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This programme contains some strong language. | 0:00:02 | 0:00:10 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:28 | |
Good evening, good evening, good evening, good evening, | 0:00:30 | 0:00:34 | |
good evening, good evening, good evening, good evening and welcome | 0:00:34 | 0:00:38 | |
to QI, where tonight we'll be one massive, marvellous, molten mess. | 0:00:38 | 0:00:43 | |
And here's the mix... | 0:00:43 | 0:00:45 | |
the massive Noel Fielding... | 0:00:45 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
..the marvellous Eddie Kadi... | 0:00:51 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:55 | |
..the molten Sarah Millican... | 0:00:55 | 0:00:57 | |
CHEERING AND APPLAUSE | 0:00:57 | 0:01:00 | |
..and who will clean up this mess? Alan Davies. | 0:01:00 | 0:01:03 | |
CHEERING AND APPLAUSE | 0:01:03 | 0:01:06 | |
And let's hear your "messy" buzzers. | 0:01:07 | 0:01:11 | |
Noel goes... | 0:01:11 | 0:01:13 | |
GLASS SMASHES | 0:01:13 | 0:01:14 | |
Hmm. Eddie goes... | 0:01:15 | 0:01:17 | |
BUILDING COLLAPSES | 0:01:17 | 0:01:20 | |
Sarah goes... | 0:01:21 | 0:01:22 | |
CAR CRASHES | 0:01:22 | 0:01:26 | |
And Alan goes... | 0:01:26 | 0:01:27 | |
FOOTBALL CROWD CHEERS | 0:01:27 | 0:01:30 | |
LAUGHTER | 0:01:31 | 0:01:33 | |
Do you know what that was? | 0:01:33 | 0:01:35 | |
April 2010. | 0:01:35 | 0:01:37 | |
What's our theme? | 0:01:37 | 0:01:38 | |
Mess. | 0:01:38 | 0:01:39 | |
Lionel? | 0:01:39 | 0:01:40 | |
Lionel Messi. | 0:01:40 | 0:01:42 | |
Messi...scoring how many times against Arsenal? | 0:01:42 | 0:01:45 | |
Oh, four. Four times. | 0:01:45 | 0:01:46 | |
Yes. | 0:01:46 | 0:01:47 | |
I'm afraid so. | 0:01:47 | 0:01:49 | |
CHEERING AND APPLAUSE | 0:01:49 | 0:01:50 | |
There you are. | 0:01:50 | 0:01:52 | |
Anyway, what's...the meaning of this mess of M words? | 0:01:52 | 0:01:56 | |
Just choose one as it passes by. | 0:01:58 | 0:02:00 | |
Oh, mumbudget is how much your mum's got in her purse. | 0:02:00 | 0:02:03 | |
So, is that literally the budget that your mum has? | 0:02:03 | 0:02:07 | |
Cos when I was growing up, I'd ask my mum for £10 | 0:02:07 | 0:02:10 | |
and she'll always be like, "I don't have £10, here's £1." | 0:02:10 | 0:02:12 | |
Right? | 0:02:12 | 0:02:13 | |
If I asked her for £1, she'll give me 20 pence, | 0:02:13 | 0:02:16 | |
so I asked her for a million... | 0:02:16 | 0:02:18 | |
Just to get it up. | 0:02:18 | 0:02:19 | |
Just to, yes, just to get it up. | 0:02:19 | 0:02:21 | |
And she slapped me. | 0:02:21 | 0:02:22 | |
Mumbudget is like keeping mum, it's to be silent about something. | 0:02:23 | 0:02:26 | |
You put the word budget after, like, there's a word fussbudget, | 0:02:26 | 0:02:29 | |
for example, which is someone who's very fussy. | 0:02:29 | 0:02:31 | |
"Oh, don't be such a fussbudget" was a Regency sort of word. | 0:02:31 | 0:02:34 | |
Monarsenous. | 0:02:34 | 0:02:36 | |
Yeah, a single, er...crack. | 0:02:36 | 0:02:38 | |
Oh! | 0:02:38 | 0:02:39 | |
Mammock, the mixture of a mammoth and a hammock. | 0:02:41 | 0:02:44 | |
It's a bra, it's a bra. | 0:02:44 | 0:02:45 | |
A useful one to sleep in. | 0:02:45 | 0:02:47 | |
-It's where... -A mammock? -It's where I hang my mammaries. -Oh, your mammary hammock, yes. A mammock. | 0:02:47 | 0:02:51 | |
-A maness is a woman. -Yes. | 0:02:51 | 0:02:53 | |
-Is a mormal...? -Is it? -Yes... -Is it? -But what's surprising... -Is it?! -Yeah. -You got one right! | 0:02:53 | 0:02:59 | |
-I got one right, yeah. I'm going! -Is it actually? -Yes. | 0:02:59 | 0:03:02 | |
You might think that it was a recent word for a woman, a maness, | 0:03:02 | 0:03:06 | |
but actually it's 16th century. | 0:03:06 | 0:03:07 | |
Tudor, 1500s, maness. | 0:03:07 | 0:03:09 | |
-A man and a maness. -Yeah, a man... | 0:03:09 | 0:03:11 | |
Mazology, the study of mazes. | 0:03:11 | 0:03:13 | |
BUZZER ALARM Oh, no! | 0:03:13 | 0:03:15 | |
The study of mazes. | 0:03:17 | 0:03:18 | |
Oh, you must be so stupid to get one of those go off! | 0:03:18 | 0:03:21 | |
-It's actually the study of mammals. -Oh! | 0:03:23 | 0:03:26 | |
-Mammals in zoology. -That live in mazes. | 0:03:26 | 0:03:28 | |
Mazology, yeah. | 0:03:28 | 0:03:29 | |
Mogi, mogi... | 0:03:29 | 0:03:30 | |
Is a mutton-monger like a Welsh person? No! | 0:03:30 | 0:03:32 | |
I'll get into trouble for that. | 0:03:35 | 0:03:36 | |
It could be a man with extreme sexual appetites can be called a mutton-monger. | 0:03:36 | 0:03:40 | |
-Oh, really? -So, a Welshman then. | 0:03:40 | 0:03:41 | |
I pulled it back, did you see? I pulled it back. | 0:03:43 | 0:03:45 | |
Is a mournival like a really good funeral? | 0:03:45 | 0:03:48 | |
-Woo! -APPLAUSE | 0:03:51 | 0:03:53 | |
And what other words have we come across? | 0:03:55 | 0:03:57 | |
A mugwump is when you put your biscuit in your tea | 0:03:57 | 0:04:00 | |
and half of it falls to the bottom. | 0:04:00 | 0:04:02 | |
Oh, that would be so useful as a word. | 0:04:02 | 0:04:05 | |
What about munge, is that a man with a vagina? | 0:04:05 | 0:04:07 | |
No, it's... | 0:04:07 | 0:04:08 | |
