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This programme contains some strong language. | 0:00:04 | 0:00:11 | |
CHEERING AND APPLAUSE | 0:00:28 | 0:00:30 | |
Gooooood evening, good evening, good evening, good evening, | 0:00:30 | 0:00:33 | |
good evening, good evening, good evening, good evening, | 0:00:33 | 0:00:35 | |
good evening, good evening and welcome to QI, | 0:00:35 | 0:00:38 | |
where tonight we are musing on the medieval and the macabre. | 0:00:38 | 0:00:43 | |
Joining me in the Dark Ages are king of the castle, David Mitchell. | 0:00:43 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:51 | |
Queen of the May, Julia Zemiro. | 0:00:51 | 0:00:54 | |
CHEERING AND APPLAUSE | 0:00:54 | 0:00:57 | |
Lord of the Manor, Matt Lucas. | 0:00:57 | 0:01:00 | |
CHEERING AND APPLAUSE | 0:01:00 | 0:01:02 | |
And a "knight" on the tiles, Alan Davies. | 0:01:02 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:08 | |
And their buzzers are all very much connected with middle age. | 0:01:11 | 0:01:16 | |
David goes... | 0:01:16 | 0:01:17 | |
MEDIEVAL MONKS CHANT | 0:01:17 | 0:01:20 | |
Julia goes... | 0:01:22 | 0:01:24 | |
MEDIEVAL MONKS CHANT | 0:01:24 | 0:01:27 | |
It's the Middle Ages, all right. Matt goes... | 0:01:27 | 0:01:30 | |
MEDIEVAL MONKS CHANT | 0:01:30 | 0:01:33 | |
And Alan goes... | 0:01:34 | 0:01:36 | |
'Dear sir, why, oh, why, oh, why | 0:01:36 | 0:01:38 | |
'must we always have endless monks chanting on the BBC?' | 0:01:38 | 0:01:42 | |
LAUGHTER | 0:01:42 | 0:01:44 | |
Which of these did they not have in the Middle Ages? | 0:01:46 | 0:01:50 | |
-Sweet, no... -Shush! | 0:01:53 | 0:01:54 | |
LAUGHTER | 0:01:54 | 0:01:55 | |
-DAVID: -Iron maiden. -Well... -They didn't have Iron... | 0:01:55 | 0:01:59 | |
Well, no, I'm not... Yeah, I'm aware there is a group. | 0:01:59 | 0:02:02 | |
The most medieval thing seems that thing with the spikes that you | 0:02:02 | 0:02:06 | |
put someone in, that'll be the thing they didn't actually have then. | 0:02:06 | 0:02:09 | |
You are absolutely right. | 0:02:09 | 0:02:12 | |
CHEERING AND APPLAUSE | 0:02:12 | 0:02:15 | |
The iron maiden, as you say, that sort of sarcophagus with spikes, | 0:02:19 | 0:02:23 | |
they weren't even thought of or imagined until 1793. | 0:02:23 | 0:02:27 | |
I was going to say, I thought they were invented by Paul Daniels | 0:02:27 | 0:02:30 | |
or somebody. | 0:02:30 | 0:02:32 | |
Spanish Inquisition, must be the Spanish Inquisition. | 0:02:32 | 0:02:35 | |
Well, they weren't used in the Spanish Inquisition, | 0:02:35 | 0:02:37 | |
because they weren't invented till 1793, which was... | 0:02:37 | 0:02:40 | |
LAUGHTER | 0:02:40 | 0:02:41 | |
After. My favourite one from the Spanish Inquisition was | 0:02:41 | 0:02:45 | |
they put a pole up your anus and they'd do it in such a way that | 0:02:45 | 0:02:49 | |
it avoids all of your vital organs and comes out by your shoulder | 0:02:49 | 0:02:54 | |
and then just leave you there for people to look at. | 0:02:54 | 0:02:56 | |
LAUGHTER | 0:02:56 | 0:02:58 | |
I like the first part of that. | 0:02:58 | 0:03:00 | |
LAUGHTER | 0:03:00 | 0:03:02 | |
It's an actual pole, it's not a Polish gentleman, | 0:03:05 | 0:03:07 | |
it's an actual pole. | 0:03:07 | 0:03:09 | |
LAUGHTER | 0:03:09 | 0:03:10 | |
Oh. Less keen then, less keen. | 0:03:10 | 0:03:12 | |
-I thought an iron maiden was a chastity belt? -No. | 0:03:12 | 0:03:15 | |
-I'd like it to be though. -They call that a chastity belt, actually. -Yes. | 0:03:15 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:21 | |
So they didn't ever exist? | 0:03:21 | 0:03:23 | |
Well, in 1793, an archaeologist by the name of Johann Siebenkees, | 0:03:23 | 0:03:27 | |
gave an account of one which was a hoax. | 0:03:27 | 0:03:29 | |
And then 100 years or so later, a guy called Matthaus Pfau, | 0:03:29 | 0:03:34 | |
had one installed in Kyburg, his Swiss castle, | 0:03:34 | 0:03:36 | |
as a visitor attraction. | 0:03:36 | 0:03:38 | |
It became the prototype for all the other iron maidens | 0:03:38 | 0:03:40 | |
that were used in museums, and indeed in movies. | 0:03:40 | 0:03:43 | |
So they hadn't really been used as a method of torture? | 0:03:43 | 0:03:45 | |
No, that's what I mean, exactly. They were just a hoax, essentially. | 0:03:45 | 0:03:48 | |
"Here's one for you. Here's one for you!" | 0:03:48 | 0:03:50 | |
-What a weird hoax. -It is, isn't it? | 0:03:50 | 0:03:53 | |
But if we go back to my little manuscript word cloud, | 0:03:53 | 0:03:57 | |
maybe other ones didn't exist in medieval times. | 0:03:57 | 0:03:59 | |
Well, there wasn't much cardboard about. | 0:03:59 | 0:04:01 | |
So if there were greeting cards, they wouldn't have been... | 0:04:01 | 0:04:04 | |
Not big readers either, not many people could read. | 0:04:04 | 0:04:06 | |
-Or write. -Exactly, but in fact there were single sheet wood cuts | 0:04:06 | 0:04:10 | |
found from the mid-15th century, with pictures on them, | 0:04:10 | 0:04:13 | |
wishing the recipient a very good year, even. | 0:04:13 | 0:04:16 | |
