24 | |
Well, there you are, there's your katydid. | 0:18:24 | 0:18:27 | |
What's the longest distance of mating in the animal kingdom? | 0:18:29 | 0:18:32 | |
-What is? -Yeah. -Gosh, I don't know. | 0:18:32 | 0:18:34 | |
Some fish put the eggs and then the male fish comes along later... | 0:18:34 | 0:18:37 | |
-By post. -They don't even meet. | 0:18:37 | 0:18:38 | |
Oh, that's true. You could send by post, I suppose. | 0:18:38 | 0:18:41 | |
Can you? | 0:18:41 | 0:18:42 | |
Well, there's the ninja slug. | 0:18:42 | 0:18:43 | |
No, this is a real thing. | 0:18:45 | 0:18:47 | |
A ninja slug? | 0:18:47 | 0:18:49 | |
The ninja slug, and when it's doing the loving, | 0:18:49 | 0:18:52 | |
-it er... Yeah, I'm like a proper expert. -The slug loving. | 0:18:52 | 0:18:55 | |
Wax on, wax off. | 0:18:55 | 0:18:56 | |
Yeah, slug loving. | 0:18:56 | 0:18:57 | |
And then instead of getting involved, | 0:18:57 | 0:18:59 | |
it comes up and then it fires like all the necessaries towards | 0:18:59 | 0:19:04 | |
the lady slug, and she "hoof", and then, I don't know what it's called. | 0:19:04 | 0:19:08 | |
-Catches it? -Sort of, yeah. | 0:19:08 | 0:19:10 | |
But she leans backward to catch it? | 0:19:10 | 0:19:11 | |
I don't think she's got hands, | 0:19:11 | 0:19:14 | |
but she, she sort of... That's the thing with a slug, | 0:19:14 | 0:19:16 | |
if you rush a slug like that, they don't go, "Urgh," they just, | 0:19:16 | 0:19:20 | |
"Oh." And then, yeah. Go like that. | 0:19:20 | 0:19:22 | |
Oh, it's that bit, on the... yes. | 0:19:22 | 0:19:24 | |
Wah! | 0:19:27 | 0:19:28 | |
-And then, yeah. -Are you saying it's like the meat and two veg detach? | 0:19:28 | 0:19:31 | |
-Yeah. Takes it off... -And fires, takes it off and fires it at a... | 0:19:31 | 0:19:35 | |
Takes it off and it... Again, I'm not sure where I found this out. | 0:19:35 | 0:19:38 | |
Scooby Doo. | 0:19:38 | 0:19:40 | |
That is definitely Scooby Doo. | 0:19:40 | 0:19:41 | |
It sort of, its bits go, and then it, woo, like that. And then it... | 0:19:41 | 0:19:44 | |
I definitely seen that on Scooby Doo. | 0:19:44 | 0:19:45 | |
And then she's, I think she's like that, "Wey!" | 0:19:45 | 0:19:48 | |
And she's basically like a goalkeeper, just readying herself. | 0:19:48 | 0:19:50 | |
Exactly. Yeah, honestly, it's like an explosion in an Ann Summers. | 0:19:50 | 0:19:54 | |
Well, that's terrific, well done. | 0:19:55 | 0:19:57 | |
There's nothing worse, though, | 0:19:57 | 0:19:58 | |
when this slug comes towards the lady and she dives the wrong way. | 0:19:58 | 0:20:01 | |
That is, oh! | 0:20:01 | 0:20:03 | |
Nightmare. | 0:20:03 | 0:20:04 | |
Moving on, moving on from the enormous knackers of the katydid. | 0:20:04 | 0:20:09 | |
What can you tell me about the royal knackers? | 0:20:09 | 0:20:12 | |
Well, I imagine they're pretty toastie right now. | 0:20:14 | 0:20:17 | |
Is it where royal horses are killed? | 0:20:18 | 0:20:21 | |
The Royal Knacker's Yard? | 0:20:21 | 0:20:23 | |
Well, yes, they don't any longer have a Royal Knacker's yard, | 0:20:23 | 0:20:25 | |