Munge is actually a verb, and it's something mothers do, | 0:04:09 | 0:04:12 | |
but I don't know anybody else would do it, unless they were weird. | 0:04:12 | 0:04:15 | |
-I munge, you munge, we munge, they munge. -We munge, that's how verbs work. | 0:04:15 | 0:04:18 | |
They munge! | 0:04:18 | 0:04:20 | |
You've conjugated the verb "to munge" very nicely. | 0:04:20 | 0:04:23 | |
I have. | 0:04:23 | 0:04:24 | |
-Mothers... -I munge daily. -Yeah. | 0:04:24 | 0:04:25 | |
-I am munge... -I will have munged, would be future perfect. -Yes. | 0:04:25 | 0:04:29 | |
I could have munged. | 0:04:29 | 0:04:30 | |
-Could have munged, I might have munged, I may well have munged. -Yes. | 0:04:30 | 0:04:33 | |
I cannot remember if I munged or not. | 0:04:33 | 0:04:36 | |
-Munge is to wipe someone else's nose. -Wow. | 0:04:36 | 0:04:38 | |
-I did not munge. -You didn't munge. | 0:04:38 | 0:04:40 | |
I munge about every 15 minutes at home. | 0:04:41 | 0:04:43 | |
Mesopygion...mesopygion is interesting, | 0:04:43 | 0:04:46 | |
because you almost mentioned that. | 0:04:46 | 0:04:48 | |
-A mesopygion. -Mesopygion. | 0:04:48 | 0:04:50 | |
Mesopygion. | 0:04:50 | 0:04:51 | |
It sounds like you're doing yourself down, oh me-so-pygion | 0:04:51 | 0:04:54 | |
Oh, mesopygion. Er... | 0:04:54 | 0:04:57 | |
Pyg, P-Y-G is buttocks in Greek, as in styrop, styropigus, | 0:04:57 | 0:05:01 | |
and beautiful fat buttocks, styropigus. | 0:05:01 | 0:05:03 | |
-And mesopygius is the crack between the buttocks. -Eso what? | 0:05:03 | 0:05:07 | |
It's your anal fissure, your anal fissure. | 0:05:07 | 0:05:10 | |
-That's what I call sexy times. -Did I say anal fisher? I'm an anal fisher. | 0:05:10 | 0:05:14 | |
A fissure. A fissure, I mean. | 0:05:14 | 0:05:17 | |
Yeah. | 0:05:17 | 0:05:18 | |
Not an anal fisher? | 0:05:18 | 0:05:19 | |
What else were we? | 0:05:19 | 0:05:21 | |
No, no, no. An anal angler. | 0:05:21 | 0:05:23 | |
Oh, dear. | 0:05:23 | 0:05:24 | |
-So, if you've got like an itch, you could be a mesopygion. -Yeah, that's right, yeah you could. | 0:05:26 | 0:05:30 | |
-It's amazing. -Oh, it's all running down my mesopygion. -Yeah... | 0:05:30 | 0:05:34 | |
Yup, there it is. | 0:05:34 | 0:05:35 | |
-There's got to be a word for these things, hasn't there? It's good that it exists. -Yeah. | 0:05:35 | 0:05:39 | |
If you want to know what the rest mean, go to... | 0:05:39 | 0:05:44 | |
It's a real site. | 0:05:44 | 0:05:46 | |
There's one last thing I'd like to mention from the list, though. | 0:05:46 | 0:05:48 | |
Mytacism, which we haven't commented on, it's an excessive use of the letter M. | 0:05:48 | 0:05:53 | |
Ah-h-h. | 0:05:53 | 0:05:54 | |
So, let's let the mytacism roll. | 0:05:54 | 0:05:57 | |
Name a politician with raw animal magnetism. | 0:05:57 | 0:06:01 | |
Oh...wow... | 0:06:01 | 0:06:02 | |
-Ed Miliband. -THEY LAUGH | 0:06:02 | 0:06:04 | |
No, but seriously. | 0:06:06 | 0:06:08 | |
THEY LAUGH | 0:06:08 | 0:06:10 | |
It's actually a politician long dead. | 0:06:10 | 0:06:12 | |
Animal magnetism, where did that phrase come from? | 0:06:12 | 0:06:15 | |
It's not actually an obvious or natural phrase. | 0:06:15 | 0:06:18 | |
It seems so to us, cos we use it all the time, but why animal magnetism? | 0:06:18 | 0:06:23 | |
There's something charismatic about them physically, | 0:06:23 | 0:06:25 | |
-the way they move or look or do things. -Hmm. | 0:06:25 | 0:06:28 | |
It's not what they say, it's their aroma. | 0:06:28 | 0:06:31 | |
Is it the way... | 0:06:31 | 0:06:33 | |
Yeah, free spirit. | 0:06:33 | 0:06:34 | |
Yeah, is it the way like a gorilla can sometimes be sexy, | 0:06:34 | 0:06:37 | |
but you're not allowed to say that? | 0:06:37 | 0:06:39 | |
It's not banned in zoos to go, "I'd do that one, wouldn't you?" | 0:06:41 | 0:06:44 | |
-Where are we, is it American politicians? -No, we're back in the 19th century. | 0:06:46 | 0:06:49 | |
-19th century. -19th century, and... | 0:06:49 | 0:06:51 | |
-It'll be either Gladstone or Disraeli. -A German Austrian figure called Franz... -Franz. | 0:06:51 | 0:06:55 | |
..who achieved huge public recognition for what he claimed to do, | 0:06:55 | 0:06:59 | |
which involved using the magnetic fluids of people | 0:06:59 | 0:07:04 | |
to make them do things they didn't want to do. | 0:07:04 | 0:07:06 | |
And he coined the phrase animal magnetism, | 0:07:06 | 0:07:09 | |
meaning a very basic, primal, human, magnetic quality. | 0:07:09 | 0:07:14 | |
And his name was Franz M... M... | 0:07:14 | 0:07:18 | |
Magnet. | 0:07:18 | 0:07:19 | |
Mugwump. | 0:07:19 | 0:07:21 | |
M... | 0:07:21 | 0:07:22 | |
It's a word that means it's absolutely hypnotic | 0:07:22 | 0:07:24 | |
and amazing, I'm m... | 0:07:24 | 0:07:26 | |
Mesmerising. | 0:07:26 | 0:07:27 | |
Yes, and so his name was? | 0:07:27 | 0:07:28 | |
-Bobby Mesmeriser. -THEY LAUGH | 0:07:28 | 0:07:31 | |
I've already given you Frank...Franz, haven't I? | 0:07:32 | 0:07:35 | |
Franz Mesmer. | 0:07:35 | 0:07:36 | |
Franz Mesmer was his name. | 0:07:36 | 0:07:39 | |
-And he was the first great public figure to hypnotise. -Oh-h-h. | 0:07:39 | 0:07:44 | |
To use hypnosis. | 0:07:44 | 0:07:46 | |