-It seems a rather modern idea. -"Sorry you've been unwell." | 0:04:16 | 0:04:19 | |
LAUGHTER | 0:04:19 | 0:04:21 | |
But those banderols, those little kind of bubbles, were very popular | 0:04:21 | 0:04:25 | |
and they'd say things, probably not "sorry you've been unwell," | 0:04:25 | 0:04:28 | |
but things like "a very good year," so they did exist. | 0:04:28 | 0:04:31 | |
What else might have existed or did exist in that era? | 0:04:31 | 0:04:35 | |
-Sweet and sour sauce, definitely. -Yeah. | 0:04:35 | 0:04:37 | |
What they called sour sweet, in fact, Egurdouce, | 0:04:37 | 0:04:40 | |
and they used vinegar and sugar, cinnamon, orange, onions, | 0:04:40 | 0:04:44 | |
whatever they could get their hands on, currants. | 0:04:44 | 0:04:46 | |
Didn't they use onions to sweeten things? | 0:04:46 | 0:04:48 | |
Yeah, well, onions do contain more sugar than sugar beets, | 0:04:48 | 0:04:51 | |
as long as you cook them, hence the caramelised, you know, thing. | 0:04:51 | 0:04:55 | |
They're a bit onion-y, though, as well. | 0:04:55 | 0:04:58 | |
They can be sweet, | 0:04:58 | 0:05:00 | |
but you wouldn't want too many puddings being that onion-y. | 0:05:00 | 0:05:04 | |
No, do you know, it's true, they're not that sweet, because | 0:05:04 | 0:05:06 | |
if you ever go to the freezer and you go for a Mini Milk | 0:05:06 | 0:05:10 | |
and you've left a bag of onion rings next to the Mini Milks | 0:05:10 | 0:05:13 | |
in the freezer, the Mini Milks don't taste right. | 0:05:13 | 0:05:17 | |
What an insight! | 0:05:17 | 0:05:19 | |
The Mini Milks taste a bit onion-y. Yeah. | 0:05:19 | 0:05:22 | |
-What is a Mini Milk? -What is a Mini Milk?! | 0:05:22 | 0:05:25 | |
LAUGHTER AND APPLAUSE | 0:05:25 | 0:05:28 | |
-Do you mean one of those sweets that looks like a tiny bottle of milk? -No. | 0:05:31 | 0:05:34 | |
No, it's ice cream on a stick, basically. | 0:05:34 | 0:05:36 | |
It's basically what, when you want a Magnum | 0:05:36 | 0:05:39 | |
and your mum won't buy you a Magnum, you get a Mini Milk. | 0:05:39 | 0:05:42 | |
And you keep those with onion rings in the freezer? | 0:05:42 | 0:05:45 | |
Well, no, I didn't, I have separate shelves. | 0:05:45 | 0:05:48 | |
You've got to keep sweet and... Put me on camera! | 0:05:48 | 0:05:51 | |
LAUGHTER | 0:05:51 | 0:05:53 | |
You've got to keep sweet and savouries separate in freezers, | 0:05:53 | 0:05:56 | |
guys, come on! | 0:05:56 | 0:05:58 | |
No, Mini Milks are nice. | 0:05:58 | 0:06:00 | |
They're like, I don't know, | 0:06:00 | 0:06:01 | |
if you can't get a Sparkle, get a Mini Milk, I don't know. | 0:06:01 | 0:06:04 | |
-What's a Sparkle? -Oh, dear. | 0:06:04 | 0:06:06 | |
-LAUGHTER -What's your ice cream of choice? | 0:06:06 | 0:06:08 | |
I used to like Mivvies when I was a boy. | 0:06:08 | 0:06:11 | |
-Well... -That's the point! | 0:06:11 | 0:06:12 | |
-OK. -Now I'm an adult! -Right. | 0:06:12 | 0:06:16 | |
-I eat olives and I eat cheese. -Right. | 0:06:16 | 0:06:18 | |
LAUGHTER | 0:06:18 | 0:06:20 | |
This has all gone very weird! | 0:06:20 | 0:06:23 | |
-You started it with the whole pork belly thing. -Right. | 0:06:23 | 0:06:26 | |
I want to live in the Middle Ages now, | 0:06:26 | 0:06:28 | |
because they seem to have grown-up food, at least. | 0:06:28 | 0:06:30 | |
-Question, Mr Fry. Question from the floor, Mr Fry. -Yeah? | 0:06:30 | 0:06:33 | |
What is a prefab? | 0:06:33 | 0:06:35 | |
-Oh, don't you have those in Australia? -I don't know, tell me. | 0:06:35 | 0:06:37 | |
It means a sort of modular building that is made outside the site... | 0:06:37 | 0:06:40 | |
-Brought to site. -..and then brought to it and assembled. | 0:06:40 | 0:06:44 | |
It's associated with low-cost housing. | 0:06:44 | 0:06:46 | |
-The Duchess of Cambridge grew up in one. -Did she? -Did she? | 0:06:46 | 0:06:49 | |
No. | 0:06:49 | 0:06:51 | |
LAUGHTER | 0:06:51 | 0:06:53 | |
She grew up on an estate. | 0:06:53 | 0:06:56 | |
I just like the fact that people think she was common as muck! | 0:06:56 | 0:07:00 | |
-William the Conqueror had prefabs, didn't he? -Did he? | 0:07:00 | 0:07:04 | |
Didn't they bring prefab castles over, with the Norman... | 0:07:04 | 0:07:08 | |
Not the Normandy landings, the other way round. | 0:07:08 | 0:07:11 | |
-The Hastings landing. -Yeah. -They brought loads of... | 0:07:11 | 0:07:14 | |
Yeah, cos all the plug sockets are different here | 0:07:14 | 0:07:16 | |
and they wanted their own wiring. | 0:07:16 | 0:07:18 | |
LAUGHTER | 0:07:18 | 0:07:19 | |
There's certainly the example of prefab housing that we have | 0:07:19 | 0:07:22 | |
is the Vikings, in fact, who, when they invaded Orkney, | 0:07:22 | 0:07:24 | |
found there was virtually nowhere to live and so they came back with | 0:07:24 | 0:07:28 | |
supplies on longboats of prefab little houses. | 0:07:28 | 0:07:32 | |
And that's presumably where Vikings got the idea of flat-pack furniture. | 0:07:32 | 0:07:37 | |
LAUGHTER | 0:07:37 | 0:07:39 | |
That leaves us, I think, with official commemorative merchandise. | 0:07:39 | 0:07:43 | |