but they used to. | 0:20:25 | 0:20:26 | |
There was of course, in the Victorian age, and earlier, | 0:20:26 | 0:20:29 | |
a great need to get rid of horses who had died, | 0:20:29 | 0:20:32 | |
and to make the most of them. | 0:20:32 | 0:20:34 | |
And they went to knacker's yards. And there was... | 0:20:34 | 0:20:38 | |
And thence into lasagne. | 0:20:38 | 0:20:39 | |
And they were made into all kinds of things. | 0:20:39 | 0:20:41 | |
And the royal knacker was one John Atcheler, | 0:20:41 | 0:20:44 | |
who had the royal warrant from Queen Victoria, to knacker her horses. | 0:20:44 | 0:20:49 | |
And he was the official horse slaughterer. | 0:20:49 | 0:20:51 | |
He had two knacker's yards. | 0:20:51 | 0:20:53 | |
The first was in Sharp's Alley near Smithfield | 0:20:53 | 0:20:55 | |
and then later near Kings Cross, at Belle Isle. | 0:20:55 | 0:20:57 | |
And they were famously malodorous, you wouldn't want to live near them. | 0:20:57 | 0:21:01 | |
Huge, huge copper vats filled with horses being rendered down. | 0:21:01 | 0:21:06 | |
But here from 1844 is an extract from Bentley's Miscellany, | 0:21:06 | 0:21:09 | |
"The knacker's cart arrives in double quick, | 0:21:09 | 0:21:12 | |
"The mob admires the cart, the royal arms and the inscription: | 0:21:12 | 0:21:15 | |
"'Knacker to Her Majesty.' | 0:21:15 | 0:21:18 | |
"The royal knacker, a swell knacker in cords and tops, | 0:21:18 | 0:21:21 | |
"with a bit of butcher's apron, just as big as a bishop's, | 0:21:21 | 0:21:23 | |
"merely to distinguish his profession, | 0:21:23 | 0:21:25 | |
"pole-axe in hand, descends from his vehicle." | 0:21:25 | 0:21:28 | |
-Well, that's pageantry. -That's pageantry, isn't it, exactly. | 0:21:28 | 0:21:31 | |
That's what I want to see televised, David Dimbleby doing | 0:21:31 | 0:21:34 | |
the commentary, "The slaughtering of the royal horse." | 0:21:34 | 0:21:37 | |
Absolutely. | 0:21:37 | 0:21:38 | |
It wouldn't be David Dimbleby though, it would be Fearne Cotton. | 0:21:38 | 0:21:41 | |
I'm afraid it would, wouldn't it? | 0:21:41 | 0:21:43 | |
People would say, "They've ruined the horse slaughtering this year." | 0:21:43 | 0:21:46 | |
"They've trivialised the knackering." | 0:21:46 | 0:21:47 | |
"It used to be so respectful." | 0:21:47 | 0:21:49 | |
There was so much pomp and circumstance. | 0:21:49 | 0:21:50 | |
Explain what bit of the horse was bubbling up to the top now, | 0:21:50 | 0:21:53 | |
is it a bollock, is it an eye? | 0:21:53 | 0:21:55 | |
-Yes. -But they don't know now, these new presenters. | 0:21:55 | 0:21:58 | |
Well, if anyone from Leeds tells you to eat kicker, what should you do? | 0:21:59 | 0:22:05 | |
Run away, because that's Kicker there. | 0:22:05 | 0:22:07 | |
You can see we're still in the world of meat. | 0:22:09 | 0:22:11 | |
Is it horse? | 0:22:11 | 0:22:12 | |
It is actually just plain horse, yes, it's horse. | 0:22:12 | 0:22:14 | |
And Yorkshire was the last place really to eat horse | 0:22:14 | 0:22:18 | |
on a major scale in Britain. | 0:22:18 | 0:22:20 | |
Until quite recently. | 0:22:20 | 0:22:21 | |