Even the name's quite mesmerising. | 0:07:46 | 0:07:47 | |
It is, the name... | 0:07:47 | 0:07:49 | |
-GERMAN ACCENT: -"I am Bobby the Mesmeriser." | 0:07:49 | 0:07:52 | |
-Yeah. Forget the Bobby. -Frank, Franz. -Yeah. | 0:07:52 | 0:07:54 | |
-I like Bobby. -You prefer Bobby, OK. | 0:07:54 | 0:07:56 | |
-Yeah, cos you don't see it coming, do you? -No, you don't. | 0:07:56 | 0:07:58 | |
-"Oh, like, Bobby, yeah, he's harmless." -Bobby Mesmer. -where are the fluids, the bodily fluids? | 0:07:58 | 0:08:03 | |
-The magnetic fluids? -Yeah. -It's nonsense, but that's what he claimed existed. -Oh. | 0:08:03 | 0:08:06 | |
He used what we would call basic hypnotic techniques, | 0:08:06 | 0:08:10 | |
but he claimed that he was exploiting these magnetic fluids, | 0:08:10 | 0:08:14 | |
which don't exist in the human body, | 0:08:14 | 0:08:16 | |
in order to sort of pull out the things that he could make people do. | 0:08:16 | 0:08:19 | |
-It's called Rohypnol now. -Yes, I'm afraid it is! | 0:08:19 | 0:08:22 | |
But plenty of people believed in what he did and said - | 0:08:22 | 0:08:26 | |
Coleridge, Marie Antoinette, Edgar Allan Poe, Mozart, Dickens, Conan Doyle, a lot of them. | 0:08:26 | 0:08:31 | |
Dickens liked to try and practise on a friend of his, | 0:08:31 | 0:08:34 | |
Madame de la Rue, and he once, on a train, with his wife, | 0:08:34 | 0:08:38 | |
was practising hypnotising on Madame de la Rue, and he wrote | 0:08:38 | 0:08:41 | |
that he "heard the sound of his wife's muff falling to the ground." | 0:08:41 | 0:08:44 | |
THEY LAUGH | 0:08:44 | 0:08:46 | |
Why are we laughing? | 0:08:47 | 0:08:49 | |
I think mine sometimes comes loose, but it's never hit the deck. | 0:08:49 | 0:08:52 | |
THEY LAUGH | 0:08:54 | 0:08:57 | |
Oh, dear. We might come back to muffs, I hope not, but we might. | 0:08:57 | 0:09:01 | |
What happened is, he hypnotised his wife into a trance by accident. | 0:09:01 | 0:09:04 | |
-And he heard a sound... -He heard the sound of her muff hitting the ground, | 0:09:04 | 0:09:08 | |
and he turned round and saw that she had been the one who'd been hypnotised, not Madame de la Rue. | 0:09:08 | 0:09:12 | |
So, his wife was...she just came in with a cup of tea, and, bang, gone. | 0:09:12 | 0:09:15 | |
Yes, exactly. | 0:09:15 | 0:09:17 | |
But the politician whom Coleridge characterised as having animal magnetism, | 0:09:17 | 0:09:21 | |
which was an insult, was Pitt the Younger. | 0:09:21 | 0:09:24 | |
-He thought Pitt the Younger exhibited these traits of animal magnetism. -Wow. | 0:09:24 | 0:09:29 | |
In other words, that he somehow used some sort of force, or some | 0:09:29 | 0:09:32 | |
sort of power over people, in order to persuade them to his cause. | 0:09:32 | 0:09:36 | |
Yeah, and there were royal commissions to investigate it, especially in France, | 0:09:36 | 0:09:40 | |
Louis XVI set one up. | 0:09:40 | 0:09:42 | |
It was the first placebo-controlled trial in history. | 0:09:42 | 0:09:45 | |
They ruled that it had no basis in fact, | 0:09:45 | 0:09:48 | |
but nonetheless people continued to believe it. Yeah. | 0:09:48 | 0:09:51 | |
Pitt the Younger possessed raw animal magnetism, at least according to Coleridge. | 0:09:51 | 0:09:55 | |
Now, what's the most inappropriate thing beginning with M that the Pope has kissed? | 0:09:55 | 0:10:00 | |
LOUD CRASH Yes, Sarah Millican? | 0:10:00 | 0:10:02 | |
My breasts. | 0:10:02 | 0:10:03 | |
Well, this has come as a shock to me, tell the story, where were you? | 0:10:05 | 0:10:08 | |
That's it, he just, he sort of fell. | 0:10:08 | 0:10:11 | |
He fell on your breasts? | 0:10:11 | 0:10:12 | |
I was in, like, W H Smiths and... | 0:10:12 | 0:10:14 | |
He'd come in to bless some Bibles or something | 0:10:15 | 0:10:18 | |
and he just tripped on, cos the carpet was...and...and I had | 0:10:18 | 0:10:21 | |
-a low-cut top and I don't wear one for QI, because it feels disrespectful. -Yes. | 0:10:21 | 0:10:25 | |
But I normally have them out and he just landed, | 0:10:25 | 0:10:28 | |
-and cos his natural inclination is to kiss things, he just kissed them. -Wow! | 0:10:28 | 0:10:32 | |
What was his reaction? | 0:10:32 | 0:10:34 | |
Did he like it? | 0:10:34 | 0:10:35 | |
He was pleased. | 0:10:35 | 0:10:36 | |
-Did he, did he go, "Mmmm"? -No, he was too polite for that, | 0:10:38 | 0:10:41 | |
but I could see a little glint in his eye. | 0:10:41 | 0:10:43 | |
THEY LAUGH | 0:10:43 | 0:10:45 | |
Anyway, a merkin, what's a merkin? | 0:10:45 | 0:10:47 | |
-It's a pubic wig. -A pubic wig. -Yes. | 0:10:47 | 0:10:49 | |
Could a Pope kiss a pubic wig? Is it likely? | 0:10:49 | 0:10:53 | |
-If he was drunk enough. -THEY LAUGH | 0:10:53 | 0:10:56 | |
-On communion wine. -Had he tripped in a different way. | 0:10:56 | 0:10:58 | |
Well, we're going back to the 17th century. | 0:10:58 | 0:11:01 | |
-And it was a rather... -If it was a tall lady. | 0:11:01 | 0:11:02 | |
I think you're going to like this man. | 0:11:02 | 0:11:04 | |
There's an English...English highwayman called Captain Dick Dudley. | 0:11:04 | 0:11:10 | |
Dicky Dudley. | 0:11:10 | 0:11:12 | |