Would that be if you went to sort of... | 0:07:43 | 0:07:44 | |
They used to be very keen on seeing a rotting old bit of a saint. | 0:07:44 | 0:07:49 | |
Very much so. | 0:07:49 | 0:07:50 | |
If you were medieval, there was one saint who was more or less | 0:07:50 | 0:07:53 | |
contemporary, who was a martyr. | 0:07:53 | 0:07:55 | |
They would stop off at this cathedral where he was murdered, famously. | 0:07:55 | 0:07:58 | |
-Who would that be? -Thomas Becket. | 0:07:58 | 0:08:00 | |
-Thomas Becket, exactly. -Points! -Points! | 0:08:00 | 0:08:02 | |
Points, solid points. | 0:08:02 | 0:08:05 | |
In the 12th century Thomas Becket was killed by Henry II | 0:08:05 | 0:08:08 | |
and they immediately tried to sell his blood | 0:08:08 | 0:08:10 | |
and that ran out rather quickly, so they diluted it. | 0:08:10 | 0:08:13 | |
But also they sold little swords, | 0:08:13 | 0:08:17 | |
little simulacra of the swords that had stabbed him | 0:08:17 | 0:08:20 | |
and you could buy one of those. | 0:08:20 | 0:08:21 | |
And it was official, you know. | 0:08:21 | 0:08:23 | |
It was, as it were, stamped with Canterbury. | 0:08:23 | 0:08:25 | |
-They've still got a shop in the cathedral. -Well, exactly. Yeah. | 0:08:25 | 0:08:29 | |
The Middle Ages, in fact, featured lots of very useful inventions, | 0:08:29 | 0:08:32 | |
but tell me, what has been called, "The wickedest, silliest, | 0:08:32 | 0:08:35 | |
"most insane and most disastrous book in world literature"? | 0:08:35 | 0:08:39 | |
The Liar, by Stephen Fry. | 0:08:39 | 0:08:41 | |
LAUGHTER | 0:08:41 | 0:08:42 | |
-Ah! It probably is. -Mein Kampf. | 0:08:42 | 0:08:45 | |
That would be a very sensible guess. | 0:08:45 | 0:08:47 | |
-And, in the interests of balance, The Da Vinci Code also. -Yes! | 0:08:47 | 0:08:51 | |
ALARM SOUNDS | 0:08:51 | 0:08:55 | |
APPLAUSE | 0:08:56 | 0:08:59 | |
These self-help books, the books that say | 0:08:59 | 0:09:02 | |
if you just change the way you think, you'll be fine. | 0:09:02 | 0:09:05 | |
I mean, you know, everyone's got a mood board for something. | 0:09:05 | 0:09:08 | |
A mood board. | 0:09:08 | 0:09:10 | |
Maybe there was a medieval mood board of some kind, but, yeah. | 0:09:10 | 0:09:12 | |
You're right to mention the medieval era | 0:09:12 | 0:09:14 | |
because it was a book of the 15th century. | 0:09:14 | 0:09:17 | |
Foxe's Book Of Martyrs? | 0:09:17 | 0:09:18 | |
No, that was a little later, but let me give you its title. | 0:09:18 | 0:09:21 | |
Malleus Maleficorum. | 0:09:21 | 0:09:22 | |
Maleficarum, I beg your pardon, because that's the point. | 0:09:22 | 0:09:25 | |
If you know your Latin, that means malleus. | 0:09:25 | 0:09:28 | |
If you take the "US" off and put a "T" from malleus. | 0:09:28 | 0:09:30 | |
-Mallet. -Mallet. -A hammer. So malleus is hammer. | 0:09:30 | 0:09:33 | |
Timmy Mallet's autobiography? | 0:09:33 | 0:09:35 | |
LAUGHTER | 0:09:35 | 0:09:37 | |
-Sorry, I'm bringing the tone down, I know. -No, you're not. | 0:09:37 | 0:09:40 | |
Is it the, mallific... | 0:09:40 | 0:09:42 | |
Is that like the bad doing hammer thing, you know? | 0:09:42 | 0:09:45 | |
Well, no, it's the "of the", that's genitive. | 0:09:45 | 0:09:48 | |
-Come on, boy! That's genitive. -Come on. | 0:09:48 | 0:09:49 | |
LAUGHTER | 0:09:49 | 0:09:51 | |
So it's the hammer OF the bad-doing people, | 0:09:51 | 0:09:54 | |
but the arum, not orum, tells you it's bad... | 0:09:54 | 0:09:57 | |
-Doing women. -Yes! | 0:09:57 | 0:09:59 | |
-Bad doing women and their hammer. -No, the hammer of. | 0:09:59 | 0:10:02 | |
Yeah, yeah, no, exactly. | 0:10:02 | 0:10:04 | |
I want to beat them down. | 0:10:04 | 0:10:05 | |
-The Crazy Witches Of Eastwick. -Witches! | 0:10:05 | 0:10:08 | |
-Oh, witches! -You said it! | 0:10:08 | 0:10:09 | |
APPLAUSE | 0:10:09 | 0:10:11 | |
-We're supposed to hammer them? -Hammer of the witches, that means. | 0:10:11 | 0:10:14 | |
-So they don't own the hammer? -No! | 0:10:14 | 0:10:16 | |
-We own the hammer... -No. -..and we hammer away at them? | 0:10:16 | 0:10:19 | |
I am more confused than when I talked about Mini Milk. | 0:10:19 | 0:10:22 | |
LAUGHTER | 0:10:22 | 0:10:24 | |
We had a Latin parsing essay in which the malleus maleficarum | 0:10:24 | 0:10:29 | |
turned out to mean "the hammer of witches." | 0:10:29 | 0:10:32 | |
-Right. -The way to beat witches. | 0:10:32 | 0:10:34 | |
And this was a text book about how to destroy and find witches. | 0:10:34 | 0:10:39 | |
Now, it was strange cos it was mid-15th century | 0:10:39 | 0:10:41 | |
and in the mid-15th century the Church banned belief in witches. | 0:10:41 | 0:10:46 | |
So this wasn't a time of witch burnings or anything of the nature. | 0:10:46 | 0:10:50 | |
But the very nature of the success of the book meant that | 0:10:50 | 0:10:54 | |
a slow movement grew in which witches should be found and burned | 0:10:54 | 0:10:58 | |
and tortured and so on. | 0:10:58 | 0:11:00 | |
This book was therefore called | 0:11:00 | 0:11:01 | |
the silliest, most wicked book ever written | 0:11:01 | 0:11:03 | |