Well... | 0:22:21 | 0:22:23 | |
But of course recently there have been a few scandals | 0:22:23 | 0:22:26 | |
which mean we've probably all been eating horse. | 0:22:26 | 0:22:28 | |
That dark brown horse has the hair of Tina Turner. | 0:22:28 | 0:22:30 | |
You're spot-on. | 0:22:37 | 0:22:38 | |
What you're looking at here is the entire line-up of Horse Kajagoogoo. | 0:22:38 | 0:22:42 | |
You're absolutely right. | 0:22:44 | 0:22:45 | |
It's really spooky, that. | 0:22:45 | 0:22:47 | |
Well, horse was very popular right up until the first millennium, | 0:22:47 | 0:22:49 | |
until Gregory III, the Pope, deemed it too pagan. | 0:22:49 | 0:22:52 | |
But the Scandinavians had always loved eating horse | 0:22:52 | 0:22:55 | |
and the greatest Scandinavian, as it were, | 0:22:55 | 0:22:57 | |
presence in Britain was in Yorkshire. | 0:22:57 | 0:22:59 | |
And so it remained as a tradition to eat horse | 0:22:59 | 0:23:02 | |
right up until really the '30s. | 0:23:02 | 0:23:04 | |
And the last butcher selling horse in the county was Arnold Drury | 0:23:04 | 0:23:08 | |
in Doncaster, who died in 1951. | 0:23:08 | 0:23:11 | |
He proudly advertised "Viande Cheval," | 0:23:11 | 0:23:14 | |
meat horse, "of super quality horseflesh." | 0:23:14 | 0:23:18 | |
And other butchers called it kicker, more euphemistically. | 0:23:18 | 0:23:22 | |
And in the 19th century, rural Yorkshire folk who moved to the city | 0:23:22 | 0:23:25 | |
were known as kicker eaters. | 0:23:25 | 0:23:27 | |
I've eaten horse. | 0:23:28 | 0:23:29 | |
-Well, most of us have, apparently, without knowing it. -Yes. | 0:23:29 | 0:23:32 | |
Isn't it odd how we rebel at the idea of things | 0:23:32 | 0:23:35 | |
that we're not used to. | 0:23:35 | 0:23:37 | |
You know, we are totally used to drinking the proteinous | 0:23:37 | 0:23:41 | |
fatty stuff that comes out of an alien animal, | 0:23:41 | 0:23:44 | |
that is designed to make its calf double in weight every week, | 0:23:44 | 0:23:48 | |
and we're perfectly happy, | 0:23:48 | 0:23:49 | |
skull it back and go, that's all right, I'm eating a cow's milk. | 0:23:49 | 0:23:52 | |
But even more so... | 0:23:52 | 0:23:53 | |
But someone says eat a horse's milk, you go, "Ugh!" | 0:23:53 | 0:23:55 | |
Even more so than that, when my sister-in-law | 0:23:55 | 0:23:57 | |
expressed some breast milk and kept it in the fridge, | 0:23:57 | 0:24:00 | |
and her brother came in and drank it... | 0:24:00 | 0:24:03 | |
It made everyone feel a bit unwell, but no-one quite knows why. | 0:24:03 | 0:24:06 | |
Well, exactly, because it's a lot more... | 0:24:06 | 0:24:08 | |
-Clearly it's designed for human consumption. -Precisely, | 0:24:08 | 0:24:11 | |
much more than cow or horse milk is. | 0:24:11 | 0:24:12 | |
I tell you what, it makes a lovely rice pudding. | 0:24:12 | 0:24:15 | |
-It really does. -But wasn't there a shop selling... | 0:24:15 | 0:24:18 | |
-Breast milk ice cream. -Yeah. | 0:24:18 | 0:24:20 | |
We should all try lots of different animals' milk. | 0:24:20 | 0:24:22 | |
I'm very happy to try horse milk. | 0:24:22 | 0:24:24 | |