Dick Dudley. I think you're going to like Dick Dudley. He was hiding in Rome | 0:11:12 | 0:11:15 | |
and while he was hiding from the law enforcement officers, | 0:11:15 | 0:11:18 | |
he bought a dead prostitute's pubic wig, | 0:11:18 | 0:11:22 | |
a merkin, from an anatomist. | 0:11:22 | 0:11:24 | |
"He dried it well and combed it out," that's in inverted commas | 0:11:24 | 0:11:28 | |
cos it's a quotation, "and sold it to the Pope." | 0:11:28 | 0:11:31 | |
-There they are, there's a selection of them. -Wow! | 0:11:31 | 0:11:34 | |
I like the one on the bottom right. | 0:11:34 | 0:11:36 | |
-That's excellent. -Yes, nice curls. | 0:11:36 | 0:11:38 | |
Yeah. That's had a perm, that one. | 0:11:38 | 0:11:41 | |
-So, this was Ann Summers back in the day. -Yeah. -Kind of. | 0:11:41 | 0:11:44 | |
My goodness. | 0:11:44 | 0:11:45 | |
He sold it to the Pope, it could have been Clement X or | 0:11:45 | 0:11:49 | |
Innocent XI, as a piece of St Peter's beard. | 0:11:49 | 0:11:52 | |
THEY LAUGH | 0:11:54 | 0:11:56 | |
And... | 0:11:56 | 0:11:57 | |
THEY LAUGH | 0:11:57 | 0:11:59 | |
Oh, well done, him! | 0:11:59 | 0:12:00 | |
Popes like relics. He's a great man, I like Dick Dudley. | 0:12:00 | 0:12:03 | |
Pope Gullible IV. | 0:12:03 | 0:12:04 | |
Yeah! Exactly! THEY LAUGH | 0:12:04 | 0:12:07 | |
-"A beard, you say? Hmm." -THEY LAUGH | 0:12:07 | 0:12:08 | |
"St Peter's!" | 0:12:08 | 0:12:09 | |
Exactly, Alan, the Pope put it on his mouth, kissed it multiple times | 0:12:11 | 0:12:15 | |
and appeared to be thrilled with his purchase. | 0:12:15 | 0:12:17 | |
Dick was paid 100 ducats and he immediately skedaddled it | 0:12:17 | 0:12:21 | |
out of Rome before anybody caught up with him, called his muff...bluff! | 0:12:21 | 0:12:24 | |
LAUGHTER | 0:12:24 | 0:12:26 | |
Wow. | 0:12:26 | 0:12:28 | |
But they've existed in Britain as pubic wigs since the 14th century, at least. | 0:12:28 | 0:12:33 | |
And were especially useful for women who'd lost their pubic hair due to...? | 0:12:33 | 0:12:37 | |
-Disease. -Waxing? -Yes, syphilis. Through what? | 0:12:38 | 0:12:40 | |
-Waxing. -Waxing. No! HE LAUGHS | 0:12:40 | 0:12:43 | |
That picture looks like the sun if it forgot to shave. | 0:12:43 | 0:12:45 | |
Yes, it does rather, doesn't it? | 0:12:45 | 0:12:47 | |
-Or Mick Hucknall. -Hipster sun. | 0:12:47 | 0:12:49 | |
You have to get up early to catch the sun unshaven. | 0:12:49 | 0:12:53 | |
Anyway, when in Rome, don't kiss St Peter's beard, you don't | 0:12:55 | 0:12:58 | |
know where it's been. | 0:12:58 | 0:12:59 | |
What did Marie Antoinette keep in her muff? | 0:13:01 | 0:13:03 | |
-Cake. -BUZZER ALARM | 0:13:04 | 0:13:06 | |
Oh! | 0:13:06 | 0:13:08 | |
-We were there before you, Eddie, I'm sorry. -Welcome. | 0:13:08 | 0:13:11 | |
Yeah, welcome to our world, exactly. | 0:13:11 | 0:13:13 | |
I told you we'd return to muffs and here we have with a vengeance. What did people keep in muffs? | 0:13:14 | 0:13:18 | |
What did women keep in muffs? | 0:13:18 | 0:13:20 | |
There was a particular thing, a fashionable accessory. | 0:13:20 | 0:13:23 | |
Mirror. | 0:13:23 | 0:13:25 | |
-A living, moving accessory. -Ooh. | 0:13:25 | 0:13:27 | |
A hamster? | 0:13:27 | 0:13:29 | |
Maybe that just WAS the muff. | 0:13:30 | 0:13:31 | |
Well, you know what Chinese people kept in their large sleeves? | 0:13:31 | 0:13:35 | |
A crocodile. | 0:13:35 | 0:13:36 | |
A wild guess and I wish it were correct, it's... | 0:13:38 | 0:13:41 | |
-A duck. -Not a duck. | 0:13:41 | 0:13:43 | |
-That's what Pekingese dogs were bred for. -A dog. | 0:13:43 | 0:13:46 | |
-Yeah, so dogs. -In their sleeves? -Yeah. | 0:13:46 | 0:13:48 | |
But the muffs, which were sometimes known as snuffkins, | 0:13:48 | 0:13:52 | |
in England, were worn by both men and women, not just women. | 0:13:52 | 0:13:55 | |
-King Louis XIV had muffs made of tiger, panther, otter and beaver skins. -Wow. | 0:13:55 | 0:14:01 | |
In his diary, Samuel Pepys reported that, | 0:14:01 | 0:14:03 | |
"This day I did first wear a muff, being my wife's last year's muff." | 0:14:03 | 0:14:07 | |
SARAH LAUGHS MANICALLY | 0:14:09 | 0:14:11 | |
All right... The Marquis de Sade, who was imprisoned in the Bastille, | 0:14:11 | 0:14:14 | |
of course, had letters smuggled in by his wife, which she kept in her muff. | 0:14:14 | 0:14:18 | |
LAUGHTER | 0:14:18 | 0:14:19 | |
Now, come on. If I say muff enough, it's... | 0:14:19 | 0:14:21 | |
Can you just control yourselves?! | 0:14:21 | 0:14:23 | |
YOU don't...you, how... | 0:14:23 | 0:14:25 | |
Well, I haven't said anything about the vagina for four minutes! | 0:14:25 | 0:14:28 | |
There's a marvellous woman called Celestine Galli-Marie, | 0:14:31 | 0:14:34 | |
who was the first woman to play Carmen. | 0:14:34 | 0:14:36 | |
-She always kept a marmoset in her muff. -Of course she did. | 0:14:36 | 0:14:40 | |
Yeah. So, there you are. There's a lot of... | 0:14:42 | 0:14:44 | |
-Where else are you going to put it? -Yeah, exactly, there's fun to be had from muffs. | 0:14:44 | 0:14:48 | |
Muffs were once used to store dogs. Muff said. | 0:14:48 | 0:14:51 | |
Now, for a question about meteorology. | 0:14:51 | 0:14:54 | |