because it made appalling claims about women that, | 0:11:03 | 0:11:07 | |
for example, that they dispossessed men of their penises. | 0:11:07 | 0:11:10 | |
As if! | 0:11:10 | 0:11:12 | |
LAUGHTER | 0:11:12 | 0:11:13 | |
They would take their penises, put them on a tray | 0:11:13 | 0:11:16 | |
and the penises would wander around of their own volition, eating... | 0:11:16 | 0:11:20 | |
-Well, yes. -..eating oats and corn. | 0:11:20 | 0:11:23 | |
LAUGHTER | 0:11:23 | 0:11:25 | |
-No, not corn, not maize corn. -With a simple pecking motion? | 0:11:25 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:30 | |
Or like with a suction? How would they do it? | 0:11:30 | 0:11:33 | |
Do you know the theory about the witch's broomstick, | 0:11:33 | 0:11:36 | |
about how it might have developed? | 0:11:36 | 0:11:38 | |
Yeah, they put it up your anus and it reaches your shoulder... | 0:11:38 | 0:11:42 | |
It's funny you should say that, Matt Lucas, | 0:11:42 | 0:11:46 | |
-because, yes, they put them up their anus. -What? | 0:11:46 | 0:11:49 | |
Now, you may say, why would a woman stick a broomstick up her botty? | 0:11:49 | 0:11:53 | |
I'm so glad we're having this conversation. | 0:11:53 | 0:11:56 | |
LAUGHTER | 0:11:56 | 0:11:58 | |
But anyway, the point is, there is a substance that has been accused, | 0:11:58 | 0:12:03 | |
if you like, throughout history of being behind a lot of episodes | 0:12:03 | 0:12:06 | |
of mass hysteria and hallucination and so on, | 0:12:06 | 0:12:09 | |
and the substance is called ergot. | 0:12:09 | 0:12:12 | |
-Have you heard of ergot? -No, where can you get it? | 0:12:12 | 0:12:15 | |
-You can get it if you live near a field of rye. -Oh, OK. | 0:12:15 | 0:12:18 | |
Where rye grows, it is a fungus that grows on rye | 0:12:18 | 0:12:21 | |
and its spores can be breathed in and it is not unlike lysergic acid, | 0:12:21 | 0:12:25 | |
which is the "L" of LSD and it causes weird trips. | 0:12:25 | 0:12:29 | |
Now, with any drug, there are different ways of ingesting it. | 0:12:29 | 0:12:32 | |
Intra-nasally, orally... | 0:12:32 | 0:12:34 | |
Or on a broomstick up your arse? | 0:12:34 | 0:12:37 | |
-..intravenously or in a suppository form. -Right. | 0:12:37 | 0:12:40 | |
So one way would be to take it and to grease up your... | 0:12:40 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:47 | |
-I am not making this up! -Grease up your pole with ergot. | 0:12:47 | 0:12:50 | |
Grease up your pole and scatter it with bits of ergot and then whoo! | 0:12:50 | 0:12:53 | |
LAUGHTER | 0:12:53 | 0:12:55 | |
And then you FEEL like you're flying... | 0:12:55 | 0:13:00 | |
-That's basically it. -What does that mean? | 0:13:00 | 0:13:02 | |
How much ergot are those kids at Hogwarts getting through? | 0:13:02 | 0:13:06 | |
LAUGHTER | 0:13:06 | 0:13:08 | |
It's not appropriate to encourage that kind of drug-taking | 0:13:08 | 0:13:11 | |
-in the young. -It isn't. | 0:13:11 | 0:13:14 | |
And there is another theory that it was actually intra-vaginal, | 0:13:14 | 0:13:17 | |
-rather than intra-anal... -Lovely. -..so that it was covered on the broom | 0:13:17 | 0:13:20 | |
and then it went sort of smoothly up. | 0:13:20 | 0:13:22 | |
I can't see anything smooth about this at all. | 0:13:22 | 0:13:26 | |
-I don't know. -It would be like, OW! | 0:13:26 | 0:13:28 | |
Does another witch apply it to you? You do that yourself?! | 0:13:28 | 0:13:32 | |
You'd be a great gynaecologist though, Stephen, | 0:13:32 | 0:13:34 | |
cos you're very calm, the way you're explaining everything. | 0:13:34 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:39 | |
Let's get more decent here. | 0:13:39 | 0:13:41 | |
How do you get a whole row of seats to yourself | 0:13:41 | 0:13:43 | |
on a Virgin Airways flight? | 0:13:43 | 0:13:46 | |
Oh, if you're REALLY fat. | 0:13:46 | 0:13:49 | |
That would, yeah, I think they might be able to get rid of an arm, | 0:13:49 | 0:13:52 | |
but I don't think they'd let you on if you were any fatter. | 0:13:52 | 0:13:54 | |
-No, but like REALLY fat. Oh, I see what you mean. -Die? | 0:13:54 | 0:13:57 | |
-Is the right answer. You'd have to die. -Die! -Yeah. | 0:13:57 | 0:14:01 | |
APPLAUSE | 0:14:01 | 0:14:04 | |
You can't make people sit next to the dead. | 0:14:06 | 0:14:08 | |
That's the truth, isn't it? | 0:14:08 | 0:14:09 | |
Basically, I think that would be what it was. | 0:14:09 | 0:14:11 | |
And if you're flying, say, London to New York, | 0:14:11 | 0:14:14 | |
if you're near enough and someone dies, | 0:14:14 | 0:14:16 | |
you'd turn around and all the other passengers would go, "Oh, really! | 0:14:16 | 0:14:20 | |
"Could have had some consideration!" | 0:14:20 | 0:14:22 | |
LAUGHTER | 0:14:22 | 0:14:23 | |
But once you've passed that point of no return, as they call it, | 0:14:23 | 0:14:26 | |
then there's nothing you can do about it, except go on to New York. | 0:14:26 | 0:14:29 | |
But what if the plane's full? | 0:14:29 | 0:14:31 | |
Do they keep a row for the dead just in case? | 0:14:31 | 0:14:34 | |