-I had some of that breast milk ice cream. -Did you? | 0:24:24 | 0:24:26 | |
Yeah. I was on a television programme | 0:24:26 | 0:24:29 | |
and they brought it round as a gimmick, I didn't seek it out. | 0:24:29 | 0:24:31 | |
No. | 0:24:31 | 0:24:32 | |
And it tasted completely like normal ice cream. | 0:24:32 | 0:24:35 | |
I thought you were going to say completely like tits. | 0:24:35 | 0:24:38 | |
-Yeah, it tasted very, very strongly of tits. -Very breasty. | 0:24:39 | 0:24:41 | |
No, it tasted very much like dog or horse milk, in fact. | 0:24:41 | 0:24:44 | |
Well, the most famous 19th century Royal Knacker was Jack Atcheler, | 0:24:44 | 0:24:48 | |
responsible for dealing with 26,000 horses a year. | 0:24:48 | 0:24:52 | |
Now, what should you watch out for when handling these? | 0:24:52 | 0:24:56 | |
It's roses, rose stems. | 0:24:57 | 0:24:59 | |
Oh, is it, is it old women with secateurs? | 0:24:59 | 0:25:01 | |
Yeah, well, that's one thing. | 0:25:01 | 0:25:03 | |
What else might harm you if you try to pick them? | 0:25:03 | 0:25:06 | |
The thorny bit? | 0:25:06 | 0:25:07 | |
KLAXON SOUNDS | 0:25:07 | 0:25:09 | |
-No, roses don't have thorns. -Not a thorn? | 0:25:09 | 0:25:12 | |
Well, they do, it's a known... | 0:25:12 | 0:25:14 | |
Thorn bushes have, thorn bushes have roses, is that it? | 0:25:14 | 0:25:16 | |
-Is it a trick? -No, on roses they're called? | 0:25:16 | 0:25:19 | |
-Prickles. -Prickles, well done. Absolutely right... | 0:25:19 | 0:25:21 | |
-They prick you. -They're not thorns. | 0:25:21 | 0:25:23 | |
A thorn is a very specific thing, botanically. | 0:25:23 | 0:25:26 | |
Thorns are modified branches or stems, | 0:25:26 | 0:25:28 | |
and prickles are part of a plant's skin, which is what those are. | 0:25:28 | 0:25:31 | |
They come out from it. | 0:25:31 | 0:25:32 | |
So when Bon Jovi sang Every Rose Has A Thorn... | 0:25:32 | 0:25:35 | |
-They were lying. -He's made an absolute fool of himself. | 0:25:35 | 0:25:37 | |
They did. | 0:25:37 | 0:25:39 | |
# Every rose has a prickle # | 0:25:39 | 0:25:40 | |
That would be great, wouldn't it, if you went to a Bon Jovi gig, and | 0:25:40 | 0:25:42 | |
# Every rose has a... # | 0:25:42 | 0:25:44 | |
Whoop! Whoop! Whoop! And the QI thing went off... | 0:25:44 | 0:25:48 | |
We've got to invite him on the show, absolutely right. | 0:25:48 | 0:25:51 | |
So let's see if we've learned something tonight. | 0:25:51 | 0:25:53 | |
I'm going to show you something and tell me, | 0:25:53 | 0:25:55 | |
is there a thorn in this picture? | 0:25:55 | 0:25:56 | |
-Er, there's not one on the rose. -No. | 0:26:00 | 0:26:04 | |
KLAXON SOUNDS | 0:26:04 | 0:26:05 | |
Oh, God! | 0:26:05 | 0:26:06 | |
Well, you said no, didn't you? | 0:26:06 | 0:26:08 | |
But you were more accurate. You said there's not one on the rose. | 0:26:08 | 0:26:11 | |
But isn't there one on the crown? | 0:26:11 | 0:26:13 | |
-No, there isn't one on the crown either. -One on the grass? | 0:26:13 | 0:26:16 | |
Oh, Alan, you were the only person on the programme | 0:26:16 | 0:26:19 | |