Why did the inventor of the weather forecast think that dinosaurs had died out? | 0:14:54 | 0:14:58 | |
Maybe he loved dinosaurs, right? He loved them so much | 0:14:59 | 0:15:02 | |
-he wished he could actually let them know before the weather changed and killed them off. -Yeah. | 0:15:02 | 0:15:07 | |
And he started going, "Do you know what? I'm going to resist this happening again, | 0:15:07 | 0:15:11 | |
"I'm creating the weather forecast, just in case dinosaurs come back and they need it." | 0:15:11 | 0:15:14 | |
Here's a man who had... | 0:15:14 | 0:15:16 | |
..an extraordinary and brilliant idea, | 0:15:17 | 0:15:21 | |
and he had an incredibly stupid idea. | 0:15:21 | 0:15:24 | |
But the world believed his stupid idea, | 0:15:24 | 0:15:27 | |
but laughed derisively at his good idea. | 0:15:27 | 0:15:31 | |
His name was FitzRoy and he invented the weather forecast | 0:15:32 | 0:15:34 | |
and said he could forecast the weather, given, you know, enough knowledge of the variables. | 0:15:34 | 0:15:38 | |
And people laughed him to scorn. | 0:15:38 | 0:15:40 | |
But then he said, "I know why dinosaurs died out. | 0:15:42 | 0:15:46 | |
"Because they were too big to fit onto Noah's Ark." | 0:15:46 | 0:15:50 | |
And people said, "That's a brilliant point, you're right." | 0:15:50 | 0:15:53 | |
And that's true. He was genuinely respected for thinking that. | 0:15:54 | 0:15:57 | |
-And that is rubbish because that ark was huge, wasn't it? -Yeah, that's right. | 0:15:57 | 0:16:01 | |
It's because Tyrannosaurus Rex's arms were so small, | 0:16:01 | 0:16:03 | |
they couldn't get the umbrella over their head. | 0:16:03 | 0:16:06 | |
And he... | 0:16:06 | 0:16:08 | |
I'm sure Noah would have factored that in, wouldn't he? | 0:16:08 | 0:16:10 | |
Noah would have had a whole...dinosaur section, it's absurd. | 0:16:10 | 0:16:13 | |
You seem to be buying into this whole Noah's Ark idea. | 0:16:13 | 0:16:16 | |
-Was there a weather forecast? -The dinosaurs said, "No, no, we'll stay, I'm sure it'll be fine." | 0:16:16 | 0:16:22 | |
-They're just really positive. -They were deluded. -They were very sort of optimistic. | 0:16:22 | 0:16:26 | |
And when the flood came they thought, "Oh, shit, actually it's much worse than we thought." | 0:16:26 | 0:16:29 | |
I've just got the image now of a weather...cave weatherman doing the weather... | 0:16:29 | 0:16:33 | |
-I don't know why we had a cave weatherman. -..on a cave, and then all the dinosaurs sort of gathering | 0:16:33 | 0:16:37 | |
round to see the pollen count. | 0:16:37 | 0:16:39 | |
FitzRoy, does the name mean anything to you, in terms of natural history? | 0:16:41 | 0:16:44 | |
A bastard. | 0:16:44 | 0:16:45 | |
He was perhaps best known for being the guy in charge of the Beagle. | 0:16:45 | 0:16:49 | |
-He was a friend of Darwin's. -Oh. | 0:16:49 | 0:16:51 | |
But despite being a friend of Darwin's, he didn't believe anything Darwin said. | 0:16:51 | 0:16:54 | |
In fact, he was outraged by Darwin's Theory of Evolution, because Darwin didn't take into account... | 0:16:54 | 0:16:59 | |
"Oh, Charles, for God's sake, they just didn't have enough room on the Ark for them!" | 0:16:59 | 0:17:03 | |
Yeah, exactly. THEY LAUGH | 0:17:03 | 0:17:04 | |
Basically, that's what he tried... | 0:17:06 | 0:17:08 | |
"Oh, yadda, yadda, yadda, Charles! | 0:17:08 | 0:17:10 | |
"I'm telling you, it's going to rain in the morning." | 0:17:11 | 0:17:13 | |
"Oh, don't be ridiculous, FitzRoy!" | 0:17:13 | 0:17:15 | |
THEY LAUGH | 0:17:15 | 0:17:16 | |
"You can't possibly know that." | 0:17:18 | 0:17:19 | |
"I'm telling you, it is!" | 0:17:19 | 0:17:21 | |
-Well, it was 20 years... -What a pair! -They were a pair. | 0:17:21 | 0:17:24 | |
20 years after the Beagle, he started his weather forecasting | 0:17:24 | 0:17:28 | |
and actually it did catch on, despite the initial scepticism. | 0:17:28 | 0:17:30 | |
In fact, even Queen Victoria used to send word round asking what | 0:17:30 | 0:17:34 | |
sort of crossing she'd get to the Isle of Wight. | 0:17:34 | 0:17:36 | |
He lived in Norwood and he would send a message saying, "It'll be windy." | 0:17:36 | 0:17:40 | |
Lived in Norwood! That's funny to me. | 0:17:40 | 0:17:41 | |
-It is, I know. Only Victorians lived in Norwood. -Norwood. | 0:17:41 | 0:17:44 | |
Maybe Norwood was quite nice then, but, Christ, it's a khazi. | 0:17:44 | 0:17:47 | |
His first ever weather forecast, it was in the Times, | 0:17:48 | 0:17:51 | |
and was four words. | 0:17:51 | 0:17:52 | |
"Moderate, westerly wind, fine." | 0:17:52 | 0:17:55 | |
I thought you were going say, "Bloody pissing down." | 0:17:56 | 0:17:59 | |
Exactly. Well, there you are. | 0:18:01 | 0:18:02 | |
The word meteorology comes from the Greek for things high up, | 0:18:02 | 0:18:05 | |
and in terms of high up, | 0:18:05 | 0:18:07 | |
they used to use frogs for telling the weather forecast. | 0:18:07 | 0:18:10 | |
They built them little ladders and put them in a jar. | 0:18:10 | 0:18:13 | |
-Of course they did. -And they thought if they went up the ladder, it was going to be fine. | 0:18:13 | 0:18:17 | |
If they went down the ladder, it was going to be a bit wet. | 0:18:17 | 0:18:20 | |