In which case, if they keep a row for the dead, | 0:14:34 | 0:14:36 | |
-what if two people die? -Exactly. | 0:14:36 | 0:14:39 | |
There's always a row at the back and the crew use it for having a kip. | 0:14:39 | 0:14:43 | |
-What it means is, the crew will then have to be awake... -Yes. | 0:14:43 | 0:14:46 | |
..because of the dead bloke. | 0:14:46 | 0:14:47 | |
-That'll piss them off. -Does it happen a lot, though? | 0:14:47 | 0:14:50 | |
Oh, now, this is what's interesting. | 0:14:50 | 0:14:51 | |
British Airways have about ten deaths a year in flight. | 0:14:51 | 0:14:54 | |
Well, that food is just... | 0:14:54 | 0:14:56 | |
LAUGHTER | 0:14:56 | 0:14:58 | |
That's for 36 million passengers. | 0:14:58 | 0:15:00 | |
So if you extrapolate out to the rather amazing 3.5 BILLION passengers | 0:15:00 | 0:15:06 | |
that fly every year, that means there must be around 1,000 deaths a year. | 0:15:06 | 0:15:10 | |
And different airlines have different ways of doing it. | 0:15:10 | 0:15:13 | |
Singapore Airlines have a corpse cupboard. | 0:15:13 | 0:15:17 | |
I don't know why it's funny, but it is, | 0:15:17 | 0:15:19 | |
so no-one need even know there's a dead person. | 0:15:19 | 0:15:21 | |
Oh, I'm sorry. | 0:15:21 | 0:15:23 | |
LAUGHTER | 0:15:23 | 0:15:24 | |
It's all so Fawlty Towers, isn't it? | 0:15:24 | 0:15:26 | |
If I ever die on a plane, | 0:15:26 | 0:15:28 | |
I should like to be stored in the overhead lockers. | 0:15:28 | 0:15:31 | |
LAUGHTER | 0:15:31 | 0:15:33 | |
-For the rest of time. -Yes. | 0:15:33 | 0:15:35 | |
British Airways, however, you get a good deal if you die, | 0:15:35 | 0:15:37 | |
because you go to First Class. | 0:15:37 | 0:15:39 | |
-Yeah. -Excellent, at last. | 0:15:39 | 0:15:41 | |
One long-established steward said, | 0:15:41 | 0:15:43 | |
"Many years ago we used to give them a vodka and tonic, a Daily Mail | 0:15:43 | 0:15:46 | |
"and eye shades and tell passengers they were fine. | 0:15:46 | 0:15:48 | |
"We don't do that any more." | 0:15:48 | 0:15:50 | |
LAUGHTER | 0:15:50 | 0:15:53 | |
It's bad enough being dead, but having to hold a Daily Mail! | 0:15:53 | 0:15:56 | |
Holy crap! | 0:15:56 | 0:15:59 | |
LAUGHTER AND APPLAUSE | 0:15:59 | 0:16:02 | |
The Daily Mail and other newspapers, not just the Daily Mail, | 0:16:05 | 0:16:08 | |
when they talk about their circulation, they are also | 0:16:08 | 0:16:12 | |
including the newspapers that they give away for free. | 0:16:12 | 0:16:15 | |
So I don't think the airlines, or any of those kind of institutions | 0:16:15 | 0:16:18 | |
-actually PAY for the newspapers. -Oh, really? -Yeah. | 0:16:18 | 0:16:21 | |
-So the Daily Mail is mainly dead people on airplanes. -Yes. | 0:16:21 | 0:16:25 | |
But the dead are very, very right wing. | 0:16:25 | 0:16:28 | |
LAUGHTER | 0:16:28 | 0:16:30 | |
It's true. | 0:16:30 | 0:16:32 | |
All right, now, Matt, what's dense, slimy, lives at the bottom of the sea | 0:16:32 | 0:16:37 | |
and is called...? | 0:16:37 | 0:16:39 | |
David Walliams! | 0:16:39 | 0:16:41 | |
LAUGHTER AND APPLAUSE | 0:16:41 | 0:16:45 | |
He's a very strong swimmer, isn't he? He's a very strong swimmer. | 0:16:49 | 0:16:53 | |
Oh, dear. | 0:16:53 | 0:16:55 | |
Matt, what's dense, slimy, lives at the bottom of the sea | 0:16:55 | 0:16:58 | |
and is called Matt? | 0:16:58 | 0:17:00 | |
-David Walliams. -Yeah! | 0:17:00 | 0:17:02 | |
LAUGHTER | 0:17:02 | 0:17:04 | |
And called Matt? Is it just a mat? | 0:17:04 | 0:17:07 | |
-No. -Well, yes. -Well, yes, of some... -It's a mat. | 0:17:07 | 0:17:10 | |
Yeah, so I am clever. | 0:17:10 | 0:17:12 | |
LAUGHTER | 0:17:12 | 0:17:13 | |
Is it some kind of sea vegetable? | 0:17:13 | 0:17:16 | |
It's sea life, sea matter, that's cohered. | 0:17:16 | 0:17:20 | |
-How big would it be, a mat? -Algae. Huge, huge. | 0:17:20 | 0:17:23 | |
-Yeah. -Hundreds of thousands of square miles. | 0:17:23 | 0:17:26 | |
Certainly the biggest we know of is about the size of Greece. | 0:17:26 | 0:17:29 | |
-There you are, you see? -Wow, see. You ARE clever. | 0:17:29 | 0:17:31 | |
It's not in Greece or near Greece. | 0:17:31 | 0:17:33 | |
It's off the coast of Peru and Chile. | 0:17:33 | 0:17:35 | |
Ugh, look at David Walliams(!) | 0:17:35 | 0:17:37 | |
LAUGHTER | 0:17:37 | 0:17:38 | |
Stop it! | 0:17:38 | 0:17:40 | |
No, don't stop, carry on. | 0:17:40 | 0:17:42 | |
It's microbial, it's a whole load of microbes, | 0:17:42 | 0:17:46 | |
so many of them that they can create this matter that's thick and... | 0:17:46 | 0:17:49 | |
-It's mat matter. -Mat matter, exactly. | 0:17:49 | 0:17:52 | |
Don't say anything bad about them, because we owe the photosynthesis | 0:17:52 | 0:17:56 | |
and the oxygen-rich nature of our own atmosphere to these. | 0:17:56 | 0:18:00 | |
We couldn't live without them. They're very important. | 0:18:00 | 0:18:03 | |
I've been served that in a motorway service station. | 0:18:03 | 0:18:06 | |
They eat hydrogen and they breathe nitrates | 0:18:06 | 0:18:09 | |