when we covered this. | 0:26:19 | 0:26:21 | |
There is no such thing as Ye Olde Rose and Crown, | 0:26:21 | 0:26:23 | |
it's THE Old Rose and Crown, and the letter Y is called a...? | 0:26:23 | 0:26:27 | |
-Thorn. -Thorn. | 0:26:27 | 0:26:29 | |
The letter is the thorn. | 0:26:29 | 0:26:32 | |
-So the Y is called? -A thorn, yes. | 0:26:32 | 0:26:34 | |
-A thorn. -It's a "th" sound. | 0:26:34 | 0:26:35 | |
When you see that, you don't say YE, you say THE. | 0:26:35 | 0:26:37 | |
THE. So when people say ye olde, they're completely wrong, it's THE. | 0:26:37 | 0:26:41 | |
I will never get it wrong again. | 0:26:41 | 0:26:43 | |
So you no longer have to say Ye Olde Tea Shop, it's The Olde Tea Shop. | 0:26:43 | 0:26:46 | |
What if you open a new one? | 0:26:46 | 0:26:49 | |
How does that...? | 0:26:49 | 0:26:51 | |
Then just call it The New Tea Shop. | 0:26:51 | 0:26:53 | |
Now, who fancies one of my Knick Knacks to celebrate | 0:26:54 | 0:26:58 | |
the beauty of chemistry? | 0:26:58 | 0:27:00 | |
I've got a bottle here of alcohol, but this is not drinking alcohol. | 0:27:00 | 0:27:03 | |
-I'm just going to... -That was full at the start of tonight. | 0:27:03 | 0:27:06 | |
What I'm going to do is, I'm going to make a cloud, | 0:27:06 | 0:27:09 | |
which I think you'll find is rather exciting. | 0:27:09 | 0:27:11 | |
I've got a pump here, and Alan, I'm going to ask you to pump for me, | 0:27:11 | 0:27:14 | |
-would you? -Every Monday. | 0:27:14 | 0:27:16 | |
That's it. | 0:27:16 | 0:27:18 | |
By doing this I'm just making it evaporate a little, and I'm going | 0:27:19 | 0:27:22 | |
to stick the plunger in as soon as I can, so I don't get too much. | 0:27:22 | 0:27:24 | |
Now, by pumping it in, you're applying pressure to this, | 0:27:24 | 0:27:27 | |
-there you go. -Shall I pump? About ten. | 0:27:27 | 0:27:29 | |
Two, three, four, five, | 0:27:29 | 0:27:32 | |
six, seven, eight, nine, ten. That'll do. | 0:27:32 | 0:27:37 | |
Is it going to blow up? Is it going to explode? | 0:27:37 | 0:27:39 | |
-And... -Oh! -Cloud. | 0:27:39 | 0:27:40 | |
-Oh, look at that. -I've made a cloud. | 0:27:40 | 0:27:42 | |
But, pop it in. | 0:27:44 | 0:27:46 | |
APPLAUSE | 0:27:46 | 0:27:47 | |
We can now make it disappear. | 0:27:49 | 0:27:51 | |
Gone cloud. | 0:27:54 | 0:27:57 | |
Come back, cloud! | 0:27:57 | 0:27:58 | |
Oh, isn't that exciting? | 0:28:00 | 0:28:02 | |
All of which brings us to the scores, | 0:28:04 | 0:28:07 | |
and our winner tonight on minus six is David Mitchell. | 0:28:07 | 0:28:11 | |
HE MOUTHS: Minus six. | 0:28:11 | 0:28:12 | |
In a very respectable second place on minus nine, is Ross Noble. | 0:28:15 | 0:28:19 | |
Who knew? | 0:28:22 | 0:28:23 | |
Improving all the time, in third place, with minus 17, | 0:28:23 | 0:28:27 | |
Alan Davies. | 0:28:27 | 0:28:28 | |
But tonight's frayed knicker elastic is Sue Perkins on minus 22. | 0:28:33 | 0:28:37 | |
Well, that's all from Sue, David, Ross, Alan and me. | 0:28:44 | 0:28:50 | |
Good night. | 0:28:50 | 0:28:51 | |
Subtitles By Red Bee Media Ltd | 0:28:52 | 0:28:55 |