Giving you the idea of it. OK. | 0:18:20 | 0:18:22 | |
Did frogs, did frogs even know what ladders were? | 0:18:22 | 0:18:24 | |
-I don't think they have to know what they are, do they? -Did they just like...? | 0:18:26 | 0:18:30 | |
They just have to have the instinct to climb. | 0:18:30 | 0:18:31 | |
-So, it could have been anything, didn't have to be ladders. -It didn't have to be. | 0:18:31 | 0:18:35 | |
"Where's the frog?" "He's halfway up." "But which way is he looking?" "He's looking down." | 0:18:35 | 0:18:39 | |
Just say, "Scattered showers, scattered showers." | 0:18:39 | 0:18:42 | |
-I think you're right. -"Sunny spells. Sunny spells." | 0:18:44 | 0:18:47 | |
Just do a cloud with a bit of the sun, half the sun. | 0:18:47 | 0:18:50 | |
What if it was foggy? | 0:18:51 | 0:18:53 | |
"He's gone on an escalator, it's foggy." | 0:18:53 | 0:18:55 | |
-Maybe he was trying to get out the top. -Yeah. That's what he's trying to do. -He's trying to escape. | 0:18:57 | 0:19:01 | |
One day, the ladder's right up to the top and the frog's fucked off, and then what's going to happen? | 0:19:01 | 0:19:06 | |
Left a note, "I've no idea what the weather's going to be like. I'm out of here." | 0:19:06 | 0:19:10 | |
I'm out of this game. | 0:19:11 | 0:19:14 | |
APPLAUSE | 0:19:14 | 0:19:15 | |
There we have it. | 0:19:15 | 0:19:17 | |
That's right, the father of meteorology thought that the | 0:19:17 | 0:19:20 | |
dinosaurs were too big for Noah's Ark. | 0:19:20 | 0:19:23 | |
Now, I'm going to do something with my mouth. | 0:19:23 | 0:19:25 | |
What do you think? | 0:19:25 | 0:19:26 | |
HE INHALES SEVERAL TIMES | 0:19:27 | 0:19:28 | |
Yes or no? | 0:19:28 | 0:19:30 | |
Er, yes. | 0:19:30 | 0:19:31 | |
Yes is right. | 0:19:31 | 0:19:33 | |
-Oh, phew! -That was yes. | 0:19:33 | 0:19:35 | |
THEY LAUGH | 0:19:35 | 0:19:36 | |
Well done. | 0:19:37 | 0:19:38 | |
In the Swedish town of Umea, that is yes, to go... HE INHALES REPEATEDLY | 0:19:38 | 0:19:42 | |
Which you can sort of do in English, going, "Yeah, yeah, yeah, yeah..." | 0:19:42 | 0:19:46 | |
-Oh, that's their way of saying yes? -Yeah. Yeah, their way of saying yes. | 0:19:46 | 0:19:49 | |
And what's interesting is the idea that there may or may not be | 0:19:49 | 0:19:52 | |
a universal way of signalling yes or no. | 0:19:52 | 0:19:55 | |
Darwin was very interested in the idea, | 0:19:55 | 0:19:56 | |
and he looked all over the world to the different cultures to see | 0:19:56 | 0:19:59 | |
whether they nodded and shook for yes and no. | 0:19:59 | 0:20:03 | |
Mostly, it seems, that nodding for yes and shaking for no. | 0:20:03 | 0:20:07 | |
Shaking for Timotei. | 0:20:07 | 0:20:09 | |
Yeah, indeed, in the middle. | 0:20:09 | 0:20:10 | |
And nodding for dandruff. | 0:20:10 | 0:20:12 | |
But there's a reason, some people think, | 0:20:12 | 0:20:14 | |
why it may be that there's a "yes" and a "no". | 0:20:14 | 0:20:16 | |
The babies, if you offer them food and they don't want it, | 0:20:16 | 0:20:19 | |
-what do they do? -Yeah, they... | 0:20:19 | 0:20:21 | |
They turn their head away, they do that. | 0:20:21 | 0:20:23 | |
It's a shaking of the head, if you like, a kind of... | 0:20:23 | 0:20:25 | |
-I never do that. -And if they want... No! | 0:20:25 | 0:20:28 | |
If they want food... | 0:20:28 | 0:20:31 | |
LAUGHTER | 0:20:31 | 0:20:32 | |
Oh, dear! | 0:20:32 | 0:20:34 | |
..they incline their heads if they want food. They seem | 0:20:35 | 0:20:38 | |
to incline their heads, generally speaking, around the world. | 0:20:38 | 0:20:41 | |
Is it, do you know, well, you grew up in Democratic Republic of Congo, | 0:20:41 | 0:20:44 | |
is there a "yes" and "no" head-shaking thing? | 0:20:44 | 0:20:46 | |
You know, my friend was in Ethiopia, and she said | 0:20:46 | 0:20:49 | |
she was at a restaurant, | 0:20:49 | 0:20:51 | |
and the guy was asking, "What foods do you have?" | 0:20:51 | 0:20:53 | |
-And he just kept going... -HE SQUEAKS | 0:20:53 | 0:20:55 | |
-"Do you have any...?" -HE SQUEAKS | 0:20:55 | 0:20:57 | |
So she's like, "I think he's having a panic attack!" | 0:20:57 | 0:20:59 | |
He goes, "No, they've got everything on the list." | 0:20:59 | 0:21:01 | |
-Literally, that was yes, their way of saying yes was... -HE SQUEAKS | 0:21:01 | 0:21:04 | |
But in Africa in general, including Congo, | 0:21:04 | 0:21:07 | |
we have sound effects that we use. | 0:21:07 | 0:21:09 | |
You know, your mum, when she's going, "Ah-ha!", | 0:21:09 | 0:21:11 | |
it means she's agreeing. | 0:21:11 | 0:21:12 | |
When she goes, "Ah-ah!" it means she doesn't want it. | 0:21:12 | 0:21:15 | |
So, Dad will be like, "Darling, did you, you know, put the kids to bed?" | 0:21:15 | 0:21:19 | |
And she's like, "Ah-ha." | 0:21:19 | 0:21:20 | |
"So can you put me to bed?" "Ah-ah!" | 0:21:20 | 0:21:23 | |
Very dramatic. And it literally is that, you see, | 0:21:23 | 0:21:25 | |
you'll see a lot of Africans, when they're talking, it's like, | 0:21:25 | 0:21:28 | |
"Ah-ah! Ah-ha!" "Ehh?" "Ohh!" "Ah-haaa!" | 0:21:28 | 0:21:30 | |
LAUGHTER | 0:21:30 | 0:21:32 | |
It looks like an argument, | 0:21:32 | 0:21:33 | |