and they live in streams and lakes, as well as the ocean. | 0:18:09 | 0:18:12 | |
They're very, very, very exciting. | 0:18:12 | 0:18:14 | |
Here, I know you like wonderful information, the total weight of | 0:18:14 | 0:18:19 | |
microbes in the ocean is equivalent to 240 BILLION African elephants. | 0:18:19 | 0:18:25 | |
The good thing about that is that really helps me visualise that. | 0:18:30 | 0:18:33 | |
-That's very, very helpful. -Let me help you more then. | 0:18:33 | 0:18:36 | |
35 elephants made of microbes for everyone on the planet. | 0:18:36 | 0:18:41 | |
So each of us have got 35 elephants made of microbes surrounding us now. | 0:18:41 | 0:18:45 | |
-We're rich! -35, that's a lot of elephants. | 0:18:45 | 0:18:48 | |
The time has come to rule out lifting all that in one go. | 0:18:48 | 0:18:51 | |
-You're right. -You learn a lot on this show. | 0:18:51 | 0:18:54 | |
I never knew that the ocean was made up of 35,000 billion elephants. | 0:18:54 | 0:19:00 | |
I've really been educated. | 0:19:00 | 0:19:03 | |
No wonder elephants are endangered, | 0:19:03 | 0:19:05 | |
when you think of the number who've been drowned | 0:19:05 | 0:19:08 | |
to create a mat for the bottom of the sea. | 0:19:08 | 0:19:11 | |
That's probably why the trunks... They were trying to evolve snorkels. | 0:19:11 | 0:19:16 | |
LAUGHTER AND APPLAUSE | 0:19:16 | 0:19:19 | |
Oh, dear. | 0:19:23 | 0:19:25 | |
I can see that I've not really explained myself very well. | 0:19:25 | 0:19:28 | |
And now for something slightly mucky. | 0:19:28 | 0:19:30 | |
Alan, have you ever had your dirt-hole burgled | 0:19:30 | 0:19:33 | |
without your knowledge? | 0:19:33 | 0:19:34 | |
LAUGHTER | 0:19:34 | 0:19:37 | |
Do you know what, I'm not going to answer that. | 0:19:41 | 0:19:46 | |
Fair enough. | 0:19:46 | 0:19:47 | |
I'm actually writing to Points Of View now, at this point. | 0:19:47 | 0:19:52 | |
It's a question to do with the macabre side of human life - muck. | 0:19:52 | 0:19:57 | |
Oh, is this something like, in some contexts, | 0:19:57 | 0:20:00 | |
-excrement has a value? -Yes. -Like people want it for... | 0:20:00 | 0:20:03 | |
-Where there's muck... -Yes, they need it for fertiliser or whatever, | 0:20:03 | 0:20:06 | |
and so, people would sell their... You know, their shit, and so, | 0:20:06 | 0:20:09 | |
obviously, other people would steal it. | 0:20:09 | 0:20:11 | |
Which gave it a value. And if something has a value, | 0:20:11 | 0:20:14 | |
there will always be some who wish to steal it. | 0:20:14 | 0:20:16 | |
Is this in medieval times, or now? | 0:20:16 | 0:20:17 | |
-No, it's not medieval, it's 18th and 19th centuries. -Right. | 0:20:17 | 0:20:20 | |
-I think the question is flawed. -How so? | 0:20:20 | 0:20:22 | |
Because if I'd have had my dirt-hole burgled without my knowledge, | 0:20:22 | 0:20:26 | |
I wouldn't know about it, would I? | 0:20:26 | 0:20:27 | |
LAUGHTER | 0:20:27 | 0:20:30 | |
Touche! You're absolutely right. | 0:20:30 | 0:20:32 | |
-So, I don't know. Is it? -Is the right answer. | 0:20:32 | 0:20:36 | |
-Possibly. -Possibly, yeah. | 0:20:36 | 0:20:38 | |
So, people kept their rubbish in holes that could be collected. | 0:20:38 | 0:20:41 | |
It was a bin collection. | 0:20:41 | 0:20:43 | |
The dustmen and the dustcart were often collecting dust, as well, | 0:20:43 | 0:20:47 | |
because it was simply dirt that people had swept up | 0:20:47 | 0:20:49 | |
and poured into a little hole or into a bucket in a hole - | 0:20:49 | 0:20:53 | |
the dirt hole. Because everything was recycled, even family pets, | 0:20:53 | 0:20:56 | |
when they died, had a value. You know, a white cat - sixpence, | 0:20:56 | 0:20:59 | |
a multicoloured cat - fourpence. | 0:20:59 | 0:21:01 | |
In those days, the "flying dustmen", as they were called, | 0:21:01 | 0:21:05 | |
the people who came to collect it, they would pay to get it, | 0:21:05 | 0:21:08 | |
rather than you paying rates to have it removed. | 0:21:08 | 0:21:11 | |
There was hardware and software. | 0:21:11 | 0:21:13 | |
The software would be things like a dead cat. | 0:21:13 | 0:21:15 | |
And the hardware is broken crockery, oyster shells | 0:21:15 | 0:21:17 | |
and things like that, which road-builders could use. | 0:21:17 | 0:21:20 | |
Anyway, one last medieval question. | 0:21:20 | 0:21:23 | |
How many uses can you think of for a monk's earwax? | 0:21:23 | 0:21:26 | |
Oh, it's endless. Candles. | 0:21:27 | 0:21:29 | |
-Yeah, candles will be a... -Polishing wood. | 0:21:29 | 0:21:32 | |
-They might have done. -That sounds like a euphemism. -But um... | 0:21:32 | 0:21:35 | |
LAUGHTER | 0:21:35 | 0:21:37 | |
-I meant it... -Not much else to do in a monastery, is there? | 0:21:37 | 0:21:39 | |
Well, I know. I know. Polishing their own wood. | 0:21:39 | 0:21:41 | |
What have monks handed down to us? | 0:21:41 | 0:21:43 | |
-Mostly? -Bibles. -Bibles and manuscripts, illustrated... | 0:21:43 | 0:21:45 | |
Spend their lifetime writing them out, copying them out. | 0:21:45 | 0:21:48 | |
-Inscriptorial. -Doing lines, basically. -Yes. | 0:21:48 | 0:21:50 | |