but they're having the most pleasant conversation! | 0:21:33 | 0:21:36 | |
Indeed. Now, what could you learn from a meerkat? | 0:21:37 | 0:21:40 | |
Oh. | 0:21:41 | 0:21:42 | |
Oh! How to accessorise? | 0:21:42 | 0:21:45 | |
Well, clearly, very beautifully clothed. | 0:21:45 | 0:21:47 | |
-Not how to put mascara on. -No, that's not impressive, is it? | 0:21:47 | 0:21:52 | |
Don't offer a cigarette to a drawing of a cat? | 0:21:52 | 0:21:55 | |
No! | 0:21:55 | 0:21:57 | |
What are meerkats a type of? | 0:22:05 | 0:22:06 | |
They're a type of meer, or possibly a type of kat! | 0:22:06 | 0:22:09 | |
LAUGHTER | 0:22:09 | 0:22:10 | |
-They're actually a sort of mongoose. -Mongoose. -Oh! -A sort of mongoose. | 0:22:10 | 0:22:13 | |
-Do you know what they do? -Is a mongoose a goose? | 0:22:13 | 0:22:16 | |
-The men fight... -What's that one doing? | 0:22:16 | 0:22:18 | |
-What's he doing with his hands?! -He's meering! | 0:22:19 | 0:22:21 | |
Impression of a mongoose! | 0:22:21 | 0:22:23 | |
The males fight so that one becomes dominant, and then he has his pick | 0:22:23 | 0:22:26 | |
of the females, and he thinks he's in charge, and he'll usually | 0:22:26 | 0:22:29 | |
drive out the second most dominant one, and then he'll live on his own. | 0:22:29 | 0:22:32 | |
But the women sneak out to see him. | 0:22:32 | 0:22:35 | |
Oh, that's very sweet. | 0:22:35 | 0:22:37 | |
And that's how they keep mixing up the genes, you know? | 0:22:37 | 0:22:39 | |
-Yes, getting a diverse pool. -The women sneak out. | 0:22:39 | 0:22:41 | |
I saw, there was a whole programme about it. It's quite funny. | 0:22:41 | 0:22:44 | |
They had quite funny little footage of the women | 0:22:44 | 0:22:46 | |
kind of sneaking out of the camp. | 0:22:46 | 0:22:48 | |
But, like, climbing down, like, knotted sort of... | 0:22:48 | 0:22:50 | |
Yeah, basically, yeah! | 0:22:50 | 0:22:51 | |
And then she met up with Brian or whatever, and they did it, | 0:22:51 | 0:22:54 | |
they literally did it in a bush! | 0:22:54 | 0:22:56 | |
LAUGHTER | 0:22:56 | 0:22:58 | |
And then she went back to camp as if nothing had happened! | 0:22:58 | 0:23:00 | |
No woman would sneak out for a Brian! | 0:23:00 | 0:23:02 | |
No?! | 0:23:02 | 0:23:04 | |
-We're quite choosy. -Animal magnetism. | 0:23:04 | 0:23:06 | |
Animal magnetism. That's the one. | 0:23:06 | 0:23:09 | |
The question asked was, "What do we learn from meerkats?" | 0:23:09 | 0:23:13 | |
-Well, if it's a driving instructor, it'll be driving. -Yes... | 0:23:13 | 0:23:19 | |
Let's...let's suppose it isn't a driving instructor. | 0:23:19 | 0:23:22 | |
-Let's suppose they're in the wild, in Africa. -Is it a danger thing? | 0:23:22 | 0:23:26 | |
We learnt they're one of the very few animals, | 0:23:26 | 0:23:29 | |
other than human beings, who teach their young. | 0:23:29 | 0:23:32 | |
-Oh, they have classes. -Kind of do, yeah. | 0:23:32 | 0:23:35 | |
Ah! Little books and things. | 0:23:35 | 0:23:37 | |
They sacrifice time and effort, with no apparent gain to self, to teach. | 0:23:37 | 0:23:42 | |
That one's a supply teacher. | 0:23:42 | 0:23:44 | |
LAUGHTER | 0:23:44 | 0:23:45 | |
He's got that look! | 0:23:47 | 0:23:48 | |
They also gradually make their lessons harder for their pupil. | 0:23:48 | 0:23:51 | |
One of the things they have to teach them, | 0:23:51 | 0:23:53 | |
for example, is how to deal with a scorpion. | 0:23:53 | 0:23:56 | |
So they start by giving them a scorpion that's dead, | 0:23:56 | 0:23:59 | |
-then a live one with no sting. -Oh, my God! | 0:23:59 | 0:24:02 | |
And then, finally, as you can see, there it is watching, | 0:24:02 | 0:24:05 | |
making sure that it's all going well, | 0:24:05 | 0:24:07 | |
if the scorpion escapes, it pushes it back in. | 0:24:07 | 0:24:10 | |
And then eventually they give one a scorpion with a sting, | 0:24:10 | 0:24:13 | |
so that they make sure their young pup... | 0:24:13 | 0:24:14 | |
The last, the last lesson is, "Don't get in that square with a scorpion!" | 0:24:14 | 0:24:19 | |
Yeah. But I think it's rather, it's rather impressive. | 0:24:19 | 0:24:22 | |
If you see a square with a scorpion in it, go round it. | 0:24:22 | 0:24:25 | |
It is pretty impressive, isn't it? | 0:24:27 | 0:24:29 | |
-It's amazing! -And do any of their young die? | 0:24:29 | 0:24:32 | |
I think they're such good teachers, | 0:24:32 | 0:24:33 | |
-they know exactly what they're doing. -Really? -Yeah. | 0:24:33 | 0:24:36 | |
They don't give them a live one, even without a sting, | 0:24:36 | 0:24:38 | |
-until they're sure they can cope. -So they're ready. | 0:24:38 | 0:24:40 | |
-And you would start on, like, a least favourite bairn, wouldn't you? -Yes! | 0:24:40 | 0:24:44 | |
While you were learning how to teach. | 0:24:44 | 0:24:45 | |
"Hang on, he's boring, let's do him first. He's lazy." | 0:24:45 | 0:24:49 | |
And you'd keep your good bairn for the end. | 0:24:49 | 0:24:52 | |
Are you saying there's no bad students, only bad teachers? | 0:24:52 | 0:24:54 | |
I imagine that. "You are ready." G-doong! | 0:24:54 | 0:24:57 | |
"Oh, you weren't ready, shit!" | 0:24:57 | 0:24:59 | |
Brian! | 0:25:01 | 0:25:03 | |
"I said a scorpion with no tail! Oh, God!" | 0:25:03 | 0:25:06 | |
And so to the fearful mess that we call General Ignorance. | 0:25:08 | 0:25:11 | |
Fingers on buzzers, please. How can I tell the age of this tree? | 0:25:11 | 0:25:16 | |
-Chop it down. -CRASH! | 0:25:16 | 0:25:18 | |
-Yeah, count the rings. -KLAXON Oh! | 0:25:18 | 0:25:21 | |
-Oh! Is that not right? -Well, not really, no. | 0:25:21 | 0:25:24 | |
It's a sort of rough guide, but it doesn't really tell you the age. | 0:25:24 | 0:25:27 | |
-Well, it's still a rough guide. Maybe that's all I'm after! -LAUGHTER | 0:25:27 | 0:25:30 | |
It's not all... | 0:25:30 | 0:25:31 | |
Maybe I don't care about accuracy, Stephen! Maybe I've got shit to do! | 0:25:31 | 0:25:35 | |
Did the question say...? | 0:25:35 | 0:25:36 | |
I'm afraid the answer is extremely annoying. | 0:25:39 | 0:25:41 | |
There are some years when it doesn't put down rings | 0:25:41 | 0:25:44 | |
and other years when it puts down two, even three rings. | 0:25:44 | 0:25:47 | |
So it's very hard to tell precisely. | 0:25:47 | 0:25:48 | |
-Wow. As it's getting older, it starts lying. -Yeah. | 0:25:48 | 0:25:51 | |
Not putting a ring down. | 0:25:51 | 0:25:52 | |
"Yeah, I'm doing it, I'm doing it. | 0:25:52 | 0:25:55 | |
"This ran out years ago, mate. 32 again!" | 0:25:55 | 0:25:58 | |
Dendrochronologists give a very annoying answer. | 0:26:04 | 0:26:08 | |
They say the most reliable way to tell the age of a tree | 0:26:08 | 0:26:11 | |
-is to find out when it was planted. -Yeah(!) | 0:26:11 | 0:26:13 | |
-Oh, shut up! -I know, it's not my answer, it's their answer. | 0:26:13 | 0:26:16 | |
-Passport! -Yeah! | 0:26:16 | 0:26:18 | |
Now, what colour is the moon? | 0:26:18 | 0:26:20 | |
CRASH! | 0:26:20 | 0:26:23 | |
Black. | 0:26:23 | 0:26:24 | |
OK! Well... | 0:26:29 | 0:26:31 | |
The dark side of the moon. | 0:26:31 | 0:26:33 | |
-I'll accept black, because it's... -The dark side of the moon. | 0:26:33 | 0:26:35 | |
Well, the sides are all the same colour. | 0:26:35 | 0:26:37 | |
-I know. -It's a nice thought, the dark side of the moon. | 0:26:37 | 0:26:39 | |
-But actually, all the moon is very, very dark grey. -Yes. | 0:26:39 | 0:26:43 | |
Basically, kind of charcoal. Almost black. | 0:26:43 | 0:26:45 | |
Not a light grey, not a silvery colour. | 0:26:45 | 0:26:47 | |
I mean, of course we get light... | 0:26:47 | 0:26:48 | |
No. It's weird, because you can't get grey cheese. | 0:26:48 | 0:26:51 | |
Right. I hadn't thought of that. Yeah. | 0:26:55 | 0:26:59 | |
It's quite bright, but not as bright as the Earth. | 0:26:59 | 0:27:02 | |
A full Earth seen from the moon is a lot brighter | 0:27:02 | 0:27:04 | |
than a full moon seen from the Earth. | 0:27:04 | 0:27:07 | |
That's because people leave their lights on. | 0:27:07 | 0:27:09 | |
That's probably the reason, yeah, yeah. | 0:27:09 | 0:27:11 | |
So the moon is very dark grey. | 0:27:11 | 0:27:13 | |
But what colour is the sun? | 0:27:13 | 0:27:15 | |
I've heard it's...green. | 0:27:17 | 0:27:19 | |
-Not bad. -Tartan, green? | 0:27:19 | 0:27:22 | |
Oh, you were doing so well, Noel. Tartan! | 0:27:24 | 0:27:28 | |
Well, on the Farrow and Ball colour chart... | 0:27:29 | 0:27:31 | |
Yes? | 0:27:31 | 0:27:32 | |
..it's mushroom. | 0:27:32 | 0:27:34 | |
Well, it is actually a kind of turquoise, so green is not bad. | 0:27:34 | 0:27:38 | |
-It's bluey-green. -Turquoise? | 0:27:38 | 0:27:40 | |
-It emits photons of all the colours. -Like a blue flame. | 0:27:40 | 0:27:42 | |
But slightly more blue-green photons than any other, | 0:27:42 | 0:27:45 | |
so it is, yeah, a slightly blue/green tint. | 0:27:45 | 0:27:47 | |
Wow. That is not fair. | 0:27:47 | 0:27:48 | |
The moon and the sun are just playing with us. | 0:27:48 | 0:27:50 | |
Well, yes! | 0:27:50 | 0:27:52 | |
It would actually look white from space, more or less totally white. | 0:27:52 | 0:27:55 | |
-Right. -As it does at noon, | 0:27:55 | 0:27:56 | |
if you were to look at it from the ground. | 0:27:56 | 0:27:58 | |
-Like a star. -But don't, obviously. | 0:27:58 | 0:27:59 | |
Yeah, the sun is white with a hint of turquoise. | 0:27:59 | 0:28:02 | |
And all that's left now is the rather messy business of the scores. | 0:28:02 | 0:28:06 | |
In last place, with minus 15 is Sarah Millican, I'm afraid! | 0:28:06 | 0:28:10 | |
APPLAUSE | 0:28:10 | 0:28:11 | |
In third place, with a jolly minus 14, is Noel Fielding! | 0:28:14 | 0:28:19 | |
APPLAUSE | 0:28:19 | 0:28:21 | |
With a highly impressive minus 4, in second place, Eddie Kadi. | 0:28:23 | 0:28:28 | |
APPLAUSE | 0:28:28 | 0:28:30 | |
It can only mean one astonishing thing. | 0:28:31 | 0:28:34 | |
In first place, with minus 1, Alan Davies. | 0:28:34 | 0:28:38 | |
CHEERING | 0:28:38 | 0:28:40 | |
Well! | 0:28:45 | 0:28:47 | |
That's this mess cleaned up. | 0:28:49 | 0:28:51 | |
So we thank Eddie, Noel, Sarah, Alan and me. | 0:28:51 | 0:28:54 | |
In the words of that prolific writer, Anne Onymous, | 0:28:54 | 0:28:57 | |
"Chaos, panic and disorder. My work here is done." Goodnight. | 0:28:57 | 0:29:01 | |
APPLAUSE AND CHEERING | 0:29:01 | 0:29:03 |