There's a picture of a happy monk doing his illuminations. | 0:21:50 | 0:21:53 | |
And that side of it, the paint-y side of it is, | 0:21:53 | 0:21:55 | |
they used a substance called glair, | 0:21:55 | 0:21:58 | |
G-L-A-I-R, | 0:21:58 | 0:21:59 | |
and it tended to get bubbled. | 0:21:59 | 0:22:02 | |
But they found, if they added earwax into it, | 0:22:02 | 0:22:05 | |
they could get a really smooth, beautiful lustre and sheen | 0:22:05 | 0:22:09 | |
to the illustrations that they were doing, | 0:22:09 | 0:22:12 | |
which have lasted us down the centuries. | 0:22:12 | 0:22:14 | |
How do you think of that though, to go, "Hmm, I'll paint with that"? | 0:22:14 | 0:22:17 | |
A thing you might try at home | 0:22:17 | 0:22:19 | |
is that you could take a pint of foaming beer | 0:22:19 | 0:22:22 | |
and then pop a little earwax | 0:22:22 | 0:22:24 | |
into the head of your foaming tankard, | 0:22:24 | 0:22:27 | |
and the bubbles should collapse. | 0:22:27 | 0:22:28 | |
-That's... -If you're watching TV, don't listen to this man. | 0:22:28 | 0:22:31 | |
LAUGHTER | 0:22:31 | 0:22:33 | |
I think you're right. | 0:22:36 | 0:22:37 | |
It would be better if it was the other way round, | 0:22:37 | 0:22:39 | |
that you had a sort of flat liquid | 0:22:39 | 0:22:41 | |
-and then you put a bit of earwax in, and it went fizzy. -Yeah. | 0:22:41 | 0:22:45 | |
Chuck some sodium in your beer, that should work. | 0:22:45 | 0:22:47 | |
-Which orifice does sodium come out of? -Well, there is that! | 0:22:47 | 0:22:51 | |
They left other little things for us, little minusculae, | 0:22:51 | 0:22:55 | |
little hands that pointed to certain sections of the text in the Bible. | 0:22:55 | 0:22:58 | |
I don't know if you can see one on the left? | 0:22:58 | 0:23:00 | |
If you've read the Name Of The Rose, | 0:23:00 | 0:23:02 | |
they left clues everywhere about all sorts. | 0:23:02 | 0:23:04 | |
Yeah, and octopuses, you can see an octopus at the top. | 0:23:04 | 0:23:06 | |
They liked octopuses. | 0:23:06 | 0:23:08 | |
Is that a person with a huge sort of trumpet up his bottom? | 0:23:08 | 0:23:12 | |
-It's something odd, isn't it? -Yeah, it is. -Yeah. | 0:23:12 | 0:23:14 | |
I don't know what they're doing there. They're praising the Lord. | 0:23:14 | 0:23:17 | |
And above, they'd often have knights fighting snails. | 0:23:17 | 0:23:19 | |
HE TOOTS | 0:23:19 | 0:23:21 | |
-It's so boring in those monasteries. -Exactly. | 0:23:21 | 0:23:24 | |
That the old fart trumpet was the favourite. | 0:23:24 | 0:23:26 | |
-I was going to say on a Sunday, but perhaps not. -No. | 0:23:28 | 0:23:31 | |
Well, they used to leave... | 0:23:31 | 0:23:32 | |
HE PARPS | 0:23:32 | 0:23:33 | |
Dinner! | 0:23:33 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:37 | |
They used to leave little remarks like, "Oh, God, it's cold in here" | 0:23:37 | 0:23:40 | |
-or, "I'm so bored"... -Around the Bible. -..just like anybody would. | 0:23:40 | 0:23:43 | |
-Just like school kids on a desk. -Exactly like that. | 0:23:43 | 0:23:46 | |
-So, why are they fighting snails in the picture? -No-one's quite sure. | 0:23:46 | 0:23:50 | |
But it's a common feature, knights versus snails. | 0:23:50 | 0:23:53 | |
They seem to like it. | 0:23:53 | 0:23:54 | |
Some people may think it was a symbol of the struggle of the poor | 0:23:54 | 0:23:57 | |
against the aristocracy. | 0:23:57 | 0:23:58 | |
I think people shouldn't watch this show any more. | 0:23:58 | 0:24:00 | |
-LAUGHTER -It's giving them ideas. -Yeah. | 0:24:00 | 0:24:03 | |
Do you think they had loads of snails | 0:24:03 | 0:24:05 | |
in these cold, damp monasteries? | 0:24:05 | 0:24:06 | |
There were snails everywhere and they were hoping... | 0:24:06 | 0:24:09 | |
-That could be it! -..a gallant knight would come | 0:24:09 | 0:24:11 | |
and help them deal with the snail infestation problem. | 0:24:11 | 0:24:13 | |
Possibly, possibly... | 0:24:13 | 0:24:15 | |
Which means it's time now... | 0:24:15 | 0:24:17 | |
LAUGHTER | 0:24:17 | 0:24:19 | |
..to place various intimate parts of you | 0:24:19 | 0:24:21 | |
into the thumbscrew of General Ignorance. | 0:24:21 | 0:24:23 | |
Fingers on buzzers, please. | 0:24:23 | 0:24:25 | |
Where are most missionaries positioned? | 0:24:25 | 0:24:29 | |
GREGORIAN CHANTING | 0:24:30 | 0:24:31 | |
Matt? | 0:24:31 | 0:24:33 | |
I'm going to guess that most of them are in Utah, | 0:24:33 | 0:24:36 | |
where the Mormons tend to kind of congregate, | 0:24:36 | 0:24:40 | |
because they haven't yet been assigned their places to go to. | 0:24:40 | 0:24:44 | |
Interesting. Interesting answer. | 0:24:44 | 0:24:46 | |
But I'm talking about which is the country | 0:24:46 | 0:24:48 | |
that receives the most incoming? GREGORIAN CHANTING | 0:24:48 | 0:24:50 | |
-Well, I'm not talking about that. -No. | 0:24:50 | 0:24:52 | |
LAUGHTER | 0:24:52 | 0:24:54 | |
I'm talking about them before they've gone there. | 0:24:54 | 0:24:56 | |
So, I'm not asking you where the most missionaries come FROM, | 0:24:56 | 0:24:59 | |
I'm asking where do they...? | 0:24:59 | 0:25:01 | |
I know, but I am still getting to that point. | 0:25:01 | 0:25:03 | |
This doesn't work by you answering the question | 0:25:03 | 0:25:06 | |
-that I haven't asked. -OK. | 0:25:06 | 0:25:08 | |
My guess is China. | 0:25:08 | 0:25:10 | |
Oh, it's a possibility. | 0:25:10 | 0:25:11 | |
Well, it is a possibility, but it's not a fact. | 0:25:11 | 0:25:14 | |
-Is it in Africa? -It's not Africa, no. -Is it England? -No. | 0:25:14 | 0:25:17 | |
-KLAXON BLARES -Is it South America? | 0:25:17 | 0:25:19 | |
-England is much closer... -South America? | 0:25:19 | 0:25:20 | |
-Not South America, not SOUTH America. -Central! -North America. | 0:25:20 | 0:25:23 | |
-Not Central, North America. -North. | 0:25:23 | 0:25:25 | |
-United States thereof... -America. -Really? -Utah. | 0:25:25 | 0:25:27 | |
Well, I think you'll find Utah is in America! | 0:25:27 | 0:25:29 | |
LAUGHTER AND APPLAUSE | 0:25:29 | 0:25:32 | |
But I specifically said, "Where are the most missionaries | 0:25:35 | 0:25:38 | |
"who've come from outside one country?" | 0:25:38 | 0:25:40 | |
I know, but I didn't choose to answer that. | 0:25:40 | 0:25:43 | |
All right, I'm going to give you points, | 0:25:43 | 0:25:46 | |
-you deserve them for sheer tenacity. -Thank you. | 0:25:46 | 0:25:48 | |
So, the fact is, we don't quite know why missionaries... | 0:25:48 | 0:25:51 | |
Some think they just want to go to a very rich country. | 0:25:51 | 0:25:53 | |
Others think these missionaries believe America has lapsed into sin. | 0:25:53 | 0:25:56 | |
But anyway, more missionaries go to the United States | 0:25:56 | 0:25:59 | |
than anywhere else. | 0:25:59 | 0:26:00 | |
Do an impression of someone in the stocks. | 0:26:00 | 0:26:02 | |
Fuck off, fuck off! | 0:26:02 | 0:26:04 | |
KLAXON BLARES | 0:26:04 | 0:26:06 | |
It's like that, isn't it? Yeah. | 0:26:08 | 0:26:10 | |
-Points to Mitchell, yes, absolutely right. -That's the pillory. | 0:26:10 | 0:26:13 | |
That's a pillory or "thews", as they're also known. | 0:26:13 | 0:26:16 | |
-But, yeah, putting them... That's stocks. -Stocks are feet, are they? | 0:26:16 | 0:26:20 | |
I'm into public shaming, though. | 0:26:20 | 0:26:21 | |
If you've done something bad, people can go, "Oh, don't do it again." | 0:26:21 | 0:26:24 | |
And you go, "Oh, that was awful, | 0:26:24 | 0:26:26 | |
"I won't have friends if I do this again." | 0:26:26 | 0:26:28 | |
And then you go back into society, I don't think it's so bad. | 0:26:28 | 0:26:30 | |
You're very right. They could be quite forgiving. | 0:26:30 | 0:26:33 | |
Sometimes, people had flowers thrown at them if they'd... | 0:26:33 | 0:26:35 | |
Daniel Defoe, when he was in the stocks, | 0:26:35 | 0:26:37 | |
because he'd offended the Church, people threw flowers at him. | 0:26:37 | 0:26:40 | |
-Those aren't stocks, so... -Those, no, those are... | 0:26:40 | 0:26:43 | |
He wasn't in the stocks, sorry. He was, he was pilloried, | 0:26:43 | 0:26:46 | |
I think is the safest way. | 0:26:46 | 0:26:47 | |
If people threw horrible things at you - big heavy things - | 0:26:47 | 0:26:50 | |
-actually, you could die. -Yeah, no, absolutely. | 0:26:50 | 0:26:52 | |
And some people took great lengths to protect themselves as a result. | 0:26:52 | 0:26:56 | |
There was a gentleman here, Charles Hitchen, | 0:26:56 | 0:26:58 | |
who was convicted of attempted sodomy, | 0:26:58 | 0:27:00 | |
and he went into the stocks wearing a suit of armour. | 0:27:00 | 0:27:02 | |
LAUGHTER | 0:27:02 | 0:27:04 | |
What happened to successful ones? | 0:27:04 | 0:27:06 | |
Ones that actually managed to bring it off, as it were? | 0:27:06 | 0:27:10 | |
LAUGHTER | 0:27:10 | 0:27:12 | |
Presumably, you have to pay a lot for that | 0:27:12 | 0:27:14 | |
when you were in the stocks. | 0:27:14 | 0:27:16 | |
The stocks weren't for your head and arms, just for your legs. | 0:27:16 | 0:27:20 | |
And with that, our mosey through the medieval macabre | 0:27:20 | 0:27:23 | |
must come to an end. | 0:27:23 | 0:27:25 | |
We have scores. | 0:27:25 | 0:27:27 | |
Mercy, mercy me. | 0:27:27 | 0:27:30 | |
Well, in joint first position, | 0:27:30 | 0:27:33 | |
with minus 6, Matt and Julia! | 0:27:33 | 0:27:36 | |
CHEERING AND APPLAUSE | 0:27:36 | 0:27:39 | |
In third place, with minus 10, | 0:27:43 | 0:27:46 | |
David Mitchell! | 0:27:46 | 0:27:47 | |
CHEERING AND APPLAUSE | 0:27:47 | 0:27:51 | |
But the witch we shall be burning this evening | 0:27:53 | 0:27:56 | |
is Alan Davies with minus 25! | 0:27:56 | 0:27:58 | |
CHEERING AND APPLAUSE | 0:27:58 | 0:28:01 | |
Ah... | 0:28:05 | 0:28:07 | |
Well, it only remains for me to thank Matt, David, Julia and Alan. | 0:28:07 | 0:28:11 | |
And the last word on the Middle Ages comes from Bennett Cerf, | 0:28:11 | 0:28:15 | |
"Middle age is when your contemporaries are so grey | 0:28:15 | 0:28:17 | |
"and wrinkled and bald, they don't recognise you." | 0:28:17 | 0:28:20 | |
Goodnight. | 0:28:20 | 0:28:22 | |
APPLAUSE | 0:28:22 | 0:28:24 |